SYSK Gets Weird Playlist: Dragons: As Real as Mermaids
40m 5s
The podcast explores the myth of dragons, challenging the idea that every culture has a dragon. Instead, it argues that dragons are a product of misinterpretation, cultural overlap, and primal fears—particularly of snakes, cats, and eagles. The Western dragon, often depicted as fire-breathing and greedy, evolved from ancient stories of serpents and real-life threats like crocodiles, as seen in the St. George legend. In contrast, Asian dragons, especially in Chinese tradition, are benevolent symbols of rain and water, highlighting cultural differences. Theories suggest that dragon imagery stems from bee swarms and the pain of stings, with fire-breathing as a metaphor for intense sensation. Historical texts, including the Bible and Beowulf, show dragons as snake- or crocodile-like, rooted in real animals. Art and modern media reinforce these myths, but the core idea remains a symbolic, not literal, creature. Ultimately, the podcast concludes that all dragon tales reflect a shared human metaphor—bees—showing how myth formation is shaped by exaggeration, translation errors, and universal fears.
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Hey, everybody.
Chuck here with episode seven of the S-Y-S-K,
not S-U-S-K, like we get in emails.
Stuff you, Y-O-U, should know.
Playlist.
Because we're getting weird, everybody.
This episode's on dragons.
Dragons, colon, as real as mermaids.
See what we did there?
Welcome to Stuff You Should Know,
a production of iHeartRadio.
Hey, and welcome to the podcast.
I'm Josh.
There's Chuck Dragonslayer Bryant.
And, well, that's it.
It's just the two of us.
We can make it if we try, Chuck.
Just the two of us.
Dragons and us.
And the great Bill Withers.
Was that Bill Withers?
I can't even say it with a straight say.
We just had the same conversation like two months ago.
I'm not doing it again.
Oh, about Bill Withers?
Yeah, I didn't realize that that was a Bill Withers song.
It was a good song.
Lean on Me, though, man, is just, whoa.
I cannot take it.
Grandma's Bed.
What is that?
Is that a Bill Withers song?
I did not know that.
It's good.
He's great.
And we probably had this exact same conversation.
I don't know if we had that one.
But you know who else I like?
Who's a little bit like Bill Withers?
Not quite as cool, I guess, if you're, like, a cool person.
But George Benson was amazing.
And still is.
I think he's still around.
You ever listen to his stuff?
Yeah, but now I'm realizing that I, maybe I should just not correct myself
and let people be sending a bunch of e-mails.
Oh, I love that.
I love that.
When we get a million of the same e-mails.
It's Grandma's Hands.
I was getting it.
John Denver's Grandma's Featherbed kind of just was in the ether.
Gotcha.
Because we just talked about John Denver, about karaoke.
Grandma's Bed.
Grandma's Hands.
The follow-up to Use Me Up.
So, dragons.
Yeah, let's talk about dragons.
Let's have a pleasant conversation about dragons, shall we, Chuck?
Yeah.
Dragons aren't real.
And you'll notice by the title of this episode,
which is dragons, colon, as real as mermaids.
Yeah.
And it's funny because I think the week before this comes out,
mermaids is our pick for the select episode.
So, it aligns perfectly.
That is perfect.
But dragons aren't real.
Well, okay.
Please stop saying that because you're crushing my dreams.
Sorry.
So, when we talk about dragons, we have to say right here at the outset
that there's a lot of different kinds of dragons.
And typically, when you think of like the flying winged,
usually long, maybe scaly, fire-breathing dragon,
often with a long kind of serpentine tail,
sometimes it's even pointy like the devil.
Sure.
Which we'll see why.
That's considered a Western dragon.
And that is its own thing that kind of evolved
from a number of different traditions.
But there's also the Asian dragon,
which, you know, has variations among different Asian countries,
but it generally seems to be kind of the same ancient Chinese thing.
That's a totally different thing.
And it evolved on its own in isolation as well.
And so, because you've got these different traditions of dragons
that seem fairly similar in a lot of ways,
there's a lot of people out there who say,
wow, this is astounding.
Every culture in the world has some sort of tradition of dragons.
And that's kind of a different thing.
That's kind of true.
But at the, like, throughout this episode,
we'll see that's not really accurate.
