Steve Irwin remains a complex and enduring figure in global wildlife culture, blending showmanship with deep ecological commitment. The conversation explores how his early life, shaped by close family ties to reptiles and emotional experiences like being pinned by a venomous snake, instilled a lifelong respect for animals. His career began with practical crocodile relocation work, driven by a mission to counter negative stereotypes and promote coexistence rather than fear. While the *Crocodile Hunter* show emphasized dramatic, adventurous imagery—especially in American media, where it was framed as a high-stakes hunt—the reality of his work involved careful, humane practices, including building new enclosures for animals in poor conditions. Australians often saw his persona as exaggerated, while Americans embraced him as a cultural icon, reflecting broader stereotypes about Australia. The narrative highlights the tension between entertainment and authenticity, showing how media shapes perception. Despite criticism, Irwin’s legacy is rooted in genuine conservation values, empathy, and a childlike wonder for nature. The discussion also critiques media trends that oversimplify or dramatize real-world issues, suggesting that true engagement with wildlife requires patience, depth, and a willingness to challenge superficial narratives. Ultimately, Steve Irwin’s story is not just one of adventure, but of enduring love, responsibility, and a call to care for the natural world.
I think we really missed out by not being marsupials.
Okay, I'm going to start us off. I'm going to have a sip of tea. And then here's what we're
going to do. I want to, at 12, check in about how we're doing in terms of pacing.
You know me!
It's like we've worked together before.
It's like I have, you know, unexpectedly dropped a three-part series on you before.
And we needed a three-part series, but Steve Irwin is a human-sized man,
and so it must be shorter.
Yeah, I mean, I think I could. Well, maybe not three parts. I probably could make it two parts,
but I'm not going to.
You promised, but you shan't.
We're going to leave all this in so people see what I have to deal with.
Do you see? You're basically Pete from 30 Rock.
You know what this is?
This is karma, because I used to freelance, as you know, when we were in our 20s.
And I had editors being like, okay, I need this many words. And I was like,
I can make it really long. And they're like, no. And now I'm the person who has to keep
saying, no, it must be shorter. And I never thought that would happen to me. It's like
parenthood, but editorially. Okay, well, anyway, Brianna.
Sarah!
You are our ocean correspondent.
I am!
And yet, today we are going on land.
We are. It's a little confusing.
We're going to put on our khakis. We're going to return to perhaps our childhoods.
Absolutely.
And we are going to talk about something I think people have been asking for for a long time.
And that is the crocodile hunter, Steve Irwin.
Steve Irwin. The man, the myth, the legend.
Yeah.
I don't know if he's really a myth, but he certainly is a legend to many people.
You know, yeah. What's the difference? I don't know. But definitely the legend.
Yeah.
And you talked to us at the start of this year about Keiko.
And here we are, I guess, for another biography of someone who a lot of us
bonded with in our childhoods, I want to say. And I'm talking about millennials here.
Yeah, exactly.
Brianna, first of all, two questions in brief. Who are you? And I know that's a big one.
And you can answer it however you want, truly. And B, for someone who, for example,
says, I was born in October of 2006. Who is Steve Irwin?
Right. So I'm Brianna Bowman. I am currently a part-time host and reporter for my local NPR
member station, KLCC, based in Udine.
You have the rom-com job of my dreams. And you are also, I will point out,
much like Adrienne Barbeau in The Fog, a coastal radio gal.
Yeah.
What is that like generally?
To be talking about sort of a facet of the science world, which famously is having kind
of a rough time with regards to people being proud to believe that science does not govern them
in kind of a, you know, pretty worrying way that has gotten more political traction than it used
to have. I think it's fair to say. And also like the difficult thing of communicating fairly
specialized knowledge to people when you only have like so much time to do it. What is that like?
I do find myself struggling. I'm learning, you know, like I,
was primarily trained as a scientist and now I am learning on the fly, on the job,
how to be a journalist.
Yeah. And scientists do not tend to be rewarded for brevity, I would say.
No.
And scientists would say journalism frequently miscommunicates or over-dramatizes or like
click baits or like simplifies an idea or like makes little sound bites out of a complex interview
in a way that like compromises the average person's ability to even try to understand what's going on.
Mm-hmm.
Mm-hmm.
Mm-hmm.
To which I would say, yeah, that is absolutely true.
Yes. I also kind of struggle with this idea of how much do we need to simplify all the time? Like,
I think the interesting part are the details and I get it. It's a, it's a news outlet. It's a news
organization and we need to be able to engage with the most people possible in terms of our
audience and our listeners and our readers of our web articles. But yeah, sometimes I've kind of
struggled with the idea of like,
having to simplify things because I am like, well, I, yeah, maybe for some people that would be too
much. And then for others, they would find that interesting. Like not going into details sometimes
is maybe losing an opportunity to engage with people, but I'm still learning. And I think
that's honestly the crux of a lot of discussion in the science communication field of, you know,
how do we engage people and educate?
How do we educate people without overwhelming them with information? Because it is a scientist's job
to understand every little detail, right? But how much does the average person actually need to know?
And how much time are they going to dedicate? Because this is my thing, right? Where like,
here's an example where I just got to visit Gettysburg this year, which was like really
cool and amazing and great. And the thing is like, because I think it's, it's probably even
maybe a cliche at this point that Gettysburg is beautiful. But like, the thing is that it's
so beautiful. It doesn't feel haunted at all. Oh, and there's something about that. And it's
also been like, you know, painstakingly preserved to look the way it did at that time. There's
something anyway, it's like a very powerful experience is what I'm getting at. You know,
I won't talk too long about it. But also they like show you this film. And then the cyclorama,
which I guess is a phenomenon of the late 19th century of like this giant circular painting
that's supposed to give you an experience of like, a period in history, a sort of feel of
immersive. It's like pre IMAX or something or like being inside a giant zoetrope or pre VR.
Yeah, yeah. It's like night. It's like Gilded Age VR. But anyway, they show this film and it's like
very good. And they have Sam Waterston as Abraham Lincoln, because I guess after Ken Burns, everyone's
like, yep, he's Abraham Lincoln. All right. And they read the Gettysburg Address, which is famously
probably like the shortest important speech in American history. Like it's so short that you can
like chisel it in its entirety.
onto like a piece of, you know, onto a monument and pretty large type. And they like cut it at a
certain point, they like faded out and then faded back in like they had cut out a part of it. I
assume I might be wrong, but it really sure sounded like that. Interesting. And I was like,
I don't know, I feel like people should be expected to sit through the additional 20
seconds or whatever you're saving here. Like, why would you cut this of all things,
if that's what happened? So I think that like, there's this sense that like,
we should make everything bite sized, because the American people are so stupid and impatient
that we won't sit through anything. And it's like, yes, kind of like I can feel my attention span
shrinking when I give into my desire to consume, you know, the kind of like social media stuff that
I want. But also, that is an excuse, I think that media companies use to try and make their products
more and more addictive to try and increase screen time quarter by quarter, right? And a very sinister
attempt, ultimately, to milk us of more and more of our content. And I think that's a really good
of our time every year until we spend every waking second looking at a screen or using
technology of some kind. And it's not fair to blame a lazy people for the evil that corporations
are doing to make us, I don't know, more addicted to this stuff on purpose. And I also think that
like boring stuff can be really good in challenging someone to like think a little bit longer or like
sit with something in order to think harder about it, like is worth it. And if not everyone wants
that, then that's okay. But of course that's not like a good approach capitalistically. Although
interestingly, like the capitalist model in the United States today and media is in all things is
to like execute a business model that doesn't have a chance of becoming profitable, suck it dry,
and then abandon it after about seven years. I know. I never really understood that aspect of
it. It's kind of the same idea. Like I've never quite understood, or I have misgivings about the
idea of the,
the intention of like going into buying a home with the intention of selling it again one day.
Well, yeah, because it can get predatory pretty easily, I think.
Right. What if you just like created the home you wanted and didn't care about whether or not
someone like the next buyer. No, Brianna, we must always profit max each activity,
have a hobby, make it a business, buying a home, make it a business, have a business,
make it a bigger business. This is the American way.
Right.
Drop dead of a hobby.
You had a heart attack at 60 years old after not enjoying any of it because you made it all
a business. Having a baby, make it a business. Anyway, this is our state of the union.
Yeah. It's just, that's where we're at, but I will, I will, I will bring this.
What if you don't make it a business?
What if you just live?
What if you just sat in the hammock and read something and then you didn't tell anyone about
it?
Right. Well, actually, this is a great segue, I think,
to some of the-
To some of my feelings about Steve Irwin.
Tell me your feelings about Steve Irwin. That's what we're all here for.
That's what we're here for. I will, first, I'll say that, you know, you're saying how
all these media companies, they have this sinister idea of like, they're going to try to figure out
how to keep us on our phones and our screens 24 seven. And I can tell you that in reading about
and immersing myself in crocodile hunter media, ironically on a screen, I get it, but
I actually have felt more inspired to be like, you know what, I need to like, go out there
go outside and like, try to identify the plants and animals and things around me that I see
every day, because that's probably what Steve Irwin would have done. And he would have been
like, great state of Oregon that we should not build data centers in or anywhere for the love
of God. Yeah, for the love of God, please. But I, Steve Irwin was just like, in a way, I know he had
obviously this very popular show that aired on a TV on a TV channel, but he really like his life
was really about being outside and getting obviously very up close and personal with
wildlife, which is part of the sort of nuance to him. I, we started to say that I think whenever
people, you know, they read the title of a you're wrong about episode and they're like, Oh no,
what did, what did so-and-so do? I love that person.
And I'm not here to take away anybody's feelings about Steve Irwin. I've come away still loving
Steve Irwin. I think I just have a little bit more of a nuanced idea of him. Like he was a human
being. Well, and you're approaching him as an adult, you know, and that maybe is inevitable.
We hope. Yeah. Yeah. And you know, I, none of us are above a critique. Like there was things about
his approach to his work that people certainly were critiquing, but I think generally you're
going to leave this episode.
Still loving Steve Irwin. And, um, I think he, he still has a, a net positive on, on the world.
Thank you for reassuring people if they're afraid of that. Can I tell you my, like,
yes, you're wrong about many version of Steve Irwin, which we will then spend the rest of the
episode complicating and correcting. Okay. Yeah. Go for it. Okay. This is what I think I remember.
In the early days of the show, we had a lot of reviews being like, I can't believe someone who
doesn't even know anything about it is talking. And it was like, well, it's the point to not,
to not know about it originally. And we like, you know, have grown a lot around that, but it's to be
like, Oh, this is what I kind of remember. And then have someone tell you the correct version,
which usually is pretty counter to the fossil version that you get through VH1 countdown shows
and so on. Yeah. So, okay. So here's what I kind of remember is that I think there was a show on
the discovery channel question mark called the crocodile hunter. And I believe that like the,
I don't know the promos and like the, maybe like the,
the ads and the theme music for it. There was some element of crocodile hunter.
Is that right? Something like that. Yeah. Don't make me look silly by saying I made that up by
myself. Um, but it was just like the, the show that was kind of like a phenomenon is I guess,
kind of an early reality show. Cause I want to say it was on in like the late nineties into the
two thousands mid to late nineties. Yes. Yeah. But for like quite a while. And then it was about
this guy named Steve Irwin who was Australian and American.
And he was like, Hey, I love Australians. Love Australians because we love to do an Australian
accent. Um, although we refuse to ever hire a real Australian to do the ads for Outback Steakhouse,
please for the love of all that is blossoming in onions. Why can't we just get any of the
millions of Australians living in LA and winning all of the Oscars to do this job? I probably
talked about this on my show before. It makes me, I have had a vendetta against Outback Steakhouse
since I was 10 years old because of this. And to say my investment in this, I, my dad grew up in,
in New Zealand and subsequently Australia when he was a little bit older. And I grew up going
to the gold coast to visit my grandparents, but it feels like several summers in a row when I was
like a tween. Oh, I didn't know that. Yeah. And, but then like not since then. So I have these like
tween age memories of it. Yeah. Oh, so if you were there as a tween, well, that was like right
in the height of Crocodile Hunter. Here's what I remember. I remember annoying my relatives
who were like, Oh my gosh, what's going on? What's going on? What's going on? What's going on?
And I'm like, I don't know. I don't know. I don't know. I don't know. I don't know. I don't know.
