Want | Episode 2

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Let's go to Revolve.com/reasy and use the code "reasy" to get 50% off your entire order. Starring Naomi Scott, Olivia Cook, and Bell Powley, created by James Bloor. There's no denying it. Suffice is done a great job with the place. It's pristine. Everything is neat and clean and tidy. I've just been making myself a home. I filled up on the sofa, drinking my tea, looking out the windows, watching Lydia run back from the canal, watching a cryous alpha sleep, watching the rain trickle down the glass. Now it's 6.30am. That's the power I should probably introduce myself. Oh, my head. I'm going to be sick. Ah! Ah! Soffuis. Soffuis, why have you left me? Okay, okay, okay, okay. Gotta get to work. Um, make a gratitude list. No, floss the gums. Don't breathe. Breathe. Ignore it. Focus. Maybe I, maybe. God, maybe I need some correct yoga. Probiotic? No. Greek. Rosemary. No. Lemon curd. No. Cherry. Maybe cherry. Hello, Lydia. Ah! That's probably the loudest noise you've made in 20 years. Who are you and how did you get into my apartment? I'm knowing you're a apartment. I'm in your head. Soffuis? Your head was vacant. So I moved in. Hope you don't mind. Are you hallucination? I am Dark Voice. Dark Voice, yeah. Dark. Uh-huh. What, where's Soffuis? You don't know. But, I think I'm gonna be sick again. It's okay. I do. Oh, well, let's be honest here. Yogurt is not going to solve your problems. Oh my god. It's 10 to 7. I should have already been grateful and called shower to. I have to floss and the gums peel the face. SPF50, apply makeup. Miss the phone. Check the email. Go to work. Do you want to? I'm sorry? Do you want to? Do all that. Do I want to? What, what do you mean? I mean, do you want to? I have to. Do, do you want to? I don't understand. What do you want to do? I don't know. Whatever is correct. How do you know what's correct? Soffuis tells me. Soffuis ain't here now. So what do you want? Do you know? Nope. How do you feel? I don't know. Can you feel your hands? No. Well, only when I give myself a high five. Hold your hand. Hold my own hand. Yeah. And lie down on the floor. Oh. You can't see. Relax. Dark voice. No. No. Oh, for so nice. I'm enjoying. Wait. Wait. What's. What's happening? Oh. Were you having a little sleigh? Where am I? It's okay. It's okay. You're in the salon. Salon? I think you just fell asleep. How did I get here? You came in an hour ago, babe. We just done your colour. What have you done to my hair? It looks. It looks. Amazing. Amazing. Oh, good. Well, it's what you asked for. It's pink. It's coral. You asked for coral. So glad you love it. And you had nice little nap there. Right now. Let's do this cut, shall we? Did you want another glass of champagne? Another. Yeah. You've had three so far. Oh. I know. When it's round. Yes. Go on then. So, see. Can we have another champagne here, please? Right, Lydia. Here we go, then. Did I say I wanted it cut? Yes, babe. Oh. I think I might have. Yeah. I think I've actually changed my mind. No, Lydia. Remember what you said to me when you came in? What did I say? Exactly. You said not to listen to you if you changed your mind and tried to back out. Do you probably get scared by it to be fun? And cut it all off anyway, no matter what excuses you might come up with. Because that's what you really want. But no, but three, two, one. Lydia, excuse me. None of that. Listen. Everyone gets nervous before they go short, short. You just got to do it quickly. It is just like ringing a chicken's neck. How short is short, short? Pixie. Trust me, Lydia. It's gonna look fair. But what about my fringe? I've always had my fringe ever since I was. Shampooing! You know how to live, don't you? I've never drunk alcohol before in my life until last night. You're so funny. She's about alcohol. Look at this girl. I love her. Enjoy your champagne. And can I just say, that colour looks so good on you. Oh, Lydia. Oh, look at her face. Oh, Lydia. Look at that. Can you say? What? Hey, Ah. Look, we've got a little bit of hair here, but shorts and the rest. Did you try and cut it yourself? No, see, Pooce. Now that you say that, I think I did. I can't remember why. Yeah, it's pretty strange, that's. Anyway, it's all coming up now. So, tell me more about your big plans. My big plans. What was I saying? That you were going to quit your job to upgrade him and go hiking in the rainforest in Costa Rica. To see the Aussie looks. The Aussie looks. Just out of curiosity. Why did I say I wanted to dump Graham? Because Graham is an old. Oh my god, his voice notes. Some notes. I paid you his voice notes. Yeah. And then you said, I don't care if I've invested three years in this boring relationship. I'm getting myself out because Graham is a nob. Graham