Like, nowadays, it seems that way
because we have overlaid the idea of dragons over everything.
But if you really kind of dig into the past
and look into the nuance of some of these things
that we term dragons, they're very different.
So it's a lot more accurate to say that, like,
every culture in the world has mythical beasts,
some of which share a lot in common
with our modern consumption.
And so, you know, I think that's probably
where our modern conception of dragons came from
was all these different ideas of it in the ancient past.
Yeah, there's a book called
An Instinct for Dragons
written by an anthropologist named David E. Jones
about dragons and dragons throughout cultures
and across cultures.
And there's a theory he's got going,
which is humans evolved and primates evolved
with a fear of three predators, basically.
Snakes, cats, which are big cats,
not house cats, and eagles.
And that a dragon, it sort of makes sense
that every culture sort of has something like a dragon
because in folklore and myth and in storytelling,
you might combine the three scariest things
into one super scary thing, and that is a dragon.
Right, and you might say, like, well, wait a minute,
like, I think eagles are kind of cool.
I'm not at all scared.
I'm not scared at all.
Number one, have you ever been around an eagle
when it was loose?
I'll bet you'd be kind of scared of it
because those talons are serious.
Or one that dive-bombed you?
I think, exactly.
More to the point, though, or more to, I should say,
David Jones's point,
that this would be this fear,
this innate fear that humans have
would be based much more deeply in our evolutionary past
when we were monkeys,
and you actually could be killed by certain kinds of eagles,
like the harpy eagle.
Remember, we talked about the harpy eagle,
and the sloth episode,
because they can mess a sloth up.
They can mess a monkey up, too.
So this guy's premise is, like,
we have these ancient fears of these things,
and as we evolved and became humans
and started telling each other stories,
these things combined, like you were saying,
into this one fierce mythological monster,
which was basically the sum of all of our most primal fears.
Yeah, and then, of course, if you look at ancient cultures,
they always had sort of mythical stories
and folklore to explain, you know,
everything from weather phenomenon
to things like volcanoes,
and if they happened upon maybe dinosaur bones or whale bones,
then a story might go along with that to explain it away.
Like, you know, this was clearly some huge lizard-like creature
or maybe a snake-like creature,
and there was probably a story around it
and why they should fear it,
or usually some sort of a sacrifice
that they needed to make, you know,
sort of in lockstep with those,
but that's just sort of another theory
on maybe how the dragon might have come about
as far as folklore goes.
One of the most interesting theories that I saw,
and we should say no one has a widely accepted answer for this,
which I love, as always,
but that it was the bee,
that the description often in ancient cultures,
they used to use, like, riddles and exaggeration and metaphor
to discuss and talk about and describe actual things,
and that the bee,
a description of a bee,
or I should say a swarm of a bee
is what actually became the dragon in mythology.
And at first, you're just like,
that doesn't make any sense at all.
But some of the points that these people made,
there was a journal article in it,
in, I think, like a journal on Tolkien studies
or something like that,
but they say that a swarm,
a bee swarm moving together,
it doesn't necessarily resemble a dragon,
but it makes a lot more sense along those lines
than it does when you're talking about an individual bee.
It does in a cartoon.
Exactly.
It can do, it can point an arrow,
it can make an arrow to point in a direction,
you know, where somebody's hiding,
that kind of thing.
And then another one is that the fire,
the idea of a dragon breathing fire
is a metaphor for the feeling of, like,
your skin burning from a bee sting
or the intense pain.
And then lastly, in the Western tradition,
A lot of dragons protect, like, mounds of gold or treasure, and that this is a metaphor for honey and gold, like the honeycombs that ancient people would have basically considered gold.
Not just, you know, food, but also it was used as medicine as well.
So, if you kind of put all that together, it seems like a pretty interesting theory, at least.
It makes a lot more sense than a bee, you know, when you really kind of dig into it.
Yeah, totally.
The word itself is, well, you can look back to the Iliad when Homer wrote about the D-R-A-K-O-N, the dracon, which supposedly is the first known use of the word.
In ancient Greek, it sort of has some confusing etymology behind it, but basically Homer uses that word to describe snakes.
Like unequivocally.
Yeah, and not, you know, huge flying fire-breathing snakes, but just…
Just snakes.
