‘Speed’ With Bill Simmons, Chris Ryan, and Sean Fennessey
137m 9s
The hosts revisit *Speed* (1994), a film they previously covered nearly a decade ago, and celebrate it as one of the greatest action movies ever made. They admire its tight pacing—noting that the film never rests, with only one brief calm scene—and its practical effects, which they argue would cost over a billion dollars if made today with CGI. The discussion highlights the chemistry between Keanu Reeves (Jack) and Sandra Bullock (Annie), crediting their performances and the film's simple, efficient screenplay for its enduring appeal. They compare *Speed* to other 1990s action classics like *Die Hard* and *The Fugitive*, placing it at the top of the genre's hierarchy. The hosts also explore behind-the-scenes details, such as director Jan de Bont's risky stunts and the casting choices, while offering playful nitpicks about improbable physics and plot holes. They touch on the film's cultural impact, including its famous lines and the legacy of its stars, and engage in tangents about Los Angeles traffic, the "Flops" draft podcast, and other movies. Overall, they conclude *Speed* remains a "forever movie" that perfectly captures the adrenaline and problem-solving spirit of 1990s blockbuster filmmaking.
The Rewatchables
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the big picture
with Sean Fennessey
yes sir
Flops draft this month
yeah what do you think
you want in
is it
did it happen yet
no
I never get invited
to the movie draft
Flops draft
of course I want in
you were just on a draft
I want to be on the Flops draft
did we not talk about
the Flops draft
no
you're invited as well
August 25th
Flops draft
yeah
I thought it would be
a good idea
great idea
yeah
any movie
what's the threshold
is it sub 30 million dollars
sub 50 million dollars
at the box office
we got to figure it out
I like how you were like
hype involved
yeah
sub 50% on Rotten Tomatoes
you know
like what is a flop
how do we define it
I can't wait to talk about it
thanks for the invite
you're welcome
hey thanks for the invite
I appreciate it
of course
CR
yeah
much like the people
were trapped on the bus
in Speed
you were trapped
with Adam Friedland
for six weeks
you escaped
you're back
it was a wonderful bus ride
around Los Angeles
with Adam
talking soccer
you were going 50 miles an hour
the whole time
that's right
and you're doing some
some Thrones
is that done yet
Thrones ends
Sunday the 9th
so by the time people hear this
we'll be done
are we in the 1300s yet
or no
1200s
yeah you know
King Henry just came
came into this picture
we're excited about
some changes he's going to make
with dragons
the Vikings aren't in though
no
alright
we are going to do
maybe the greatest action movie
of all time
Speed
is next
this episode of the Rewatchables
is presented by
the movie
Mutiny
only in theaters
August 21st
our guy
Jason Statham
stars in Mutiny
the new action thriller
from the director of Plane
I like that movie
when an international conspiracy
turns deadly
that always happens
Statham
goes off the grid
on a one man mission
I love one man missions
to take down
those responsible
and if you're a fan
of the beekeeper
the bag
or the expendables
guilty
this is exactly
the kind of movie
you want to see Statham in
you've sold me
one of the defining action stars
of the last 25 years
doing what he does best
I agree with that
think Die Hard on a boat
that sounds great
Mutiny
only in theaters
August 21st
rated R
for strong bloody
violence
in language
there you go
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you already did a Rewatchables episode
on speed in 2017
now you have more categories
what do you do?
what do you do?
yeah we did this movie nine years ago
fuck it
it's the re-speed
I told Eileen that we were doing this
and she said
no you guys did that already
and I was like
I've never done a podcast about speed
I love speed
I was so excited to get the text from Bill about speed
and then she was like
no I know that this happened
because I listened to this episode and loved it
but it was almost 10 years ago
that that podcast happened
who was on that pod?
it was Donny Kwok
Concepcion and Shay
it was one hour
four people
and we had like four categories
it was one of the first 10 we ever did
that's amazing
was I on it?
no you weren't on it
I think you were salty that you weren't on it actually
I think we had some rare chemistry issues
you and me?
there was a trade demand
wow
and then you came and put the rings on the table
yeah
you demanded we trade it at SB Nation
and we calmed it down
I was going to say PFT for CR straight up
who says no?
I texted you guys
we were all texting about it
Craig
is this your favorite one we've done?
love this fucking movie
yeah
this is like
when we do film school
and it's like
let's learn about Citizen Kane
Kubrick
like
this should be an entire
not only a class
but you could do a semester
on why speed is the perfect action movie
because I think it's a good movie
the art of blockbuster filmmaking
I think that should be a class
this movie has very specific goals
and it achieves all of them
and it doesn't rest for really a split second
there's not
there's one scene where people are standing still
which one is that?
when Jack gets his medal
and then they go to the bar
that is the only scene
where somebody is not running
walking very quickly
on their way somewhere
a vehicle is moving
somebody is falling
somebody is running
and that seems good
because it ends with Jack going
I'm going to go have sex
you know what I mean?
I'm going to go have some sex
yeah
this is the definition of a rewatchable
it's been on for 32 straight years
I remember seeing it in the theater
it could be on TNT
it could be on real cable
it's scary
but it's not too scary
it's really fun to nitpick
I couldn't believe how many nitpicks I had
I have so many nitpicks
I think I have 15 nitpicks
but they're all out of love
yeah
I think it's okay for a movie like this
to have some plot flaws
because it's fucking absurd
it's a movie with a lot of plot flaws
it's a movie about a domestic terrorist
who's putting bombs under buses
right
I'll also forgive any nitpicks
or flaws this movie has
because if you tried to make it today
it would cost 1.3 billion dollars
because they use the actual 105 freeway
they shoot an anamorphic
all over Los Angeles
blowing shit up
like there is no movie industry world
in which this is not being shot in Romania now
and using a ton of CGI
right
we need more movies
where buses drive into
private jobs
and explode on screen
like that
what happened to this country
they're like Christopher Nolan man
nobody does it
I'm like yeah I did this already
for 31 million dollars
it's funny because
it was Die Hard on a bus
yeah
Die Hard's 88
they're ripping off Die Hard right after
and they do this
is Under Siege really the first rip off
no they're
Pasture 57
Under Siege 1 and 2
yeah
Sudden Death is being made
with our guy Jean-Claude
but they did a whole bunch of them
Cliffhanger
Cliffhanger's another one
Die Hard on a Mountain
yeah
so nobody wanted to be in this
and now you look at it
they say fuck it
they do it
they basically
Keanu is not the first choice
Sandy Bullock's been floating around
has made it
DeBond's never directed a movie
so they do this
and for the next three decades
everyone rips this movie off
I feel like this movie's been ripped off
almost as many times as Die Hard
at least
where it's like let's
let's try it
it's really fast
and it moves like speed
yeah
but nobody's pulled it off
the vibe of it for sure
I feel like people are trying to
they're chasing the high
of this movie
which I still don't totally know
how they
what they did
what the chemistry was
and a lot of this
I have a lot of bias
because I was 12
when this movie came out
and I saw it in theaters too
and I was like
holy shit
when I got out of the movie
but I think it was true
for most people
I mean this was like
a great word of mouth hit
people loved this movie
well
I was doing nothing
in 1994
like
I didn't have a lack
going on for those three years
even I knew
they moved the movie up
yeah
it was like
it was
and I don't know
how I would have known that
other than reading like magazines
because we didn't have the internet
but it was like
this movie's so good
they fucking moved it up
and it ends up going
a week before the OJ chase
which is just
you know
the most bizarre wrinkle
just in general
this movie comes out
a week later
OJ's on the car chase
and you're watching it
through the prism of like
I've never
I'm in Boston
I've never spent this much time
with LA freeways in my life
yeah
I mean it makes
Los Angeles seem
like a like
reasonable place to navigate
driving wise
weirdly
like I mean like
they're almost surprised
that there's traffic
on the 10 in the morning
they're like oh no
I'm gonna be late for work
yeah
but it's like
it made
it was still a time
that was like
nitpick number 16
well the three of us
grew up on the east coast
and we spent
most of our life
up until
you know
30
I don't know
when did you move out here
how old were you
32
how much time
did you spend out here
I only knew LA
through
Beverly Hills Cop
that's how I
I mean
Beverly Hills Cop
this movie
and 90210
yeah it's like
Die Hard Speed
Beverly Hills Cop
Beverly Hills 90210
like your idea
of what Los Angeles is like
and speed is kind of different
because
I don't know
like Jack and Annie
are like
regular everyday people
kind of
even though they have
extraordinary things
happen to them
I mean Jack I guess
extraordinary shit
happens to them all the time
but yeah
did this movie make you
almost like
sad that this wasn't
the LA we moved to
like 90s
LA
like the vibe of it
and you could feel it
in the old 90210 reruns too
where it just seems like
you could move around better
than now
like even at the end
they go from
they save the bus
at the end
but then they have to go
all the way downtown
for the money drop
and it's like
tome 30 minutes
and 24 minutes later
they're all downtown
I was like
that would be like
an hour and a half now
to go from the airport
to downtown LA
I always wonder
if that's just like
movie magic
you know we always joke
about that with Collateral
where they're like
where they're getting across town so quickly.
if it actually was like half the amount of people lived here,
was that actually the case?
I mean, that's like when you read,
there's like that Didion essay where she was like,
we were at our place on Franklin Avenue
and then we just cruised over to Malibu.
I'm like, what do you mean you cruised over to Malibu?
Like, that would take two days.
Oh my God, especially now.
So when you talk about perfect action movies
where you like look out the star,
the plot's simple and great,
and then it moves the way it moves.
Did you make a list?
I did.
I'm very curious to hear what you guys think about this,
but you were there for the 70s movies.
Like there was an era of huge action movies in the 70s,
you know, that were more event spectacle movies
like Towering Inferno and Poseidon Adventure
that were massive hits.
And those movies, I think if you watch them now,
don't really hold up.
They're not really that fun to watch.
You might have some nostalgic feelings for them
if you watch them at the time,
but they all feel overlong.
They've got these really baggy set pieces.
It's full of like all-star casts,
but nobody really giving their best performances.
It's like they're all swollen.
Yeah.
But in the late 80s, early 90s,
something happens,
and it's kind of like this hangover effect
from movies like Top Gun, Beverly Hills Cop.
Like Hollywood figures out a pacing and editing energy.
Yeah.
And then everything that comes in the wake of it
is basically incredible for 10 years.
Now, I have rose-colored teenager goggles
on with these movies, but. No, I think you're right, though.
So tier, I'll do what I think is tier one.
Can I give you one movie, though,
that I think defied that from the 70s?
The Warriors.
Yeah.
That movie's 91 minutes.
Yeah.
Similarly,
a movie where people are on the run the whole time.
Right.
That movie is the same kind of thing
where it's like,
I don't even know what you would cut.
It's just like a filet mignon,
which is what Speed's like.
Anyway, go ahead.
Okay.
Maybe I'll do tier two first.
Okay.
Tier two.
Broken Arrow,
Con Air,
Independence Day,
The Long Kiss Goodnight,
Cliffhanger,
True Lies,
Last Action Hero,
Last Boy Scout,
Demolition Man,
Fifth Element,
Hard Target,
Executive Decision.
I'm sure I've forgotten some here and there,
but that's mostly what I'm thinking.
Tier one.
Die Hard,
Crimson Tide,
Hunt for Red October,
T2,
Point Break,
The Matrix,
Blade,
Face Off,
First Mission Impossible,
Lethal Weapon,
Fugitive,
Heat,
Under Siege,
and I think at the top of the heap
is Speed.
I did an action movie championship belt
starting with First Blood.
Going back that far.
That was the first modern action movie
where it starts out as a movie
and then all of a sudden,
action gets added to it, right?
But I had First Blood,
Terminator,
First Blood 2,
Predator,
Die Hard.
It's just the belt getting passed.
Lethal Weapon 2,
Total Recall,
Terminator 2,
Under Siege.
I have Cliffhanger in there.
Other people don't.
I think Cliffhanger's great.
I think Cliffhanger's aged pretty well.
I agree.
The Fugitive and Speed.
Yes.
And you can just see like,
so that's 12 movies in 12 years
and they're all kind of leading to Speed
and Speed's learned lessons.
Like, hey, what made the Terminator work?
Yes.
You know, what made,
what's the best part about Die Hard?
And then it just kind of was like
an AI intelligence of all these other things that worked
and they just made it all happen together.
So one of the things about Speed and Fugitive,
those are two movies of my,
one of my earliest recollections of
saw the movie, went back and saw it the next day,
which goes to show you like
the word of mouth that came out about both of those movies,
even in the 90s when I was still like a nascent,
like,
I'm starting to understand what film culture is.
Like, even though my dad was in the house,
like being like,
oh, lots of people like this.
It was like,
you were running around to your friends like,
have you seen Speed yet?
Oh my God, dude, we got to go.
And both of those movies are action films,
but with thriller conceits.
Like Fugitive is a Hitchcock movie,
essentially like a wrongly accused man.
And Speed could have been a Dirty Harry movie.
Like Speed could have been like,
there's a crazy man,
like targeting buses in Los Angeles.
But Bomb Squad Detective Jack Trayvon.
Yeah, Bronson, Eastwood.
It could have been like a McQueen movie,
but they turn it into this like widescreen,
explosive, never stop action movie.
- Yeah, I feel like adrenaline is the thing
that they tap into with these movies.
- That's exactly right.
- It's that feeling of just like you just,
you're shaking the whole time you're watching the movie
and having fun at the same time.
- I would say adrenaline, problem solving.
Like the guys that came this next wave of action movie guys,
like Keanu,
Snipes, Willis, Nick Cage.
It's less about like those guys winning fights
and being like the strongest,
like which was what we had in the eighties.
And it's more like, how do we get out of this?
I'll try anything.
- Yeah.
- Oh my God, he's gonna do that.
Like when Keanu gets under the bus,
it's fucking insane.
No normal person would do that, you know?
And it's same thing with Die Hard.
Like Die Hard,
and I feel like Die Hard cracked the code on that.
When he's like, oh, what was it?
The elevator shaft?
What was the craziest thing?
What was the craziest thing he did in that movie?
Or when he's swaying off the top?
- Yeah, I mean.
- But he's like a normal guy.
Like, ah, I guess I gotta do this.
- I just think also like the taping to the back.
I mean, all these, yes.
It's like, it's using your brain as much as your body.
- Yeah.
And pretty regular guys.
Like Keanu Reeves barely wins a fight with Dennis Hopper.
Like he's actually on his back.
- Well, the Hopper thing is another,
it goes back to Alan Rickman in Die Hard
or even Anthony Hopkins in Silence of the Lambs
where they're also like,
the key to this movie is to grab the guy
who's Tommy Lee Jones, Dennis Hopper, Anthony Hopkins,
the villain who people are gonna be
absolutely like magnetized by.
And we'll-
- Yeah, Connery in Hunt for Red October
where you're just like,
there's a hugely overqualified screen legend
who is like, I'm just gonna let it rip on this one.
- This would have been a fun Nicholson part.
I think Hopper's great,
but it's right in that zone where it's like,
you can almost steal the movie
if you're in the evil guy part.
Hopper's another one.
Hackman, I guess.
- Yeah, he does it.
- But they all kind of dabbled in it.
De Niro's one was Cape Fear.
Were you born the year of this movie?
- Two months after it came out.
- See, that's why he loves this stuff.
- Born for it.
Who showed it to you?
How old were you when you saw it?
- This was a movie that was like,
my dad put it on for me and it was,
it just felt like it was always on like TNT or something.
And it was a big cable watch back
when people did that for me.
- Keanu.
- Point Break, Speed, The Matrix, John Wick.
- Yeah.
- Just those four.
That's about as good of a Mount Rushmore of,
what kind of action movies did you make
back in the day, Keanu?
Well, you might've heard of John Wick.
I made four of those.
Did three Matrixes.
But between Point Break and Speed,
it's a little dicey for him.
And that was part of the charm of this movie.
It's like, really, Keanu?
Just watched him bomb in Dracula.
He did like a tough run there.
- He was terrible in Dracula,
but that was a big hit.
That movie was very successful.
I think it's, he was trying to do a thing
that you see a lot of actors do now.
This is something like Chalamet does,
where you're really trying to balance
the quality work with the mainstream work
and trying to find a middle ground for those two things.
And you could see that like after Point Break,
he kind of very strongly pivots against that.
He's like, I'm going to do Shakespeare.
I'm going to do, you know, art house films.
- I have the movies.
Bill and Ted 2, Private Idaho, Dracula,
Much Ado About Nothing.
Cowgirl Gets the Blues and Little Buddha.
This was a fucking bender.