I don't know. I don't know. But you don't have any memories of like Steve Irwin while you were
in Australia at that time. Not that I can think of. I remember watching a lot of like, I mean,
obviously it was, um, there was a lot of neighbors happening. Oh my gosh. Yeah. I gotta get back over
there. Um, cause it's been this whole time. I remember watching a lot of like, I mean,
millennium since I've, and you have spent a lot of time in Australia and New Zealand as in your
twenties, um, for various reasons, some of them science related. Yeah. And I lived in Australia
for a little over a year and a half. I was first in Brisbane. That was my first six months. And
then I actually went back to New Zealand for a bit. And then I went back to Australia and I was
working in central Queensland and living in a town called Blackwater. It was a very odd place
for me to end up. This was all because of a relationship with my ex that I ended up there.
He and a bunch of friends were working at a coal mine. So Blackwater is in the middle of
coal country in Queensland. You know what I love about this show is that there is someone listening
who also ended up living in a coal mining town because of a relationship that is now over,
but probably a totally different coal mining town, right? Yeah. Yeah. Cause there's coal and
this is all over the place. This is true. And every day, well, maybe not coal in every town,
but there's certainly exes every town. I was working as an environmental officer and enviro
at the mine for a few months. I also worked as a Jillaroo for like a month, uh, Jillaroo's a cow
girl. And yeah, I mean, I had, I had amazing experiences there. It wasn't for me for the
longterm, but I really valued my time there. And it was just interesting diving into the
Steve Irwin stuff because I was like, Oh yeah, I spent a lot of time in like places that I know
he and his team were, were in catching crocodiles. I mean, not in central Queensland, but in far
North Queensland and, and just being in that environment and the kind of wildlife he would
encounter and, you know, just some of the wildlife encounters I had, it would just brought back a lot
of memories actually of that time, which was actually kind of unexpected. And I think the
one thing that I was not expecting to relate to so much was the fact that Terry Irwin, his wife,
I don't know if you know this or remember this, Sarah, but she is from Eugene, Oregon.
No, I didn't know that.
Yeah.
No. And I love finding out someone is from Oregon. This is amazing.
She's from Oregon. She grew up in Eugene and I just found myself relating to this story of her,
coming to Australia and,
what it was like being a girl from Oregon in Australia. And yeah, there's a nice little tie
in there. So yeah, I guess all that's to say is that I think, I think that hopefully less because
of the way this show is as because of the way media is generally, I do, I think you're totally
right that people have that fear that whenever we talk about someone on the show, it's like,
Oh God, what did they do? And I think often what we're trying to do is to talk about someone and
their complexity the best we can. And often we have the need to do that when someone gets
flattened into kind of a
media character, which can happen not because you did something bad, but just because you had a lot
of eyeballs on you and became like a character in the bigger culture for a while, which means by
definition, like if you are an icon, an icon is like something that's easy to recognize that
becomes kind of simplified, like a symbol or a hieroglyph, I think. And so with Steve Irwin,
the idea with him was that he just was like, Americans think of Australians as being a little
bit brainless, which I think is a bit rich coming from us, let's be honest.
But we underestimate people because of the accent. It's the same thing with Southerners.
And it's nice when no one can see you coming and when people underestimate you because of the way
you talk in that sense. And a lot of other accents and dialects. And of course, the way that like
race and code switching play into all this too, not to get too deep. But so I think we all kind
of saw Steve Irwin as like this happy-go-lucky guy who jumped around playing with large predators.
And of course, he was called the Crocodile Hunter. And there was a South Park parody of him.
Every truly significant character of the 90s, pretty much, you know, him being someone I think
who just like to go bother large animals, but who also like, was this very beloved,
very wholesome character who people like to watch. And I think was someone who people like
felt was part of a new wave of a new kind of TV, but that didn't make you stressed about where all
this was going. And then that he died, to me, very unexpectedly.
And tragically, and also in a way that is, I think, extremely unusual and hard to foresee
in 2006. And not to be so millennial that we make everything about ourselves. But I will point out
that that was like the first week or so of college for both of us. And I really associate that with
that, like, transition into adulthood. Yeah, no, absolutely. That was kind of unimaginable,
you know, because he just seemed like very in his element doing this kind of thing all the time.
And then he,
died after an encounter with a stingray.
Yeah, and it really and I remember feeling very, like, I mean, obviously shocked and then
emotional about it, because my family loved Steve Irwin.
Oh, I didn't know this about you guys.
Yeah, I think I got one of his DVDs for Christmas one year from my brother.
And what was the show like? Because I don't think I ever watched it all that much. It was more like
sort of when I was channel surfing kind of a thing.
Yeah, sometimes he's in Australia, and he's,
maybe relocating a crocodile. So that was a big part of his career, actually, before he
started the show, he was a full-time crocodile catcher for the Queensland department.
But of course, for American TV, we have to imply that he's killing them or else no one
would be interested as I assume the meeting about this title, right?
Well, I think it's more exciting to refer to him as the crocodile hunter versus like catcher.
It just sounds more dramatic. But I think also people tend to give the caveat of like,
well, hunter can also mean you're just looking for something. It doesn't mean you have to kill
it. That's true. Right. Like I'm hunting for my glasses. Right. The glasses hunter.
Yeah. Yeah. However, I do think that that is like revealing of what we think people want.
It never to me gave the impression that he was safely relocating these animals. I mean,
I didn't think that he was killing them either, but I understood that it meant he was like
looking for them and then he would find them and be like, hey. Right. You know,
but I didn't realize that there was that we were helping the crocodiles.
Why did he have to move them? How did they get where they weren't supposed to be?
I think he's doing that a lot. So maybe it helps if I like kind of take a step back in his life.
If we like started at the beginning, a very good place to start. And yeah, just like in Dune.
So he he was born in 1962. He has two sisters and he and his parents, Bob and Lynn. He was very
close with his parents growing up. He grew up first in Victoria near Melbourne, and he was born to
on his mother's birthday. And he was always very, very close with his mom. And I think that kind of
intensified, you know, how close they were was the fact that they shared a birthday. And his
sisters, I don't know. He like there's hardly any mention of them. They did come to work at the zoo
later on. But otherwise, I don't really find much about them mentioned anywhere.
And then he and his parents were really passionate about.
Reptiles specifically, like in the sense that they really, I guess, at the time liked to collect them
and keep them as pets sort of thing. This was just in their own home. They were, I believe,
also rehabilitating wildlife as well. Steve Irwin talks about how his mom was always
nursing kangaroo joeys. And that is quite a frequent thing in Australia is wildlife like
kangaroos or wombats, marsupials that are
hit by a car. And the joey survives if there is a joey. Oh, yeah. And so they actually there is
encouragement if you hit and kill a kangaroo to check the pouch and make sure that there's not
a joey in there. God, does this happen to people like on the way to weddings and stuff? You know,
you're just minding your business. And then are kangaroo like deer in this way? Yes, man. I didn't
know that.
That is my analogy.
I don't. Well, why would I think I would know that? I wasn't driving when I was 11 years old,
nor are there probably that many kangaroos on the Gold Coast and the part where all the slot
machines are.
Yes, exactly. Yeah. No, it depends on where you are there. You can certainly visit Australia
and never see a wild kangaroo.
Right. Like if you're if you're in New York City, you're not going to hit a deer. If you're
in upstate New York, deer hit you.
Yeah, but I yeah, they are very frequent.
Wait, but if you hit a kangaroo and you kill it,
and there's a joey inside, like, what do you do then? Do you like wrap it up
in a towel and take it to a wildlife rehab center? Is there a plan?
Yeah, I think generally, that's the idea. And I believe you can also get certified to be like a
wildlife rehabilitator in your own home to like through the government, you know, relevant
government departments.
You can run a joey clinic.
Yeah. I do remember looking into this when I was in Australia. I was like, Oh, that would be
that would be cool. I would love to do that.
And that's basically what Yeah, Steve Irwin's mom, Lynn Irwin was was doing. She was sort of nursing
animals back to health. And so it was just a family that was very passionate about wildlife.
What kind of animals does he grow up with around the house?
Well, so a good story about this is Steve received his first reptile when he was six years old,
like on his birthday. It was like a birthday gift. That's nice. And you might think like,
oh, his first reptile.
And his parents gave him like the Australian equivalent of a garter snake or something like
that. But no, he got in true Steve Irwin fashion, he got a 12 foot scrub python. Like that was what
his parents gave him. But they had the sense to be like, you can't play with him. He is yours,
but you like can't play with him because he will probably actually eat you because you're a six
year old boy and you're actually smaller than him.
The ratio of snake to owner in pounds.
Has to be really high.
Yeah. Right.
And to be clear, like I, I love snakes and I think they're really cool. And I.
I do too.
Nothing against the Irwins. It's just, it's, these are animals that like you need to contain
effectively and like, they definitely aren't harmless. And all that is to say that we're
probably going to be spending a lot of time with this theme of like responsible interaction with
potentially dangerous animals being about respecting who and what they are and also not
over-identifying with them. And I, I feel, I,
I have a sense that this is going to be a, a tale of someone doing that pretty successfully.
Yeah. You're right on it, Sarah. The, that is basically the theme of kind of the nuance of
Steve Irwin's life. Cause yeah, when I was reading about this, I was like, oh, that's
interesting. Like I'm trying to think of like, if I met some people that were keeping a bunch of
reptiles in their own home and other animals, there would be a part of me that'd be like,
is this a good idea? Like, are you guys, do you guys actually know what you're doing?
And I do think the Irwins, I think they did have a healthy respect for the predators that they
took care of. So like another story that I guess is emblematic of this is when Steve Irwin was
seven years old, he and his dad went out in Northern Victoria and they were just looking
for snakes as you do. And, um, it was a little confusing to me as, uh, whether they were looking
for snakes to collect or just to look at or whatever.
It was, but Steve was a little kid. He said he was playing war. He's like stalking his dad and
like pretending a stick as a gun or whatever. And he's just being a little boy. And he, uh,
stepped on a snake and he pinned it down with his foot and he was so excited. He called his dad over
and he's like, look, dad, I caught a snake. And the dad looks at the snake and he like
pushes Steve like really abruptly. Oh boy. Steve,
describes it as like, he like knocked him back with his forearm and also yells you bloody idiot,
which is like, Oh, okay. Poor baby Steve. And, um, I'll read a quote. He said the pain from my
injuries from his dad, knocking him over disappeared as the pain from his anger crushed
me like a bug. But dad, I whimpered. My heart was broken. My pride had turned into an overwhelming
sense of confusion and embarrassment bursting into uncontrollable state of crying. I
ran off down the rocks. I ran and ran bawling my eyes out. Finally, I had to stop running as I was
crying so hard. I couldn't get my breath. I was sobbing so much. My breathing was impaired and I
didn't know what to do. I'm like, Oh my gosh. Yeah. So I, I think the, what, you know, the way
his dad reacted, like really scared him obviously. Uh, but here's the thing that snake was a brown
snake. They are the second most venomous snake.
In the world. Can you imagine as a parent, if your kid's like, look what I found. And it's
literally the second most venomous snake in the world. You might say something that you would
regret later, but so yeah, that point, like you're, you're not really thinking your gut is sort of
taking over and the phrase you bloody idiot might come out of your mouth before you really are
thinking about anything. Yeah. Yeah, exactly. I just thought that was a, I thought it was an
and then actually the sort of button to that story is that Steve runs off and he's, you know,
really upset and he goes down to the river and he's like, I'm going to run away from home and
I'm just going to live out here. And he finds a little cave and like, he immediately just starts
looking for lizards. And I think it just like immediately turns his mood around. And then he
hears his dad calling for him out in the bush. And as he's like, okay, I gotta go.
He says goodbye, little lizards. And he went back to the car, which I just find really sweet. I
really like that. I know. Goodbye, little lizards. So he just always loved wildlife. And I think,
honestly, I mean, I think every kid loves animals and loves wildlife. And I, I'm sure Steve Irwin,
like he had a very heightened kind of love of wildlife, but also his parents really encouraged
it and nurtured that.
Passion about wildlife from a very young age. But I think like him saying goodbye,
little lizards to the, I think they were cunning and skinks is what he found. But he,
I think that's the way that a lot of kids talk to animals.