Yeah.
Yeah, he even says, no, I'm just talking about snakes, everybody.
Yeah, not dragons.
Don't get ahead of yourself.
These are snakes.
And, I mean, they say that, like, he points out that he's talking about snakes because he even says a chimera, which is, I think, the head of a lion, the goat body, a serpent tail, and bats' wings.
He even says the serpent tail, the back portion of the chimera, is a dragon.
So, he's talking about just regular old snakes, for sure.
Yeah, and other writers and other classical historians.
Stories did the same thing, whether it was Dracontus or Draconis, using all these words sort of interchangeably with other words for snake.
But then we go to the history of, not the history, but just the history of animals.
And that's the first sort of scientific take on the dracone, which is an enemy of the eagle, because an eagle as a bird of prey would eat snakes, obviously.
And different people got a little more specific on later writings.
As to what kind of snake, but it's still just snakes.
Yeah.
So, over time, like, that's where the word dragon came from, was to use the, it was a word for snake.
That's it.
And then over time, as people started to exaggerate here or there, conflate different types of snakes and different behaviors that aren't found in snakes, but saying that they were.
And they all kind of put that under the umbrella word for snake's dragon.
It seems like the legend or the myth.
The mythical version of dragon started to kind of plump up and grow.
Yeah.
And this is a point Ed, the grabster, put this together for us.
But Ed points out something I kind of never really considered.
Back in the day, in the classical period, writers were writers.
There weren't like, hey, I'm going to write only about, you know, natural history and I'm only going to write fiction and myth and storytelling.
Like, writers just wrote.
So, there were people that wrote natural history tomes.
And also myth and storytelling legends.
And so, a lot of this stuff could get kind of mixed up and confused, exaggerated.
Myth translation is a huge, huge deal.
Oh, yeah.
And a lot of this is sort of where the sort of myth of the dragon came from.
I just think of like some writer getting confused what they were working on that day.
And now we have the myth of dragons.
Right.
You know?
It's like, was this real or not?
I can't remember.
Who cares?
So, yeah.
Like, you really hit upon something.
It's really important.
Mis-translations, or a different way to put it is lazy translation, have really kind of changed our idea of what people were talking about in the ancient world.
And I can't imagine how much nuance and understanding has been lost.
Oh, sure.
And how probably dumb in a lot of ways ancient people seem compared to how they actually were.
Right.
Because of this tradition of like, pee-poor translation that was passed down over the years.
Over the year.
Pee-poor.
Yeah.
That's very cute.
The reason why it's kind of lazy translation is it seems like anybody who came across an ancient text or a text in another language who's translating something into English, and they seem to be describing anything even remotely dragon-like.
Any mythical beast, anything that might have wings, anything with a serpent tail, anything that breathes fire, boop, dragon.
It's a dragon.
It's a dragon.
And then now, those of us who have a certain compartmentalized idea of what a dragon is, everything was a dragon.
And then now we've reached that point where it's like, this is how we got this idea that every culture has dragons.
No, we just kind of lazily translated what other cultures were talking about into dragons along the way.
Right.
I think that is a great first act.
Thank you.
Thank you.
I'm bowing.
I'm throwing roses at your feet.
Thank you.
Thank you.
We're going to take a little break-a-roonie and be right back.
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So the rose petals I sent you arrived in time.
Just in time.
Thank you for throwing them and not saving them for something else.
I also realized I just went all Ned Flanders with the break-a-roonie.
I've never said that before in my life.
I liked it, though.
It was refreshing.
We need that kind of wet-behind-the-ears, you know, wholesomeness right now, Chuck.
Yeah.
In year 14?
No, not just us.
I mean the world.
Okay.
You know?
Yeah, up with Flanders.
That's right.
So my favorite thing always about Flanders is when he would be really buff.
Like every time he'd say,
The shirt magically.
Stupid, sexy Flanders.
I know.
It's hilarious.
This is so funny.
He ascribed it to a healthy dose of vitamin church.
Right.
Oh, man.
I love it.
Yeah.
All right.
Where were we here?
Giant snakes.
Yeah, we talked about them.
We were talking about mistranslations were a big problem.
I mean, I think a good place to start with that is back in Sumeria.
Yeah.
