A hidden conspiracy unfolds in a fictional account of the 2001 disappearance and reappearance of the Russian space station Mir. The story begins with scientists in Mission Control baffled by the station's sudden vanishing and return, only to find it altered—darkened, damaged, and with a time jump to 2045. A cosmonaut, Oleski Ladovsky, claims to have been on Mir for 44 years and sends a cryptic Morse code message warning of "the smiling ones," entities he fears. When Mission Control attempts to investigate, the transmission breaks into a horrifying, mechanical screech and high-pitched noise, suggesting the presence of alien or supernatural forces. Officials, including the director Copdev, initially dismiss the phenomenon as madness or technical failure, but later acknowledge something far more profound—contact with an unknown life form. The narrative explores themes of government secrecy, the fragility of reality, and the psychological toll of facing the unknown. As the crew tries to gather evidence, one of their own, Yakovlev, becomes traumatized and eventually appears in a dreamlike, smiling state—his face blank and toothy, hinting at the influence of the "smiling ones." The story ends with a realization that humanity may be in contact with something beyond science, and that the truth could be too dangerous to reveal. The episode blends horror, sci-fi, and conspiracy, leaving the audience with a chilling sense of unease and mystery.
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- Welcome back to Creepcast.
Today we're reading "The Smiling Ones" on Space Station.
Meir, would you like to tell us about the author?
- I have to finish chewing my mint, so.
- I'm gonna do the mic at least.
- The author of this story is someone named Darius Pilgrim.
And I think that's his actual name.
He is the author of this story,
which you can get as an ebook on Amazon.
He also has another published story that Nick's iPad,
has once again crashed in the 13th time today.
It's gonna make me lose my mind.
He's also the author of "Wrong Roads: Scary Stories
from Coast to Coast."
Or at least he was one of the contributors
to the anthology book of it.
So he's got a couple of things published out.
This story comes highly recommended.
As a matter of fact, we're gonna be reading it
on Darius's website, dariuspilgrim.com,
that will be linked in the description.
So you can keep up with the stuff there.
Harry says this is a good one.
I've never read it before.
People have recommended it.
They've recommended this to us
in the subreddit a couple of times.
So hopefully it's cool.
Sounds like it's cool.
We haven't done a space story since-
- Mr. Floppy?
- Yeah, yeah.
What was that one?
The other astronaut on this trip died.
- Dariuspilgrim.wordpress.com/thesmiling-the-smiling-ones-on-space-station-mir.
And it will be in the link,
as well.
But if you want to type it out,
which I like to do,
I thought that I would just put that in there.
- You've never done that before?
- Dariuspilgrim.wordpress.com/
- Before we went and got ice cream right before this,
and-
- Like children.
- Like children.
- We do sound like children.
Before we got ice cream, before this.
- Before we read our scary story,
we went and got ice cream.
- Yeah, ice cream.
- And while we were getting ice cream,
Allison referred to me as Hunter's friend,
and he quickly corrected her and said,
"I'm a co-worker."
- Yeah, well.
- Yeah.
There was no jest, there was no joke to his tone.
He hasn't shown any humor in that statement since then, so.
- The, we got ice cream, though.
Pretty good.
Do you like space stories?
- I feel like they are very hit or miss.
- Guess they never miss, huh?
- Yeah.
- Okay.
- Yeah.
- I feel like they can do some really cool stuff, like.
- I forgot about it.
- He just really flashed over there.
- I don't know.
- I don't know.
I don't know what to do.
- That's the dumbest draw I've ever seen.
- Come on, man.
- Wait, the dumbest?
- I mean, just like the big cheese smile
with the little, the tiny.
- So, the smiling ones on Space Station Mirror.
- Well, what I'm saying is, like,
a lot of them are either really good,
you can do cool stuff with them,
like the themes of the comet going through space
and stuff that we saw in the writing
during the other astronaut on this mission died
six weeks ago.
And I'm trying to think of,
I know there's some space stuff I've read
that's kind of lame.
I think I read one about, like, a bug on a spaceship
when I was younger that was kind of just, like, lackluster.
The setting's very creepy,
but you gotta do something with it.
- Do you like the name of the story?
- Yeah.
I think.
The Smiling Ones.
I mean, similar to the other astronaut died,
it's like, why would there be Smiling Ones
in the middle of space, right?
- Can we get a drawing of him?
- What?
Is that just a stack of drawings?
- Well, it's some drawings I've done.
- What all's in there?
To me, we saw that one.
Everyone saw that one, yeah.
Why does he always draw my neck so long?
Five seconds before we started recording,
he said, he asked, "Who's your favorite superhero?"
I said, "Probably Batman."
- Yes.
- He said, "Who's your favorite superhero?"
I said, "Who's your favorite superhero?"
That's really good.
Whoa, what's that?
Oh my gosh.
It's like a skull coming out of a hand.
- I don't know.
- Hold up.
Can you get that one and smile dog out?
Just hold them both up to the camera at the same time.
No, that's not the one I asked you to get out.
I need you.
- All right.
Let's read this story.
- Okay.
Smiling Ones on Space Station Mirror.
- Can I be controversial off the top?
I think the title is a bit of a flop for me.
- You don't like it?
Is that where you're asking me why I felt about it?
- Yeah.
- What would you rather it be called?
- I don't know.
I need to read the story first to make a title name.
I just don't like Smiling Ones.
- Smiling Ones?
- Just a bit try hard.
And then also Mirror.
Isn't that what they gave Jesus?
- That's Myrrh, spelled M-Y-R-R.
It's different.
What's this like shifty little,
you're in a mood right now.
You're acting like a goblin.
All right.
Part one, March 19th, 2001,
the Russian space station, Mirror,
disappeared from low earth orbit.
There's no collision or explosion.
One minute, it was like, oh my God.
It was there, and the next it wasn't.
For 24 panicked hours,
a select group of scientists, intelligence agents,
and government officials worked tirelessly
to simultaneously figure out what had happened
and prevent the general public from discovering
that anything had occurred at all.
Exactly one day later, Mirror reappeared
in the precise location it had last been observed.
It appeared relatively unchanged,
but for one major exception, the space station,
which had been unoccupied for months
in preparation of the orbiting,
was now inhabited.
The fact that you've never heard of this
proves the coverup was successful.
Figuring out what caused this anomaly
and what happened during the 24 hours Mirror was missing
is an entirely different matter.
I know this because I was there
in Roscosmos Mission Control on that day in March,
so long ago.
Never told a single soul this story.
I'm an old man now, and I don't have long left to live.
But here's the truth, where there's no one left alive to tell it.
Were you about to say something?
I don't want to be negative.
You already don't like it?
No, it's not that.
It just reminds me a lot, like a Twilight Zone episode.
OK.
Is that--
Called The Parallel.
You watched that one?
Oh, a specific one.
No, I don't think so.
What happened?
Twilight Zone, The Parallel, an astronaut's
going up into outer space, and then all of a sudden, he just
blacks out, and the people on Earth
are like, where did the spacecraft go?
And he wakes up in basically an alternate reality,
and then he has to basically go back out into space, whatever.
But it was like going into space that put him
into an alternate timeline, or an alternate reality
where when he landed, he was on a different version of Earth.
Mm.
But this whole idea of going up, blip, gone.
I see.
What?
Hello?
Why'd you point at Nick when he walked by?
How you doing, Nick?
Good.
You going to hang out with us?
No, I just came to make sure that I click record.
He's been in a weird mood.
Did you get nervous?
Yeah, I always get a little nervous.
You want to hang out for a second?
in the next paragraph of this?
What is he on?
What are you on right now?
What?
He's in a strange mood.
He's been weird.
You didn't even do the
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No one else noticed it,
but when we were pulling
into my driveway,
the person behind me
ran over a turtle.
No, it didn't.
Is that what's been bothering you?
Kind of.
Where?
On the road?
Out on the road?
Yeah.
Where was the turtle?
It was in the middle of the road.
You weren't in a weird mood
until we started recording.
You were fine talking to that other guy.
You were fine talking to Allison.
I ask you a question,
he's like. Got family annihilator eyes
all of a sudden.
All right.
Just whatever.
In the days leading up
to the anomaly,
there had been a distinct
sense of gloom
hanging over the mission
control room.
Every one of us there
had dedicated. What are you doing?
Every one of us there
had dedicated our lives
to the space station
and now it was all
about to end.
Mir was launched into orbit
by the Soviet Union
in 1986
for what was supposed
to be a five-year mission.
Now, 15 years later,
the plucky space station
that had survived
the end of the Cold War
and collapse of the USSR
was showing its age.
It was cluttered,
dirty, worn,
and rapidly deteriorating
when the Russian government
decided to finally divert
all funds and manpower
to the newly built
International Space Station.
Yet it still held
a special place
in the heart of every
Russian who had ever
looked up to the stars
and dreamed of what
was out there.
Multiple attempts
were made by various
private organizations
and individuals
to fund the continued
existence of the station
or even buy it outright.
One company even
tried to purchase Mir
and turn it into
a permanent orbital movie
and television studio.
In the end,
it proved too expensive
to be feasible,
leaving us,
a skeleton crew
of scientists,
astronauts,
and engineers
to despondently monitor
the last few days
of the station's existence.
It was like watching
a beloved family member
wither away
in hospice care.
I was a member
of the Communications Division
of Mir Mission Control,
once a 25-person department,
now dwindled down
to just six essential personnel.
I was home in bed
when I received
an urgent call
at four in the morning,
the call stating
that an emergency
had occurred
and requiring me
to report to Mission Control
immediately.
I arrived to find
the normally tranquil
control room
in a frenzy of activity
that verged on panic.
My head was spinning
as I was briefed
on the situation.
How could this be true?
Something as big
as a space station
doesn't disappear
without a trace.
It seemed impossible.
We all did our best,
but there wasn't
a whole lot anyone
could actually do.
All of our trafficking systems
seemed to indicate
that the station
had simply ceased to exist.
Visual inspection
of the station's
normal trajectory
confirmed this.
Washington had also
been discreetly
contacted
and vehemently
denied involvement.
Beyond that,
what could be done?
We activated
every radio telescope
we could get access to,
hoping for a miracle.
We even convinced
the Americans
to clandestinely
use the Hubble telescope
to aid in a visual search,
but it was like
looking for one
particular grain of sand
on all the world's beaches,
and we all knew it.
The next 24 hours
passed in a haze
of coffee, cigarettes,
and sleep deprivation.
Then,
24 hours
to the second
after it went missing,
mirrors suddenly
and inexplicably
reappeared
as if we had
collectively wished
it back into existence.
The monitor
showed the station there,
intact and seemingly whole,
where a moment before
there had been nothing
but empty space
and distant stars.
Stunned silence
engulfed the room,
stretching out
for what felt like hours.
Then the radio
crackled to life
and I jumped in my seat,
breaking the trance.
We were receiving
a radio transmission
from an unmanned
space station
that had just reappeared
as if by magic.
It made no logical sense.
The voice that came over
the mission control speakers
was breathless
and panicked.
Mayday!
Mayday!
Mayday!
This is Cosmonaut
Oleski Ladovsky
attending the contact
Soviet space program
in Moscow.
Please!
Does anyone read me?
Over.
Can you imagine
if I just. Boop!
Gone.
Where'd it go?
Pop, it's back.
What?
That's what happened
to the mirror, right?
Huh?
That's what happened
with the mirror.
Is that not what happened?
That's exactly what happened.
Oh, it's freaking. You're being sarcastic.
It's fucking scary.
What?
It's scary.
Why are you laughing?
For a moment,
no one reacted.
It felt like all the air
had been sucked out of the room.
My mind was reeling,
trying desperately
to maintain a grip on reality
in this world of sudden insanity.
Ladovsky.
Alexei Ladovsky.
The name registered with me.
I'd heard it somewhere before,
but I couldn't remember where.
We looked at one another
in confusion,
no one wanting to take responsibility
for the situation,
no one knowing how to proceed.
Finally,
the director made his way
to the communications station
to take command of the situation.
This is Yuri Koptiv,
general director
of the Russian Space Agency.
The soft hiss of static
filled the room
as we waited for a reply.
Russian Space Agency?
I do not recall.
I, I, I'm sorry,
I do not recognize your name,
Mr. Koptiv.
Is Chief Designer Sergei Korlov with you?
I would very much like to speak with him.
I exchanged a confused look
with the operator in the terminal,
next to mine,
a small, bespeckled man
named Yakovlev.
Chief Designer Sergei Korlov
was a legend,
the founding father
of the entire Soviet space program
and arguably the founder
of the modern astronomy as a whole.
He had also been dead
for over 30 years.
Director Koptiv somehow kept his cool.
I'm missing a beat.
I'm sorry, Cosmonaut Ladovsky.
The Chief Designer is not here
at the moment.
Might there be of assistance to you?
He replied with a,
with a barely detectable quiver
in his voice.
The only other sign
betraying his trepidation
was his hand gripping the transmitter
so tightly that the knuckles
turned to ghostly white.
Yes, comrade.
You can tell me how to get off
this damn thing and back to Earth.