- When are we doing My Own Private Idaho?
It's a really good movie.
- It would be like the greatest zag ever for us to do that.
- I wonder how many, have you seen it?
I mean, it's the movie that made those two guys best friends.
- Yeah.
- And then the research, I didn't even realize this,
that River Phoenix died when they were filming Speed
and Keanu was so upset about it,
they had to like fix the shooting schedule.
- Yeah, I didn't know that either.
- It was his best friend.
- My Own Private Idaho would be a good episode.
- It's a really interesting movie.
- Do you want to participate?
- Yeah, of course, yeah.
- It's a really good one.
- But that's, it wasn't,
that's obviously not a big hit.
He's making a very specific choice to do something.
- He's great in that.
I think he's fine in Much Ado About Nothing.
I mean, like, he got a lot of grief for it,
but if you go back and watch it.
- I think Dracula's worse.
I think Dracula, he sticks out like a sore thumb.
- Dracula's like Laugh in the Theater.
- Yeah, 'cause Dracula is a cool movie.
That's like a really fun horror movie that Coppola made,
and he is not at his best.
- It's fine, this, Point Break,
it's obviously iconic.
It was one of the first ones we've done,
but it's kind of fun to make fun of him
as it's happening a little bit at some point.
- FBI!
- Junior!
- I think he's just really good in this.
- He's a little more yoked up in this,
and Jock, like when--
- I like his hair.
- Him and Harry are in the office building
right after they've rescued the people from the elevator,
but they're trying to figure out
whether Howard is in the building,
and Harry's like, he would want to be close by,
and Jack gets up and he just like points at him,
like he's Joe Burrow,
and I was just like, this guy's fucking cool, man.
- He really is.
- I love it.
- You know one thing I was thinking,
'cause they overthink everything now with TV and movies,
and everybody has to have a backstory
and all kinds of shit.
I like that we just don't know anything about Jack.
Where's he from?
I don't care.
- Do you know anything about Annie's life?
- You know anything about Annie?
- Yeah, nothing.
- Is he a vegetarian?
Who gives a shit?
- Where does he live?
We don't have the scene where he's just like
getting ready to go to work in the morning,
and he's got like his dog.
- Like everybody else in America.
- Yeah.
- And he does have a traumatic past,
but it's not played for any kind of like character dynamic.
It's just like, he's just like,
fuck you, give me my money.
- Don't you think if they made this now,
it'd be a half hour longer, which is fat?
- Yeah.
- Yeah.
- And we would definitely see Jack like
working out at Equinox and you know,
and he just broke up with his girlfriend.
- Yeah.
- Like they would just add all this dumb shit
to this character.
- Well, it's even like you think about Harry's death in this.
It's like, he takes two seconds to mourn him.
He's just like, no!
And then he's like, all right,
let's move on.
We're still on the bus.
We can't like, what are we going to do?
- I think he does say,
I'm going to rip your fucking spine.
spine out and he's like you'll do nothing like that yeah it's actually a really good scene because
i bollock who's unbelievable in this movie she's so great but she's like jack i need you to stay
with me yeah like you got a lot of people counting on you but um he's not just like the typical and
that's what they were doing with these movies where they would have your hero but he would
also have some sort of achilles heel or he sometimes couldn't handle the moment he might
get overwhelmed a lot like watching joe burrow with a bad offensive line that's right justin
herbert wow cj stroud you've been doing your research sandra bullock i don't know if this is
the does that not apply to drake may shaky offensive line good we're taping this on july
31st good drake may uh performance today yeah oh it can't hit aj a couple times did he yeah
the reporters are impressed how are you gonna feel watching aj fine
fine that's how i'm gonna feel about jaylen brown i've already talked about something we both win
uh sandra bullock i don't know if this was bill i definitely won i got lebron we'll see okay but
that's what that's what they said when the trojan horse was delivered we did it you know my trojan
buddies were like we did it oh we got it this fucking horse look at this thing lift that thing
up uh so jaylen brown is the trojan horse in this scenario yeah wow interesting sandra bullock
is this the all-time you're gonna have a fucking crush on me
at the end of this movie performance or just on the top shelf way up there i'm pretty sure i saw
low potion number nine before this though so it's not like this was the first time i'd ever seen i
saw four movies with her she was a demolition man before this she was yeah i think i saw her in that
yeah the vanishing the vanishing was that before this oh yeah and she's smoking hot matt yeah and
then she's in i'm not sure that's supposed to be the takeaway but no she's in it for
you guys see the vanishing smoke show
absolutely she's hot that's why it's five alarms three years looking for her it's got posters of
where she got abducted and then she's in uh that thing called love whatever that movie the river
phoenix music movie bogdanovich movie yeah she's still one of the weirdest things i've ever done
professionally is sit in a really small room with you and do the vanishing oh yeah that weird room
and you just did the voice like for 60 percent of the bridges voice yeah hello jeff hello jeff
i'm bonnie
i'm the man you're looking for we should bring barney should be uh one of the voices for the pod
i'll do it today this movie be better with barney yeah that thing called love had her and samantha
matheson yeah sure did and river yeah it was on my radar i saw it in the theater a lot going on in
93 either so yeah it was but this was i i wrote in my notes a little indy navaretti ish where it's
like by the end of the movie you're like that person's gonna be in my life now for 20 years
yeah they will be repeatedly casting her in movies she has an incredible ability to have
chemistry with any male lead and it does not matter how old or young they are she is like
born to be a mainstream movie star she's a good actress but like she's just really good at
connecting with other people on screen and then you feel connected to her that's a great way to
put it yeah you're right she could be with i mean she was with ryan reynolds yes and that movie
works so well and i don't really like ryan reynolds but yeah that was a huge hit that movie to your
like what they focused on in this movie and what the screenplay focuses on what what's annie do we
know where annie is going to work do we know what her job is she's sped that's i know she speeds
she has she smokes cr yeah i'm just saying like she she doesn't just smoke but who it is is it's
sandra bullock she doesn't just smoke morning smoker yeah well there's that's a whole level
of darkness we'll explain that darkness or lightness
like darkness or like the sun just came out because we're having i'm having a coffee and
an 8 a.m dart getting on a bus what would you be were you a morning smoker yeah you were i would
get up go downstairs smoke go back upstairs when it happened whenever i got like 11 a.m or 9 a.m
for the longest time when i was working retail we were not greeting the morning you know what i
mean so i but i would get up smoke and then go shower my takeaway knowing nothing on that
character is just those things that i'm not used to i'm not used to it i'm not used to it i'm not
used to it i'm not used to it i'm not used to it i'm not used to it i'm not used to it i'm not used to it
little two tidbits told me she was out till three in the morning the night before yeah
yeah okay probably had four hours sleep might not have slept at her own place
oh interesting rallied back with the coffee cigarette she's late for the bus
fortunately she knows sam she knows are you calling annie a loose woman no i think she
might have had a big night the night before okay that's why she's running a little late for that
bus the 8 a.m yeah to be like that bus is a half hour let me let me wipe out this dart
just takes a couple puffs meanwhile she's great and can drive a bus i mean she was really the
dream girl yeah i think when she apologizes when she has the bomb vest on she's like sorry
she's she's very special drive a bus is that on your hit list for
things you want a woman to be able to do just jumped right in i mean would you know how to
drive a bus here uh no i mean i i like what is it is it would you know it's like driving a long car
would i know how to drive a bus probably not i feel like just getting a handle on that would
take a bit i think turning is probably when she makes the sharp turn uh to get on the the freeway
i'm like that's impressive one of the best parts about him uh her and keanu in the movie is when
he's like realizes she's done a good job and he's like wow hey pretty good you know that's that's
them connecting it's kind of funny that he doesn't ever like say like i'll drive for a little bit
that's true there's a lot of time where they're just standing there and she's driving yeah i think
as the cop he'd be like i got it
well there's what 40 minutes into the movie he's like yeah i might take a crack at this one once
we get off the bus she's doing later yeah i think she's thinking the same thing it's it's funny
because we did obsession we recorded that one on monday and it it's very similar to indy navarrete
in that movie where you're just like i like this person yeah and cinderella always had it she
finally put it together and now we're i just saw a trailer for practical magic 2 yes
um so it's still going three and a half decades later i was at a cinema con in april and she came
out to talk about that movie when i was there and she's like 62 years old or something she looks
like she's 39 it's it's insane how many she doesn't really make that much stuff anymore i
think i was shocked she had less than 60 imdb credits yeah i think she's basically been two
a year max that's it kids this is her first movie since the lost city i feel like it is
she hasn't really made a movie in about four or five years
i like she gets yeah i actually know it's a long random story but the person she's with now
just like normal la person cool yeah that's great but i was she always had the same the bus driver
she ended up with sam but she always had the rep for most normal hollywood star because some of
them you'd be shocked to know aren't that normal she's one of those people like leo or denzel where
like they still matter i like people actually will still just like people went to go see the lost city
this is whether or not
you like that movie
that movie was actually a hit
almost entirely because
she is still a draw
in a unique way
well the funny
we haven't done Gravity yet
it's on the list
oh yeah
but that's one where
that's basically
a Matt Damon
The Martian
like Tom Hanks
Cast Away
I think that's her biggest hit
yeah it's just me
for an hour
yeah
and that's like
the last level of movie stardom
if you can carry a movie
like that
just like
it's just me guys
you're gonna enjoy watching me
try to figure out stuff
and get mad at myself
you also just
like if you think about
all the different ways
you could have shuffled
the deck of the two people
who could have been
the cop and the woman
who's driving the bus
and if it's like
and there's a version
of this movie
that's like
Jean-Claude Van Damme
and Natasha Henstridge
and you're just like
that movie probably
is like borderline entertaining
but you're not like
zoomed in
on what's happening
at the wheel of the bus
and watching these two people
kind of fall for each other
yeah and also like
really magical chemistry
with them
they're wonderful together
in an action movie
yeah I agree
and I think that
and I think that
it's more likely
that you were gonna get that
that's probably the reason
why the movie
is just
is a forever movie
it's like they kind of nailed
all those particular choices
that had to fall into place
yeah when you go through
the casting what ifs
it's not like
oh well we were looking at
yeah
you know
Tom Cruise
and Nicole Kidman
but we just
it's like this
they were like
I guess we'll try
Sandra Bullock
and Keanu Reeves
like nobody knows who she is
and he was in Point Break
a couple years ago
but
the same goes for
Yonda Bond
like it could have
just not been him
it could have been
any number of other filmmakers
because it was just like
this is like
this is a hot script
it's a studio movie
you gotta pick the right people
he'd never made a movie before
but you get this
Dutch maniac
who's been studying
under Verhoeven
for 25 years
and you get a guy
who's willing to do
all this crazy shit
in this movie
I mean
the practical stuff
that they're trying to pull off
that they do pull off
in that movie
is insane
and he brought a bunch
of new stuff
that wasn't
like the bus jump
was like his idea
the whole elevator
first 20 minutes
like he
that was him on Die Hard
but even like when
when the first bus blows
in Venice
and Jack is like
running up to it
and then like the flames
are jumping
and he's like
I'm like
is that Keanu Reeves
next to like
actual active fire
probably
did they have any oversight
that's the thing
is the flip side of it
is this is clearly
a much less safe time
in Hollywood
but
so many of the things
that they do in the movie
so many of the action set pieces
when they were
if they were making it now
they would have just said
ah we'll just fix that in post
we'll just
we will be able to
digitally touch this
so it's all fine
and some of the sequences
wouldn't look as good
they'd be like
they definitely
wouldn't feel as good
they wouldn't feel
as deep and real
also all the stuff
like the elevator shaft
is all made
miniatures, stuff that they built by hand
and then shot together.
It's just like, it's kind of the last moment, right?
It's pre-Armageddon, it's pre-Independence Day, where. It's a year before Twister, or a year and a half before Twister.
It's just right at the end of that CGI transition
where everything big and explosive just goes into that approach
instead of this approach,
and it's why it's such a forever movie.
I like those movies, too.
But this one is. I love those movies as well,
but this one is almost entirely done practically.
Yeah, it's like The Fugitive.
It's like, let's take this thriller concept,
but take it to its most extreme,
but still plausible and logical extension
of have a train crash,
have this St. Patrick's Day parade
be the setting for a chase scene,
and then have buses. And we love The Fugitive, and we've done it twice,
including Infernal Lab audience in Chicago.
This movie moves way faster than The Fugitive.
Sure.
Fugitive, there's a couple slow parts.
Did you ask Danny Kelly if he would change his name to Ian?
Not yet.
Does Danny Kelly know that Scoot McNary
is playing a character named Danny Kelly?
Yes, he was just informed.
Somebody on Twitter sent him a screenshot of. Because they talk about the character's name
being Danny Kelly in the show, right?
Yes, being very Irish.
Does anybody call him DK?
No, not yet.
Okay.
Not yet.
That was a Bill Simmons note.
First year of the pod.
Changing to Ian.
Can't both be Danny in the pod.
And now neither of them are Danny.
It's Heifetz and DK.
Hopper.
Little Hopper resurgence.
Starting with True Romance.
The Hopper side.
I would argue that the Blue Velvet Hoosiers thing
is what puts him back on the map.
That in 86, he makes those movies.
He gets an Oscar nomination
despite being one of the well-known maniacs
in Hollywood history.
Like, literally a crazy person
who did crazy shit in the 60s and 70s.
And then he makes this crazy comeback.
And then he gets like a 15-year gravy train
where he gets tons of studio movie parts.
True Romance, Speed, and Waterworld.
All back to back to back.
I didn't know who. I wasn't like a going backwards movies guy.
I knew him from Hoosiers first.
It's like, oh, Shooter.
Wait, Coach is getting kicked out?
Let Shooter take over the team?
What's going on here?
But he ended up having a nice run.
And I would love to say,
oh, it should have been somebody else for this part.
But I think he's like a home run.
Yeah, I mean. I think he's so good at this.
He has like this. malevolence that can come out of nowhere.
Even going back to Blue Velvet.
And an energy that you can see in Apocalypse Now
and see in any of his like classic performances
that is that kind of like aging method,
wildcat, untamed animal.
True Romance talking about the moors.
Yeah, I mean, it's just so special, man.
It's just really special to watch.
And even though Howard,
I'm not even really sure
what his ideology was.
Yeah, or like what the plan was.
Like, it seemed like. So why'd he blow up that house?
That was in a nice location.
You think that was his house?
Whose house was that?
It was his house.
They tracked him down.
He had the chips pushed all the way in.
Right, so he blew up his own house
just to kill Harry.
That's kind of a crazy move.
He's like, I was going to move anyway.
That's what Mike Gansey did to get LeBron.
He was like, just to show you how in I am.
He blew up my own house.
Then we got Jeff Daniels
who pulls off the double Harry in 1994.
He's a dumb-a-dumber in speed.
Kind of a weird moment where like,
he's slumming it a little bit,
but it makes the movies,
both of those movies so much better
that, you know, skilled actor Jeff Daniels
is in them playing the fourth lead.
It's really strange.
I think he, in the research,
he was basically saying,
I didn't realize this movie was good
until I saw the movie.
Yeah.
But I think he was probably like
how everybody felt filming season one
of Cape Fear.
But it turns out it wasn't good.
Yeah, it turned out it wasn't good.
But when you watch Cape Fear
by about episode five,
you can start seeing when
each actor loses their will
to be in the show.
Patrick Wilson by episode seven
is like, just fucking kill me.
Just shoot me in the head.
Have you stuck with Cape Fear?
No.
It's the worst show of all time.
But Jeff Daniels was probably like,
yeah, I'm doing this Jim Carrey thing.
I think it's going to be big.
This fucking Dutch guy,
this bus movie.
I don't know.
We wanted John McTiernan.
We couldn't get him.
Yeah, I'm only in a few scenes.
Like Keanu's the lead.
And then he gives the movie a lot.
He really does.
He gives it like a credibility.
He's got a different,
different tone in his acting style
where everybody else is just like
so locked in.
And he's like much more
laconic and easygoing.
I think he's great.
Also, he gives it,
the face he makes,
which I had later
for the most kiffable moment
from this movie,
the, oh my God, I'm fucked face.
Yeah.
And you just kind of.
Kind of the OG Shamit face.
Yeah.
Have we addressed how the Shamit face
needs to be completely retired?
How Shamit is now like a god?
Have we addressed it?
He is.
On any Bill Simmons podcast?
He got, he got a new contract.
Yeah.
Yeah.
A great deal.
So Shamit face got replaced
by a Jeff Daniels face?
Possibly.
Jeff Daniels is about to be exploded
into a million pieces face.
How do you feel about
Dumb and Dumber and Speed,
same actor, same year,
couple months apart?
