The Iliad and Odyssey: heroic epics from ancient Greece
59m 1s
This episode of "You're Dead to Me" takes a comedic yet scholarly approach to exploring Homer's Iliad and Odyssey. Host Greg Jenner is joined by classicist Dr. Emily Hauser and comedian Kyle Smith-Bino to discuss the origins, plots, and cultural significance of these ancient Greek epics. The poems, which began as oral songs performed by bards, were eventually written down centuries later, with Homer traditionally credited as the author, though the episode suggests they were likely a collective tradition. The Iliad centers on Achilles' wrath over a captured slave, leading to devastating consequences, while the Odyssey follows Odysseus' 10-year journey home, filled with mythical creatures and obstacles. The discussion highlights how these heroes, driven by a quest for glory, often bring ruin to their communities, making them vastly different from modern heroes. The episode also touches on the archaeological evidence for Troy, including Schliemann's destructive excavation, and examines the roles of women like Penelope and Helen, who are often marginalized in these male-dominated narratives. Ultimately, the episode presents these poems as timeless stories that offer profound insights into human nature, reconciliation, and the enduring power of storytelling.
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Hello, and welcome to You're Dead to Me, the Radio 4 comedy podcast that takes history seriously.
My name's Greg Jenner. I'm a public historian, author, and broadcaster.
And today, we're sharpening our swords, stashing our spears, and sailing the wine-dark sea back to ancient Greece
to learn all about the epic poems known as the Iliad and Odyssey.
And to help us on this valiant voyage, we are joined by two heroic comedians.
In History Corner, she's Senior Lecturer in Classics and Ancient History at the University of Exeter.
An expert on women in antiquity, Homer, and the modern reception of classical texts.
You might have read her incredible new book, Mythica, A New History of Homer's World Through the Women Written Out of It.
It's Dr. Emily Hauser. Welcome, Emily.
Thank you for having me.
Pleasure to have you in.
And in Comedy Corner, he's a multi-talented actor, comedian, and broadcaster.
You'll recognise him from hosting TV's The Great British Sewing Bee or starring in the award-winning sitcoms
Ghostbusters.
Ghostbusters, Stathlet's Flats, and Man Like Mobine.
Or maybe you've delighted in watching him succeed and fail on Taskmaster.
Maybe you've seen his live tour show, Cool Story Bro.
But you'll definitely remember him from our episode on the Viking explorer Leif Erikson.
It's the very cool Kyle Smith-Bino. Welcome back.
Thank you very much for having me again. I didn't think I was allowed back.
Oh, of course you're allowed back.
Turns out you can do anything. You can say anything and get invited back. All right.
You were great last time. You had a lot of fun.
Thank you.
We rummaged in the Viking Age. We did exploration a thousand years ago.
Yeah, that's right.
Today we are taking you even further back. What do you know about ancient Greece?
The Iliad, the Odyssey, any bells?
I'm going to say Medusa. Is that anywhere near?
A little bit. A little bit off. We'll get you back on track.
Thank you.
Right culture.
Yeah, right culture.
Right language.
Great.
Yeah, these are epic poems.
So, what do you know?
So, this is the So What Do You Know? This is where I have a go at guessing what you, our lovely listener, or viewer, hello, what you might know about today's subject.
The ancient Greek geeks among you will certainly have read the Iliad and Odyssey, maybe as retold by the marvellous Stephen Fry, or perhaps in wonderful translation by Emily Wilson.
That's my favourite translation.
And even if you haven't read the classic classics, the story of the Trojan War is still everywhere in our pop culture.
There are films, of course.
There's 2004's Troy, starring Hanson Brad Pitt.
And, of course, now the Christopher Nolan film.
The Odyssey.
No comment on the helmets.
I'm not getting involved.
Plus, of course, you've got the Percy Jackson series.
There's Madeline Miller's Song of Achilles, Margaret Atwood's feminist retelling of the Penelopead, I think, which is the pronunciation.
Am I right?
Yeah, Penelopead.
Good, thank you.
And there's even an anime series inspired by the Odyssey.
So, the plots are familiar to us, even when we don't realise it.
But when were these stories first written?
And by whom?
And is written the right verb?
And what do they reveal about Greek culture?
And how many people are you allowed to slaughter and still be considered a hero?
Let's find out.
Let's find out.
Right, Dr. Emily.
For those who've never heard the words, the Iliad or Odyssey, which maybe incorporates Kael, I'm not sure.
Simply put, what are they?
Right, well, what we're looking at are epic poems that are coming from ancient Greece.
And they're part of a cycle of poems, which we know as the epic cycle, that are basically telling the story of the legend of the Trojan War.
So, this is a legend that is kind of springing up around a city called Troy.
In modern sort of northwest Turkey, a massive war happening there, about 10-year war, a siege, basically, that the Greeks enact because Paris, the Prince of Troy, abducted, or let's put it in quotation marks, abducted Helen of Sparta, already problematically married to Menelaus.
The Greeks get a bit peeved by that, and they come and try and get her back.
And this initiates a huge cycle of poems.
Now, of those, we've got two that remain.
That's the Iliad and the Odyssey.
The Iliad.
The Iliad, telling a story of a couple of short weeks in the final year of the war, and the Odyssey, telling the story of one man's voyage back home.
Do you know how long these poems are?
Do you know how long, for example, the Iliad is?
I'm guessing, I mean, how do we even measure length?
Let's go in lines.
In lines.
Lines.
How many lines, you know?
I want to say, I'm getting the feeling of 600.
That's a fairly long poem.
Emily, it's a bit longer than that, isn't it?
It's just a bit longer, I'm afraid.
The Iliad is about 15,000.
700 lines, yeah.
I'd say that's too many.
There's a reason you haven't read it.
Yeah.
And the Odyssey is about 12,100 lines.
Oh, that's better.
Yeah, yeah.
Nice, slim, simple novel.
Kyle, you are a storyteller, because Cool Story Bro, you get stories, you know, from the audience, right?
Yeah.
What makes a story epic?
I mean, we've got to start with the beginning, middle, and end.
Okay.
That's a golden rule.
Sure.
And then, for me, personally, I want some jeopardy.
Okay.
Yeah.
Maybe some danger.
A revelation.
I need some characters.
I need detail.
This is good.
That's what I like.
Okay.
Yeah.
What is epic poetry?
It's not going to be our definition of epic, but I like it very much.
And, in fact, that beginning, middle, and end, I don't know if you know that, but Aristotle,
the theorist of narrative, was the one who said that's what all good narrative has to have.
Right.
So you're in the footsteps of Aristotle.
But no, so for epic, I think you can think about the way that we use epic nowadays.
When we say something's epic, we mean it's kind of
massive, it's huge, it's bigger than life, and that's what an epic poem is.
So we talked about how long they are, you know, thousands of lines.
Yeah.
So epic is kind of defined by its length, and later, ancient poets actually talk about Homer.
And they say, like, Homer is like the sea, and we are just like little rivers that are running from it.
So epic is really big.
It's also telling about big themes, so it's telling about heroes, and gods, and monsters,
and sort of voyages that are sort of bigger than anything that you've experienced before.
And then the last thing, which is something that, I think,
that I think we wouldn't normally kind of put under epic in modern terms, is the metre.
Now that's hexameter, and that's basically the rhythm that you're using in the poem.
So basically, because these were oral poems initially, which is why I loved hearing you talk about your storytelling,
these were done aloud, and so you'd have a rhythm that would kind of, like, bring everything together.