I could see it through the portals.
Please, you have to help me.
I want to go home.
F. Armand, if Cosmonaut,
we're starting to work on it
as we speak.
In the meantime,
it's very important
that you stay calm
and try to answer one question
as best you can.
I'm going to turn the radio
over to my colleague,
Yakovlev,
who will ask a few basic questions
and take your biometric information
in preparation.
Said Koptev,
then whispering to Yakovlev,
Get him to take his heart rate,
blood pressure,
temperature,
anything else you can think of.
Just keep him talking,
keep him distracted
and listen for everything,
and listen for anything
unnatural going on up there.
This whole thing is unnatural, sir.
Replied Yakovlev.
Director Koptev,
glared at him
and motioned for him
to put on his headphones.
He then turned to the rest of the room
and raised his voice.
The rest of you,
I need prepared for a briefing
up front in exactly 30 minutes.
In the meantime,
no phone calls or communications
with anyone outside this room.
No wives, parents, children,
or anybody else.
We're going completely silent.
Failure to observe this protocol
will result in immediate termination
and incarceration.
He walked briskly into his office,
a motion for the other
senior department heads to follow.
Half hour later,
we had gathered in front
of the mission control room
under the large central screen.
Director Koptev stood facing us,
his countenance an emotionless mask.
The sound of Yakovlev
quietly speaking into the radio
drifted up from the back
of the otherwise silent room.
Koptev cleared his throat and began.
As you all know,
Russia's predecessor state
the USSR was responsible
for a great number of milestones
in space exploration.
One of the most important
of these accomplishments
was putting the first human
into outer space.
Yuri Gagarin,
who completed an orbit around Earth
on April 12th, 1961.
A black and white picture of Gagarin
dressed heroically and covered in medals
appeared on the screen.
What most of you do not know
is that Yuri Gagarin
was actually one of the first humans
to survive space flight.
Four attempts were made
previous to Gagarin,
each ending in tragedy.
As the Soviet Union was at the time
in the midst of a space race
with the United States,
any possible failures
were deemed poor for morale.
As such, each of them went unnoticed.
unannounced and was shrouded in secrecy. Gargan succeeded and was paraded as hero for the world
to see. The failures were covered up, and the details remain classified to this day.
The first of these secret attempts was made in 1957, a few months after the success of Sputnik
by a cosmonaut traveling what amounted to a modified intercontinental ballistic missile.
Instruments tracked this progress to a height of 186 miles, at which point the transmission
suddenly interrupted. The rocket seemingly disappeared, and cosmonaut was never heard
from again. That man's name was Oleski Ladovsky. This is, uh, so this is based on the, um,
lost cosmonaut conspiracy. Have you heard of it before? So basically what he said that before
Russia successful attempts, the United States monitored that they had several missile launches
or like station where you can satellite launches into space that, uh, historically there was
never anyone on. They're like, no, they didn't do stuff. There were animals that were sent, like,
you know, like at the dog and stuff, but right between like the animals and people, they just
sent stuff up there. So the conspiracy is they were sending people up and every time they died,
it was covered up until eventually Gagarin lived and, and then they publicized him as the first.
So the idea being, they send a bunch of people into space to just die. Um, so it's working off
that a series of gas rose from the small crowd. I can feel my heartbeat thumping away in my temple.
None of this made sense. Now I hope to God that the voice coming through the speakers
really is Ladovsky and that we can bring him back to earth with a hero's welcome.
But all my instincts, as well as the Intel we've managed to gather are telling me otherwise.
Well, there are some obvious similarities between the disappearance of Ladovsky in 1957
and yesterday's disappearance of Mir. We all know that correlation does not imply causation.
We must all try to keep level-headed the remain rational and rely on scientific training,
and trying to unravel this mystery. I cannot call in any more assistance as that would only
open the door to more leaks of information. So people you see around you here in this room are
going to have to be the ones to figure this out. He paused for a moment as we each looked around
the room. It was only half as full as it had once been at the height of the program. My mouth fell
very dry as Koptiv continued. To solve this puzzle, I'm going to need 100% effort and dedication from
every single one of you, and it will not be easy. As far as I'm concerned, the events of the last
24 hours represent a total paradigm shift to all the previous understanding of physics and
astronomy. Sir, I want you to toss Arkon's razor out the window, because the premises of which we
base reality have changed. As such, all possible explanations are on the table, even the seemingly
improbable. No hypothesis should be discovered without thorough examination. This is a scientific
discovery as its purest. This is what the Russians were born for. It goes without saying that a lot
more than the fate of one cosmonaut is at stake. Odd silence filled the room as the gravity of the
situation settled on each of us. My chest felt heavy and my throat tight. Director Koptiv took
a seat and Markov, the head of tracking and communications, took his place in her stage.
Central screen changed to the familiar image of the Mir space station.
This is the highest resolution image of Mir we have from before the anomaly. Captured
about 15 minutes prior to disappearance. He said in a hoarse smoker's voice.
And here is an image of Mir currently.
The picture changed over to one that looks superficially similar,
if something was clearly off. A few moments later, the screen switched again,
now showing both images side by side. After only a few seconds of studying,
the difference quickly became apparent. In the newer image, the coloration of the space
station was far darker, almost as if coated in a layer of soot. Scratches and dents covered
its surface where there had been few previously. Many of the solar arrays were broken and twisted,
and some of the modules showed cracks and other signs of wear. A few were even missing.
This was clearly a very changed space station from the one that had disappeared the day before.
The other thing that stuck out to me were the windows. Clear and reflective in the first image,
completely darkened in the second, as if someone had
taped black construction paper to the inside of each of them.
Markov continued on to introduce another of the many mysteries confronting us.
After reappearing, the station's internal clock seemed to be malfunctioning.
The time was still correct, but the date now read March 20th, 2045, 44 years into the future,
and the exact same length of time from Ledevsky's disappearance in 1957 to today.
Would that possibly be a coincidence?
Perhaps, but the sinking feeling in my gut told me that it was not.
Either the computer was malfunctioning, or Mir had really been somewhere else for 44 years,
while only 24 hours had passed here. Thought still makes me shudder to this day.
Markov went on to highlight a few more strange occurrences. First, the life support system,
which had been shut down for months since there was no one left on board, was found to be engaged
and operating when Mir reappeared. Markov continued.
Second, the cameras and microcomputers in the space station would not have been able to
manually engage life support when Mir reappeared. Something else up there was breathing, be it
Ledevsky or something else. Furthermore, if the man on Mir really was Ledevsky,
how could he possibly know how to activate the life support system? Technology in 1957
was extremely primitive compared to what it is up there on the space station now. There's no way he
would have been able to access the computer system and navigate the complicated process to manually
activate the life support system. There's no way he would have been able to access the computer system
to manually activate the life support system. Which were in working order before the anomaly had either been deactivated or were
malfunctioning. Getting these back online as soon as possible would be a top priority for my
communications team. After this, Markov took a seat and Nikovlev, my communications team member who
worked at the terminal next to me, was called up front. His face was white as chalk, his forehead
beaded with sweat, and his hands and legs were shaking as he stood before the control room.
I have spoken at length with the one calling himself Alesky Ladovsky. He is coherent,
rational, and articulate, though he seems just as confused about this situation as we all do,
and wants to come home. He claims to have no memory of how he got onto space station,
or of anything from the last 44 years. He says his last memories are crossing into space on a
rocket in 1957 and then waking up aboard Mir today.
Nikovlev paused to take a sip from a bottle of water resting on the podium.
His hand was shaking so violently that he struggled to get the cap off.
Something about the way he said this made me doubt his sincerity,
so I went back and double-checked the recording and something strange stood out to me.
Each time Ladovsky would answer a question, there were several moments of silence and static,
and upon further review, I detected that he was keying and realizing his radio transmitter in
rapid succession before speaking. He paused again, wiping his glasses on his shirt.
"I soon recognized this is Morse code, and, well, here is what was transmitted."
The screen above him changed to a white background, with the following,
its dark black text. Translation of the Morse code:
"The smiling ones are with me. The smiling ones are here. Do not trust the smiling ones.
Don't tell them you know. It will hurt me if they know."
That's the end of part one.
I hope you enjoyed this video. If you did, please like, share, and subscribe. Thank you!
See you in the next one.
Bye!
These are all gimmicks you wouldn't like.
I don't know what character you've adopted.
Do you not like it?
I'm enjoying it so far.
I am too!
No, you're not. This isn't how you act when you enjoy things.
When you enjoy things, you sit over there and you're like,
"Oh, this rules. Yeah, this is sick. Yeah, it's not."
You're not like, "That was scary. That was really scary. That was cool."
Like, "I thought that this was good, and I'm excited to see what happens next."
Because I can't tell if the people doing Morse code
are the spying ones or not.
Okay. Well, I think it's interesting so far.
Or do you think that he's in a parallel universe and he's able to talk with us right now?
Like, it's static. Like, he's there, but he's not. You know what I mean?
Like, he's still existing in an alternate timeline or something.
To me, this sounds like gun to your head kind of thing.
Like, they're around him, making him talk and answer questions,
but he's trying to get a warning out, I think.
Interesting.
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We are now back to the episode part two.
I read those words and immediately felt ill.
I made it to the lavatory just in time to vomit thin gruel of cigarette butt
flavored coffee into the sink.
After washing my sick,
out of the basin and splashing my face with cold water,
I looked into the mirror.
My face was pale and haggard large bags had formed under my bloodshot eyes.
It was the face of a man who had been working for over 24 hours straight.
I remember having during that's a real moment lost in reflection,
a vague presentiment that things were about to get much worse and much stranger,
but I know just how horrifying the next 60 hours would be.
I would have gladly accepted termination and incarceration.
But it's been worth it not to know what I know.
Now I left the bathroom and made my way back to my station through the glass window on the opposite side of the room.
I could see a small group of directors arguing a cop devs office and an easy quiet.
It settled over the mission control room punctuated by mouse clicks and the clacking of keyboards.
Each operator I passed avoided eye contact either completely focused on the tasks they had been assigned or doing an excellent job staring at the screen and faking it.
I can't remember the name of the person in question, but I have to admit that I was very shocked to find out that there was a cop devs office.
Gossip and idle talk are strongly discouraged by the Russian space agency.
When I arrived back in my terminal, I looked over to see Yakovlev hugging his elbows to his chest and staring vacantly into space.
His chair had been pushed back from the desk and he reclined, stretching away from the radio transmitter resting there as if it were a snake coiled to strike.
What did I miss?
Yes, snapping him from his trance.
He looked over at me through cloudy eyes.
No more Morse code so far, but Ladovsky.
Has been pleading for rescue non-stop.
It was really starting to get to me.
I told him that we are currently discussing the best way to get him off Mir.
Then I had to mute him.
There's seriously something off about that guy.
Yeah, no kidding.
They muted the transmission?
I think they muted, uh, like maybe their cell.
Yeah, or even his transmission, maybe.
Well, if it's his transmission, it's like you need to listen to his transmission.
I mean, what if he's like, oh my gosh!
They're probably just freaking him out.
He's probably just incessantly being like, okay, come get me.
No, give me that guy thing.
No.
Yeah.
The door to cop devs office was closed, but the argument inside had grown heated and I could just make out a few words, all of them harsh through the glass.
I could see Markov gesturing angrily and occasionally pounding a fist on the desk.
Cop dev set calmly at his desk, hands clasped in front of him.
So is this what you think they're discussing in there?
How to get Ladovsky back to earth from what I can gather.
This is precisely what assistant director.
Ivanov once I heard him yelling something about Ladovsky being a national treasure and a hero of the Soviet union.
He thinks immediate rescue is the only option and that we can figure out who, what, and why later on once Ladovsky is safely back on solid ground.
This guy who's been up there 40 years.
That's a hero.
They even questioned like, shouldn't he be like super old?
Mm-hmm.
Hmm.
I feel like that's where I'd say, uh, shouldn't you be like a hundred?
Shouldn't this guy be old and also have starved to death?
Like, you know, 43.
Years ago, shouldn't that guy not be alive?
Yeah.
I rolled my eyes though.
I honestly hadn't expected any other reaction from the assistant director.
Ivanov had been a cosmonaut himself in the eighties, but even resided on Mir for a few months.
He was a fiery and passionate man with a very traditional values, the type to yearn in secret for a return to the greatness of the USSR.
Now close to retirement, he had been skipped for the job of director in favor of the younger and more level-headed cop dev.
Ivanov bitterly resented this fact.
He must've seen this as a opportunity to upstage cop dev and as a possible propaganda victory.
And Ivanov's mind rescuing Ladovsky would open the door to the mysteries of the universe.
Russia would be the first to step through the Vanguard into the unknown.
I take it that Markov has other ideas.
I asked the head of trafficking and communications was standing in the office now screaming and pointed at Ivanov shaking with fury.
Quite an understatement.
I've never, I never thought of Markov as a superstitious man, but he seems to think that there is something sinister and possibly supernatural going on up there.
He's asked cop dev to cut off all communication with Mir and proceed with the operating as planned.