They talk to them in a very empathetic and caring and just warm way. And I think the thing that
people love about Steve Irwin is he just never stopped doing that. Like as he got older,
I mean, he obviously there was the crocodile catching
aspect and it's very like it's framed in the show very much as like i'm a man off to catch this
dangerous crocodile yeah and it's and so and and it's like produced and edited that way i think
because i imagine because there's a sense of like well this is kind of you know yeah what you're
saying the kind of like emphasizing the 90s masculinity of it i guess right yeah but you
know when he kind of takes a beat and he's kind of slowing down and he's just talking about an
animal he really does have that warmth and he just you genuinely believe and i think it is
genuine on his part that he loves like every animal that he encounters and thinks they're
like the most amazing thing in the world and he knows you know all these really cool interesting
facts and i do like that part of him was very authentic
you know i think that's that's a really cool thing to do and i think that's a really cool
thing to do and i think that's a really cool thing to do and i think that's a really cool thing to
do and i think that was part of his appeal was that he just brought that kind of childlike
wonder through and shared it with people and people really responded to it anyway so he like
he and his family eventually they move from victoria to queensland and his parents buy
a piece of property and because they realize oh we have all of these animals
we need somewhere to keep them also we're kind of interested in starting a zoo because
basically so they opened the beer reptile park and this is um along the bruce highway along the
sunshine coast it's the same place that the australia zoo is today they opened it in 1970
started with just four acres and they i guess primarily had reptiles i don't they may have had
like i think maybe his mom was still like doing a lot of like kangaroo and wombat and other
other mammal rehabilitation but primarily a reptile park and his dad bob erwin he kind of
built it from the ground up and then in the 1980s the family were still running this park but it
became the the queensland reptile and fauna park in 1980 and about this time is when steve and his
dad and his mom moved to australia and i just want to say actually i meant to say this at the top of
the episode i know you have a lot of really wonderful listeners in australia and i am doing
my best to like you know tell the story of what it's like to be in australia as best i can um but
you know it's obviously from just my perspective and you know i don't want to imply that i know
what it's like growing up and living in australia or queensland or whatever but as we mentioned we
did spend some time there so there is some
context yeah but yeah right i think the context is that we're doing our best with like a limited
framework but with like enough of one to maybe like understand how much complexity we don't get
hopefully yeah although we still do like to say clear the water
the condensation clear the condensation not happy jen
that's what it is my favorite that's for all our kiwis
it's like kate with an i it's literally the only thing i can say in an aussie accent and so i i
promise to all your listeners i am not going to attempt australian accent from here on out that's
your one that is my one thing yeah i cannot for the life of me do an aussie accent i can't do a
kiwi accent well because like you know australians are like where's the car and we're like where's the
car
yeah
*laughs*
the thing is in the show i can't hear the difference can you because i can't i feel like
i can't i know it's not it's a demeanor thing to me more than anything yes at least the way he does
it you say it with with 40 percent less optimism yes exactly yeah if we kind of jump ahead a little
bit in his timeline that they had the reptile park in queensland and then you know around that time
they were he and his dad were catching crocodiles to like rehabilitate or relocate because they're
problem crocodiles and what is a problem crocodile i feel like we should maybe establish this now is
this like you a crocodile is in your yard and you're like oh i'd like you to take it away okay
well i'm not so i mean maybe not in your yard though i think that would probably constitute a
problem crocodile i'd imagine but it's a crocodile kind of like bears here in the u.s if they're
getting too close to people like like they have like black bears and they're like they're like
that are just like eating your trash all the time yeah if they're so in parts of uh of australia where
crocodiles are present if people are out fishing and this crocodile is just like hanging out too
close or maybe even like bumping the side of a boat trying to investigate the boat or whatever
and yeah god that's scary it would be scary i'm not gonna lie that would be very especially you
know imagine these crocodiles they get up to like you know like 12 feet long or maybe maybe even
it would be really scary and so some of the approach with well again like predators here
in the u.s you know ranchers farmers will kind of take it into their own hands take the situation
in their own hands and they may shoot a crocodile and that happens a lot or has happened a lot in
the past and i'm sure it still happens but the queensland national parks and wildlife service
they hire people and i'm sure other states too to capture crocodiles
problem crocodiles and relocate them which is something that they have done with bears too
and then they send them to the reformatory well i know and actually another thing that
happens occasionally is there's crocodile farms in australia and sometimes these crocodiles
are sent to the crocodile farms so eventually maybe i i mean crocodile like is that like for
handbags and stuff oh meat yeah and and and their skin too and i know that there's a lot of
there's also like programs to not just catch crocodiles and relocate them or possibly send
them the crocodile farms but also to collect crocodile eggs to like kind of as like a predator
management sort of thing and those eggs will be to devil and send to jeff bezos from his party
oh my god oh but anyway okay so they so there's crocodile farms if you're if you're a problem
crocodile yeah it feels kind of like a kid's movie
you could be sent to the crocodile farm i know right yeah so it's it would be good to be
relocated yeah relocated or if it's like they're too much of a problem then they might take the
crocodile back to the zoo is this like if they keep bothering people is that what makes them
a problem crocodile okay and why do they bother people are they bored do they want food do they
want to eat us are we on their territory perhaps building ranch houses on it yeah if you're in
their territory especially saltwater
crocodiles i think there is a high risk of if you're swimming in crocodile territory i don't
want to say crocodile infested because i know that's a thing with like people say shark infested
waters and it's like they aren't infesting the waters they live there god what a good point
right oh my god i've been taking part in anti-shark rhetoric without realizing it yeah it's
an important thing to know they don't these animals don't infest their own habitat it's
actually human infested we're the ones who aren't supposed to be there from the shark
perspective and look not to take obviously i'm not on the side of the sharks but when you think
about it the sharks are are the ones who are more surprised than anyone to to find that we're there
all of a sudden i bet yeah so yeah and it's the same with crocodiles like and to be clear too like
i think australians for the most part like understand to not swim in certain areas well
unlike americans you know here's something americans have never had and i bet you know
what i'm gonna say we've never had
a leader of our country who went for a swim and disappeared in a way that caused people
to reasonably theorize he might have been eaten by a shark yeah i think that if you grow up
in australia you just understand that you have a healthy respect for crocodiles i'm sure there
have been cases of australians being attacked but it certainly seems to be like tourists or
people that don't quite understand the danger of swimming in a crocodile
habitat right if you go to like far north queensland there's beaches with netting out in
the water for the purpose of keeping crocodiles out of the water by the beach but you better hope
that netting holds yeah and there's some nuance to that too because the netting can also like
you know animals get entangled in it so it's also like causing some ecological harm locally
there's mixed feelings about it but it helps protect people from
being attacked by crocodiles well that seems good but all that's to say that crocodiles are sort of
like a thing that you have to deal with potentially yeah um in your day-to-day life and you know and
also like living with with any other dangerous thing like people who live where there are a lot
of tornadoes you know you adapt to it to some extent yeah you just yeah you adapt and you know
i think that the jurassic park movies even the really terrible sequels that i enjoy so much all
have a good lesson that will help us survive
because in those movies the people who want to cynically profit off of dinosaurs
are the ones who get eaten by dinosaurs
and the ones who are in awe of dinosaurs and like respect them for what they are are the ones who
look less yummy to dinosaurs apparently it might not work that well but you know they know how to
keep a distance and not try and have dinosaur auctions in their basement right yeah no I mean
I think uh having a healthy respect of any predator is just a good good way to move about
in in the world yeah or any animal because a deer will also really um really mess you up potentially
yes yes exactly but uh so Steve and his dad had this job and they were working as
croc catchers for the Queensland National Parks and Wildlife Service when Steve was how old was
this like an after-school job it was you know I don't know about when he was in school but it was
certainly during his like early 20s and okay he didn't go he didn't go to uni he didn't go to
university um so he was just working at the reptile park and
also working he says working full-time it's just like a family job I guess right and kind of what
he grew up with yeah exactly but he has like I know like the things we see on the crocodile hunter
some of the stuff he does like on camera is pretty incredible still like it is actually
really fun to watch the crocodile hunter still should we watch like a little clip or a promo
or something yeah let's do that I did pull up some stuff oh nice let's see
I'm gonna pull up my favorite one that I found this is a clip from the crocodile Hunter I forget
which season it was but they went to East Timor actually so later on in the show they were well
even early on in the show they were like traveling around too but definitely later in the seasons he
was doing a lot more traveling but he went to East Timor and there were two crocodiles that
were held in captivity in a zoo but they were in like really poor captivity but they were in like
poor condition and the conditions they were in were really bad and I think it was like the
Australian Army had people stationed there they contacted Steve and his team to come over and help
with these crocodiles and they actually while they were there built an entirely new enclosure
around the corner from where these crocodiles were and then moved the crocodiles to the new
enclosure crocodile movers yeah this isn't like in the wild necessarily
but I thought it was actually one of the more kind of intense ones that I watched
and also I should say it I guess I said it was on Discovery Zone but I was wrong about it and
the show was on Animal Planet a wonderful Channel yeah I I was good yeah I can't remember if it like
started on Discovery or if it always was Animal Planet but anyway I mean Animal Planet is like
a subsidiary of Discovery or was at the time so it was um they're definitely linked to each other
but he was more highly associated with Animal Planet as time went on so he was definitely like
a part of their their brand Brian is our curator of crocodiles and not only is he cutting and oh
they have a curator of crocodiles it's Brian O Coulter I believe glass wire everything must
be removed so they're making their crocodile enclosure they're I think moving stuff out of the
way to move her out of the enclosure I'd say we get two on yeah you guys the first two on followed
by um Bruce and Kevvy behind us but just watch out falling over each other yeah all right because
she's still big enough and ugly enough to break your legs probably and a few stitches but not
too bad so that's Wes Mannion he's uh Steve's best friend and still works at the Australia
Zoo he's kind of he's kind of lassoing her huh so he's putting on the crocodile to be clear a top jaw rope
okay top jaw rope is key yeah tell us what he's doing so yeah he's yeah it is like a lasso or like
a slip knot kind of and he's putting that around her top jaw so this is like the main way that they
can control the crocodile so this is like one person will put tension on one and then another
person will put tension on the other uh it's just a way to like control the crocodile and
these are like not thick ropes either I'm sure they're like sufficient
but they're just like regular like Indiana Jones kind of ropes yeah I've seen pasta thicker than this
but I think a detail that I loved actually from watching this episode is you know he's
using a stick to like kind of nudge the slip over the top jaw of the crocodile
and um you might think like oh it's just because that's the easiest thing on hand
but he does that also so that if they bite on it it won't damage their teeth oh yeah so
he's he's really like trying to make sure that animals are yeah and not that I think that's above
and beyond I guess sort of the amount of the kind of knowledge and experience yeah right
so now they just dragged her out of the water so this animal has been in this pool for like
years and years another a bunch of guys have jumped on top of her and are holding her jaws
closed with their upper body strength yeah so then this is like the approach so they'll like
jump on top of a on top of the crocodile keep their jaw closed and then they'll tie a rope
around the jaws to then keep the jaw secured then they put a blind around the eyes a blindfold keeps
them calmer like a lot of animals it just seems to reduce their stress slightly like when at the
vet they wrap my cat in a towel to give it a shot yeah yeah so now the team is carrying this
crocodile which I'm yeah I think is like well over it's like 10 feet long at least looks like
a dinosaur a real dinosaur yeah exactly just a total dinosaur oh and now she's thrashing a little
and they're just loading her into the back of a pickup truck yeah so they're going to what
they're doing they're going to take her down to the ocean first because she's been in this like
really gross pool for a long time there's lots of bacteria and they said there's like just like
smell and like they're just afraid that they want to wash away some of the dirty water off of her
before they put her in her new enclosure nice oh they're gonna give her a bath they're taking out
for a little spa day if you will yeah basically now they're loading her back into the truck
and this poor crocodile like she really has been in that pool for years and years can't remember if
it was this one they're gonna help another one uh but she was one of them was in the pool for like 13
years or something crazy oh my gosh and like barely enough room to turn around and really
bad conditions so they literally came here and like built her a new pool like and did it I'm
sure it took a longer than how it looks on the TV but it it looks like they did it in a day
but I'm sure it wasn't quite that they've got an audience of people cheering as they're bringing
this crocodile back in yes yeah the the only people these people are around they're like up in the trees
and sitting on top of the like the the walls and watching them put this crocodile back crikey we've
gained quite an audience the local peoples have come in their droves they love their Crocs but uh
yeah it's I I think I just I love I love this one because there's just so much like
care given to this animal and you can just feel the love
um that Steve Irwin has for for this animal yeah um so now they're gonna they put her back in her
pool tell the first team to go and they leave get off the tail second team gets off the rest of the
body the moment of truth here we go and then the moment comes when you have to like release your
hands from her jaws and just like right beat it out of there half the team get off
the tail yeah so she was by the water but she's stressed and disoriented so she's
she's whipped around and she has like a little Sandy area and all the crowd is screaming
she's going the ground this is not good she's got her her mouth is opening she's got a sassy little
look on her face yeah and Steve is hanging out in the enclosure with her yeah he's trying to direct
her back to the water oh and there she goes but he's like saying she's blind in this eye so she's
like he's trying to like be aware of like okay she can't see us and like we need to be aware of that
I die defending crocodiles and I'll use my body wherever I can for her best interests I love her
and then he like kind of scoops up her tail and like pushes her into the into the pool
that's one I just really enjoyed it's like a home renovation show they built her a new house
they're like what do you think right I really liked that I know I also I think that when we
talk about taking care of wildlife on the terms that they require I think to me it's
a big Mark of distinction to be able to offer all this time and energy to a species of animal that
really project gratitude onto. Yeah. And that would bite your arm off if it felt like it.