And that's this hexametrical rhythm, which basically breaks the line into six feet.
Right, so like iambic pentameter.
That's exactly right, that's another metre.
So iambic pentameter is quite natural to English, so that one will be "dum-da-dum-da-dum-da-dum-da-dum."
It's something you hear a lot in Shakespeare.
Hexameter is the metre of epic.
You named the author Homer.
People at home might be going, "Yes, I've heard of Homer."
Have you heard of Homer?
Yeah.
Not the Simpsons character?
Yeah, I don't know.
I can't remember why.
Okay.
But I have heard of Homer's somethings.
Maybe the Iliad and Odyssey?
Yeah, maybe.
Yeah, yeah.
I think so.
I'm happy saying Homer wrote the Odyssey, because within there, there are sort of several
questions.
A, Homer, real guy.
B, wrote?
Is that the right verb?
First of all, wrote, probably the wrong one, because. Did he freestyle?
So, well, basically, yes.
So this is where they started.
So these poems started in an oral song culture, where people would be, or you'd have bards
who would be really specialising in this kind of topic, and they would be reciting what
we call composing and performance.
So they would be up there.
A little bit like you described, kind of on the stage, in the festival, whatever it was,
and they would be putting these sort of building blocks together.
Now, eventually, over the centuries, those stories get handed down, and at some point,
they start becoming kind of performed, and they become fixed a little bit more for performance,
because at that point, they're being recited.
We then get a moment where, in about the mid-6th century BCE, we've got a tyrant in Athens
called Peisistratus, who's really interested in kind of scripting and fixing these texts.
Yeah.
And I think that's where they really start to become like fixed written texts.
So it's like a gradual process of them being written down and fixed into what we now know
as the Iliad and Odyssey today.
So maybe 200 years between the composition and the actual writing?
I'd say even more.
Oh, really?
So the roots of the oral epic go back to the 14th century BCE or earlier, and the writing
is probably around the 8th to the 6th centuries BCE that that happened.
So we've got hundreds of years of tradition, and then hundreds of years of writing.
That's amazing.
Anyway, did Homer exist?
The ancient Greeks definitely believed that Homer existed.
I don't know if we want to take their word for it, because they also believed that the
gods and goddesses existed and that Zeus swallowed his wife.
So you know, maybe we're not going to take them too literally.
But with Homer, they thought that there was this kind of one poet who wrote the Iliad
and the Odyssey.
For us today, I think we're thinking more of this as a tradition of multiple different
itinerant bards who were really experts in there.
their area. So when I like to think about it, I like to think
about instead of saying sort of the poet or he i like to think of it as a collective tradition and
say they the poets you know this is a communal tradition so homer's meant to be blind right he's
the blind poet homer and he's meant to be the the greeks believed he's the sole creator of these two
poems yeah um wait so what's he writing about then it's not stuff he's seen well this is kind
of the point because if you're blind then you're kind of attuned to the power of a story and also
to the influence of the muses who were the goddesses of song who were inspiring the bard
so this idea of kind of him being blind is very much him turning in and listening to the power
of the word wow yeah i mean the opening line is sing to me oh muses right it's yes it starts by
it's a song yeah well in both of the epics they start like that way so we've got sing to me muse
in the iliad and then in the odyssey we've got tell me muse so both of them very oral spoken
and that's gesturing to the fact that they were originally sung accompanied by a lyre and you've
got this muse who is the goddess of song or one of nine goddesses of song and is imagined to kind
of inhabit the bard and relay to him all of the knowledge that he doesn't have it's funny that
it's sing initially and then they're like actually just tell me yeah maybe this person doesn't have a
great voice let's downgrade him yeah 15 000 lines or something like and then we went over here yeah
great um kyle do you know what the um ancient greek word for a poet was yes imagine um amazing
if you just break out some classical greek now
ancient greek word for a poet yeah for a traveling poet for a person sort of on the road stops in
tells a story gets a free meal you get a free meal for telling a story yeah yeah are you not
getting paid for your shows hang on a minute i really hope you've got a meal for him now greg
after the sandwiches outside is what they get depending on how good the story is i think that
might be absolutely true yeah yeah yeah so you've got an incentive to make sure that your songs are
really sharp yeah i'll be making stuff up though that's fine that's the point that's what they want
good story just say the muses told you wow yeah so the greek the greek word what i mean rhapsody
rhapsode yeah so well we got several different words but rhapsode is the word that is happening
about the time where we've got these people who are performing kind of scripts of the versions
of the text um rhapsodos in ancient greek and that means song stitcher which is really fun
so what they're doing is they're basically sewing together different kind of parts of versions of
the song so you've got sort of like maybe you know this part which is about the anger of achilles and
you've got this little episode that's about like a spy mission and we're going to stitch those
together and we're going to make those into a longer song oh nice so it's not bohemian rhapsody
it's athenian rhapsody it's exactly fab okay i mean alexander the great had a copy of the iliad
didn't he that was his favorite book he did so this was given to him by uh his tutor aristotle
the guy who we were talking about earlier um you know uh and he yeah he kept the copy of the iliad
under his pillow so sweet yeah very very inspired by homer that's cool that's cute isn't it so the
iliad the odyssey as we know them are
recited first composed perhaps collectively perhaps it's a sort of tradition of composition
perhaps there is one great blind genius homer maybe not we don't know but they also tell of
events that happened way before ancient greece as we know it this is the bronze age the world of
mycenae and of the great heroes yeah that's right so what we're looking at here is we're not going
to be thinking about kind of epic as history as kind of a straightforward document of what
happened in the past but what they do do because of that
is that they are kind of encoding memory in some ways so this process of song making is really the
idea of kind of passing down a memory and one part of those memories that they're passing down is of
this trojan war now the events of the trojan war probably took place if they kind of really
happened around the late 13th early 12th century bce and so we're looking about 1200 bc late bronze
age as you mentioned and there have been attempts to kind of prove that this was true and real my
favorite example of this is the discovery of the real city of troy there is a real city that is
amazing the guy who found it heinrich schlieman was absolutely obsessed with homer made up this
kind of story later in life that he'd wanted to do this since he was a child absolutely wasn't true
um but anyway he got to troy and he was in such a hurry to get to the area that he thought was
the lair of homer's troy that instead of waiting and digging down through the layers as you would
if you were an archaeologist he just used dynamite yeah it's
sometimes it's quicker though sometimes you just got to get to it do you know what that would be
fine if he got the right layer but he miscalculated by a thousand years and so he blew through all of
