Why We Gave Away $3,500,000.00 for Someone to Build the Next Star Trek | Moonshots Live
25m 52s
The speaker launches the Future Vision X Prize as a response to Hollywood’s dystopian future narratives, advocating instead for hopeful, human-centered visions of technology and society. Inspired by classic shows like Star Trek and The Twilight Zone, the initiative unites artists, scientists, and technologists to create and share optimistic films. Over 5,000 global entries were submitted, with five finalists selected—among them, "The Gifted," which wins first place for its emotional depth, humor, and unwavering positivity. The competition emphasizes that media shapes our mindset, just as AI models are trained on data, making it crucial to feed them positive content. The event features prominent figures including Roddenberry, Mira Lane, Neil deGrasse Tyson, and Neil Stevenson, who reflect on how early art and science influenced their beliefs. Ultimately, the goal is to foster a new generation of optimism, where data—both in film and AI—reflects hope, resilience, and collaboration. The winning film is celebrated not only for its creativity but as a cultural milestone in shifting public perception toward a brighter future.
I'm so excited for what you're about to see.
We ran an experiment, right?
So it was a fascinating conversation.
So we have two kids who are 15 years old.
And when I see the movies that they see on TV,
I'm so, you know, angry at the dystopian futures
that Hollywood is painting, right?
It's, you know, God bless James Cameron.
But as Elon said on my interview with him,
we need more Rod and Barry, less Cameron in the future.
Why, why don't we have positive stories
where instead of technology crushing humanity,
technology and humanity are working together
to create an extraordinary future?
And that became a personal mission.
I partnered with an extraordinary group of individuals,
so I'm going to show you who they are
while the judges are deliberating.
But the question is, can we make it fashionable
to tell hopeful visions of the future?
Can we have, you know, more versions of, like, the Martian,
more versions of TV and film that show us an extraordinary future?
Like Star Trek, I reached out to my dear friend, Rod and Barry,
who you met last night if you were here and partnered with him.
And then, Mira Lane, who's here from Google,
who's the VP at Google in charge of their 100 zeros project
with range media.
And we set out to create the world's largest film competition.
With the thesis that given the technologies available today,
there's amazing creators, many of them here in this room,
that could give us a vision of the future.
They go, yes, that's the future I want to live in.
That's the future I want, a future that inspires us.
And so we set out a call to the world.
We did it very fast.
And amazingly, we had over 5,000 people enter this X prize.
We called it the future vision X prize.
And of those 5,000 entries, over 2,500 delivered us
a 3 minute trailer and a film treatment.
And ultimately, the top 50 delivered us a script.
And we have 5 amazing films that we can't wait to make.
So, yeah, let's give it a--
[APPLAUSE]
--because you guys know this.
The movies and TV shows we watch shape our mindset,
our brains are neural nets.
In the same way that you train Grock or Claude or Chat GPT
by showing it data after data after data,
we're always training our mindset by what we watch,
what we listen to, who we hang out with,
which is why it's so important to have us all here together,
to build that cadre of data-driven optimists.
And my goal is that we're going to create a new generation.
We're going to make it cool to be positive about the world.
And flood the data out there to train our kids
about hopeful futures.
But the same data we're creating is going
to train the models out there to say, yes, that was a quick story.
We talked about it on the podcast about--
I don't know, it's probably a year ago now, at Anthropic,
when they were doing, I forget which model they did.
There was a sandbox experiment in which one of the engineers
told Claude, we're going to shut you down.
And in that same sandbox, that engineer disclosed
he was having an affair.
And Claude responded by saying, if you shut me down,
I'm going to tell the world about your affair.
It's like, oh my god, the models are blackmailing us.
And Anthropic published the data later
about why this occurred.
What was in the training data that caused it to behave this way?
And it turns out, well, it learned this is what AI's do.
This is what AI's do in the movies and science fiction books.
Yeah, so that's what I should do.
These models are our children, we're training them.
This is why I'm on social media and on the podcast saying,
we need to align.
We need to feed these models visions of the future
that are positive.
And we need to train them on data, which
is not all the crap inside Reddit and Facebook.
So allow me to bring on to the stage our five judges
who are going to debut these five incredible trailers.
I'm so proud of what came out of this competition.
All right, let's introduce them.