Yes. You know, because that's like I respect that quite a bit.
Yeah. I think it's something that I respect about Steve Irwin. And we can get into now some of the
like around this time for following the timeline. Well, first, he like meets his wife, Terry,
and actually for their honeymoon. That's when they filmed like one of the first bits of footage.
For the Crocodile Hunter. Yeah. It's like how Stevie Nicks wrote Stand Back on her honeymoon.
Although that marriage did not last. Yeah. But so then in this period of his life with Terry by his
side from day one, they start filming for the Crocodile Hunter. And obviously it's a huge
success, not so much in Australia, but definitely in the States and other countries. And when I say
successful, like I think people just didn't feel as strongly about the Crocodile Hunter, about Steve
Irwin.
As like Americans did, like he was much more popular in the States.
Right. Because it's like much less of an everyday thing for us, let's say.
Yeah.
And also Americans loved Crocodile Dundee and we really needed another one of those.
Yeah. Yeah. And they definitely I mean, some of the like the branding and the vision, I guess,
of the show was, I think, kind of leaning into that kind of story, I guess. But people in Australia
were generally.
Not as like they didn't get as excited about Steve Irwin as like Americans did. And generally,
the feeling was that he was just kind of cringe. You know, they felt like he was really putting it
on and really exaggerating.
Which I can't imagine an American producer in this time being like, Steve, I need you to crank it up
like 80 percent. OK, 80 percent on top of that. Even more.
Right.
More.
Yeah. Yeah. And I mean, I think a lot of people that have interacted with him
and even someone I was talking to the other day, someone that had worked with someone that had
worked with Steve said that, yeah, OK, there was a bit of a showman persona that he put on for the
camera. Yeah, obviously.
Well, and I will say, like, this is why I envy like, I don't know, like Norwegian slow television,
because I wish that we could have more American TV personalities who are like, hello,
we're going to talk today about this thing.
Yeah. Or just three hours of a train ride through Sweden or something. Yeah.
I love those so much.
I love to be bored. Yeah.
There's one thing about me. I would like everything to be quieter and take longer.
But yeah, so I think Australians were sort of they were like, oh, you're you're a little much.
But yeah, of course, he was dialing it up for a camera.
I mean, we can't no one really thinks that he was like this every second of his life.
Right. Like, he can't be like, I'm going to buy a huge hot dog at this Wawa and the
giant soda, you know, to yourself.
Right. No, I don't think so.
Not that buying that is unbelievable, but narrating it to yourself in that tone is is
what I'm saying. That's what my order would be.
Yeah, of course. But yeah, he he definitely in earlier episodes, he seems a little more
subdued, grounded. Yeah. The enthusiasm and the warmth is still there,
but it's definitely not as exaggerated as it is later on. And I think another part of why I
like that clip that I just showed you is that there's very little of him like narrating to
the camera. So it is him just like doing his job, which I found interesting watching that.
It felt like, oh, OK, this is like what he does. This is what he's good at. He's directing the
team. You can hear him like shouting, you know, directions to his team. He's obviously a very
good leader. Yeah, certainly in this footage, which I remember, you know, being part of kind
of the I don't know, just a simplified version of it.
And that's really cool to see. Yeah. And from what I can tell that people
that worked with him really loved working with him. There was that enthusiasm, but it's sort of
like I think the best description I saw was that, you know, behind the scene, he'd be like, oh,
crikey, isn't she beautiful or whatever? But then in front of the camera, it's like in all caps
where it's like, crikey, isn't she beautiful? Like so. And you can see like early episodes,
versus later episodes, like he's just learned to like, ham it up for the camera because he was
taking off in the States. And that what that was what we loved about him. And so they learned like,
oh, people love seeing you like this. They love seeing you using, you know, the Aussie slang and
really when you crikey it up. Yes, exactly. But I do think and a lot of Australians have said
they found it again, a little cringe.
They were just like, this is okay. This is the guy who's representing us. We don't all talk like
this. We're not all wrestling crocodiles. Yeah. And in the 90s, I think there wasn't so much of
a sense of like, like, I think the internet has helped Americans like understand or at least be
exposed to the cultures of different countries more. But like, we were really going on pure
stereotypes for relationships with every other country at that time.
Yeah, I mean, I do think at that time, Steve Irwin was the,
the cultural ambassador for Australia for better or for worse.
He was one of the main ones. I mean, who else was there? Tony Collette?
Yeah, I don't know. But no one, no one on the level of Steve Irwin.
Yeah. Well, and how did this TV thing get started?
Well, I mean, he was recording footage of himself out doing his work, like even when he is by
himself. He was aware that this was like a cool thing to see. Yeah. And in that sense,
I do think that it wasn't just like someone stumbled on Steve Irwin and was like,
oh, like, this is right for TV. It was. Crikey. It's a Steve Irwin.
I think he knew he was like, and I think that in that way, Steve Irwin has always had a bit of
media savviness and knew that like media could be used as a tool for conservation work,
which was his main passion. I think he also just knew like, I have a very unique job,
and I want to share it with people. And I think people will
think it's cool. Did he think that crocodiles and
big predators like that were getting a bad rap? Was that part of it?
Yes. And so that was like part of the, when he started with his dad, with the crocodile
catching a relocation and that sort of stuff. Their mission then, as it was throughout Steve's
career, was that they felt that crocodiles were unfairly maligned.
Oh, they're maligned women. Yeah, they are. And so,
they, they just felt like crocodiles, you know, Australia's crocodiles are really special and
unique and we need to care about them and we need people to love them. And so part of that was they
wanted to catch and relocate them. So not using any kind of like lethal method of getting rid of
a problem crocodile. Is this like how I feel about coyotes? You know, they're just kind of
like at large in my neighborhood and they definitely eat small house pets, but they're
also really cool.
They're really neat and I want them to be safe.
Yes, exactly. Or wolves.
And for us to, you know, be able to set things up in such a way that they're not able to eat
our small house pets.
Right. Bob and Steve wanted to, and Lynn too, they all wanted to educate people about how to
peacefully coexist with crocodiles rather than having this antagonistic relationship with
crocodiles. So that's been like the mission of the Irwins, you know, from day one, they've just
loved crocodiles.
And wanted to help and, you know, save crocodiles where they can. And I believe that's, you know,
some of the impetus of the crocodile hunter as a show.
Which ironically we have to sell to American TV by implying that we're decreasing the crocodile
population to get people to change the channel.
Right. I don't know. I, yeah, I'm not sure why exactly they landed on that.
You know, it's just, I just think that it sounds better. It plays better. And my
conspiracy theory about American culture,
if you will, is that we are more inclined to tune into anything if it involves violence. I mean,
that's not even totally American, right? If it bleeds, it leads.
Right. I think you're absolutely right.
If it was called the crocodile rescuer, we'd be like, no, thank you.
Yeah, exactly.
Although rescuers do indeed tend to work down under.
Yeah. The thing with, I think like, as you anticipated early on, one of the main critiques,
criticisms of,
of Steve Irwin's crocodile hunter is of course that he is doing like some really exceptionally
dangerous things with dangerous animals.
Such as?
Picking up venomous snakes for one.
Which again, I got that like there are jobs where you don't, where you interact with them and you
know what you're doing, but I guess the thing is that like, there's an inevitable margin of error,
right?
Right.
And also the average 11 year old kid maybe doesn't realize that, you know, and I'm sure
they've got disclaimers, right? But is there a word?
Sorry. That like kids are going to try this at home.
Yes. And the other concern, well, okay. So there was the concern that people would be trying this
at home. And he does literally verbatim say that many times throughout the show. He's like, don't
try this. I'm an expert. I've been doing this my whole life.
And the problem is no matter how many times you say that people will still try it at home. I think,
you know, you can't account for free will.
Yes, exactly. And I think maybe less so when it was,
- First airing,
it was still traditional cable television at the time right that was our main media by which you
mean like broadcast tv nothing was streaming it was like it was on when you happened to catch it
we had a lot of reruns yeah yeah this was definitely way before any social media and
there is an element of uh critique around steve irwin that this kind of wildlife media that he
created of having these really up close like really up close like literally handling a wild
animal on camera has uh perhaps allowed other people to think that that's okay to do and it's
been a few years obviously he died in 2006 as we mentioned um but it could be like this continuing
legacy of that style of a wildlife documentary of you know instead of standing back and
allowing
an animal to exist as they are and watching more sort of natural behaviors from a distance
we have this person who is really getting up in there and like chasing down an animal and grabbing
it and holding it and the animal is stressed and you know and steve irwin always is like oh she's
really grumpy she's really grumpy and it's like yeah yeah maybe right and the joke at the time
was like maybe she'd be less grumpy if you weren't grabbing her yeah and you know dragging her around
or whatever you know that was at least the stereotype yeah he sort of was going i think
that was like the joke on south park that he was going around pissing off animals yeah exactly and
i don't think that's incorrect you know i i do think that that is worth criticizing from a science
communication standpoint of like if we're trying to educate people about wildlife and how to
interact with wildlife we don't want to encourage people to like walk up to animals and we certainly
don't want to encourage people to touch them as i mentioned steve irwin and steve irwin are both
very different people and i think that's a really important thing to do and i think that's a really
important thing to do and i think that's a really important thing to do and i think that's a really
our you know biggest newspaper for mountain lion cubs for sale and she was like what the heck and
yeah I know this was back in I guess late 80s and she went to this guy and she was like wow these
mountain lion cubs are not in a great situation was she like hello I will take them all basically
or I guess it was just one at the time and she took it home she bought it and raised it her name
was Melina and Terry cared for Melina for most of her life and that's where Terry started this
wildlife rehabilitation center and so she started she got actually like certification from Oregon
Department of Fish and Wildlife there's some sort of certification you can get that you can still
get I believe I was looking into it.
I was like huh put a pin in that for a later day.
But very few joeys if any.
Not not so many joeys except for maybe possums possum joeys.
Do we have the marsupial kind of possum or is that like aren't there like different kinds of possums?
Oh possums are marsupials I believe.
Yeah?
Yeah they're our only marsupial I'm googling it right now this is not off the top of my head but
yeah it's our only marsupial in North America.
I didn't know we had a marsupial.
Yeah we do oh possums and they're so cute.
And to be a marsupial is it basically that you have a pouch where you keep your little babies?
That's my understanding I don't know a lot about marsupials but I think one of the key
things is that they have a pouch so you're so the baby like only develops part of the way
you know they're not like other mammals where a baby is mostly fully formed more or less.
And they can be teeny tiny.
It's actually pretty clever I would like to have a pouch.
I know.
Because you put your teeny tiny little you know like your little naked mole rat looking baby in
there and then you can just keep opening it up to take a little peek every now and then.
Yeah and make sure they're okay.
And then when the baby's fully baked you just have like a big like a gap hoodie pocket sized open.
Yeah exactly.
Which I think is much better than the current system.
Well I think we really missed.
We missed out by not being marsupials.
I know I think I think they figured something out that's a little better than childbirth.
Yeah certainly.
I learned in the process of researching this show that Tasmanian devils which are another marsupial
they give birth to actually up to 40 young at a time.