Six months apart.
I think it was like Christmas and summer.
Yeah.
I mean, that's like an all time
two fucking weird parts
that have nothing to do with each other.
That's got to be up there
for any great year
for any double rewatchable.
movie actor.
Yeah.
Also probably really helped
Dumb and Dumber when it was coming out.
People are like,
oh, Guy from Speed.
Well, yeah, but he was, you know,
in terms of endearment
and, you know, he was in a ton of shit.
I agree that he's important
for this movie.
Yeah.
He gives it some credibility.
He's not in that much.
He's in 30 minutes.
Yeah.
There's him and Joe Morton,
I think, give it a lot of credibility.
Oh, fuck yeah.
Joe Morton's incredible.
Our guy.
Yeah.
There's a quality to the screenplay.
So Graham Yost writes this.
It's his first,
I think, produced screenplay at least,
but he was pretty young hotshot.
He goes on to do Justified
and, like, tons of TV stuff.
A bunch of movies.
But he wrote this script,
I think it was almost all on the bus
when he wrote his version of it
before it started to go into development.
I wouldn't say it's, like,
William Goldman or whatever,
but it is a rock-solid screenplay.
And even though these characters
aren't real people,
they are perfect movie characters.
Yeah.
Where, like, you can see, like,
Harry says,
to Jack,
you need to start thinking
and not just be so instinctual.
Guts will get you so far.
And by the end of the movie,
like, Jack has to think his way
through this situation.
And Harry, ironically,
dies by being instinctive
and running into a house
that he shouldn't run into.
And it's, like,
just really good,
solid Hollywood screenwriting
that's happening
while most people are like,
that fucking bus
is about to jump over a gap.
Mm-hmm.
Josh Whedon did some rewrites
for it, too.
I was trying to,
I was looking at Joe Morton's
IMDb.
It's just never a bad thing
when he's in a movie.
He's probably secretly been
in, like, seven rewatchables.
He was just in Ali.
Yeah.
Yeah.
He's great, Ali.
I think he's really good
in this movie.
He doesn't have a lot of lines,
but he's got great reactions.
I love when the bus jump happens
and they cut to him
and he's just like,
fuck yeah.
Yeah.
He's just like,
you're all fired.
Yeah.
And then I had,
he had the screenwriter,
director,
the score by Mark Mancina.
Mm-hmm.
Dun-dun-dun-dun-dun-dun-dun-dun.
Yeah.
Hired in part
because he was coming off
of being basically
Hans Zimmer's number two
on True Romance.
And they were like,
I want some of that energy
in this movie.
And then,
the only other thing I had
for the intro was
just favorite,
like, I'm in L.A. movies.
It's weird
because this movie's,
it's basically L.A. under attack.
Mm-hmm.
But it's some nice
different snapshots of,
we're in Venice.
Mm-hmm.
Downtown.
We're near the airport.
We're on all the different
highways.
We're in downtown.
We end in two different
spots in downtown.
We're using the trolley.
We're using the bus.
I fantasize about being able
to get off that exit
going to the airport
with not a single car
on the highway.
That is one of the worst
places in the universe.
Like, I think you have to do it
at three in the morning
if you want to have
that kind of experience.
Well, that was literally
the only positive of COVID
that I could think of.
Driving to the airport.
Other than having
more family time.
No, just no traffic.
Just flying around.
So it was no traffic,
then more family time?
Family time,
1A, traffic, 1B,
then no other happy things.
Speed won two Oscars?
Yeah, sound, right?
Sound and best sound
effects editing.
Yeah.
Who are the favorites
this year, Sean?
The Odyssey is going to
dominate all the
below-the-line stuff.
Also, they've combined
those two categories,
just so you know now.
It's just best sound.
They no longer do sound editing.
Do you think Odyssey will be. They have best stunts, right?
I think that's next year.
Next year.
Yeah.
Okay.
I'm already emotionally
prepared.
It's a lot like
the Pat's Super Bowl
where deep down,
I kind of knew
we were going to lose
of Matt Damon being
the favorite for seven months
and then losing
for best actor.
He's going to lose
to Andrew Scott
in a movie called
Elsinore that I've not yet seen.
But I can already see. I already. I'm just looking
at all the. This is what we were
talking about
with Navarrete.
It's going to be
so devastating.
She's going to win
and I'm like,
no, she's not.
We're not on Rhymes.
We said she's the
favorite right now,
but we also haven't seen. 80% of the movies?
Right.
Yeah.
I got to talk about this
for nine months,
so I don't want to get
ahead of myself,
but for whatever reason
in my bones,
I'm like,
this Andrew Scott thing
is going to happen.
I don't know why
I feel that way,
but I do.
It's the fucking
helmet catch
for the Oscars
for Boston fans.
It's like,
Matty D,
here it comes.
Boston people
claiming Odysseus.
We got this.
He's one ass.
This kid Odysseus,
motherfuckers.
You're treating Matt Damon
like,
Curt Schilling on the Red Sox
is so weird.
He's a Boston team.
Both of them.
our guys. They started out from Boston.
Has Joe Mazz weighed in on the Odyssey yet?
Oh, wow.
Great question. I'm surprised. It is a real
I'll watch this 10 times in a row. What if I had Allison
just ask Joe Mazz
don't want you on, doesn't want
to talk NBA, just wants to talk Odyssey.
No, retown.
The retown of Mazz. That's the one he watches
over and over again, right? If you did the town with Joe Mazz
live in Boston,
you could probably sell out the garden.
Right?
After watching Shane Gillis
sell 76,000 football
stadium. Did he really?
He sold out the fucking football stadium.
That makes sense.
Cut of a dig.
$35 million
budget for this movie. Made $350,000.
Bang. Pretty good. Fifth biggest
1994 movie. 1994
banger, banger year.
I don't have the list. Do you have the list of what
was above it?
I can look. I'll look after we do the break.
1994 is pulp, right?
Biggest touchdown of the whole pod.
Roger Ebert. Four fucking
stars. I knew it.
Speed is an ingenious
wind-up machine.
Smart, inventive thriller.
We've seen this done before. Sold them so well.
And then he said, films like
Speed belong to the genre I call bruised
forearm movies. Because you're always
grabbing the arm of the person sitting next to you.
Great line. He reused that line on the
TV show. I watched him,
Siskel and Ebert, talk about this last night.
This is what struck me.
They both love the movie, right?
This was like a critically acclaimed summer
blockbuster, which is a very rare thing.
They talked about the movie for
less than two minutes, and then went on
to the next movie on the episode.
If this movie came out today,
we would have done, I would have done
at least three episodes of the big picture about this movie.
I would have found a million ways
to cover it. It was kind of fascinating to think about
the fact that what our media
was that was supporting movies,
it didn't require all that much to get people to get up
and go to see the movie. Would you do one good blurb
on a bus for Speed?
Sure. Yeah. I've been on an LA
City bus before. Yeah. It's one blurb.
It's not one good blurb. My bad. One blurb.
As the executive producer of one blurb,
I didn't mean to. You still wanted to happen.
You just come out of the theater.
Sean Fennessey just saw The Odyssey.
Does he have to introduce himself on his own social
handles every time? Yeah. Okay.
Hey guys, it's me, Sean Fennessey.
Just saw The Odyssey.
Just test drive it. A magnificent reinterpretation.
Fuck you, Emily Wilson.
Sign off. Boom.
Boston's son is coming home.
Boom.
Listen, you guys think I'm kidding.
So top eight domestic
94, Forrest Gump,
Lion King.
Yeah.
Saw that on a date.
Did you just date with him?
No, we were dating at that point. Real date.
Speed and Lion King were in the same
Siskel and Ebert episode.
How long did they talk about Lion King?
More minutes. Okay.
Santa Claus. Still haven't seen it.
The Flintstones, which made $130 million
somehow. I still don't understand
that. Dumb and Dumber, Clear and Present Danger.
Speed, The Mask,
Pulp Fiction.
Sick. Of the in-year releases.
Director of The Mask, Chuck Russell, just passed away.
Awesome movie. But then there's
a whole bunch of. Wow. 94 was. We've done a lot of these. A couple disappointing
ones, too. Like what?
Cop 3, I'm still coming to grips
with how bad that was. I mean, Shawshank
is 94.
Shawshank's 94. A lot of good stuff.
Is. JFK 94? What year is JFK?
92, I think.
We didn't know how well we were eating in
92, 93, and 94. We're going to take a break.
We'll do rewatchable scenes.
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Most
watchable scene.
This movie has 25 minutes in an elevator
and you always forget when you start watching it.
The opening 23 minutes.
Fucking shit, this goes so hard.
That's my only note.
The one scared lady not wanting to come out of the elevator.
Yeah. That would be Sean.
Come on! Yeah, Sean would be like, no!
Fuck that.
First guy jumping out.
Yeah, Sean would be like, oh, the people.
So I just had, I did a really cool interview that hasn't run yet
on the pod with Patrick Fischler,
who is the guy who, you know,
who is a very well-known character actor
now, who's in this movie. This is his first
credit in a movie. He's the guy who's getting,
um, picked on in the elevator where he presses
the button. Oh, wow. Yeah, and we had a
awesome conversation about, like, his, the arc of his whole
career, but he talked about getting cast in this movie
in that interview where he was just like, yeah, Jan liked me.
And that just, like, set me off on a
that guy run for my career.
Did he have any memories of, like, how they shot
the elevator scene or anything? Yeah, we talked about it a little
bit. I mean, it obviously wasn't as exciting
as it looks in the movie. Sure. Um, but he was
just kind of blown away because it was his first, like, really big movie
set that he was participating in making the movie.
DeBont got the idea from working
on Die Hard and I always thought elevator,
chefs were scary and was like, what if we
did this? Can I just throw one of my favorite
unintentional comedy moments is in,
uh, like, in that office building
before they get on the elevator, the way
that all of the characters, all the actors
are about to go on this elevator ride to hell,
but they have to do ten seconds of, like,
great meeting, dick!
I thought the blueprints for that building
were excellent! Actually, you know,
but you know you're in a, what's gonna be
an awesome movie because in that scene, it's
not like the camera's set up on a tripod far away.
It's like the camera is, like, spinning around
in that.
In the meeting room, you're like, holy shit,
like, Jan DeBont is on one. I think this project's
gonna be a rousing success!
Crazy Dutch guy.
Uh, and then you think the elevator's over,
but then we're in the freight elevator. Yeah.
And we're doing that whole thing.
Great stuff. Uh, first bus
blows up.
That gives us the pop quiz hot shot.
Do you, do you, do you think of
Howard shooting them out in the freight
elevator and then taking Harry hostage as
a separate scene, or is that all the same
freight elevator is its own scene?
Yeah, I think there's three scenes within the first
25. It's like, the people in the elevator,
the freight elevator, and then
the basement with the hostage situation
shoot the hostage. The freight elevator also has a
great moment when they were, like,
trying to figure out if he's in the building, and
and Daniels is like, I think there's a freight
elevator, and Keanu's, like, just on the
run, ready to roll. Um,
first bus blowing up.
The payphone.
We're gonna have to do some nitpicks as, as
we go through the movie, but bus
blows up. Jack's getting coffee
in the morning, you know, just
talking to the bus driver, just having
a, just ready to start the day. Yeah.
This bus blows up. He
chases it. Now it, like,
blows up again. Now it's on fire.
We don't know how many people are on, but the driver's definitely
dead, and the payphone starts ringing,
and Jack's just like,
payphone, I should get that.
I just, I just
don't. He has a feeling. He has a
bad feeling. He's an instinctual
police officer. And then Hopper,
Hopper has it figured out so
that the bus is gonna blow up and roll
to the spot where these two payphones
are, and banking that Jack's
gonna run after it. I, I'm gonna say
101 outs. And does Hopper have eyes
on the bus blowing up in some way? That's the thing. He must have
had a camera. He's, no, he's, he's right by there.
He's nearby. He's calling on his cell phone, like, down the street.
Okay. Cause he, you can see the flames in the
windshield of his car. Right, okay. Uh,
not just. Are you answering a payphone right there, or no?
Well, I mean, I, I think that
it, we, for kicks,
like, like, back in the day, I used to answer,
like, kicks? Yeah, like, if you were, like, hanging
out and smoking a cigarette with your friends
and the payphone rang, sometimes you would pick it up.
What are you talking about? Would you not ever pick up
a payphone that was ringing? No. What?
What if it was for somebody you needed?
Really? Psychopath? No, not to be, like,
pop quiz hot shot, but to be, like,
what's up? You never
know what a fucking Sandra Bullock was
calling, you know? Okay. I wouldn't
do that. Well, that, this got stolen for basically
every video game where somebody's on a run
or doing a mission, where it's like, oh, the payphone's running.
There's a whole movie called Phone Booth that is based
on this feeling, this vibe of what happens
in the movie. I have a quick question about this scene.
Another speed ripoff. It is.
I'm not, what's up with him
forgetting his muffin?
What do you mean? He gets coffee
and a muffin. Keanu gets coffee, and he forgets
his muffin, and then the guy behind the counter's like,
hey, Jack, you forgot your muffin. And then, like, so Jack
turns around, and at first you're like, okay,
so maybe this is so that he doesn't, like, get
on the bus or something, but he's never gonna get on the bus.
He drove there. I think it's just supposed to be a
slice of life. Like, this guy likes a muffin,
but sometimes he forgets it. Sometimes he's in a hurry
sometimes he's thinking about
maybe, like, okay. Like Sandy having the morning
dart. Same thing. Follow-up question.
Is Jack Traven the kind of guy who eats a muffin?
I was asking my wife about that.
It's like an egg sandwich. Yeah, like, where are we
at with muffins, like, popularity-wise?
I feel like they're really falling out of favor,
especially at your specialty coffee shops. But some of the donuts
came back. Yeah, yes.
Well, I feel like the PR for muffins is bad, because now
everybody's like, well, this isn't good for you. You can't eat that. Well, they're like, it's
3,500 calories, and it's like. Sugar. Yeah. So you're gonna crash.
The thing now that, that,
that has been going on
is the PR for bagels
is out of control
and they've convinced
like hot people
that eating a bagel
in the morning
is totally fine
yeah
that we've made the yeast better
and it's actually better
for you
courage and Layla bagels
and all these like
fancy bagel spots
it's like you see these
like women in workout clothes
at 8am having a bagel
I've been team bagel
for a long time
so this is huge for me
you know the fact that
I can eat a bagel sandwich
Craig just went like
full Nithya
I'm like
that's why I'm gonna
change LA
you should run
you should run for mayor
you would win
in a landslide
courage and Layla bagels
they're both
they're great
both home runs
east side we got
Maury's we got Bell's
people are like
starting their day
with a bagel every day now
because of
like the PR spit on bagels
it used to be like
a hungover
Sunday morning
you have a bacon egg and cheese
it's like basically
having pizza
start your Tuesday
with a bagel
I'm gonna have Jewish guys
in the east coast
you don't have to tell me
about bagels
I don't know
Long Island bagels
are a religion
yeah we eat bagels
every Saturday
love the bagels
next scene
Sandy gets on the bus
Sam holds the bus
for her
makes her run
a little bit though
you can see her
she has to throw down
the dart
hops on
sits next to
Connor Roy
would you seek out
a woman smoking
when you were a young man
I would have filed it away
but like when you saw
a woman smoking
where you're like
you're going on the list
I'm interested
no it's more
it's fellow traveler
what did it tell you
it's like you're outside
you have a smoke break
she has a smoke break
or you're outside a bar
you're in
you know like
do you have a light
it's just like a
icebreaker
got it
it's like when Cruz
he's a fellow Scientologist
he's like
how does he know
they're a Scientologist
you should talk later
about the thetans
we're cutting out
we're trying to get Cruz
on the report
no keep it
so she gets on the bus
keep it
I have no secrets
she gets on the bus
meets all the weirdo people
on the bus
Keanu hops on the bus
hops in his
1974 Bronco Sport
god damn
that's a nice car
one of the best cars ever
not a car I'd want to
chase down a bus in though
no
yeah
rickety
a little wobbly
gets in
finds
finds Glenn
they won't let him on
gets Glenn Plummer
yeah
oh yeah
out of nowhere
tune man
hops into the Jaguar
figures out how to get on the bus
it's just a
wonderful seven minutes
probably doesn't need to
to strike the two doors
on the side of the car
that felt like he was going
a little extra
well so
yeah
I think that
there's a cool move
the elevator's great
the bus blowing up is great
when he opens the car door
and slams on the brakes
to smash off
to almost start a 40 car accident
that's when
that's when
the prayer circle starts
they just did that
he was doing tricks on it
that just happened
yes
like that's just a real thing
that they did while making the movie
there's a couple of things
I don't want to step on
great shot Gordo
but it's not that important
of a category
there's a couple of shots
in this where I'm like
so what was take two going to be
like what were
did you guys have another Jaguar
with the
like the exact same Jaguar
Dutch directors
yeah
Dutch directors
Dutch directing
and soccer
just think about this
out of the box
this 12 months
in Jan de Bon's life
is he shoots
Basic Instinct
as a cinematographer
he's the man
behind the camera
for the most notorious scene
of the 1990s
he finds the key light
yes
and then he makes speed
this guy is fucking crazy
and then he's like
what's next for me
twister cows
are going to be flying in the air
truly
stay on or get off
really good one
right
I forgot to mention
it's not a rewatchable scene
but I love when the guy
the criminal on the bus
thinks Jack's there for him
and just shoots Sam
yeah
always fun when somebody
just gets randomly shot
but lives in an action movie
the old lady blowing up
moving Sam off
the bus
the bus
and then Beth Grant's character
getting blown up
is one of my favorite moments
in the movies in the 90s
I sent you screenshots
of this
I have to Annie
you can see it cuts to her
and she's like
like almost like a crack addict
I gotta say
the fucking guy
who should be
exiled to Siberia
is the one cop
who's like come on
yeah
it's like
this is like
widely communicated
that they're not allowed
to get off the bus
what are you tempting
these people for?