The Sumerian legends wrote about something called the Yusum, U-S-U-M,
also called dragons or, you know, at least referred to as dragons now.
And these were kind of like you said at the beginning.
These were just sometimes just large monsters, large scary things,
and not necessarily a dragon, but was sort of just translated as dragon.
Yeah.
And I should say Sumer, not Sumeria.
But they were, these were like their gods that they were talking about.
These were, you know, the, like the god of, the goddess of water who gave birth
to the world.
Like they had this incredibly detailed cosmology that explained, you know, where they came
from, where the world came from, where the sun came from.
And we, along the way, translated that to dragons.
Right.
You know?
So luckily there are scholars who have learned to speak Akkadian, I guess the world's oldest
spoken language, A-K-K-A-D-I-A-N, not the, the Canadian group that the Cajuns come from.
This is different.
But the, so we understand now that there's much more nuance, much more detail to it.
But I think the upshot of this is that there, there were conceptions of like fire breathing
and like flying serpents and like potentially malicious, malevolent, evil, mythical beasts
that would resemble kind of what we would understand as a dragon dating back thousands
of years.
Yeah.
And, you know, this course goes straight to the Bible as well in Revelations.
There's a lot of talk about the archangels, archangels battling a great dragon.
In this case, the dragon is Satan.
But again, this is sort of a translation, like Satan was always sort of the serpent,
at least in Genesis, it first appeared as a serpent.
And so in the end, Satan is also a serpent, but spelled, you know, with a D-R-A-K-O-N,
like the ancient Greek.
Oh, is that right?
Yeah, but there's, you know, I mean, not in the King James Version and stuff like that,
obviously.
Sure.
But again, you know, pre-translation.
And, you know, there were sort of renderings of this, of the big war for heaven.
And this is when we see, you know, it kind of what we would see later on, which is metaphor
for good versus evil in a big battle.
So that's what William Blake's Paradise Lost is about, right?
I've never read it.
I haven't either.
I'm just familiar with it from that movie, Red Dragon.
Okay.
about the Silence of the Lambs prequel, I think.
Oh, sure.
Yeah.
He's like, do you see?
You remember when Ralph Fiennes
has got poor Philip Seymour Hoffman
strapped to that wheelchair?
Oh, man.
And he's showing him crime scene photos.
Spoiler coming.
Didn't love that movie.
It was okay.
But that shot of that burning wheelchair and body
going down the parking deck
is one of the most sort of chilling images
I've seen in movies.
I know.
The thing that chills me about it, though,
is it's an antique wicker wheelchair,
which is the scariest thing I've ever seen in my life.
I hate those.
You don't like those, huh?
No.
I think we just talked about it recently,
and for the rest of my life,
I will be creeped out by those things.
I'm going to get you one.
Slide Whistle was this Christmas.
Next Christmas, you're just going to get
an ancient wicker wheelchair.
I don't want to be wasteful,
so I won't throw it away,
and I'll just have to live among it.
It's going to be terrible.
Like, I'll never get used to it either.
You could make a life-size Chuck dummy,
put it in there,
and set it on fire
and roll it down a parking deck.
Oh, I wouldn't do that.
I'd make a life-size version of Chuck
and just talk to you.
I'd be like,
listen, I got a lot of stuff to say to you.
That's even creepier, by the way.
And you're going to sit there and listen to it.
I'll be wearing nothing but an apron.
Just like a real doll with a big fake beard.
Oh, man.
Okay, so, yeah,
good versus evil.
Evil is sort of how a lot of these
tales in folklore play out
and also incorporating stuff
that you would see time and time again
in literature later on.
Like, there's a dragon that lives
out by itself near a village,
and it's a greedy, vengeful dragon,
and we need to appease this dragon
with sacrifice once a year,
or else it will come down
and, like, rain fire upon everyone.
Yeah, so, all of this stuff,
like this idea, this Western dragon
that you're describing,
like, that's taken from,
like, Beowulf, I believe,
the dragon that killed Beowulf
in the. I always thought it was a Norse legend,
but apparently it's English,
Old English.
It's just set in the Netherlands
or in Scandinavia in the Norse.
I think somewhere. I don't remember exactly where it's set.
It's just set there.
It's not written by them.
But, like, that dragon was malevolent,
and I believe it was guarding treasure.
