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We Made Will Watch The Daily Wire’s Deranged New Movie

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We Made Will Watch The Daily Wire’s Deranged New Movie

The film *Run, Hide, Fight, Infidels* is a controversial action thriller produced by the Daily Wire, promoting a narrative rooted in anti-Muslim, anti-LGBTQ+, and anti-wokeness ideologies. It stars Jonathan Majors, who plays a Muslim-hating public intellectual with a minimal screen presence, while the film's plot centers on a college campus siege orchestrated by ISIS-linked terrorists. The narrative features extreme and offensive elements, such as a gay student being kicked off a building and a scene where a terrorist is depicted as using a leg press machine to crush a man’s head—a scene deemed physically unrealistic and deeply problematic. The film’s production is criticized for its lack of coherent plotting, poor realism, and deliberate targeting of marginalized groups. Despite some moments of crude humor or dramatic tension, the overall content is described as grotesque and ideologically driven, reflecting the Daily Wire’s broader pattern of producing polarizing, often offensive content. The film's reception is overwhelmingly negative, with critics and audience responses highlighting its bigotry, absurdity, and lack of artistic or narrative integrity. The production’s use of Jonathan Majors—whose career was previously damaged by controversy—is seen as a strategic, if problematic, inclusion, with his character appearing only briefly and seemingly added at the last minute. Ultimately, the film is viewed not as a legitimate cinematic work but as a vehicle for extremist messaging, prompting calls for reevaluation of both the film and the values behind its production.