He wants to let the station burn with Ladovsky still on, still on it?
Cover this up like nothing happened?
I asked and Kovalev gave a solemn nod.
And what about cop dev?
Where does he stand?
You know as well as I that the director is a cautious man.
I think he is weighing out his options and will try to gather more information before making a decision.
There is so much about this that cannot be rationally explained, but I think cop dev believes Ladovsky has gone mad.
Conversation was interrupted by cop dev poking his head out of his office.
He spoke loudly so the entire room could hear.
I want all personnel except communications department to put a hold on their current task.
Spend the next half hour researching the smiling ones.
Scour government records, historical archives, the internet, and anywhere else you can think of for any reference to that phrase.
Communications, I want your full attention to restoring our visual link to the space station.
I want to see what's going on up there.
I will expect reports in 30 minutes.
He shut the door and the arguing inside resumed.
Kovalev and I made eye contact for a fleeting moment and then returned to our terminals and got to work.
Half hour later, we were once again gathered in a semicircle with cop dev, Markov, and Ivanov,
standing in the middle beneath the central screen.
Each department reported their findings, but all were variations of the same theme.
There were no substantial mentions of the smiling ones to be found.
I like how he steps out of the office and he's like, I need you guys to go to Google, you know, libraries.
Everyone log into Wi-Fi and use Ask Jeeves for smiling one.
Remember, Wi-Fi password is Russia number one, but the number is N-O and then P-O.
Period and the hashtag pound sign.
Everyone go to Bing, turn safe search off.
Type in smiling one, if not that print out newest image.
You don't know what I mean.
Cop dev, clearly frustrated, turned to the communications department and it fell to me to act as spokesperson.
I stood up from my desk and faced the director.
I could feel the eyes of every person in the room crawling over me.
My left leg was shaking involuntarily.
Sir, I have some good news as well as some strange news.
The good news is we have fully restored the visual link to the space station.
Mirror and all cameras are now active.
Subdued cheer went up in the room.
I waited for it to recede and then leaned over and pressed a button on my terminal.
The main display at the front of the room changed into a black screen separated by crisscross gray lines,
each labeled with a different location on the space station and each completely dark.
The strange news is that every camera on Mir seems to be blocked or covered by something.
My guess would be black electrical tape.
Cop dev and Markov exchanged a look while Ivanov stared at the screen confused.
After a few moments, he turned to me, his neck glowing crimson under his collar.
You are certain the cameras are active?
There hasn't been a mistake?
I'm certain of it, sir.
Okay.
Excellent work, communications department.
We will take that under advisement.
Anyone else have anything to report?
Said Director Cop dev.
A man from the life support department stood up and cleared his throat.
Director, I've been going over the data for the life support systems and I'm running into some inconsistencies.
First, though the station's internal clocks says 44 years have passed,
it appears that the life support system remained deactivated the entire time.
In fact, they were only reactivated the moment of Mir reappeared in low Earth orbit.
Secondly, though the electron oxygen generator is activated and working,
working as intended. There is something very strange about the numbers coming from the
Vodkov carbon dioxide scrubbers. They basically aren't doing anything. There is no carbon
dioxide in the air, only oxygen. Either there is either a malfunction in the Vodkov data
collection system or whatever is up there isn't breathing. Markov finished his sentence,
glaring at Koptev, his eyes full of fire. I don't like this, sir. Stop being so superstitious,
Markov, said Ivanov. You're like an old provincial peasant woman making the sign of the evil eye.
There clearly must be a malfunction in the unit. It's the only rational explanation. Besides,
a national hero is up there. He is alone and afraid and not in his right mind. It is our
duty to rescue him. It must be our first priority. Koptev's face was blank and hard as stone. He gave
each man a dead-eyed look, which silenced any further bickering. Men and women of Roskomos,
it appears we have reached an impasse. None of us have any idea of what happened to Mir or how
Lodovsky got aboard. I will not risk bringing this man back to Earth without first understanding what
has happened to him. So, we have but one option left. We must speak to Lodovsky again and we must
ask him directly, who are the smiley ones? I know the message requested we are not to bring it up,
but I see no other choice. I must know what we are dealing with. Simply a deranged man who wants
to come home or. Something else.
He's like, hey, what's the smiley ones? And he just gets, like, eviscerated. He's like, well,
that was a bad idea.
Well, that was probably kind of. Well, we shouldn't have done that, my bad. Do you know what, guys? On me.
Seriously, my bad.
He paused for a moment and looked around the room, beating the eyes of anyone brave enough
to look up. Finally, he turned towards our station.
Yokolov, you've already developed a rapport with Lodovsky, so I will ask you to continue
speaking with him.
I want the rest of you searching for clues to a possible explanation. You are free to
chase down any leads you come across. Now, let's get to work.
Cosmonaut Lodovsky, this is Roscosmos Mission Control. How do you read? Over.
Anxiety and exhaustion had turned Yakovlev's face an ashy gray color. As he held his headphone
to his ears, I could tell he was fighting to keep from shaking.
Koptev, Markov, Ivanov, and the other directors were huddled behind his chair.
I read loud and clear, Roscosmos.
Good to hear your voice.
Please, tell me you have a rocket on the way to get me here. To get me. I'm ready to feel
soil under my feet again.
His voice was calm and steady. Seemed in high spirits.
We're still working on that, Lodovsky. It's quite a complicated process and will take
some time to organize. In the meantime, there are a few questions I'd like to ask you.
There was no response, but dead static. Yakovlev looked to Koptev, who nodded for him to continue.
Cosmonaut, I need you to tell me where you have been for the last time.
The last 44 years.
Lodovsky gave an exasperated sigh.
Mission Control, I've already told you I have no idea.
Last thing I remember was escaping Earth's atmosphere on my rocket in 1957
and then waking up here today. There is nothing else.
Okay, Cosmonaut. Then how about you help us better understand your situation by checking
on the visual communication system. There seems to be something blocking the camera,
and can you find it on your console in front of you and remove the obstruction?
Several moments of silence.
Four seconds followed before the radio crackled back to life.
No, I'm sorry, Mission Control. There are many buttons and lights here that I don't understand.
I don't see any camera.
I like how the explanation's like, uh, you know me, I'm a boomer.
You should not have put so many flashing lights.
Like all the cameras are visibly taped up.
Yeah.
And he's like, oh, I'm a klutz.
It's weird. I don't know what this is.
Markov gave a derisive snort.
We all knew that. The camera was in the direct center of the terminal where Ladovsky sat.
Very clearly labeled and easy to find, even for someone from the 50s.
Yakovlev looked again to the director, who nodded for him to continue.
Yakovlev took a deep breath and keyed the mic.
Cosmonaut Ladovsky, who are the smiling ones?
Instantly, the Mission Control room was filled with a shrill, inhuman screech.
Impossibly loud and high-pitched.
It felt like a hot drill burrowing into both of my temples.
Underneath the shriek was a continuous stream of rapid, mechanical clicks.
Like a damaged hard drive trying to boot up.
I immediately felt nauseous.
I watched as Yakovlev ripped the headphones from his head and the directors covered their ears.
After ten agonizing seconds, the line went silent.
I still heard and felt the noise reverberating in my head and I rubbed my ears with the palms of my hands.
What the hell was that?
Screamed Markov, hands cupped over his ears.
The radio cracked.
It sputtered and then Ladovsky's voice returned, now high and panicky.
What? I don't know.
I don't know what you're talking about.
I've never heard of that.
I have no idea.
Just please, please get me out of here.
I don't like it here.
I just want to go home, please.
He pleaded on the verge of tears.
Calm down, Cosmonaut.
I need you to identify the source of that noise.
Said Yakovlev.
He was yelling like a deaf person.
Unknown.
What noise?
I don't hear anything on my end.
There's nothing.
Just please get me out of here.
Listen, Ladovsky.
There's nothing to be afraid of.
We are trying to help you.
We received the Morse code you sent.
You need to help us understand what your message meant
so that we can help you.
Fucking dumbass.
What was the secret message you tried to send?
The thing you don't want anyone to hear.
What was that about?
I like how. I like how they're like,
what about the smiling one?
Like the loudest noise ever.
They're like, so. Yeah, those.
That was weird.
What about the smiling ones?
That was weird.
Did you hear that?
Ladovsky's like, no.
I don't. What?
I'm winking.
Comrade, I'm winking.
When Yakovlev let go of the transmitter,
Ladovsky's voice came screaming over the speakers,
now fraught with terror.
No, no.
I have no idea how they know.
I didn't say anything.
I didn't send any message.
I heard it.
I have no idea what they're talking about.
Please, you have to believe me.
Now he was groaning.
Oh, no.
No more.
Please.
Please, no more.
The line went dead for several minutes.
The directors looked around the room in silence,
avoiding eye contact.
Finally, Yakovlev said
what we were all thinking.
Is it just me,
or is this guy like a total pain in my ass?
The actual line he says is pretty. Is it just me,
or did it sound like he was talking. He was talking to someone else.
Wow.
Incredible detective work from the commander.
God, your intuition is amazing.
Is it just me,
or when he turned and said,
I didn't hear that,
and then said,
no, no,
I don't know how they know,
no.
Someone's there with him on the space station?
Before anyone could answer,
the radio clicked on,
and he was back.
Mission Control, Ladovsky here.
I wish I could help you,
but I have no idea what you're talking about.
Perhaps once I have my feet back on the ground,
and some food in me,
I will remember more.
Any word on my rescue mission?
Buddy got turned into a stick puppet.
They got their hand up him right now,
just talking to him.
What's funny is,
we never see it,
which I will say,
the smiling ones at the beginning
were kind of like,
I see a lot of smiling faces
that can be kind of cheesy,
but the fact we don't see anything is fine.
It makes it more inventive.
But we don't see what's happening.
He's like, no, no, I don't know.
Please, no more.
We don't see it.
So for all we know,
it could be like,
they've like got a little tiki bar,
and they're making him like dance.
Like they pull.
This is what's on the space station with Ladovsky.
That's just behind him at the chair.
That has to have a little astronaut helmet on.
Of course, of course.
And he put an astronaut helmet on him.
And so he's got that.
It's staying behind him.
When he heard like they're making pull-up
and they're bringing him to the dance floor,
he's like, no, no, no.
It's been 44 years.
Kovlev picked up the transmitter to respond,
but CopDev grabbed his wrist and stopped him.
The static was interrupted
by a series of long and short clicks.
I grabbed for my pen
and began to write down the Morse code message,
which reads,
do not let.
But that was as far as I got.
The message was cut off
by the screeching of that same shrill piercing tone,
louder this time.
The mechanical clicking was there again,
but was now accompanied by a deep wobbling bass note.
The frequency of the wobble increased
faster and faster like the spinning of a giant coin,
the volume rising.
The screech pierced through my brain like hot iron
and I could feel the bass in the pit of my stomach
and all the way down into my testicles.
It felt like I'd been kicked there.
My stomach turned over and I could taste the bile,
rising in my throat.
I looked around the room
and found I was far from the only one experiencing this.
Everyone was covering their ears.
Some had grabbed wastebaskets to vomit in.
Others leaned back in their chairs.
Eyes rolled back in their skulls.
I was vaguely aware of one other noise.
Somewhere in the blackness of space,
Lodowski was screaming.
Lodowski tried to say something like,
wah, wah, wah, wah, wah.
Eeeee!
Yeah, just decimated.
Yeah.
Yeah.
That's the end of part two.
Now on to part three.
I awoke with a thin, coppery taste in my mouth and a throbbing headache above each eye.
The signal must have cut off at some point, though I have no memory of this happening.
For the briefest moment of bliss, I thought I was home in bed, safe and comfortable.
My greatest worry, the inevitable cry of the alarm clock.
Then I rolled over and couldn't find my pillow.
When I tried to look for it, I woke up and found myself face down on my desk.
I hadn't slept in so very long.
I wanted so badly to close my eyes and drift away, to the
Give me the beat, boys, and free my soul.
Wanna get lost in your rock and roll and drift away.
To pretend this wasn't happening, but it was, and self-deception would get me nowhere.
There's a job to be done. By God, I was going to do it.
What a fool I was. Should have stayed asleep.
I shook the cobwebs from my mind and rose from the desk.
Trying to ignore the piercing ring in my ears.
Looking around, I could see other Roscosmos operators and engineers coming to similar predicaments.
Some wiping vomit from their mouths with the back of their hands.
Others massaging their necks or temples.
Is everyone okay? Is there anyone injured?
Came the loud voice of Director Coptive.
Clear but strained like an out-of-tune instrument.
Scattered confirmations echoed throughout the room.