I think the reason it went berserk
and Beowulf had to kill it
was because somebody stole one of its
golden goblets,
a.k.a. honey,
because they're really talking about a bee.
But, so, you have an idea
of a greedy, murderous dragon
that protects treasure.
Like, that comes from an ancient tradition,
but that's a pretty standard feature
of dragons like you were saying.
Yeah, so, all this is going on
for many, many, many years.
Finally, the rubber kind of meets the road
as far as Western dragons are concerned
with the legend of St. George,
who was a Christian saint,
a real Christian saint,
maybe a real person,
who may have been a Roman soldier
who was, you know, tortured and killed
for converting pagans to Christianity.
This is circa 4th century A.D.
And because of stories getting passed around
like a game of telephone,
the actual first name of that story
when it was told was St. Theodore,
but it was really St. George.
So, I saw that story,
and I found that they're both possibly
known as dragon-slaying saints.
Okay.
It's not necessarily like George took that from Theodore.
They're both known for having slain a dragon.
But what's interesting is if you see
St. Theodore depicted with his dragon,
it's very clearly a crocodile.
And the origin story of either one,
but particularly St. George,
is that there is a town in modern-day Turkey
or possibly Palestine.
I'm not 100% sure.
But in what would have been called Anatolia back then,
where they had this spring,
like this town got their water from the spring,
and it was guarded by a giant, massive crocodile,
and that the townspeople would sacrifice a sheep to,
sometimes two a day,
basically to distract the crocodile
so they could go get the water and then get out of there.
And then they ran out of sheep.
So, they said, well, what comes after sheep?
How about maidens?
So, they started throwing maidens,
sacrificing maidens.
Literally, throwing them to the crocodile
to distract it so they could get the water.
And eventually, they came upon the king's daughter.
They drew straws to see what maiden would go next.
And St. George apparently arrived just in time
to slay the dragon, a.k.a. the crocodile.
But that's this idea that that's where this story
of somebody slaying a dragon could have been rooted in reality
that over the years, this massive crocodile,
which was so fearsome and so murderous
and killed so many people,
was converted into a dragon over the years.
And so, St. George slew the dragon,
and that's where that came from.
And there was a real crocodile that lived by a real spring.
Right.
That's pretty cool.
Yeah, I thought so, too.
I love it when something that seems totally legendary
is rooted in some sort of fact.
It's just people embellished or exaggerated it over time.
Totally.
If you want to go with the sort of real great first image
of what we think of as a Western dragon,
you can go to 12th Street.
Yeah.
You can go to 12th Street.
Yeah.
Yeah.
I think that's a great idea.
I think in about 6,000 B.C., there were people in China that were carving little dragon jade figurines, and there was art back then, I think as far back as 400 B.C., where it's clearly some kind of dragon, but again, supposedly independent from the sort of evolution of the Western dragon.
Yeah, and so all of this was based on some of the early Chinese religion was based on animism, and not just Chinese, but a lot of ancient religions are based on animism, where an inanimate object is symbolic of a larger thing, like the god of wind or the god of rain.
And so these ancient dragons were considered gods of rain, and there's different types.
There's different kinds, but again, like the fact that they are generally beneficial to humankind rather than harmful, I think it's interesting.
I wonder what that says about the two different cultures, if anything, you know, that dragons are harmful, and they're going to kill you, and they're going to steal all your gold, or they're going to bring the rain that's going to grow the food that saves your family.
You know, where did that diverge, or did it just, they just don't have anything to do with one another?
Yeah, that's interesting.
Sort of a side note, I'm playing, I've been playing video games some during the pandemic, which I'm usually not a big gamer, but I've been playing a game lately called Ghost of Tsushima, which is a, you play a samurai warrior that's sort of traveling through Japan in ancient times.
Right.
And it's really interesting to compare that to like, the analog for the West would be like Red Dead Redemption in the Old West with gunslingers.
Yeah.
And it's just such a different game design and everything.
It's the one in Japan.
The Ghost of Tsushima is so peaceful.
It's one of the most beautiful games I've ever seen.
And instead of like a map telling you where to go, you press a button and the wind guides you.
And if you see a fox, you follow the fox up to a shrine and you pay your respects to the shrine.