has a hot. So what are you doing to do after Costa Rica? See the Panthers in Baron Corp. in Paraguay. I awash getting Peru, quite surfing in Colombia, then four months of living with Amazonian tribes. Wow, by you are literally smashing life. What have you got planned for the rest of the day? Not taking the day off. I'm taking the day off. To have some U time. To have some U time. May time? U time. No me time. Though you're welcome to have some time for you as well. Sorry. Lids, stop apologising. Sorry. Now that is what our cool self-care. Right, well we are all done, my lovely. Oh my god. You look amazing. Usually when someone complimented Lydia, the compliment got stored in. The highlight lies. The store of polite lies was overflowing. It took up an entire room in Lydia's head. For example. You are looking so well. Point lies. Lydia, you are so funny. Lydia, you are such a kind person. By deciding not to store this compliment in polite lies. I decided to store this compliment in the tree. You look amazing. It's true. Time to go shopping. What do you think? Where am I now? Posh, clothes, shop, Oxford Street, changing room. I'm excited about this outfit. A pick for you. What do you think? The hairdressers. I didn't pay. Yeah, you did. In cash. In cash. I don't remember that. How much was it? See, Clip. What do you think this place is? It's okay, I suppose. Is it comfy? Do you like the pattern? Do you feel good? I think possibly. I might perhaps, but what would I do in a place? Play. Do you like the bell? Maybe. Okay, Lydia. Let's play a game. I'm going to show you an outfit and you have to say yes or no. No, possibly my perhaps maybe. Just yes or no. Straight away. Got it? Okay. Here we go. Oh, that's, I suppose that's quite nice. Yes or no Lydia? Yes or no? Next one. Yes. Did you say that because you don't want to hurt my feelings? What? You don't think I can take your opinion. Disgusting. Don't patronize me. Out with it. No. Thank you. Oh, um, no. Louder, Lydia. No. Better. Oh, no. Sound like the bearer. Oh, they're a bit stiff, but I think yes. Mad for it. I love don't go. Oh, yes. Yes. Yes. The hook boys. What is that feeling? Is it winning? That is confidence. Oh my god. His Trevor. What do I do? Oh, no, I have to answer. Hi Trevor. Lydia, what if the fauna case in devil are you? Because I've got two clients ringing me this morning saying you never showed up to their viewings. What is going on? Sorry Trevor. I'm having a really wonderful day. I don't think I'm feeling very well. Did you or hope you remember our little chat yesterday? This office relies on you. I cannot believe how selfish you're being. How could you do this to me? Get your ass here. Now. I'm sorry Trevor. I was just doing some clothes shopping. Well, you know what, Lydia? You shouldn't just be doing some clothes shopping because you are a nasty fact. I'm more than capable of selling properties wearing the clothes you've already got. So I want you back here at your fauna case and then next time I will personally wipe the smile of your greasy truth be dead slug face. Oh. Nasty fact. Rinse each room be dead slug face. Lydia, what do you do with those words? I'm putting them away. And where? How you put it then? Well, I'm putting them in the truth. Why are you putting them in the truth? Because they're similar to some of the other words in the truth. Let's have a look in the truth. Ignore special hardworking effort. You're a big disappointment in the world. Okay, well, why if you put them somewhere else instead, what about if you put them in ridiculous nonsense? They couldn't go in ridiculous nonsense. Why not? What's in ridiculous nonsense? Everyone is perfect in their loved and won't be late. I'm allowed to enjoy my scene. Love you. Just a way. I would like a tattoo. I'm not fit. For the better. Trust me. You try your best. Tell you what, let's put everything Trevor's ever said in here, shall we? I'm not set down to the prophecy. I'm saved to that point when there's no effect. I don't think those words will stay there. You just let that be my problem. Now, remember this. You look amazing. Let's get back to shopping. Right, Lydia, it's your turn. Shop is so fancy. I don't know if I can afford this dark voice. It's not in my monthly spending plan. You can't budge for generosity. Who am I being generous to? You. Oh, that's so nice of me, but I don't think I deserve it. Deserving doesn't exist. Pick another outfit. How do you know what clothes go with what? You don't. Lydia, have you ever played jazz? On the oboe. Yeah. No. Although once I did play a B-Naptron instead of a B-Flat in Mozart's Requiem. Yeah, I don't. I don't think that counts. Ooh, beads. Snazzy. Oh, and I love these black gloves. Oh, they're for men. So. This hat with the veil. That's a fascinating. Oh, yellow