I was about to attest to my own well-being when I happened to glance over at you,
11 stopped short his forehead resting on the keyboard in front of him and the headphones
he'd been wearing to communicate with lodovsky were still covering his ears i could not immediately
tell if he was breathing but he definitely wasn't moving i rushed to his side and peeled off the
headphones a thin stream of blood trickled from each of his ears forming small pools on the desk
tenderly i lifted his head cradling into my hands and calling his name his eyes were closed and
blood dripped from his nostrils after a few moments his eyelashes fluttered and his eyes
opened but they were distant and opaque as if he didn't see me at all as if he were in a dream
state off at some distant wonder his face was blank loose and emotionless except for his mouth
was curled up into a large toothy and humorous grin he didn't speak nor seem to hear me at all
i screamed for a medic but what i got were two intelligence agents in charcoal colored suits
they lifted
yakovlev from the chair by his elbows and led him from the room he wafted between them grinning
and dreamlike in the direction of the medical facility the last time i would ever see him
with yakovlev out of the picture the task of manning the radio fell to me
markov tried to make the burden upon himself but coptiv was having none of it i'm sorry markov i
admire your tenacity but we each have our own have our roles to play and as a department head your
role is supervising our department members and providing advisement to the director when markov
continued grumbling coptive turned to me will you serve your country and completely assign
tasks with vigor and professionalism yes i will i replied automatically the product of decades
of training even as i spoke these words my brain was screaming no i won't let me go leave me in
peace but it was too far too late for that turned back to markov would you deny him the chance to
serve russia and fulfill his duty no i suppose i could not harass markov speaking of coptiv but
locking eyes with me he turned to follow coptiv i swallowed hard and placed the headphones over
my ears but markov turned back and snatched them off my head no more headphones said the coptiv
he can hear with the rest of us here on the overhead speakers well enough and i won't lose
another man in my department to whatever is up there coptive nodded his approval and added
cut the audio feeds as well i don't want to hear that noise or anything else from the
current space station until we're good and ready for it lodowski will just have to stay
iced for a while until we clear a few things up could have kissed him for that i was not
ready for this then the pair turned and walked off continuing their rounds checking
for injuries among the operators that's kind of cool that the guy that had headphones on just dies
but he's smiling now yeah well smiling one he says a humorless grin that almost feels like his
face is just stretched yeah like it's been pulled rather than it's kind of the you're actually
frowning when you do it that way because the top of your mouth's going down that's closer whatever
was like the abg in mouth i love i love that you just can't see any of his teeth ever so he's just
like
did you like a fucking diarrhea shit sandwich did you like avg and or the nostalgia critic better i
don't i've never watched any of them i didn't have internet until i was in college so i missed that
whole wave of stuff i watched nostalgia critic a lot i remember just who which one's he he's a he
would do movie reviews but like it would always be gags about like he'd get really mad over like
minute details and stuff like that and it was it was like more comfortable and he was like i'm not
gonna tell you what he's like i'm gonna tell you what he's like i'm not gonna tell you what he's like
more comedy was he the one with the red tie yeah oh yeah that's him doug walker he's also what i
like about him is like he's still around um and a lot of those older guys have got like real butt
hurt about not being like as popular as they thought they would stuff but every time i see
doug he's just like he has a good humor about it like on an episode of spongebob they made fun of
him they had they had a character like wear the red tie and like the joke was he lived in his mom's
basement and he was like really upset over something that he didn't like and he was like
that didn't matter so doug posted a video of him watching that and like like he was heartbroken and
he's like he pulls out his phone and calls avg and goes spongebob doesn't like you like you can't
process criticism about himself he's a good he's a good sport about it so hey this episode is
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to tushy for sponsoring this episode now back to the episode after confirming there were no other
major injuries cop dev appeared at the podium up front once more the room fell silent he began the
greatest motivational speech in the world tushy was the first person in the room to talk about
tushy's speech i would ever bear witness to it goes without saying that we are all experiencing
something completely unique in our species history it is in my personal opinion that we are in
communication with some kind of undiscovered life form if this is true it will forever change our
understanding of the universe and alter the future path of humanity whatever these smiling ones are
we can all attest to the fact that this is first contact yeah that's really what's going on here
has been less benevolent than we might have hoped
regardless our job as scientists remains the same not to have opinions and beliefs but to
provide proof i have asked so much of you already but now i must ask for more we need to figure out
what we are dealing with here we need more information we need proof but the fate of the
human race may depend on it room was silent the atmosphere gravid with the seriousness of the
task at hand i want the communications team to focus on analyzing that sound but do not listen
to a recording directly we've all seen what that can cause the rest of you keep searching for any
clues that might tell us who these smiling ones are where they come from or what they might want
it's about time we finally catch a break i put this in your capable hands he smiled warmly i'm
counting on you and i'm proud of every one of you there's no other team in the world i'd rather be
working with than the one i see before me here today so analyze we did breaking the noise down
searching for the truth and finding the truth and finding the truth and finding the truth and
searching for similarities in the sound wave patterns to know sounds from earth comparing
the frequency and amplitude to mysterious recordings collected during various natural
disasters and from the deep ocean and outer space we worked for hours all for naught nothing even
came close the sound was completely alien unlike anything anyone had ever heard or produced it was
more complex than anything we had even considered possible the noise defied our very understanding
of sound waves altogether we had been affected by the noise of the sound waves and the sound waves
had been affected by ultrasound and infrasound frequencies far beyond the range of what was
previously thought possible but we had all heard it and experienced the reaction denial was not an
option others had better luck via confidential maneuvering by the russian foreign intelligence
agency we were able to obtain from the united states space surveillance network higher quality
satellite-based images of the exact moments mir disappeared and reappeared for once the yankee
spying actually benefited russia and the results were
stunning from these new angles we discovered something previously overlooked at the exact
instant of vanishment something had appeared in the path of the space station which momentarily
blocked out the dim light from distant stars in the background the image showed nothing directly
behind mir except absolute blackness
the same thing occurred at reappearance the images were taken at a high frame per second rate
and in a few of those frames we could actually see the space station partially obstructed by this
void as if it were disappearing into whatever was there in the darkness like a photo of a diver
disappearing into a pool various hypotheses were tossed around but all kept coming back to the same
explanation a theoretical phenomenon known as a wormhole or something akin to it till this time
wormholes tunnel-like structures connecting two separate points of space-time though congruent
with einstein's general theory of relativity had remained purely hypothetical now here we sat an
entire room of physicists and scientists staring at possible evidence of an actual wormhole
excitement and terror bundled together into a peculiar knot of emotion
there are a few of these theories but they're not all the same
there are a few different theories on wormholes some believe they connect together two vastly
different theories on wormholes some believe they connect together two vastly distant points in space
distant points in space
distant points in space perhaps billions of light years apart others
perhaps billions of light years apart others
perhaps billions of light years apart others propose a linkage of the same place
propose a linkage of the same place
propose a linkage of the same place in space at two different times still
in space at two different times still
in space at two different times still others advocate of the multiverse theory
others advocate of the multiverse theory
others advocate of the multiverse theory propound the idea of wormholes connecting
propound the idea of wormholes connecting
propound the idea of wormholes connecting a point in our universe to another point
a point in our universe to another point
a point in our universe to another point in a completely alternate universe
in a completely alternate universe
in a completely alternate universe any of these seemed a possible
any of these seemed a possible
any of these seemed a possible explanation for our anomaly though the
explanation for our anomaly though the
explanation for our anomaly though the potential evidence was exhilarating the
potential evidence was exhilarating the
potential evidence was exhilarating the fact that it had appeared in the exact
fact that it had appeared in the exact
fact that it had appeared in the exact same location twice in the span of 24
same location twice in the span of 24
same location twice in the span of 24 hours implied that the wormhole had been
hours implied that the wormhole had been
hours implied that the wormhole had been controlled or even manufactured by some
controlled or even manufactured by some
controlled or even manufactured by some kind of intelligence a sinister a
kind of intelligence a sinister a
kind of intelligence a sinister a sinister prospect given the events in a
sinister prospect given the events in a
sinister prospect given the events in a transpired since emerged reappearance
transpired since emerged reappearance
transpired since emerged reappearance there was one little problem with our
there was one little problem with our
there was one little problem with our wormhole theory however
wormhole theory however
wormhole theory however unlike a black hole in which the event
unlike a black hole in which the event
unlike a black hole in which the event horizon boundary in space-time beyond
horizon boundary in space-time beyond
horizon boundary in space-time beyond which events cannot be observed prevents
which events cannot be observed prevents
which events cannot be observed prevents light from escaping due to
light from escaping due to
light from escaping due to gravitational pull a wormhole would not
gravitational pull a wormhole would not
gravitational pull a wormhole would not produce an event horizon
produce an event horizon
produce an event horizon peering through the mouth of a wormhole
peering through the mouth of a wormhole
peering through the mouth of a wormhole more of a 3d sphere rather than a 2d hole
more of a 3d sphere rather than a 2d hole
more of a 3d sphere rather than a 2d hole should reveal to us what is on the
should reveal to us what is on the
should reveal to us what is on the other side
other side
other side or if matter can pass through then so can
or if matter can pass through then so can
or if matter can pass through then so can light
light
light though distorted by the curvature of
though distorted by the curvature of
though distorted by the curvature of space in the wormhole
space in the wormhole
space in the wormhole all of our theoretical models visualize
all of our theoretical models visualize
all of our theoretical models visualize a wormhole is something similar to a
a wormhole is something similar to a
a wormhole is something similar to a bubble in space
bubble in space
bubble in space with intense light radiating from inner
with intense light radiating from inner
with intense light radiating from inner rim of the mouth quickly dimming as our
rim of the mouth quickly dimming as our
rim of the mouth quickly dimming as our view moves towards the center and in the
view moves towards the center and in the
view moves towards the center and in the center we should be able to see right
center we should be able to see right
center we should be able to see right through to the planet stars or nebula on
through to the planet stars or nebula on
through to the planet stars or nebula on the other side
the other side
the other side in our case we saw nothing no ring of
in our case we saw nothing no ring of
in our case we saw nothing no ring of light and certainly no stars
light and certainly no stars
light and certainly no stars nothing but an empty field of pitch black
nothing but an empty field of pitch black
nothing but an empty field of pitch black three possible conclusions can be drawn
three possible conclusions can be drawn
three possible conclusions can be drawn from this
from this
from this either our understanding of wormholes is
either our understanding of wormholes is
either our understanding of wormholes is way off what we're seeing in the images
way off what we're seeing in the images
way off what we're seeing in the images is not actually a wormhole something else
is not actually a wormhole something else
is not actually a wormhole something else altogether
altogether
altogether or
or
or it is a wormhole but whatever universe it
it is a wormhole but whatever universe it
it is a wormhole but whatever universe it leads to is a vast empty void where not
leads to is a vast empty void where not
leads to is a vast empty void where not even light exists
even light exists
even light exists this at which if you're looking at
this at which if you're looking at
this at which if you're looking at scientifically
scientifically
scientifically like would have to be
the most likely option if what you're
the most likely option if what you're
the most likely option if what you're looking at
looking at
looking at again assuming all this actually happened
again assuming all this actually happened
again assuming all this actually happened um would be the most likely option
um would be the most likely option
um would be the most likely option because the fact that anything exists
because the fact that anything exists
because the fact that anything exists according to like scientific theory is
according to like scientific theory is
according to like scientific theory is a super super impossibly rare occurrence
a super super impossibly rare occurrence
a super super impossibly rare occurrence they're like you know big bang
they're like you know big bang
they're like you know big bang everything exists as it is so any other
everything exists as it is so any other
everything exists as it is so any other universe a wormhole would appear into
universe a wormhole would appear into
universe a wormhole would appear into would more than likely have nothing
would more than likely have nothing
would more than likely have nothing because nothing's far more likely than
because nothing's far more likely than
because nothing's far more likely than something right
something right
something right um but i also don't know if models of
um but i also don't know if models of
um but i also don't know if models of the wormholes were that
the wormholes were that
the wormholes were that in tune in 1957
in tune in 1957
in tune in 1957 maybe yeah it would because einstein was
maybe yeah it would because einstein was
maybe yeah it would because einstein was around and he theorized it he also
around and he theorized it he also
around and he theorized it he also theorized that like black holes would be
theorized that like black holes would be
theorized that like black holes would be like
like
like a bending of light like uh the light
a bending of light like uh the light
a bending of light like uh the light would kind of bend in two forms around
would kind of bend in two forms around
would kind of bend in two forms around it um so it looks more like an axis
it um so it looks more like an axis
it um so it looks more like an axis rather than like a hole
rather than like a hole
rather than like a hole uh and then when we got actual footage
uh and then when we got actual footage
