McCormick has introduced a new line of signature seasonings, including garlic and olive oil and globally inspired blends like chimichurri and chili garlic, designed to enhance everyday cooking with bold, expertly crafted flavors. These seasonings offer versatility and inspiration for home cooks, making it easier to create delicious meals. Meanwhile, the cultural rise of the flapper in the 1920s marked a transformative shift in gender roles and social norms. Influenced by World War I, the 1918 flu pandemic, Prohibition, and new technologies like the automobile and radio, flappers rejected Victorian traditions by embracing short hair, makeup, dancing, and drinking. Figures like Clara Bow and Zelda Fitzgerald embodied this new style, with fashion trends such as the cloche hat, sack dresses, and dropped hosiery signaling liberation. The flapper era peaked in the early 1920s and faded by 1929, culminating in the stock market crash that ended the Roaring Twenties’ exuberance. This cultural transformation highlights how societal upheavals can rapidly reshape identity and behavior. Both the flavor innovations at McCormick and the flapper revolution demonstrate how pivotal moments in history and everyday life influence modern culture.
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Hey, and welcome to the Short Stuff.
I'm Josh, and there's Chuck, and Jerry's here
doing the Charleston on Dave's behalf,
and this is Stuff You Should Know Short Stuff.
Let's go.
Now.
All right.
The year is 1915, everybody,
and the word flapper is about to be introduced
to the world by way of H.L. Minkin,
a writer who wrote a, I guess, an essay
called The Flapper for the literary magazine
The Smart Set.
What a great mag.
Yeah.
By the way, we should say that Private Eye
is not a rag over in the U.K.,
so sorry, everybody.
I'm going to go ahead and assume
The Smart Set wasn't either,
but in this. in this article or essay,
Minkin is using a term that's already been established.
Flapper.
It was, I think, British slang for a young girl, right?
Yeah.
He's saying, no, no, no.
We need to get more specific.
There is a young girl that's emerging.
They're not here yet,
but I can see them coming out of the fabric of culture,
and they are not going to follow these standards
and traditions and moral codes
that are handed down generation after generation.
There's this new. new thing called media that is coming up,
and that's what's going to influence them,
and they're going to be total trailblazers.
And he was right.
Yeah, so the flapper would come along
and kick what was known as the Gibson girl to the curb.
The Gibson girl during the 1910s
was created and popularized
from an illustrator named Charles Dana Gibson.
And this was like,
if you think of the Edwardian sort of corset-wearing,
up-do hair-wearing choker,
you know, like,
dress that goes. skirt that goes all the way to the. past the ankle and, like, a choker up to under the chin,
that's the Gibson girl look.
And the flapper came along and said,
no, no, no, no.
We want to have more fun than that.
They did.
And they did.
And it took the death of tens of millions of people
to get them there.
Because World War I and the 1918 flu pandemic
were a one-two punch
that killed a lot of people around the world.
And in doing so,
both of those things adjusted gender norms
to the extent that all of a sudden,
like, the world couldn't afford
to just keep women off to the side any longer.
They were needed more than ever.
Like, in the workforce,
they needed to be educated.
And so it opened all these opportunities
for women to just kind of come out
from under the thumb of their fathers
and then their husbands.
Yeah.
And this kind of happened around 1920
when the Roaring Twenties came on the scene.
There was a new woman
emerging from the cocoon
that kind of coincided with, like,
hey, we'd like to have a right to vote,
kind of early feminist causes as well.
And both the 18th and 19th Amendments
were both, you know, pretty crucial
to the rise of this new kind of style of woman,
which was Prohibition,
which sent people into underground bars,
hanging out,
and then the right to vote.
And both of these things were sort of like,
a rejection of the Victorian code that came before.
Yeah, big time.
I mean, this wasn't like a transition over,
you know, the course of decades
that just one piece followed another.
This was like a razor blade
cutting off the old guard and starting anew.
And it was led by this leading edge
of young, like, early 20s, late teens girls
who just. completely just changed everything.
They went against so many norms.
They started smoking.
They started drinking.
Women did not do those things at that time.
They started wearing makeup.
Women did not wear makeup
unless you were a sex worker or an actress.
