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WE’RE GOING TO THE FINALS!!

29m 43s

WE’RE GOING TO THE FINALS!!

The dancers reflect on their journey through the competition, celebrating personal growth, strong partner chemistry, and creative innovation in their performances. A key dance, Val’s Waltz, is reimagined as a blend of Purple Rain and original choreography, showcasing both homage and reinvention. The team emphasizes emotional connection and fluid movement over technical precision, focusing on feel, communication, and presence in their routines. Personal style choices, including bold costumes like the "Little Red Corvette" and dynamic hair changes, are highlighted as integral to their performance identity. As the finale nears, nervous excitement blends with confidence, fueled by consistent effort and mutual support. The dancers express gratitude for their journey, fan engagement, and the emotional highs of the season. They also promote a ticketing platform, Seekig, with a discount code, emphasizing transparency and accessibility. The overall tone is upbeat, heartfelt, and full of shared joy, with a strong sense of community and accomplishment as they prepare for the final performances.

Transcription

5084 Words, 24537 Characters

English
(upbeat music) - Oh, I just see. (laughing) - Need a little. - Oh. - What? That's something that happened. - The girls? - Yeah. - I think so. I hope we're the girls. - In their 20s or 80s, like, I don't-- (laughing) - It wasn't like I'd be in my pants. It's just like, a little simple. - But it's double worth, what's it? Because then secondly, why would you say that out loud? - It just 'cause it happened. Sorry. - You should say, I've been taking so many vitamins. I've never taken a vitamin in my life. It's like, there's no time to be sick. - So, a comment you made about Valsfits. - Oh, did you see that? I was so embarrassed. At J.Q., there were, like, the best dressed man in the year. And I was like, I would say, we're gonna go with my dance partner, Val. He has been bringing the looks to rehearsal every day. - I did see that. And then their b-roll of me, my fits, were just some trash-ass fits. - Yeah, like, we're in the air, bro. - I don't know what for outfits. - There's a few comments where I love the camera, but I ask you questions. - Oh, I've seen all those comments. I kind of love it. - It's a big hit. - Well, he's got next six points. - Behind the camera. I think we should start a reality show. Sort of, like, the simple way. You know, like, we'll go, like, do different crazy things. - I'm so down. - I think it'll become. - Now now, take Tokyo. We can swim with sharks. - That's cool. - That is really scary. - It's really scary. And sharks come up to you, like this. And you have to put your hand on their face, like, tap them on. And there's, like, 40 of them. Have I ever shown you these photos? - No. - This is the first time I hear them. - What's the dance to Purboran? - Vinnie's Waltz is the only dance that we could really, for so go back enough into the season, 'cause, like I said, he lives in the Pasa world and in the Tango world, and we just did a Pasa and just did a Tango, you know? We can't do, like, a jazz, because we've done it. You could do, maybe, a jazz, which is a little more interpretive. We can do contemporary also. We couldn't get the jibes, because other couples already had that. Couldn't get kiss as a cha-cha, 'cause someone else had that. - I'm really wanted. - And it really is kind of, like, first comperserv, you know? - Well, we were last. - We were last. - I don't know where we were last, I don't know. - But we ended up with great talk for last. - But production was like, yo, there's still purple rain if you want to switch it up. I was like, okay, Vinnie's Waltz. It's far back enough, and we could reinvent it. And it's not a pure Vinnie's Waltz, so we're making it work, 'cause it does have a swim. I think we did a pretty good job honoring both the prints, purple rain, and the V's Waltz. - I love our dances this week. I think they're my favorite dances so far. We just have to get them down. Okay, you wanna see the shark or not? - Yeah, I wanna see the shark. - So it's a bunch of sharks like this? - Yo, I'm not, I can't do that. I'm sorry. Let's put on our shoesies. - If we make it to the finale, we have to prepare six dances. - Wait, what? - You have one stop, a new style. You're free style, and then there's an instant dance challenge that I don't know, we don't know what style it is until like a minute before we dance, and it can be one of four styles. And we won't know the song. So like, yeah, that's gonna be so great. I'm not gonna be stressed out at all. - That's sick though. - Tyler, no, it's not. - This one is a little thicker heel, but this one is a little bit shorter. - What are you looking for with the heel? - Something I can dance. - I'm gonna let this cute, but the one on the right feels like it's the one that you're most solid. - He's like, it looks like you're wobbling. - Okay, so that one's out, next. - Yep, so this one, under this one? - Yep. - This one is so pretty though. - You