‘The Italian Job’ With Bill Simmons, Chris Ryan, and Van Lathan
104m 8s
In this episode of "The Rewatchables," the hosts dive into the 2003 heist film "The Italian Job," celebrating it as a quintessential mid-tier blockbuster that prioritizes craft and practical stunts over CGI. The film, starring Mark Wahlberg, Charlize Theron, Jason Statham, and Ed Norton, is described as a delightful blend of "Ocean's Eleven" and "The Fast and the Furious," featuring Mini Cooper chases through Los Angeles and Venice. The conversation highlights the movie's rewatchability, from its thrilling opening heist to the clever crew introductions.
A major focus is Ed Norton's bizarre, disengaged performance, which the hosts explain through a detailed backstory: Norton was contractually forced to appear in the film by Paramount, despite his resistance, leading to a "mail-in" portrayal that nonetheless adds a unique charm. The hosts also praise the film's era-specific nostalgia, including Napster jokes and early 2000s tech tropes, while critiquing the lack of chemistry between Wahlberg and Theron and the questionable financial stakes of the heist.
The discussion expands to broader topics, including F. Gary Gray's directorial rise from music videos, the appeal of practical action sequences, and the film's influence on later franchise filmmaking. With humor and tangents on everything from basketball scenes to rap names, the hosts ultimately affirm "The Italian Job" as a fun, rewatchable classic that captures a specific moment in Hollywood history.
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This episode of
The Rewatchables
is presented by
the movie
Mutiny
Only in theaters
August 21st
Our guy
Jason Statham
stars in Mutiny
the new action thriller
from the director
of Plane
I like that movie
When an international
conspiracy turns deadly
that always happens
Statham
goes off the grid
on a one-man mission
I love one-man missions
to take down
those responsible
and if you're a fan
of The Beekeeper
The Meg
or The Expendables
guilty
This is exactly
the kind of movie
you want to see Statham in
You've sold me
One of the defining
action stars
of the last 25 years
doing what he does best
I agree with that
Think Die Hard
on a Boat
That sounds great
Mutiny
Only in theaters
August 21st
Rated R
for strong
bloody
violence
in language
There you go
The Italian Job
2003
Mark Wahlberg
Charlize
Jason Statham
Seth Green
Most Def
Ed Norton
Yeah
Who has taken a life
of its own in this movie
We're going to really save this
We have a nice spot
to talk about this
And this movie's
just a great hang
And it's kind of
everything I want
in an hour and 50 minute movie
Just a great time
If I came to you
in 2003
at the beginning of the year
and I said
Do you like Ocean's Eleven?
And you're like
Yeah
And I was like
Do you like Fast and the Furious?
And you're like
Yeah
And I was like
Yeah
Yeah
I was like
What if we put the two together
Yeah
And had Mini Coopers
racing all over Los Angeles
You take that
and this is what you get
This is
This is a delightful caper
It's like the movie is
the lesser version
of Ocean's Eleven
but the prestige version
of the Fast and the Furious
Yep
Exactly
And
just incredibly watchable
I saw it in the theaters
like I think
two or three times
My man Stefan
worked at City Place
so we would go there
You always drop
lore
like Bill's gonna know
Stefan
My man Stefan
was buff
Yeah my man Stefan man
Stefan I went to high school
with him
and then he worked his way
up to manager
and we was just going crazy
at City Place
we saw the Italian job
I'm doing my
CR thinks
who could have been
Harrison Ford
Luke Wilson
Hotest take right now
Wow
Stefan
I think this movie
basically supercharged
the Fast and Furious franchise
I think from Fast 4 on
They heard the footsteps
They were like
No
Italian Job came out in 03
and I think as they were
trying to figure out
how to expand Fast 4
and beyond
they were like
just do like
what they did
in the Italian job
and I think all the DNA
from there
leading to culminating
in F. Gary Gray
directing
Shirley's
and Statham
are all in like
Fast 8 or Fast 9 together
but all that
when you watch
how this movie's set up
the different locations
we gotta get a job
let's get the crew together
hey have you met
this person
oh we have like
the wisecracking person
who's
you know
we have the computer
internet person
we have like
the driver
we have like
the driver
the crew
we have some
love interests
we gotta go in these locations
we have some crazy
driving stunts
we have a bad guy
this is fast
the fact that
the movie ends up
becoming
about actually
the personal relationships
between
which actually
the whole Fast 4
these are our people
by the end
yeah
by the end of it
so why not more sequels
what the fuck happened
how did we not have
the Spanish job
and the Australian job
it was gonna be
the Brazilian job
it was supposed to be
the Brazilian job
what a fucking
wasted opportunity though
Wahlberg's just making
like
he's just making
three movies a year
he couldn't have
stuck in some sequels
I mean Wahlberg arguably
just goes on
like he's like
it can be called
the Italian job
it can be called
you know
whatever you want to call it
but like I make these movies
every 18 months anyway
so it's like
if you wanted to make it
you could've
but
I thought it was
watch going back to this
it was such a great time capsule
not only to like
a certain era
of digital technology
a point in all of
these people's careers
where you're like
oh man
it's all out in front of you
this is crazy
yep
and also
a kind of Hollywood
mid-table blockbuster
that still cared enough
about craft stuff
where it was like
no man
that fucking speedboat
is really gonna fly off
the back of another boat
yeah
and crash into something
you know what I mean
like it's not all gonna be CGI
there's not gonna be
CGI explosions
it's like
real stunts
real machines
and the actors
doing the stunts
yeah
there's a bunch of stuff
in this movie
where you go
how'd they do that
it's like
that one in Venice
with the two speedboats
they're coming down
different canals
right
and they have to turn
and it's like
Jesus Christ
I wonder like
was there a take
where they just crashed
into each other
it's a cool ass movie
everybody looks great
everybody looks great
everybody looks phenomenal
like you got excited
when you saw the poster
oh it's
Charlize and Mark
and Mos Def
it's like oh shit
you're like
I gotta see that
I gotta see what
they all put together
Ed Norton
gives this movie
a seriousness
that might have not existed
we'll talk about it
that may have not existed
had he not been on there
because you look at that guy
and you go
well this has to be
kind of a movie
that you take seriously
that's the guy from
Primal Fear
that's the guy from
Primal Fear
that's the guy from
whatever whatever
he's done all this
Ed Norton is the key person
in this movie
because of the weight
that he brings
where it's like
oh this isn't just
Fast 2
this is a movie
that Ed Norton
has decided to be in
and as we'll go into later
there's a reason why
yeah
it was inspired by
the 1969 British film
it's kind of an homage
yeah
I don't think
I haven't seen that one
I think it has the
international globetrotting
caper quality
you got three
world class cities
Venice
Los Angeles
Philadelphia
all featured
you know
and I think
it had a little bit
of that James Bond
inventiveness
of like taking things
that maybe you hadn't seen
done in that certain way
like you know
in a Bond movie
they'll have like
a mini helicopter
and in this it's
the mini Cooper
but it's just like
the idea of like
what's something
people haven't seen before
when it comes to a car chase
or when it comes to a heist
also
kind of an underrated
LA movie
100%
really good LA movie
like if you're talking about
they don't make them
like this anymore
they don't
like when you're watching
this movie
can you imagine them
trying to do this
on Hollywood Boulevard now
tough
no way
they'd probably destroy
the water supply
for the entire city
if they did
they shut down
Hollywood Boulevard
it was before
we started working
on Jimmy's show
so I think
because they filmed
in 02
they shut it down
for seven days
right
like nobody could
go on
Hollywood Boulevard
300 cars on
Hollywood and Highland
for a week
yeah
they would never
be able to do that
the movie is
counting on you
to buy into the fact
that LA is a cool
character in movies
and movies used to do that
by the way
LA was much cooler
in 2003
like they had made
a concerted effort
to try to
rejuvenate downtown
and Hollywood
they were filming
I think
in the research
SWAT
Hollywood Homicide
and this movie
were all being filmed
at the exact same time
in downtown LA
like they don't film
fucking anything
I also like
the idea that
the person who cast
this movie
Sheila Jaffe
I think she was also
the casting agent
for Entourage
and there's like
an LA set
kind of
collection of actors
and you know
like
Wahlberg and Norton
are obviously on
like the ascendancy
in their careers here
but had
had Charlize Dunn
Monster yet
like
no no no no
that hasn't happened yet
yeah
but her serious turn
wait a minute
let's make sure about that
but her serious turn
same year
it's the same year
yeah but
let me see when it came out
I think she
there's a Seth Green interview
where he's like
she was telling me
about Monster
right
but I don't think
it had come out yet
it's after
six months later
her like
ascendance
to the top
of the industry
happens like
just after this
right
I mean
if we really want to
dive into this
with Charlize
this is
this is like
one of those NBA seasons
where you can't believe
all the talent
when we're talking about
Scarlett's
coming up now
Angelina's at her peak
you have
Aniston
and
the Friends crew
you have
Charlize coming up
out of nowhere
I know what you want to say
what's he want to say
I'm going to say
this is the white renaissance
this is the white girls
the white-a-sance
it's the white-a-sance
no Halle
Halle just done Swordfish
no I get
no I'm not talking about
when did Monsters Ball come out
Monsters Ball's gotta be in this
that right there
is a legendary performance
that's
an 83 point game right there
no one's put up
those types of numbers since
make me feel good
make me feel good
I was like
yeah man
make her feel good dog
get to it
come on Billy Bob
make her feel good
he did his thing though
just make her feel good
But yeah, but like, and you know what?
I will say that if you look at the draft capital,
of all of those young ladies that were. That's a good draft class
because they all panned out for the most part.
And if you watch season one, season two, Entourage,
and a bunch of them are popping in on that one too
because they would kind of dip into the world.
Yeah, you're looking at Charlize.
This is basically seven years here.
Devil's Advocate, which we've done on the rewatchables,
that was 97.
Two Days in the Valley was 96.
Astronaut's Wife was 99, which was bad.
Yeah, that's a good one.
That's depth, right?
Reindeer Games, 2000.
I'm always going to defend that movie.
I love that movie.
Yeah.
She's in a bunch of stinkers like Bagger Vance,
Man of Honor, Sweet November, 15 Minutes.
It goes on and on.
And it hadn't really happened for her yet.
And I really think it was this, which made a ton of money.
And then Monster, where it got rid of the credibility.
And then she went up a level.
But I think she was, you know,
you had her stock for a few years.
What did you have her come in for, for the pod?
2007.
17, 18 range.
Was that Mad Max?
I think it was Fast.
Oh, okay.
I don't remember because I blacked out for that.
You weren't even there.
Was it Atomic Blonde?
Oh, maybe it was that.
That was 2017.
I left my body.
I was levitating above myself.
Yeah.
But yeah, so this was kind of the end of that version of Shirley's, I think.
And then Wahlberg, who gets cast because F. Gary Gray loves Boogie Nights.
But it's funny watching him in this movie where it still feels a little Dirk Diggler.
Like the hair kind of has like innocent.
He's not really weathered Mark Wahlberg yet.
He still seems young.
Yeah.
He's still figuring out how to carry a movie.
He's had some hits and some misses.
But this was a big one for him.
He's trying something I don't think he ever tried again,
which is to do the George Clooney Ocean's Eleven thing
as being the understated cool main guy.
Yeah.
And after this, I don't think he really tries it again.
He leans into the Mark Wahlberg-ness of almost every performance.
He's in after this.
Well, this movie has like a light touch that he doesn't usually do.
Like he does it in comedies or whatever,
but Contraband or like a bunch of the like the thriller action movies he makes,
the ones he's made with Pete Berg,
like they're kind of like the dude is very traumatized.
Something very like bad has happened in his past that he's accounting for.
With this, it's almost like Charlize takes a lot of that
because it's the Donald Sutherland plot line.
So he's almost just like, it's not about the gold.
It's about getting, you know.
He's the steady hand.
It's a charisma role.
Yeah.
Right.
Does Boogie Nights.
Then he's in the big hit, Corruptor, Three Kings, The Yards,
Perfect Storm, which we did.
Yeah.
Planet of the Apes, which was bad.
Rockstar, which was terrible.
And The Truth About Charlie.
So it wasn't really happening.
But then after this, Huckabee is invincible,
departed, shooter, other guys, fighter.
Like he goes up a level.
All leading to Ted, which nobody saw in a million years
that he would ever be in a movie like that.
And was, I think,
the most successful when he's done.
But by the time he gets to Ted, to my point,
he officially knows about the Mark Wahlberg joke
and who he is.
And he's playing into it.
He's a high A-lister by the time we get to the 2010s.
Boy, God damn it, do I not ride for shooter.
Not only do I think that there's nothing wrong with shooter.
I know that my taste is shit.
I think shooter is a legit banger.
Did we do shooter?
We did.
I fucking love shooter.