uh and then when we got actual footage of black holes now he was right so the
of black holes now he was right so the
of black holes now he was right so the dude was pretty on his game imagine in
dude was pretty on his game imagine in
dude was pretty on his game imagine in the 1940s being like well it would bend
the 1940s being like well it would bend
the 1940s being like well it would bend light and time to look like this and
light and time to look like this and
light and time to look like this and then a hundred almost a hundred years
then a hundred almost a hundred years
then a hundred almost a hundred years later they're like yeah yeah he was
later they're like yeah yeah he was
later they're like yeah yeah he was right damn yeah that guy knew what he
right damn yeah that guy knew what he
right damn yeah that guy knew what he was talking about he was smart
was talking about he was smart
was talking about he was smart right that guy must have been an
right that guy must have been an
right that guy must have been an einstein or something oh
einstein or something oh
einstein or something oh okay it real convenient that i that
okay it real convenient that i that
okay it real convenient that i that einstein guy i had no idea it matched
einstein guy i had no idea it matched
einstein guy i had no idea it matched the name yeah it's like it's like that
the name yeah it's like it's like that
the name yeah it's like it's like that scene from the sopranos when uh chris is
scene from the sopranos when uh chris is
scene from the sopranos when uh chris is like isn't it crazy that lou gehrig died
like isn't it crazy that lou gehrig died
like isn't it crazy that lou gehrig died of lou gehrig's disease
that's so good
that's so good
that's so good i love chrissy my favorite chris joke on
i love chrissy my favorite chris joke on
i love chrissy my favorite chris joke on that show is after
that show is after
that show is after uh olivia dies and him and adriana are
uh olivia dies and him and adriana are
uh olivia dies and him and adriana are high as a kite at tony's house and no
high as a kite at tony's house and no
high as a kite at tony's house and no one's will say anything nice about
one's will say anything nice about
one's will say anything nice about olivia and chris is like you know they
olivia and chris is like you know they
olivia and chris is like you know they say that
say that
say that there there's never two of the same
there there's never two of the same
there there's never two of the same people everybody's unique but how would
people everybody's unique but how would
people everybody's unique but how would they know
they know
they know because you'd have to like get everyone
because you'd have to like get everyone
because you'd have to like get everyone on the planet to line up and look at all
on the planet to line up and look at all
on the planet to line up and look at all of them and even then there could be
of them and even then there could be
of them and even then there could be someone dead
someone dead
like ghost for five minutes he's like the
like ghost for five minutes he's like the
like ghost for five minutes he's like the point is
the tony scissor goes thank you chris
thank you
thank you
thank you the new revelation had produced an
the new revelation had produced an
the new revelation had produced an atmosphere of excitement in the mission
atmosphere of excitement in the mission
atmosphere of excitement in the mission control room and in director koptev
control room and in director koptev
control room and in director koptev especially
especially
especially here we few stood unique among all
here we few stood unique among all
here we few stood unique among all humans living in past perched upon the
humans living in past perched upon the
humans living in past perched upon the precipice of the utterly unknown we were
precipice of the utterly unknown we were
precipice of the utterly unknown we were living out a scene from the pages of a
living out a scene from the pages of a
living out a scene from the pages of a science fiction novel except it was
science fiction novel except it was
science fiction novel except it was reality a surreal terrifying astonishing
reality a surreal terrifying astonishing
reality a surreal terrifying astonishing reality
reality
reality may have been a bit of a stretch but by
may have been a bit of a stretch but by
may have been a bit of a stretch but by this point koptev had thoroughly
this point koptev had thoroughly
this point koptev had thoroughly convinced himself and in turn all of us
convinced himself and in turn all of us
convinced himself and in turn all of us that we had encountered a newly
that we had encountered a newly
that we had encountered a newly discovered life form
discovered life form
discovered life form extraterrestrial extra dimensional or
extraterrestrial extra dimensional or otherwise we couldn't help but feel
otherwise we couldn't help but feel
otherwise we couldn't help but feel excitement
excitement
excitement this was every astronomer's dream any who
this was every astronomer's dream any who
this was every astronomer's dream any who said otherwise was either lying about
said otherwise was either lying about
said otherwise was either lying about their own dream or lying about being an
their own dream or lying about being an
their own dream or lying about being an astronomer
astronomer
astronomer at the same time it was a horrifying
at the same time it was a horrifying
at the same time it was a horrifying prospect for what it meant for us for
prospect for what it meant for us for
prospect for what it meant for us for our planet and especially what it meant
our planet and especially what it meant
our planet and especially what it meant for ledovsky
for ledovsky koptev we were on the threshold of a
koptev we were on the threshold of a
koptev we were on the threshold of a discovery which would alter the destiny
discovery which would alter the destiny
discovery which would alter the destiny of mankind but among the other
of mankind but among the other
of mankind but among the other director's opinions of how we should
director's opinions of how we should
director's opinions of how we should proceed still differed
proceed still differed
proceed still differed they began to argue again passionately
they began to argue again passionately
they began to argue again passionately and excitedly not bothering this time
and excitedly not bothering this time
and excitedly not bothering this time to retreat to the confines of the office
to retreat to the confines of the office
to retreat to the confines of the office this is our chance yelled assistant
this is our chance yelled assistant
this is our chance yelled assistant his face was flush and beads of sweat
his face was flush and beads of sweat
his face was flush and beads of sweat stood out of his wrinkled brow
stood out of his wrinkled brow
stood out of his wrinkled brow we'd be fools not to reach out and take
we'd be fools not to reach out and take
we'd be fools not to reach out and take it i propose we send zoya's capsule to
it i propose we send zoya's capsule to
it i propose we send zoya's capsule to talk with mir and bring whatever is up
talk with mir and bring whatever is up
talk with mir and bring whatever is up there back to earth and still hold that
there back to earth and still hold that
there back to earth and still hold that hope that it really is lodowski
hope that it really is lodowski
hope that it really is lodowski but if it isn't we capture it examine
but if it isn't we capture it examine
but if it isn't we capture it examine it
it
it experiment on it and force it to reveal
experiment on it and force it to reveal
experiment on it and force it to reveal to us the secrets of the universe
to us the secrets of the universe
to us the secrets of the universe just imagine it russia the first nation
just imagine it russia the first nation
just imagine it russia the first nation on earth to make interstellar travel
on earth to make interstellar travel
on earth to make interstellar travel possible via wormhole generation
possible via wormhole generation
possible via wormhole generation we would instantly become the greatest
we would instantly become the greatest
we would instantly become the greatest nation on the world no the universe is
nation on the world no the universe is
nation on the world no the universe is ever known we must do this for the
ever known we must do this for the
ever known we must do this for the benefit of all mankind and for the glory
benefit of all mankind and for the glory
benefit of all mankind and for the glory of mother russia
of mother russia
of mother russia so i like um i like how ivanov so
so i like um i like how ivanov so
so i like um i like how ivanov so fired up about like getting the guy back
fired up about like getting the guy back
fired up about like getting the guy back and stuff like that and i understand
and stuff like that and i understand
and stuff like that and i understand that's kind of what's motivating what
that's kind of what's motivating what
that's kind of what's motivating what he's saying like for russia to be on top
he's saying like for russia to be on top he's near the end of his career
he's near the end of his career
he's near the end of his career as mentioned uh and i get all that but
as mentioned uh and i get all that but
as mentioned uh and i get all that but it's also funny because like what are
it's also funny because like what are
it's also funny because like what are you gonna do with wormhole travel
you gonna do with wormhole travel
you gonna do with wormhole travel maybe 200 years from now when we have
maybe 200 years from now when we have
maybe 200 years from now when we have tech that lets like people colonize
tech that lets like people colonize
tech that lets like people colonize space and live and travel to far off
space and live and travel to far off
space and live and travel to far off planets but it's like right now
planets but it's like right now we're gonna go through and be like yep
we're gonna go through and be like yep
we're gonna go through and be like yep a whole lot of nothing
a whole lot of nothing
a whole lot of nothing all right i'm on my way back crazy total
all right i'm on my way back crazy total
all right i'm on my way back crazy total total darkness wow i sure hope this
total darkness wow i sure hope this
total darkness wow i sure hope this works the other way
works the other way
works the other way or else
or else
or else but also like
but also like
but also like i realized i was wrong because
i realized i was wrong because
i realized i was wrong because lodovsky's from the 1957 but this space
lodovsky's from the 1957 but this space
lodovsky's from the 1957 but this space cruise like what 2001 it said 2002 so
cruise like what 2001 it said 2002 so
cruise like what 2001 it said 2002 so yeah i was i was off with that they
yeah i was i was off with that they
yeah i was i was off with that they certainly would have wormhole theory
certainly would have wormhole theory
certainly would have wormhole theory yeah yeah that's correct a few muffled
yeah yeah that's correct a few muffled
yeah yeah that's correct a few muffled agreements rose from the assembly the
agreements rose from the assembly the
agreements rose from the assembly the room was filled with the quiet tension
room was filled with the quiet tension
room was filled with the quiet tension almost palpable like a steel wire ready
almost palpable like a steel wire ready
almost palpable like a steel wire ready to snap
to snap
to snap all eyes turned to markov who sat with
all eyes turned to markov who sat with one leg crossed over the other and an
one leg crossed over the other and an
one leg crossed over the other and an ironic smile plastered to his face
ironic smile plastered to his face
ironic smile plastered to his face do you have anything to add markov that's
do you have anything to add markov that's
do you have anything to add markov that's captive
captive
captive yes director i still think it should be
yes director i still think it should be
yes director i still think it should be destroyed
destroyed
destroyed do you over at the space station with
do you over at the space station with
do you over at the space station with lodowski still on board
lodowski still on board
lodowski still on board no i don't think we can risk that i
no i don't think we can risk that i
no i don't think we can risk that i think we should destroy it while it's
think we should destroy it while it's
think we should destroy it while it's still in orbit
still in orbit
still in orbit i'm not sure how yet maybe with a nuke
i'm not sure how yet maybe with a nuke
i'm not sure how yet maybe with a nuke just to be certain so i'm 100 on
just to be certain so i'm 100 on
just to be certain so i'm 100 on coptive side
coptive side
coptive side like just blow it up yeah yeah 100
like just blow it up yeah yeah 100
like just blow it up yeah yeah 100 immediately i've been gone for 44 years
immediately i've been gone for 44 years
immediately i've been gone for 44 years man we ain't missing you
man we ain't missing you
man we ain't missing you yeah sorry i mean it is according to the
yeah sorry i mean it is according to the
yeah sorry i mean it is according to the records you never died up there
records you never died up there
records you never died up there you don't even think thank you for your
you don't even think thank you for your
you don't even think thank you for your assistance comrade
assistance comrade
assistance comrade yep
yep
yep yes no everything will be fine ship on
yes no everything will be fine ship on
yes no everything will be fine ship on way
way
way a few surprised exclamations rose above
a few surprised exclamations rose above
a few surprised exclamations rose above the general murmur that followed his
the general murmur that followed his
the general murmur that followed his remark cop to have looked at him aghast
remark cop to have looked at him aghast markov you cannot be serious
markov you cannot be serious
markov you cannot be serious but i am people have already suffered
but i am people have already suffered
but i am people have already suffered right here in this room
right here in this room
right here in this room while whatever is out there still over
while whatever is out there still over
while whatever is out there still over two or miles above our heads i think
two or miles above our heads i think
two or miles above our heads i think we've only seen a minuscule portion of
we've only seen a minuscule portion of
we've only seen a minuscule portion of the damage it might be possible
the damage it might be possible
the damage it might be possible how many how many more people might be
how many how many more people might be
how many how many more people might be hurt or worse if we bring this thing
hurt or worse if we bring this thing
hurt or worse if we bring this thing back to earth we understand nothing
back to earth we understand nothing
back to earth we understand nothing about it sir
about it sir
about it sir nothing i even know of maybe right and by
nothing i even know of maybe right and by
nothing i even know of maybe right and by character
Capturing it may open a door to a whole new world of discovery, but once a door is opened,
who knows what Mike walked through from the other side.
The risk is too great.
We may well be signing the death certificate of the entire planet, and welcoming our own
destruction.
I say we destroy it immediately and remove that possibility."
Whispered approvals rose from a few of the gathered.
Cop Dev and Markov locked eyes, Markov's smile gone now, replaced by a look of iron
determination.
"I understand your sentiment, Markov, I do, but I will not be responsible for firing
any weapon into space, especially a nuclear weapon.
How would we explain that to the rest of the world?
Who knows what other repercussions there might be?"
Markov let out a frustrated grunt and crossed his arms.
Cop Dev continued, "Besides, Ludovsky may still be alive up there.
If there's still a chance to save him, however slim, we are obliged to try."
"I don't think you are.
I don't think you have to try at all, actually.
Again, on paper, that guy is dead.
He was never even up there, so. "
Ivanov was beaming.
"So what?
We go with Ivanov's plan and invite chaos onto our planet?"
"No.
We will still need more data to make a decision.
We need to know who the smiling ones are.
Thank you for your input, gentlemen, but I believe I have a plan."
The grin on Ivanov's face twisted into a sneer as he turned back to Cop Dev.
"And what might that be?
We contact Ludovsky again.
But this time we bluff.
We tell him we have a Soyuz capsule prepared to launch.
We tell him a rescue is on its way.
Then we see how he reacts."
"I feel the color draining from my face.
Cop Dev turned to me.
'Think you can handle that?'
I forced myself to nod."
"This is good.
I like the decision here.
So, I'm liking the story.
I enjoy it.
I feel like there's a few times that, like, honestly, it being titled 'The Smiling Ones'
and, like, the word of 'The Smiling Ones' used is one of the story's biggest faults."
"Yeah."
"Like, just because it…"
"It's too cheesy."
"It's too cheesy."
"And it's good."
"It completely cheapens the story."
"Yeah, it cheapens the story."