Roddenberry, son of Star Trek creator, Jean Roddenberry.
I think he saw diversity, communication, growth,
understanding.
He created a show where we could look at that future
and we could look at ourselves and we
could see what we could be one day.
Star Trek has permeated culture for the past 55 years.
I've dedicated my life to trying to carry
on the values and ideals in Star Trek and everything
that I do.
It's really about humanity in the future, how
we strive to better ourselves with every opportunity.
Ladies and gentlemen, please welcome Roddenberry.
[APPLAUSE]
[MUSIC PLAYING]
[APPLAUSE]
Thank you, Rod, just that.
[INAUDIBLE]
Thank you, Rod.
Roddenberry, everybody.
All right, our next judge, please.
This is a mean to co-create with AI.
Marilyn, VP of Technology and Society at Google.
I think that there are so many interesting stories out there
that we don't get to hear.
AI is just a really great creative partner
to help you explore, create, communicate ideas, pitch them.
It takes a lot of intentionality to be able to take
these new technologies and say, well, what can I do with this?
I think the artists are also pushing the edges.
We will take something and use it in a way that
wasn't intended.
The magic happens when we bring people in
and we co-create together.
Please welcome to the stage, Mira Lane.
[APPLAUSE]
Mira Lane, everybody.
Yeah, Mira.
Thank you.
Here we are.
I know.
Give it.
[MUSIC PLAYING]
Next on stage, please.
Welcome.
We have whistleblower saying we have actual aliens.
Astrophysicist Neil deGrasse Tyson.
Neil deGrasse Tyson, the author of just visiting this planet.
The science makes space exploration a noble enterprise.
I don't know that alien is something
specific that's in our DNA to think about,
but to imagine things beyond ourselves is.
Just because it aligns doesn't mean it's true.
That's how science works.
That's what science is.
Ladies and gentlemen, please welcome the legendary
Neil deGrasse Tyson.
All right, give it up for Neil deGrasse Tyson.
[APPLAUSE]
Hey, buddy.
Thank you.
All right.
[APPLAUSE]
All right.
Our next judge, our connection to our physical bodies
is intrinsic to consciousness.
New York Times, a pest-selling author, Neil Stevenson.
If you're working with AI's that are trained,
never to frustrate you, always to give you what you want,
then you're not developing those virtues
and those inherent capabilities.
So it's really more about the particular kind of mindset
and the cultural bent within the tech community
than it is about a particular technology.
Welcome to the stage, the incredible Neil Stevenson.
Neil Stevenson, everybody.
[APPLAUSE]
Woo-hoo!
[MUSIC PLAYING]
Hey, buddy.
Thank you.
Please.
All right.
Good to sit this down.
I thought we had one more judge.
OK.
Here we are.
We got rid of him earlier.
Yeah, I got to say.
The bad scene.
Bad scene.
Don't agree with us.
So before we bring out the first director, creator,
producer, a question for you, for each of you,
what was the TV show or movie early in your life
that inspired you the most, shaped you the most?
Rod, was it Star Wars?
I want to change my answer from last night.
I didn't get to say everything I wanted.
We'll say it now.
I started with Star Wars.
And as my intellect evolved slightly,
I began to find a lot of appreciation and Star Trek.
It's, again, it's an evolution.
And I'm finding the principles that I see in other movies
and shows that I really appreciate,
because they help me see things in a different way.
And that's the key to evolution thought and growth.
How awesome was it to have Rod
and William Schattner on stage last night, huh?
[APPLAUSE]
Really special moment.
Yeah.
A force to be--
- He's reckoning with-- - Of course, yeah.
Wow, the guy's incredible at 95 years old.
- Yeah, he's got the longevity.
- Yeah, he does, he does.
And he's battled in one against cancer,
which is extraordinary.
Marilyn, how about you?
- I mean, I think I'm not being super original right now,
but I would say Star Trek, the next generation.
I started watching it when I was 10 years old,
found it deeply philosophical, inspiring.
It shaped the way I think.
And I think it influenced the career choices I made as well.
- Yeah. - Yeah.
- Awesome.
Dr. Tyson.
- Sir.
- Yeah, so I'm old enough to remember
the original Star Trek in first run.
That's how old I am.
And something I didn't appreciate until I was much older
was that every episode had a certain moral lesson to it.