Oh.
We did shooter.
What do you mean?
Were you on it?
I must have been.
Bob Lee Swagger.
Bob Lee fucking Swagger.
Bob Lee Swagger, one last job.
I must have been on shooter.
It was you two and Shay.
Right.
That makes sense.
Glover comes in.
Yeah, Shay's perfect for that.
Glover comes in and he wants-
Evil Danny Glover.
Evil Danny Glover.
The best.
Comes in, he wants to get Bob Lee Swagger's fucking attention.
So he shows him his medal of honor.
I like that type of shit, bro.
Shooter was great.
Shooter was great.
He was great.
Some Cape American.
Mara.
Hot.
But yeah, so just like I say, Bob Lee Swagger goes and shooter and Max Owen, his dead spotter's
girl.
But it doesn't even feel bad.
I'll fuck with it.
It was a little like in Homicide when Brody's wife starts shacking up with Mike, which I
just watched.
And then Brody came home.
It's like, hey.
Homeland, not Homicide.
Homeland.
The homeland.
Should we invite Mike over for dinner tonight?
I don't think so.
So you like Brody's wife and Homeland Van?
Homeland, the show?
I've never seen it.
Really?
What season are you on now?
Blonde Spot.
I stopped after two.
Okay.
I lost interest.
Ed Norton.
We could do it now.
Do you want me to say what the categories would have been?
Because this is going to be my flex.
Yeah, do your flex now.
Do your flex now.
Do it now.
My flex was going to be, I had a two-parter.
I had a two-parter.
I had a two-parter.
I had a two-parter.
I had a two-parter.
I was going to give Ed Norton the Steven Seagal shitting on himself award for most unbelievable
anecdote from the actual film shoot.
I had that right there.
Which was the Norton casting saga.
I also was going to give Ed Norton a special reverse Peter North award for the least amount
of effort put into the movie, aka the dribbler.
For just basically his. For his vibe when he's standing around and getting his cable fixed in this movie.
And he's like, I was in fucking primal fear, man.
What are we doing here?
And this is why we have to talk about this at the top.
One of the reasons this movie is so rewatchable is how bizarre Ed Norton's performance is.
And I forgot until doing the research, the whole story in the background.
And then it all makes sense because he's basically Worm in Rounders, but on autopilot.
Yes.
It's like he went into the closet and he's like, I'll just bring out Worm.
But I don't, my heart's not really in it.
And he's got the same mustache, beard thing.
He's a scumbag like Worm is, but just doesn't, it's a mail-in.
But it's a fun mail-in, I gotta say.
He worked on the movie, he said that he was nothing but professional.
Oh, okay.
But leading up to the film, he had signed a two movie deal with Paramount.
No, three.
It was Primal Fear and then two more.
Okay.
So basically it is Primal Fear.
He becomes an Oscar nominated. The best young actor of his generation going up for all these different roles against Damon and Affleck
and all these guys are jockeying for, you're going to be in The Rainmaker, but I'm going to be in. So he was 75K for the movie after Primal Fear and then 125K for the one after.
Yes.
And then as CR says, he ascends.
And so he keeps doing these other movies for other studios and Paramount's like,
you got, you fucking owe us some movies, man.
And they had basically an agreement.
He does Fight Club for Fox.
With Fight Club.
He comes to a head with Fight Club.
And they're like, all right, what the fuck, dude?
You owe us a movie.
Well, Fox threatened.
Fox said, well, if you don't figure this out with Paramount, then you can't fucking do Fight Club.
So he's like, let me do Fight Club and I promise I'll do this next movie.
But he asks. Paramount bumps him up to a million.
And he asks Sherry Lansing.
He's like, but please don't put me in a piece of shit.
She promised him, yeah.
And she's like, I will never make you do a movie against your will.
So he wants Talented Mr. Ripley to cast Matt Damon.
He wants Mission Impossible 3, no part for him.
He wants them to produce 25th Hour.
Nope.
No thank you.
Now the clock's ticking.
Yeah.
There's another movie that Paramount co-financed.
And Ed Norton tried to be like, well, that's my movie for you guys.
The score.
The score, yeah.
And they were like, no, we co-finance it.
That's not our movie.
And they keep trying to offer him stuff and trying to get him. They tried to put him in the core with Hilary Swank.
He's like, no.
And by this point. This is like. There's a whole crazy story.
And by the end, he goes and gets Marty Singer.
Who, if you've ever heard that name, is one of the true apex predators of this entire town and this industry.
But something else happens at this point.
That's who I should have hired when ESPN tried to fuck with me.
Get Marty Singer.
Talk to Marty Singer.
Listen to me.
Listen to me.
My time at TMZ, that's not a shark you want to be in the show.
You don't want that name coming into it.
But also, at this same time, his asking price has gone up to $10 million per film.
And Paramount's getting him at one.
They have him locked in at a million dollars.
So not only. Why is he doing a movie that creatively. He's not even getting paid that much for it.
He's doing. He's taking a $9 million haircut to do the movie.
Yeah.
And Marty Singer is doing the. If you want the best possible performance and the best possible movie,
you wouldn't want to force an actor of his caliber to perform against his will.
Yes.
And something that happens in this that almost never happens.
They big dig Marty.
Well, they got Patricia Glazer and they also were just like,
we will sue you for breach.
We will sue you.
And it's not. Normally, people back off.
Or it is basically dining out on Sherry Lansing promised me in a room
that I wouldn't have to do a movie I didn't want to do.
And you guys are now saying that's not the case.
And it gets to the point where it's basically like,
he does this so that he can make Fight Club and so that he doesn't get sued.
But this is well after Fight Club.
Yeah.
I mean, I think what really happens is this has a really bad effect on his career.
Like you go and you look at the movies he makes after a time job,
he's on the opposite of a heater.
From 03 on.
This is his last really successful movie for a while.
And he's really unhappy in The Hulk.
Right?
And makes a couple. And by the time we get to the 2010s, he's in Bourne Identity happily.
Bourne Legacy.
Bourne Legacy.
Yeah.
Yeah.
Which he would have, you know, been snobby about.
Interesting career.
I've never. Did you read this story, Craig?
Mm-hmm.
So what happens if this happens now on the internet in 2026?
This would be known immediately.
This would be written about in real time as it's happening.
Yeah, I mean, this. Like, Melanie's doing pods about this.
Yeah, this just happens in a much different way.
While Obsession was still in the theaters,
there was a huge argument about
who was participating in the profits for Obsession.
Yeah.
This would be in real-time document.
Now, there is also a level of reporting
being done about this
and the quotes the lawyers are giving.
What was it?
It was New York Observer?
Yeah, but there was also a nameless producer
giving a quote that's like,
because Norton goes around basically saying,
I don't want to do an Italian job.
It's a piece of shit.
And he's like,
if I had a guy who was bad-mouthing my movie like this,
there's no fucking way I'd let him on the set.
So everybody is kind of weighing in on it.
So I watched this movie the first time
before I read that story.
And then I watched it last night
knowing the story
and knowing all the intricate details.
And it was fascinating.
So it is.
And the worm thing is such a good pull.
So they do feel like,
this guy feels like if worm lost all reason for living.
And he was just going through the motions.
Because I'll tell you something about worm.
When you watch that fucking movie,
that is such a magnetic, sizzling performance.
Every single fucking line delivered from worm.
He's on fire.
He is on fire.
He believes it completely.
He is completely like,
so he's surrendered to his worldview.
Every single,
even when he gets his ass kicked,
like he's still jumping off of the screen.
And in this one,
Norton looks almost pale.
He uses a worm line at the end.
When he says whatever,
he says,
whatever helps you sleep at night, sweetheart.
That's right.
It's literally one of worm's lines in Rounders.
I think he's just like, fuck it.
I'm just going to openly be worm.
I wonder if anyone's ever asked him,
did you just say,
I can't believe I have to be in this movie.
I'm just going to be worm.
But by all accounts,
the other actors were like,
it's not like he refused to come out of his trailer or anything.
It's just that he was like,
you guys have me for a month.
Let's do it.
I'll try to.
He did have a quote after,
my real fans should give this a miss.
Okay.
I mean,
I mean,
look,
it'd be funny if CR,
we did a rewatch.
It was like,
CR just tweeted that out.
Yeah.
Italian job.
My real fans should give this a miss.
All the CR heads,
take this one off.
Yeah.
But I'll say this,
this goes back to,
because you're right.
This goes back.
You're right.
When they were talking about it,
he said,
they said that,
hey,
he had all these ideas with the character.
He came in,
he was totally engaged.
The reality is,
if an actor.
Those ideas were used on Rounders.
Yeah.
An actor,
an actor,
an actor,
an actor,
an actor,
an actor of his caliber.
What if he's a poker player?
If he's not totally locked in.
Yeah.
There's just no way
over the course of an entire film
for him to camouflage that.
Well,
when we did Domestic Disturbance,
we talked about how Travolta
was really engaged
for about two thirds of the movie.
Yes.
And then the last 30 minutes,
you could just see the life
leaving his body.
At any given point
in Domestic Disturbance,
every actor,
except for the kid.
Realizes.
Yeah.
We're out of here.
And Ed Norton,
I think the first 20 minutes
and the first 20 minutes,
the first 20 minutes of this movie
are spectacular.
And I think he's into it,
but it feels like by the end.
I mean,
how can you have a bad time
in Venice and the Alps?
Right.
Like,
you just be like,
this is pretty cool.
Near the end,
they're like,
all right,
Ed,
you're meeting that helicopter.
Just try to look evil.
You're going to be facing Wobber.
This is,
the scene that to me
really underscores this
is the cable girl scene
where she walks in there
in uniform
looking at the peak of Charlize
that we've ever seen
and he has to try
to convince us
that he's trying to hit.
And it's just not
coming off at all.
It doesn't seem like
he's really into it.
She looks as beautiful
in this movie
as she's ever looked.
We're dealing with her
in her peak form.
And he just,
in the scene,
I'm watching,
I'm like.
I mean,
he does ask out his cable guy
within one minute.
He does,
but it don't seem like
he want to do it.
It seemed like Paramount
made him do it.
Well,
I think that,
I'll make a defense for that,
which is that
that character
doesn't,
doesn't really want anything.
Like,
that's the problem
is like when he gets the gold,
he's like,
I just bought everything
that you guys wanted.
He moved to Los Feliz.
Yeah.
He got the gold.
Like,
you didn't,
he didn't get the gold
and go to like Antigua
or Barbados
and stuff like that.
Statham,
he's handsome Rob
in this movie.
It hadn't really happened
for him 100% yet.
He'd done Lockstock,
right?
He'd bounced in some stuff.
He was in Snatch.
He was in Mean Machine.
He was in Transporter.
But it wasn't until Crank,
I think,
that he became
a one-man franchise.
I know why
it hadn't happened yet.
I'll talk about it later.
He was still holding on
to the hair.
Oh,
he hadn't shaved it off.
He hadn't shaved it off yet.
I'll talk about it
a little bit later,
but like,
is this the first Statham movie
we've ever done?
Can't be.
You guys ever done
Lockstock on here?
We didn't do Snatch?
No.
I don't think,
this might be the first one.
What is it?
Are you a Statham
beekeeper,
working man?
I've seen them all.
Yeah.
I really enjoy them.
Yeah,
it's like,
I don't,
it's weird that we haven't
done one on Rewatchables,
but
he definitely has
a specific,
I remember like
Vinnie Jones,
they were really trying
to make as like,
be this guy,
this tough English guy.
And then Statham
kind of took that from him.
I'll say this about
Jason Statham.
We both know
what we're here for.
Yeah.
Something bad happened,
Statham will not
fuck you up.
He gives me what I need,
I give him $10,
you know,
like.
True.
The beekeeper.
Yeah.
Claire Huxtable dies.
Felice Rashad dies
at the beginning of the movie.
Like,
we know
you must fucking kill.
He walks into a whole tech room,
kills everybody,
fucks everybody up,
kicks them,
looks great doing these,
amazing.
People have been doing it
60s,
70s,
this was Charles Bronson
for 10 years.
Eastwood was on the high end
of some of this stuff.
We had,
you know,
Van Damme.
We've had these guys,
we need these guys.
There's not a lot of
Stathams anymore.
No.
Not a lot of people
who could be like,
this guy is just gonna
get revenge on some people.
Yeah,
Alan Richen is basically like,
the successor,
but he mostly makes
streaming stuff.
I'll tell you,
also,
that
the Statham-ness
is incredibly bankable.
Like,
you put 30 or 40 million
into the Statham-verse,
you go and you withdraw
80,
90,
100 million dollars,
110,
100,
every single time.
People like him
doing what the fuck he does.
Shay,
I think it was Shay
had a funny tweet
where he was like,
they shouldn't even title
Jason Statham movies.