the layer that he wanted and ended up about a thousand years too far in the past i mean when
was this so this is the late 19th century so you know we're at the right at the beginning of
archaeology this this guy's really not an archaeologist he's a german businessman with a
plan he just fancied he's been
using it in his meetings like well it works in the meetings so it must we must work here i mean
can you imagine that episode of time team just tony robinson just dynamiting things i found a
roman oh it's on fire sorry um it's just amazing so troy is a real city it's not called troy because
we call it the iliad so it's called yes ilion iliam ilia ilia whatever endings you like well
actually yeah homer gives it a couple of different names we've got troya which is where we get our
but we've also got ilios and
ilion and that's where we got the iliad from what's really interesting about though is that we have
documents from around that time that talk about a city in that area called wilusa and we think
that that word ilios would initially have been pronounced willios oh and so probably that wilusa
is actually our troy so it should be the williad yeah it doesn't have quite the same that sounds
rude sorry the reason that's interesting to me is because my middle name is troy really wow but i would
hate if my middle name was william i'd be really annoyed if it was we didn't even know you in there
i mean that's perfect booking for us yeah we've got we've got an actual trojan here yeah um my dad
wanted to call me troy smith my mom was like don't be stupid um that's amazing just because she was
like that's too boring yeah well you should shout out all the troy smiths yeah count yourself lucky
and of course in the simpsons there is troy mcclure and homer so we've got troy and homer
in the simpsons which is a nice little in jokes there are several layers of of troy
which may have been the the classic hemoric one but earthquakes destroyed it fires destroyed it
war and then a german came along and dynamited it so we're not quite sure which layers he left
some bits behind so you know when we're looking at those layers there's enough we can do to work
out that there was a city there that was destroyed around 1190 1180 but he did find treasure he did
he did find proper golden lovely shiny treasure see he's got something he's onto something he's
just gonna start blowing stuff up man i mean the line between an archaeologist is looking quite
for the listeners and viewers please do not go around blowing up treasure it's just not
archaeologists be very sad if you do that um yeah he got his wife to model the treasure it was called
a king priam's treasure well he called it king priam's treasure so so he just found this treasure
in this lair that he was convinced was homer's troy even though he was a thousand years too
far in the past found this kind of beautiful cache of golden jewels and things smuggled it
out of troy illegally took it off to athens dressed up his wife in it called it the
jewels of helen of troy and basically sent it out to all of the newspapers in the world at this
point facts really are just kind of you know peripheral to the overall project yeah and then
what where does it go oh it's got a really interesting story so basically it goes on tour
it's exhibited it goes on tour yeah it does i know it's exhibited in the uk i wonder if it got
more um audience in fairham than i did well i don't know about that but then it comes back and
it's in berlin and he puts it up in an exhibition where he says he wants it to be exhibited for all
time this is his kind of attempt to memorialize his name and then after the war it ends up getting
uh appropriated should we say by soviet troops and disappears off to russia we don't know where it is
well we do because some russian journalists worked incredibly hard to find it and they found it
only a couple of decades ago wow oh so where's it now so now it's now in a museum in russia
so is troy our only evidence for an actual real trojan war you know the city of troy
ilion ilios willios whatever we're calling it do we have any other historical or
archaeological evidence that this bronze age war did occur well i mentioned the sources that tell
us about this town the city called wilusa so those are coming from sources that are from the
hittite civilization i don't know if you've heard of them but there are this amazing late bronze age
civilization in anatolia and they have extensive archival records and they talk about multiple
different wars that happen around this city and in fact in one of them you've got a power who's
in the record and now we think that it may be that those are the same as the people who homer calls
achaians that's his word for the greeks so is it possible that the achaians or in greek achaioi
are the same as the achaians i think it's probable at least seems plausible yeah i'm gonna say yes
it's official yeah it's got it's got the stamp but you know this idea of this this city that's
been engaged in war multiple different times in the late bronze age that has had involvement from
powers of kind of the ahioans somewhere in the aegean you know could that be the pattern for
the greeks coming to a city like troy that's the idea and setting it on fire and setting it on fire
yes classic when they leave let's turn to the poems themselves we'll start with the iliad which
effectively is troy story that's what we should call it um kyle's what do you know about achilles
have you ever heard of achilles have you seen the brad pitt movie i think i have seen the movie
and what i remember is jim howard talking about it on set of ghosts
and saying that everyone in that film is wearing their own boxes.
that's niche knowledge
because when you think about it
when you watch these films
and you get lost in it
you're like oh my gosh
it's amazing
like the amount of people
and this must have been
so fun to
so epic to
to film
and you think like
they're all
they're all in their own pants
I'm never going to watch it
the same way again
whose pants do you want them to be in?
well no
they're like
they're not in like
costume pants
they've got their own
they've probably got their own
like the
the pants they came in with
they're just wearing
their tighty whiteys
yeah
so
think about that
that's my answer to that
yeah
Achilles makes me think of
the heel
yeah
and something to do with
trainers
okay
is there something
is there like an animation
where there's like
someone makes
Achilles trainers
oh interesting
I don't know that one
I feel like it's in Hercules
the Disney version
I was going to say
you're thinking of the sandals
I think
that they make in Hercules
the kind of
I think I am
thinking of that
yeah
so the heel
we have to address the heel
we do
the Achilles heel
the most famous thing about him
yeah
it's not in the Iliad
it's not
it's not in the Odyssey
what?
no
it's not in those 15,000 lines
how come the heel comes later?
who adds the heel?
yeah well
it's a much later tradition
actually the heel
so the story of the heel
is that his mother Thetis
who's a goddess
is desperate to make him immortal
and so she takes him
to the river Styx
and she dips him in the Styx
but because she's holding him
by the heel
the heel doesn't
kind of get dipped
in this immortal water
and that's why
he's invulnerable there
in the Iliad
that's absolutely not the case
he's
it's made quite clear
that he can bleed
and like
you know
die like any other man
the Iliad is only telling
sort of a small portion
of his story
that's really organised
around one particular
like episode of his rage
it doesn't tell the story
of how he gets killed
and that's something
that comes in a lot later
and actually becomes
really popular
as a visual motif
later in Christian art
because of course
the idea of baptism
and baptism
was in the water
and the idea of Achilles
being dipped in the water
that's interesting
the plot of the Iliad
is not easy to summarise
is there a simple way
of summarising it Emily?
is there a sort of
too long didn't read
one minute take?