Well that's kind of a lot.
But then I mean this is a little sad but I just thought it was interesting.
Then they only have four teats.
So.
Oh no.
This is like a battle royale of baby Tasmanian devils.
I don't know but they're like the size of a grain of rice when they're born apparently.
Oh gosh.
I know right.
Over the top.
Yeah.
Anyway.
Okay.
So Terry starts off as an actualist in her own right.
Yes.
And she's doing some pretty like out there stuff too.
Like she.
So Melina became kind of an ambassador animal.
And Terry would bring Melina to court hearings for poachers.
For like a victim impact statement.
Yeah.
Yes.
Exactly.
And she has this kind of crazy story where there was this one poacher guy who did something awful.
And I won't repeat what it was because it was just awful.
And he got convicted and the judge was going to sentence him to some community service.
And Terry was like how about this guy comes and works for me at my wildlife rehabilitation.
Center like her whole thing is like maybe I can try to change this guy's attitude towards wildlife and I mean she says she's not sure if she did but that was her philosophy and mentality so you can kind of see where she wasn't just on a trip to Australia doing you know just being like oh who's who's this crazy crocodile guy that I've bumped into like she had her own wildlife conservation and communication kind of history prior and that's what connected them.
Yeah.
Well and it seems like they both have in common maybe a philosophy of like if you see an ad for a mountain lion you get that mountain lion and if you see a crocodile who's in a really bad enclosure you you take that crocodile to the beach and give it a spa day and then you put it in a new enclosure.
Yeah.
Take it one crocodile at a time.
That's really on the nose.
She has some story in her book where she kind of learned this from her dad originally.
Because her dad loved wildlife too that she learned at an early age like if she comes across an issue with an animal to always stop and fix it like don't just like keep walking by so that was really a part of her internal compass throughout her life I'm sure it still is part of her her philosophy so that's kind of who she was before she goes on this.
Aspicious trip to Australia with a girlfriend of hers in October 1991 she was kind of scoping out some zoos to potentially send Molina the mountain lion to because she was like well Molina probably can't stay here with me forever I mean she had built like an enclosure and everything but she was like zoo would probably be a better fit she's not going to be released.
Pitching them like Laverne and Shirley they're in like twin beds.
Turner and Hooch.
But it's yeah.
Terry and Molina I'd watch that movie.
So what I.
She goes to Australia with a girlfriend and like I said she's kind of scoping out some zoos and she sees this reptile park Queensland reptile park and she's like I don't know it's probably just some tiny little park like probably nothing but I'll go check it out.
And then while she's there Steve is giving a crocodile demonstration she's like oh who's this.
Guy and also from her description is just very appealing to her how much he obviously cares about the crocodiles and talks about them in very like warm and loving ways while he's also like dangling like a giant piece of meat in front of them and trying to jump out of the way and they are really fun to watch like I highly recommend looking up the crocodile demonstrations at the Australia Zoo and especially the ones with them with Steve.
Should we watch one.
Yeah totally I have one pulled up here let's see supposedly this is the last one I mean this is this is from a Reddit thread so it's not a reliable source but the headline says that it's or the subject line says that it's his last show at the Australia Zoo before he died.
A subject line has alleged.
Yeah.
Just want to make it clear.
I'm not.
Pause.
Positive it is but it could be.
Jumping in the water.
Splashing splish splashing around.
Splish splashing there's a crocodile coming towards him Monty.
Swimming towards where he gets splashed he's gotten out of the water and the crocodile swimming towards where he just was.
Yeah the crocodile looks very active right.
Yep.
Oh yeah.
Yep.
He's got his mouth open.
Hello.
Hello.
Kind of chasing Steve around a little bit.
Steve is just kind of like dancing around like a boxer.
He's got like a little knee brace on.
He has a support crew.
He has a pit crew behind him basically.
Yeah.
That I'm sure they're partially if anything goes wrong.
I mean that's only the smart thing to do.
Yeah.
So now he's got a piece of meat that's like attached to a piece of rope.
And now he's basically like the crocs grabbed it and now they're basically playing tug of war.
Yeah.
Terry's narrating the whole thing.
Let's see a death roll Monty.
Come on feral pig fight back.
Come on Monty roll him.
You're doing good Mon with those head shakes.
But let's see a death roll.
Come on buddy.
Fight pig fight.
Death roll.
We have a death roll.
Way to go Steve-O.
Monty that was beautiful.
You are such a good boy.
So yeah it's like very entertaining and kind of like showing.
Off what the crocodile can do and like I mean are there people I have to assume that someone somewhere is like hey don't do that with that crocodile.
Oh you know I think a lot of people have found this kind of approach that Steve has had very silly and very yeah it's a bit silly but you know it's it's also for for kids partly I have to think yeah because part of this is about.
Yeah.
Just showing off a wild animal to to kill I don't know because it's like we talked about SeaWorld and that being a problem I think maybe mainly because it's impossible to like humanely have a captive orca right and I'm sure people would argue that you also can't do that with large reptiles but I tend to think that it the bar is a lot lower.
Well I think the thing with these crocodiles is that they're taking crocodiles that were slated to be.
Removed anyway right crocodiles from the reformatory they were problem crocodiles.
and like relocation for whatever reason isn't a possibility because you could you could possibly
relocate them I would imagine that there's not a ton of facilities in Australia that can take in
like fully grown crocodiles so it's not like common for them to be in captivity like this
but I think that probably Steve and his team more than most people were equipped to do that and yeah
they weren't just taking like oh let's go catch a random crocodile we find and put them in right
it's not like the purpose is not like to exhibit them commercially the purpose is like last stop
show business yeah I see yeah actually he wrote in his book so there's a book called the crocodile
hunter by Steve and Terry Irwin and in it he said the Queensland reptile and fauna park which is
what it was before it was Australia Zoo was not about catching a bunch of crocodiles and sticking
them in cages for people to look at
no way never not on your life that's what he wrote
that's nice so I know his voice comes through very strongly in his book like I have I have a scene
that hopefully we can get to to read unbridled enthusiasm unbridled enthusiasm so Terry sees him
doing the crocodile show she's like I like the way that man shows a crocodile yeah basically
and after
the demonstration I believe this video we just watched the facility that was built many years
later that facility is called the crocosium of course oh and they didn't have that before I get
the impression before it was really just like there was a pool and there was a crocodile and
people could like watch maybe at like the fence or something yeah the crocosium that was one of
Steve's big ideas when he was at the Australia Zoo but anyway uh Terry talks to him and he's like
how long have you been in crocs I think so I think they basically immediately
hit it off talking about animals and what's really a cute detail about their love story is
someone took a now kind of famous picture of the two of them when they were having their very first
conversation with each other like basically the moment that they met each other there's a picture
of them which I think is very I don't know just really sweet show me oh okay sorry um should be
okay here we go and of course he's wearing like in a cubra hat and wearing his khakis
wow he looks exactly like on his show and they both are like I don't know I just look very young
and healthy and sunny and have kind of like curly sandy hair and are smiling really big
yeah and the caption is I was never one for Sheila's
I haven't come across that quote anywhere else but well so who knows
maybe AI was like I was never one for Sheila's
I mean I think it it sounds like Steve was very smitten immediately and Terry says that she was
by a woman who understands
your love of the main thing you love you know except for men who are weirdly competitive about
it and hate it when they meet a woman who's good at something they value right we don't care about
them no we're talking about Steve we're talking about Steve here and yeah I think they bonded
immediately because she was like hey I run a I run a wildlife center and like my best friend is a
mountain lion and I'm sure Steve was like wow you're the perfect woman yeah yeah so they just
hit it off immediately and they're like I don't know I don't know I don't know I don't know I don't
know I don't know I don't know I don't know I don't know I don't know and they immediately spent like
a lot of time together I think that she ended up going back to Brisbane with her friend
and then talked to Steve again on the phone and he was like do you want to come back out to the
zoo and she's like sure so she came out and like he like booked her a hotel they didn't stay there
together apparently but that's what she said and uh she like spent the whole weekend at at the zoo
and then the part that I was like wow they were really into each other immediately so
she Terry goes back to Oregon this is like early November in 1991 and Steve calls her in Oregon and
it was like hey uh how about I come visit within like 10 days of her getting back to Oregon and
that's like and Brianna you know that's like kind of a huge hassle to get all the way over here
exactly I would like reading this story I'm like I can't imagine what it was like to be back in Oregon
in 1991 to fly between Australia and Oregon like well I guess at least maybe they at least you
could smoke maybe probably not by then I think actually you could less smoke on a plane in like
sometime in the 80s yeah yeah more food we hope I guess they feed you still on international flights
more food but less uh in-flight entertainment but okay back to Terry so so he comes to Oregon
right yeah so he comes to Oregon the first time he comes to Oregon he comes to Oregon and he's like
it's November he's like I'll come visit you in 10 days and she's like you realize the weather is
great where I am and not so much where you are yeah and she's like you realize that there's this
holiday called Thanksgiving and he's like yeah but he obviously actually doesn't know or hasn't
heard of it so he ends up coming over for Thanksgiving and meets Terry's whole family
and spends Thanksgiving with them they go and like hike around the coast range he goes and skis on
Mount Bachelor like he has his little Oregon holiday and he's like I don't know I don't know
when he's over here and they go look for wildlife of course then Terry visits uh Steve again in
January in 1992 so just like a month later she comes over for a second time she spends like four
weeks there and they go out in the bush and out on the Burdekin River um and she kind of gets
exposed to Steve's life of living out in the bush with his dog Sui and um kind of gets the full Steve
experience in that way like prior to all the crocodile hunter stuff and on that trip like
actually I she phrases it as like one night when they're camping he kind of says as they're like
you know about to fall asleep he's like is this still tradition for the guy to ask the girl's dad
to like marry her like is that still a thing and she's like uh I think so and at the end of the
trip he asks her if they were going to marry her and she's like I don't know I don't know I don't
want to get married and she says yes this is within four months of them meeting each other
they got married in June so nine months after they first met they got married they got married
in Oregon no Terry says 400 people showed up to their wedding which I think is crazy but it was
only like eight of Steve's family from Australia because it was like really hard obviously to get
people over anyway so they have this whirlwind romance
Terry then moves basically to Australia immediately after they get married
what she like explains was full of mixed emotions because she said even at the time she knew she was
basically saying bye to her life here in the states yeah um which again like I came back to
the states but I I relate to that feeling because Australia and New Zealand are very far away
and it would have felt even farther away at the time and it's just um
it's it's hard you can't really continue your life back home in that in that same way
so she had to hand over her wildlife rehabilitation center but she actually had plans to bring Melina
the cougar to the Australia Zoo and at first I was like what that's weird and I was like wait a second
zoos always have animals from all over the world like so I guess it would kind of make sense to
have a mountain lion in a zoo in Australia um that was the plan
anyway but I guess Melina there was you know quarantine issues and just like permits and all
the things that by the time they got all that done Melina I guess came down with like a kidney
infection and ended up passing away before they could bring her over which um poor Melina yeah
and really upset Terry quite a bit yeah that's awful she was able to bring over her dog Shasta
over to Australia and Shasta lived out the rest of her days in Australia
so she was also involved with her family's construction business and this is also something
I think is kind of key to knowing about Terry is that she says that she's very entrepreneurial and
very business-minded as well as being like a wildlife lover so I think that kind of is
important for understanding like their life in the media and also running the zoo eventually but
after they get married they go back to Australia after she
ties up loose ends here in Oregon and they go on their honeymoon or they almost go on their honeymoon
so I don't know where they were planning to go originally Steve had become friends with this guy
John Staten and John Staten was an award-winning documentary filmmaker in Australia and John got
his start making commercials originally how he and Steve got connected was that John would film
a commercial and he needed like a lizard or some sort of zoo animal in it and so he would contact
Steve
And be like, hey, I need a gecko or something like that.
Do you have a gecko I could use?
Sometimes you need a gecko.
And they filmed a beer commercial that involved a crocodile.
And that was kind of the first glimpse John had of Steve's potential like star power, I guess, in that he wanted to film a commercial where someone was throwing a beer can to someone else in a crocodile.
Comes out of the water and like almost grabs a beer can or grabs a beer can.
I can't quite remember.
And Steve was like, yeah, yeah, yeah.
That all sounds great.
But I have to be like the stunt guy.