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Hey, everyone, it's me, Sam Stein. I'm with my man Will Summary. This is not "Magamundays." There will be a "Magamunday." I'm not going to be on "Magamunday." Will will be. I'm atoning for my sins. Will apparently has no sins to atone for. I've already atoned by watching this film as we will get it to you. I paid my price. This gets you out. Okay. God, you're good with God for watching this film. Will just spend $15 for a streaming of the latest daily wire hit movie, run, hide, fight, infidels. I'm joking when I call it a hit because Will watched it and wrote a searing review of it. I'm a little bit like taken aback that he didn't see the cinematic brilliance of this movie. But, Will, why did they make this movie? Well, you know, this movie, it stars Jonathan Majors, who people may remember from Marvel, from other movies, up until he got arrested on a salt charge, kind of blew up his career. And so now he's hanging out with Ben Shapiro. So this is a movie that is the sequel to an earlier daily wire movie called "Run, Hide, Fight," which was kind of an action thriller about a school shooting, kind of grim. But now this one is sort of like that on a college campus and instead of sort of nihilistic school shooters, we have essentially ISIS terrorists who are, you know, terrorizing the campus and Jonathan Majors and some college students team up to take him down. But again, why did they make this movie? Well, you know, I mean, in terms of like why, I would say the daily wire obviously has always had this ambition to sort of take over the culture, offer a conservative alternative to the culture. This has previously been an ambition that's gotten them a lot of, you know, a lot of trouble in the past. They spent 20 million plus on pen dragon. They're kind of Game of Thrones-type fantasy show. They've tried this stuff over and over. And so they put out other movies. But this one, I think, is arguably the highest profile one. Jonathan Majors is certainly the biggest deal movie star they've had. Do we know how much it costs them to do this, by any chance? I don't think we know the budget at this point. I would say $3 based on how the set is designed and everything now. I actually, I will say to their credit, it looks decent. I mean, you know, there were some aspects that I enjoyed, but overall, this was a truly grotesque movie to watch. Okay, yeah. It's pure, unadulterated anti-Muslim bigotry mixed with, you know, a little bit of like anti-woven nonsense. And I don't know. Did they go after the gaze, too? It seems like they did. They have a scene where they kick a gay student off of building. We'll get to that in a second. But like, who else is targeted in here? Yeah, I mean, the gays, trans students, kind of wokies in general. You know, college administrators for portrayed as feckless idiots. You know, overall, I mean, really, I mean, it is sort of like the it's good to bring up upfront because the whole plot of this movie is so insanely anti-Muslim. It's not just that you have Muslim terrorists, but there's a lot of talk about essentially like all Muslims in America being kind of like sleeper agents for al-Qaeda or ISIS, Jonathan Major's character talks about Muslims breeding in the wombs of our women. And like, it's like really this kind of like, out ofistic, really like really like nasty stuff. All right, let me read your description of the plot. And you can just tell me to pause and you can sort of elaborate on the points that you want to make. But I guess because no one who's watching this is going to see this movie, I don't feel like we should say spoiler. You're not spoiling anything. I mean, I guess if you really want to watch it, you don't have to listen to this. But trust me, I don't think you want to watch this. Here's Will's summary of the plot. Somewhere in Somalia, Jonathan Major's character, Clay Sanders, and his soldier buddy, read a terrorist compound. But while they arrest the terrorist, Sanders' friend is fatally shot. Seven years later, the terrorist is on trial. And the son of Sanders' late friend is now at a college in Virginia, a wacko liberal law in university. It's the Biden era. Propelstein's student protests have hit the campus. And when you know it, Sanders, who is now a hardcore Muslim-hating public intellectual, the likes of which Laura Lumer might find a bit extreme, arrives on campus for a speech. Let's pause there. Why is he on campus for a speech? He has a new book, a book that is portrayed as so thick that it can stop a bullet at one point in the movie. And basically, does it actually stop a bullet? It does, and he quips. You're lucky I'm long-winded. That's kind of funny. But basically, he's on campus. There's kind of like, also, this is obviously in sort of a post-Charlie Kirk assassination landscape that this movie was made. There's a point where like, the university won't provide security, whatever. So they, he's on campus to promote this idea, essentially, that Muslims are sort of fifth column in America bent on destroying Western civilization. Gotcha. All right, keep going. This is fun. Unbeknownst to majors, aka Saunders, and the woke protesters alike, the son of the Somali terrorist on trial is also on campus. They don't know that because the son is posing as a janitor, stashing bombs and guns are on the school, holed darkly, and toning things like, quote, "Every day, we work for Allah to oblivious lives." Is it really like that? He's just dressed in the mirror. Yeah, so he's like, mopping things up. And it's kind of funny. He's shown like, stashing guns and bombs around the campus. But in reality, when the terrorists do arrive, they kind of just roll up to campus. So it's like, couldn't they just carry their guns? Like, why did they have to like, you know, have like all these little caches around? But then, so someone like, one of these oblivious sites, where does he put them? Like, are there just rooms that know it's checking? I think somewhere in the sewers, I think the sewers. I think, oh, there's a lot of sewers. Weirdly, yeah, there's a lot of sewers. So one is kind of the telltale, the biggest bomb is in like