And it doesn't really get you much other than, it's not like you get like a million points or something for doing that.
It's just, it seems like they really tried to honor Japanese traditions in so much of this game.
And the motivations are always pure.
Like even when you're slicing guys up with your katana, it's because you're rescuing, you know, some old lady in a village.
Yeah.
Whereas the other game is just like, hey, just go and just pillage and murder and do awful things.
Shoot them up.
Yeah.
It's really interesting.
I'm much more enjoying this game.
Well, you said something that struck a memory in me about dragons.
There's a commonality between Asian dragons.
Particularly Chinese dragons, which are called Long or Lung, L-U-N-G.
And Western dragons, and typically they live in isolated areas away from everybody.
And in Asia, the Chinese dragons usually live in old ruined temples.
Like that's where you'll find them dwelling.
Oh, interesting.
There are plenty of those in that game.
Exactly.
So are there dragons in that game?
Not yet, but now I'm kind of wondering.
Oh, yeah.
Look out.
It's pretty early.
Because I did run across a Japanese type.
It's a Japanese type of dragon that is malevolent.
Not very nice.
I don't remember the name of it.
So I guess be on the lookout for all of them.
Interesting.
Yeah.
So far there's nothing supernatural.
It's Mongols that are the bad guys.
I gotcha.
Yeah.
And then there's another type of Japanese dragon I ran across called Ryu.
And this one actually bears a lot in common to the intelligent Western dragon in that it writes poetry.
Hmm.
Yeah.
It uses.
Shed scales from its belly as paper.
And I don't know what it uses for ink, but I think it uses its tail as a pen, a quill.
The blood of a virgin?
Writes poetry.
Yeah.
There you go.
It's super nice except for that one thing.
Yeah.
Oh, if we could just get it some ink.
Right.
There's something else I think people should look up here if you're looking up images, which is an artist named Chen Rong.
Yeah.
C-H-E-N-R-O-N-G.
Yeah.
Very famous painter.
In Asia of Dragons.
And this was like 13th century A.D.
And if you look up some of this stuff, it's really, really neat looking.
Yeah.
About the same time as Peraltus' Theological Miscellany was done with that first Western dragon,
Chen Rong was making these just amazing works of art.
I think one of them's in the Boston Museum of Fine Art.
Oh, cool.
It's called like Nine Dragons or something.
But it reminded me of.
The artwork in the original Scary Stories to Tell in the Dark series.
I never read that.
Dude, that artwork in there is just amazing.
But it has like all these weird kind of splotchy clouds of ink.
And Chen Rong makes use of that as well.
It's really kind of startling how closely the two resemble.
I wonder if the artist from Scary Stories to Tell in the Dark was inspired by that in some way.
I bet.
Yeah.
Nothing wrong with that.
No.
No, that's not ripping off at all.
I don't know why you'd even say that.
Why would you even bring ripping off up?
Yeah.
So we should probably talk about famous dragons at this point.
Because we've thrown a couple out, like the one from Beowulf, who apparently doesn't even have a name.
Yeah.
I mean, you know, there are so many stories in literature and movies, obviously, that have had dragons throughout the years.
Certainly Tolkien.
In the mid-1930s, when he wrote The Hobbit, this was a really evil dragon.
And, you know, drawn from that Western sort of influence of evil dragons.
Smaug, right?
Yeah.
S-M-A-U-G.
Dungeons and Dragons in the 70s was a very big sort of, you know, I don't know how much dragons had fallen out of the sort of pop culture eye.
But it really brought it back in if it did fall.
Because in the game, there were different kinds of dragons.
Yeah.
There were a couple of different sets who were indicated by different colors.
Red, green, black, white, and blue, I think, were evil.
And then there were the bronze, brass, silver, and gold, which were, for the most part, good.
And they all had different things they could do and different temperaments.
And something that we talked a little bit about is the fire-breathing thing.
There are lots of different theories as to how that came about.
Maybe the tie to Satan with fire.
Early on when they were just serpents, perhaps they were drawn spitting venom, and that could have looked like fire.
Yeah, that makes sense.
But there's always some sort of breath-emitting weapon going on, it seems like.
Yeah.
Over time, it's translated into, I think, like the white dragon in Dungeons and Dragons blew, like, basically ice, like cold.