yeah absolutely
so essentially
with the Trojan War
we start with
the judgement of Paris
which is a moment
where three goddesses
are squabbling
over a golden apple
that's been inscribed
with the words
for the most beautiful
they all want it
they decide that a mortal
has to judge between them
and so they go down
to Paris
the prince of Troy
he decides
Aphrodite's the winner
not least
because she bribes him
with Helen
who conveniently
already married
to Menelaus
king of Sparta
Paris goes
and takes Helen
brings her back to Troy
Menelaus
her husband
is outraged
he goes
yeah
kind of as you would be
goes to his brother
Agamemnon
who is the king
of all of the Greeks
and they band together
all of the Greeks
they have
they head off to Troy
on this massive expedition
ten years of fighting
around Troy
ultimately then
Odysseus
kind of the trickster
has the idea
of the Trojan horse
the Trojan horse
gets dragged into Troy
the Greeks jump out
they burn the city down
and then they go home
but that's not in the Iliad either
the truth
I mean the horse
isn't in the Iliad
I mean all the bits
best bits that we know
aren't even in the story
they're missing some stuff in there
yeah
make it longer
that's what I've always said
okay where does the Trojan horse
come from
that's in the Odyssey right
well it's mentioned
in the Odyssey
but the
the story of the Trojan horse
actually comes in
one of these lost epics
the judgment of Paris
like the seizure of Helen
the Trojan horse
the sacking of Troy
those are all
in other epics
that we've lost
so all we've got
is the Iliad
which really just tells
the story of like
Achilles
small episode
in the war
doesn't tell
how he got in
it doesn't tell about his death
and then we've got
the Odyssey
which tells the story
of just one of the Greeks
of many
who were coming home
after Troy
it is quite Marvel Universe
if there were only
two films left
and they
in the Marvel Universe
and you had to figure out
what had happened
by just watching Ant-Man
yeah
exactly
so it's not that the Iliad
and the Odyssey
were the two most important poems
it's just they're the only two
we have
well for the Greeks
they thought that they were the best
so that's why
they were attributed to Homer
they thought he was the best poet
so you know
that's why they preserved them
as opposed to the others
who were you know
just by second
second class poets
according to the Greeks
the Iliad is sometimes
subtitled as
the wrath
or the rage of Achilles
right
what's he so angry about Kyle
well they didn't have
Wi-Fi then
so probably that
right
you just can't get a connection
yeah
yeah
because I couldn't get
a connection yesterday
and I was in
I was in Tottenham Court Road
right
so imagine
I was angry
but yeah
I mean in 2000 years
people will be singing
of that wrath
that wrath will be sung
the Kaeliad
yeah
oh yeah
don't mind it
I don't mind that at all
but you didn't set fire
to a city
no
I left my dynamite
at home
but now I remembered
I've just been reminded
to take it with me
everywhere I go
yeah
I'm gonna say
it's not the Wi-Fi Emily
it's not
why is Achilles
so angry
and wrathful
and pouty
well it's anger
that is the subject
of the Iliad
so the very first word
of the epic
is anger
or wrath
so sing to me
goddess of the wrath
of Achilles
is how it starts
and he is angry
because Agamemnon
the king of the Greeks
we're in the 10th year
of the war
they've been fighting a lot
and during that
process
10th year of the war
pack it in lads
they're all exhausted
so 10 years
have gone by
they are exhausted
and they in that process
have taken a lot of
cities that they've
razed to the ground
they've taken a lot of
women captive as slaves
and one of those women
has to get returned
her father has come
and has a bit of an issue
with his daughter
being enslaved
and so he comes
asks for her back
Agamemnon has to
give her up
and so he
in response
seizes one of Achilles
enslaved women
her name is Briseis
Briseis
and Achilles
gets really peeved
by this
he withdraws from the war
and when he does that
he begs Zeus
the king of the gods
to make sure
that as many of the Greeks
die as possible
so that they all know
how great he is
and that they really miss him
wow
not much of a team player
is he Achilles
ego
big ego
big ego
yeah
I mean he's giving
sort of strong
footballer energy
it's very Cristiano Ronaldo
it's very like
me and only me
so yeah
so he's enslaved a woman
and then the woman
has been sort of liberated
and he's angry
and so he just sort of
sulks in his tent
and sort of goes
you took my slave
yeah you took my slave
I'm not going to fight then
well absolutely
and you know
she hasn't even been liberated
because she's just been
turned over to another Greek
so you know
it's absolutely
but he does
and he has kind of
the biggest sulk in history
ends up causing the death
of many many different Greeks
after that
his
what we're going to call him
companion
lover
friend
Patroclus
the epic's not really clear
about their relationship
but it's clear that they
very very much care about each other
they're more than roommates
they are absolutely
a deep deep relationship
between them
and he goes out
into the battle
because he gets really upset
by seeing all of his companions
dying
so Achilles
lets Patroclus go to war
of course Patroclus
tragically gets killed
by Hector
wearing his armour right
Patroclus wears Achilles' armour
yeah he's dressed up
as Achilles
I mean you know
this sense of them being
kind of two halves
of the same person
really really strong
he dies in Achilles' armour
that gets taken by Hector
the prince of Troy
who kills Patroclus
and in that
Achilles' revenge
just absolutely gets
stoked
so does he think
that he's killed Achilles?
yeah he does
initially
trick shot
yeah
and then they take their armour off
and they're like
oh no it's not Brad Pitt
yeah
okay and so we now get
the rage of Achilles
which is where he's like
vengeance mission
he's going to kill Hector
yeah that's exactly
what happens
he gets back into
battle gear
his mum gets him
divine armour
he gets all dressed up
and he absolutely
wipes out the battlefield
he fights with the gods
and eventually
he ends up killing Hector
the one who killed Patroclus
and he's like
and he doesn't stop there
Hector begged him
for a burial
and instead
what does he do?
he ties him to the back
of his chariot
and he rolls him
in the dirt
and drags him
around the tomb
of Patroclus
this guy's fuming man
yeah he's pretty angry
he's really angry isn't he?
so eventually
the gods have to say
Achilles this is enough
you know
this is too much
like an intervention
isn't it?
yeah exactly
well his mum comes down
she's as I mentioned
a goddess
so she comes down
gives him the message
and just says
Achilles you've got to relax
you've got to
just eat and drink
have some sex
and you know
just basically
take a chill pill
and stop doing this
that's what mums are for
you know
yeah
absolutely
and the poem finishes
not with the kind of
conquest of Troy
it finishes with a funeral
it does yeah
it ends with the funeral
of Hector
and it's actually
a very beautiful scene
because Achilles
hands over the body
that he has desecrated
to the father
what's left of it
what's left of Hector
to Priam
the king of Troy
and there is a funeral
and there is this sort of
very moving
moment of grief
with both men
acknowledge each other's pain
it's incredible
well we've been focusing
on this rage
that does consume the epic
but we get to the end
and in fact
the gods have been
very careful
to preserve Hector's corpse
so actually
you know
he's been kind of
kept for his relatives
for his family
that's nice of them
no it's really good
and we get to the end
of the poem
and we get to a moment
where in fact
Achilles
suddenly has this
kind of
night time scene
with Priam
the king of Troy
who comes
steals out of the city
comes to
Achilles' tent
and he has this
incredible scene
where he kneels
on the ground
and he kisses
the hands
of Achilles
the man who killed
his son
and he says
you know
I am doing this
because I would like
to have my son's body
back to bury
and they engage
in this amazing
kind of scene
of kindness
of friendship
they share bread
together
and at that point
then Priam goes home
with his son's body
and that's the end
of the poem
that is the end
of the poem
Troy doesn't
get conquered
the war doesn't end
no
so hang on
it took them
15,000 lives to
- We'll get to that.
- Yeah, what we've done in about 10 minutes, that's us.
I could have done that a little bit quicker.
Achilles is a hero, right?
In the ancient Greek world, he's a hero.
Just to sort of sum up what he's done, Kael,
he abducts a woman, he sulks when he loses her,
he lets his fellow Greeks die.
In fact, he asks his fellow Greeks to die.
He gets his boyfriend accidentally killed,
then seeks murderous vengeance and desecrates the corpse.
It's not the classic hero story we're familiar with
in our Hollywood movies.
Yeah, it's pretty extreme.
Yeah, he's not John McClane, is he?
It's not Die Hard.
No, but I mean, Batman was a bit naughty.
He's just beating up people for the fun of it.
It's sort of interesting, the word hero.
It doesn't feel appropriate by our morals.
So what is a Greek hero? Is it different?
Well, what's interesting is that the word is the same.
So the ancient Greek word that Homer uses for hero is heros.
It's where we get hero from.
But it means something completely different.
So there's a definition of the hero that I really like,
which is basically it is someone who is striving for immortality
and will do anything to get that,
and ultimately, ironically,
proves that they can't do it and dies trying.
Oh, wow.
Wow.
Live fast or die trying.
Yeah, and that's exactly what they're doing.
And they're really, they're living so fast
that they actually end up bringing ruin to everyone around them.
So an ancient Greek hero,
if you're looking at the Iliad and the Odyssey,
is actually someone who can actually destroy his community
in a lot of ways.
But they're doing that because that is what they need
to be remembered into the future.