a janitor cart. And so, you know, that that aspect is played on. So that there's a part where, you know, in this lead up to this attack, this kind of oblivious liberal professor is leaving. And he's like, hey, like, oh, janitor, you're still you're working late, huh? Like, you Muslims must have a real work ethic. And he says, yes, every day we work for the glory and power of Allah. Like, he goes, okay, whatever, see you. All right. So the speech that Colonel, deputy, whatever, Clay Saunders is going to give marks. The perfect day for the Somalitara Sun and his grid is shoot a bunch of people, take hostages and start a new caliphate on American soil, all with the unwitting help of some campus progressives. So yeah, so the students are just like, hey, this is cool. So while there are these like blue-haired liberal progressive students who are already doing like a Gaza encampment that creates a lot of drama on campus before this attack. And so basically they are, however, being secretly funded by the mysterious Kunjar, the guy named Kunjar, who turns out to be the janitor. And he's sending them texts like, you know, hey, you guys should throw some smoke bombs at the student union and what have you. So, so they're like, yeah, that sounds great. Yes, but then when the terrorists actually show up the, the sort of social justice warrior students are like, whoa, what the? And then obviously they are quickly murdered. This message is sponsored by Quince. 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They also make panties, pillows, activewear, and, as I said before, baby clothes, which are so useful because you have to buy baby clothes all the time I'm learning. They just get bigger. They're soft, they're comfortable, they're well made, and it's less being able to shop for the whole family in one place. Quince works directly with ethical factories and cuts out the middlemen, so their prices are 50 to 80% less than similar brands. Find your next fall favorites at Quince. Download the Quince app for app exclusive offers, or go to Quince.com/BullworkTakes, B-U-L-W-A-R-K-T-A-K-E-S, for free shipping on your order, and a 365-day returns. Now available in Canada and the UK too, that's q-u-i-n-c-e.com/BullworkTakes. Well, let's play a clip of the murder we referenced it early on. You'll see in this scene, there's a blue haired, progressive, and apparently a, I don't know, a gay student, and they're on the rooftop with one of the terrorists. Yeah, this is the lead terrorist, and these are the lead, sort of pro-Palestinian students. Okay, let's play this. This is what we're dealing with. I'm gay. Settle stuff. Yeah, what leads up, and then he beheads the woman. What leads up to that, it's really crazy. What leads up to that is him saying like, no one in your country has children anymore, but for you too, this is a day, you know, the start of our beautiful caliphate, you can tell your children about, and the girl goes, we're not going to have kids. I'm Polly, and Bruce is gay, and then the guy's like, you're what? And he kicks them off the building. Yeah, and that's kind of like the big sizzle clip that the daily wire is circulating. That's kind of like the big epic moment. Wow. Okay, now the big thing that you noticed in this movie is that Jonathan Major There's the main actor, really the biggest draw here, a man who was trying to rehabilitate his career and a man who literally fell out of a window while shooting this film. Not deliberately, he accidentally fell out of a window. He actually doesn't appear on the screen all that much. Yeah. So first let's talk about the window thing. I mean, this came up, I think, a variety reported on this or deadline. But basically during the filming and now seeing the movie, I can understand where it happened. They repeatedly during this movie, someone gets shot and you think they're dead and they're wearing a bulletproof vest like they do this move over and over. But basically, Jonathan Majors and the other protagonist, his dead buddy's son, they're by a window and the main terrorist shoots them and then they get blown out of the window. Now in real life, they were not supposed to fall out of the window, which is like a story or two up. But they did. And I will say to his credit, Jonathan Majors demanded they use that footage. So it may be that that's the footage they used, although it looks like a pretty hard fall. But it's pretty startling. To my point, Majors doesn't actually appear all that much in the film. Yeah. This is really funny. I'm going to get my speech about how much I don't like Muslims and people like that sounds great. And then the terrorist come into the speech and so he gets like a little scene there. And then he gets shot in the bulletproof vest and he goes, okay, we got to go and get some better guns. And the guy, the dead soldier's son, who's really our main character, says, these are my friends. I can't leave them. And Jonathan Majors goes essentially like, okay, well, whatever. And he leads. And I thought he was going to come back like 10 minutes later or something. He comes back with like five minutes left in the movie. So there's essentially an hour where he just like does not exist as a character. Okay. You've, you write this with Majors aka Saunders quickly fleeing the scene to get better guns. That leaves the task of stopping the terrorist to a handful of people, the dead soldier's son, a campus security guard and a cigar and vape tromping debate, bro reminiscing a podcast or Steve and Crowder, before the fighting starts, our debate, bro, foreshadows the type of fire he will bring to this fight when he scores some epic wins on campus progressives. Quote, try wearing that skirt and tear on you'll be stoned to death. He tells one liberal man. Yeah. So he wades into the Gaza encampment. And he's actually trying to impress a female student journalist who turns out to be kind of the great love of his life. Basically, he is using this really like C tier daily wire banter of sort of like, they'd kill you and Tehran for that chickadee, you know, whatever. And so he's like a Call of Duty maniac. He's always on his vape. He's a veteran, although spoiler, it