They just did all this stuff
that up to that point was just not done.
And they just started doing it all of a sudden.
Yeah.
Two other big things that kind of spurred this
was the rise of the automobile.
And more people had cars.
So all of a sudden, not only could
young women, like, drive themselves places
and they weren't literally sort of
under lock and key of their home
or their parents' homes,
but all of a sudden,
boys and young men could come along
and pick them up and take them out on a date.
And, you know, sometimes things would happen in cars.
And, like, everything was changing.
The other big one was the radio.
KDKA in Pittsburgh was the first,
I guess, commercial broadcast station.
And by 1924, there were more than 600 of those.
And all of a sudden, there was, like,
music happening.
And movies happening
that featured different styles
and young women, like, you know,
dancing and having fun.
Yeah.
People driving around in convertibles
in New York, booming Jay-Z.
It was amazing.
Yeah.
I thought that was so stupid.
No, it was great.
Let's take a break and we'll come back.
Chuck and I are going to work out
whether that was actually stupid or not.
We'll be right back.
We'll be right back.
We'll be right back.
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Also, Chuck, before we get started,
again, I want to shout out Conger for writing this.
This is a Conger joint from How Stuff Works,
this article was.
That's right.
Go check out Unladylike, the podcast.
It's great, and so is Kristen.
Exactly.
So there was a new woman that emerged
from that right to vote.
You can kind of say that those two amendments
that came out so quickly together,
the 18th and 19th,
one was for the flappers.
That was the prohibition on alcohol
because it created a lot of trouble.
It created speakeasies, like you said.
The right to vote,
that created this kind of other thread
of women called the new woman
who were very interested
in being active politically and socially.
The flappers were like,
yeah, you go have fun with that.
We're going to go get wasted
and hang out in speakeasies in New York
and just live our funnest lives.
Yeah, or maybe go see a Clara Bow movie
because in 1922, Clara Bow debuted
in Beyond the Rainbow,
and kind of defined the flapper look.
She had that hair bobbed.
She had a little bit of makeup on.
The flapper style was really coming in vogue.
In real life, you had none other than Zelda Fitzgerald
as a late teen when she was with F. Scott Fitzgerald
when he first gained fame,
I think before she was writing even,
and she was sort of one of the first big it girls
and certainly,
embodied that flapper style.
- Yeah.
Also, I don't know who I said was the first It Girl, but I was wrong.
It was in some other podcast a while back.
But whoever it was, it was in like the 40s or 50s.
That sounds familiar.
But I think Clara Bow was the actual first It Girl.
Okay.
And then I guess Zelda Fitzgerald was the first real-life It Girl.
But let's talk about some of those fashions that people like Clara Bow and Zelda Fitzgerald rocked.
A lot of it was being designed by Coco Chanel.
Yeah.
Like the real deal Coco Chanel was designing in Paris during this time.
And that whole like Victorian-era corset S-figure shape was just thrown totally out the window.
And instead it was boyish bodies with drapey, boxy skirts, essentially.
Yeah.
That was like that sack dress was like the flapper uniform.
The fabric literally was lighter.
Conger found this is pretty.
It was pretty staggering.
But the flapper dress had about seven yards of fabric.
A Victorian gown had about 20 yards of fabric.
So they literally shed, you know, weight in their clothing to just be freer.
The flapper dress basically was about mid-calf in length.
By the late 1920s, it inched above the knee a little bit.
But, you know, so they could dance.
So they could do the Charleston and the Foxtrot.
Yeah.
People think like it immediately went up.
But that is actually one thing that kind of slowly changed.
And it was just that way for a couple of years.
One of the other things that is like, like you said, the flapper uniform was the cloche hat.
I never knew that's what it was called.
Yeah.
But it's like a almost brimless hat.
It's very close to the head.
Usually has a big bow.
And it would show off their hairdo, which is usually quite short.
You mentioned that those Gibson girls had like the big updo or else like long,
flowy hair.
Another way to rebel against that was to cut your hair very short and often very straight.
And sometimes with pomade, that was that was the flapper girl's haircut.
I think it was called the Eaton crop.
Yeah.
And they might use the pomade to like slick it back like a man might.