run
just jump lady
the bus jump
this movie just does not let up
every time we're like
oh let's get some backstory
it's like nope
next problem
it's amazing
they didn't finish the bridge
what do you mean?
he shoots it like
the charge of the light brigade too
where it's like
Joe Morton
watching the bus go off
as like the sun is starting
to crest
and it's like
so we
I mean we might as well do the
nitpicks for this now
this is probably
the most unrealistic
great movie
scene in the history of movies
but physically possible
wow
I wish I'd prepared for that
the bus goes up
if there is an incline
there is physically possible
but when you look at
how they do it
it's pretty straight
I read on reddit
r slash physics
I read on reddit
I know but I went to like
a real reddit board
sure oh yeah
not one of these fake ones
more of the verifiable ones
they did a mythbusters episode
in
yeah they did this
2009
and here's what we found out
um
it was impossible
under real world conditions
was
was the legacy of this
in your face
our physics
all they're saying is that
it's kinetically possible
you know what I mean
I think you would have to go
I think the ramp
would have to be like this
yeah
looks like it hits something
that kind of
it pops the nose up
it does
it was like when you'd go over
like a little hill
with your BMX bike
you'd be like
got a little jump
so this was a little
crazy Dutch thing
where he heard about
that there was a space
between the two highways
it was like
do you want to do a jump?
And they just do it.
You should do him as gold member.
Do you think he just talks like gold member?
I love speed.
We'll do a jump.
They do two tries.
The bus collapsed the first time.
There's YouTube video of it.
Yeah, the bus lands and just like…
Yeah, they were like…
Every tire breaks.
Like the submersible.
Yeah.
It's like, wow.
And then the second one was two days later.
It went further than they thought.
And there was a camera where the bus was supposed to go right into the camera.
But the bus went further and destroyed the camera.
So they had to use the side shot.
But that fucking crazy Dutch Jan had this like awesome bus coming at the camera.
Camera's gone.
Incredible.
So anyway.
I think that became the most famous part of this movie though.
The most discussed.
I agree.
So this is just such a great in the theater or re-watching moment.
If you forget it a little bit where you're like…
Like they're like, there's a gap in the road ahead.
And you're like, what the fuck?
Really?
Yeah.
How are we going to get out of this one?
They didn't finish the highway.
Yeah.
The chopper shot of you see the gap.
Yeah.
Same thing for when they do the turn when they're getting in the highway ramp.
And it's like, we're not going to make it.
And he's like, everybody get on this side of the bus.
It's like fucking smart.
It's great.
Jack's just killing it.
It's Annie who's like, we're not going to make it.
And he's like, shit, we're not going to make it.
I will say if there was a gap in the road in Los Angeles, everyone would know about it.
Because that highway would be shut down for a period of time.
So that would be common knowledge amongst Angelenos.
So they're making the 105-110 interchange at this…
Is this like the beginning of the 105?
Okay.
Jack and the pulley thing going under the bus.
When Joe Morton says, don't get dead.
Yeah.
Does the gas screw move.
And I just think he does.
Okay.
There's some movie magic with this one too.
I think Jack under the bus is just going to not work.
When that…
When the bus is like bouncing.
Yeah.
I don't think he makes it, but it's fine.
Because I believe in Jack.
It's a little bit of like Indy under the truck.
I would like to also know like how close we were to losing Keanu Reeves during the shooting of this scene.
Who insisted on doing all of his stuff.
Yeah.
And he was like, I don't really understand how they're shooting it if it's not incredibly dangerous.
It seems like he's going fast.
Yeah.
Good Joe Morton.
How many lives you got, man?
Yeah.
Harry blowing up.
I love the way that scene is shot though.
It's such a good scene.
Where you see them surrounding the house.
You know it's going to go bad.
And they go inside.
Yeah.
Why do you think though…
I don't know if this is an unanswerable question or not.
But why does Hopper's character put a bomb that has like a light and a timer?
Like obviously it's for the audience.
But if you had a bomb in the house, wouldn't you just like press the button?
You don't need to like indicate to the people that…
I thought it was motion censored.
Yeah.
Oh, is it motion censored?
Yeah.
I thought it triggered.
Yeah.
Oh, okay.
It was a red lamp.
Got it.
Bus escape.
Bus escape.
Getting all the passengers off.
But it's just them.
It's just Jack and Annie.
And then he figures out, we'll open that little hatch.
And we'll just zoom out from the bottom of the bus.
Again, this is 101 odds.
You're pulling this one off.
I don't know how long the run time would be.
But if they had just ended the movie with them kissing as the…
Yeah, we're probably fine.
Are we better off as a country?
It's a great 88 minutes.
I think it's 132 or so thereabouts.
Come on, dog.
That would have been just good stuff.
I know you have to go get Howard.
Where do you guys stand on the giant plane blowing up in this scene?
That's fucking…
Were people in the plane?
Do you remember when we talked about…
Was anyone…
I don't think anyone…
I think the implication is that it's a freight plane being refueled.
Yeah, it's being serviced.
And the guy who was the refueling truck driver does run away.
It did remind me a lot of…
Do you remember when we did Die Hard 2?
And we were like, holy shit, they blew up that plane in Die Hard 2.
Like, you could never do that in a movie ever again.
Right.
300.
300.
people and just get killed.
But like in three years later,
they just.
did it again in this movie.
Relationships that start
under intense circumstances
never last.
Yeah.
Great quote.
Dennis Hopper dies.
Yeah, but I'm taller.
I have some thoughts about that.
Just quick, sidebar.
My favorite TV or movie
decapitations ever.
Here are my top four.
Game of Thrones.
Hereditary.
Black Rain and Speed.
Got it!
Four best ones.
I'm going to go criteria orgasm here
and say Kurosawa's Ron.
Nice.
Incredible decapitation.
Bloodsburg.
Fucking waterfall of blood.
Yeah.
And the subway crash ending.
Just true love from Keanu.
He's like, you know what?
If we're going down,
we're going down together.
If I can get out of this
and we don't die,
I'm definitely having sex
with her tonight.
I got to roll the dice.
I've been putting in foreplay
for eight hours,
seven hours, whatever.
This is the. I just got to do it.
I got to find out how this is.
This is sort of a
Zee Wataneo thing,
but when do you think
Annie. lights up
after this movie?
Like, at what point is she like,
God damn it, I need a new part?
By the way,
why wasn't she lighting up
when they end up in downtown LA
and she's like,
I'm going to take a little walk?
Why wasn't that a smoke break?
Yeah.
What are we doing?
Honestly, on the bus,
you could just be like,
light him if you got him.
You know?
That would have been a way
to get rid of Conor Roy.
Spending a lot of time
on cigarettes here, guys.
Oh, it just made her. made her a bit more attractive.
What was the most
rewatchable scene?
Controversially,
I think it's. it's the elevator scene for me
this time around.
I rewatched, like,
the mechanics of it
and how they shot that.
It's like just a deep cut.
Yeah, it's. I think I. That's like you being like,
Nirvana.
Yeah.
Smells like Teen Spirit
wasn't the best song in the album.
It's actually this one.
It's just. this time around,
it was so fun to watch that
and think about how they did it.
Sean?
I think in the theater,
the most euphoric moment
was the bus jump
and Joe Morton,
you know,
doing the fist pump.
But rewatching the movie. I don't know.
I really like them
getting Sam off the bus
and then Beth Graham
getting blown up.
I have Keanu
getting on the bus initially
in that whole chase scene.
And I. Underrated.
When Glenn Palmer
drives into the water things,
I've always kind of
secretly wanted to do that.
Hit one of the water jugs?
Yeah, just to see
the water fly up.
Like, if you're ever
going to crash,
that's how you crash.
Would you wear a seatbelt for that?
Bill Simmons,
famed sports writer
and podcast.
Master tragically died
last night
after driving his car
directly into a water tank
on the 101.
That should be the punishment
for your fantasy league.
Just drive into those things
at 40 miles an hour.
Drive 90 miles per hour.
What do you have
for most rewatchables?
I think it's
Jack Under the Bus for me
on the little sled.
This means it's a good movie
when we have four separate
rewatchable scenes.
No question.
Let's take another break.
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Um,
I did check on
chat
GBT
decapitation scenes
just to make sure
I didn't miss anything.
And I think I'm now
on a government watch list.
What'd you find?
There were some other ones,
but I thought I had
the right four.
Faces of Death.
Did that come up?
Did chat GPT
recommend Kurosawa's Ron?
No.
Okay.
That's why you're here.
Only you can do that.
What's the most
1994 thing
about this movie?
I'll give you five choices.
Let me know if I missed anything.
Okay.
Starting a movie
with three minutes
of credits and graphics?
It just doesn't
happen anymore.
Yeah.
It feels longer than that.
We just start with movies now.
You know,
like this is like
this decade,
we're off.
Yep.
This movie now,
we're just in the elevator.
And yet somehow
every movie now
is 30 minutes longer
than it was
back when this movie
came out.
No cell phones,
no social media,
obviously.
Young Keanu
and young Sandra Bullock,
like can't be,
we've spent 35 years
with these people
at this point.
Uh,
no homeless people
under the highway
underpasses are in
Pershing Square
has to be mentioned.
And then
all this time
we're spending
on the LA freeways,
but nobody makes
an OJ joke
is the most
Is it shot before OJ?
Yeah.
It's shot in 93.
Oh, okay.
I just feel like
if this movie's a year later,
there's three OJ jokes.
Like,
Connor Roy's saying,
ah,
I think I just saw
the white Bronco.
Or,
Amy's like,
maybe I should,
maybe we should have
gotten Al Cowlings
to drive the bus.
Like we just would have,
it would have been
very self-referential.
They're just not.
What did you have?
You missed one.
Uh,
the nickname
for the 1993
Arizona Wildcats defense
was Desert Swarm
featuring Teddy Bruschi.
You know,
I researched this
because it felt weird
that he went with
Arizona football
and that Arizona basketball.
They were like 10 and 2.
10 and 2 in 93.
Pretty good.
Yeah.
But Lute Olsen
was there
by 93, right?
And Arizona had made
the final four
in like 88.
Isn't Sean Elliott
like,
yeah,
like Arizona had had moments.
It is the time
when that is really
starting to happen, right?
94.
The football team
was going though.
I have one more.
Yeah.
Just not thinking
about being surveilled
at all.
It's kind of,
you could say that age
is the worst,
but I like that the best
where it doesn't even
occur to Jack
that there might be
a camera in the bus
that is keeping an eye on him
because it's a time
when you don't,
you know,
you don't just like
get a speeding ticket
from a camera
on a flashlight.
On a traffic light.
What'd you have
for Floyd Gundale's
butter on my ass
lollipops in my mouth
for something you just enjoyed?
I have two.
Okay.
One is anytime
a high concept movie
has a ticking clock convention.
So like there are a lot
of movies in the 90s
that are riffing on this.
We already mentioned
Phone Booth.
Nick of Time is like this.
Panic Room is like this.
Captain Phillips
is kind of like this
where you're like
stuck in a place
and there's a certain
amount of time
before something goes by.
But the thing I really like
that is really simple
is the way that Keanu
holds a handgun
with two hands
and like pivots
and turns
and turns
and turns
the way that a police officer
always does
and he has been using
this move
in the Wick movies
and this is where
he learned to do it.
It's not Point Break.
It's in this movie.
When he goes down
into the subway
and he's looking for Hopper,
great shit.
What do you have?
For Gondoli?
Yeah.
The Hans Zimmer JV soundtrack
of
dun dun dun dun dun dun
It's like you could
put that over
playing a video game,
making like a hamburger.
You will feel epic
if you're doing that.
I wonder if that should be
the new Rewatchables
theme song.
Anytime we do an action movie.
My wife and I have been
all week,
we've just been like
randomly doing
dun dun dun dun dun dun
It's so good.
You want to license
Mark Mancini's score
from speed
for the theme song?
I think you can give it to us.
I'll just ask Mark later.
Okay.
See what he's doing.
I have two as well.
Anytime we have to
repeatedly cut
to something
like the speed limit here
where it's like
oh, we're at 52.
Oh, we're back up to 55.
Uh-oh, we're dropping down
to 51 again.
And it's just like
the easiest
to keep you
locked in on
the tension of the movie.
You could just do it forever.
But my number one
is the
the crew
of super annoying people
waiting to be saved
that I'm supposed
to be rooting for.
But an hour in the movie,
I'm like,
fuck these people.
Yeah.
Like the lady
who ends up dying.
Connor Roy.
Yep.
The fucking criminal.
Like half of these people,
the one that figured
this out the best
is a movie we'll do
at some point
in the Rewatchables
probably when we're
in the 700s.
Daylight
with Slice
Stallone.
Sure.
Where he's trapped
in this tunnel.
He breaks into the tunnel
to save everybody
and they're so fucking annoying.
They're like giving him shit
the moment he shows up
and you just want
everyone to die.
And I like when they do this.
Isn't Paul Guilfoyle
in Air Force One
like this, right?
Where he's like
the secretary of state
but he's the most annoying
guy of all time.
Yeah.
Who does
Rebhorn play?
He's like a secretary
or something
in Independence Day.
Yes.
He keeps trying to get him
to nuke Atlanta.
Yes.
What's aged the best?
We mentioned young Sandy
and young Kruka Keanu.
The Clooney-Keanu haircut.
The buzz.
That whole,
the buzz.
Clooney did it for ER
where he kind of
pushed it forward
but that had a moment.
I tried it out.
Mentioned the score.
Incredible gum-chewing
Keanu performance
in this movie.
Gum-chewing is like
a character
to kind of figure out
what's going on with him.
Bullock learned
to drive the bus
past
yet another thing.
Didn't actually have
a cigarette
puff
but did drive the bus.
Probably one of those days
to be like,
man, it's so fun
to be an actor.
I just get to like
go practice
driving a giant bus.
I read that she passed
on her first try.
Hopper's quote,
poor people are crazy,
Jack.
I'm eccentric.
Yeah.
Yeah, that's coming up
later for me.
Yes.
Jack's Ford Bronco 1970.
How about
a former cop
with a grudge?
Has that ever not worked
in a movie?
I mean, specifically
a former bomb squad cop
who's got his
hand taken off
for a while.
I want to cross that guy.
Former blank
with a grudge.
Did that work
for podcasters?
It's a former
failed podcaster
with a grudge.
Gotta treat CR nicely.
I want to find out.
Careful with his
sixer season.
Stop trying to
trade him beat on me.
CR's furious
about the watch
20 years later.
All I got
was this watch.
This is my favorite,
I think.
The criminal
who shoots Sam
and is handcuffed
to the bus
but then they
unhandcuff him.
By the end,
he's like,
He's just part of the team.