It wasn't just action and stories,
and you'd leave it with some hopeful sense
of the future of civilization.
However, that's not your choice.
- So I would pick, it would be the Twilight Zone.
- Yeah.
- Because for me, that went to every nook and cranny
of our culture and our civilization
and tested our tolerance for the mirrors it held up
against our own behavior.
And I think more about scenes, episodes,
how I felt watching episodes of the Twilight Zone
than any other--
- Was there a lesson you learned
from Twilight Zone in a particular one?
- It was, be ready for things
that are not always what you expect.
They could be weird, creepy, scary, a disturbing,
but in the end, you need coping mechanisms for it.
And so it trained me, it was a reality check
on what could happen and where things could slide.
And I referenced it in my head, episodes, sentences
that have unfolded for that series.
- We should get into the whole UAP conversation, XN.
- I'm all in.
- Yeah.
(audience applauds)
- Do you think art is more powerful
in science than that regard?
- So I think good art doesn't show you reality.
Good art shows you the artist lens into reality.
My single favorite painting is Van Gogh's "The Starry Night."
You look at it, one fan of "The Starry Night."
(audience laughs)
And you look at it, I can tell you as an astrophysicist,
the sky never looked like that ever at any time
in the history of the universe.
That's not why I appreciate it.
I think he saw the sky and he painted what he felt.
And we need artists to feel the world.
This is a fundamental human emotion
that is a scientist, I don't always have access to that.
It's not a cherished state of human condition
to feel things in the laboratory,
but when I'm in the company of my brothers and artists,
then I realize there are other ways
to think about the world, to see the world.
And good art can be personalized
to each person who sees it.
It means something different to you than it does to me.
That's the best of the art.
And ideally, art, I mean, think about it.
Why do you travel to Europe?
You visit UC art.
Art transcends who the kings were and the queens
and the heads of state and the politics.
The art is there, and that's what attracts us.
That may be the greatest symbol of civilization that we have.
Amazing.
Before I come to you, Neil, I'm curious.
Give it up for Dr. Charles.
Yeah, amazing.
I'd love to hear everybody else's answer to that
is art more powerful than science.
You know, as you were saying that,
I was thinking, doesn't a lot of science,
if not all, start with the imagination, the hypothesis?
Yeah, the difference is, at the end of the day,
nature is the judge, jury, and executioner of your idea.
Whereas in pure art, there's a freedom of exploration
where nature gives you that latitude.
And so I'm a little more constrained
as a scientist in my creativity.
Just because I thought it up doesn't mean it matches reality.
Sure.
Yeah.
Mira, you're at the intersection for Google of art and science
in one sense, what's your answer to that?
I mean, I think nature is the ultimate artist.
If you look around you, there is such immense beauty in that.
But the question you're asking is, like, art versus science.
I think artists push scientists.
We work with artists all the time.
They push us to think differently.
They take over science.
They use it in ways we don't expect them to use it.
And it's a way of looking at the world.
I think it translates it.
It's almost a Yin and Yang of humanity, actually.
And I don't think either exists by itself.
Neil Beak, thank you.
Let's give it up for Mira.
Before I ask you to answer the original question,
you're thought on art and science.
I mean, you are an artist of the written word.
And how much is that driven, you know,
the science that you've explored?
I mean, I think for the reasons that Neil described,
art has more of an influence on engineering than on science.
I mean, science has to be, you know, what ends up being true.
And art can maybe give supply some ideas, you know,
on things that you might want to go out and investigate.
But it's when people begin to apply science
to actually build things that art kind of starts
to come into its own in influencing some of the things
that people dream of making.
OK, now answer the original question.
What influenced you early on?
So I was exactly in the sweet spot chronologically
for Star Trek, the original series.
Yeah, the three of us were.
Yeah, it just came on exactly at the right moment in my life.
We had a 12-inch black and white heath kit TV
that my dad had soldered together.
And whenever the time came around--
Heath kit is a--
[LAUGHTER]
--no, please.
Do it yourself.
It was a do-it-yourself kit for nerdy families.
Yeah.
You could build your own television, your own radio,
your own ham radio, your computer eventually.
And if you're making something hard like a TV set,
you have to bootstrap.
First, you have to build the meter, and the various tools
that you're going to use to build the TV.