can go where to the after point. - He's gonna go. - From the jump. - Cool, yeah, they're beautiful, I think. - Yeah, they kind of look like a liar. - I don't know what that is. Is that a brand? - Yeah, I just got these heels from there, and they kind of have this in my top. (upbeat music) - Cool and dark blue. (upbeat music) - I love the hand, with the eye and the hand. - You can charge with the hand. - You're charge of selling it off the back. - Not that, you're going. (upbeat music) - So, three, four, five, six, seven, hit me. And four, two, eight, nine, two, two, five, six, seven, eight, five, six, seven, hit me. - I just have to pee. - Yeah. - Damn. - Damn, damn, damn, damn, damn, damn, damn. (upbeat music) - Cool. Let's go count. Nice, can you, can you just keep walking indefinitely? Like, literally walk forever. - Don't wait for counts, just go. Walk around, man. - Keep going, forever, ever. - Forever. - Can you walk in here when you do that? - Nice, nearly a body's position. - Keep going, keep going, keep going, keep going, keep going. - Cool. - Nice. - I'm getting busy. - It's nice for children to see, see, see, see. - Mm. - Is that okay for you? - Now that's fine with that, that's right. - Now that I walk, but you see how moving into that turn instead of stopping when we picking you up, just falling into it. (upbeat music) - You step around, you get a turn on seven and eight. One, two, three, four, one. (upbeat music) Six, turn, seven, eight, four. - Yeah. What was the walk in my truck, man? - What's your energy? Does it come around? You're walking around. 'Cause right now you're anticipating turn, and I need you to sell that walk around. - I know. - This is right around, yeah. You can see the hear on your hip as you walk or it's living out here, yeah. - I swing, you shake. That's it. - No. - I swing, and you shake. - Easy. - Okay. - Nice. (screams) - Nice, nice, nice. - Now we're gonna swing. - No. - We're gonna swing, yes. But once we swing, we'll start to swing, and then we'll swing, and then we'll go back. - So, who's your hip comes around, back? - Yes. - Yes. - Yes. (clapping) - So even though I'm marking it, or we're not doing this with music, going over the feeling as well, right? I just wanna make sure so that you're not like, oh, I'm just going through the steps, not just going through the steps, going through the steps, with what those steps should feel like. - Right. - So we're not doing double the work. We're not learning choreography, then we're learning how to do it. - Yeah. - Okay. - From stopping or I'm doing it. That's why I want all of those connections to pull out. - There's something here again. (upbeat music) - Either here or there. - I'm only learning that one. That's how it's straight here. Cool, then we use that boom. Nice and small, we use it to pull. We use it to push. And we use it quickly. - And. - Cool, cool. - Yeah, we communicate. 'Cause we're good now. It's just gonna have a lot of time. - And. - Cool, cool. - Here we go. - Cool. - Ah, it's really good. - Can we try this one? I feel better. - Okay. (footsteps) - I think it needs to be a little taller now. And it's a little bit back and the arm is back. So no, that doesn't keep the arm on the side and sit up a little taller. Am I right? (footsteps) - Thank you. - You guys know that my life for the past three months has been dance, dance, and more dance. And it has been so much fun and I'm so happy that I got to just bring you guys along this journey because it's been such a special one. And now it's coming to an end. And normal life is resuming. And I'm just thinking about being in LA and all the fun at different events I wanna attend. Which is why I wanna give the sponsor of today's video, Seekig, a huge shout out. So whether you're grabbing tickets for Broadway, a musical, maybe you wanna see your favorite musical artist or a comedian, Seekig has you covered. They make it super easy. Sabrina Carpenter's coming into town. I would love to see her. And my favorite thing about Seekig is they will tell you and be honest about how good each deal is. So green means it's good. Red is probably bad. So you can scroll. There's different dots that kind of rate each deal. So we appreciate the honesty. - Thank you. - Hold on, let's take it my girl. - Like here, one ticket. - And with the holidays right around the corner, you can give the gift of tickets this year, and you could use code Alex10 for 10% off your Seeky tickets. That's 10% off tickets with promo code Alex10. So make sure you click the link in the description to have the code automatically added to your account so you can use it later. Thank you, Seeky. (beep) - Does it guys? - Yep. (laughing) - Woo, semi-finals day. Feeling good, feeling great. Okay, it's about to be dress rehearsal, and we have two dances. We have a Argentine tango of Viennese waltz and a hair change in the mix as well. So that'll be fun, but we did a little swoop through Lou. I actually haven't worn my hair up all season. I don't think I keep finding a way to have it down, but we're doing it up today because the Argentine tango, we need to be sharpened