Should it just be called
Statham 4,
Statham 5?
People go see it.
Statham and then the year
it comes out,
Statham 26, yeah.
Charlize,
we talked about earlier
at the end of her
Smoke Show Worldwide tour,
which lasted from 96 to 03
before she did Monster
and moved into
Serious Actress-dom.
I got this email
from Rich in Toronto.
It was for the
Rewatchables mailbag.
And he started out,
this one will be
seconded by Craig.
He just immediately
wanted Craig's approval.
And it was.
Instead of sometimes
dancing around the idea
of an actor's appearance,
just lean into it
with a new category
called the
Mila Kunis and Forgetting
Sarah Marshall
Appearance Apex
Mountain Award
for is this the most
attractive this person
has ever been in a movie?
And to keep it equitable,
you could do the
male equivalent too.
Harrison Ford to Witness,
as you talked about,
depending on the thing.
So I think this is a good one
to break this out.
Man, fuck all that
equality shit.
Look, this is one of the things,
I'm sick of this dumbass shit.
This is one of the things,
This is one of the things,
this is one of the things
that I most have.
Why are you pointing at Craig?
Because it's the,
it's, it's.
Took the glasses off.
I'll tell you what,
this is the thing
that I have most,
most beef with
your fucking generation about.
Okay.
Remember when,
I never forgot this.
Remember a long time ago,
you talked about the fact
that there were like
just breasts in the movie
for no reason.
I think it was
Trading Places.
Trading Places, okay.
Or maybe like
A Lethal Weapon.
No, it was
Unnecessary Nudity.
But there's no such thing
as unnecessary nudity.
All nudity is necessary.
Hotness is a thing.
Tell that to Will Gluck.
Yeah, the Monica Barbaro director.
What movie is that?
One Night Only.
One Night Only, yeah.
I think that guy's just
trying to drive up
director's cut sales.
By the way,
that got passed around
for three days.
That was a great quote by him.
I'll tell you something.
And now we're waiting
on the unrated edition.
Swordfish.
I went to see Swordfish.
For Travolta.
Shut up.
I went to see Swordfish
because Halle Berry
was at her most powerful
physical form in Swordfish.
And for other reasons too.
Right?
I went to see
Halle Berry, Topless, and Swordfish.
That was a selling point
of the movie.
Heaven's Prisoner's
Terry Hatcher was another one.
Same shit.
Jacko and I
would see that together.
I've told that story.
I spilled popcorn
right before the nude scene.
He's still mad about it.
You did an extra bun.
We could get into it.
But that to me
is a completely. To see beautiful people
on screen
and to recognize
that they're beautiful
is a completely
legitimate reason
to go see the movie.
This movie starts with her
in bed wearing a t-shirt
and the phone rings.
And she wakes up
and rolls over his dad.
And it's just like,
yeah.
I don't disagree with you.
We're off.
And over the last three years
of doing rewatchables,
now in an 80s movie
and there's not nudity,
I'm like, what the fuck?
This is just vision quest.
That's just like
what we're doing.
I don't really understand this at all.
Just wait until about last night.
The one night only thing,
it's honestly not even my. It was even the generation below me.
Will Gluck was like,
we test screened it
and Gen Z doesn't want. Doesn't feel comfortable
seeing nudity
in a movie theater.
Which is crazy to me.
I get it.
But why should we give a fuck?
These are the same group of people
who won't go to a bar
and talk to each other
and then leave and have sex.
Why would we?
We used to do that.
And we had fun doing it.
Why are we taking social cues
and fucking advice
and input from them?
They're the ones complaining
that they're lonely.
Be lonely.
Go out there.
I'm just being for real.
Be lonely.
I'm not tripping at all.
I think it's a major problem.
I hope everybody gets over it.
We wasn't going through that shit.
Sure, yeah.
We like nudity in movies.
We like looking at hot people.
Yeah.
We like. There's nothing to it.
to be ashamed of.
You're a human fucking being.
What the shit are we doing, bro?
But we've talked about this
on pods before
about people were more used
in the 80s and 90s
to being in rooms
with other people
as nudity and sex
was happening.
Well, the only place
you could see it.
And now it is a private thing
and when we're in public,
like the invite,
when it seemed like
everybody was going to have sex.
Yes.
You could feel
the theater I was in,
I could feel the tension
in the theater like,
oh no,
are we going to have sex scenes?
But in a good way.
Like in a way
that was entertaining.
I don't know.
Oh, I think that tension
helped the movie.
No, I would say
in the theater,
people were like,
is he going to go down on her?
And it was like,
that was like this.
There was a palpable
like tension in the movie.
Am I tripping?
Are we just freak nasty dogs?
No.
Because we used to all
go to a movie theater together
to like watch this.
Is it weird?
No.
Now you got me rethinking it.
No, I'm fucking,
I changed my mind.
No, you sounded like
Vince Vaughn in Wedding Crashers.
You're like needing you,
wanting you,
pushing up on you.
No, I fucking mean it.
It's okay.
I mean it.
Like you,
you would go,
the reason,
why do you need a sex scene
in a movie?
Because people fuck in real life.
They take their clothes off
and they have sex.
And if I go to the film,
it is not to me,
like it's part of
the suspension
of the reality
that these two hot people
had sex.
Okay, what happens after?
It's part of the movie.
Well, not to turn into Sean,
but I think this starts
in the 70s
with the awakening
of a bunch of different people
and movies being used
to push the sexuality
in Don't Look Now,
Last Tango in Paris.
They're trying
to actually push the envelope
and make people uncomfortable
in the theater.
Midnight Cowboy a little bit.
And that just kept going
and going
through the 80s and 90s.
And then there was
the exploitative 80s era
where it was,
it is kind of like,
Jamie Lee Curtis
could have gotten
through that scene
without taking her top off.
I'm not mad that she did.
Yeah.
But like,
it's like,
and that's the-
It's a pretty important scene.
I just don't want to derail
the pod as much as I,
but if you go back
and watch that scene,
I could argue
that there's a narrative reason
why the TV's was on screen.
Yeah, I'm just saying,
I'm just saying,
in 2026,
she probably would not
have done that.
But like,
Lethal Weapon opening
with the woman who's topless
and she jumps off the hotel.
She had a drug problem though.
Yeah, she was,
she was punching something.
Right.
Why don't you try to be-
I'm not saying I dislike it.
It was like,
when I was going back
and watching all these movies,
I was like,
man,
this doesn't really happen now.
Like,
you wouldn't go to the theater
and at the beginning
of John Wick,
there's a topless woman.
It's just like,
not what happens now.
Wait till Craig sees
about last night.
They're going crazy
in that bitch.
I get it.
In One Night Only,
then the whole premise
is like,
this is one night a year
we can have sex.
You'd think you'd see nudity.
So can I say something
about the fact that
there's no nudity
in this movie?
The fact that there's
the-
It's PG-13.
It's PG-13.
There is
something really missing
from this movie.
And what's-
Shut up.
Two things.
What's really,
what's really missing
from this movie
is the chemistry
that's supposed to exist
between Mark Wahlberg
and Charlotte.
I have that later.
I agree with you.
I have that couple.
And because they don't really-
They seem like brother and sister.
Yeah, they don't get into it.
At the end,
when they're on
the gondola together,
it seems very hollow
and it doesn't ring true at all.
They can't decide
what they want to do
because like,
Donald Sutherland
is a father figure
to Mark Wahlberg.
So I feel like
they were like,
well,
that'd be weird then
if he starts dating
Charlize Theron
and is into her.
But then I felt like
they needed a romantic
end to the movie
to make it feel satisfying.
So it's tricky.
The fact that she,
Charlize,
carries a lot
of that character,
but I don't know
what that character
is supposed to be.
Is she a nerd?
I think it's the reverse problem
is that
Charlie is the weakest link.
Yeah.
I think Wahlberg
is just kind of like,
I'm a guy standing here
in a t-shirt
and I say,
like,
I'm nice to everybody,
but like,
there's no juice
to that character.
No, he's just,
it's a charisma only.
He doesn't even seem that smart.
He's like the guy
who plans everything.
But Charlie's like a damaged,
I never had my father.
Yeah.
And now I don't.
Now I crack safes,
but for the government.
I just had no handle
on the character.
It's not about money.
But guess what?
I didn't really care
because it sang out
Charlize for an hour and 50.
F. Gary Gray
was the director.
Just quite an IMDB
for this guy.
Yeah.
Can I give you
a couple of them?
Please.
His first movie
that he directed
was Friday.
He did The Italian Job.
He did Straight Outta Compton.
He did Fate of the Furious.
He did Law-Abiding Citizen.
It's basically,
he did Be Cool.
He did Negotiator.
Just action.
Very good at action.
Yeah.
Wide shot.
Shit going down.
Things blowing up.
Really, really, really
solid action director.
Yeah.
Also,
during this time,
something else was,
it was really interesting.
Something else really interesting
was happening in Hollywood
is that
these
career music video directors
that you had always seen
at the bottom of the credits.
Marcus Nispel.
Gary Gray.
Yeah.
Tim Story.
Like,
Benny Boom,
Hyde Williams.
All of these guys
were getting their shot
to be
big time.
Craig Robinson,
I think.
A lot of these guys
were getting their,
not Craig Robinson.
What's the guy's name?
Black guy that did
whatever,
did a bunch of music videos.
Was he the first Craig Robinson?
He might have been.
Anyway,
all of these guys
were getting their opportunities
in Hollywood.
And it was interesting
to see which ones of them
were going to get a chance
to make big,
successful movies.
Tim Story and F. Gary Gray
were amongst the most successful guys
to come out of that crop
of people
that were known
as music video directors.
Chris Robinson?
Chris Robinson
is who I'm talking about.
Chris Robinson.
How do you feel
about the name
F. Gary Gray
as a director?
I think it's cool.
I think it's cool too.
I like,
I like.
Did they call him Gary on set
or did they do F?
I think they called him Gary.
They called him Gary.
You think anybody
calls him FGG
like Joe House would
if Joe House was on his set?
FGG!
Joe House called
J. Kyle Mann
JKM for some reason.
I like that.
An entire pod.
Can we talk about
the music videos
that he did?
Yeah.
He did
It Was a Good Day,
Ice Cube.
Like,
he did like,
this is one of the guys
he did Natural Born Killers,
Dr. Dre and Ice Cube,
another,
crazy one,
Fantastic Voyage,
Coolio,
love that one.
That's a great one.
Did he do
Pac,
California Love?
I don't think that he did.
It's not listed on here.
I gave you my
Fantastic Voyage take last week.
What is it?
I think it's the most
underrated hip hop song
of the 90s.
Doesn't get it.
Do credit.
Fantastic Voyage,
Coolio,
you fuck with me.
Did you do this on mic?
Did you say that?
No,
it was on text.
I love the record.
I love the video.
But look,
keep their heads ringing,
Dr. Dre.
I mean,
I will say that was
for a product.
Doesn't get credit.
Waterfalls,
TLC,
F. Gary Gray.
Waterfalls,
great video.
He was pioneering.
I don't know if you've seen
on Spotify,
a great platform.
They have a lot of
music videos now.
If you click on the songs,
you can watch
music videos of the song.
What do you like about
Fantastic Voyage,
Coolio video so much?
And on the record too.
What do you like about it?
I just think the song's great
and never gets discussed
when people talk about
the great songs
from that specific era,
the first half of the 90s.
And hip hop
and rap
and all the great artists
that we had
and it's not mentioned.
And I think it's
overshadowed a little bit
by Gangster's Paradise.
I think it has.
I think that's the first
Coolio song.
And I told you,
I think his name
really hurt him.
So you really. I just think Coolio
is a bad name for a rap.
You were open for business
during the East Coast,
West Coast rap wars, huh?
I was kind of more
West Coast,
to be honest.
I didn't fuck with
the West Coast at all.
You didn't fuck with
the West Coast at all?
At all.
I was all West Coast.
Louisiana,
we got to choose a side.
I like Pac
and the Dog Pound.
Yeah.
That was my crew.
Fuck with Pac.
That was my guy.
You know that was my guy.
He loves Pac.
I do.
I fuck with Pac.
First year,
when I left ESPN,
the first year of this podcast,
I had pictured me rolling
as my opening thing
for BS Pop.
Yeah.
Okay.
Pictured me rolling
and we did Friday Rolling
was the Friday show
and tried to pay homage.
There you go.
It's my guy.
Source Awards,
I was very upset.
You sure?
I didn't like how
that played out that year.
You didn't like how
Okay, so
I just felt like
it was going to end badly
after that.
Oh, because it came to a head.
Yeah.
This wasn't going to go well.
We just don't have moments
like that anymore.
I remember when that
hit the streets.
We was like,
I can't believe
that this was said.
We don't have moments anymore.