He's like, sorry, I didn't mean to shoot him.
are there charges
like he shot somebody
yeah
is the police waiting for him
to throw away everything
what happens
also like what did he do
you know
stand or get off
just as
using that
as a what's age the best
going forward with pop
pop quiz hot shot
yeah
those two things
moved into the lexicon
for a while
pop quiz hot shot
had a 20 year run
it was crazy
yeah
all the stuff about Reeves
being
performing his own stunts
Keanu
including the
Jaguar to the bus jump
I never know
what's apocryphal
and what's not
with some of this stuff
but it really did seem like
he did most of this
I was going to ask this
some possibly unanswerable questions
but how fast
do you think
the traffic was actually moving
so if the bus is going 50
like did you think
is it actually going like
35 or 30
like how fast
do you think Keanu
was going in that Jaguar
it looks like he's going 75
yeah it feels like
at least 65
I don't know how you could
actually do that
at that speed
with the actual actor
I mean he's the star of the movie
it had to be slower than that
yeah that's why I always wonder
as the years pass
like yeah
he did all his stunts
he could kind of
just say anything
I do do all my research
for the rewatchables myself
you do
yeah
I do
it shows
thanks
no help
it shows
Bill does all his research
do you think
so Keanu I think
is one of the
only actors of all time
to have a legitimately
great action movie
in four consecutive decades
yeah
I think Eastwood
is probably in the mix there
I couldn't really think
of anybody else
Ford
maybe Harrison Ford
yeah Harrison Ford
it's like how
Charlize Theron
has looked
fucking smoking hot
in a movie
for four straight decades
same thing
because what
Cruise doesn't have
an 80s one
I mean Top Gun
is kind of an action movie
yeah
so he kind of has four
yeah
Cruise is on the list
I'm not sure
Cruise is alive
I don't know
what are you doing
Cruise
Cruise might just not be
he might be
did you get a hard no
from Cruise
are you zagging on Cruise
this would be an interesting
zag from you
is just like
I'm out on Cruise
in 2026
yeah
yeah fuck him
I don't want him
I want Jesse Plemons
to come on for Digger
how about that
yeah
I think
I believe a lot of
the Keanu stunt stuff
because the John Wick guys
are like
we have to drag him
kicking and screaming
to do it with stunt guys
well it's also like
he's like
I have chronic back problems
from all the fucking times
I've fallen off of things
yeah
I have two more
really good ones
but what do you have
for what's the best
I already mentioned
the pre-CGI era
of action filmmaking
and it's just incredible
the
there is a shot
of
when Jack
and Harry
go up on the roof
of the skyscraper
to attach the elevator
to the crane
yeah
and there's a shot
of downtown Los Angeles
and you're like
they are on top
of a fucking skyscraper
like this is really happening
and it's that kind of
verisimilitude
or like that feeling
of heightened reality
that I think movies
sometimes miss now
so that's kind of
aged the best for me
also basically
people in Venice
dress like Jack and Annie now
which is just like
cool work pants
t-shirt
probably costs like
$500
and then
her socks are back in
actually I think
the little frilly
ankle socks
if I could pull off
Jack's haircut
I would do it in a heartbeat
that's the most manageable
haircut in the universe
it's like
half of a Caesar
do it
cut your hair
off
I should have mentioned
you'd like that
wouldn't you
no I just think
it would be cool
I want to see you go for like
I want you to go blonde
for like the next season
or something crazy
always wanted to
platinum
I like
Jeremy Sohan style
Sean's second year
at Grantland
when he had like
the weird beard
oh yeah
that's fun
every once in a while
he'll beard up
it's pretty cool
it's all white now though
for the what stage
the best on cranes
it's been an action movie
thing before
where they tie something
to like a crane
or something
but then the thing
the bolt comes out
I love when it
when it bends
and it starts
and it starts bending
and it's always
it always works
the sound design
when it bends
is just like
oh that's not good
also just like
it's gonna hold
it's gotta hold
you know
alright my two favorite
what stage is the best
Alan Ruck being in this movie
maybe
now this whole new
appreciation
post succession
of you're watching it
just pretending
it's Connor Roy
like it's a young
Connor Roy
taking the bus
for some reason
and then breaking
the phone out
being like
the con heads
would really love
this furniture
and me on the bus
just doing Connor Roy
that's one
I mean he was Cameron
when we saw this movie
you know that's
he was
yeah it was actually like
oh my god Cameron
he's alive
but the what stage
is the best for me
there's some
iconic Keanu line
delivers in this movie
reach out
and take my hand
I'm not here for you
let's not do this
and then when she hits
the car
the cart
cons
why do you think
he's Arnold Schwarzenegger
he just
he stopped saying
ours
and does
this weird
I don't know what it is
and then Harry
tell me some good news
man
those are my
four favorites
is that a bad Keanu
I don't know
now I can't
unhear it
you know like
now I'm gonna go
back and watch
reach out
and take my hand
so this is actually
my weak link
of the film
is all of Keanu
who's punchlines
in the movie
where he's being given
all of these Arnold lines
yeah I feel like
they probably even
dialed him back
and he's like
but I'm taller
and it's like
what
that's not
by like an inch maybe
you had to do that
in the 90s
or when he's like
didn't have anywhere
to be just then
you know like
he's
or he's like
he lost his head
you know those are all
commando lines
what was the elevator one
where it's like
the only thing
that could stop this thing
is like the basement
the basement
yeah
I like it
can I add a
what's age the best
yeah
I think the premise
in the bus
would be exactly
the same in 2026
like I think
it's just still
the same situation
would happen
I think they would have to use
30 miles an hour though
yeah the traffic
anywhere in Los Angeles
would necessitate it
it would just
the bus would explode
but like bomb under the bus
how do we stop it
if it can't go below
50 miles an hour
I'm like
I'm not sure modern technology
could do anything about that
I think it's too complicated
Howard should even do
below 50
the bomb
the bomb
the bus goes up
or if anybody tries
to get off
the bus goes up
but like making it
both things
I would almost
if I was him
be like
you know what
for entertainment's sake
if you can get people
off this thing
going 50 miles per hour
more power to you
right
I will blow it up
or it's like
I'll let you
one person an hour
you can let off
how do you decide
yes
I think Howard
I think Howard
was fucking insane
so I'm not sure
that that was really in play
what do you have
for great Chuck Gordo
so I talked about
the door scene
the car door
but there is a shot
when
Jack comes out
of the coffee shop
puts his coffee
on the hood of his car
on the roof of his car
camera pans around
Jack
bus explodes
what the fuck
how many buses
do they have
like
it's also
it's not like
shot of Jack
explosion in the background
cut
sees
it's
the bus explodes
in the background
of a shot
and
I also happen to love
when the payphone
is ringing
all of the flames
are reflected
in the payphone
and it's like
man Howard's on the phone
but the bus exploding
is incredible
there's two that I really like
that are somewhat similar
but they show you
the scope of the production
similar to what Chris
is describing
one is just when
it becomes clear
that they have the police escort
and it's just like
it's a low helicopter shot
and you just see
the cop cars
riding alongside the bus
and it's like
a moment of calm
because like
they've at least figured out
okay we've blocked off
the highways
and this is gonna be okay
for a minute
and then the other one
is just the bus
going into the fucking jet
and then it explodes
I remember being
like what the fuck
that's crazy
how did this movie
cost 30 million dollars
yeah I would have thought
that would have cost
30 million dollars
how did they do it
how did they blow up the jet
must have been like
a broken jet
I don't know
I had a
I like when
Jack and Annie
are the only two
left in the bus
and everybody else gets off
and they do that shot
of the other bus
with all the passengers
it's kind of going away
and they're all in the window
kind of watching them
yeah
effective
that's good
where it's like
yeah we don't know
what's gonna happen
uh
Chess Rockwell
Brock Landers
or best character name
Sam the bus driver
I don't know
Officer Jack Traven
and Detective Harry Temple
is we can't do better
in the 90s
Jack Traven
did Keanu seem like
a Jack Traven
it's a perfect cop name
does he seem like
a Jack Traven
no
he does to me
what's his name
in Point Break
Johnny Utah
Johnny Utah
yeah
he's always got the
very short names
John Wick
Johnny Utah
Jack Traven
they're all riffs on John
was there a better title
for this movie
was there a better title
it was originally called
Minimum Speed
Minimum Speed
Minimum Speed
I was thinking about this
what would you think
if the movie was called
Jack Traven
and it was the first
in a line of
Jack Traven movies
I think that they were
hoping for that
after the success
of this movie
I'm zagging the other way
I'm gonna ask you guys
the greatest title ever
for an action movie
First Blood
Terminator
Die Hard
Cliffhanger
Face Off
Under Seizure
Speed
I think Die Hard
those are seven
fucking bangers
Die Hard's the best though right
Die Hard or Lethal Weapon
yeah
those are both good
The Terminator's a great title though
it is
how about To Live and Die in LA
yeah it's a pretty good
good one
but those are just great ones
I think Speed's a great title
what if it was
50 miles per hour
or 50 MPH
or 50
sure
you can't drive
parentheses lower
than 50
that's pretty good
what do you have for Flex
it's a book about
medals award
for the belatedly best
quote or exchange for
you're fucking crazy
no
poor people are crazy
Jack
I'm eccentric
real hopper
yeah
also kind of
kind of funny that
this bomb squad guy
is like class consciousness
so yeah
I liked it
speaking of hopper
Hans Gruber scale
villain ranking
pretty high
way up there for me
eight and a half
yeah
Rickman's a ten
I think just
the fact that
Howard is not
physically imposing
maybe like a point
or two down
but in terms of his
eight and a half
feels like the right number
what do we have for
the Sean Fennessey word
for criteria orgasm
name on the truck
used by the terrorists
in Die Hard
and Die Hard with a Vengeance
is Pacific Courier
and the plane
destroyed by the
exploding bus in speed
has the logo
Pacific Courier Freight
on its side
this is an in-joke
by production designer
Jackson DeGovia
that's very funny
wow
Butch's girlfriend
award weak link
of the film
it's the bus jump
but I don't
this movie has no weak links
oh really
you think
I think that's a weak link
in the movie
well it's just
I wish it was going up
when they jump
it's just the physics of it
every time you watch
you're like alright
so
I love the bus jump
in the original screenplay
I think
or at least
I didn't read it
but the accounts of it are
is that Harry is the villain
that
the Jeff Daniels character
had that in Unanswerables
yeah
and
at the end of the movie
I think you can kind of feel
like
now we have
cause like the movie
should kind of conclude
with them getting off the bus
and then they're like
shit we have to go
get Howard
and they can't just do
Jack and Howard
so they bring Annie downtown
which is like a huge
fucking like
what are you talking
why would you do that
so I just think that
the weak link
is the need
for an additional
25 minutes
to like
settle this movie
because it was maybe
written with a different
villain in mind
yeah
so
yeah I think the first
90 minutes are like
perfect
the last 20 are good
maybe not like
amazing
like I felt like
Howard's whole speech
about like
bombs need to go off
this is what
bombs do
I was like
oh this feels forced
a little bit
yeah
I have some picking
nits around that sequence
as well
what's aged the worst
did you have a butcher's
girlfriend weak link
Sean or no
I already mentioned
Keanu's punchlines
okay
but I'm taller
okay
give me your hand
what's aged the worst
Dennis Hopper running
it's true
not as bad as
Nicholson running
in the department
which I watched recently
I forgot how fucking
funny it was
when does he run
he runs at the end
when they
when they have this
SWAT thing
Nicholson's like
has no vertebrae
I have a couple more
but what'd you have for this
Dennis Hopper watching
college football
on a weekday
yeah
in the morning
it's like come on
just ask the sports are
could have just
cleaned that up for you
I had that in picking nits
like is he watching highlights
because he goes like
yeah
he's watching games
it sounds like he's gambling
yeah
so he's gambling
on tape delayed
college football
go go
when do we think
this movie happens
it was shot
in late summer
to December right
oh what time of year
I think it happens
seems like the fall
in early fall
so it's gotta be
because Keanu's got the
Baja on
when he's
but it's
it's not on the weekend
because they're going to work
yeah
so it would have to be
a Friday college football game
that starts at
noon
PST
not likely
sports are could have
helped out on this
in 93
was there a college football game
happening at 3 o'clock
sports are would have helped out
is he watching Mac
again
he should have been
watching Premier League
you know
Howard's
Howard is a fruitcake
you know
he's just a nut bar
so who knows
what's going on
I text you the guy this
I have a counter
seemed like a pretty good hang
Howard
yeah
like gambling
yeah
but had
had an early TV set up
like an ice cold coke
and a sex doll
in his
yeah
is the whole soda thing
just so there's that one scene
where he pees
I think it's so that you also
like see his
busted hand in action
yeah also
like you know
he got maimed
by his duties
and didn't feel
properly appreciated
this is unanswerable
but is he deaf
in one ear
why does he keep
holding the phone
on the opposite side
of his head
I know he's got his hand
blown off on the other side
but why is
every time he holds the phone
he's holding it like this
I gotta say JDB
more into blowing up buses
than he is being consistent
with how injuries affect people
over a long period of time
I think Harry's leg
limp changes
a couple of times
it does
and then he disappears
when by the time
they do the SWAT team
of the house
he's like vaulting
over a window
on a car
continuity errors
in this movie
the stereotypical
bus crew
Janine Garofalo
has a really great
half hour
that she did
in the mid 90s
remember this
which is on HBO
and she does a whole thing
about speed
about how
when they get on
it's the most stereotypical
and she's like
why didn't they just have
an Eskimo
and an Indian
with a headdress
but it's like
they check every box
of who's on the bus
in the
in like the
character-y
kind of way
is that the same special
where she's talking about
how much
she loves NYPD Blue
and she's like
the cops
they have their badges
on the chain
and she's like
ah fuck
that's so hot
yeah
she's a great special
it's really good
I highly recommend it
Speed 2
with Jason Patrick
yeah I had that
making a speed movie
without Keanu
it is one of the most
reviled sequels
of all time
and I think it really
hurt Jason Patrick's career
oh yeah
for sure
and Sandy was unscathed
I also hate
the breakup
story where it's like
oh I broke up
with Jack
because he
wouldn't leave
the bomb squad
I'm like
Jack being in the
bomb squad
is why you're
fucking here baby
like
what are you talking about
baby
Jack's agent
yeah
you knew
what you were
getting into baby
exactly
when you signed up
with me baby
you were gonna have
to share me
with the bombers
I live my life
like Speed 2
never happened
yeah
I have
I don't watch it
it's Defoe
I remember it's like
a really really
iconically bad
JVB directed it
though right
yeah
okay
he had to
um
my last one
from Wikipedia
the character of Annie
was originally written
as an African American
paramedic
to justify her ability
to drive the bus
the fuck does that mean
keep going
because she knows
how to drive
a large vehicle
but why does
what is
her being black
or white matter
yeah but
wow
get to the
second part of this
you woke down
that was gonna be
Halle Berry
yes
I just don't understand
like why
why it was written
that way
I don't see color
I just thought
it was weird
that was good
Bill's like
favorite sub-jobber
is black guy
white guy
hanging out
would be like
I don't know
why does she have
to be a black lady
well it leads to them
trying to get Halle Berry
she would have been good
she would have been
fucking incredible
if Halle Berry
was in this movie
this is
93-94 Halle Berry
boomerang
uh
roughly hand a ribbon
and partridge
overacting word
the crazy lady
yeah Helen
yeah
what do you have for flex
it was the same as
Chris's but he used it
a different way
the Jesse Eisenberg
that's good
you should be proud
of that right there
don't worry if you don't
make it any further
award for best line reading
which is comes right before
when Howard Payne says
do you know what a bomb
is that doesn't explode
it's a cheap gold watch
buddy
pretty good line
Eisenberg
yeah
he's on a heater
did the smartest
I just saw a preview
with the trailer
where it's got
the Julianne Moore
oh the debut
he wrote and directed
but he also wrote the lyrics
I'm a little nervous
another person who's coming
for Indy Navarrete's Oscar
is Julianne Moore
she has one though
she does
for Still Alice
Sierra's favorite movie
um
Still Alice is good
yeah
I like that
and I like The Father
with Hopkins
my two favorite
my parents falling apart movies
oh god
interesting
we should do
Alzheimer's month
on the rewatch
yeah
let me know
I'm gonna go to
fucking London
yeah
Still Alice rewatchables
would go crazy
that's that's really
Still Alice
drugstore cowboy
no my own private Idaho
my own private Idaho
people still
still talking about
fucked up family
February
that was a great month
I loved that month
yeah
I listened when I was in Hawaii
I listened to the first
half hour of our
Kramer vs. Kramer podcast
might have been the peak
of the podcast
I don't think I can do better
I don't think I can do better
was that Mal who was on that
yeah
no
yeah me Mal and Sean
just talking about divorce
in profound ways
you just learned a lot
about all of us
yeah
that was a good one
yeah
I like that
the CR thinks Luke Wilson
could have been Harrison Ford
how does take a word
I have a doozy
so I'll go last
okay
I wonder if
a lot of really volatile moments
between citizens and cops
could be diffused
if more cops would just say
I don't know you man
I don't care
about your crime
whatever you did
I'm sure that you're sorry
so it's cool now
should we just try it
yeah
let's just see what happens
Keanu doing
so it's cool now
it does feel like
he wrote his own lines
yeah
I'm putting down my gun
and my badge
yeah
we're just two cool guys
what do you have Sean
this is the last truly great
American action movie
and we moved into CGI
it's no sci-fi
no superheroes
no fantasy elements
no secret societies
no mythology
pure action
you can make the case
for Mission Impossible movies
you can make the case
for The Rock
I might make the case
for The Rock
which I love
you could make the case
for Ambulance
you know
which is kind of a similar movie
the Michael Bay movie
do you think Wick
has too much mythology
even the first one
I do
just the high table
and all that stuff
is way too much
so I would offer you
a little movie
I've seen 10,000 times
called Taken
as one of the only ones
that has kept the legacy
yeah
they didn't really need CGI
that's true
Matrix has too much
yeah
Taken moves nice
at a nice
which is why it's been such a great rewatch of us.