lipstick. Stunning. I think you are ready. Ready to walk. So do you, the barrister? We are looking for new things to do with the new things. We will be working on the new things that will be useful for you. He's my favourite birrister in all of London. Oh yeah, he's alright, isn't he? Here for it. Oh my goodness, I'm here for it too! I really, really like his eyebrows. Okay. What else do you like about him? I think I like his neck. And I like his smile. And I like his dirty trainers. And I like his tattoos. And I like his really big t-shirt. And I like the little gold ring in his nose. You don't notice until you get up close. And I like his tall. And I like that he has a lot of facial expressions. And I like his green eyes. His shoulder pleats. His cheekbones. And I like that he doesn't seem to care about what you're tall. Game on him. Hey. Hey. What can I get you? He thinks you're so fit. That white please. Sure. Have it or take away. Take away. You can't stop looking here. What kind of milk did you want? What do you have? Cow. Soy. Oh, army. Coconut. Hazel nut. Hazel nut. Oh, obsessed. Hmm. I think I'll have hazel nut. Such a sexy nut. Speaking of, anything is bulge. Sure. Can I get you anything else? I could think of a few things. No, thanks. What's so funny? Oh, nothing. Mysterious. That's gonna be 430. 4.30? Well, good job of four-semitriost arms on your loyalty. I think I have a free coffee on my loyalty card. You must come real often. I do. Don't remember seeing you before. Maybe you weren't looking. Too shay. There you go. Hazel nut. Flat white. There you go. Hazel nut. Flat white. Don't make too many of those. What can I say? Careful. It's very hot. I like very hot. Lydia, you are fire! Guess you're going to need a new loyalty card then. And I'm afraid I'm going to have to give you a few extra stamps. Why? Raising a comeback soon. I've already got a reason. What's that? Coffee. See you around. You will if you're looking. Yes, Lydia! Absolutely! I see. What's the problem? Shaking. That was so exciting. That was so much fun. Lydia! I. I'm impressed. That was not bad for a first ever flirt. You're a little bit of an outro. Oh no. What? There's another voiceno from Graham. Haven't listened to any of the last 17. Hey, Lydia. Um. Yeah. Just checking in. Hope you've been having a productive day today. Didn't hear from you yesterday, but. Yeah. Wanted to let you know I've booked a surprise table for our anniversary dinner tonight. At 7pm, it's sneak's bezoist bar. So, yeah. See you there around 6.45. Ciao. Why can't you just text? He says he's fed up with a written word. Oh, poms. What? I hate oysters. Let me get this straight. You hate oysters and he's taking you to an oyster bar. Where we had our first kiss? Hmm. How was that? Worst than the oysters. Dark voice, what are you doing? Just. having a look at this first kiss. No, please don't. Please, it's just. So, yeah. That's the main difference between manslaughter and murder. Manslaughter, you might not have intended to kill somebody, and you did. And murder, you intended to kill somebody, and you did. Does that make sense? Oh, how interesting. Yes. Yes. I've had such a good evening with you, Lydia. It's been really exquisite. Do you mind if I kiss you? Um. Okay. Oh. Oh, my god. Oh, my god. That is right. Oh, your shit is literally inside his mouth. Hmm. That was so nice. You're really an outstanding kisser. Oh, thank you. You too. Double those teeth, stink. Yep. I've learned to only breathe through my mouth when I'm near Graham. I never breathe through my nose. But I did buy him some gentleman's mouthwash for Christmas, so his breath definitely hasn't risen to that. Dark voice, where are we going? I don't know. You're the one with the legs. This looks like Shepherd's Bush. What's in Shepherd's Bush? Granny Night Night's Care Home. Hmm. I'm gonna say. I wish I really knew Granny Night Night, you know, as a people. I feel like she was all these people before she was Granny Night Night. Like Granny Night Night is the biggest Russian doll, and I don't know any of the Russian dolls beneath. Who they were or how or what. All this stuff between us. All these years. The Care Home. And I daughter. My mother. Winging buzzer. But it's not visiting hours. I just tell what you want. Hello. Hello, this is Lydia. I'm here to see my grandmother, Mrs. Gumfield. It's not visiting hours, I'm afraid. I know. But I want to see her. Oh, my third if I like it. I'm sorry, my lovely kid. Can you come back tomorrow between 12 and 3? Just. Just let me hand inside your don't grease pocket. Cash! Where did I get all this cash? Does it matter? Give her a grand. What? Trust me. I'll give you a grand. Pardon me? I'll give you a thousand pounds cash if you let me in now. I've got it here. Look at the CCTV. I'm waving it. Oh, um. Right, oh. Okay. Let me in. Thanks. There you go. Nice hall idea. Your granny's here in the day room. Thank you. Hello, Granny Night Knight. It's me, Lydia. Yes, I can see it, you Lydia. I'm not blind. But I. Look very different. Do you? Yes, I'm wearing dungarees and a mesh top and a fascinator and yellow lipstick. And I've got short pink hair. Peep. Looks more like coral. It is. Actually, coral. Anyway, how are you doing? Oh, no. Just sitting here, minding my own business, slowly weighing into a cushion, thinking about the good old days. Oh, wait. When were they? Berlin. 