Now we just have somebody
writing one of the biggest
songs of all time
and just destroying
somebody else's career
and then they play it
in sporting events
for the next two years.
I mean,
that is a big deal,
but like having
that happened
Back in the day,
everyone just died.
That on stage
was like breaking kayfabe
a little bit.
It was like,
there was like this tension
and everyone knew
that this tension exists,
but then all of a sudden
at this thing
where everybody is there,
it comes to a head
and you could watch it.
It was,
we just were
a little bit more innocent.
So when something
like that happened,
we weren't getting
that stuff on social media
every day.
It was all we could talk
about for a little while.
Did I ever tell you
the time Jeff Ross
and I wrote for Jimmy
for the AMAs?
No.
And Jimmy was scrambling
around all these
different locations
during the show.
So I was,
I would go around
with him to different things
and we're coming around this,
we're scrambling
from being inside the theater
to running out.
Go around this stairway,
we're running up the stairway
and Suge Knight's
at the top of the stairway
and taken by surprise by us
and was like scary Suge Knight
for a split second
and then realized
that it was Jimmy.
Two white guys were running
up the stairs at him?
Yeah, and then kind of realized
it was Jimmy and softened.
Oh.
But for the split second,
I saw scary Suge Knight.
You saw balcony Suge Knight.
Yeah.
Hanging you off there.
Vanilla ice.
Vanilla bill.
He's fucking big.
Vanilla bill.
Yeah.
Oh, he's a big dude.
Yeah, that's a part of it.
Yeah.
He's very intimidating.
College football player.
Yeah.
You can feel it.
Anyway, that's my Suge Knight story.
Okay, cool.
We were like,
hey, Suge Knight.
Jimmy's like,
how are you?
Mr. Knight.
Did the Jimmy thing
and then kind of diffused it.
Right.
Yeah, it was weird.
Anyway, $60 million budget
for a time choppy.
$176.1 million.
That's a lot of money for 03.
Yeah.
It's not bad.
Is all that domestic?
How much domestic?
Ebert.
I don't know.
Ebert, three stars.
Yeah, he was like,
hell yeah.
Slick caper movie.
stupendous chase scenes
a truly ingenious way
to steal
35 million in gold bars
well
two hours of mindless
escapism
and then he wrote
if I had seen it
he saw it at con
can
con can
yeah
can
if I had seen it
instead of the can entry
the brown bunny
I would have wept
with gratitude
Ebert not a fan
of the brown bunny
this is the same year
gigantic
Vincent Gallop
not a fan of it
Roger Ebert
yeah
tough one
anyway
we'll take a break
come back with most
rewatchable scene
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most rewatchable scene
brought to you by the movie
Mutiny
only in theaters
August 21st
starring
Jason Statham
stars in Mutiny
the new action thriller
from the director of Plane
I like Plane
me too
when an international conspiracy
turns deadly
Statham
goes off the grid
on a one man mission
yeah
to take down
yep
those responsible
let's go
just call this
Statham 9
yeah I'm there
alright
rewatchable scenes
mention Charlie's
talking to her dad
I'm just throwing that in there
is it the first scene
of her being like
hey dad where are you
her having a phone call
okay
the safe heist
speedboat chase
everything
just combine that together
let's fucking go
wow
incredible
incredible setting
incredible use of
gondola boats
confusing but awesome
like underwater
robbery stuff
I love that
yeah just fantastic
a little confusing
but I love it
but really fantastic
has Venice ever not worked
as a movie location
no it's one of the most
filmable places in the world
it just
people riding around on boats
like their cars
it's amazing
the danger is there
all the time
it makes it more dangerous
the light
the water
like yeah
it's just incredible
good Italians
just get mad at you
for no reason
yeah
hey
one boat's moving slow
the other boat's moving fast
it's in the water
ducking under the bridge
what's gonna happen
works
seems great
Sutherland
I really like his toasts
where he starts dispensing
Donald Sutherland advice
yeah
I'll give you some
he's only in this movie
for 15 minutes
here's all his wisdom
from the movie
fine stands for
freaked out
insecure
neurotic
and emotional
trust everyone
just don't trust
the devil inside them
the ones who steal
to enrich their lives
or
the ones who steal
to define their lives
don't be the latter
steal to enrich
your life
sending presents
doesn't make you
a good father
find someone
you want to spend
the rest of your life with
and hold on to her forever
and he gets shot
and he gets shot
somebody
this guy was
Mr. Miyagi
in waiting
and they just got
got fucking gunned down
you know what the
so they're criminals right
but you know what the movie does
in the short time
that he's in the movie
they make him a character
worth missing
you can tell
that like everybody's life
is gonna be
great with Wahlberg
I love you
I love you kid
emphasize that character
enough so that his death
is shocking
yeah
it is shocking
you know what it reminds me of
it reminds me of
Mission Impossible
you know how
at the beginning of the movie
John Boyd
is in the film
and then the team
gets fucked up
they do something
really awesome
in that movie
which is they just
take him out of the situation
which when he comes back
you're like oh my god
it's very exciting
but this one
you believe that these people
will coalesce around each other
to get revenge
for their master
who's been killed
good crew
then we get the double cross
so
I guess that's
three different scenes
but I think this whole
first 20 minutes
the whole thing
at the end
it's like first 22
it's really good
there's actually like
basically
five scenes
in this movie
yeah
we're just kind of
moving around
it's like
Venice
Philly
and three LA scenes
Skinny Pete
the Ukrainians
yeah
good double cross
Evil Ed Norton
seems like the only time
he enjoyed being in the movie
when you
when you watched it
the first time
this time
did you remember
the double cross
yeah I remember
the double cross
because you know
Norton's the bad guy
but
I like when the
when people are underwater
in a scene like this
and everybody
the villains always make
the same mistake
where they fire bullets
and they're like
alright we got him
let's go
let's go celebrate
I'll say
I'm just staying
another five minutes
I'll say
this is the worst one
maybe ever
yes
this is the worst
of all
because he knows
they have the scuba gear
in the car
also
the water's freezing
so if you
if you stand there
for a second
they're all
they're A
going to run out of air
but B
hypothermia is going to sit in
like they're cooked
it's over
there's no
reaction
right
if the bullets
or the hypothermia
something's killing them
right
at some point
you have to leave
because there's been
a lot of shooting
and stuff like that
and maybe the authorities
are going to come
but you're in a remote area
it is on the border
you're probably
in a very hot spot
yeah
I like being in the Alps
that was fun
loved it
beautiful
next scene
Charlize fixes
Ed Norton's cable
it's great
I love it
she's like
oh I just flipped the switch
it's working now
right
he's like cool
you want to go to
want to have dinner
want to go to Wolfgang Puck
yeah
I like scenes like this
where somebody has to pretend
they have a normal job
but they're
way too attractive
to have that job
yeah
I don't know
I enjoyed the whole thing
Norton kills the diamonds guy
Charlize
and Ed Norton
have a date
yep
I liked him
right up until the moment
I shot him
also this gives us
a staple
for one of these movies
who you working with
somebody comes out of the back
yeah
she's with us
and then
you should have seen
how your daddy
begged for his life
I think Ed had a good time
in this scene
yes
it's one of like
there's three scenes
where he tries in this movie
and this is one
maybe he knew he was going to
get to sleep in his own bed
that night
yeah
hit a bar on the way home
it was good
they were getting him
out of there at 8pm
I think everything
in Italy
he was pretty much
dialed in a little bit
yeah
it's really at his house
and the last chase scene
it seems like he's like
what the fuck am I doing
what's happening here
probably above our car chase
we have the three cars
beating the subway train
is great
we have the road
blowing up
right in front of
basically the man theater
we have the
safe switch
I like the thing
where it's the three safes
and they have to guess
which safe it is
or which truck it is
we get an LA River chase
which
by the way
it's a live and die in LA
right behind you
LA River chase
also undefeated
every single time
Venice and Gondolas
LA River
I've never not enjoyed
a chase in either one
of those places
Terminator 2
Terminator 2
live and die in LA
and then some really high end
kind of how the fuck
did they do this
why didn't
this could have been
to a really bad situation
the helicopter stuff
like the helicopter's
fucking low
yeah
yeah
yeah
it feels like
it's like a 50 foot
ceiling
in that last
I don't know how they did that
it seemed dangerous
maybe that's why
Ed Norton wasn't happy
I don't think he was actually
in the helicopter
Steve gets caught
would be the last one
you're right
no imagination
what do you got
for most watchable
one addition is just
the putting the team together
and the backstories
scene
I love
putting the team together
and
why is it called
left ear
why is it called
handsome Rob
why is it called
Napster
I got that one
in the next category
but
the driving rain scene
where we meet
Skinny Pete
love
you like Skinny Pete
love Skinny Pete
what happened to Skinny Pete
seen the other stuff
I can't say
yeah
but most death
is really good in that scene
yeah
we didn't talk a lot
about most death
but like
at this particular point
most death
is ascending
rapidly
it was a big deal
that he was in this movie
yeah
what was the
Bruce Willis movie
he was in
something 12 blocks
or something like that
12 blocks
so he's in that
then you know
of course he's in
he's in
brown sugar
and then he does
the Michelle Gondry movie
which is
be kind rewind
like he is legitimately
one of the ones
that people are going
okay for like the next
X amount of years
most death is going to be
one of the biggest stars
in Hollywood
how do you feel about
that name choice
most death
yeah
I love it
you like it
he goes by
you know
Yassin Bey now
but like
I love most death
most death is a
to me
a staple creative
of that era
he also just like
the black star record
and the first most death
solo
solo records
are both like
flawless
amazing
worst name choice
out of all the
Name choices?
Out of all the name choices
for rappers?
Yeah.
Or hip-hop.
There are some way worse rap names.
Yeah, you're talking about. You think Mos Def is a bad name?
I'm not saying him.
I'm saying what's your least favorite.
Oh, what's the worst one?
Because you said Coolio earlier
was terrible.
Coolio's tough.
It just sounds like a place
you get ice cream.
It's like,
you want to go to Coolio's?
They have Arn Sherbert's.
Yeah, it's Coolio.
I would say
there's not to pick on him
because the whole song
is about picking on him.
But Skilo,
which was a little bit taller guy,
it's like,
we're never going to be. Skilo's not just a tough one.
But now, to me,
the worse they are,
the better they end up being.
The move is just
to use your real name.
Do you feel like Bubba Sparks
could have been bigger
if he wasn't named Bubba Sparks?
See, the thing is,
that's a good question.
The thing is that
because he was Bubba Sparks. That's why he was big
in the first place.
That kind of made us go,
okay, this is a white guy,
Bubba Sparks.
He's Bubba, but he's hot.
He's Bubba Sparks shit.
Let's give him a chance.
And then he did it.
Do you think LL Cool J
was a good name or no?
At that point,
it was a perfect name.
Yeah, LL was like
a crazy good name.
It just became LL.
Yeah, at that point,
it was a perfect name.
Yeah, but when you know
what the acronym stands for,
it gets worse.
Ladies Love Cool James.
Yeah, but back when he came out,
that was cool.
You know,
Craig,
go fuck yourself.
I'm sorry.
Ladies Love Cool James
is not cool.
We're not going to. Once again,
your generation. You know what?
You know what?
Your generation,
I don't like. I don't like. I don't love the ladies.
The ladies don't love y'all.
I mean, you're doing well.
I'm calling it like it is.
Ladies Love Cool James is lame.
It's one of the best names ever.
Ladies love them.
Do ladies love LL Cool James?
I hope the air conditioning
never comes back on.
Don't get litigated, rappers.
Do you remind me?
I got to turn the air conditioning up.
All right, back to the pod.
What did we pick
for most rewatchable?
Oh, so my most rewatchable
is actually the opening,
the Venice stuff.
That's easily. It's easily the answer, yeah.
It's one of those
that's coming on
and you want to bang it out.
Yeah.
Yeah.
Okay.
I agree.
If you're a fan of The Beekeeper,
The Meg, or The Expendables,
this is exactly the kind of movie
you'd want to see Statham in.
One of the defining action stars
the last 25 years
doing what he does best.
Die hard on a boat.
That's what they floated.
Is Mutiny?
Yeah.
Mutiny, only in theaters
August 21st,
rated R for strong,
bloody violence.
I'm going.
And language.
And language.
Don't need to sell
the three of us.
What is the most
2003 thing about this movie?
It's a very, very specific experience.
It's one of the best,
easiest answers we've had.
Of course.
But obviously it's Lyle
saying he invented Napster.
Napster, yeah.
But I also have a subcategory
for this, which is
this was the last moment
where a hacker character
could just say
a lot of mumbo jumbo
and the audience was like,
sounds right.
Where he's like,
I have a Tektronic codex
that's going to read
the magnesium
and you're like,
okay.
This guy sounds like
a fucking genius, you know?