Some dragons blew out electricity.
Which you would think would be kind of new, but apparently the Leviathan, which is mentioned in the Bible, is a sea dragon, basically.
Supposedly spit electricity out.
But there's something weird coming out of the dragon's mouth that's probably going to kill you.
Yeah, you don't want to test that.
No.
And we were saying also that the first visual depiction of the dragon shows up in Harley 3244.
The first mention of the dragon in, like, a story, like a fictitious story, supposedly comes in Spencer Edmonds' The Fairy Queen.
Oh, yeah?
Yeah, and then it shows up after that a little while later in Marie Catherine Dull Noyes' The Green Serpent.
And then it just kind of takes off from there.
You know, you have a connection to Pete's Dragon, right?
I do.
My friend Toby was a producer on Pete's Dragon.
Yeah, for the remake, obviously.
Yes.
Which was really, really good and touching and tear-jerking a little bit.
I never saw the remake.
I need to check that out.
It's very good.
They did a really good job with it.
But, you know, if you haven't seen the movie Reign of Fire, just stop what you're doing and watch that because that is the king daddy of all dragon movies.
I have not seen that.
Should we pause, come back and finish the episode after?
It's great.
It's one of those movies that I don't know how well.
It did at the box office, I don't think super well, but it's one of those that has really become sort of a cult classic since then with McConaughey and Christian Bale.
It's so over the top and just so fun.
It's really, really good.
So it's kind of like the Pacific Rim of dragon movies?
Yeah.
Or Starship Troopers of dragon movies?
Oh, man, that's another great movie.
There's also Puff the Magic Dragon.
Don't forget him.
Oh, God.
Song of all time.
My mom taught my daughter that it's the worst.
Yeah.
It has nothing to do with pot.
So just, you know, forget that, hippie.
It's just sad.
It is a very sad one.
And then also I think our younger listeners would be really mad if we didn't mention Dragon Ball Z.
Right.
And there's, you know, I didn't watch Game of Thrones, but I know there were little trained dragons in that one.
Yeah.
That grew.
Yeah.
And Chuck, it's just so satisfying to look over all of the.
Different depictions of dragons that you see and all the differences and all the similarities and realize that all of them are talking about bees.
Yeah.
Yeah.
You know?
Totally, yeah.
You got anything else?
I got nothing else.
There's dragons.
Well, if you want to know more about dragons, head out to a ruined temple
or maybe go search for gold in a cave, and you might encounter one yourself.
And since I said that, it's time for Listener Mail.
This is a story about corn and poop.
Oh, God.
Hey, guys, here's my corn story, one I've repeated often throughout my lengthy life.
I just turned 70.
Woo-hoo.
Nice.
Happy birthday.
So this is from Mary.
Mary's 70.
Well, not happy birthday, but happy decade turning.
Okay.
What does that mean?
I think birthday still works.
No, but it wasn't her birthday necessarily, but I don't know what I'm saying.
Happy decade turning?
Yeah, like when you hit 70 or 60 or 50.
Sure.
No, I know exactly what you're talking about.
I'm just saying it's a new thing.
It's a rich history of saying happy, the song, happy decade turning.
What song is that?
Happy, happy decade turning.
You made it another 10 years.
Lean on me.
That's good.
You guys see Jay's hands there.
Man, I think I awkwardly got my way out of that really awkward sentence.
You did.
It was really good.
I grew up in Houston, Texas, guys.
One blazing hot summer day when I was about three or four.
I was out in the driveway standing around kind of checking out the neighbor kid who was in her driveway.
It was about two.
It's hotter than the blazes.
Her name was Bianca.
She was younger than me and still in the diaper phase of life,
but it was so hot she wasn't wearing a diaper or anything else.
Nature called to Bianca and voila, a couple of little poos were deposited on the cement.
Being a curious child, I went over to check it out and lo and behold,
there in the poop, embedded securely but definitely visible were corn kernels.
Unmasticated yellow against the brown corn kernels.
Right.
Yeah, no, we got it.
Just the corn kernels.
Thusly, I've never been able to.
I've never been able to look at corn nor, God forbid, eat corn literally in any form ever since.
I could see that happening if it hits you in just the right way, especially at a certain age.
Yep.