- I would listen to Batman.
Bad Boys takes, Mission Impossible takes.
I think that makes sense,
but this movie feels like it stands on its own.
I agree.
Well, I'm going true hottest take.
Old school definition.
Okay.
They're better off just letting the bus blow up.
Well, I think that. It's 18 lives.
It causes $7 billion worth of damage.
I don't know.
It's a calculation.
This is shoot the hostage,
take them out of the equation.
So that would be. They set it up.
Old Jack before he meets the Wildcat
is maybe thinking,
I'm not going to. What do I care?
Or maybe we have to take these people out.
He needs to protect and serve.
Yeah, he has to protect and serve,
but he's got to protect and serve
all of Los Angeles,
not just a bus.
How many billions of dollars of damage
from this three hours with the bus?
I don't want you on the fucking bomb squad
if that's your attitude.
Yeah, but I have. That's why this is the hottest take.
I have incredible nerve.
I don't get rattled.
Uh-huh.
I don't.
Many people are saying,
when are you in high-octane. I think he'd be good on the bomb squad.
I think Sierra would be. I think he'd be good.
In the bomb squad.
I wouldn't know anything technical,
but I think I'd keep everybody on level.
I'd keep everybody happy.
We should do a narrative podcast series
about Chris training to be on the bomb squad
that ends with him dying
trying to defuse the bomb.
I think you'd be good as the guy
asking what's. What do you see under there?
Yeah.
Green?
Is there a green wire?
Yeah, yeah.
Can you take that out
without cutting the wire?
I would be good at that part.
Thank you.
Appreciate it.
Who are you in this scenario?
Joe Morton?
Yeah, I'm like,
oh, you got nine lives, man!
Casting what ifs are incredible
for this movie,
including Speed being under development
at Paramount Pictures
with Jeff Speakman
attached as Jack.
I can't name a single. Do you know who Jeff Speakman is?
Action star, right?
He was like a martial arts action star.
He was like. The three guys who were. Budget Steven Seagal.
But like 99 cent stores.
Or like Chuck Norris.
The three people who were up for Jack
tells you,
a lot about
what their expectations
for this movie was.
Well, Stephen Baldwin
was one of them.
Yeah.
And Richard Grieco, right?
Stephen Baldwin was having
a semi-moment.
He was.
Like, he's unusual suspects.
People. Richard Grieco, I don't. I can't, for the life of me,
understand that one.
He said he turned it down.
Coming off 21 Jump Street?
Yeah.
Basically.
My favorite is when they have these stories
when you research them
and it's like,
it's the biggest regret of my career.
It's like,
I would fucking hope so,
Richard Grieco.
Really?
Really?
Is he. Is his regret
not being in this one?
That and not doing Summer Stage.
And they said
there's this urban legend thing
about how they wrote
the female role
as like comic relief
and it was going to be
Ellen DeGeneres
and then everybody's like,
that's not true,
but it's funny.
The Halle Berry thing is true.
She said,
she stupidly said no,
but when I read it,
the bus didn't leave the parking lot.
And then there's like
a million people
who were allegedly up for Annie.
I don't know what to believe.
I think they wrote,
like in the movie,
in the original script,
I think the bus is just like
driving around Dodger Stadium
or something like that.
And it's going to crash
into the Hollywood sign.
Craig T. Nelson offered
the Joe Morton role,
but was filming Coach.
Couldn't get out.
Too bad.
You like Coach?
Never liked Coach.
Did you not like Coach
or you just didn't watch it?
I just thought it was bad.
I kind of liked it.
Yeah?
I watched it.
Jack's sidekick,
Carrie,
was going to be played
by Ed Harris
when he was going to be evil
and then they pivoted away.
That would have been good
and then he gets to do that
in The Rock.
McTiernan said no.
Yep.
Rennie Harlan said no.
Our guy Tarantino said no
because he was finishing
Pulp Fiction.
But has regrets.
McTiernan does,
is it
DH with a V
and then Last Action Hero
or vice versa?
It's a
Last Action Hero
then DH with a V.
Yeah, because I think
like DH with a V
is almost like the makeup
a little bit
for Last Action Hero
because it didn't perform
as well, right?
I'm the world's number one
Last Action Hero fan.
However,
I do think
if you put McTiernan
in the chair on this,
it goes from like
a 10 out of 10
to a 10.5 out of 10.
Oh.
What kind of cap
aside from his legal issues
like it was Medicine Man,
right?
That kind of capped
his career, right?
No, like 13th Warrior
and he made a basic.
He made a bunch of movies
that didn't work in a row.
Michael Bay wanted to direct
banged on the door
and he had never
directed anything
and they were like,
no thanks, Michael Bay.
I mean, it's probably
best that he didn't
because I don't know
that we would still
have Los Angeles.
Like he probably
would have blown up
the 10.
And Bad Boys
is one year later.
Yeah.
Joey Pant's award
for best that guy
is Joe Morton
is not eligible.
I don't think so.
Is Glenn Plummer available?
Sure.
I think so.
He's coming off of
Menace to Society
and it's right before
Showgirls.
So he has like
a hot run there.
Yeah.
My pick was Hawthorne James
who plays Sam
because he is also
the security guard
in Seven
who turns the music up
in the library
when Morgan Freeman
is researching Dante.
That's right.
That's a good one.
That's a great call.
I had a David Kriegel
who's the guy
on the bus
with the like
slightly longer hair
who's like,
that's your plan?
He was in Alive.
Oh, wow.
He's one of the guys?
He's one of the rugby players
in Alive.
I have the guy
from Blood In Blood Out
who's just amazing
in this movie.
The guy who's like
Jack's helper.
The gigantor.
Yeah.
That guy's a home run.
Like easily could have
spun him off
into a second movie.
And Fishler too, I guess.
And Fishler, of course.
Yeah.
Loved him.
Dion Waiters award.
I think
I think he's eligible
for that as well.
Glenn Plummer.
Ruck.
Ruck,
who I think's pretty annoying.
Yeah.
I have Morton.
Yeah, I think
Morton's the answer.
I do want to shout out
Sam the bus driver
pre-shooting.
Yeah.
Don't you start
with me, Eddie!
He's doing a couple
like just generic
bus driver lads.
Yeah.
I'll kick you off
this bus right now!
He's good.
Recasting
Couch Director City.
I wouldn't touch it.
Of course not.
Could you pull this movie
off in New York City?
I don't think
the highway thing
would work.
It would just have to go
up and down the FDR, right?
Or West Side Highway.
Yeah.
Yeah.
I wanted to do
a whole Boston thing,
but we just don't have
the highways in Boston
to pull up this movie.
Storo Drive.
Yeah, it just
wouldn't have worked.
Yeah.
I'm just trying to think
of the action set piece
of trying to get across
you know,
the east side
to the west side
34th Street
and a bus
bombing down
a New York City street.
Yeah, I mean
in some ways
McTiernan kind of
plays with that
a little bit
with some of
Die Hard with Vengeance,
but yeah.
Flex?
Can I do two quick ones?
Yeah.
Do as many as you want.
I want to bring back
the old,
we used to have
an old category
called like
five word description
of the movie.
Yeah.
I think you can go
down to three.
I think it can be
bus can't stop
and there's just
a million questions
that come from that.
Yeah.
Why can't the bus stop?
Who's in the bus?
Who planned that?
Like you could get
in an elevator
with like an executive
in 1993
and you're like
bus can't stop.
I think Die Hard on a bus
was the pitch
and they were like
here's $30 million.
You could also say
bomb on bus,
bomb on bus.
Yeah.
It's a good call.
I'm also going to give
Keanu Reeves
the Tom Cruise Award
for the most valiant attempt
to emulate a normal human
when he goes
University of Arizona,
good football team,
Arizona Wildcats
and Sandra's like,
yeah.
It's like the mug
smashing unusual suspects
but he's the Kobayashi.
Arizona Wildcats.
Arizona Wildcats.
There's like
Sherlock Holmes.
Wildcats.
I used to sing
in a barbershop
quartet
in Skokie,
Illinois.
Half-assed
research.
This was inspired
by Runaway Train,
Runaway Train,
Die Hard
and Silver Streak.
This ending
is very similar
to Silver Streak.
The train derailing.
Silver Streak
was a huge deal
and just this kind of died.
I don't know
if it's just not on.
Is that Gene Wilder
and Richard Pryor?
I feel like
when I was a kid,
Gene Wilder
and Richard Pryor
were like the peak
of comedy duos.
Yeah, they made
four movies together.
Josh Weed,
we mentioned.
Oh, here's a good one,
CR.
Jack
is transported
in Good Hue Ambulance,
the same ambulance service
used in Heat.
That they blow up.
See that shit
coming out of their ears,
Slick?
They can't fucking hear.
The prosthetic
dummy head of Hopper
was too realistic
when he got beheaded
and they had to use
a different angle
from it
because it was too gross.
This is really funny.
You should mention that.
There have been
a couple of
beheadings on
House of the Dragon
this season
and I feel like
it's pretty obvious
that they're using
very fake-looking
decapitated heads
because I bet
if you really let
a makeup guy cook,
he's like,
I can get you
a pretty good-looking head.
I just saw
From Dusk Till Dawn
at the Academy Museum
and there's a bunch of
decapitated heads
in that movie
and they all look amazing
because it's the best
makeup crew of all time
on that movie.
I think they're taking
a little bit off
their fastball now.
We peaked with Charlie,
probably.
Hereditary.
So good.
Just an incredibly
bad performance
by the brother.
Brings Charlie to the party.
Doesn't make sure
her food allergies aren't.
I'll re-hereditary tomorrow.
It's still the best podcast
I've ever been a part of.
It's incredible.
It's a great movie.
It's where your
long-legs voice came from.
Oh, wow.
Oh, interesting.
Here's good research.
Keanu Reeves
and Sandra Bullock
developed secret
crushes on each other
during filming.
I bet they did.
But didn't admit it
until decades later
on separate appearances
of the Ellen DeGeneres
show.
I don't believe that
for a second.
They later appeared
in The Lake House together?
Yeah.
Seen that one?
I'm going to say
they climbed in the ring
and went a couple rounds.
Climbed in the ring?
Yeah.
The octagon?
I think
they laced them up.
When you go home
today, you should say,
Phoebe, you want to
climb in the ring?
Because remember,
they knew each other.
Don't share shots, please.
They had a history.
They had a history
because River
Phoenix was doing
the music movie
with her.
Ken definitely visited
River Phoenix on this episode.
at some point
so it was probably
on the radar.
Did he definitely do that
or are you just making that up?
That's his best friend.
Yeah.
Yeah.
Is CR going to come visit me
when I go to New York
next week
just to say hi?
I'd love to
but I'm going to be on a lake.
Wow.
Must be nice.
Yeah.
Like the lake house.
Yeah.
Like the lake house, yeah.
Like the Fredo Lake?
Yeah.
Who do you think
if you had to hire somebody
to take CR out
on a canoe
on his little lake
who would it be?
Craig.
He'd never believe Craig.
I was going to say Dabundo.
Hey, buddy.
I feel like Dabundo
would take him out.
Oh, Dabundo would be a great one.
So what would that have to be?
Like, would I do. He'd know Austin Gale immediately.
It would be like,
oh, yeah, this is fishy.
Yeah.
Ray, I can't get out of here.
But my crime would be. Austin, what are you doing here?
What would my crime be?
Like going on Pardon My Take
without asking you
and then. And then like I'm on vacation.
Yeah.
No, it might be
the crime would be
just saying,
just the year of CR
has gotten too big
for him to take him out.
That's right.
We're going to shoot him
in the back of the head.
LeBron going to Philly.
The Eagles start out 11-0.
Like, this is too much.
That would be great
for the ringers' business, yeah?
Just assassinate me.
I think the controversy
would do wonders.
Yeah.
You know, we'd definitely
be on the chyron on ESPN.
Sure.
Was Chris Ryan assassinated
by Will Simmons?
Stephen A is like,
that was my brother.
I know this is a business
and Bill Simmons
had to make some tough decisions.
But as a fellow
Philadelphia legend. Do you think you would be
acknowledged by any figures
in the Philadelphia sports world?
Do you think, like,
would Jalen Brown
honor you
with something on his jersey?
Dude, I think the Sixers
would wear black armbands
for an entire season.
If I got fucking killed
by Craig Horlbeck. I think Vijay Ejko
would go,
CR!
Every time we fucking talk.
I'm mocked.
I was just thinking
of the next couple weeks.
How bad we would be
when people
who weren't friends with CR
did tributes.
Like, this fucking guy,
this blogger.
Yeah, we would be
screenshotting tweets
and sending to each other.
Going back and forth.
Look at this guy.
What this guy doesn't understand
is CR had to go down.
CR hated this guy.
Oh, my God.
I'm not going to name any names.
People posted tributes to you
who hated you.
Brian Curtis writes
and now they tell us.
Chris had a fucking
crippling steroid addiction.
All right, let's take a break.
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Apex Mountain.
What you guys don't know
is Chris Ryan
used to bet on cock fighting.
How come Edwin Diaz
didn't go down for that?
Did you notice that?
You know, Edwin Diaz,
they said he was part of
a cock fighting ring?
He's on fucking Mark Walter's
umbrella of protection.
Yeah, that's real.
That's real.
Conspiracy bill's been falling
down very intensely.
Conspiracy Chris is all over it.
The fucking, like,
my insurance company
is loaning me billions of dollars?
Come on.
Philly's fan who doesn't want
to see the Dodgers
in the playoffs right there?
Well, don't worry.
This is our last year
before we run out of baseball
for about seven years.
Seriously.
Like, enjoy it while you can.
This is our last playoff.
I expect you to enjoy it.
I'm expecting nine Mets
to have been traded
during the recording
of this podcast.
Apex Mountain,
not for Keanu and Bullock.
I think it is Apex Mountain
for diehard ripoffs,
even though it's demeaning
to call this movie
a diehard ripoff.
It kind of is.
I agree with you.
Yeah.
L.A. Freeways?
I think it's O.J.
Cops with a Grudge?
Maybe this one.
Or L.A. Freeways.
The chase in this one
is up there with speed.
Yeah, that's a good point.
Cops with a Grudge?
I think there are other
cops with a grudge
that we could think of.
Name one.
Big Boy?
I mean, does Popeye Doyle
have a grudge
in French Connection?
I guess not really.
I mean, my dad.
John's dad.
John's dad.
Good answer.
L.A. Buses?
Yes.
Okay.
How about 1994 L.A.
just in general?
Fucking crazy year
to be here.
Yeah.
It is kind of weird
that they made a movie
where you're rooting
for the LAPD
like two years
after the riots, though.
A little weird.
But the Bomb Squad,
I think,
is like a
circumvention of that.
Yeah.
I was trying to think
of other stuff
that was going on in L.A.
this year in 94.
I think the real world,
I think it was here.
In Venice?
Either in 93 or 94.
90210 and Melrose Place
kicking.
L.A. Law is happening.
All the movies
were still being shot here.
And then you had Speed
using all the parts of it.
And the OJ thing,
which taught people
where Brentwood was.
People like us
that had no idea
where anything was
in L.A.
I don't know.
I just felt like
it was in the mix
in a completely different way.
Was this kind of
an irrelevant time
for the Lakers?
It was.
It was post-magic.
Yeah.
Yeah.
I remember that.
Dennis Hopper,
no, obviously.
Jeff Daniels,
I think 94 was
Apex Mountain.
Yeah, you're hearing
Dumb and Dumber
and Speed.
Yeah, this set up
like the next 10 years.
Did he win an Oscar
for anything?
He won an Emmy
for Newsroom.