turns out he's kind of doing a little stolen valor. He was not a combat veteran. And so, you know, Ben Shapiro famously hates Steve and Crowder and I couldn't help but think. And I wonder if he's kind of setting up this Crowder like character to look like a buffoon. Well, does he look like a buffoon? Yeah, I would say so. He's kind of the comic relief. I mean, he's sort of, you know, shooting the place up and whatever. And you know, I mean, he's kind of a bozo. The women hate him. Our main character, you know, is trying to, you know, hook up with some girl and then this guy's like, I want to talk about debate, either you're all the women leave the party. All right. What are the fact that while the siege of the campus lasts about 24 hours, there's no like law enforcement to help solve it. It's like they just don't go and try to defuse a terrorist situation on campus. Why is that? Yeah. So initially, a couple cops show up and they're like instantly killed, but basically because they're like distracted by a hippie professor. But basically, I mean, well, the hippie professor is like, cops, cops, and then the terrorist I don't know, you know. But then after that, you might think, okay, all right, the FBI has got to get here, right? Or the rest of the campus, you know, the rest of the city police. But the woke mayor is like no, there's a protest that's like no pigs on campus. Don't interfere with this thing that has probably killed 50 students. You know, the terrorists have, they're in a tower and they have like a Mac 10. And so this whole movie, they're going like, so the cops are not being allowed in and so much so that they, the FBI sets up a staging ground in a church, a little subtext there. That later we see Jonathan Major is just chilling it and eventually the kids are like, we got to go back and save everyone. And he's like, all right, I guess I'll come for one more scene, sure. I'm just dying to the fact that this hippie mayor has like jurisdiction and it's like, no, this is my town. We're going to let this places thing play out. This is my town cops. Get away. Social justice. All right. So while you kind of shout on the movie, you gave it two flags out of the five false flag rating that you have here. There are moments that you said are decent. But I'd quibble with this and you and I've had now a 12 hour debate over this scene. And I don't want to get to in the weeds. But I guess it all culminates in Jim where the protagonist, this will be the dead. But Jonathan Major's friend's dead friend's son is with, what, is it the chief terrorist or is it? Yeah, basically a lot of the women have been heard into this student gym and made to wear burkas and they're getting a sort of ritual cleansing before the terrorists have sex with them. Yeah. Okay. And so he passed in and basically he, the student was shown earlier really doing heavy leg presses in the gym. And so basically he's fighting with one of the terrorists kind of a lesser terrorist. And then he grabs the guy's head and puts it on the seat of the leg press machine and then opens the guard and it crushes his head. I just don't buy it and I continue to not buy it. I don't think this is realistic in the slightest. I've seen the footage now and I stand by my assessment. There's no way that a leg press way is going to come all the way down to the seat enough so that it crushes a person's head. In fact, the clip I saw shows that there's definitely a lot of space there for the head to survive. I think it's a silly, a silly way to die. Well, you know, it's otherwise a perfect movie and so I'm glad that you pointed out this one flaw. What is it like every diamond has a little flaw? Yeah. This one is a big flaw though. I'm looking at it right now. We can't put it up because of copyright issues. I wish we could. There really seems to be that much weight on there like not enough to crush a skull. But it's not all the way down and his head has plenty of room. He would have knocked him cold maybe but it wouldn't have caused head trauma the likes of which would kill a person. I thought the line that he uttered the protagonist uttered afterwards was really cheesy. He says. He says, "Never skip leg day." But he didn't lift the weights with his legs in this situation. He just took out the guards. Yeah. I mean, there's a lot of that. You know, the quips don't always make a lot of sense. You know, I also mentioned in the story there's a point where this Asian guy defuses a bomb and someone says, "Wait a minute, how do you know how to defuse a bomb?" And he says, "I'm Asian." You know, so the plotting is maybe not the most rigorous. No, it's not. For instance, you write, "Much has never explained. The terrorists are aided by a vaguely German campus bookstore employee who also turns out to be Nazi and expert drone operator. Do they explain how this man is a. " No, he's kind of, like, up to no good in the shadows before the attack starts, but there's never a point where someone's like, "Wait a minute, why are you helping ISIS?" And he says, "Well, I'm a Nazi and we both hate Jews or something." It's just sort of like, I wouldn't even know he was a Nazi if not for his swastika tattoo, which is sort of briefly shown. So it's a very, you know, I apologize to the daily wire if there was some big exposition on this guy that I missed, but I don't think so. You also say that there's a saga of a pregnant anti-wok professor who were told to stigmatize them on the liberals on campus just for having a child. She goes into labor during the fighting and then disappears for the entirety of the movie. Do we know the status of the kid? Yeah. Well, so basically, there's a big debate on campus about what to do about the Gaza encampment. And then this professor goes, "I say we get them out of there. Let other students use the quad." And then so these other professors are like, "Oh, we thought it was bad enough when you decided to have a child, you know, but I guess and now you're really anti-wok." But basically, she goes into labor right at the start of the attack, then we really, you know, she got the Jonathan Major's deal where she doesn't appear then until like the last couple minutes