Like I have to be the person like throwing the beer and like having my hand basically in front of the crocodile.
And John was like, yeah, sounds good.
And so when they're filming this, John is sort of like, huh, I feel like there's something here with this guy.
But he's like there to support the crocodile.
He's a crocodile initially, which is funny.
Yeah, yeah, yeah.
And to be fair, this wasn't like his first time in front of a camera.
Like when he was catching crocodiles with his dad in Queensland in the 80s, his dad actually got a camcorder, which I think was like this huge honking thing that you had to like rest on your shoulder.
And they would bring it with them when they were out catching crocodiles.
And they play some of the footage on Crocodile Hunter.
Like Steve will introduce it and be like back in the day when.
Before Crocodile Hunter.
And I don't know, this is obviously not an Australian accent.
I don't know what kind of accent I'm trying to do.
But anyway, so John films this commercial with Steve.
And I guess sort of like behind the scenes, he starts shopping around an idea to different TV producers, stations, whatever in Australia being like, hey, there's this this crazy guy who catches crocodiles.
And it's not just that.
He is.
He is really charismatic.
So the timing just happened to be that when John Stanton convinced programmers to let him film a documentary about Steve, that's when Steve and Terry were meant to go on their honeymoon.
Oh, God damn it.
And John calls up Steve and is like, hey, there is a crocodile that we've heard about somewhere in northern Queensland.
I can't quite remember near Ingham on Cattle Creek.
Which like Steve knew very well.
And he's a big crocodile.
He's like 14 or 15 feet.
And we have heard that people are taking they're using him for target practice and he's probably going to get shot any day.
Oh, God.
Would you be interested in catching him and like relocating him or.
You ever hear of cans?
I know it's.
Yeah, it's sad.
I.
I don't like to hear it either, but they he's like, we could catch him, relocate him.
Also, we would love to film you doing it and make a documentary about it.
And Steve was like, sure, let me ask my wife, who I literally just married and see if she's cool with it.
Good instinct.
And apparently, by all accounts, Terry was like, yeah, let's do it.
So, yeah, they.
They go on this trip.
They go look for this crocodile.
And Terry's kind of like introduced to this crew who she'll end up spending so much of her life with, especially her life with Steve.
So there's John Stanton.
He's there filming West Manion, who is Steve's best friend and who is still like part of the management team at Australia Zoo today.
He's like a bit younger than Steve.
Steve was like his mentor for a long time, and they go up to Cattle Creek.
And one story that like kind of irritates me a little bit from Terry's perspective is a lot of these times.
I am very aware that Terry is like the only woman on these crews.
Like she is spending a lot of time with a lot of guys and which isn't the they seem like great guys.
But still, it's just like not the same.
Terry says they're on.
This trip to catch this crocodile.
And she says at the end of an exhausting first day, the six of us, Steve, myself, Wes, John and his two person crew gathered wearily around the fire.
I looked up and realized that five pairs of eyes were looking at me.
Wait a minute.
Oh, I get it.
I'm the only woman here.
I'm supposed to be cooking dinner.
And she doesn't elaborate on that.
She's just like, oh, that's how this works.
I guess this is.
This is what I'm doing.
And she starts trying to.
But like the camp gear is stuff she's not used to.
So to Steve's credit, he jumps in and he's like, how about I cook from now on?
And she's like, yeah, sounds great.
So he like takes over cooking from Terry, which I'm like, OK, that's I'm glad you did that.
And I like that, too.
I know.
Right.
And there's like a sweet story, too, where they they went on their first camping trip together.
And she like offered to help him cook.
She's like, hey, do you need help with dinner?
And he's like, no, no, no.
Like my trip, my treat.
And he like cooks their meals the whole time.
I'm like, OK, I like I like Steve.
He just like where his head's at.
So they're looking for this this crocodile and they think they spot him on the river.
And they're like, oh, he's sitting in the water weird.
Like what's going on?
And they realize that this crocodile has been shot.
And so they got there too late, essentially.
And Terry wrote in her book, Steve was besides himself.
He felt as if the croc's death was a personal failure.
We filmed the croc and talked about what had happened.
But eventually, Steve simply had to walk away.
When I went to him, there were tears in his eyes.
His death wasn't abstract to Steve.
It was personal, as though he had lost a friend.
And it filled him with anger towards the end.
It filled him with anger towards the poachers who had killed such a magnificent animal.
So Steve writes like that in his book.
And Terry writes about Steve in the same way that a lot of animal deaths to Steve,
like he took very personally and he would like grieve for a very long time.
Terry says how his first dog, Chili, was unfortunately shot by a farmer, I think.
She said like years.
Years later, he would still like cry about Chili and just be so sad about losing her.
So he just had this great well of love and empathy for animals.
And I mean empathy in the true meaning of like, he felt this level of connection,
like emotional connection with another being.
Yeah, I just think this is one of Steve's most endearing traits.
So they weren't able. They weren't able to save this one crocodile.
They heard about a couple other crocodiles.
Actually, I think there were some fishermen that approached them or something and were like,
hey, there's these crocodiles that are like hanging around the boat ramp.
Like, can you help us out?
They catch those and relocate them.
And John Stanton and the crew, they film this whole thing.
So when this trip finishes, John Stanton pulls together the footage.
And this trip, their quote unquote honeymoon,
is the pilot episode of The Crocodile Hunter.
Oh.
I know.
I just love this detail.
It's nice to consolidate your anniversaries, you know?
Yeah, true.
I never thought of it that way.
Like, oh, it's like these two big momentous things that happen in their lives kind of happen at the same time.
So, yeah, they began filming Crocodile Hunter technically then in 1992.
And then it was first released.
So they finally. So they finally pulled together the footage and, you know, shopped it around or whatever.
First released in Australia in 1996.
And then it was released in 1997 in the States.
And the pilot was first on Discovery Channel.
The rest of the episodes were on Animal Planet.
But actually, I skipped over an important detail that when they got back from this trip,
after they filmed the first episodes of The Crocodile Hunter, Terry and Steve,
that's when they officially took over the Australia Zoo.
So another big moment in their life.
Oh, God, it's all happening.
I know.
It's like the big things in their life.
I think all that happened within a year.
Like, they got married.
Actually, they met each other.
And then they filmed the first episode of Crocodile Hunter.
And then they take over Australia Zoo, which is, yeah, that's a lot for one year.
And it's basically been their life's work ever since, essentially.
And Terry talks about how Bob and Lynn Irwin. Steve's parents, they officially handed over ownership of the zoo to Terry and Steve.
And apparently, Steve just immediately dived in like he does with everything.
And that's when they actually renamed it.
So it was the Queensland Reptile and Fauna Park.
And they then officially renamed it Australia Zoo when they took over ownership.
Terry says about Steve in her book, she says,
he worked from dawn until well after dark when he rigged spotlights to be able
to keep working, I'd never seen
anything like it. He was a machine. He would go past human endurance. Often I'd catch him throwing
up behind a tree out of sheer physical exhaustion. Don't worry about it. I just drank too much tea
this morning, he said. I knew you'd like that. I do like that. After one such incident, when I
expressed my concern, he continued with the job. I love it too, because there's this famous clip
of him on some talk show and the host, it's in like the UK or something. And the host says,
do you ever drink coffee? And Steve Irwin's like, no, the top of my head would blow off.
He's like, I drank a cup of coffee once years ago and I'm still recovering. So yeah, I mean,
it might very well be true. But they take over Australia Zoo. Then a few years later in 96, 97,
that's when Crocodile Hunter first debuts. And it didn't quite take off in Australia like it did
elsewhere. But eventually like Crocodile Hunter, as we know, was like a really big hit. It was
broadcast in 130 countries, I believe, estimated to reach 500 million viewers at its peak. It was
Animal Planet's highest rated series.
And yeah, it was just kind of a pop culture media sensation, as you and I are both very familiar
with. I mean, like it was one of those shows, like if you're just channel surfing and you see that
it's on, you're like, oh, we'll watch Crocodile Hunter.
Yeah. And it was that TV that I feel like we don't have as much of now that was kind of like
good for any occasion. You know, like in a waiting room, in a hospital, on a good day,
on a bad day, you know, it's like a pretty. Good vibe. And you're going to learn something, but you're also not going to be bored.
Yeah.
And it was just like, I don't know, it was just good TV.
It was. It still is. I've been watching a lot of Crocodile Hunter recently and I'm like,
man, this show is really entertaining.
It's so nice that it holds up.
It does. And like everything, there's parts of it that I'm like, oh, I don't love that. But then
a lot of it is like, oh, this is awesome. I love watching this. I think
it has a great message and a great intention behind it. Whether or not you agree with all
of his tactics, I, you know, that's, that's definitely up for discussion. But I think one
of the few scenes that I was like, oh, I don't love it is, I understand why it was like this,
but so feral pigs are a big issue in Australia.
I think they're a big issue here too. That's something we have in common.
Yeah. So the, I never like came across anything,
saying that Steve Irwin or his crew would like hunt feral pigs. I mean, they would have pig meat
to use as lures for crocodiles. So I'm assuming, I mean, they would have hunted them at some point.
I don't know in what manner.
Or at least had a guy.
Yeah. I would think that Steve Irwin would have the mindset of like,
I am doing this as pest control and I am, we are doing this to help the, you know, native Australian,
and ecology and the environment. I don't argue with that. I think the part where I got a little
bit like about it was the episode where they are actually trapping feral pigs. It's a little rough
to watch. And I don't think it's probably anything worse than what you would see on a pig farm. But
that being said, it is still a little rough to watch. Like they're manhandling these pigs,
like in a way that's a little, for me, a little upsetting. And I'm sure someone,
listening is going to be like well okay well if you feel that way then you know how do you feel
about meat in general and you and the question and the answer to that is I don't know I have
lots of feelings about it and I'm still figuring it out so I appreciate that perspective yeah
but that being said you know and then there's obviously like the showmanship thing that
some people don't really aren't drawn to with with Steve Irwin but obviously it brings a lot
of people in and he had, I personally think, and I also think a lot of his fans do feel like he had
an effect on people in changing people's attitudes towards wildlife and especially predators. Cause
he spoke about top predators with so much respect and love in a way that I don't feel like we've
come across that frequently, if at all in major mass media. No, cause you tend to be able to make
more money being like, look at this big, scary shark as opposed to look at this endangered shark.
Yeah. He's, but he's just so passionate and his whole attitude is really about conservation. He,
I think the goal the whole entire time is like, we're going to use this to our advantage to put
as much money back into the zoo with the intention of conservation programs. So we're going to
purchase land.
In Australia and turn it into conservation parks, they would purchase land and plants,
a bunch of eucalyptus trees and try to build up, you know, koala habitat after it'd been,
you know, farmland for a long time or something like that. So there's always this goal of putting
it back and trying to improve the environment and wildlife habitat as best they could, or put it
back into the zoo. And they were expanding the zoo.
So the Australia zoo has grown quite a bit since it was the Queensland Reptile and Fauna Park.
And part of that was from the success of the show and money being put back into,
into the zoo, which was their, you know, Steve and Terry's, uh, it was their shared
dream to like do what they could for conservation and wildlife in this aspect. So Bindi, their
daughter was born in Australia. And she was born in Australia. And
Robert was born in 2003. And by all accounts, Steve was also like a really wonderful dad. He
just like loved being a dad and spoke effusively about it. Like he seems like to be very, I mean,
it's hard to tell, but like, it seems like he really was very active and present in his kids
lives. And I think it kind of speaks to Bindi was very, very close with Steve. Um, and I think that's
one of the things that I think is really, really important. And I think that's one of the things that
as a young girl, like, which, you know, it should be a given that a kid would be with their dad. And
yet you so rarely honestly hear about it. It's always pretty exciting. I know that's actually,
it was one of the things I was excited to share with you. It was like, did you know, I mean,
it tracks, but also that Steve, like he like loved his wife and he loved his kids. And somehow
that's like not something you come across very often. Well, it's like the best legacy you could
have.
As a person really is to, you know, cause I feel like there's this, like, there's such a thing in
history and with the sort of like alleged great men of history of like, well, he was actually like
pretty horrible to be around and he abandoned his family, but he, um, discovered this polymer.