So what they want, above all,
is glory.
The word is kleos in Greek,
and it means people talking about you.
So the more extreme things you do,
the more people are going to talk about you.
Yeah.
Okay.
Despite his rage issues,
Achilles, you know, does show compassion, as we say.
And we get this funeral, this reconciliation,
which is kind of amazing.
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That's the Iliad.
That is the story of the Iliad.
It's the story of Achilles, his rage,
and I suppose his brief moment of humanity at the end.
Yeah.
End of story.
Yeah.
And then we're on to the sequel poem,
The Odyssey.
Mm.
And this is named after another great hero
of the Trojan War.
So is this continuing where we left off?
Well, it's not,
because in the meantime,
they've already had the sack of Troy.
We've had the wooden horse being taken in.
We've had Troy burning.
We've had all of the captives parceled out.
We've got everyone on the boats.
We've had a bit of a problem with Athena,
who gets very angry with the Greeks.
And then they all start getting sent home.
So with The Odyssey,
we're just seeing that point
where Odysseus is now on his way home.
So I don't have to have read the first one.
Do you know what?
The Odyssey actually gives you
a bit of a recap.
It does.
I think you'll be all right.
It actually has flashback scenes,
doesn't it?
Yeah, it does.
It feels so modern.
Yeah.
Okay, so let's talk about The Odyssey.
This is Odysseus.
He is one of the kind of great warriors
who's gone out in this Greek mission
to reclaim Helen of Troy.
He's renowned for his intelligence,
and he's trying to get home to his wife,
and it just takes forever.
Yeah, 20 years in total.
That's how long Penelope had to wait.
Oh, my gosh.
She must have been so bored.
Well, she had a lot of weaving
to keep her occupied.
So much weaving.
Which sounds really exciting.
And unweaving, of course.
Yes, and unweaving.
Unweaving, too.
But yeah, 10 years in the war,
10 years coming home.
Wow.
So she's had a long wait.
10 years coming home.
Yeah.
Well, and then we've also got his son,
Telemachus, who was a baby when he left,
and by the time he comes back,
he's just about to become a man.
So he's also been waiting
for his father to come home
for that amount of time.
So that's Tom Holland in the movie.
Yeah, exactly.
So we get this story
of one man's attempt to just get home
after he's already been out to war
for 10 years, and it starts. Where's he coming from?
Western Turkey, so it's not that far.
No, it's not that far.
To where?
Well, to the Ionian Islands,
so that's around the other side of Greece.
So he needs to go across the Aegean,
kind of around the southern Peloponnese,
and then up towards the Ionian Islands.
So it's a trip.
It's a trip, but it's not going to be
more than a couple of weeks.
Yeah, I was going to say,
like a month at sea, maybe?
You know, stop off, have a barbecue,
but like it's. But he goes into kind of major fantasy land,
and when we start the Odyssey,
we basically start with him
on the island of a nymph called Calypso,
where he has been for 70 years.
Seven years.
And that's the kind of initiating. What are you doing over there?. point on the island, yeah.
Maybe I'm not sure on the island.
I think. I once went to Gatwick instead of Heathrow.
And then when you realise,
you're like, oh my gosh,
that's so far away.
So I understand maybe like four years.
You've experienced your own Odyssey.
Yeah.
I love it.
But the rest, come on.
Emily, what do we mean by nymph?
Well, the Greek word for nymph is nymphae,
which means. both a sort of minor goddess.
It could also actually mean a bride,
which tells you the way that they're thinking about these,
the sort of nubile young women
who are potentially sort of lingering on islands
around the Mediterranean
and waiting to catch a man off guard
and take him off his path.
Right.
Calypso is a sort of gorgeous eternal goddess, right?
Yeah.
She promises to make him immortal as well.
And she fancies him.
And she's like, look, we'll be lovers.
I'm more beautiful than all the mortal women.
So just stay here.
We'll just have sex and eat fruit.
Yeah.
And he's like, maybe.
But for seven years, he sort of like doesn't leave.
Prevaricating.
Situationship.
Yeah, yeah, yeah.
Absolutely.
I get it.
It's a seven-year-long situation.
I've been there, I get it.
Yeah.
I've got to get home to my wife.
Really?
This time I will.
This time I will.
So he's stuck on hot nymph island.
Let's talk about the rest of the plot of the Odyssey,
which is incredibly complicated.
So tell us some of the plots.
I mean, we can't do all of it.
No.
Just some standout.
Well, what we've got going on basically are kind of,
three different levels at the same time.
We've got Odysseus starting out on Calypso's island
and he still needs to get home.
So he's got the rest of his voyage to do.
We've got the suitors in Ithaca who are basically 108 men.
They really want to marry Penelope
and they have basically sat themselves down
in the palace at Ithaca and just don't want to leave
and they are determined to make that happen.
We've then also got the teenage son Telemachus
who goes on his own mini-odyssey.
And I kind of like this
because he basically wants to be like his dad.
So instead of Odysseus,
doing an odyssey,
he's Telemachus.
So he does a Telemachy.
And he goes on a like mini-daddy trip
to try and find his father,
goes to a couple of Greek palaces
and then ultimately comes back.
So we've got all of those sort of three things
happening at the same time.
Odysseus, of course,
like when he is on his way back,
we also get him stopping off at a place
called the Island of the Phaeacians.
And he gives the story of his adventures
of all of the things that happened to him
before he got to Calypso's island.
So not only are we getting those things happening
in forward progression,
but we're also getting
a flashback to what happened to him at Troy.
And he has all sorts of issues.
Do you know any of the kind of
magical creatures that stop him?
I've heard nymph already.
Yeah.
Hopping off the island, yeah.
I'm guessing it's not one of those.
What other stuff they got knocking about?
Gargoyles?
I mean, that's pretty close, actually.
It's not bad.
It's not bad.
Yeah.
Have you heard of sirens?
Yes.
Yeah, I have.
What do you know of sirens?
The ones that sing to the sailors.
That's right.
And then they get there
and they eat their heads
or whatever they do.
No, they don't.
They don't.
They just enjoy wrecking them
on the rocks.
You sure they don't eat their heads?
Yeah.
I'm pretty sure that they don't.
I mean, Homer describes them
as being like bird women.
So they've got sort of
the heads of women,
but then they've got the kind of
wings and talons of birds.
See, now,
I've been to London Zoo
at feeding time for the vultures
and they are eating heads.
Yeah.
There it is.
When I was in drama school,
we had to do animal studies
and I chose a vulture.
And then they,
this was disgusting.
They threw rabbits
into the vulturing,
not live ones,
dead ones.
But you watch the vultures
eat the rabbits
and they stand on them
and then just like
rip their heads off
and then get their beak
inside the body.
Nasty.
It's nasty stuff.
Now you're telling me
that sirens have got bird bodies.
It's making me more inclined
to think that they're
eating their heads.
So it's going to be
very difficult for you
to change your mind.
It's a hot take.
It's a hot take.
Fair enough.
There's also a cyclops.
Oh, yeah.
Oh, one eye.
One eye.
Big old cyclops.
Sure.
Who's the son of Poseidon.
Yeah, he is.
Gone to the sea.
Yeah, yeah.
That's kind of a big problem
for Odysseus.
That's a real issue, right?
Yeah, well,
because one of the reasons
this is a problem is. He's a nepo-cyclops.
He is, exactly.