spicy. It's gonna be a really good day. Of course I'm nervous. Like this could be my last day here, my last week. So I'm just not even letting the nerves get to me. Thanks Tyler. So I'm just taking it all in. And I love my costume. So two costumes. This first one is for a little red corvette. So it's Prince Knight. And there's like this slit on the side. I guess I can't wear underwear. That's a little scary. We're gonna get ready. I mean, the costume team are besties. Oh, I like this hair actually with this like cut. - I love it. - That's cool. - All right, yep. So I'm already feel like I'm a better dancer. Every time they make these magnificent costumes, then I'm like, oh, okay, I can dance now. Hey. We're ready to tango. Get up in here. - No, no, no, no, no, no. - No, every week is, like, it's better somehow. That there's a whole costume. - No? - You sure? - No, actually. - What do you want? - I feel like it's a half commit. If you're gonna do a bun, like slick it. And if you want the messy, then do a half up, half down messy. But you might look kind of cool if I'm slid. - I was going for like casual bun look, not like super slick, but that's contrasting, you know. - Actually, I like it. I like it. - What happens when two in the size of people come together three months? (laughing) - Nothing gets done. - Nothing gets done. - I'm like very easily swayed. - My priority is this. You look amazing. You're happy? - Yeah, I love it. - Yeah, no, it's cool. All right, get dressed, hurry up. We gotta go. - What? - We have to walk at 110. I need to teach me the opening number that I don't know. - You don't have the opening? - And we have to make TikToks. - Jesus Christ. Okay, I was gonna take five minutes. - No, I'm gonna take five minutes. - Okay, I'll come back. - Cool. - Three. - Three now. - Three and a half. It's settled. - Yeah. - Hey. - Hey. - Oh, wow. - Do you know how to do it? - Oh, wow. - See, I love it. - I'm obsessed. - You look so hot. - You look so hot. - Thanks. - I love the bomb. - I kinda like the texture. It feels more like dancing. - Yeah. - Must be my favorite dance I've ever seen Valdu in all of my years. - What? - Dusty wave. - Just, I literally-- - So I was only half baked perforated. - It was half baked, then full baked is gonna be-- - Well, you perform it for camera, right? I'm not performing anything. - Well, you perform it for camera. - Val, did you hear what he said? - Yeah, I did. - Very impactful, right? - You can't win with him. (laughing) - What's up? - How are you doing? - How do you feel? - How do you feel? - Good. - Good. - Good. - Good. - Good. - Good. - Great. - I didn't see a tango by Sarabena's ball. - It's stunning. - Thank you. - It was stunning. - I like, I'm so nervous because I'm so nervous. And I just really can't see the stairs. - Oh, 'cause it comes off, the ball comes off the-- - The ball's like up there, and I don't know. I was like, so-- - Just go on to Val. And if you fall, just look hot, that's all that matters. And you already got that part down, so-- - We're going to the question tonight. Let's go. Let's go. Oh yeah. - Come on. - We're going in there. - Are you ready? - These are the drive pants. I can feel the drive. - The drive energy is here. Let's go. (upbeat music) Dancing the Argentine Tango, with her partner, Velchmeikowski, it's Alex Erl. (upbeat music) - Maybe it's slide down. - Yeah. - Okay, so we'll practice those things. We should get changed. - Yes. - Can I make an adjustment please? I started soon and then you talked me out of it. This, we don't need that position. Let me put you down and can you open, just like you open here. From here, you would just step out. That'll clean up that, but to me, there's just two moments that I want to make better. Moment number one is this transition. Just cleaning up our feet and our connection in the process because maybe we don't have to whack that eight so much. From eight, that inside foot is a big step. - Okay, that's what I'm not doing. - Yeah, 'cause you're anticipating this too. You're like, I gotta twist. Moment number two is this. By far, this is excellent. This was so fucking good. And then from here, I don't want this. I want you to come out and get your chest open. Ready to spin, really, really sharp. This was really good. - This was? - Yeah, you coming out in a lot of day. You're on this fire too. No, this was excellent. I think there-- - You did it, look at me again there. - You did it? - You did for the first one and then you left. - That happened, I'll fix that. I feel like don't leave with your head. Leave with the chest and the jump. - I tried to do too much. Think height and just chest-- - Your head is a cherry on top of that. - It's weak. (laughs) - That's all, that's why I felt force instead of-- - Yeah. - Otherwise, I had a freaking good time. Little Red Corvette. (laughs) - Do you guys have a minute per session? - Yeah. - There they are. There they are. There they are. - You're never going to play. - Hey, can I see 'em? No. - Yeah, it's just this one. - Yes. - Yeah, thank God I saw it. - I'm gonna see one more, make a stupid ass face. - Oh, right. - Just