and she has the baby suddenly and the terrorist is like, "All right, time to die." And then the campus security guard saves them. Okay. Well, the daily wire, I didn't really like your review. No. Pro tip, they write, "If you want the boy to publish a positive review of your film, don't depict a radical Muslim throwing a homosexual off a roof. If you don't give a shit about the boy, do this." And then they link to the clip of the person getting kicked off the roof and dying. Are they suggesting that for people who don't give a shit about our publication, they should go kill, push a homosexual off a roof? Is that what they're saying? That is sort of how I read it. I feel like they could have parched their language a little better. Essentially, they're saying, "You don't give a shit about the boy, kick a guy off a roof." I mean, it's, yeah, I mean, I think it's kind of telling that this is the main clip they're using there's there is It's like a lot of weird, on one hand, the Muslim Terrasor betrayed is just awful, awful, you know, the worst thing in the world. But on the other, I feel like the audience is kind of getting a lot of catharsis through their actions because they're the only ones who are able to say, like, you know, you lips are out of control, you know, and they're punishing, like, transgender people and gay people. And so I feel like there's a complicated mixture going on. Well, you know, I'm not saying Twitter is real life, but I did take a look at the responses to the daily wires tweet of your review. And I think people are in your camp here. One guy says, "My wife and I watched run, hide, fight, infidels last night. Not real pleased with it. There were good truths in the movie and the intended, and the intended message is good, and is needed. However, the director failed short of the seriousness of it all. The end was especially bad. Okay. Maybe we can talk about the end. And you know, I will note on the daily wire subreddit, which obviously I hang out a lot. So someone who's like, "Hardcore, daily wire fan, but this movie stunk." And they made a point, which is when people say the end was bad. So Jonathan Majors comes out, and there's this point where basically the terrorists are trying to make it to a helicopter, and they have taken a couple hostages who are needless to say the love interests of our main characters. And then Jonathan Majors and Stephen Crowder's character, essentially, and then the main guy, they're kind of doing this, like, kind of crossfire. They're trying to catch the terrorists, but also keep in mind there was also a student carnival going on this day. So there's all this kind of stuff, and basically Jonathan Majors goes to the helicopter where the original terrorists from Somalia is waiting to join the other terrorists. And then all these, like, some maybe seals around the helicopter, I guess, escorting him. And Jonathan Majors just, like, kills him, and maybe seals don't react or anything. And then, after it's all over, after all the terrorists are dead, everyone's like, "Yeah, we did it." And it's like, keep in mind, I just think like 100 people are dead at this point of their classmates, their bodies, like, litter at the campus. And then they're just like, "Hey, like, you know, let's go join the carnival." Oh my God. Few more reviews from the Twitter responses. One person writes, "If you want a positive review of your film, don't make a pile of shit." And then someone else says, "The shit I just took had more artistic and intellectual value than whatever the fuck this is talking about the post." So I think the masses are with you. Well, I don't think people are overly impressed by whatever the hell this is. I will say, it is a few work for an entity that produces this type of bigotry and calls it film. You should reassess what you think of both film and your worldview because this is pretty grotesque stuff. You know, it's kind of funny with the daily wire where they have a very sort of schizophrenic approach to a radic approach to what they make. So like, if you've signed up for the daily wire, if you did it a few years ago, you might be watching Chip Chilla, the Chinchilla theme take on Bluey, the children's cartoon show that they made, or you know, these kind of like, or pen dragon, which is kind of this like Christian thing, fantasy thing, or you can get this like blood soaked Jonathan Majors like heads crushed or like all this stuff. So it's a wide range of content, I feel like a lot of people did not expect to get this when they signed up. It's a publication of multitudes, I'm going crazy for that. All right. Well, thank you for doing this. I joke that you couldn't expense the streaming costs, but you can, we'll cover it because this is torture. And I feel bad for you, but I know in your heart, they kind of enjoyed it. You know, if I could just make one more point about this movie, I think looking back at it, I think the Jonathan Majors role may have been kind of like grafted onto it at the very last minute. That may be obvious, but like weirdly his speech and like kind of the author, public and intellectual character, the terrorists, I don't think talk that much about it. Like I guess there's a little bit of it, but it's sort of like, as I mentioned, there's also this carnival, there's kind of just like a lot of things going on at the same time. So it's almost like that character was either supposed to not exist or have a much smaller role. And then they were like, oh, Jonathan Majors is canceled now, we can get them. And so so they kind of created a little more. It doesn't sound very good, honestly, but look, never skip leg day. But when you're going to have to kill a terrorist, the school gym by throwing their head into the bench press or the leg press, all right, well, some are ladies and gentlemen. He does the dirty work so that you don't have to. He watches the shit so you don't have to. I feel for the guy in an exchange. I think everyone needs to subscribe to our feeds, feeds his imploral YouTube sub stack where you get this great content. Well, have fun on Mega Mondays without me. I will atone for you, okay? Thank you so much. I appreciate it.