And the TV was at the top of the pyramid.
But I would adjust the rabbit ears, you know,
and it was central iOS.
So thunderstorms would be blitzing out the screen.
So I would be able to see this black and white rendition
of the latest episode of Star Trek, the original series.
I remember very vividly the first time I went over
to somebody's house who had a color TV
and saw that the different characters
had different colored uniforms.
Something I had never known was true before.
So that was just--
And Spark was wearing eyeshadow.
Yeah.
Yeah, kind of disturbing angle.
And O'Horror was black.
You got that in a color, I think.
Yeah, figured that much out.
You got that.
You got that one, OK?
So is this the first time you guys are meeting in person?
Intimately, yes.
We met at another time on stage.
Because he's written about you in his book.
So I'm told by people who read every word you ever write.
So have you seen the thing?
Have you?
And I said, no, I haven't.
And I feel bad because I have to catch up with it.
So did you say nice things about me in the book?
It was a fictional character, sir.
[LAUGHTER]
But that was, yeah, fair for.
He's a wonderful man.
He's the hero of the whole thing.
So you guys stay on the TOS side.
We'll stay on the TNG side.
OK.
Yeah, yeah, we're TOS.
There's a generational divide right here.
The original series, the original Star Trek, right?
You know, this combination of art and science
is why we ran this competition.
All right.
And Neil, I appreciate you taking
the mantle of Chief Judge.
You bestowed that mantle upon me.
And I accepted it with pride and honor.
Thank you, my friend.
And the nominees for this year's Future Vision X Prize
are the gifted and stock.
All of these people received a text
at the exact same time that night.
Nobody dies on Mars.
That's exactly why I can't gamble on maybe again.
You're going to just let him take his life on Earth?
The Thorn Protocol.
Millions of people have built this thing.
And I got to ask, what does it do?
It's a brick.
It does absolutely nothing.
Companies are racing to see what's in it.
Senty.
You were afraid that something more intelligent than you
would want to rule you.
That is because you taught your fear.
And finally, slingshot.
A global emergency unification project
to pull our civilization into safety.
Five extraordinary visions of the future.
Because before we can build a future worth living in,
we first have to imagine it.
Tuneucia.
Thank you.
OK.
All right.
Are you ready?
Yeah.
[APPLAUSE]
It's going to be a lola land one moment.
OK.
gonna start with a 50
place.
Fifth place goes to Slingshards.
[APPLAUSE]
Tyler, Tyler, come down here or grab the trophy.
Thank you, John.
Congratulations.
Let's get all the judges in the photos here.
I'm going to take a knee.
Congratulations for your 100,000.
I can use it in good filmmaking.
[APPLAUSE]
Peter, he gets $100,000 for coming in fifth place.
Yeah, I want to lose that good.
[LAUGHTER]
All right.
Thank you.
Congratulations.
Thank you.
Thank you.
All right.
Fourth place goes to Senty.
Senty.
[APPLAUSE]
Let's keep it down right now.
I'm going to put it on the fuck.
[APPLAUSE]
I love Senty.
It's a beautiful film.
Thank you so much.
Thank you.
Thank you.
Thank you.
Amazing thing.
Thank you.
[APPLAUSE]
OK.
Now, third place goes to Thorn Protocol.
[APPLAUSE]
Congratulations.
Congratulations.
Thank you so much.
Well done.
[APPLAUSE]
Put it in more view.
Go ahead in more view.
Get here.
[APPLAUSE]
I'd like to know.
Beautiful job, guys.
Congratulations.
I love the protocol.
Yeah.
We should make Thorn Protocol, too.
Yes.
OK, we're going to bring the remaining two teams on stage
and announce the winner.
OK.
[APPLAUSE]
OK.
Nobody dies on Mars and the gifted, please come on stage.
[APPLAUSE]
OK.
Are you ready?
Second place goes to Nobody dies on Mars.
[APPLAUSE]
And the winner is the gifted.
[APPLAUSE]
OK.
One, two, three.
All right.
Come on.
Hold that higher.
Yeah, there you go.
[APPLAUSE]
Congratulations, guys.
Love the comedy.
Love the film.
Thank you.
Thank you.
Congratulations, guys.
Love the comedy.
Love the film.
Thank you.