Well, because he really wants
his father to kind of
get on his side
when Odysseus basically
is a really, really bad guest
and not only eats
the cyclops' food
without asking him,
but he also pierces him
in the eye
with a stake to blind him.
Oh, come on.
He's only got one.
Yeah, I know.
But then he does
this great trick as well
where, you know,
he's Odysseus,
so he's very clever.
So he tells the cyclops
that his name is Nobody.
So the cyclops then calls out
to his brothers
and he says,
guys, guys,
Nobody's blinded me.
Which, you know. Why are you telling that?
Yeah, I know.
That's not news.
Thanks, back to my shepherding
or whatever I was doing.
Then Odysseus,
he has this fatal kind of moment
of what the Greeks
would have called hubris,
which is this kind of
excessive pride.
And he's managed to escape.
He's got out
by climbing underneath
the sheep
that the cyclops has.
So he's clung
under them
and got out of the cave.
They get onto their ship
and then he turns back
and he says,
I want you to know
that the person
who did this
to you was Odysseus now that's really bad because then the Cyclops knows exactly who to pray to his
dad Poseidon and to ask him to curse him and that is the reason why Odysseus ends up taking so long
to get home yeah of all the gods you don't want to curse you god of the sea when you're on a boat
no I know mate yeah um he also encounters a witch called Circe and she turns his men into pigs
inconvenient but delicious yeah what I will say though is that after she transforms them into
pigs she transforms them back and when they transform back they are younger and better
looking than they were before I don't want to eat bacon anymore yeah and vegetarian yeah
wow is this the future of skincare well there you go exactly just you know a little bit of
kind of pig and then back to yourself and then you're 10 years younger would you would you do
pig for a bit how long okay it's not very long no okay no it's just enough for Odysseus
to be a little bit of a pig and then back to yourself and then you're 10 years younger
would you would you do pig for a bit how long okay it's not very long no okay no it's just enough
enough for Odysseus to be a little bit of a pig and then back to yourself and then you're 10 years
and her to have a chat and a drink yeah but your version of not very long based on how long this is
I mean he does end up staying with her and sleeping with her for a year yeah so he's not
very faithful really it's a man trying to get back to his wife no they've got a very different
version of one night stand yes they have yeah there's also the the sun god Helios he gets in
the way is that a guy that runs easy jet no different guy who's the god of the sun who has
some really nice cows the best cows the best sacred cows sacred cows
yeah and he really doesn't want those cows to be killed and of course what do Odysseus his men do
they kill them and they eat them because they're really hungry they are really hungry in their
defense they're really hungry and they don't eat pork anymore no and they don't want to eat the fish
they don't want to eat fish right yeah they just they don't really like it they don't fancy it
yeah they've been messing about yeah maybe right basically Helios gets really annoyed uh asks Zeus
to kind of have a go and so Zeus strikes them with a lightning bolt and then Odysseus is the
only one left yeah oh so he's this sort of great captain he's this great warrior he's this great
hero but he gets all of his men killed yeah every single one of them yeah and he only survives
because he's so smart and he's he's the guy who came up with the Trojan horse he's the kind of
genius strategist right he does get home eventually and Penelope his wife I don't even forgot where I
lived by then yeah he gets back just get a new house he gets back to Ithaca and Penelope doesn't
recognize him yeah because he goes in disguise yeah well this is the question does she doesn't
she recognize him so when he rocks up on Ithaca after 20 years um Athena the goddess uh who is
his patron goddess because she is the goddess of cunning and wisdom and that's exactly who he is
she meets him on the shore and she turns him into an old beggar to disguise him because obviously
what he's got to do is he's got to make sure he's got all of his allies around him before he tries
to get back into the house at Ithaca he's come after 20 years nobody knows who he is but yeah so
he kind of comes up to the palace disguised as a beggar and they have these really great moments of
conversation between Penelope and Odysseus the beggar where Penelope says things like oh beggar
your hands look so simple and I don't know what to do with them I don't know what to do with them
to my husband's hands um or you know yeah exactly whoops you know there are these moments where it's
like near misses or maybe did she didn't she recognize him yeah he does effectively get rid
of the 108 suitors yeah Penelope sort of she sort of sets a contest right with the bow so this is
another one of these convenient things that happens is that Odysseus the beggar happens to
be in the palace and on that day she decides that actually she's going to give up on Odysseus
and she's going to set a contest for her hand in marriage to be fair to us you're waiting for a
she did yeah it just is very convenient that it happened at the point that he's there um she sets
up this contest and says whoever can string Odysseus's old bow and can shoot an arrow through
the axes is going to be able to be her new husband right of course all of the suitors try they fail
Odysseus steps up and is in this kind of amazing cinematic moment he takes the bow he strings it
he kind of turns back into himself and then he kind of shoots it and the arrow and then
slaughter follows him and then he's like oh my god I'm so sorry I'm so sorry I'm so sorry I'm so
and he basically just kills all of them he kills 108 men yeah exactly he locks the doors make sure
they have no weapons tired yeah I know relax man you just you haven't seen your wife for ages just
go do some smooching yeah killing everyone these heroes are quite uptight but they stole his stuff
they stole his stuff they've been on his land they've been stealing his stuff they've been
trying to get over it kiss his wife let it go okay you know well he also does something worse
which is well I don't know if it's worse but it's equally bad which is that basically he kind of
I don't know this word oh basically he kind of brings him into the world of being a kind of uh
what what a hero is essentially in that time he needs to teach him how to do that
and in doing that he basically says you've got to take the 12 enslaved women in my house who I think
you're going to write it down oh amazing I love that that's going to be your only note for today
yeah start making the notes 50 minutes in great this is clearly the only clever thing I've said
today I forgot there's a test at the end
um so basically he makes him hang uh 12 of the enslaved women who Odysseus has decided were not
faithful to him and so Telemachus has to kind of string them up in the courtyard only I might add
after they have cleaned up the bodies of the suitors so he's incredibly grim yeah Odysseus
is meant to be the hero and in some ways he's a very different hero to Achilles because his brain's
not brawn yeah and he's he's meant to be kind of more loyal he's you know he's trying to get
home to his wife it's nostalgia it's nostos right the pain of home yeah but in some ways he's he's
equally violent yeah he gets all his men killed he cheats on his wife and then accuses others of
being unfaithful he's quite hypocritical yeah well and then we also end with this not only this kind
of mass slaughter but then all of the families of the suitors come in and are enraged that he's
just come home and killed everyone 108 families like have you seen my son uh yeah um yeah sorry
exactly awkward and by the way I'm Odysseus and I'm welcome home sure yeah um so you know we have
this really kind of problematic ending but yeah so he is in many ways like Achilles I think he's
I said you know a hero we could see a hero as a destroyer of communities and yeah he's lost all
of his companions that he took to Troy he's now come back and he's killed everybody and on the
other hand compared to someone like Achilles he is as you said much more kind of shrewd much more
cunning much more clever and that's what he's known for he has loads of epithets which are
basically adjectives through the epic that describe him as like really cunning polymeters is one of
them really cunning really clever of course he's got Penelope who is equally clever equally cunning
and she kind of matches him and he's like oh my god I'm going to kill you I'm going to kill you
so there is a different dynamic going on there she spent this whole time weaving to slow down
the suitors for marrying her and then every night she unweaved everything that she weaved that day
oh so for 20 years they've been sitting there going are you done weaving yet and she's like
no I'm sorry it just it's taken really long I'll do it give it to me I'll do it I don't even know
how to weave she's equally smart and Telemachus also is very clever and the kind of parallels
between Achilles and Odysseus I mean they meet these two former friends they meet again you want