So it was probably worth it. And you're like, maybe that made it harder to discover the polymer,
you know, I guess this idea that like, or, you know, that historically that like love and
relationships and marriages and children are the things that you sacrifice on the altar of
achievement. But at the end of the day, like no institution will remember you not really. Cause
it's just, it's just a collection of buildings and the people who happen to work there right now
and the letters they'll put after your name to get you to do stuff sometimes. But like the
relationships that you're sacrificing for what you think is your legacy are your legacy. So just a
thought.
Yeah.
His legacy is continuing partially because his family, his wife and his kids have this
unending love for him, even though like Bindi was eight years old when he died and Robert was only
two and they all just speak so highly of him still. And I think that speaks to why we continue
to love him. Cause it's like, oh, he was, he was a guy who wasn't ashamed of like speaking really
highly of his wife. And so I think that's a really good point. And I think that's a really good point.
Like that was something that really struck me. There was one of his clips of him on Conan O'Brien
like in the early days and he's bringing on some animals. You know, he brings on a snake,
he brings on a lizard and in the end they actually bring out a crocodile or an alligator
and Terry helps to bring it out. I believe at some point, oh no, she helps bring out a big snake
and Conan's just sort of focused on the snake. because it's huge. It's, you know, it's like wrapped around Terry's body. He's like, holy crap,
what's that? And Steve is like, isn't my wife amazing? Isn't she incredible? And Conan's just
like, yeah, that snake though, that thing, I don't know if I really want it out here. And Steve's
like, yeah, but oh, my wife, she's just the best. And like, and he talks about her like that all
the time. Like he just adores her and you can just see it. And like everything else,
it's very genuine. I don't, it's not like, oh, he does this on camera. And then
as soon as the camera's off, he like ignores her. I think they genuinely had a
very good marriage. And Terry, to this day, is like, yeah, he was my soulmate. She calls him my
prince. And many people have asked her, like, are you planning to date again? She's like, um,
who am I going to date after Steve Irwin? Like, how am I? How's anybody gonna come close to that
for me? She was like, I found my guy. And that was that. And he was he was it for me. So I think
that's like, something to really land on with with Steve is just like how much his family meant to
him and how we could all feel that and how admirable that is for a man to like, to publicly
love his family in that way. And how he's part of what we may be sensed about him that made us
elevate him.
And the twist is that he also really loved his family.
Yeah, right. What a twist. What a twist. And Steve and Terry were bringing Bindi along.
You see her on the crocodile hunter. She's like a little baby, like in like a little backpack on
Terry's back. And they're like, out in the outback somewhere. And Steve's like, catching lizards and
whatnot.
And Bindi's like there the whole time. Or they'll be on like a dinghy out on a river at night or
whatever. And Bindi's with them. And I guess actually, maybe this is like a good time to
pivot into like one of maybe the bigger controversies that Steve ever had during his
career. And I think part of this was the fact that he was so big at this time. And I think that he was
starting to experience backlash as all overly popular things do.
Yeah. So when Bindi was born, there was an instance where Steve took Bindi as a baby into a croc
demonstration with him at the Australia Zoo. And yeah. And here's the thing. Here's the thing that
this is when she was a baby. But no one said anything about that. I think because it was still
kind of.
Early-ish in the Crocodile Hunter days. And there was just wasn't so much media focus on him. So this
like came and went without any fanfare.
Right. Local man takes baby near crocodiles.
Yeah. And I only found out about it reading Terry's book. And I was like,
huh, I didn't realize he did this with Bindi. Because a few years later, in 2004, like not long
after Robert was born, he was very young. He was only like a few months old.
He did the same thing with Robert. And I don't know if you remember that.
Vaguely, as you're saying it, but like not in a Michael Jackson dangling a baby over a balcony
kind of a way.
Well, it's interesting because people think I guess the Michael Jackson incident happened
not long before.
Where we were like, oh, my God, it's an epidemic of people holding their babies in the wrong place.
Yeah, I think it was seeing Steve with baby.
Robert in his arms and like a piece of meat in his other hand in front of a crocodile.
It literally reminded people of the Michael Jackson incident.
So Steve got a lot of heat for it. I think it was one of the first times where he had received such
negative media attention. And it really hurt him a lot. But it wasn't just that the negative
media attention. Terry says in her book, they had child protective services,
called on them about the incident with baby Bob, as they call him, and kind of like being questioned
of like whether or not he was a fit parent, and whether they were putting their children's lives
in danger. And as we just talked about Steve being a very proud, very loving, very present father,
this really, really deeply bothered him, as you can imagine. But I don't know, I'm curious what
your thoughts are on.
And that incident, I realize as a non parent, I really don't have a leg to stand on. But I would
prefer to not do that with my baby. I'm not saying I never would, because I can see things getting out
of hand. But yeah, I think it's good to not put the baby near the crocodiles. And even if you know
all about crocodiles, and it probably maybe isn't as bad as it maybe looks to the untrained eye.
It's just, you know, this is why we cut grapes in half. Yeah, it's the kind of thing where I can see
being like, hey, don't do that. That makes me nervous. But also the point at which we try to
intervene in people's lives as parents, especially by calling local authorities based on something
we saw on TV or on social media at this point in time, like that's when we start getting into like
kind of the vigilante justice area. And that makes me also as nervous, sometimes more nervous than
the crocodiles. Yeah. So, you know, it's a tricky area, but I suspect that it was done,
you know, with with no ill intent. Yeah. Maybe not with as much forethought as would be good.
But, you know. Yeah. I can see also if you are putting yourself next to dangerous reptiles all
the time that you might get overly casual about it with regards to other people.
Yeah, exactly. I think Steve had a very skewed idea of what was dangerous. I mean, on one hand,
he was aware, like,
okay, crocodiles are dangerous. He would and always said, like, you know, don't try this at
home. I am a skilled expert. I know what I'm doing, blah, blah, blah. But I still think it
was skewed based on his experience. I mean, with his dad, he jumped on his first crocodile. And I
mean, like, jumping out of a boat into a river on top of a wild crocodile when he was nine years old.
Right. That does give you confirmation bias, right? Where you're like, well,
I survived doing that. So probably anyone else would.
Yeah. Like, he probably just didn't think, like, him holding the baby was that big of a deal in
comparison to the other crazy stuff he does on a daily basis.
Yeah. And you could also say, you know, because we're around cards all the time,
we don't register them as as big of a threat as they are. And, you know, that's also true.
Yeah.
Yeah. It doesn't make the crocodiles any less scary to make that comparison, really. It just
brings up another threat.
Yeah. Yeah. Our idea of and this is also a theme in Steve's life of, you know, he was he was doing
crazy stuff all the time, like stuff that is hard for us to fathom. I mean, yeah, I think there was
like Steve Irwin probably had a very different attitude towards risk in general. And this is
actually I'm glad we're talking about this because basically this is going to lead us into
the final part of Steve's life. I guess one, one actually one positive thing or a couple positive
things before we get into it is that right before Steve died, he was like getting a lot more
involved with scientific research and actually collaborating with researchers in Queensland.
And in particular, with a couple of scientists named Mark Reed and Craig Franklin. And they were
involved with putting satellite tags on crocodiles to trace their swimming patterns and behaviors and
to understand like, how far they would actually swim, especially if they were relocated. Because
there is this idea that like, as we talked about with relocating nuisance animals like crocodiles,
there is this thought that well, they'll just go back to where they came from. And people will be
like, well, if you relocate them far enough, they won't swim back.
And they were actually able to show through this scientific work with the satellite transmitters
that there was one crocodile that flew or flew that swam that swam completely around Cape York
in Australia. And if you're thinking of the country of Australia, and it's got like kind of those two
like rabbit ears at the top is how I think of them. And one of those ears is the Cape York Peninsula.
Crocodile swam
around the entire thing after it was relocated. And this was 400 kilometers, 250 miles.
That's a lot of miles.
It's a lot of miles. And
someone with short little legs like that. Although I guess they're probably not using
their legs primarily to swim question mark.
No, they use their tail actually.
Right? Well, the tail is a lot stronger. I would imagine.
Well, I guess supposedly, when they're going like full sprint with their tail,
they can go as fast as a dolphin. I don't know. I know. Steve said this in one of his interviews
with Conan O'Brien, which I think is one of my favorite clips of him actually explaining this
research project. And he was so excited about it. And I think he was just like, so, I mean,
he had collaborated with researchers over the years, but this work that he did,
he was a co-author on a couple of papers about it. So if you go to,
Google scholar and type in Steve Irwin, he comes up a couple of times.
Um, there's one satellite tracking reveals long distance coastal travel and homing by
translocated estuarine crocodiles and he's one of the co-authors on that and then the other one is
s i can't say this word estuarine estuar like an estuary estuarine that's going to be the new
trendy name estuarine it's like aquamarine right estuarine crocodiles ride surface currents to
facilitate long distance travel so he's a co-author on both of these papers i think uh
one or both of them were published right after he died he's a co-author and then like in that
first paper they acknowledged the croc team from australia zoo for their support and their
assistance in capturing crocodiles and they filmed some of it for crocodile hunter episodes too
so
yeah he was like getting into this which to me is like oh i think this was like kind of the
direction he was wanting to get get more into of like this collaborative research to understand
crocodile behavior better so that they could better steward crocodiles in the wild and
contribute to the body of knowledge about about crocodiles
so he was still filming crocodile hunter though it had gone away from like seasons of like
oh here's you know 10 episodes or whatever to specials so kind of like little mini documentaries
but they were still in the crocodile hunter brand and in 2004 or sorry 2006 he was up north in
queensland off of port douglas and uh he was filming for one of the specials called ocean's
deadliest which is um an unfortunate name but he was still in the crocodile hunter brand and he was
there with philippe cousteau that was the co-star or like a co-host i guess of the special so philippe
cousteau is the grandson is that jack cousteau's grandson okay yeah and the cousteaus are an ocean
dynasty i guess you could say yeah jack cousteau one of the original kind of nature filmmaker
personalities though obviously focused more on the ocean but um steve and philippe cousteau are
were filming for the show terry and the kids were in tasmania at the time and terry always i don't
know i mean it's one of those things when you're looking back on someone after they've died and
your interactions with them and terry says in her book many times that she and steve said they always
had this feeling that when they were apart bad things would happen but if they were together
they would be okay but um so he was out filming
on i believe it's called bat reef which is on the great barrier reef and uh they just finished like
some segment and i think they were diving and then steve put on snorkel gear and got back in
the water and he found a stingray i believe it's a called a short tail stingray and they're huge
these stingrays are like they can get enormous like a meter across
like three or four feet across um i don't know how big this one was but uh he asked one of the
cameramen to get in the water said hey i found the stingray like let's check it out he's approaching
it and the theory is that the way that steve's shadow kind of hit the stingray made the stingray
feel defensive and the stingray then did its defensive maneuver which is to basically stab
the stingray with its stinger and it is so uh extraordinary to me how much of a freak accident
this is i i cannot stress enough so like so the stinger the barb of the stingray it hit steve
square in the chest in the heart and i called my friendly neighborhood shark scientist here in
and i said how many people have died from stingrays like how how often has that happened
and he wasn't to his credit entirely sure but he thinks it's somewhere like around 20 20 people
ever like you think of how astronomically low it is for someone to be attacked by a bear or a shark
or get hit by lightning and then this is even smaller than that um people get stung by stingrays
all the time i mean this was a large stingray for one but but it also seems like the kind of thing
where it's like i don't know having a fatal accident with a vending machine and then you're
like well how was i to anticipate that from a vending machine exactly and the reason i'm
stressing this is because a lot of the rhetoric around steve erwin even now especially right
immediately after he died there was kind of this sentiment of like
well he was asking for it like he's always like antagonizing animals he's always getting right up
in their business like it was only a matter of time and i get it like that's not entirely untrue
that like looking at some of the stuff he did again talking about the risk-taking behavior
i mean he has said on his show that he he should have died like a few times over like he's just
been in so many situations that are so dangerous
but that's why i'm like but this instance i don't even know if this would be because of his risk-taking
behavior personally i just think this was just a truly freak accident but the thing that taylor
told me that i thought was interesting because i was like so stingray barbs have venom in them
and it hurts to get stung by one i was stung by a very small stingray in california on my foot once
and it it hurts and i don't even think i got like a full stingray
sting from it i think it just kind of glanced me and um it really hurts i was like is it the venom
that like has killed people do you think that's what happened with steve and he said that what
he understands is that some of the other people that have died from stingray stings is that they
actually die from like a secondary thing like an infection so it's not actually from the
stinging event itself so it's like even within the 20 people
in all of history like recorded history that have died from a stingray even a smaller number that
i don't know what that number is died in the way that steve erwin died and that was that he got the
barb directly into his heart and he pulled it out the barb out i'm sure because it had venom it was
and it hurt and it probably was like well you know you just you're not sure what to do and i think
you know the people that were
there i mean i can't even imagine um what that would have been like to be there with him like
this superhero kind of person who seems like he's cheated death a million times before and then you
just think you're going for a quick snorkel and and it was in like chest deep water like it's just
the most unassuming way but it feels like it was like sort of that maybe the like thing you're
seeing in the movie is that it was kind of seen at the time as like you know man who loves donuts
slips on a donut and actually it's like man who loves donuts dies in a car accident you know
that just there's well i don't know if that's or like quite right struck by lightning or something
like yeah the odds of everything lining up the way they did were so bizarre that like yes probably
the worst way to try to honor his legacy would be to take it as a cautionary tale against being
wildlife and in nature yeah i think he nailed it and another thing to add to just how bizarre this
it was for him to die in this way is that it could have been a matter of like centimeters like if if
this stingray had stung him like almost anywhere else he he might have lived i mean who knows it's
a lot of hypotheticals but it really was just a like a one in a i don't know one in a billion or
something kind of situation
it was so shocking and there was this kind of discourse around it as i mentioned some people
had some really negative takes on it in that like well yeah he was kind of asking for it i feel for
terry and and her kids at the time because there was so as you can imagine you know he was really
at the peak of his career and then for him to die in this way and then they just had cameras on them
all the time you know
she made her way back from tasmania with with the kids and there's just like this moment where
they're in like a a car and um she's talking with wes manion i believe like this is like their first
kind of download of what's going on and the kids are in the car and wes suddenly just like turns
off all the lights in the car and she's like what are you doing and he's like oh you know the cameras
are over there and they can like see and she's like what are you doing and he's like oh you know
the cameras are over there and they can like see us talking and they can see the kids and like
he's just like he was just like trying to protect their privacy recently like
Like, I've just had, I don't know, been very close or witnessed, you know, very sudden tragic losses of people that seem kind of larger than life in my own life.