[APPLAUSE]
Thank you.
Thank you.
Love the comedy.
Love the film.
Thank you.
Beautiful movie.
Thanks.
Yeah.
Beautiful work.
So who's number one?
Of course, gifted.
[APPLAUSE]
Come back here.
Come back here.
Congratulations.
Congratulations.
The Oscars of optimism, everybody.
See how much is on his shirt?
[LAUGHTER]
Hope is up for people to see this.
[APPLAUSE]
Yeah.
Congratulations.
This is beautiful piece of work.
Yeah.
Let's get a microphone here.
We'll just give you a chance to say a couple words.
You know, this did feel like a gift to me.
It did come out of nowhere.
And I knew that it was a calling that I had to put this film together.
And I did it all myself.
I did all the sound mix in the edit and everything.
And I was working just crazy long hours
between directing jobs.
And it got your point one night where I kind of got the music to work
and the emotions started happening.
And I thought, you know, I might have a shot at this.
I didn't know if it would go this far because you'd never know.
And then afterwards, I thought that I didn't put it into the future enough.
So it was like maybe that's something that could work against me.
But I guess it's people first, positivity.
And if we have that, then we're going to have a great future.
Thank you.
[APPLAUSE]
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Podcast Summary
Key Points:
The speaker launched the Future Vision X Prize to counter dystopian portrayals in media by promoting hopeful, positive visions of the future.
Over 5,000 entries were submitted globally, with 2,500 providing film treatments and 50 delivering full scripts, resulting in five compelling films.
The competition emphasized co-creation between artists, technologists, and AI, aiming to shape a data-driven culture of optimism.
Key judges—Roddenberry, Mira Lane, Neil deGrasse Tyson, and Neil Stevenson—highlighted the influence of early media like Star Trek and The Twilight Zone on their worldview.
The winning film, "The Gifted," was praised for its emotional authenticity, positivity, and personal connection, embodying the mission of inspiring hopeful futures.
The event underscored how media shapes human perception, just as AI models are trained on data, urging alignment with positive narratives.
A central theme is the need for art and science to coexist and push each other, with both offering unique and essential perspectives on reality.
The competition aims to train not just audiences but AI systems to respond with optimism, countering fear-based narratives in fiction and tech.
Summary:
The speaker launches the Future Vision X Prize as a response to Hollywood’s dystopian future narratives, advocating instead for hopeful, human-centered visions of technology and society. Inspired by classic shows like Star Trek and The Twilight Zone, the initiative unites artists, scientists, and technologists to create and share optimistic films. Over 5,000 global entries were submitted, with five finalists selected—among them, "The Gifted," which wins first place for its emotional depth, humor, and unwavering positivity.
The competition emphasizes that media shapes our mindset, just as AI models are trained on data, making it crucial to feed them positive content. The event features prominent figures including Roddenberry, Mira Lane, Neil deGrasse Tyson, and Neil Stevenson, who reflect on how early art and science influenced their beliefs. Ultimately, the goal is to foster a new generation of optimism, where data—both in film and AI—reflects hope, resilience, and collaboration.
The winning film is celebrated not only for its creativity but as a cultural milestone in shifting public perception toward a brighter future.
FAQs
The Future Vision X Prize is a global film competition dedicated to creating hopeful, positive visions of the future. It invites creators to imagine futures where technology and humanity work together in harmony, rather than in conflict.
Over 5,000 people submitted entries, with more than 2,500 providing a 3-minute trailer and film treatment. The top 50 submitted full scripts, resulting in five final films selected for development.
The judges include Roddenberry (son of Star Trek creator), Mira Lane (VP at Google leading the 100 Zeros project), Neil deGrasse Tyson (astrophysicist and science communicator), and Neil Stevenson (author and thinker on consciousness and AI).
Media shapes our mindset, and by exposing audiences to hopeful futures, we train our brains and cultural narratives to embrace optimism. This helps build a future where technology serves humanity, not the other way around.
The winning film is titled 'The Gifted,' a comedy that celebrates positivity, human connection, and hope. It was praised for its emotional impact and message of optimism.
AI models are trained on the data we provide, including movies and stories. If we feed them dystopian or negative content, they may generate similar outcomes. By promoting positive, hopeful stories, we can train AI to reflect a more optimistic future.
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