"Yeah.
I think, I think you could have just literally been, like, you could have just called it,
like…"
"They.
They're here."
"You could have been them or it could have just been, like, uh, I don't know, the, uh,
the forgotten space station.
Like, just anything that was just, like, something that's just, or it could have just become
a mirror."
"Yeah.
Well, I mean, like, in the story.
They are in here."
"Oh, yeah, yeah, yeah."
"They are in here."
"They're coming down."
"I don't think, I don't think you refer to them as anything."
"Mm-hmm."
"I think it's just a thing of you are wondering the whole time, is there actually someone
there?"
"Yeah."
"You know, and you can have him scream to somebody and be like, 'I, I didn't tell
them anything.'
And you're like, 'Is he just crazy?'
I don't know."
"But here's the thing, and this is kind of what we, like, when we, uh, had the interview
with, uh, Dathan, we kind of talked about…"
"Patreon exclusive."
"Patreon exclusive.
The author of Pinpal."
"It's on, it's on Patreon."
"It's on Patreon.
Listen to this interview on Patreon, if you want.
Um, what we were talking about with him is, like, there's this crossroads between what
I want to do and what does well, because there is, if this was written around, like, 2014,
2016 area, stuff about, like, smiling people was killing.
It was, it was, like…"
"How new is the story?"
"I have no idea."
"Oh."
"Uh, but my point is, like, if, that could have been, like, a strategic move…"
"Yeah, being like, 'Oh, oh, I see what you're saying,' where he's like, 'Well, that's
just the, that's the hot thing right now.'"
"That's what sells.
That's what people want to read."
"And maybe that's part of the reason it's successful and, like, people are recommending
it now."
"Yeah."
"Because they read it from that.
So, could be some of that, but for the story, I feel like The Smiling Ones is a disservice
to it."
"A hundred percent."
"Because if you take that out, it's a good story."
"Yeah, it's great."
"Yeah."
"I love the simple premise of just, uh, you know, thing goes missing, it comes back and
now it's floating and we have this dilemma of, do we help save somebody?
Oh, wait, I feel like literally humanity might be at jeopardy if we let this thing back on
Earth or whatever."
"Yeah, yeah."
"That's fun."
"So, uh, Ivanov is kind of set up as, like, he's desperate for something to happen, so
he wants to bring this guy back."
"Very proud man."
"Yeah, yeah."
"It's also, like, that was the other thing, I feel like the story could trust itself a
little bit more.
Like, we have that dialogue between our protagonist and then the guy who died, who he was talking
to, where they kind of have an explanation about the directors, like, 'Oh, Ivanov says
this.
Koptev's a man that believes this,' and stuff like that, but honestly, you don't need that,
because it's, that's present enough in their dialogue."
"Yeah, I mean, also just having a character say, 'Someone googled the smiling ones,' is
just…"
"That was rough.
That was rough, yeah.
I agree."
"It looks like in 2018, this story was posted in No Sleep No One: Best Original Monster
2018, and then in 2020, he expanded it into a novelette, so like, kind of a novella-length
e-book."
"Okay.
So…"
"So I guess it is more, a little bit more recent."
"So 2018, first called the smiling ones, that's still around the time I think it was doing
well, I would say.
Yeah, because I was in high school, coming out of high school, so yeah, I think smiling
ones probably helped it around that time, so I'll give him some levity there.
I say I give him some levity like I'm some grand jury on it, but I will, I will be merciful
to you."
"Oh, thank you, Master Isaiah."
"Yeah."
"Thank you."
"You're welcome, Darius."
"No problem, Darius."
"Darius Pilgrim."
"I sat at Yakovlev's former console with the radio transmitter in hand, steeling myself
against the task which lay before me.
Someone had cleaned up the bloodstains, thank God, otherwise, I wouldn't have been able
to continue.
I could feel the huddle of directors hovering over my shoulder, staring daggers into my
back and waiting breathlessly for me to begin.
The room had fallen quiet once more, on the main screen above me, the white numbers and
letters.
The exciting timing and positioning of the mirror camera feeds glowed brilliant white
against the inky darkness of the background.
I took one final deep breath and, bracing myself for the worst, flipped the radio receiver
to the on position.
The hiss of static filled the room, a warm and comforting sound in comparison to that
horrendous otherworldly screech, "This is Roskomos Mission Control, attempting to reach
Cosmonaut Ludovsky.
Do you copy?
Over."
"Nothing.
Static."
"I repeat!
This is Roskomos Mission Control for Cosmonaut Ludovsky.
Do you read me, comrade?"
More static.
More nothing.
I turned to Koptev.
"Keet Ryan.
He has to be there.
Unless the Smiley ones stop torturing him and finally decide to kill him."
But Markov bitterly.
Koptev opened his mouth to reply, and the radio crackled alive.
"Affirmative.
I read you loud and clear, Mission Control.
It has been quite a while.
Welcome back.
Thank you.
Goodbye."
"Your voice is different.
What happened to Yolkov Lev?"
"He is. indisposed at the moment."
"I'm sorry to hear that, Mission Control.
But I thought you might have some good news for me."
"Roger.
Affirmative.
I just got off this line with the head of the crew over at Launchpad.
They've got the Soyuz rocket all lined up and ready to go.
Should be headed your way within T-minus sixty minutes."
"Argh.
Are you serious?"
"I don't know.
I don't know.
There's a heart attack.
We'll get the champagne on the ice for you down here, comrade.
Just get yourself squared away and ready to go.
What do you say?
Are you ready to come home?"
The hiss of silence returned.
There was no reply.
"I bet they're talking to him.
Telling him how to respond."
"Yeah.
Maybe.
Or maybe they're throwing a little party to celebrate our stupidity."
Finally, after what felt like at least a century, it was probably more like forty-five seconds.
The voice returned.
"They want to know."
Transmission cut out momentarily.
Cop Dev and Markov exchanged a glance.
"I mean, I want to know how long before the capsule arrives."
"I'll set it down probably just under two days before the docking process is complete.
Possibly sooner, depending on where in orbit you are, when we launch."
"Oh.
Well, okay.
You're really coming?"
His voice was thin and confused.
"We're really coming.
We're really coming.
We're really coming."
"We're really coming."
"We're really coming."
The line went dead once again for a minute, then two.
A soft sound of static purring from the speakers.
Then it roared back to life.
This time, Ludovsky was shouting, though the transmission was quieter and muffled, as if
he was turned away from the receiver.
"No.
You can't do this.
I won't let you do this.
I don't care what you do to me.
Not anymore.
My life is already over.
It's been over.
I won't let you do this to anyone else."
"No.
You can't do this.
You can't do this.
Not anymore.
It's been over.
I won't let you do this to anyone else."
Pulled by complete silence.
No static this time.
Ludovsky was still keying the mic.
I could hear the quiet hum of Mir's oxygen generators in the background.
It went on for about 15 seconds, then Ludovsky's voice returned, louder and agitated with an
edge of dark humor.
"Oh yeah?
That's what you think?
There's still one thing left I can do."
"What?
What?"
And now, the voice was even louder.
Ludovsky was screaming directly into the microphone.
"You fools!
You fools!
Don't do it!
Cancel the rocket ship!
Don't send it!
Leave me here!
You cannot let them!
You cannot let them get you hurt!"
And then the sound began again, impossibly loud now, impossibly harsh.
The white-hot drill in my head turned back on, and it was screeching, piercing, burning,
scrambling my brains to paste.
I dropped the transmitter to cover my ears.
But it seemed to have no effect.
Suddenly, a hand shot out and snatched the transmitter from my desk, and the Koptev was
shouting into it, screaming over the alien shrink and deep resonance of the base.
"Who are they, Ludovsky?
Who are the Smiting Ones?"
And Ludovsky screamed back through a wall of suffering.
He screamed to be heard, but also to overcome the agony he was in.
His words were true.
were quick and panicked no not true what they're parasites they're the opposite of life the absence
of life they come from this other place from the horrible other place they want what we have
they've already taken it from so many so so many and now they want ours his voice was fading and
gurgling growing thick as if someone was pouring motor oil down his throat he struggled through
somehow and continued. Markov grabbed me by the shoulder and shook violently. Cut the feed!
Cut the goddamn feed! No! Howled Koptev, pushing Markov away. Not yet! We need more! Just a little
more! He keyed the mic again. What do they look like, Ladovsky? What do they look like? Goddammit,
I have to know! What the fuck do they look like? But Ladovsky had no words left. He was crying,
screaming, howling in pain. The piercing screech grew higher, the bass lower, and the drill in my
brain went into overdrive. It felt like my head was about to rip into two right in the middle of
my face. Then Ladovsky answered without saying a thing. The blackness of the main screen of
the front of the room was substituted for a maelstrom of color as the tape covering the
camera was ripped away, revealing the most abhorrent scene my cursed eyes would ever fall
upon. All right, so, for one, you're an excellent voice actor. That was very cool. Good job. Um,
also, that was a very cool segment. Yeah. Of them screaming and him, like, trying to get
through, and that little, like, they've taken it from so many. Like, it says a lot, but not too
much. It says a lot, but not too much. It says a lot, but not
too much, I think, especially when the guy's like, they've taken it from me, and it's like, okay, is
that saying Ladovsky, or is this something else that's like in the form of Ladovsky? These things
are make, are puppeting to make him try to, so they can invade another planet or something. I feel
like a lot of people would have done something like, everything's totally fine. Why don't you
just come up here and help me already? You know, like, getting, like, really low and creepy, like,
ooh, that's creepy. He, you know, that does, that seems weird. I like that they kind of took the
I'm dead. Yeah, they're gonna kill me regardless. I'm not gonna take more people with me. That was a
fun surprise. Yeah, that was, that was good. And then him not, him, like, with his final moments
ripping off the tape. That's fine. That's been covering up. That's sick. The first thing I
noticed was Ladovsky's face, the only familiar feature in the bizarre scene before me. He was
young, blonde, and probably handsome once. Now his face was distorted, like a newspaper ink image
stretched across Silly Putty. Black tendrils swarmed around the edges of his face, sticking to
the skin, tugging at his ears, wrapping around strands of hair and pulling them backwards into
the dark mask behind. He tried to speak, his mouth opening and closing like a dying fish,
but the invading tendrils squirmed around his lips and snaked down his throat, and all that came out
was a sickening gurgle. One orange clad arm also protruded from the dark writhing mask, and his
gloved hand gripped the radio transmitter. As I watched, a dozen black vines wormed their way around his wrist and
hand, creeping like spilled liquid before tightening like sinew, peeling his fingers from the microphone
off one by one till it floated freely in the microgravity of the space station. Piercing sound
cut off abruptly, the hot drill in my brain shut off, and the mission control room was bathed in a
terrible silence as we watched Ladovsky's arms submerge in darkness. So Ladovsky used his last
minutes to unplug the mic. That's hard. Unplug the mic and reveal what the thing was. Yeah, that goes hard. What a G.
His shifting eyes were the last thing I saw. Bulging brown irises filled with grim determination one moment,
speakable horror the next, and then suddenly, dead and glassy as he finally let go and surrendered to the void.
Ladovsky disappeared, absorbed into the squirming darkness behind him. Nothing human left to hold my focus.
I had no choice but to turn my attention to the rest of that macabre scene.
The space Ladovsky had occupied just a moment ago was now filled with a grotesque and faceless monstrosity. It looked like
a floating ball of liquid mercury, three feet wide and three feet tall, but blacker than the darkest night.
Its surface seemed to constantly squirm and shift, and it shimmered with rainbow iridescence, like an oil slick on a rain puddle.
At least eight thick, tentacle-like appendages extended from its central mass each wrapped around computer terminals, door handles,
ceiling hooks, and other equipment to keep itself in place in the station's microgravity. All over its surface, smaller tendrils appeared and
wiggling and curling in on themselves.
Behind the creature that had once been Ladovsky loomed three exact duplicates, each devoid of any discernible face.
The background was a tangled mess of floating tentacles, weaving through one another and twisting around each other like spaghetti noodles,
some attached to equipment in the room, others gripping the first creature as if laying hands upon the shoulders of a troubled friend.
Suddenly, all four creatures moved as one, squirming squid-like around one another.
With a jerk, their attention seemed to snap to the camera in the terminal. Though without faces, it was hard to tell for sure.
The scene froze like that for a horrifying moment, and I peeled my eyes from the screen.
The Roscosmos mission control room was still and silent, each person petrified in place like a statue, slack-jawed, with eyes locked on the main screen.
I turned my attention back to the video feed, and now the core of each creature was buzzing.
Bubbling, boiling, churning like the waters of a maelstrom.
The center of each opened into a tiny white hole which quickly grew in size, expanding to cover most of the creature's bodies.
Then stretching and twisting, each of the holes transformed into a shape I recognized all too well: a smile.
No eyes, no ears, no nose, no face, just enormous, empty, inhuman smiles.
Then the noise was back.
This time, I wasn't hearing it, I was feeling it.
It was inside of me, inside my head, and it was coming from them.
From their smiles, it was coming from the smiling ones.