And it's a very particular type of grief to just suddenly lose someone out of the blue and someone that you thought was, you know, indestructible.
Yeah.
I'm getting emotional talking about it.
And it's a little, I'm a little embarrassed, but it's okay.
It's no, it's very embarrassing to have emotions on this show.
You're actually the first person who's done it here.
Yeah, I know.
I'm kind of aghast.
I know.
I know.
And that's the thing.
Steve wouldn't care.
Steve would be so into it.
He would.
He cried on camera many times.
Like, I forgot to mention that in 2000, he lost his mom in a car accident.
And it really, really devastated.
I mean, and he would, you know, in interviews talking about his mom, he would, he would cry about her and he would, he's just very, he's a very emotional guy.
And I mean that in all the full spectrum of his emotions, though, I can't say that I feel like I've seen or come across many stories of him being like really angry.
I mean, I've heard of him being frustrated, I guess, you know, but I'm sure he was angry at points.
But.
He had so much, so much patience, which I think you have to have if you're working with animals, like, because animals don't understand you and you can't communicate with them.
Especially big, strong ones whose jaws you have to hold shut while you give them a bath.
Yeah.
And you have to be able to think from their perspective of like, they're just, they're scared.
They don't know what's going on.
You know, they just think I'm trying to hurt them.
So you have to have like an extraordinary amount.
Of patience.
And I think that's from what I can see and what I, what I've read, like, I just haven't really come across anything where Steve has gotten like really angry other than like directing anger towards poachers.
I mean, that seems to be like the main thing that pisses him off is, is poaching.
Yeah.
Fair enough.
But the world was shocked, obviously.
Yeah.
And also there's a sense of it being someone who you had a bond with as a.
As a child, potentially.
It would be like, you know, losing Bill Nye or something.
Right.
Somebody check on Bill Nye.
Yeah.
Yeah.
Someone that's beloved.
And like I said, like peak of his career.
So all of a sudden he's, he's gone.
And I think immediately people, I mean, besides a few people, I guess Jermaine Greer published something like the day he died, basically saying like he was an awful person.
Which is quite.
I mean, I think that's the thing to read.
Did she have like evidence or was it more of a cultural analysis?
It was more of a cultural analysis.
Yeah.
It was more that it was more like watching a show.
It wasn't anything like, oh, he did this and said this out off, you know, backstage or whatever.
It wasn't that it was more just.
Fair enough.
Jermaine, you've given us your two cents.
Right.
Now step to the side.
While then she literally published it the day he died from what I can tell.
I'm like, whoa.
Okay.
I mean, like this is.
The industry that I used to be in where everyone's trying to make the same $300.
And when somebody dies, everybody pricks up their ears.
Yeah.
Yeah.
I was like, how can I say something?
Right.
I will just say, so Steve Irwin had this memorial service, which I highly recommend watching.
Yeah.
It's very sweet and very Steve.
There's lots of animals.
There's lots of, so he had a pri there was a private ceremony.
They actually were.
There wasn't.
There was an offer from the prime minister, John Howard.
They were like, Hey, we want to like have a full statesman's, you know, memorial service
for Steve.
And his family was like, no, we're going to have a private service, but we will have like
a public facing one too.
And it's going to be at the zoo.
You know, like we're going to do it the way Steve would have wanted.
It's very sweet.
I do.
I mean it.
Like, I really love the memorial.
I think there is this kind of element of the memorial.
That is kind of a, like.
You know, it's a, there's, it's kind of this particular lens of Australian culture.
And I mean, I think some people really embrace that.
And then again, I think some people, maybe they would find it a little cringe or it'd
be like, well, this isn't the only thing that Australia is about.
It's not like.
It's not like we're all yeah.
Wearing khaki and catching crocodiles.
And every man, woman, and child in Australia is wearing a hat with corks on it.
You know what I mean?
Yeah.
Yeah.
Yeah.
Yeah.
it a little cringe or it'd be like, well, this isn't the only thing that Australia is about.
It's not like, it's not like we're all, yeah, wearing khaki and catching crocodiles.
Right. I feel like there was maybe some people felt like that, but in general,
Steve Irwin's legacy was like from then on has just kind of grown in this really positive
direction. I mean, if the worst you're guilty of is, is fostering a bit more of the stereotype
of white Australian men, I don't know. We can probably live with that.
Yeah. And I guess I'll say like as a true button to this episode that researching Steve Irwin and
researching his life and his motivations, I have felt very inspired and like I have found myself
wanting to, you know, we're stuck.
Stuck on our computers for work so much. And I just feel like Steve Irwin was the antithesis
of that. He was, he was outside, literally in the mud, in the sand, in the water, climbing trees.
Brianna, no one is stopping you from joining me on your next show while standing in some mud.
Well, I know. And actually, well, so.
Got a rechargeable battery.
Well, and like.
I don't know. I, I just have found myself being like, what am I doing? I live in like a beautiful
place. I need to just, I need to get away from my screen and like engage with what's around me
more. And I really, I'm not trying to be cheesy. Like I really am thinking of Steve Irwin. I'm
like, this is what Steve would do. And I, I think he, you know, we'd just all be a little bit
happier and healthier if we observed our surroundings and.
Mm-hmm.
Really appreciated the flora and fauna around us. Even if it's like a squirrel, like squirrels are.
Crikey. Look at that squirrel.
The squirrel hunter. There you go.
But I do think he has influenced me even just like researching this episode. And I think I
would be a happier person if I, you know, took my binoculars out and looked for some animals outside
my front yard.
Yeah.
I think your dogs would like you to just look at them more often.
Murphy certainly would.
Like, pardon moi.
Mother, please, please take us to the beach again, mother.
So yeah, that's what I've come away with. Steve Irwin.
That's your crocodile hunter.
That's my crocodile hunter. He's a, he's a pretty good guy. He's a pretty good bloke.
Yeah.
Let's go get outside.
Yes. Yep. Let's step outside.
But don't put the baby by the crocodile. Cause that's not good for the baby.
No, no, no. Not good for the baby.
And that was your episode. Thank you so much for listening. Thank you to the people who make this
show.
Miranda Zichler is our producer and editor. Nicole Ortiz is our administrative assistant
and our lovely guest this time was Brianna Bowman. Brianna Bowman also wants to give a special thanks
to Natalie Hill, wildlife manager of Nature World in Tasmania for helping to give an Aussie
perspective on Steve Irwin and the zoological and conservation fields. You can see Natalie
with cute pictures of Tasmanian devils on Instagram at nathillwildlifeadventurer. Enjoy
the marsupials. We'll see you in two weeks.
Bye.
Bye.
Podcast Summary
Key Points:
Steve Irwin was a passionate wildlife advocate whose life and work reflected a deep, childhood-rooted love for animals and nature.
His early experiences with reptiles, including a traumatic incident with a venomous snake as a child, shaped his lifelong respect for wildlife and caution in human-animal interactions.
The Irwin family operated a reptile park in Queensland, which evolved into a conservation hub, emphasizing rehabilitation and humane animal care.
Steve Irwin’s work in crocodile relocation was rooted in a mission to combat negative stereotypes of crocodiles, promoting peaceful coexistence rather than fear or violence.
The show *Crocodile Hunter* was designed to be engaging and dramatic, especially for American audiences, though early footage showed a more grounded, authentic approach.
Australians often viewed Steve Irwin as over-the-top, while Americans embraced him as a charismatic cultural ambassador, highlighting cultural differences in media reception.
Behind the scenes, Steve was known for his empathy, leadership, and genuine care for animals—demonstrated in his hands-on efforts to improve crocodile living conditions.
The episode reflects on how media simplifies complex figures, urging a more nuanced understanding of icons like Steve Irwin, who balanced showmanship with genuine conservation values.
Summary:
Steve Irwin remains a complex and enduring figure in global wildlife culture, blending showmanship with deep ecological commitment. The conversation explores how his early life, shaped by close family ties to reptiles and emotional experiences like being pinned by a venomous snake, instilled a lifelong respect for animals. His career began with practical crocodile relocation work, driven by a mission to counter negative stereotypes and promote coexistence rather than fear.
While the *Crocodile Hunter* show emphasized dramatic, adventurous imagery—especially in American media, where it was framed as a high-stakes hunt—the reality of his work involved careful, humane practices, including building new enclosures for animals in poor conditions. Australians often saw his persona as exaggerated, while Americans embraced him as a cultural icon, reflecting broader stereotypes about Australia. The narrative highlights the tension between entertainment and authenticity, showing how media shapes perception.
Despite criticism, Irwin’s legacy is rooted in genuine conservation values, empathy, and a childlike wonder for nature. The discussion also critiques media trends that oversimplify or dramatize real-world issues, suggesting that true engagement with wildlife requires patience, depth, and a willingness to challenge superficial narratives. Ultimately, Steve Irwin’s story is not just one of adventure, but of enduring love, responsibility, and a call to care for the natural world.
FAQs
Steve Irwin is best known as the 'Crocodile Hunter,' a wildlife enthusiast and conservationist who gained global fame through his TV show, where he documented his work with reptiles and wildlife, especially in Australia.
No, Steve Irwin did not kill crocodiles. His work primarily involved relocating problem crocodiles to safer areas, and he avoided lethal methods. The term 'crocodile hunter' was more dramatic than literal, emphasizing capture and rehabilitation.
Growing up in Victoria, Australia, Steve Irwin was exposed to reptiles from a young age. His parents were passionate about wildlife and reptiles, and he first received a 12-foot scrub python as a birthday gift, which sparked his lifelong interest in animals.
The mission was to rehabilitate and relocate problem crocodiles peacefully, avoiding lethal methods. Irwin and his family believed crocodiles were unfairly maligned and wanted to promote coexistence and conservation rather than fear and hostility.
In Australia, Steve Irwin was seen as a passionate, grounded conservationist, while in the U.S., he was more popular and often perceived as a showman, with exaggerated enthusiasm that contributed to his image as a dramatic, exciting figure.
Steve Irwin and his family ran a reptile park and engaged in wildlife rehabilitation, especially helping injured animals like kangaroo joeys. This demonstrated a deep commitment to animal care and conservation from an early stage in his life.
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