1968 to 1973. I've never felt so alive. Oh, really? Yes. Really. Good, Christ. What I wouldn't give to go back. If only I could get out of this bloody prison. Oh, shut up, Kenneth. Nurse. Kenneth, you're right. I'm out. My mouth is burning. Come on, Kenneth. What's so funny? I wrap some bleach around the rim of his tea garden. You did what? Oh, yes, marvellous fan. Sort of pepper in the beds, laxatives in the nurse's coffees, you know. That sort of thing. And lately, I've been treating myself to a little bag of this. What is it? Horse tranquilizer. Oh, I have a little boy, you see, who dropped it off at my window at night. Of course, you can only open the window about two inches, but that's plenty of room for the exchange. Every morning, I sprinkle a little bit on my breakfast's fiber. Is that a good idea? Listen, I'm immaculate. I mean, I still use my skipping rope every morning. I sing, I dance, I speak seven languages for heaven's sakes. I'm fine. I'm sharp as a knife. I'm wasted in here. She was, does this? I like her. Lydia. Why did we took great nightlight on holiday? On holiday to the good old days. On holiday to Berlin? We can't do that. I wasn't talking to you. Come on, Lydia. It would make her dreams come true. Imagine the fun we'd have. You could really, really get to know her. Trevor's calling me again. Don't answer. It's this nearly 630. I should be meeting Graham at the oyster bar. Excuse me. Remember this. What's going on really now? It's done to skip the night. 29.9 is 89 years old, Lydia. Take this chance. You live life. One time, you have fun. Just do it. Is it safe? Safety. Does it exist? Okay. Granny night night. Would you like to go with me to Berlin? What? Now? Yes. My Lydia. Hold tight. I'm calling Uber. When do you think you're going? I'm taking my granny for a walk outside. I'm afraid you're not actually. Here's another grant. I'm afraid I really can't let you do it. Here's an extra 500 pounds. A suggests you're a good well-mean bus. This is a solid. Where are we going? Get me. Okay, I'm just booking our flights on my phone. To Berlin. Yes. They're expensive, but you can't budget for generosity. Come on. Let me ride you. Put that down. It's free. No, it's duty free. Dark boys. All of the cash I've been spending today. Where did it come from? You saving the cow. Right, Lydia. Let's get absolutely free. [MUSIC] Soft voice stars Naomi Scott as Lydia. Olivia Cook as Dark Voice and Bell Powley as Soft Voice. Genevieve Gaunt as Hairdresser. Devin Terrell as Berista. Abby Tetter as Care Home Nurse Sonja. Christian Cook as Graham. Amanda Lawrence as Granny Night Night. With additional performances by Francesca Manzi, Lauren Baldwin. Reed Emmons, Edward Blumel. Andrew Johnson, Austin Springer, Josh Hambrick, John Mosson. Barry Neumel, Novi Brown, Knox Callie. Created by James Blore. Written and directed by James Blore. Executive produced by Olivia Cook, Bell Powley, Naomi Scott. Jordan Spence, Ryan Kavanaugh Jones, Fred Berger, Rob Herding, and David Henning. Co-executive producer Chris Ferguson and Andrew Levine, produced by Shinyin Heeyu. Producer Marlena Moll, supervising producer, Tess Ryan and Sandra Yeeling. Co-producer Michelle Zirate, original music and composition by Jeremy Wallace McLean. Cucode Head of Music, Darren Johnson. Audio engineering by Ryan Walsh and Ben Milchiff. edited by Ainsley Baldwin. Sound design and mix by El Hanyo Batac. Casting Directors Chelsea Block and Marisol Rancoli at Atomic Honey. Casting Director for Guest Rules Andrea Bunker. Assistant Director Kelsey Adams. Script supervisor Sarah Garetson. Assistant Engineering by Neely Offering. Additional editing by Alvin Wee. Production coordinator Brandon Weisner, Jack Freightman and Sam Brain. Production assistant Nathan Yann and Jillian Evinas. Post-cordinator Rachel Yannover. Production legal Christina Bobbrook and Lindsey Kiel. Production accounting Hingean Lou. Produced in association with Artvellow's post. Soft voice is a cue code and new name entertainment production. Our project is to help you. All of the staffs are working together, as the company's staff are working on the dashboard. The company is working on the computer shop in the company.