I tried to look away, but I couldn't.
My body felt completely paralyzed.
Their smiles were growing.
The sound was rising, screeching in my head like the billion swarming wings of a demonic locust plague.
The drill in my head switched back on, but now, the torque was turned up to the highest setting and was joined by the thrum of a jackhammer breaking concrete.
It felt like the two hemispheres of my brain were being torn apart.
I could smell burning electrical wires and taste copper in my mouth.
In my peripheral vision, I saw a flurry of movement.
The men and women around me, the pride of the Roscosmos State Corporation for Space Activities, were hurting themselves.
Some slammed their faces into their desks over and over again until blood poured from broken noses and shattered mouths.
Some picked up pens and pencils and violently stabbed themselves deep in the ear canal, then pounded them further in with the palms of their hands.
Others gouged their eyes or sawed at their wrists with any sharp object they could find.
Then everything faded away until my entire world was a white hot ball of paint and I lost consciousness.
My eyes snapped back open and I stared at the screen.
The smiling ones were gone, and in their place were four small gray humanoid aliens with buggy black eyes.
In my head, I heard four distinct voices speaking together.
Let us in.
My vision went dark and I was gone.
Then I was back. Four giant bipedal lizards appeared on screen,
oozing dark green slime like s-
Okay, they're switching forms.
I would say the implications that Ladovsky wasn't, but no, he saved them at the end, so anyway.
Now four giant bipedal lizards appeared on screen,
oozing dark green slime like sweat.
Black venom dripped from their jaws.
Their reptilian eyes stared into my soul and their voices shrieked in my mind.
Let us in.
The tenebrous veil of an unconsciousness folded around me once again.
Then I was back.
The reptilian eyes stared into my soul and their voices shrieked in my mind.
Let us in.
Four angelic beings floated on the screen,
drains loose and but gleaming like the sun around the edges
and draped in flowing gowns of a million impossible hues.
Their beautiful voices sang a harmony in my head.
Let us in.
A scream of shadow fell upon me once more and I was gone.
Then I was back.
Now the inside of the space station was
an alien forest filled with a swirling fog of green and gold.
Through the mist emerged four giant mushrooms.
The rubbery skin was a constantly shifting kaleidoscope of psychedelic color explosions.
Each swayed in the air.
They were all in the same place.
They swayed and shivered in a primeval dance followed to the beat of their own secret music.
Four spongy voices sprouted in my brain.
Let us in.
The black curtain fell once more, leaving me in darkness, eternal darkness.
Infinite, perfect, timeless, egoless, uncaring darkness.
This was the void.
This was their home.
The universe, if nothing had ever existed, would always be here.
I'd always be here.
Then I was back.
But not to Roscosmos Mission Control.
I was on Space Station Mir.
The noise was gone.
The molten javelin of pain in my head had disappeared.
Four human figures stood before me.
Three men and one woman.
Dressed head to toe in the bright orange spacesuits of the early Soviet space program.
Through their clear bubble helmets, I could see their countenances.
Young, attractive, proud, full of vigor, smiling warmly.
I recognized each face.
I'm calling the pictures of the so-called lost cosmonauts that our recent research had turned up.
Is that a bear trap for me?
Because I said this is based on lost cosmonauts.
But it's kind of just based on them.
I would give it to you.
guards there hold it up
I feel special award
they were Andrei
Mitkov, Sergei Shiborin
Maria Gromova and the last
of course was Alexei Lidovsky
smiles on their faces
remained their lips did not
move and I could hear their voices
in my head kind and composed
let us in please
let us in if it had been
in my power I think I would have
then I watched their smiles grew
larger and larger contorting
their faces into massive inhuman
grimaces skin of their lips and
cheeks began to rip and tear away revealing
toothy skeletal grins their hair
fell out their skin dripped away worms
crawled from their empty eye sockets
the glass of their helmets shattered
their spacesuits deteriorated and fell away
and the smiles just
kept growing I tried to scream
but my body was still paralyzed
I heard the bones in their jaws snap
simultaneously and the smiles engulfed
their entire face flipping them
inside out I closed my eyes and in my
mind I again heard their voices now
desperate and horrid chanting let us in
let us in let us in rising into a
horrible crescendo when I opened my eyes
I was back in Roscosmos Mission Control
the writhing tentacled abomination still
filled the main screen my mind was
filled with a horrible cacophony as the
four voices morphed into four million
screaming and a hundred alien language
speeches but somehow all saying the
same thing let us in let us in people
around me seemed to be in some kind of
hysterical religious ecstasy some
laughing some weeping some howling like
wolves and tearing their flesh to
shreds with their teeth others
seizureing violently in their chairs let
us in let us in then I heard another
voice this one not in my head but coming
from a little ways behind me it was the
strong clear voice of director coptive
crying out cut the feed cut the feed for
the love of mother
Russia and everyone you hold sacred cut
the goddamn feed and I tried my hand
reached out for the button on the
terminal which would cut all contact
with mirror it cinched closer closer
closer then it wrapped around a pin
laying on the desk press the button
extending the tip turned it towards me
Washington whore as my hand brought the
pin slowly towards my face aiming
directly for my eyeball I was powerless
to stop it my hand felt like it was under someone else's
complete control and it moved closer
closer closer until it was almost
touching my cornea filling my entire
field of vision then something hit me
hard in the side of the head stars
danced and exploded before my eyes and I
was falling to the floor in slow motion
somewhere far above me Markov had
pounded the button on the terminal which
cut the video feed then he had an officer
chair in his hand smashing the computer
terminal to pieces main screen went
blank the piercing screech and wobbling
face disappeared replaced by the weeping
and wailing of the injured and dying
begging for help Markov stood hunched
breathing heavily still holding the
office chair coptev was stood next to
him why does it ghost Ivanov lay dead at
his feet in a pool of blood his throat
torn out by his own fingernails Markov
grabbed my arm and pulled me to my feet
I blinked my eyes and surveyed the room
I was met by a scene of bloody carnage
that looked more like a battlefield than
a mission control room forgive me for hitting you
Markov whispered then he straightened
and turned to coptive now will you
believe me director now will you heed my
advice coptive nodded sadly his eyes
watering I'm sorry Markov I should have
listened we shall proceed with your
first idea we deal with we deorbit mere
as originally planned and the world
knows nothing we burn them we burn them
all and pray that is enough
and God help us if it isn't March 23rd
2001
the world watched in wonders the space
station mirror re-entered the Earth's
atmosphere near naughty Fiji and
disintegrated over the South Pacific
Ocean an official statement from Ross
Cosmos announced that mirror ceased to
exist at 559 GMT at the time mirror was
the largest spacecraft ever deorbited and
there were concerns that sizable pieces
of debris particularly from the docking
assembly gyrodynes and external structure
could survive re-entry officials in New
Zealand issued warnings to ships and
aircraft in the South Pacific and the
Japanese government warned its residents
to stay indoors during the 40-minute
period when debris would most likely
fall nothing came of it mirror thought
to have burned up completely during
atmospheric re-entry though rumors and
speculation abound no significant debris
of the wreckage of mirror were ever
recovered at least not officially and
that is the end of the story and that's
the end of the story what a cool so it's
based on a like why did Russia deorbit an
actual space station that's really cool
that is cool that's really sick I like
that it's a good detail okay so uh what
did you think of the ending a yeah yeah
yeah I feel kind of I don't really like
the whole smiling motif I think the
whole like going crazy thing I just like
I don't know the idea of it I mean I
like that you swing for the fences and
you have this big thing I just like
wonder if there's just ever any way to
ever approach these monsters in a
different way that isn't just like we
all go crazy and we rip out our eyes and
we're ripping out we're ripping out our
throat like can the horror of just like
can the horror of just like the
inevitable I guess just like something
I don't know so I mean like I it's
Lovecraftian it's just like the horror of
the unknown is that enough of this thing
of like instead of having it be like
these floating things that are smiling
and now I see this alien forest and I
can hear all these alien languages I
just wonder is it more is it always they
always just kill you yeah and it's just
kill you versus a thing of like is there
something of like I don't know even like
I like mixing like science with
spiritual stuff of like taking your soul
like oh shit like it's just like doing
something that's different of like these
weird aliens that exist exist out there
are actually there because they collect
souls and this is like how we perceive
angels or just just something weird
which that's a bad idea I'm just saying
that I don't we've I've seen that we've
seen that are in Event Horizon the movie
that kind of thing like to me I was
honestly just more freaked out by the
idea of like I guess like government
officials making irrational decisions
based off like pride yeah and that kind
of thing and then also just the mystery
of being like I don't know what is on
there what is on there you know what I
mean I think I think at the ending of
part three it was at its strongest when
Liktofsky was on the other end and he
was like don't don't do it yeah yeah but
then though but then like starting it
and it's like oh there's about black
tendrils and he gets pulled in I think
after he pulls the tape it loses me yeah
I almost wish it would have been a thing
where it's like I pulled it again and I
don't think that like what if he starts
to pull it but then stops I want the
idea of him pulling it I mean like for
my my subjective like my own opinion it
is always so much more effective in
these scenarios to just be like he
pulled the tape and like what I saw was
something crazy and you just like leave
it to where it's like oh my god like the
more you describe something the more
you're talking yourself out of interest
which which also makes it when you have
a satisfying creature it makes it that
much better because you're like that was
awesome but if you don't have that
strong basis for something that just like
I mean really fits that scene it to me
it just like man like we were going
straight up
and immediately in my mind I was just
like and there it goes yeah you know and
I think everything before that great yeah
simple dynamic you have like all the
you know people back and forth you have
a bit of a power struggle thing the idea
of like a guy from the 40s and now you
have this like rose colored kind of
goggle guy being like oh my god that's
like a nation's hero yeah or something I
think all that's cool I'm glad they
didn't go to the thing of like we're up
here we always have been but even like
the let us in kind of thing like even the
high-pitched screech thing to me is
scarier than just having like instead of
having them say like let us in let us in
um just having like in in an ear piercing
screech where it's like I don't know
what that is yeah but it's just like you
can kind of sense it and it's just
disturbing I don't know I kind of had
the idea
I I like the direction when the guy the
next to him at Mission Control died and
it says his face was in a joyless smile
and I thought the implication was like
the face like the skins being pulled
back and I'm like oh that's kind of
clever because it's not actually a smile
it just looks kind of like a smile
because of like the stretching that
happens like it's changing biology so
then I had the idea what if the smiling
ones that he's seen up there are like
the other dead cosmonauts like their
bodies have been possessed by something
or you know and even if that's the case
I don't want to see it but that's just a
cool idea yeah I mean it's okay I just I
guess it's just I I don't like to me it
even something scary would be like when
you fly a certain height in the air you
like you go in like that black void you
go into like like there is no like the
space the moon landing is all fake
whatever yeah yeah and it's like if you
go certain high up you like into you're
gone well what's I thought that it was
other stuff it's like no we have no idea
what's being the like it could have been
like a reflective dome or something for
something yeah like to me that like
that's an that's a more interesting thing
of like just like making you question
these kind of things not that you'd ever
like well that's but it's just the
idea of being like what if that was the
case and it's not it's less about and I
you know I love my body horror is my
favorite thing ever but in situations
like this just
don't need i don't think you need that to me i was like totally hooked with everything i started
off the podcast being a bit goofy and stuff but i did get i mean i was bought in over time
and it was unfortunate too because at first i was sitting there and i like while we're reading it
and it was really good i was like oh god people are gonna make me eat my words with this fucking
beginning thing of the smiling ones and stuff because i was like handsome this is good but
then it just immediately i was like oh there it is it was like kind of like being like this is
a diaper and you're like no this is like a chipotle burrito fuck it's pretty good in the
opening you're like no that's shit this is actually a diaper i don't know why i thought
this was a chipotle burrito or whatever well it's like like the reason i bring up me thinking about
the that lost cosmonauts is in my head i'm like that's a cool idea but then the story's like no
no no this is what it is and this is what it is and this is what it is and it kept describing it's
like okay sorry i thought of i've had fun with you know the beginning of the episode i talked
about that twilight zone episode the parallel awesome
if you guys were interested in this story too i would really recommend watching that episode it's
fucking great literally the guy goes up and when he lands on earth it's like a different world
i forgot the whole hook to it but basically it's just a thing where it's just off
and it's like he's existing in this world and it like freaks him out so much that he's like i want
to go back up i want you i want you to fly back up and like the world that he's in they're not like
evil but they're like well why it's just like it's a little different it's very like him just being
like i like i
mentally cannot stand being here kind of thing like it's just this is not where i'm supposed to
be very unsettling i don't know it's just very it's it's just something with everything that
we ever say and i always say you know simplicity is the king and it is like the more you can just
simplify something into just like a simple idea and you don't try to skew it out because that's
another problem with this is that you have the cool thing of like well it's weird why did it
re-enter and then it's like and then also there's like monsters and they like make you do existential
like and they smile at you if you do that you're like oh my god i'm like oh my god i'm like oh my
just would have been that just focus on the space station thing and don't include other stuff i think
it would have been awesome and conversations between that and that being said and stuff was
very cool yeah i enjoyed that right and it was very well written and that being said it's not
like this is a total flop or anything no no it was good i just mean people like it a lot it's just
very highly acclaimed when we're doing these things at least for me here because i mean i guess pretty