go. - Just smile, just be yourself. - Okay, that looks good. That looks good. - Okay. - Thanks for carrying that. - My hair looks amazing. - Looks so much better than in the bun. - Does it? - Yeah, it looks way better without-- - Really? - Like now? - Ty. - Are you flirting with your bro? - Yeah. - Okay. - So then should I do this for the dango? - No, it's gonna be too-- - Too much. - Too much. - That's good though. - I'm gonna do it. - Then I can go. - Yeah, free. - Just try it for me then. - No? - Yeah, do it. - Let's see what it looks like in the walls. - Okay. - Yeah. - That was actually my best one. - How did I get out of here? - How did you get out of here? - Did you see the cake after-- - How did you feel? - Good. - Yeah. - Good. - Just some changes. - Yeah. - Yeah, one thing I was going to tell you about this. - Don't do it with that. - Yeah, okay. - We already-- - Great, so much. - Same page. Just because it takes away from the bike. - Yeah. - Yeah. - And it's like hotter, you know. - Look at that. - Yeah. - It's so good. - 'Cause after that. - Yeah. - Yes. This one. - Yeah. - So good. - And we just said after-- - Yeah. - Well, we're gonna clean up that eight. - Mm-hmm. - The eight. - One, two, nine. - We were awesome. - But this was my-- - This was very nice. - Yeah. - From here we said just to open. - Yeah. - Totally. - Totally. - And you can throw into that. It's not about your number. It's not about your length. It's about a float. I'm pressing down with this left arm. Rather than thinking about cooking length, it's float. See how high I get? The pushing down. So it's a less than that your length and the more about your arm. It's just down. - Good. - Good. - Nice to meet you. - One minute. - One minute. - Woo. - Woo. - Yeah. - Woo. - Woo. - Oh. - Yeah. - Wow. - Look out. - Woo. - Wow. - Oh. - Woo. - That's very romantic. - Yeah. - This is actually for my remember. - I want it now. - I want it now. - I want it now. - Man. - Can I give feedback real quick? - Yeah. - Just because you're splashing that. - Get lower. - You're doing, look. You're doing everything. You could just getting a little lower. We'll give you more. - Thrash. - Guys, it's so good. Like, chills during the dance. - This one's special. - Yeah. - It's so good. - It's so beautiful. - You think of my hair like this. - I love it. - You don't think do it that half a half down. - Oh. - I don't have my hair out. You don't have hair for both of us. - I have a fight of food. - It's like, oh, we have so much time. We have so much time now. All of a sudden. It's like, we have no time. - I mean, shit. We could just stand here. And we could be like. Boom. Boom. Boom. You know what? You could just slide out. - Cool. - You know? - Then we dance. - What's that? - I don't know. - She's just channeling my friends. - Okay. Well, that's something, for sure. It's just, like, awkward central. - Is that pervert? - It's just, no. I'm not in fucking flavor. - Oh, did you try it? - No. I tripped on burpees. - Did you run? - Yeah. - Oh. - Okay. - Well, now it looks stupid for that camera. - That's the best. - Okay. - Okay, we're gonna do it again. Did you run? Yeah. Oh, okay. Well, now it looks stupid for that camera. That's the best. Okay, we're gonna do it again. Move out the way. Three, two, one. Three, two, let's go. Come out. - Whoa! - Spencer, get up it! (laughing) - Fuck. - Oh, it's so timey. - Come here. - Come here. - Come here. - You, it's purple right? (upbeat music) - You guys look so good. We're all gonna imagine at the end. Thomas, are you gonna cheer extra loud for us tonight? Are you gonna vote for me on that iPad? - You okay? - I can't. - You can? - Yes you can. - You better get some Wi-Fi and vote for me on that thing. - Ow! - You carried around 24/7. - You could vote Alex 20/30. - How do you feel? - How are you though? - I'm Alex. - Nice to meet you. - Nice to meet you. - You look stunning, very good. - Very good. - Very excited to be here, yeah. My first time. - We have a night. - Good luck. - Thank you. - I'm getting changed and to look too. For dance too. - How do you feel after the first one? - Good. Honestly, it's like I got black out when I dance. I don't know. Like I have to watch it back to see, but it felt really good. Got to work on my shoulders. Got has been a season long thing for me. I'm going to just channel that energy and do it better in this dance. - I'm going there sometimes. - I'm going down right here. - Nice to meet you. - Nice. - It's a little leg leg. - It's okay. - Ow. - And then that was my bad, but that was really good to meet you. So, I'll check this out. Sick. And then the camera and the guy. - What? - Yeah. - Good job. - Hi. - Yo. - Why did the camera go on the chair? - Does he probably trip over the fucking guy? - That's not what you're about. - The camera, but out of his hands? - Yeah. - Yeah. - Yo. - I'm so happy. - I'm so happy. - Come on. - I'm kind of off. (beep) - Hi. - Okay. Dance too, coming on. - Settle down was still treated with respect. I'm going. - I'm settled. - I'm going. - What? - What? - You feeling the hair? - Oh, fucking. (beep) - That hair. - That's