She says, not even corn pone, which I had to look up.
I didn't even know what corn pone was.
It's like cornbread, I think.
Yeah, yeah.
Not even corn pone?
Good God.
How have you lived 70 years without corn pone?
A great emotional scar was born that day.
The only benefit of that experience is that whenever I want to cross,
or I'm sorry,
gross anyone out,
I just pull out the corn in the poop story.
All adults hate it.
All children are gleefully grossed out by it.
Yep.
Love your show, guys,
especially when y'all wander off topic and then wander back.
I think in the chili pepper episode,
y'all wandered over to Yoko Ono,
which was interesting.
And that is from Mary Foy in Issaquah, Washington.
Well, thanks.
Well, yeah, I guess thanks in quotes, Mary, for that one.
I love it.
But thank you also for listening to us.
If you want to write in and kind of gross us out like Mary did,
we're always up for that kind of thing.
You can take your best shot.
Send it off to Stuff Podcast at iHeartRadio.com.
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Podcast Summary
Key Points:
Dragons are not a universal myth; what appears as a shared global legend is often the result of mistranslations and cultural exaggeration, particularly from ancient snake-related references.
The Western dragon evolved from ancient fears of snakes, cats, and eagles, with anthropologist David E. Jones suggesting that primal fears of predators merged into the myth of a dragon.
In Asian traditions, especially Chinese, dragons are benevolent deities associated with rain and water, contrasting with the malevolent, treasure-guarding Western dragons.
Historical texts like the Bible and Beowulf show dragons linked to serpents or animals like crocodiles, with stories such as St. George slaying a crocodile being rooted in real events.
The idea of fire-breathing dragons may stem from metaphor—such as the pain of a bee sting or the symbolism of honey as gold—rather than literal fire.
Artistic depictions from ancient China, like those by Chen Rong, and modern media (e.g., Ghost of Tsushima) reflect deep cultural interpretations of dragons that emphasize harmony, nature, and tradition.
Popular culture, from Dungeons & Dragons to *Pirates of the Caribbean* and *Dragon Ball Z*, has reinforced but also distorted the dragon myth, often emphasizing evil or combat.
The podcast suggests that all dragon myths ultimately trace back to a metaphorical origin involving bees, reflecting a universal human link between swarms, fire, and value.
Summary:
The podcast explores the myth of dragons, challenging the idea that every culture has a dragon. Instead, it argues that dragons are a product of misinterpretation, cultural overlap, and primal fears—particularly of snakes, cats, and eagles. The Western dragon, often depicted as fire-breathing and greedy, evolved from ancient stories of serpents and real-life threats like crocodiles, as seen in the St.
George legend. In contrast, Asian dragons, especially in Chinese tradition, are benevolent symbols of rain and water, highlighting cultural differences. Theories suggest that dragon imagery stems from bee swarms and the pain of stings, with fire-breathing as a metaphor for intense sensation.
Historical texts, including the Bible and Beowulf, show dragons as snake- or crocodile-like, rooted in real animals. Art and modern media reinforce these myths, but the core idea remains a symbolic, not literal, creature. Ultimately, the podcast concludes that all dragon tales reflect a shared human metaphor—bees—showing how myth formation is shaped by exaggeration, translation errors, and universal fears.
FAQs
Dragons are not real; they are mythical creatures. However, various cultures have long traditions of dragons, often rooted in ancient fears and symbols like snakes or bees.
The word 'dragon' originates from ancient Greek, where it was used to describe snakes. Over time, it was applied to various mythical beasts, leading to the modern concept of fire-breathing, winged dragons.
Western dragons evolved from ancient stories of snakes and crocodiles. For example, the legend of St. George slaying a dragon is based on a real crocodile guarding a water spring, later mythologized into a dragon.
Yes, Asian dragons (like the Chinese Long) are often benevolent, associated with rain, water, and prosperity, unlike the typically malevolent Western dragons that guard treasure.
Some scholars suggest that ancient cultures described bee swarms as dragons because of their movement and swarm behavior, and the pain of a bee sting is sometimes metaphorically linked to fire-breathing.
Historical depictions of dragons appear in ancient texts like the Iliad, where 'dracon' refers to snakes, and in Chinese art from the 13th century, such as works by painter Chen Rong.
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