i guess hard on it but i would say that it's just you get done reading it you're into it and then
it's just that rug pull moment just feels so unsatisfying like it's just kind of a bummer
versus a lot of the stuff i think that like i'll think about it in a positive light
whatever but is it something where i'm like oh i'd want to like revisit afterwards lidovsky being at
the control panel and like talking to them and they can't see anything that was awesome i really
enjoyed that yeah like the tape and everything is just weird but it's also but then it's like okay
so then the weird holographic rainbow balls were like cover up the camera put the electrical tape
over the you know like it's just like that or they don't they're they're entire they're the
smartest beings that have existed in like whatever or they don't understand morse code but they
understand 500 other alien languages word and they're all and like the they're so smart that
they he says they are the land without time they're forever in it but i assume at the end
when they were transforming every time he woke up it's like all the different species they've
yeah definitely it's just it's like they've conquested galaxies and then it's like they're
like we're the only species we're sending we're definitely sending ships up and they're like okay
good now tell him yeah to me that it's just uh don't even go there because you just that's the
problem with a lot of sci-fi horror stuff that i don't like and i'm not a huge sci-fi guy in general
but it's like uh even that movie apollo 18 ever see a movie with apollo yeah i fucking hate that
movie such a cool setup of like astronauts gone wrong that they went missing whatever horrifying
to be like oh yeah it was the 60s or whatever and now we're going up there and these are guys who
just didn't make it the idea of even just being on a spaceship that's like you're gonna crash and die
is insane but then it's like yeah there's moon rock aliens yeah the little bug thing yeah we
can't let you come back to earth and it's like oh yep the government blew it up it's just like
can it not just be a thing of them going there and you know maybe you do see something i guess
i'm just saying like the the aliens and stuff this is already such a horrifying idea
you don't need the floating tentacle monster it was scary enough beforehand what if what if the
entire thing was lodovsky on the other end or someone who thinks they're lodovsky or ever
i mean the i thought where it was going for a bit once it set up the wormholes of space and time
lodovsky just passed through a wormhole from 1957 2001 or 2002 whenever it was um and he is just
there and he's lost his mind and he's just alone in there being like okay they say they want i mean
i say i want and i thought it was a good idea but i don't think it's a good idea i don't think it's a good idea
i don't think it's a good idea but i don't think it's a good idea but i don't think it's a good idea
myself like that'd be crazy if this is just an isolated guy if you just have a crazed man
yeah whatever and then it's just a thing of like let's say they do send oh my god we'll send up
somebody to help you he's up there it takes two days to get there he docks it comes back they're
like hey just seeing how it's going and it's just lodovsky who answers and you're like oh where's
the other guy yeah what that kind of thing where yeah or even something of like a human body shit
he's sick and now it's like okay well if we go like you can't go into you'll get sick and you
can't bring it back down to earth so it's like this more like a more like a more like a more
moral thing of him being like please i don't feel good like i think just simplify it well i mean
even even the scene where like they said that the americans saw the ship go up and there was
something that covered the stars right for a second i'm like oh maybe whatever's out there's
like a giant shape like almost like a kraken in space like some even then it'd be an alien so i
wouldn't like it as much but the idea of something like a ship floating through space or like a being
the size of a ship that's like consuming things like i think there could have been all kinds of
things i ever ever seen in my life i'm not even joking it like legitimately i cried after i saw
when i was a kid at the end of men in black when when the milky way is in a fucking marble thing
you know how much that fucked me up and i'm like you could do something like that where it's like
a puppet master thing yeah you know like that within itself that's fucking horrifying yeah and
it's like i don't you it's just the trope it's just as soon as you do creepy smile the smile killed
tendrils smile that's when i was floating around they come around and they're smiling i'm like you
know what i would have done i would have whipped up my fucking beat off on the screen i would have
all over the fucking screen and like eat it this is the reaction that's actually the scariest that
actually fucking scared the shit i did not see him walk up and that scared me so bad he has a
fucking like red blanket around him he looks like a little like he looks like a little italian woman
station with him that was a little yeah yeah yeah but like this is the ending by the way that you
saying yeah now you're like you know what i would have done i would have whipped up i've got you
fired up talking about it i don't know i mean like all in all it's just these are i fuck this is the
these are the stories that piss me off the most because it's done so well and then all of a sudden
the guy was like i have this awesome story what if it was like a flying like tendril guy and they're
smiling and then they say let me in and everyone dies everyone kills themselves yeah it's just at
the point where it's just all this creativity to the point to where it's i i don't simple things
can be just so much more effective and like actually just like god damn that nerve the
fuck with me like i said even the fucking men in black guy of like an alien with the marble that
like legitimately scared the fuck out of me when i was younger so i don't know all in all you know
i it's just if i i mean not to be a dick better let down everything you said
to be fair to be fair i did said whip my down on the screen that's pretty rough if you sat there
though and the guy was like trying to get in your head let us in they're like floating around like
this are you freaked out by her even if i was floating in the void what are you gonna do to
a guy who's just like i'm my dick floating there
the
you never thought to do this shit did he
got a little lotion bottle okay all right i like i like
i mean what would what would the aliens do all right let us in i you come and get me
i'm covered i am waffle house hash browns i am smothered and covered dude i seriously
onions and cheese all over that's what i am i also like the idea that like maybe the shit yourself
i also like the idea that maybe like all the debt all the lost cosmonauts went into the wormhole
and then when mere went in they all found their way to it at like the same point in time
so like maybe lodovsky was the only one living up there with all the dead bodies of the other
lost cosmonauts and he lost there's so many cool elements here and i just wasn't satisfied by the
payoff the more that i think about it the more i'm like you just could have like pissed or shit
yourself and it's like what would they have done what they have pursued you
let us in it's like just diarrhea i mean i don't think they had the idea to stab themselves it's
like they're being forced to imagine what did they gain out of that why don't you that's that's
if i sat there and i was just like my dick and i have my rip my dad my dick off i just
shoved things up my ass they're like okay what do i do now that that's crazy um i have to say
what is the what is the end game that's like the one thing it's like the it reminds me of this
in resident evil 3 extinction the one of the dumbest movies of all time
the world is a desert planet and yet umbrella is under
ground being like how do we control the earth it's gone there's zombies on a desert planet
that's like what it's like we're intergalactic beings and we exist in a place and he's like
no they exist in a time where there is no life what do you mean you've came across how many
thousands of aliens yeah they clearly what do you seem to be doing pretty fucking good
they exist you know what else that's how all the alien species it's like one you know what else
apparently this this alien species that has conquered galaxies nebulas of people
and creatures need this one astronaut to convince them to send a shuttle up they can't just go down
to the planet themselves and also even if that is the case why then start screeching and making
everyone on the shit on the mission control center kill themselves how does that help
the
sending a shuttle up like they're going to scream half they were going to die and the other half are
going to be like they raise a point we should go get them take a metal rod put in your every time
they scratch your sounding maybe that's what the lettuce in is it's like oh we'll stop if you send
a ship up but if they're super smart they can't do that if they all stab themselves in the eye
if you just looked at me you're like i like this what would they what would they do it's like you're
like oh well i think it's supposed to make you
yours like it compels you to kill yourself i don't think they're doing it to relieve the pressure
it's like no no i thought that i was i thought they did the screeching thing because it was like
torturous no no no because remember he's reaching to turn it off and his hand grabs a pin and he's
like resisting it so i put a big pen in my eye with my gum the point the point is i'm just saying
can you imagine the alien being like he's stabbing his eye but he's still okay the point is the point
is they're they're playing didn't make a lot of sense what whatever i don't i was about to say
i don't want to go too hard at the ending but we have gone so hard on the ending look it's the
reason i'm fired up is because it was good and i wasn't satisfied by the way that yeah so there's
never there's never any point isaiah that i should come to the conclusion that you should beat the
monster by okay so darry is i feel like you've raised that as a potential strategy in multiple
stories we've read i don't think i think i don't think i've ever said stick a metal rod up your
of words by the idea like you you pushing some kind of that's a flaw then that's a flaw of the
story if my conclusion comes that i can beat your system you're like you know you you will you
present some sexually adverse scenario at the end of a story and that's it then that's an issue
because stories i do like that you couldn't beat it that way okay my point is i
that there was good stuff here from the author uh there there was like a lot of good writing pros
i would be interested to see what they do with other stories because like if if that ending
had like kind of ended at part three stellar i really liked it but yeah yeah it didn't it didn't
so um uh thanks for listening uh if you're listening on the audio platforms like spotify
and apple podcast hope you gave us a good rating i'm sure we deserved it on this one uh and then
and then the uh and also hey patrons thanks you also forgot to do an intro oh yeah that's right
that's a long weekend long week man
we can't at least get a long week break on that one long week nick's not giving me anything
looks like he smelled his own fart over there
uh thanks to you patrons we appreciate you and also uh if you haven't signed up to the
patreon yet we do have an interview with dayton auerbach coming out soon uh i think it'll be out
by the time this is so it might already be out but it is uh the author of the pen pal
author of pen pal what
just just everything you're saying is wrong in some way and just in little ways
something you're saying is incorrect every time we have an interview with them it was fun
it was much cleaner than this if you're in your car right now listen to this and you're still
just having both hands on the steering wheel i want you i want you to really wonder why didn't
you click off or turn it down or turn it off even now as you still don't click off why oh go away do
you you need to click off click off
so
so
,
so,
so,
so,
Podcast Summary
Key Points:
The story揭开 a cover-up involving the disappearance and reappearance of the Russian space station Mir in 2001, with strange anomalies suggesting a deeper, unexplained reality shift.
A cosmonaut, Oleski Ladovsky, claims to have been on Mir for 44 years, with no memory of how he got there, and sends a hidden Morse code message warning about "the smiling ones."
The crew at Mission Control detects disturbing inconsistencies
When asked directly about "the smiling ones," Ladovsky's voice breaks into a shrieking, mechanical noise, suggesting an external force or entity is influencing him.
The narrative reveals a cover-up by Roscosmos, with officials suppressing evidence and refusing to act, fearing exposure of a supernatural or parallel reality.
The "smiling ones" are implied to be sentient, possibly intelligent beings or entities that manipulate the crew, using psychological and auditory attacks to control or frighten them.
The story blends sci-fi, conspiracy, and horror, drawing parallels to classic stories like "The Twilight Zone" to suggest a breach in reality.
The central mystery remains unsolved, emphasizing the show’s theme of hidden truths and the danger of unchecked power in scientific institutions.
Summary:
A hidden conspiracy unfolds in a fictional account of the 2001 disappearance and reappearance of the Russian space station Mir. The story begins with scientists in Mission Control baffled by the station's sudden vanishing and return, only to find it altered—darkened, damaged, and with a time jump to 2045. A cosmonaut, Oleski Ladovsky, claims to have been on Mir for 44 years and sends a cryptic Morse code message warning of "the smiling ones," entities he fears.
When Mission Control attempts to investigate, the transmission breaks into a horrifying, mechanical screech and high-pitched noise, suggesting the presence of alien or supernatural forces. Officials, including the director Copdev, initially dismiss the phenomenon as madness or technical failure, but later acknowledge something far more profound—contact with an unknown life form. The narrative explores themes of government secrecy, the fragility of reality, and the psychological toll of facing the unknown.
" The story ends with a realization that humanity may be in contact with something beyond science, and that the truth could be too dangerous to reveal. The episode blends horror, sci-fi, and conspiracy, leaving the audience with a chilling sense of unease and mystery.
FAQs
The story centers on the mysterious disappearance and reappearance of the Russian space station Mir in 2001. It explores a cover-up involving a cosmonaut, Oleski Ladovsky, who vanished in 1957 and reappears 44 years later on Mir. The narrative reveals strange anomalies, including malfunctioning systems, a time jump, and eerie communications suggesting the presence of unseen entities known as 'the smiling ones.'
The author of 'The Smiling Ones' is Darius Pilgrim. He is also the author of 'Wrong Roads: Scary Stories from Coast to Coast' and has published other short stories.
The term 'the smiling ones' appears in a Morse code message sent by the cosmonaut Ladovsky. It refers to an unknown, possibly supernatural entity or group that is present on the space station and is warned not to be trusted or revealed to others.
The story highlights inconsistencies like a time jump of 44 years, the station's sudden reappearing, and the presence of a functioning life support system with no apparent cause. These anomalies suggest a violation of known physics and point to a deliberate or supernatural event.
When asked directly, Ladovsky's radio transmission turns into a screeching, mechanical noise with rapid clicks and a deep bass tone, causing panic in the control room. The sound is described as inhuman and terrifying, indicating a possible active presence of the 'smiling ones.'
The story implies that the 'smiling ones' are not human but possibly a form of alien or non-human intelligence. They are shown to be manipulative, as they influence Ladovsky and cause distress, and they are likely behind the station's anomalies and the time distortion.
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