to do something fun you want sort of like you want to do something fun you want to do something fun
bowling maybe flight club you want an activity based thing okay so at the darts yeah something
like that well I don't know how the darts feels to you but they meet in the underworld does that
feel dartsy it doesn't feel as um interactive okay yeah no they they meet in the underworld
and sure and Achilles says I made the wrong choice yeah it's an amazing moment of kind of
an Iliad who is sort of you know he ends up all out for this choice of he's going to burn out and
just you know kill everyone around him because he wants people to remember him well in the odyssey
Odysseus gets to talk to the spirits of the underworld and Achilles comes up and Odysseus
says oh look you know you're king of all of the shades you know well done you and Achilles says
I would rather be the lowest laborer on the planet than the king of all of the dead he regrets it well
said yeah but it's an amazing thing of like okay well if Odysseus gets that message from Achilles
then he has sort of more knowledge than someone like Achilles did because he knows actually what
is the right choices to get back home so it then becomes even more urgent that he does need to get
back home and try and have that long life version this guy's going everywhere yeah yeah we should
talk about the women in these stories you know your wonderful book mythica is about women sort
of written out of the story and we've mentioned some women Penelope of course the goddesses how
does this story work in terms of gender politics well obviously we've talked a lot about how this
is a story that is about the glory of men and that's really kind of what we're talking about
what the economy of ancient epic is in fact another definition I could have given you earlier when we
talked about what is epic is it is the stories of men it actually calls itself that in Greek
that's clear and run that means the stories of the glories of men so women just really aren't
part of that economy in fact what they are doing to that is that they are either helping men to do
what they need to do so think of Penelope who helps Odysseus to basically get reinstated as the king of
Egypt or the king of Persia to do and that's like Calypso and Circe who are basically holding up and
again I'm putting that in quotation marks Odysseus on his way back home and so there's not that much
space for them within the epics at the same time there are women who kind of maybe just try and get
their voices heard Helen is a really great one we haven't talked about Helen no I mean in traditional
storytelling she elopes with Paris like she runs away with him it's like oh let's get married and
run away together but in this in the way you told it it made it sound like she didn't have a choice
in Paris sort of grabbed her you know it's kind of like you know it's kind of like you know it's kind
of her well she kind of tells different versions of the story which is really interesting so
sometimes she talks about herself being unwilling and that she didn't want to go at other times she
blames herself and she says you know I was the reason that the Trojan War happened and I feel
awful about it in fact when Telemachus does his mini telemachy and he goes on his trip he goes
to Sparta and he sees Helen and Menelaus like now we're after the Trojan War Helen's got back home
to be with Menelaus her first husband again really awkwardly playing
with sort of happy families telling stories to each other about the Trojan War darling do you
remember that time in the war you know my face and everything oh yeah exactly it's really really funny
actually gives them drugs to try and make them forget what happened which i kind of think you
know if you're greece's biggest homewrecker that's that's what you're going to do you're
going to drug your audience yeah you've got to try everything really yeah so it's interesting
so helen maybe the agency there is is tricky but the women in this story are sometimes obstacles
they're sometimes seducers they're sometimes goddesses but athena is the sort of one true
friend of odysseus at least she is and in fact she's the one who really kind of motivates the
plot of the odyssey in a lot of ways it's the beginning of the odyssey is her storming onto
olympus and saying to zeus you need to get odysseus off the island of calypso so she's the
one who kind of sets the narrative going and then at the very end when we've got the families the
suitors back on ithaca who were kind of rising up and are really annoyed at what odysseus has done
it's her who calms everyone down so she's really kind of the one who's like taking odysseus's
narrative in check and making sure everything happens right so there we go we just did 27,000
words of poetry in about an hour so you can condense it yeah yeah this
is a lot of stories you've written and you've kind of sort of edited highlights it's i mean
these they're extraordinary stories and poems i mean is there anything that stood out to you
anything that surprised you yeah a lot loads of it um mainly the dynamite um i think bring back
dynamite you don't hear about dynamite anymore it's so vintage yeah yeah yeah there must there
must still be uses for it i mean yeah maybe not on archaeological sites yes let's say no to dynamite
maybe in mining but maybe less so you know in in science and archaeology but you know but as a
storyteller yourself is there something is there anything in these stories that you sort of heard
and went oh that's interesting i wouldn't have done that or you know i wouldn't have done most
of it i will say that but it's a storyteller i mean in terms of the narrative you know the
structure of it the flashbacks the kind of three stories spinning yeah well i mean it's a lot like
what we do when we're improvising we do callbacks um and you have like flashbacks or you have like
two years later someone might shout from the side of the stage um things like that but i can't
believe how long this stuff took i can't believe how long this stuff took i can't believe how long
this stuff took is that true are there years like our years we're talking about myth here right like
is any of this true like i think you know one thing that people have talked about is for instance the
trojan war being 10 years in some cultures the idea of kind of 10 years is something that you
would use for endless so it's also just a kind of way of right demarcating like a really really big
and long war that was important yeah but also 20 years away for odysseus and he gets back and
actually he's still kind of a young man right because he left when he was like 21 too probably
and you again get this kind of youthfulness so maybe he's got the athena glow up
so because yes he didn't have his pig no he didn't have his pig transformation he gets his moment
he must stink though after 10 years of trying to get home yeah i mean he had some baths on
the way back he got bathed by various of his i bet he's wearing his own underpants
definitely yeah at one point he wasn't at one point he washed up naked on the shore so yeah
yeah he got new clothes all right well it's been quite the ride um so uh mark's out of how many how
many stars would you give the iliad an odyssey now oh i loved it yeah i'm into it cool and i really
want to see this film now good i wasn't bothered before brilliant and now you are can i give it a
four and a half i'll take it i'd like yeah i'd like to do that i think homer would be pleased
with that i think i'm really interested in about the achilles heel thing i didn't know that yeah
that was about getting dipped in by his heel and it's probably more of a roman later thing well
it's definitely the first time it comes up is a lot lot later than in homer so yeah the nuance window
time now for the nuance window this is where kyle and i sit and snack on figs and olives and try not
to turn into pigs while dr emily whips out a liar and sings to us oh wonderful news uh something
that we need to know about the iliad and the odyssey so my stopwatch is ready here it is
uh you have two minutes take it away dr emily why do we tell stories what does the story have
to do to survive nearly three thousand years i can't speak to three thousand years of experience
but each time i come back to the iliad and odyssey in my lifetime they mean different things to me
and each time it is a journey as a teenager the odyssey to me was about odysseus's son
trying to become himself between a mother he doesn't understand and a father he doesn't know
at university burning the candle at both ends the iliad was about achilles burning out in a blaze
of glory and more recently as a young mother i have come to see that same epic through the eyes
of his mother thetis the grief of losing a child too soon the determination to do what she can for
him because he matters more than anything literature gives you what you are looking for
and literature like the iliad and odyssey that have been read across many hundreds of lifetimes
contain the lives and the thoughts the hopes and the dreams the paths taken by all the people
before you who have read them we mentioned alexander the great who kept a copy of the
iliad beneath his pillow and when he lived with achilles what he got from him was war