Now we'd all be like,
I fucking write about AI.
I don't think that's how it works
or whatever.
But like back then,
this was the one moment
where you still had
true geeks
who were like,
I lured over this tech stuff
so that you guys
don't have to worry about it.
I have Lyle inventing Napster
as one of the easiest answers.
Yeah, it's easy.
I don't even,
by 2006,
nobody's being angry
that they invented Napster.
Also just the fact
that Sean Banning gets
40 seconds of screen time
in this movie.
I think actually
the Napster thing
was already long in the tooth
by the time this came out.
It was like the last year
you couldn't even get it out.
It was the last year.
But they obviously
in the movie,
they're like,
this dude is Zuckerberg.
Like, this is Steve Jobs.
This is going to be like,
when people look back,
they're going to be like,
I can't believe
the world's richest man
is in this movie.
And it's like,
obviously not.
It didn't happen, yeah.
I have
Hollywood Boulevard
seeming like alive
and great.
Because it really was
in 03.
It was in great shape.
You wanted to go there
and now I don't think you do.
Well, it had,
when I first got out here,
it wasn't 03,
it was 06.
But Hollywood Boulevard
had been revitalized
to where it was
the hub of everything.
They spent like
a billion dollars
revitalizing it.
And that lasted
because even when I was
out here a little after that,
Hollywood was still
teeming with life
on a Friday night
with young people
going to the club
and all of that stuff.
And it just ended
It ended at COVID.
Yeah, it just,
it just,
it just ended.
And now it's kind of like
I'm starting to think
COVID wasn't great.
I was always more
of a sunset guy.
Oh.
You were more
of a sunset guy.
Yeah.
What's your favorite
sunset bar all time?
Oh, that's a good question.
The Den?
Yeah, gone now.
Gone, yeah.
The Den was awesome.
The Den was great.
Where's Jumbo's?
Jumbo's is
out of the sky.
When you want to
have somebody to talk to,
Jumbo's is awesome.
Jumbo's is
Jumbo's is on Hollywood, right?
Yeah.
Oh, it's on,
but it's east.
It's east.
It's east, yeah.
Very, very east.
Like little Armenia.
One more 2003 thing
about this movie.
Seth Green's like
really important in it.
Yeah.
And it was right near the end.
By three years later,
he's on Entourage
as East Foil.
But I thought Seth Green
was really good in this.
The Floyd Gundally
butter on my ass
slowly pops in my mouth
a word for something
I just enjoy.
What do you have, C.R.?
Just any time
the head of a crew
is like,
this is this guy's job.
This is what this guy does.
Why do they call him
Handsome Rob?
Because he's handsome.
Yeah.
It's like,
it is one of the most
repeatable pleasures
in cinema
is introducing a crew.
An origin montage
as I have done it.
Just like all of these guys
and how they got their start.
Also,
gold bars in movies.
Just love movies
where it's like
gold bars
I don't know whether
they should be
10 times more expensive
or 10 times less expensive.
But Yevon does a good job
explaining
the criminal mindset
about gold
and like
the untraceability of it
and all that stuff.
It's good.
Also,
the fried cable bit here.
They do that in movies
all the time
where your cable's fried
and then
they go in undercover
to like
get a lay on you
or like put
debug your shit.
I love that
because that's actually
how
they bugged
Paul Castellano.
They actually did that
in real life.
The government
like messed up his TV
then sent people in
to fix the TV
then bugged his shit
and that's where
it comes from.
My Floyd is
I like in movies
when they mess
with the stoplights
and the intersections.
It's like,
watch this.
And then just everybody
But for LA
it's like very
I mean,
this is a very specific
LA traffic movie
that I think
is actually fairly accurate
in terms of like
it's yachting
and stuff like that.
Like,
it'll be like
how hard it is to get
from Highland
over down to Union Station
and everything
and like
it's very good.
What's aged the best?
One last job.
For Sutherland
it was a one last job.
Yeah, for Sutherland it was.
I like any time
it's set in a movie.
The LA River
as an action location.
I have early 2000s
Mini Coopers.
Which I don't feel like
they make them best.
I just
I like that era
of Mini Coopers.
How small
and kind of fast
and they felt like
they had some connection
to James Bond movies
and now I don't think
that when I see them.
I think that BMW
had just redone
their engines.
Yeah.
Back then.
So that's why
they were such hot shit.
I'll be interested
to see if you guys
think that
this is the Mini Cooper
Apex Mountain
or something else.
Here's what's aged the best.
All the cast members
did their own driving.
They all said
Charlize was the best
of all the drivers.
I'm cooking.
Doesn't need a husband.
Yeah.
Just one night stands
and she's a better driver
than you.
She's just the fucking best.
Most F was the worst driver
because he was from
New York City
and didn't drive.
So I had to actually
learn how to drive.
What do you got
for what's aged best?
Just real vehicles
doing real chases
in real places.
Yeah.
Dan?
So a bunch of things.
The smoking desk counter
that looked different
but it still exists.
You still drive by
to a bunch of people.
Died from smoking.
Like the price
of a grenade launcher.
So they. The economics of this movie
will be discussed
in depth.
So they go there
and they give them
all this stuff
and they go like
I need a grenade launcher
and it's $5,000.
I was like you know
a grenade launcher
must be much more expensive.
You probably can't get one
for $5,000.
So I went and looked.
I actually typed that
in the search
which probably shouldn't have done.
And not only are grenade launchers
like lawful
but you can get one
for like two grand.
You can get a grenade launcher.
A lawful grenade launcher
you have to be
ATF registered
but you can get
a grenade launcher
for two grand.
What possible use
could you have
for a grenade launcher?
I mean I don't know.
That makes me nervous.
Like do Miami Vice
Bruce Willis
is buying those grenades
you could shoot at the planes?
And those were like $80,000.
Is the price dropped?
Yeah.
Like the money
that gets spent
versus the money
that's coming in
will be a discussion.
So two more. Is that your flex?
No.
I just wanted to get into it.
That's more of a picking net.
So two more things.
One,
both Korean driving ranges
and. Yes.
Have aged the best.
K-Town.
And terrifying Samoan dudes
which is a thing
around L.A.
You know,
you go below the 10
and Samoan brothers
down there
are going crazy.
And those dudes
are honored in Den of Thieves.
Yeah.
Yeah.
So they've aged the best.
Yeah.
So you know.
I've been to that
driving range a bunch.
That's a cool place.
And last thing,
the shop owner in this
actually predicts
the financial crisis.
He legitimately
looks at all these
poor bastards
putting their monies
in banks
and S&L
and mutual funds
what do they think when the collapse comes they can depend on the government
The collapse came like five years later
and everybody was fucking screwed.
That's the winner.
Great shot, Gordor Award.
Would you go
Sutherland's body popping out of the water?
No, I had the pan up out of Venice
and then the pan down into the Alps.
Oh, when they show the sky.
That's good.
Chess, Rock World, Brocklanders
were best character name.
Left ear is pretty good.
I gotta go Handsome Rob.
I gotta go Skinny Pete.
Good names in this movie.
Kid Cudi, Pursuit of Happiness
were best needle drop.
That California Soul song.
It's a great song.
There's also just a lot of. It's used in a lot of movies.
It's used in a lot
and at this point,
it bothered me when I heard it in this movie before.
But I think it was kind of like
a digging in the crates find back then.
I also like a lot of. Because it's in focus.
Like the radio techno that they play
while guys are driving around.
Was there a better title for this movie?
I mean, it's more of an LA job.
Yeah, probably.
The Hollywood job.
They do say the name.
Yes.
They do say the Italian job.
See our flex category?
You did it already.
I did my flexes.
Butch's Girlfriend Award
weak link of the film.
Let's go.
Let's talk about the money.
Oh, okay.
Or we could do that.
I know they make $27 million
in their heist.
But to my eyes,
just on like the outlay of funds
for the two heists,
I think they might be coming out
like a couple million in the black.
They're basically the Dodgers.
They're spending $1.2 billion on players
to make $400 million.
Yeah, but I don't understand.
The gold,
don't you think the gold
should have been worth
like $130 million?
So when they initially steal it in Italy,
it's $35 billion, right?
And Norton sells eight.
He gets off a couple bars, yeah.
And so at the end of the movie,
they steal 27,
which means Norton has only spent eight?
Yeah.
And with those $8 million in 2003,
he buys a 12,000 square foot mansion in LA.
He has his own private security.
He's like an army.
He has like an army
and that's all just
in the $8 million he spent.
He has three armors.
He has armored trucks
taking money to the airport.
He has a helicopter.
Well, he might have had other brands.
He also saved money
by only wearing tank tops
and watching CNBC all day.
He's like,
I'll wear my Radnor's wardrobe.
Yeah, and then the movie ends
so they give some of the money
to the Ukrainians.
How much do you think
of the $27 million
they give to the Ukrainians?
The Ukrainians could ask for all of it.
Ten? Five?
You have to give them
at least seven.
Seven?
How much would it cost
just to do these jobs?
Well, that's the thing
is that the outlay of money
to get the warehouses,
the cars,
the technology,
everybody's eating,
sleeping, whatever,
on and on and on.
I'm not saying
it costs $27 million,
but did Mark Wahlberg
just have that lying around?
Yeah, like most dev
is not going to be able
to pay the property taxes
on his new Spanish villa.
I always wonder about
a lot of books in there too.
First editions?
Obviously, I have this.
How much money did he make?
I have this.
Everybody has this
because it doesn't seem
like that much money.
I wonder if it was the time.
I mean, this is basically
like Kevin Herter's contract
at this point.
It's so funny.
I was thinking
about NBA contracts too.
Yeah.
It's like $27 million for three.
Basically, Jordan Poole
is going to make more money
this year than they did
in the entire deal.
The whole fucking thing.
He's got more bread than them.
So unless you want to go
live in Baton Rouge,
this money's not going to stick.
So you're splitting it.
It's five people.
So now it's $5.5 million each.
It would be incredibly funny though
if they did like
the way they're doing
all the videos now
where guys are like,
look, $10 million,
$5 million goes to Uncle Sam, right?
So like if you had Charlie,
it'd be like $27 million.
Well, I spent $20 just on shit
to get these heists rolling.
Why are these videos?
Why is this one of the things
that's happened this summer?
Because the videos
get a lot of engagement.
But it's the same video every time.
Don't people know at this point
that, yeah, I made $100 million.
Taxes, I'm down to $50.
I'll just be honest with you.
People never get sick
of how somebody made money
and people never get sick
of how they fucked it up.
But we did,
when we did Broke,
that was like the most watched
30, I think we had.
Other than the U.
Yeah, people,
you got to pay taxes,
you got to pay your agent,
you got to pay all of this stuff.
Like we've heard the story,
but people just never get,
they never get sick
of how you fuck your money up.
Never.
Sounds like a podcast.
But they all walked away
with like two, three million each
probably, right?
Maybe four?
No, because they didn't pay taxes
because this was,
they were stealing money.
Well, this also exists
in a universe
outside of law enforcement
because there is none
in this entire film.
So this is the bigger question.
For the risk,
for the amount of money they made,
they blew up
Hollywood Boulevard.
This giant hole.
To say nothing of the fact.
One of the busiest,
not to mention like,
was anyone hurt
in the explosion?
This is 03,
so after 9-11,
a criminal is flying
low,
at low altitude
helicopter run.
A year and a half after 9-11.
I didn't even think about that.
Strafing Hollywood.
There's no fucking way.
That's the biggest nit.
The biggest nit is
if you guys never been
out here before,
you're going to look,
you're going to see
police helicopters
all in the sky.
They're up there
for 60 minutes
for 60 seconds.
They scramble the LAPD
to get over
and it's up there
and the whole fucking plan
is fucked.
We don't see cops ever
in the last half hour
of this movie.
Do we see a cop
in this movie?
They're flying around
the LA river
just driving around.
There's cops in Venice.
Oh, okay.
Yeah, I don't see
how this was worth.
I think the gold bar,
I think the mistake is
the gold bar
should have been worth
like $100 million.
It should have been
$100 million.
Yeah.
Like real,
real big stakes.
It's not quite.
Which is interesting
because Ocean's Eleven
comes out before it is.
And the take
from Ocean's Eleven
was what?
60s?
60 some odd million dollars
or something like that.
So at least they knew
that it had to be
a significant sum of money
to split it up
against the crew.
Do you think it's because
they had to match
what gold was worth?
It was $160 million
in Ocean's Eleven.
See what I'm saying?
That's enough money
to win.
Now we're talking.
You gotta split that
11 ways.
I know.
But that makes
a lot of sense though.
You split that 11 ways
and you give a lot of money
to the fingers.
Eight years previous,
Neil McCauley takes down
the bank in downtown LA
and that's,
between 12.2
and 12.8 million.
