The musician discusses being seen as nonchalant when playing but stresses their attentiveness to the music. They attribute their performance of Chopin's work to their professor's recommendation, acknowledging the technical difficulty as a push out of their comfort zone. Despite limited exposure to opera, they express interest in learning more about it since moving to Berlin. Additionally, they touch on the music preferences of Malaysian people, highlighting the diverse cultural influences on musical tastes within the country.
Transcription
455 Words, 2496 Characters
some say in a positive way that you are a little bit nonchalant when you're playing. Would you agree with that?
Yeah, that's a good question. I mean, I've been told that that sometimes I'm like not super like
involved in the music, you know, as some other people. Maybe that might be it. But I definitely
am trying to always listen attentively to what is happening, what's going on and reacting to it.
So maybe I wouldn't say nonchalant, more like just aware or like present. At least I try to.
You made a choice of playing very early work by Chopin in the third stage, the variations. Why?
Why not? No. But you know, it's actually my professor, Eldar Nebelsen. He has recorded this
when he was younger with orchestra. Really amazing recording, like check it out. And yeah, he suggested
me to try this piece. And so that's how it started. But yeah, it's definitely,
yeah, for sure, pushing me out of my comfort zone because of like how just technically difficult
and to manage everything. Yeah, but I'm glad I learned it. So it's not because of, for example,
special link or special love to opera music, for example? No, not quite. Not quite. Yeah, yeah.
In fact, I don't think I've been to a live performance of Don Giovanni yet. But it'll be
interesting. Yeah, I generally like actually my experience with opera is quite limited because
it's like I've only experienced that for the first time in my life, like two years ago when I first
came to Berlin, you know, like in Malaysia, like good luck trying to find an opera. Okay, maybe
there is. I'm sorry. Okay, I'm sorry. But yeah, let's just say that I still have a lot to learn
regarding opera. But Malaysian people sing? Yeah, of course. Of course. What do you sing?
What do I sing? What do Malaysian people sing? I'm just kidding. I don't know. We sing, what do
they sing? I mean, it depends on the person. Like, like, depends on the culture. So because we are
such a multicultural country, you know, different groups, people might be interested in different
types of music. So for example, like, so I'm Malaysian Chinese, right? And from what I see,
Malaysian Chinese people, some of them like to follow, let's say Chinese pop music, maybe from
China, from Taiwan, or so and so. So that's an example, maybe. And then that's what they also,
you know, when they go to karaoke is what they sing, you know, for example. What do you sing when
you go to karaoke? Well, I guess you have to find out, you have to invite me.
Podcast Summary
Key Points:
The musician describes being perceived as nonchalant while playing, but emphasizes staying attentive to the music.
The choice to play Chopin's early work was influenced by the musician's professor and the technical challenge it presented.
Limited exposure to opera, with a recent introduction to the genre upon moving to Berlin.
Summary:
The musician discusses being seen as nonchalant when playing but stresses their attentiveness to the music. They attribute their performance of Chopin's work to their professor's recommendation, acknowledging the technical difficulty as a push out of their comfort zone. Despite limited exposure to opera, they express interest in learning more about it since moving to Berlin.
Additionally, they touch on the music preferences of Malaysian people, highlighting the diverse cultural influences on musical tastes within the country.
FAQs
Maybe not nonchalant, but rather aware and present.
My professor suggested it, pushing me out of my comfort zone.
Not particularly, my experience with opera is limited.
It depends on the person and their cultural background.
Some enjoy Chinese pop music from China or Taiwan.
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