They would show their a lot of those flapper dresses had no arms.
So they were showing their arms for the first time.
Scandalous.
Very scandalous.
A lot of times with a lot of like necklaces and bracelets and things like that.
And the wool, those like heavy black wool stockings went out of fashion for a more sheer
hosiery.
And sometimes, oh boy, they would roll down that hosiery a little bit to like a makeshift
knee high.
Not a good look.
Oh, I think it is.
Do you?
You like the roll down knee high look?
Yeah.
I was raised Baptist.
All that stuff is very titillating.
I think my problem is I associate that with mama for mama's family.
Yeah, that'll do it.
Yeah.
That'll definitely dampen your.
Your thoughts.
So all of this, this flapper party came and went in less than a decade.
I mean, Claire Bow hit the scene in 1922 and she was the one in Beyond the Rainbow that
really like kind of set the standard.
And by 1929, it was all over because the depression hit and everybody's like, we don't have time
for parties anymore.
We got bigger fish to fry now.
Yeah.
And that was kind of it.
The stock market crash was like literally the very end.
It was October.
October 29th, 1929.
And it was just one of those events that kind of kind of signified like the end of an era
and definitely the end of the flapper era.
Yeah.
The fun was over.
And so was prohibition, too, because America really needed to start drinking again.
So there went the speakeasy and all that stuff.
And I think that means short stuff's over, too, though, right?
Yeah.
It's not just over, Chuck.
It's out.
It's out.
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Podcast Summary
Key Points:
McCormick has launched a new line of signature seasonings crafted by flavor experts, featuring everyday favorites like garlic and olive oil and globally inspired blends such as chimichurri and chili garlic.
The flapper culture emerged in the 1910s and 1920s as a radical rejection of Victorian norms, driven by World War I, the 1918 flu pandemic, Prohibition, and the rise of automobiles and radio.
Flappers introduced new fashion, behavior, and social norms—such as short hair, makeup, dancing, and drinking—challenging traditional gender roles and marking a pivotal shift in women’s autonomy and lifestyle.
Summary:
McCormick has introduced a new line of signature seasonings, including garlic and olive oil and globally inspired blends like chimichurri and chili garlic, designed to enhance everyday cooking with bold, expertly crafted flavors. These seasonings offer versatility and inspiration for home cooks, making it easier to create delicious meals. Meanwhile, the cultural rise of the flapper in the 1920s marked a transformative shift in gender roles and social norms.
Influenced by World War I, the 1918 flu pandemic, Prohibition, and new technologies like the automobile and radio, flappers rejected Victorian traditions by embracing short hair, makeup, dancing, and drinking. Figures like Clara Bow and Zelda Fitzgerald embodied this new style, with fashion trends such as the cloche hat, sack dresses, and dropped hosiery signaling liberation. The flapper era peaked in the early 1920s and faded by 1929, culminating in the stock market crash that ended the Roaring Twenties’ exuberance.
This cultural transformation highlights how societal upheavals can rapidly reshape identity and behavior. Both the flavor innovations at McCormick and the flapper revolution demonstrate how pivotal moments in history and everyday life influence modern culture.
FAQs
The term 'flapper' was first introduced in 1915 by writer H.L. Minkin in an essay for The Smart Set. It originally referred to a young girl breaking from traditional norms and embracing new, modern behaviors.
Flappers rejected traditional female roles by smoking, drinking, wearing makeup, and dancing, which were previously considered inappropriate. This shift reflected broader societal changes during the 1920s.
Prohibition created speakeasies and underground bars, leading flappers to socialize in these places, embracing nightlife and rebellion against traditional moral codes.
Flapper fashion included short, bobbed hair, cloche hats, boyish boxy skirts, mid-calf length dresses, and the use of light, flowing fabrics. Heavy corsets and long hair were abandoned.
Clara Bow and Zelda Fitzgerald were prominent figures who embodied the flapper lifestyle. Clara Bow popularized the flapper look in films, while Zelda Fitzgerald was one of the first real-life 'It Girls'.
The availability of cars allowed young women to drive independently and go on dates, increasing their freedom and leading to more social interaction and autonomy.
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