Newsroom, yeah.
I think you can make
the case Newsroom
misses Apex Mountain.
Hmm.
Even if that show
wasn't good,
he was the star
of a massive HBO show
created by Aaron Sorkin.
10-minute monologues
every episode.
Movie characters
named Annie?
Because you could also
go Annie from Misery.
I think Annie Hall
is probably number one.
Or you go Annie Hall.
Or you could go Annie,
the musical Annie.
Annie the Musical,
that's right.
I don't know what
the answer is for that.
Probably more.
Annie, get your gun.
Yeah.
Easiest cruiser
hanks of all time.
Cruise.
Yeah.
In fact, I wonder
if Cruise is like
I could have done that shit.
Do you think he watches?
I think Cruise was
furious when he saw this.
This is interview
with the vampire year?
Yeah, he is furious.
But when he sees Keanu
back surfing on
that little piece
of plywood.
I wonder if this pushed him
to make Mission Impossible.
I wonder if
definitely it was like
I can't believe
I didn't get a call.
He's like,
I need my diehard.
Yeah.
I've been messing around
with this new category
for
because we have
cruiser hanks,
but actresses
depending on what
the movie is.
1974 Goldie Hawn.
1984 Sharon Stone.
1994 Cameron Diaz
or Sandra Bullock.
2005 Scarlett Johansson.
And 2021 Sydney Sweeney.
Can I get 26 Navarrete
for this?
Or 26 Navarrete.
Is there any?
What's the idea?
I don't know.
What is the category?
Who could have beaten Bullock?
Like who would be better?
You're always asking
the good follow-up.
Well, I don't know.
I think Bullock wins.
I think she beats anyone
at any point in history
for this one.
These are all great actresses
and they're all hot,
but like what do Goldie Hawn
and Sharon Stone
have to do with each other?
I think this would have been
a great Goldie Hawn role.
I agree with that.
That mid-70s Goldie Hawn,
like I'm just a fun hang.
I'm a little more talented
at stuff than you're
giving me credit for
because you think
I'm a ditzy blonde.
74 is like right after
Sugar Land Express.
Right before Shampoo.
Right.
I think I wouldn't do it.
I wouldn't change anything
about Sandra Bullock.
Me too.
The Edie Falco
and Kapoleon Award
for the character
that got three times hotter
by smoking.
We'll never know, Sierra.
She never lit up that dart.
But she puts it out.
She just doesn't.
We never see her
take a drive.
We never have her
at the station
not realizing the bus
took off.
Nobody did this for Flex.
Because it was in the
regular categories this time.
Oh, yeah.
Oh, did I put it in there?
Yeah.
You did.
The Rick,
what is his name?
Cassetti?
Rick Chachetti
or did we say?
I don't.
This is,
this is your category
and it's amazing.
It was the listener category.
Okay.
Rick Chachetti
Guard Meat Award
for the most memorable death
by a security guard
or other bystander
whom the movie treats
as inconsequential
but who probably has a spouse
and kids who love him at home.
It's obviously
the elevator security guard
in the first scene of the movie.
I think there's three people.
Who gets fucking ice picked
in the ear.
The knife in the ear is insane.
Poor elevator guy.
Hey, do you have a pass?
Yeah.
Do you have a work order?
The bus driver
on the first bus,
that guy's just going to work.
Yeah.
And then,
yeah, that guy is the,
that same actor is the guy.
I think he's the other,
the detective from Ace Ventura,
the police detective
who's a bus driver.
But the winner is the,
the guy in the subway train,
the subway conductor.
Yeah.
Hopper shoots him like
13 times in the back
and then laughs.
This is an unanswerable,
but what's Hopper doing
with that like chrome plated AK-47?
Those guys,
this,
we are still in a full like
post commando,
like everybody seems
to have an Uzi zone.
Yeah.
Pick a nitz.
Keanu answering the question.
Payphone mentioned. Why didn't he
shoot the tires
before it got to 50.
Just shoot the bus tires.
Great one.
Spin it out.
Great.
You can't.
That's the best one.
Being able to stay over 50
on the highway in Los Angeles
for more than 10 seconds.
Yep.
I defy anyone to try this.
Being able to stay above 50
while doing a hairpin turn.
Impossible.
No way.
College football on
before 9 a.m. PT
during a work week.
Keanu stabbing the gas tank
and then has to hold on
with a screwdriver
as we go 55 miles an hour.
Also, stinks of gas
for the rest of the movie
not mentioned again.
And then the gas tank
just leaks out
but lasts 20 minutes.
Isn't that thing
that gas tank's done
in 90 seconds?
Harry gets shot in the leg
and has a cane
but then he's fine
and he's vaulting windows.
An LA cop in the early 1990s
putting his gun and badge down
with a suspect
who's pointing a gun.
That wasn't a great run
for the LA cops here
from 88 to 93.
The explosion of the old lady
blows out the front tires
of the bus, I think,
and the bus crashes.
Yes.
It's an explosion
but nothing else happens
to the bus,
just a little walkway.
And by the way,
if he uses,
if he blows out that thing again,
can't they now get everyone else
off the bus?
He's already used the bomb.
In 1994,
you could just take a bus,
go through security
in the airport
and just drive around the runway.
So could other people do this?
Uh, but furthermore,
why wasn't that like
the first thing
Joe Morton thought of?
They're driving around out.
Yeah, get to the fucking airport.
He's like,
the answer is always
get to the airport.
Yeah, go to the airport,
we'll shut down LAX,
just drive around in circles.
I think they were very far
from the airport
at the beginning of the movie.
Well, he's in Venice
at the beginning of the movie, right?
That's where the bus starts?
Yeah.
That's where Andy gets picked up.
It's going from Venice
to downtown.
Oh, and then back.
So I guess they are
heading downtown,
but like,
So they go down,
they go from Venice to downtown
and then back to the airport?
Yeah, they get on the 105
and go back to the airport.
And then go back downtown.
No way they'd be able
to do that.
I feel like the biggest thing
in that part
when they pull into the airport
is the tire blows immediately
when she drives into the airport
because she's going
over the reverse.
Yeah, how's the bus
not going?
The bus should just like
tip over.
It's a bus.
You can't have a blown tire
in that situation.
And it blows later in the movie.
My answer for all these things
at all times,
every time I watch
a highway chase
on Channel 5,
Channel 9,
or Channel 10,
or Channel 11,
is go to the fucking airport.
Because the copters
can't follow you
to the airport.
And if I'm trying
to escape the police,
you get to the airport,
you get in a parking garage,
and then you just take off.
And the whole thing
with the choppers,
the whole thing is just
like freedom of speech stuff.
Like, why can't
police helicopters
be like,
ground your helicopter.
This is dangerous.
We need you out of the air.
I don't know the rules there.
My biggest one is
there's no way
somebody as savvy as Harry
is like,
I'm going to go
to a cereal bar
at a bomber's house.
Just waltz in?
And go right in
and not think that
it's booby-trapped.
This guy is conducting
all of this from Sun Valley
is highly unlikely.
How do you feel about
remote cameras
working on a bus
in 1994?
I've seen a lot of
grief about this online.
I mean,
I'm willing to go with it.
I like the tape loop trick
that they play on him, though.
That's a clever part
of the movie.
I mean,
there's some like
broader stuff, too.
Maybe this is more unanswerable
than a nit,
but like,
shouldn't they have
just paid him?
It's like,
he's asking for $3 million.
Were they even planning?
They're planning on paying him.
But what are they,
like,
it would be,
what Jack pulls off
is a 99 out of 100
impossible thing to do.
Just,
he's asking for $3 million.
Just pay the guy.
Well,
it costs $3.7 billion
of damage,
at least,
by the end of it.
And then,
airport to downtown
in less than 30 minutes,
middle of the day.
No way.
The collateral route.
I don't care what year
we're in unless it's 1944.
I'll be doing it tomorrow
at 5.30 a.m.
It'll take 35 minutes.
There was also,
did you guys
notice,
like,
at the end of the movie
on the subway,
when Howard's holding
the bomb trigger,
and he's like,
you gotta keep your hand
on this,
and then he gives it to Annie,
he's like,
ah,
you're too hysterical,
give it back to me,
he's holding it.
But then,
like,
10 minutes later,
he has two hands
on an Uzi.
I totally agree.
Where is it?
Did he turn it off?
No,
he's,
I look for this,
he's holding it
the whole time,
but it's a little
unrealistic.
He's fighting Keanu.
Where's the bomb trigger?
But he's always holding
the trigger.
Maybe he can turn
the safety on it.
Keanu takes it from him.
So he's holding it?
Right as he's getting
beheaded,
he grabs it from him.
I believe he's two-handing
the Uzi into the roof.
There's also a lot of,
like,
door close,
but then there's
an explosion,
and when the door's open,
like,
there's continuity
problems all over.
Like,
Keanu breaks the door.
I mean,
the biggest one by far
is when he's fighting
with Jack on top of the train,
he doesn't have any paint
on him.
He's opened up the bag,
and he gets the paint
all over him,
and then when he's fighting him
and he gets beheaded,
he has no paint on him.
Him being like,
I got this.
I'm gonna go fist fight
a 30-year-old cop
with one hand?
Yeah.
That's my final play?
And somehow,
all of these nitpicks. I'm not bringing the gun?
All of these nitpicks
don't pass the bunch,
don't pass the bus jump.
That bus
making it that far.
None of them matter.
And guess what?
We've seen this movie
so many times,
the more nitpicks you have,
that just means
you've seen the movie more.
Yeah.
Well, also,
just like the fact that
it takes so long for Howard
to get the news
that the bus is blown up
at the airport,
like,
the news would've been
on that instantaneously.
Even if there are
no copters there,
that would've been reported.
There would've been
a cop on the phone
with the news in a second.
How many months
do you think
we would be forwarding
tweets and tributes
about the late CR
to each other
that enraged us
that people died on that?
I have been making
a list in my mind
of the 20 people
who would send
disingenuous tweets
trying to honor him
as if they knew him.
Like,
there's so many people
who would be like,
Chris and I once
shared a beer
in an alleyway.
There wasn't a nicer
and more genuine guy
than Chris Ryan.
He just did it
for the passion.
Who would trigger you?
Like,
J.D. Vance?
You didn't know him, man!
You know?
There'd be a lot
of stolen valor
from me and Bill.
Yeah.
Me and Bill Stanton.
Me, Bill, and Greenwald.
We've been on
Team CR
deeply,
more profoundly
than anybody,
and that's why
we have to kill you.
We gotta get Andy in
on this plot
to get you killed.
Dabundo's our guy.
Yeah.
He'll never suspect it.
Anthony,
what are you doing here?
On this lake?
I just want. It's not vacation!
We're gonna talk gambling.
Sequel, prequel,
prestige,
TV,
all black cast
are untouchable.
They did make a sequel.
And it was bad.
And can I just suggest
what they could've done?
It wouldn't have been as good.
For speed, too?
Just for. How about Bomb Squad?
Just a spin-off.
My idea was
Howard Payne prequel,
Bomb Squad in Atlanta.
Oh.
I would just watch
a Joe Morton movie.
Like, Joe Morton
with two new guys
who have replaced. Who have replaced
Harry and Jack.
He's like,
you got big shoes to fill.
You know?
I have an important question,
but I can't ask it
to the two of you
because your answer would be yes.
Okay.
Craig?
Craig, I think,
is a better litmus test,
but his answer's
probably also gonna be yes.
They. When's the next big movie thing
where they announce stuff?
What would that be like?
An event?
CinemaCon, you mean?
What's the next one
where they announce?
Probably not till next April.
CinemaCon, yeah.
We just had Comic-Con.
Isn't there a convention
in September?
There's a New York
Comic-Con in September.
What's the film festival?
Isn't there, like,
there's a Disney one?
There's Telluride.
There's a D23 or whatever,
the Disney thing.
Is that happening this year?
In August.
Yeah, okay, D23.
Next film festival.
They announce
Speed 3 is happening
and Keanu and Sandra Bullock
have signed up.
Mm-hmm.
Is that an immediate ongoing?
Is it like a heat two situation?
Or do you have fear
and apprehension?
Are they bus passengers?
Like, what are we. That's all we know
is Speed 3.
I'll go see it.
Is JDB. Is JDB involved?
We don't know anything
other than Speed 3 and Keanu.
Yonder Bond is still alive,
but he is 83 years old.
Okay.
And he hasn't made a film
in over 20 years.
I. It's Yon Jr.
I'm trying to think
of who would I actually
be fired up.
Like, if it was Chris McQuarrie,
yeah, I would be down.
What if Speed 3 was
they actually end up
with each other
and they're married?
It's a domestic drama
about their family?
It's a little like
The Lake House.
But. But something happens
and now they're in peril.
It's like Howard Payne's son.
Work with me here.
They're married.
They've gotten back together
after Speed 2.
Now they're in their dotage.
They're on a road trip
because the marriage
is on the rocks.
So they go on a road trip
to try and save things.
He gets on the highway,
goes above 50,
a little light goes on,
and then he gets a phone call.
It's Howard Payne's son.
It's Howard Payne Jr.
He's like,
you killed my dad.
Now it's time for you.
Now you and your wife
can't slow your Tesla down
to below 50.
If the battery goes below 60%.
And if the battery. Yeah.
They're driving
to go to their daughter's wedding.
It's about an EV.
What if it's like
Father of the Bride
crossed with Speed?
EV IL.
They're throwing a wedding
for their daughter
at a location.
Played by Indian Avarese.
Oh, come on.
Why are we
wasting our lives
doing podcasts?
It's on a ferry
going from Boston
to Martha's Vineyard.
So we have another crack
at Speed 2
because it should have worked.
While we're talking about this, though,
I was thinking about
how the best person to kill CR
would be Juliette Lipman.
That he would never
fucking see that coming.
You're thinking about this
that too much.
He would be so excited
to see Juliette.
The best person. Wesley's the best person.
You'd never suspect Wesley.
I mean, I would never suspect you.
You would, though.
You would.
It would make sense
as you were dying.
You know the look
Jeff Daniels had
when the bomb went off?
It was always you, CR.
Yeah.
Is this movie better
with Wayne Jenkins,
Fergie the Florist,
Zane Lowe, Robert Evans,
Dr. Charles Nichols,
Ted Levine, or someone else?
You missed CR debut
Jon Bernthal from The Odyssey
in this category.