global conquest and glory and a young death that burns the world with it it is a pattern in the
pattern of destruction and a story that so many of us see around us today but this is not the only
story the poems hold these are stories that were born in change that from their oral origins were
told again and again in different ways according to who was speaking and who was listening and in
this there is another iliad and odyssey i see a story of reconciliation of community a tale of
warning against losing touch with the earth and the people around us as i see it the iliad ends
with a scene of human hope and heart that shows even the most resolute and destructive warrior
achilles in the dark in his hut on the beach with his hands kissed by the father of the man he killed
and they cry together for the families they have lost they break bread together
and achilles offers to priam kindness handing back hector's body for the humanity of burial
so let us cry together let us go on that journey and hang in the balance at the end
and see that these poems that have lasted several thousand years remind us that it's not easy
but you can we can move past war and destruction we can care for those around us we can see through
the eyes of others and in so doing we can read these poems as a journey towards humanity towards
heart towards hope beautiful thank you so much it makes me feel like i should have that at the
end of my show everyone comes out yeah yeah that's what that's exactly how i feel i'm available oh
right i want to come to swindon um so what do you know now
well it's time now for the so what do you know now so uh kyle we've done a lot of talking we've
summarized 27 000 lines of poetry easy uh yeah do you feel confident you didn't make many notes
no i didn't i sort of forgot that the book was there it kind of blended into the table
a little bit you were prioritizing the oral poetry yes exactly
taking it in yeah is it still in there we'll see yeah we'll see 10 questions for you okay here we
go okay question one which blind poet has traditionally been credited as the author of
the iliad and odyssey homer very good question two how were the iliad and odyssey first communicated
song they were they were sung come on live question three what tool did schliemann use
to excavate at troy dynamite yes i think he used shovels too but he did use dynamite which is not
tremendously helpful question four what event supposedly caused the trojan war there's a certain
woman involved his eyes are rolling around his face hopefully they won't fall out what event
caused the trojan war who running off or or being or being perhaps taken oh because um
what's his name had a slave and then thingy bob took the slave off that's a different one that's
the start of the iliad i'm thinking here of helen and troy but that is good we're gonna give him half
a point i'm giving you half a point half a point because you were remembering briseis weren't you so
i'll give you half of that question five what does kleos mean in ancient greek it's what achilles
really really wanted it's not in your notes story no it means glory he wanted glory and you can't
you can give me half for rhyming story right fine i'm giving him half a good one okay fine
okay question six why do achilles and agamemnon fall out in the iliad actually you've already said
this one because he took his slave off him very good clear questions come on my sleeve question
seven what is the name of odysseus's faithful wife who waits 20 years for him penelope very good
question eight name one obstacle of many obstacles that odysseus faces on his 10-year commute home
he had told cyclops who blinded him and then cyclops said dad
very good that boy blinded me and then he did some stuff to the sea he did that's very good
question nine what famous trick did odysseus design to get inside the walls of troy
they hid in a horse they did the trojan horse yes uh question ten i think this is for eight
and a half out of ten i've lost count to be honest yeah let's say nine uh okay let's say nine out of ten
this for nine out of ten maybe what regret does achilles share
with odysseus when he meets him in the underworld living too fast and dying too young that's right
he wanted a boring life as a farmer i'm giving you nine out of ten yes sir that's pretty good excellent
excellent i'm very pleased let's see if you can get a bonus point yeah what was the greek name for
a wandering poet who got their free meals for a good story do you remember ah i think famous queen
song rhapsodes very good i'm giving you 10 out of 11. yes sir nice one i'm really happy with that
well thank you so much thank you so much emily uh listener and if you want um more from kyle obviously
check out our leif erickson episode it's you know more wanderings more voyages in the viking world
and for more epic historical poetry we've got episodes on king arthur and of course the
mesopotamian epic of gilgamesh which is also very funny and surprising i'd just like to say a huge
thank you to our guests in history corner we had the incredible dr emily hauser from the
university of exeter thank you emily thank you so much it's been so much fun it's been a pleasure
and in Comedy Corner, we had the brilliant Kyle Smith-Bino.
Thank you, Kyle.
Thank you.
And to you, lovely listener, join me next time
as we ask the historical muses to sing us another song about the past.
But for now, I'm off home.
Hopefully, it won't take ten years.
But you know what?
British trains, it maybe will.
Bye!
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♪
Podcast Summary
Key Points:
The podcast episode is a comedic and educational discussion about the ancient Greek epic poems, the Iliad and the Odyssey, traditionally attributed to Homer.
The poems originated as oral traditions, composed and performed by bards over centuries, before being written down around the 8th to 6th centuries BCE.
The Iliad focuses on Achilles' rage during the Trojan War, while the Odyssey follows Odysseus' lengthy journey home, both exploring themes of heroism, glory (kleos), and violence.
The historical reality of the Trojan War is debated, but archaeological discoveries, like Heinrich Schliemann's excavation of Troy, suggest a real city existed, though his methods were destructive.
The episode highlights the complex and often problematic nature of Greek heroes, contrasting their destructive actions with modern ideals of heroism.
Women in the epics, such as Penelope and Helen, play crucial roles, and the discussion touches on their agency and how they are often written out of traditional narratives.
Summary:
This episode of "You're Dead to Me" takes a comedic yet scholarly approach to exploring Homer's Iliad and Odyssey. Host Greg Jenner is joined by classicist Dr. Emily Hauser and comedian Kyle Smith-Bino to discuss the origins, plots, and cultural significance of these ancient Greek epics.
The poems, which began as oral songs performed by bards, were eventually written down centuries later, with Homer traditionally credited as the author, though the episode suggests they were likely a collective tradition. The Iliad centers on Achilles' wrath over a captured slave, leading to devastating consequences, while the Odyssey follows Odysseus' 10-year journey home, filled with mythical creatures and obstacles. The discussion highlights how these heroes, driven by a quest for glory, often bring ruin to their communities, making them vastly different from modern heroes.
The episode also touches on the archaeological evidence for Troy, including Schliemann's destructive excavation, and examines the roles of women like Penelope and Helen, who are often marginalized in these male-dominated narratives. Ultimately, the episode presents these poems as timeless stories that offer profound insights into human nature, reconciliation, and the enduring power of storytelling.
FAQs
They are ancient Greek epic poems that are part of a cycle of poems telling the story of the Trojan War. The Iliad covers a few weeks in the final year of the war, while the Odyssey follows one man's voyage home.
The Iliad is about 15,700 lines long, and the Odyssey is about 12,100 lines long. They are massive works that were originally composed and performed orally.
The ancient Greeks believed Homer was a single blind poet who created both poems. Today, scholars think they emerged from a tradition of multiple bards over centuries, with writing down occurring around the 8th to 6th centuries BCE.
The Iliad focuses on the wrath of Achilles, who withdraws from the Trojan War after King Agamemnon takes his enslaved woman, Briseis. His rage leads to the death of his companion Patroclus, and he seeks revenge by killing Hector, though the poem ends with a moment of reconciliation.
The Odyssey follows Odysseus's 10-year journey home from the Trojan War to his wife Penelope in Ithaca. He faces obstacles like the Cyclops, sirens, and the witch Circe, and upon returning, he kills the suitors vying for his wife's hand.
The Achilles heel is a later tradition not in the Iliad, where his mother dips him in the River Styx to make him immortal, but his heel remains vulnerable. In the Iliad, Achilles is portrayed as capable of bleeding and dying like any other man.
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