what I'm thinking. - That was gals. - When you get up. - What? - What? - What? - Like, play it. - Play it. - I know you're using it to get up. I'm definitely going to show. - Yeah. - But just make it look a little song. - Like this. - And again. - Yeah. - And. - And. - And. (upbeat music) - Okay. (beep) Let me think of Alex's perfect sword tonight. - I'm very happy. It's all I have to say. - That's all you have to say? - It's one word. Very, we know. Two words. Very happy. - You hope she makes it next week? Or is she going to make it next week no matter what? What do you think? - I have a feeling you're going to make it. (beep) - Reminds me. - I'm going to stand my hand and be quiet at the ball. - Right. (clapping) - Tom. - Tom is going. - No. - No. - No. - Okay. - We're going to stand with him. - We're going. - Did you go first? - No, we're going to stand with him. - Oh, we can't vote. Come on, Tom is. Give me a hug. - You made it because it's a reality. (beep) (cheering) - So excited. Now we have a promotion. - Is this your guys' costume for next week? - No. This was Maleficent, don't you remember? - Oh yeah. - Do I get rid of this roll in my head for this? - This is the roll that is at the top of the show. - They've battled. - I love it. - Not stop dancing. - So you think? - The hero shots of the five finalists. - You got to look presentable. - Okay, a little good. I like your hair. - It was my face. That was-- - No. - Startling, it's okay. It's okay. - What happened was-- - Just stop talking. - Can I ask you a real question? - No. - Like, now that you're in the finale, I guess how excited are you to win or how disappointed are you to lose? - I want to go out and do my best. It would mean everything in the world to me to win. I'm excited that we got to dance the most amount of time that we could together and do as many dances as we could and I want to do an amazing fun freestyle, fun zombie and I think just really enjoy the night and take it all in. I want to do the best that I can. I don't want to look back and have any regrets. - Let's do it. Good. That's the right attitude. - What were your expectations coming in? Like, were you expecting to get this far? - I don't think they all had very high expectations. - I'm not sure. I don't have any expectations. Nobody owes me anything, but I have delusional optimism. I have a lot of pride in my work and the work of anybody that I'm affiliated with and the fact that my partner is so talented and so focused. Yes, I had a lot of confidence. I still have a lot of confidence. Again, whether that's tiptoes on delusion, I don't care. When we go to work, we do it very humbly. How hard we work. But on the show day, it's hard for me to not be proud and not be confident, because a lot of work has been put into earning that confidence. It's not just arrogance and delusion. It's earned confidence. I think that's very different then. I think we're the best. Alex has a big fan. You know, it's like that's not what my confidence came from. My confidence came from the fact that Alex showed up every day on time and broke her ribs in the process and broke her nose. And literally, I got elbowed in the throat, in the lip, and in my eye socket today. This means holding one hand. I really beat Valla. One day, you know? So that's where my confidence comes from. Hey, it's my finalists. Where's your buyback? I got to take a lot more off. The ball was getting a lot of love today. When you signed up, how far do you think you-- I don't know. I mean, I knew I was going to work as hard as I could and wanted to give it my all. And didn't just want to do it for a moment or whatever. Like, I really wanted to go in and learn as much as I could, but I think it was scary in the beginning of this competition, just seeing how talented the whole cast is and how amazing everyone is. So do you. Well, thank you. But yeah, I just kind of keep pushing myself every week. But I love what Carrie An said. Like, you really are by far the most improved. That meant the most to me. It's so true. How do many comment ever? It's been so fun to watch her grow. How long has it been? So how do you-- The more love it stays back, where is your blood? Where is your blood? Where is your blood? OK, but what do I do looking like this? What do you mean you look so cute? Why are you cleaning up? She looks crazy. I said go to some top shops. How is it? When he was like, I'm worried about your face. Guys, what do you want me to do? You want me to lie to you? You want me to just really appreciate your role. Yes, man. Why I got to be one of them? I just tell you how it is. Yeah! [SCREAMING] Oh, my God. Oh, my God. My little one's here. We're going to have so much fun. We have to bust out. OK, I have to go change. OK, what are you wearing? Black. Black. What do you think, Bob? What do you want to say? Congratulations! Oh, yeah. Congratulations. Thank you. Oh, my God. Congratulations again. Thank you so much. Oh, God. This is so good. This is so good. This is so good. Bro, this is all fun, huh? Oh, man. You made it to that moment. Beautiful. I just want you to know that. (bell rings)