Made a layup for it.
yeah
for Obsession
would you run it back for me
did I do it from Obsession
yeah
I mean no
let me tell you a story
about a man
about Freaky Nicky
I was gonna
in honor of Hopper
how about
if Frank from Blue Velvet
was in this movie
but just
if he was bartending
when the Bomb Squad
is having celebration drinks
and he's like
Heineken
fuck that
Pabst Blue Ribbon
Frank Booth is good
Frank Booth could go on the list
do you wanna throw some Barney in here
so what part is Barney
is Barney on the bus
what if Barney was Jack
it sounds like
Barney's just one of the passengers
he's like
I need everybody
to go to the right side of the bus
and Barney's like
hello Jack
we should do a movie character draft
of people you'd want
on the speed bus
oh my god
yeah
Barney
just one Oscar
who gets it
obviously sound
what about Jan de Bont
come on
Best Director
show some love
giving it to him over
Tarantino
Hopper never won
a competitive Oscar
only nominated once
who won
Best Supporting Actor
this year
this was 94
yeah
oh it's a Travis Durex
it was supposed to be
Sam Jackson
yeah
it should have been
Sam Jackson's Oscar
terrible
it was Jules
probably unanswerable questions
um
you mentioned
earlier in the original script
Harry was the bad guy
is this a better movie
if Harry's the bad guy
I don't think so
I like what they did
I think it's
I think it winds up being great
the way it is
I agree
you agree with that
Best Yawn Ever
Yawn de Bon
or Yawn Hammer
who's your favorite yawn
if you could
if you could only
how do you feel about including
Good Son dropping one yawn
what about getting a Jan
in there too
cause you had Jan Michael Vinson
yeah
I think it's a yawn
try to think of who the best
who was the more important yawn
for you CR
mine is yawn
what about Jan Vesely
I gotta say
I think
I think
Jan de Bon
is a little bit bigger
for me than Hammer
Hammer
great contributions
but Jan de Bon
directed
speed and twisters
it is true
some good
shot die hard
and
these are great points
and flat liners
yeah he's probably more important
kind of shaped my 90s
all those are
German
possibly unanswerable questions
yeah
what's the hierarchy
of the bomb squad
there's a lot of like
Colin Audibles
a lot of guys just kind of
doing their own
offensive coordination
yeah but you know what I mean
where it's just like
I know
no selling
Sadler
I'm sorry
it took me a second
but like
Max in charge
but like
Harry and Jack are like
we're just gonna do this
we're gonna tie our crane
to the elevator
sometimes you gotta
improvise
make choices
what
CR wasn't just
a great writer
and a great podcaster
he was an even
better person
who the fuck
is this guy
CR didn't know him
I learned so much
from CR
I loved when they
just let him cook
I hope every month
is CR month
everyone knows
that the really
great CRs on music
exists
but most people
haven't heard it
but I heard it
when it came out
I subscribed to the
rewatchables
1999
just to hear
CR's thoughts
I got a luminary sub
a week
a week and a half later
awful announcing
runs a hit piece
yeah
Bill Simmons
never did
Hunt for Red October
does he?
because you regret it now
CR died in vain
he never got to do
Aliens
yeah
I had one more
so he's like
why did CR keep
liking these
Sophie Cunningham tweets
I want the forensic analysis
after your death
of your socials
yeah
yeah we're definitely
hacking his passwords
my only other answer
was how far
in the movie
are we in
before Jack realizes
he needs to get off
the bus
not to save the pastors
but because of
how hot Annie is
he might have sex with Annie
that night
I think we're like
40 minutes in
I think it's like
you can tell when he moves
past Harry so quickly
because he's just like
the thing is
I'm getting late tonight
yeah
except Matt Annie
memorabilia you'd most want
from the movie
the bomb trigger stick
gold watch
gold watch
I was thinking about how
every time I did
Metz Corner on Zach's show
I would want to wear
Jack's earpiece
from the opening sequence
you see the earpieces
that they're wearing
in the bomb squad
those are awesome
one of the buses
from the film
yeah
auctioned off in 2018
for $102,000
whoa
wow
where do you put that thing
in a museum
or like in a
like on a studio lot
tour
just outside your house
it's a weird thing to own
it's like
I saw this thing online
about Jerry Seinfeld
has the world's best
Porsche collection
he's got like
70 vintage Porsches
and they're on this
giant glass warehouse
that's cool
yeah for what
one seems fine
takes a ride over
to the warehouse
and it's like
I'm going to drive
the 63 today
it's weird
I never understood
that level of collection
you're surrounded by
thousands of movie posters
yeah but he gets
enjoyment from these
he gets to look at them
every day
Jerry Seinfeld can't
John Belushi right there
that's him
can't drive John Belushi around
Coach Finstock
Mr. Miyagi Award
best worst life lesson
luck runs out
sooner or later
guts only get you so far
little cousin
of Miami Vice
yeah
time is luck
20th and
I thought maybe
I'd get a call this week
about a revise
like a surprise revise
I put the three and a half
minute scene
of them on the boat
going to Cuba
yeah
he goes and straps
the seatbelt
on her
and she's kind of like
it's like a very
sexual seatbelt scene
might be the number one
sexual seatbelt scene
Gong Li
Gong Li
is just
they just had a vibe
sexual seatbelt
power rankings
good title for a movie
best double feature choice
CR
I'm gonna go
Die Hard
which is pretty
I had Die Hard as well
I had Die Hard as well
what do you have
Transformers
who won the movie
this is a really tough one
I think it's Keanu
I think it's Keanu as well
there's a case for Bullock
you're going Bullock
I had Bullock
because I think Keanu
was already a star
and I think Bullock
had had some bites
at the apple
I just love how they
never have to shoot around him
and it's just like
his running is good
all his action shit
is so believable
and cool
and you never have to
like cut around
like oh
but he's not gonna run
across the street
into a plane
do you think
is he your number one draft pick
for just a cop
in a movie like this
I think he actually
he might be my favorite
action star ever
he's on the short list
who's he going against
I don't know
Arnold
Sly
they're so different
the styles are so different
you know like
I really love Cruise
anytime Cruise
has to go running somewhere
I'm interested
I want to know what's happening
how tall is Keanu Reeves
he's tall
I think he's like
5'10
5'11
6 feet
yeah
what's he listed at
6'1
so I think the thing
with Keanu
I think that's big
you can feel his athleticism
and his physicality
the only thing limiting Cruise
is you can feel
he's a little short
you can just feel that
when you watch him
so what quarterback is Keanu
like Baker
Herbert
no Herbert's huge
but relative to action stars
it's all about relative to action stars
oh sure
like a 6'1 movie star
I think Keanu is like
a Mahomes
6'4 quarterback
sure
I think he's like Mahomes-y
where he can do different things
depending on what the situation is
Keanu
yeah
like Mahomes can have those
playoff games
when he just
rushes 14 times
if you put Keanu
in the wrong movie
or the wrong part
like he can't really
do anything with it
whereas like
Mahomes
I feel like you could
put Mahomes on
the Panthers tomorrow
and it would be incredible
you couldn't put him
on the 25 Chiefs
I'll tell you that much
there you go
6-11
have some
Tom Brady never went 6-11
are you okay?
I feel like
just saying
it's been a really interesting
watching the Celtics
humiliation ritual with you
like you've been going
in a lot of directions
you've been
I feel like you're
testing the boundaries
you've been a little spiteful
we're fine
still waiting for the
Paul George press conference
is that coming?
the welcome to Boston
Paul George
right
is that happening?
week 3?
week 4?
can I ask you a question?
yeah
because I'm not going to see you
for a while
I'm going on vacation
I was listening to you
and your dad
you guys were like
circling back to the regular season
you were talking about
you know
156 games
is there any part of you
that thinks that maybe
like the regular season
doesn't matter at all
now in the NBA?
I mean that was
that was a constant podcast
subject the last couple years
but so why
it's almost like
two different universes
but you've been
you were hanging your hat
on how much you value Jalen
because of how well
he did in the
regular season
I just like when guys
show up for work
like CR
that's right
until you kill him
until CR is killed
by
to bundle
Lake Tahoe
yeah
okay
I was just curious
I was listening
and I was like
I watched the Knicks
they were
kind of uninspiring
during the regular season
and then they won
it's the conundrum
of the NBA now
is you build
one team for the regular season
and then another
team for
the 10 weeks
which is going to be
the issue with
with Philly
with
here we go
with LeBron and Embiid
having to play
yeah I'm just asking
if we can see it
a little bit first
before we start
trading people
hypothetically
to other teams
okay
yeah
if Joel Embiid
wins a title
as a sixer
yeah
is that
significantly more meaningful
than if he's traded
for Anthony Davis
or something
yeah
yeah
what were your speed takes
that you didn't say yet
just like the
platonic ideal
of a movie
like this is
just all you want
in a movie
I would pick
Sandra as the winner
she's probably
my number one draft pick
90s
actresses.
Number one.
I kind of love
a Sandra Bullock.
I think I'm in there too.
Like,
Julie Roberts,
like higher ceiling,
but a little more
in B-dish actually.
She does,
she plays a normal person
really well.
Julie Roberts is like an alien.
Sandra Bullock plays
a normal person really well.
And I do feel like
this movie hinges on
her ability to convey
emotion well.
Yeah.
Like you feel the stress
of the situation
through her.
Yeah.
Because Keanu's calm.
Everybody else is kind of
in the background.
And she is so good at like
when she sheds the tear
and like when she freaks
out when the woman
falls out of the bus.
Yeah, I don't even know
if we really did the can scene,
but she's so good
when she thinks
she's hit a baby carriage
or like.
Clearly just a kind person.
Yeah.
Yeah.
Like if you gave her
a nomination for this movie,
I wouldn't blink at it.
I think she is so good.
Like her,
just her face feeling emotions
and it is amazing.
I think it's a harder part
because it could also
just be a nothing part
or just like a hot girl part.
But she actually brings
more to the table.
Also just like other great L.A.s.
Like ending at the
Chinese theater,
you see the CVS
ballerina clown
in Venice
at the beginning of the movie.
Yeah.
There's just great stuff
like that.
It's awesome.
It really does use
everything but the beach.
The beach is the only thing
we don't see from L.A.
It's too bad that they didn't
end like the two of them
sitting on the Venice boardwalk
being like,
wow, crazy day.
And then she fucking lights up.
The only thing that's
the other like redundant move
is like at the very end
when they're like
in the subway
and they're like,
the track isn't finished
and you're like,
we just did that.
Yeah.
It does set the record
for the tracks not finished.
I don't love that either.
Yeah.
But it's great.
To your point about
the practical effects stuff,
like I feel like no one now
because of the Odyssey,
everyone's like talking
about that stuff again,
rightfully so.
But it's so good
that you can't have CGI
in this movie
because they would have,
it would have been like,
awesome,
we can make it even bigger.
And the fact that,
yeah, there's cars
flying up in the air
and stuff.
In fact,
like Keanu would probably
be like 50 feet in the air
flying in something
if you had CGI.
The fact that it has to stay
as grounded as it is
because of what,
like the limitations
of what you can
physically film.
The only thing we forgot
to mention was the
bomb on the bus
paper
flying off
and then landing
on the windshield.
Another great gimmick.
This movie just had
great ideas.
Great ideas always win,
Sean.
You know,
you reminded me of
one other take that I had
that I'm going to share
with you as soon as
I pull it up.
It was related to this
and it was in a different
category.
It's not about
CR's death?
No.
I'm happy to keep
going on that though.
I really enjoy that,
Jag.
Okay,
hold on.
I was a struggling
writer in 2012
and I sent Grant Lynn
an application
and CR sent me
a really nice note
saying,
keep it up, man.
He'll be missed.
We fucking love it
when an original
genre movie
comes out of nowhere.
This is one thing
I wanted to say.
So,
what happened
this year with Obsession
is also what happened
with Speed,
which is just like,
what the hell is this?
Who is Sandra Bullock?
This happened with
the six-year-old
Sixth Sense.
It happened with Alien.
It happened with Get Out.
It happened with
The Terminator,
Inception,
Pulp Fiction.
When an original movie,
Weapons was an example
of this.
You're like,
I've never seen this before.
Usually there's one or two
people you've never seen
before in the movie
and you're like,
God damn,
we can still do
new things.
Yeah.
That's the best thing
at the movies
in my opinion.
Get Out was a good
example of that too.
Yeah.
What is this?
What's happening?
This movie also makes
me think about,
I think,
the current space
for action movies
is kind of weird right now
because the superhero stuff
took over all that
and now that's kind of
slowing down.
Wick and Bourne
and Mission
are all kind of
slowing down
and it's like,
there's no real big
action movies that are made.
They're also like,
they've gotten so over-leveraged
on the CGI stuff
that it's like,
there's never any real
feeling of stakes
in these things anymore.
There's no action stars
being minted.
There's no new diehards,
no new speeds.
There's no big
original action movies anymore.
I thought you were
streaming,
the streaming movie star thing
was really interesting
that you did with Amanda
where you were talking
about Alan Richson.
Yeah.
Alan Richson in 1997
would have been
an insanely big star
and he actually is
a really big star
but only in one way.
Yeah.
Like only in On Reacher
or in the Netflix movie
War Machine.
The other thing
we didn't mention,
well,
two things about the movie
Big Picture
and then we'll wrap up
but one was
moving it up
to June
then basically shifted
the whole
summer movie schedule
which we've talked about
before.
Yeah.
Because these were
supposed to come out
in July and August
and then
all of a sudden now
they're coming out in May
and they're trying to get
the first jump
and stuff like that.
The other thing is
like the Netflix
and Amazon
all these people
making versions of Speed
but for a streaming movie.
Like what was that
Jason Bateman airplane movie?
With Taron Egerton.
Yeah.
He's the carry on
air traffic
or security guy.
So these were getting
ripped off for
I don't know
10, 12 years
with like phone booths
and the cell
and not the cell.
What was the phone call movie
with?
Halle Berry.
There was a movie
she was like working the
when a stranger calls?
No.
Is it One Missed Call?
I think it's The Call.
The Call.
The Call.
Movies like that
where it's like just this premise
and we go
and it feels like
they've moved to streaming.
Yeah.
And they're just
it's always like the DNA
of this movie
and Die Hard and a couple others.
I also think this is like a big
cell phones
smartphones
kind of killed
a lot of attention in these.
It's like really hard
to be like
so you
like I could just Google
who you are
while this is happening.
You know what I mean?
You would just be like
Howard Payne
is this.
Oh shit.
You know?
We got him!
CR
pleasure as always.
I hope you
keep kicking it
for another 50 years.
Yeah I hope I make it
through this lake now.
Wait isn't the line reading
that's our scumbag!
That's what we're going to say
when CR goes down.
Sean have fun on vacation.
Thank you.
I look forward to being
on the flop draft.
Yeah.
Let's get you in there.
That I've invited myself to.
Craig
fantasy football
show.
We're heating up.
Drafts coming.
Drafts are coming.
A lot of drafts
at the end of August.
I know.
Yeah.
You guys getting ready?
Yeah.
Am I doing it?
It's up to you.
You're doing it.
You're fucking
you're going to be there.
I think I responded
maybe to the invite.
You did.
You actually responded
yes and then switched
it to maybe?
Wait because you were
thinking about how
you were treated last year?
Yeah.
Yeah.
Yeah.
Which was unfairly
and rudely.
But you know what?
Didn't finish in last.
I finished in last.
How sweet would it be
if you came back and won?
Am I allowed to have
You're on team now.
You're on team.
That's right.
All right.
Thanks guys.
Thanks Bill.
This episode is brought
to you by the movie Mutiny.
Only in theaters
August 21st.
Jason Statham stars
in Mutiny,
the new action thriller
from the director of Plane.
When an international
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Statham goes off the grid
on a one-on-one
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If you're a fan of
The Beekeeper,
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or The Expendables,
this is exactly
the kind of movie
you want to see Statham in.
One of the defining
action stars
of the last 25 years
doing what he does best.
Think Die Hard
on a boat.
Mutiny.
Rated R
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Podcast Summary
Key Points:
The podcast episode is a "Rewatchables" discussion of the 1994 action film *Speed*, which the hosts previously covered nine years ago.
The hosts praise *Speed* as a near-perfect action movie, highlighting its relentless pacing, practical stunts (like the bus jump), and strong chemistry between Keanu Reeves and Sandra Bullock.
They discuss the film's context in 1990s action cinema, comparing it to *Die Hard* and other classics, and note its influence on later films.
The episode includes a draft of the "Flops" podcast, mentions of other films like *Mutiny* and *The Odyssey*, and light banter about Los Angeles traffic, bagels, and cigarettes.
Key scenes analyzed include the opening elevator sequence, the bus jump, and the final subway crash, with nitpicks about physics and plot flaws offered affectionately.
Summary:
The hosts revisit *Speed* (1994), a film they previously covered nearly a decade ago, and celebrate it as one of the greatest action movies ever made. They admire its tight pacing—noting that the film never rests, with only one brief calm scene—and its practical effects, which they argue would cost over a billion dollars if made today with CGI. The discussion highlights the chemistry between Keanu Reeves (Jack) and Sandra Bullock (Annie), crediting their performances and the film's simple, efficient screenplay for its enduring appeal.
They compare *Speed* to other 1990s action classics like *Die Hard* and *The Fugitive*, placing it at the top of the genre's hierarchy. The hosts also explore behind-the-scenes details, such as director Jan de Bont's risky stunts and the casting choices, while offering playful nitpicks about improbable physics and plot holes. They touch on the film's cultural impact, including its famous lines and the legacy of its stars, and engage in tangents about Los Angeles traffic, the "Flops" draft podcast, and other movies.
Overall, they conclude *Speed* remains a "forever movie" that perfectly captures the adrenaline and problem-solving spirit of 1990s blockbuster filmmaking.
FAQs
The Flops draft is an upcoming podcast event where participants pick movies that flopped, defined by low box office earnings (under $30-50 million) and low Rotten Tomatoes scores (under 50%). It's scheduled for August 25th.
They previously covered 'Speed' in 2017, but decided to do it again because the movie is a perfect action film and they now have more categories to discuss, calling it 'the re-speed'.
The hosts believe 'Speed' is perfect because it has a simple, great plot, never stops moving, achieves all its goals without resting, and was made practically with real stunts, unlike modern CGI-heavy films.
Keanu Reeves and Sandra Bullock weren't first choices; the film had a hot script, and director Jan de Bont, a 'Dutch maniac' who studied under Verhoeven, brought practical ideas like the bus jump. Their chemistry made the movie a forever film.
The bus jump is the most famous scene, shot practically over a gap in the LA freeway. It was physically possible but deemed impossible under real-world conditions by MythBusters; the first attempt failed, and the second destroyed a camera.
Bullock learned to drive a bus for the role and passed on her first try. Her character's chemistry with Keanu Reeves is highlighted as a key reason the movie works.
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