Now they don't get away
with it,
but that is half
of what those guys take
with very little of the. By the way,
you could argue
that wasn't enough.
It wasn't,
but it was a high profile.
And Kelso did the motherboards.
The cameras were cut.
Yeah.
The millionaire was making
a lot of money
except for Shurhurlis
who spent all this shit.
How much money,
because Shurhurlis gets away
with some of it.
But Shurhurlis was like,
Stan Humphries,
he's gonna beat the Niners.
I'm telling you guys.
Yeah.
It's gonna happen.
Shurhurlis has like
a duffel bag full of cash
and I think Nate hooks him up
with some more.
That'll be part of heat too.
Right.
I watched like an hour
of Top Gun Maverick
last night.
It was on.
I think the scene
when he,
when Goose plays
the piano scene
when it hits Maverick.
Revolve the fire.
Maverick gets sad
outside the bar
and Jennifer Connelly realizes
it's maybe the most
rewatchable scene
of this century.
Or this decade.
The 2020s.
He just sees his friend.
He's like.
That whole scene.
They're playing pool.
Everybody's together.
You get to meet everybody.
They're like big dick
If you get bored this month,
we should do
most rewatchable scenes
of the 2020s.
Of the 2020s.
I think start to finish.
I think that might be
the most rewatchable scene
because Cruise.
But then the other one
is the Val Kilmer scene.
That's distinctly
not rewatchable.
Are you kidding?
That's kind of.
You have to let go
and Cruise.
Oh.
Fucking goes there.
Yeah.
Cruise gets choked up.
And he's like.
I can't.
I can't.
I watch for.
I watch for the
coffee quarter.
Like.
Well, then you get that
at the end.
But.
The most rewatchable scenes.
Juke joint scene.
Sinners.
I think is highly rewatchable.
That's a really good one.
See, this would be
a good argument.
Which scene?
The juke joint scene
in Sinners.
Oh, yeah.
Yeah.
What stage is the worst?
Talked about the money.
They rely on that song.
That money song.
They play it twice.
They play it.
Money.
Yeah.
That song has sucked forever.
I don't like it.
Come up with a better song.
You're spending all this money
on the movie.
Here's the thing.
I sent you a clip of this.
This is also the
Ed Norton reverse dunk award
for did this movie
need a random sports scene.
Ironically, Ed Norton.
We have Wahlberg
dressed up to play basketball.
We have Jason Statham there.
And you know,
and yet we only see
a snippet of a basketball scene
and it involves Jason Statham
playing some of the worst defense
I've ever seen
in a basketball court.
I think the more
damning thing is that
he doesn't know how to check ball.
He doesn't.
It's literally
he doesn't even know
what's happening.
Yeah.
And Wahlberg's going by him
and it's like
he didn't even realize
you could do that.
They're not playing ball
in London in 03.
Like it's
it's a foreign concept to him.
Lean into it
and be like
this guy's never played basketball.
He's wearing a Lonsdale
sweatshirt and I almost wonder
whether he was like
are we going to do boxing today?
And they're like,
no, we couldn't get the gym.
So you guys are going to be
in the outdoor basketball court.
He's like, what's that?
I wonder about this though
from a Mark Wahlberg
standpoint as well.
He's also a good hooper.
You, I mean,
is this basketball diaries?
He was good.
Is he?
Oh, yeah.
Okay.
Cause like Leo is the weakling
of basketball diaries.
I always wondered about this
cause he puts basketball
in a lot of movies.
I wonder if he was out there.
No, he's a real hooper.
He's like Sandler, Clooney.
I think those guys.
I don't know if he's
killing like that, bro.
No, I'm saying for an actor,
he's a good hooper.
They cut away from,
when he's shooting
in the warehouse,
they keep cutting away
and like you hear swish
and you're like,
all right, man.
Okay.
So the final one they keep
one shot where he makes it.
In basketball diaries,
he's good though.
I don't know, Bill.
For an actor?
I'm just saying,
like, was he,
you tell me on the streets
of South Boston,
AKA Mississippi,
was he killing people
and like going,
and going nuts?
It was like,
it seriously,
he puts basketball
Marky Mark played basketball.
He played basketball
as Marky Mark
and the Funky Bunch.
Plays basketball
and he plays basketball
in a lot of different movies.
Compared to
Woody Harrelson,
who was in
actual really good
basketball players.
Yes.
He's not good like that.
Yes.
But I think for an actor,
you know.
One-on-one against Dave Jacoby.
Oh, Jacoby would kill him.
Okay, there you go.
House now with a fake hip
would probably beat
Mark Wahlberg.
Did House get a hip replacement?
Yeah, House had one hip.
Really?
But House,
did you say House
could hoop like that?
House was great.
I can see it.
House was the most fun
guy to play with.
You're talking about him
like he's Bernard King.
I had so much fun
playing with House.
He was great.
But I thought,
aren't you guys
both connective tissue guys?
Like, aren't you guys
both like connectors?
Yeah, so is Jacoby.
Oh, wow.
Yeah.
So it's like Princeton,
you know.
My two favorite guys
I've ever played with.
Jacoby and House.
And House.
My flex is associated
with the Wahlberg
basketball thing.
Yeah.
I think we need an award
for this moment.
Like, when he's shooting hoops
and he's like,
what about the Italian job?
And he like swishes.
I feel like that is a moment
that Mark Wahlberg
demanded be in the movie
because he's like,
I'm good at basketball.
That wasn't in the script.
So the Mark Wahlberg
and Italian job.
Let's put this in
because I want to show people
I'm good at something.
The shoehorn sports team
You can also imagine,
like, they're like,
hey, Ed,
we're going to switch sets
in a minute.
We're going to strike this one.
But just,
we've got to get
one more pickup here.
Mark's trying to make
a 10-footer.
Yeah.
And Norton's just like,
are you fucking kidding me?
It's like, it's 5-0-2.
Fuck this.
Yeah, like,
if I'm in a movie
and I feel like
I got a good fastball,
I'm like,
can we have a scene
where I'm just throwing pitches
in the backyard
just so I can show
my athleticism?
Yeah, yeah.
That's definitely
what Wahlberg did.
This is another reason
why there are so many movies
with Kevin Costner
on a horse.
No, it's why he's,
and it's also why
he just is like,
I can fucking play baseball.
So, like, any scene,
you know, like.
Baseball, horse,
Kevin Costner.
My dad used to always
look at Kevin Costner
and be like,
this motherfucker can ride.
So you get it.
He could.
Like, he could.
He was a good horseback rider.
Golf's another one like this.
Yes.
Curb does this
because Larry will put himself
in these,
in these golf scenes
in Curb
really because he just wants
to show off, like,
his drives.
Wood Harris,
who's a good basketball player,
hoops,
you know,
the scene in The Wire
where Avon catches the lob
from the stringer.
Right.
Wood just,
Wood know he nice
and Wood just wanted
to dunk for all of the people
on The Wire.
And if you go back,
I want you to watch this scene.
This is not a shot at Idris,
but this is another English guy.
He just was like,
what the fuck is this?
Yeah.
The way he throws the lob,
it doesn't look like
he's ever been on the court before.
Soccer guys.
But you give him the soccer ball
and they go crazy.
Avon prop Joe
basketball coaching
is still one of my favorite
Wire scenes.
Yeah.
I love nothing more
than when sports drifts
into movies.
I believed in Wahlberg's stroke.
I think he played.
Jesus Christ, Bill.
He forced it into the movie.
I like that.
Lefties.
You believed,
you say that again?
I like,
he was a little Delonte West-ish.
No, but you believe in what?
His stroke,
his shooting stroke.
I believe in his stroke.
That's a tough one.
It's a gigantic pause.
The last shot of Wahlberg
and Shirley
is just such a mail-in.
And they fell in love.
And it's just like
this quick shot of them on a boat.
It's almost like CGI'd in.
I just never believed.
They try to make a run at it
when he's like,
do you want to have a drink
with me in the hotel?
And she's like,
no, I should get to bed.
And it's like,
all right,
this isn't going to happen.
And then when they try
to make it happen at the end,
you're just like,
nobody believes this, guys.
It was completely unearned.
You see the reason,
they try to even have
like a momentary
awkwardness
where you walk in,
don't look,
don't look,
but they never build
on the sexual attention.
No, it's almost like
there's a scene missing.
Yeah, like there's something
they took out.
By the way,
when Fast,
when the Fast franchise
decided to rip off
the Italian job going forward,
one of the things
they learned from
was the lack of chemistry
between Wahlberg and Charlize.
They were like,
we're going to get
Gal Gadot in this.
She's going to be
going to have
the eye of the tiger.
She's going to have the look.
Going to get Van engaged in this.
I'm into it.
Okay, sorry.
Any other whatsoever?
Napster pretty much
like cyber stalks
his ex-girlfriend.
Having Stella
have basically
like this whole thing
is being built up
to her date
with Steve
and she's like,
he doesn't know
what I look like.
He doesn't know who I am
but I am going to use
my dad's catchphrase.
That's just like a major
like this woman
seems really sharp.
I think that she would
probably avoid that.
So Jason Statham's
hair covered head
has aged the worst.
Doing this now?
Yeah, we're going to do it now.
Okay.
Because he decides
to go bald
and then after that
he's the man.
I have thoughts about this.
While we don't see this anymore,
I know the actor
that changed it.
Jamie Pippen.
Because he grew his hair out.
No.
He got a hair transplant.
After this,
the hair transplant
became in vogue.
So what happens is
you see guys like
Mikael
and all of these other guys,
a lot of other people
I could name too,
that actually get
hair transplants
instead of just
doing the Bruce Willis thing
or doing the Jason Statham thing
or letting the widows
peak or whatever,
whatever, live.
Statham goes bald
but if he would have come
after Ari Gold,
he would have probably
gotten a hair transplant.
He's one of the last
pre-hair transplant guys.
is like,
I'm too fucking hard
to actually get a transplant.
I'm too manly to do it.
But by the time
like Jeremy Piven
popped up with Ari Gold,
he looked
nothing like himself.
He legitimately looked
15 years younger.
We were so used to him
being A,
a little bit portly
and B,
having the receding hairline
that when he came back
it was like shit
and I think that was
very important
in hair transplant
cultural technology.
Where does Travolta
fit into this?
Nah, he,
I mean,
it's on another planet.
Yeah, his shit was like
fucking luxurious.
He went crazy.
Domestic disturbance
was the last time
before he was like,
all right,
I'm going to really spend
some real money
trying to fix this.
Enough of this
LG post stuff.
I'll tell you,
Apollo 13,
Hanks was,
we talked about it
when,
it was up there.
Yeah, Hanks,
Hanks had the peninsula.
You think he had one?
Well, he definitely had,
it was further back
and then,
yeah.
Bennett Thieves,
Benny Hanna Award,
scene, ceiling, location.
It's got to be Venice.
Hans Gruber scale,
villain ranking?
Where do we put it?
I'm going to go,
honestly,
there's a perverse,
joy I get
out of how little
he gives a fuck.
So, I'm going to give him
like a six.
Yeah.
Yeah, I had five.
He's right in the,
right in the midst.
But he plays,
obviously the detachment
was real,
but his detachment
in the movie
kind of works for the movie.
It's great
in the final scene
where he just
doesn't care anymore
because he's so happy.
Yeah.
This is,
it's the last day of the shoot.
He's like,
oh no.
Oh no,
you got me.
Jesus.
Overacting award?
I don't really feel
like anybody.
Oh.
Okay.
All right.
We'll take a break
and then Van's got to flex.
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Dan, you have a flex.
Yes.
So, did this movie
have a porn parody?
The answer is no,
but I do have a pitch.
I have a pitch
for the porn parody version
of this.
Now, I wanted to star,
but I'm not going to star.
I'll direct.
It's called
The Italian Jobs
with an S.
Is that with a Z?
It could be Jobs
with a Z.
Now you're thinking.
Now you're thinking.
Now you're thinking.
Just try to help.
So, Ricky Johnson
of Ricky's Room
is going to star
as a black man
who realizes
he's the descendant
of the Moors
who conquered
southern Italy.
Oh, my God.
Yeah.
So, he goes to Italy
to find his roots
with his black girlfriend.
She's played by Scarlett Scandal.
Are these porn stars?
Are these porn actors?
Don't worry about it.
Like, just relax.
Okay.
Okay.
And he finds out
that there's still
a turf war going on
in Italy.
You know.
But instead of guns,
they use sex.
Yeah.
Okay.
That's what's happening.
So, there's an organized
crime family
of beautiful Italian women
that he has to take down.
- That sounds great.