Podcast Summary

Key Points:

  1. The dancers reflect on their journey, expressing excitement and emotional connection to the season, with a focus on personal growth and strong partner chemistry.
  2. They discuss a planned reality show concept involving daring challenges like swimming with sharks, highlighting fun, adventurous, and unpredictable content.
  3. A key dance choice—Val’s Waltz—is reimagined as a creative fusion of Purple Rain and the original Vinnie’s Waltz, honoring both styles while adding originality.
  4. The team emphasizes the importance of feeling and connection over rigid choreography, focusing on movement flow, communication, and emotional expression.
  5. They address costume and appearance, with personal style choices like the "Little Red Corvette" look and hair changes being celebrated for their impact on performance.
  6. Nervousness and excitement are balanced throughout, especially as the finale approaches and the team prepares for high-stakes performances.
  7. The show promotes a sponsor, Seekig, for ticket purchasing, with a discount code and emphasis on honest deal ratings.
  8. Audience engagement is highlighted through viewer feedback, fan support, and live reactions, reinforcing the emotional and communal nature of the competition.

Summary:

The dancers reflect on their journey through the competition, celebrating personal growth, strong partner chemistry, and creative innovation in their performances. A key dance, Val’s Waltz, is reimagined as a blend of Purple Rain and original choreography, showcasing both homage and reinvention. The team emphasizes emotional connection and fluid movement over technical precision, focusing on feel, communication, and presence in their routines.

Personal style choices, including bold costumes like the "Little Red Corvette" and dynamic hair changes, are highlighted as integral to their performance identity. As the finale nears, nervous excitement blends with confidence, fueled by consistent effort and mutual support. The dancers express gratitude for their journey, fan engagement, and the emotional highs of the season.

They also promote a ticketing platform, Seekig, with a discount code, emphasizing transparency and accessibility. The overall tone is upbeat, heartfelt, and full of shared joy, with a strong sense of community and accomplishment as they prepare for the final performances.

FAQs

The dance is called 'Vinnie's Waltz,' a reimagined version that blends elements of 'Purple Rain' and the original Vinnie's Waltz.

They chose it because it was far enough back in their season to allow reinvention, and it included a swim element that added uniqueness while honoring both the original and the Vinnie's Waltz style.

The shark swim challenge is a fun, intense, and slightly scary activity that the duo considers doing, symbolizing a bold and adventurous addition to their performance experience.

The finalists must prepare six dances, including one free-style dance and an instant dance challenge with an unknown style and song announced just minutes before performance.

Alex received positive feedback, with comments praising her energy, growth, and the emotional impact of her dance, especially in the Argentine tango.

Alex describes the season as a joyful journey filled with dance, growth, and connection, and she expresses excitement and gratitude for the experience and final moments.

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