Podcast Summary

Key Points:

  1. The film *Run, Hide, Fight, Infidels* is a politically charged, conservative-leaning action movie that promotes anti-Muslim, anti-LGBTQ+, and anti-wokeness narratives, featuring Jonathan Majors in a minimal role as a Muslim-hating public intellectual.
  2. The movie is criticized for its extreme content, including scenes where a gay student is kicked off a building and a Muslim terrorist is portrayed as a sleeper agent, along with unrealistic violence like a leg press crushing a head, which is deemed physically and narratively implausible.
  3. The Daily Wire, the production company, is accused of promoting bigotry and inconsistent messaging, with their content ranging from fantastical shows like *Pen Dragon* to violent, offensive films, suggesting a broader ideological agenda rather than artistic merit.

Summary:

The film *Run, Hide, Fight, Infidels* is a controversial action thriller produced by the Daily Wire, promoting a narrative rooted in anti-Muslim, anti-LGBTQ+, and anti-wokeness ideologies. It stars Jonathan Majors, who plays a Muslim-hating public intellectual with a minimal screen presence, while the film's plot centers on a college campus siege orchestrated by ISIS-linked terrorists. The narrative features extreme and offensive elements, such as a gay student being kicked off a building and a scene where a terrorist is depicted as using a leg press machine to crush a man’s head—a scene deemed physically unrealistic and deeply problematic.

The film’s production is criticized for its lack of coherent plotting, poor realism, and deliberate targeting of marginalized groups. Despite some moments of crude humor or dramatic tension, the overall content is described as grotesque and ideologically driven, reflecting the Daily Wire’s broader pattern of producing polarizing, often offensive content. The film's reception is overwhelmingly negative, with critics and audience responses highlighting its bigotry, absurdity, and lack of artistic or narrative integrity.

The production’s use of Jonathan Majors—whose career was previously damaged by controversy—is seen as a strategic, if problematic, inclusion, with his character appearing only briefly and seemingly added at the last minute. Ultimately, the film is viewed not as a legitimate cinematic work but as a vehicle for extremist messaging, prompting calls for reevaluation of both the film and the values behind its production.

FAQs

The movie follows a college student, the son of a Somali terrorist, who poses as a janitor and stashes bombs on campus. He secretly plans to create a caliphate, aided by a network of progressive students and a mysterious figure named Kunjar. When a radical Muslim terrorist arrives, campus progressives are targeted, and the student must fight to stop the attack while the main character, Clay Sanders (played by Jonathan Majors), is largely absent from the action.

The Daily Wire aims to present a conservative alternative to mainstream culture. This film is part of a broader effort to promote anti-Muslim and anti-woke messaging, blending political ideology with action thriller elements, despite criticism for its overt bigotry and lack of realism.

No, the movie is a fictional narrative. It draws on real-world political tensions and stereotypes, but the events, characters, and plots are entirely invented, including the portrayal of Muslim terrorists and anti-women, LGBTQ+, and trans-related themes.

The film contains explicit anti-Muslim, anti-LGBTQ+, and anti-trans content. It includes scenes of a gay student being kicked off a building, Muslims being falsely portrayed as sleeper agents, and a scene where students are forced to wear burkas during a ritual cleansing.

No, Jonathan Majors has a minimal role. He appears only briefly and is largely absent for most of the film. His character, Clay Sanders, is a public intellectual who gives a speech promoting anti-Muslim views, and he only returns in the final minutes.

No, the scene is not realistic. Experts and critics have pointed out that the leg press machine does not have enough clearance or mechanical capacity to crush a head. The scene is widely regarded as physically implausible and absurd.

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