- In order to win, the Capos or Mona Azars
Valentina Bianco
and the boss
is Valentina Nappi
okay
this is the way they fight
those are porn stars
okay whatever man
you don't got
if you guys don't know the life
you don't know the life
they have to engage
in sexual warfare
him and the family
against everyone there
that's in southern Italy
first one to come
loses
different jobs
hand jobs
blow jobs
all kinds of things
and he has to defeat them
to reclaim
Italian jobs
jobs
you know what I like about you
what
you still care about story
I do
I don't just go in there
with a pitch
with nothing else
but to reclaim
Italian jobs
the
his Moorish
ancestral kingdom
yeah
he has to go there
and win all of these
different jobs
and maintain his relationship
this sounds like a high end
x-rated vehicle
I'm ready to shoot it
this is what
puts Jack Horner
out of business
oh oh
I have something
I have something
the last line here
Ringer Films
yeah
for sure
Sean Fennessey
executive producer
bitch
let me check
Ringer Films
with a Z
with a Z
yeah
my vertical
of Ringer Films
that's it
I like it
it's better than
half Italian job
Sierra thinks
Luke Wilson
could have been
Harrison Ford
hottest take award
I already did mine
did you do yours
no
I'm trying to think
of the right way
to put this
but I think
John Wick
killed my brain
so when I watch
this movie now
I'm just like
shoot him
like every
like almost
every scene
I'm like
how come nobody
just pulls out a gun
and kills him right here
he's the guy
he's the guy
who killed
Donald Sutherland
yeah
like kill him
you got him
why are we having foreplay
yeah
and also
if you're Ed Norton
and you've already
shown the capacity
to kill
Donald Sutherland
just shoot these people
or have these people killed
and you shot
the Ukrainian guy
but there's just
like a weird rule
in this movie
of when gun violence
can or can't be deployed
and I think
modern action movies
have kind of made it
hard to watch
because you're like
I don't understand
like
he killed
Donald Sutherland
you're supposed to
just take this dude out
what do you have
this is
you know
Charlize Theron
Theron
whatever you call her
is the white Halle Berry
I have no intellectual thoughts
to back this up
I've always felt this way
they each have an Oscar
like
they
they're mirroring each other
in weird ways
they
it's
it's like
they're the bizarro version
of one another
I don't
have it fleshed out
and thought out
I actually wanted you guys
to help me make this case
I don't
I feel
she's the one
I was a little older
a little bit
just a little bit
like seven or eight years
a little older
but they're both
potent female forces
that seem like
they could be happy alone
if they have to be
absolutely
like
they have the one Oscar each
like you said
have been in franchises
been in franchises
they've really figured out
social media
how to make splashes
like how they did that
juicy peach thing
recently
yeah
it's good
Charlize had that whole thing
about she's like
I just like one night stands
with twenty
twenty something guys
yeah
they just come in
and do their business
they understand
their place
on the desirability scale
yeah
and we are
investing in them
both culturally
and on the screen
they are
have they been in a movie together
I don't think so
I hope it would work
it's almost like having
two dominant
ball handlers
on the same NBA team
it's like
is there going to be
enough ball around for them
hopefully
for many years to come
the Van Lathan award
did this movie
need more black people
I think so
yeah
where would you put them in
you know where they needed it
they needed
not to cut you off
because this is
obviously your award
but no
you did cut him off
it's okay
well I just got inspired
there you go
you wanted to be an ally
Steve needed a black sidekick
yep
Steve and
right ear
you know what I mean
and like
that was
maybe it could have been
Mos Def's brother
Steve needed a
bodyguard
that went with him everywhere
who didn't
let's make this guy
his equal guys
it could have been his
computer guy
let's make this guy
you know
you guys are making this guy
I used to think Seth Green
didn't have to be Seth Green
he could have been black
that could have been
Dave Chappelle pretty easily
I think that
actually where the movie
misses some
some brothers and sisters
it definitely misses
some black women
it's like
throughout
sprinkled throughout
like the cornucopia of LA
there was an awesome
opportunity to have
like I don't know
like Snoop
pop up in this bitch
or like young
black actors
from around the town
pop up in this
motherfucker somewhere
they missed
a spot
when
Ed Norton
takes Charlize to dinner
that could have been
like a cooler restaurant
we could have had
some more celebs there
I felt like
they missed
a big set piece
scene in the middle
which is what
Fast would have done
they would have had
a Statham
trying to evade
police scene
like at about
the hour mark
of this movie
just to like
get our adrenaline
going again
that's when they do
all the like
LA underworld crime stuff
of like the Ukrainians
and the gold bars
and all that stuff
so you're saying
the dinner scene
with Ed Norton
he's taken
I agree
no but he's
he's taken Charlize
instead to some concert
or some club
yeah what year is it
it's 2003
so 50's in town
you know like
and they're going there
or something like that
just a little bit more
cause Steve Frizzelli
loves 50
like whatever
he's hanging out with him
but like whatever
like there's an opportunity
LA has a very
very potent
black cultural
fingerprint
so there's just
a little bit of that
missing in the movie
that would have been
incredible
Steve Frizzelli was just
chilling out with G-Unit
yeah
incredible
Tony Yeo in that bitch
casting what ifs
not really a ton here
except Wahlberg
dropped out of SWAT
to do this
Colin Farrell got that role
and then
apparently Giovanni Ribisi
was supposed to be
the Seth Green part
but couldn't do it
I've never understood
much better movie
with Mark Wahlberg in it
what
SWAT
I mean I like SWAT
but if Mark Wahlberg
was in SWAT
I think SWAT
would have been better
who was in SWAT
I don't remember
Colin Farrell
Colin Farrell
wasn't on my list
you said
who would like SWAT
you've never seen SWAT
it's good
no I saw it
I saw it when I
was in the theater
or whenever after
but I haven't seen it
in 20 years
am I missing something
that's just
it's an enjoyable
action movie
give you 20 million dollars
break me out of jail
whatever you said
Joey Pants Award
for best that guy
I have a couple here
okay
I think you moved
this down a little bit
where'd it go
Skinny Pete said that guy
because I just know him
as Skinny Pete
Scott Adsit
from 30 Rock
is the actor
rehearsing in traffic
oh
that's a good one
Boris Krutnog
is
Yevin
the Ukrainian
he was in Hunt for Red October
he's on the
on the
Red October
he's one of those guys
and Oscar from The Office
is the security guard
that's the one
that jumped out at me
the Oscar
he just sticks out
like a sore thumb
but both of the Russian guys
could be that guy
yeah
DM Waiters Award
Donald Sutherland
or Skinny Pete
I had Sean Fanning
Sean Fanning
and he mugs for the camera
he's like
I'm in this
movie
Inspired Choice
I had Sutherland
yeah
Sutherland
it's like in for 15 minutes
recasting couch director
or city
I mean obviously
we gotta get Philly the fuck out
like is it better in Boston
or
would you go to Chicago
in the summer
Steve Frizzelli
like we gotta get Philly
the fuck out
and your response is
Boston in 03
Steve Frizzelli's
taking a helicopter
from New York
to go see his money
in Philadelphia
that's right
yeah
I don't have any real
recasting other than
the Mark Wahlberg part
so who would you
ideally
put in the Mark Wahlberg part
somebody else
Damon
cause Damon can't do it
cause he's got
born identity
he's already in oceans
and stuff
and Affleck
I hate doing this
cause
it's
you're shooting too high
but I want you to think about
the time this movie
came out
03
in Leo DiCaprio
Bill
just get the fuck
out of here
what are you
the beach was
01
okay
right
he's about to hit
he just did
Gangs of New York
and he's about to hit
the catch me
if you can
the aviator
part of his IMDB
this is pre-Blood Diamond
pre-TIA
I think he could've
snuck this in here
and I think it's a much
better movie
yeah
this is like
no shit
if Leo is
the Mark Wahlberg part
I think this movie's
a home run
this would just be
if
honestly
it would be
so fucking cool
if DiCaprio
just made one of these
now
if he was just like
eh
why don't we just
bang out an Italian job
but this is
legitimately the point
in his career
where he goes
you know what
I made the beach
fuck it
for the next
X amount of years
it's Spielberg
Scorsese
those are the guys
these are the guys
that I'm working with
and he doesn't
make movies like this
Inception is kind of
just prestige
Italian job
that's a
really good point
that's actually not bad
getting the gang
all together
he's the leader
it's a really good point
but it's Christopher Nolan
it's Christopher Nolan
yeah
do you think
Leo's IMDB
in the 2000s
you should basically
trade this for
Blood Diamond
why can't I just
have this movie too
okay
what's wrong with that
that's fine
why do we have to be
so precious about Leo
about Blood Diamond
about Blood Diamond
if he goes
this movie
right into
Catch Me If You Can
Aviator
with book ending
with Gangs of New York
and this is a good movie
this is the next one
it's just like
oh I'm doing a fun
little caper movie
yeah
I think you would have
been really good in this
alright
Craig you did your flex
yeah but
can I do a hottest take
yeah
I think all of the
heists in this movie
are in the wrong order
and they chose
the wrong heist
to feature
I think the Venice heist
by far the coolest
heist in the movie
it should have been
the end of the movie
yeah
it's also the Italian job
yes
it should be the end
falling through
the three levels
with the paint
was super cool
into the water
it was like a
great movie
that you think it's in the boat, it's not.
And then the heist that they were planning in Steve's house was super cool.
I wanted to see the Mini Coopers in the house driving around.
That was so cool.
I feel like the one they finished the movie on was the least interesting heist.
That's a great take.
Fantastic take.
I don't know how that changes calling it the Italian job.
But I guess they have to do the Italian job.
I'm currently in a Twitter algorithm where I keep getting served coward clips.
It'll be about like, you know, quarterbacks are like comedians.
You don't want to have to explain it too much.
And then the tweet is like, holy fucking shit.
Look at him cook.
And I'm like, I don't really get it.
It's like a pretty okay take, but that's just like, can we put this on Twitter?
We should do that for Craig.
Holy fucking shit.
He cooks so well.
We almost ended the pod here.
We couldn't believe it.
I did see that quarterback take, and I was like, what's going on?
The more you have to explain a comedian and how funny they are, the odds are they aren't that funny.
And the same goes for quarterbacks.
But doesn't that, isn't what he's saying, doesn't that make fucking sense?
Sure.
Yeah, sure.
Half-assed research, not a ton here other than the Norton stuff, the Norton stuff, the stunts.
There's a fuck ton of Cooper stuff that you just kind of glaze over after a while.
Apex Mountain.
Coopers.
Probably nobody in this movie, really, except for maybe Seth Green.
This might have been the peak for Seth Green.
You're looking at me like, I mean, you know, nice defense attorney.
You're a people.
It's not Austin Powers.
It's after Austin Powers, after the third one.
He's one of the leads in an Italian job, basically.
And I feel like this is.
Yeah, like this was his shot at being a big boy type of.
Yeah, this is, maybe it was the last Austin Powers.
Nothing really else except for many Coopers, I don't think.
You know what's funny?
How about Venice scenes?
Is 03 21st century Apex for Los Angeles?
So I was thinking for the Hollywood area, it might be.
That's when Kimmel Show relaunched there.
And it goes all the way.
They're spending money.
And they're really trying to restore it and make it a place you go.
And the man theater they spent money on.
And they built the new mall.
Arclight's cranking.
Arclight.
It goes all the way to the end of like Entourage.
You know what the.
And Katsuya goes in on the corner of.
Katsuya goes in.
Sunset and Vine.
And it became like the place for two years.
And then Sunset.
Every little part of Hollywood has its own deal.
Sunset and Vine has its deal.
Then right there, the corner of Fairfax.
Not Fairfax.
The corner of La Brea.
It really ended when The Ringer moved into Sunset Gower.
In 2016.
No, we had a nice couple of years there.
No, but I'm saying that was the beginning and the end for the entire area.
We took out Hollywood.
Yeah.
Getting chased by hobos in the Gulch.
Kevin Clark got run over by a car.
Gower Gulch.
It was a big deal.
I think Hollywood's coming back.
I hope so.
David Ellison's going to save it.
Cruise or Hanks?
You could do both.
You could have Chachetti.
You could have Cruise play.
I think Cruise could have been Wahlberg really easily.
He would have loved the driving.
I think Cruise and the.
It would have been.
The Edward Norton role.
Evil Cruise?
Evil Cruise.
Mustache Cruise.
We've only seen Evil Cruise and Collateral.
Yeah.
What else?
That's it?
Think about this movie with Cruise in the Edward Norton role and then Leo.
He would have tried harder.
I'll tell you that much.
Yeah, and Leo.
Picket knits.
Just Charlize pretending to be a cable repair person was ludicrous.
They figure out the right Brinks truck in the Hollywood chase scene.
Yeah.
Based on tire size.
Cause Seth Green apparently has some incredible computer program and he
measures the tires and one tires would love.
They have set that up when he keeps telling them like it's this wide.
It's what if that, what if that car just had less air in the tires?
Just by some coincidence, I dunno, um, blowing up the exact square spot in
Hollywood Boulevard car has to be in the right lane.
That's the stop right on that spot.
It can't take out any other cars.
I'm just saying high degree of difficulty.
Yeah.
I think this movie is less interested in the planning and the execution of stuff in any
heist type movie that I've seen in taken seriously.
Yeah.
Cause in oceans, you're like, Holy shit, that would work.
And in oceans, they do so much.
They have multiple cons running at the same time.
They let you know you're in on the heist.
Almost.
They make you an expert in it.
Like they immerse you in it.
This movie doesn't give a fuck about that.
Um, if we've talked about a lot of the other picket nets, I was just going to say, if you
stole a bunch of gold.
From Venice, would you really have a roadside party at the border for Austria and then get
on a one lane road?
Probably not.
Probably not.
Just mine is also bullets.
Don't work like that when they hit the water, like travels full speed that way.
And, uh, yeah, there were no police.
Oh, look at CR fucking correcting us.
Yeah.
Mythbusters.
They die in the water.
The water's cold.
They're all sharing the thing.
They're dead.
Sequel prequel prestige TV.
All black cast are untouchable.
I'd watch.
They almost did the Brazilian.
We already talked about.
I've watched six of these movies.
Boston job, Philly job.
I've watched a prequel prestige TV show about Donald Sutherland and you can have key for
plan.
Honestly, missed opportunity.
This movie made almost $200 million.
I don't know why they just abandoned it.
I mean, there's a lot of talk about like what was supposed to happen and why the Brazilian
job never got made.
You could have done the Stella Bridger series as like an international safe cracker and
that could have been a whole thing.
The whole series cracker fucking Craig over here.
I would have, I would have gone to at least the first one of those.
Yeah.
Or in Halle Berry.
This category leads me to the question of all black cast.
Hmm.
Has there been an all black cast heist movie?
Oh, well, you have.
And if not, why not?
You have fight night a couple of, I mean, there's an answer to why didn't Eddie Murphy
do tower heist tower house, but there's an answer to why people in tower.
All right.
I mean, there's an answer to why.
Why is that?
I mean, there are heist movies that, that involve black people, but there's an answer
to why is because it's, you know, that when you do these movies like this, the criminals
in the movie seem elegant.
They seem highbrow.
And that's because like crimes committed like this by an all white cast, they seem like
ingenious.
There's ingenuity.
And on screen.
When black people.
Black people commit crimes, even if these crimes have all of this intricate shit to
it, they just seem like criminals to the audience.
Like that same elegance and that same ingenuity.
I think people view it in a different way.
Institutional bias.
I completely think that maybe that's the challenge and the thing to upend.
Yeah, I agree.
I thought we couldn't do a movie like this, but we just fucking did.
Right.
By the way, they're like, they're movies out there.
They're black heist movies.
Even like some of them are comedic, whatever, even like, you know, uptown Saturday night.
Let's do it again.
Movies like that.
But when you talk about all of this type of shit, a takers is kind of like the idea of
having honestly like a movie.
Yeah.
Yes.
Yeah.
But when you when you start looking at it like that, it's different.
See, is this movie better with Wayne Jenkins, Fergie, the floor is Zane Lowe, Robert Evans,
Dr. Charles Nichols, Ted Levine or someone else.
I have a new person introduced to this.
This is Melange.
Can't wait.
Derek from American History X.
Oh, let's go.
I got a bet.
I come in this game right now.
Same score.
But we play.
Mini Coopers versus helicopters.
If you win, we will walk away.
But if we win, no bitching, no fighting right here in front of everybody.
You pack up your shit and you get your little British cars out of here.
When are we doing that?
Fucking craziest scene in movie history.
I fucking loved it.
I loved it.
I love that fucking movie.
That's my favorite performance of him ever.
He's unbelievable.
He's phenomenal in it.
The movie.
I know it makes people uncomfortable, but the movie is sublime.
It's really good.
Sublime.
99, man.
Somebody just asked me like three days ago if we were ever going to do it.
Did you not do it with Shay?
We never did it.
Not for Luminary?
No.
Let me ask you this.
Seriously.
All jokes aside.
Are you a little bit scared of him?
No.
Not at all.
Yeah.
When you go back and watch it.
I love that movie.
I think it's also a fascinating text to use now.
No.
It's always been on the list.
We just never did it.
Just one Oscar.
Who gets it?
Eh.
What do we do here, Craig?
What about the.
Is there like a stunt driver Oscar?
Yeah.
Stunts.
Okay.
Stunts?
Stunts.
Yeah.
Probably unanswerable questions.
I didn't really have any other than we made $24 million and caused $490 million of damage.
Yeah.
Yeah.
Now what?
I feel like people are looking for these people for the next five years.
It's weird.
There's one reference.
The people who ruined LA have escaped again.
Yeah.
Yeah.
Yeah.
Yeah.
Most Def gets them cell phones at the beginning of the LA portion.
And he's like, you know, we'll have to switch these out a lot because they're going to be
heat on these lines.
And like, there is no heat on the lines.
There's no cops.
Right.
Nobody is.
Nobody's looking for them.
This is probably answerable, but I want to ask you guys that this question.
Is there anybody in this movie that you think is better at their respective job than their
counterpart in the Ocean's Eleven?
Is there anybody here that's better that does?
I honestly, I thought Seth Green had all the answers.
For an hour and 50 minutes.
Is there anybody in the Ocean's crew that has handsome Rob's skill set?
That's the one.
I think.
I think he would. Getaway driver.
He's the only member of this crew.
Boats and cars.
He's the only member of this crew
that I think could be on Danny's crew.
That's a good question.
So who are you bumping?
Off Danny's crew?
Yeah.
Carl Reiner.
Yeah.
Oh, damn.
Oh, wow.
No, I'm saying like. I think. There's got to be a sunset clause somewhere.
I know he's the guy in Ocean's Eleven,
but like, you know. Maybe the combo of Casey and Scott,
even though they're really funny.
Yeah, you don't need both.
Yeah.
The memorabilia you'd want from this movie is easy.
It's got to be a gold brick.
Mini Cooper.
I would have put that right there.
My wife has a Mini Cooper.
Really?
It's pretty harrowing driving it around.
Yeah, I agree.
Everybody's. Especially now,
everybody's bumper is basically at brain level.
So like, as you're pulling out,
you're like,
this guy is going to decapitate me.
Like, everywhere.
I don't. I'd talk to my wife.
I'd get anyone.
Coach Finstock, Mr. Braggie,
your word, best, worst, life lesson.
It's got to be the devil inside, right?
Yeah.
Best double feature choice.
I'd go with Fast Four,
just so you could see how many things
they kind of secretly stole from this movie.
And then who won the movie?
Might be Ed Norton.
That's the funny thing.
It's tough.
I think it's the funniest of all the performances,
like, to revisit during a rewatch of those.
It's him and Charlize
are the reasons to go back
to, like, kind of see pre-super stardom Charlize
and Ed Norton being like,
you fucking guys,
I can't believe this.
What do you got, Craig?
I think it's the first inanimate object
to win the movie,
and it's the
Mini Coopers win the movie.
I don't even think it's close.
Wow.
Mini Coopers win the movie.
You're cooking with heat today.
That fucking take is one of the best things
I've ever fucking had before.
You're like a young Colin Coward today.
You're going crazy.
Yeah.
You will believe what this kid just said
about his talent.
Craig Corbin did it again.
Anybody I know who likes this movie,
who watched it growing up,
the first thing they say,
Italian job?
Oh, Mini Coopers.
It's the Mini Coopers.
Oh, that's true.
You're probably right.
Yeah, I watched this movie a ton growing up.
This was like peak cable movies.
I almost feel like it was made for cable.
There's like no sex,
no blood,
no swearing.
It's like made to just live on television.
And it's like the perfect gateway action movie
for a 12-year-old boy.
You're absolutely right.
It's great.
People to look at.
Yeah.
Things happening.
I remember watching this when I was like 11 years old
and thought it was fucking awesome.
So you were excited when we did the Italian job.
Yeah, this is great.
It's been on the list for a while.
Yeah.
Damn, Craig was like Carmen and the Bear
with this scene.
The thing about Mini Coopers
is they're like a New York City apartment.
They're small,
but they do,
they do a lot.
The Italian job.
First of two rewatchables this week.
We have about last night,
40th anniversary
coming on Thursday
with me and CR
and Mallory Rubin
who is going to make CR
about as uncomfortable as it gets.
I can't wait.
She does get you.
No, she doesn't.
You guys,
he's 15 years
or 14 years of this.
Guys, perhaps
go back to the infamous blowjob story.
You know what?
It's just like those stories
come out of nowhere.
It's like if you watch the blow,
I'm sorry,
which is the funniest moment
I've personally read the book.
I don't even know if Bill knows this.
Which movie was that one?
Oh, Jesus Christ, bro.
So like a couple of years ago,
we do the,
I can't remember which movie draft it was.
It's all of us.
It's the whole couch full of people.
Rob, Joe, me, the big picture.
And Mallory goes into a story about,
you know,
giving blowjobs in her basement
and like watching Snatch.
And if you guys don't fucking believe me,
just go back to the movie.
Go back and watch it.
The reactions from Dobbins,
from CR,
and from Phineasy,
all when she gets to it,
are hysterical.
I'm sorry, you guys were like,
We didn't cut social out of this?
She legitimately got you guys.
She did.
And it was the element of surprise.
You know?
That's what makes her so special.
Anyway, that's going to be Thursday.
So two episodes this week.
Van, pleasure as always.
CR, pleasure.
Thanks, brother.
Craig, thank you.
And we'll be back on Thursday.
We'll be back on Thursday.
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Podcast Summary
Key Points:
The podcast discusses "The Italian Job" (2003) as a highly rewatchable heist film blending "Ocean's Eleven" and "The Fast and the Furious" elements.
Ed Norton's performance is analyzed as a "mail-in" due to a contractual obligation with Paramount, where he was forced into the film against his will.
The film features real stunts, practical effects, and iconic locations like Venice, Los Angeles, and the Alps.
Cast members include Mark Wahlberg, Charlize Theron, Jason Statham, Seth Green, and Mos Def, with Theron at her "appearance apex" before "Monster."
The movie's financial logic is critiqued, noting the $27 million heist seems low compared to the crew's expenses.
Discussion highlights the early 2000s tech nostalgia, including Napster references and hacker tropes.
The lack of romantic chemistry between Wahlberg and Theron is noted as a weak point.
F. Gary Gray's directorial career, from music videos to blockbusters, is praised.
The hosts engage in tangential debates about nudity in films, NBA contracts, and rap names.
1
The movie is seen as a blueprint that influenced the later "Fast & Furious" franchise.
Summary:
In this episode of "The Rewatchables," the hosts dive into the 2003 heist film "The Italian Job," celebrating it as a quintessential mid-tier blockbuster that prioritizes craft and practical stunts over CGI. The film, starring Mark Wahlberg, Charlize Theron, Jason Statham, and Ed Norton, is described as a delightful blend of "Ocean's Eleven" and "The Fast and the Furious," featuring Mini Cooper chases through Los Angeles and Venice. The conversation highlights the movie's rewatchability, from its thrilling opening heist to the clever crew introductions.
A major focus is Ed Norton's bizarre, disengaged performance, which the hosts explain through a detailed backstory: Norton was contractually forced to appear in the film by Paramount, despite his resistance, leading to a "mail-in" portrayal that nonetheless adds a unique charm. The hosts also praise the film's era-specific nostalgia, including Napster jokes and early 2000s tech tropes, while critiquing the lack of chemistry between Wahlberg and Theron and the questionable financial stakes of the heist.
The discussion expands to broader topics, including F. Gary Gray's directorial rise from music videos, the appeal of practical action sequences, and the film's influence on later franchise filmmaking. With humor and tangents on everything from basketball scenes to rap names, the hosts ultimately affirm "The Italian Job" as a fun, rewatchable classic that captures a specific moment in Hollywood history.
FAQs
It's a heist caper where a crew, led by Mark Wahlberg, pulls off a gold heist in Venice before being betrayed by Ed Norton's character, then reassembles in Los Angeles to steal the gold back using Mini Coopers.
Norton was forced into the film by Paramount due to a contract dispute, and he reportedly gave a detached, mail-in performance, likened to his character Worm from Rounders on autopilot.
F. Gary Gray directed the film, known for Friday, Straight Outta Compton, and The Fate of the Furious.
The opening Venice sequence, including the safe heist and speedboat chase, is considered the most rewatchable scene.
The movie had a $60 million budget and grossed $176.1 million worldwide.
He was locked into a contract with Paramount at $1 million per film, despite his asking price being $10 million, and was forced to do the movie or face a lawsuit.
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