Romanticism_William Wordsworth

The lines composed a few miles above Tinten A B, under the sitting the banks of the wire during a tour, July 13, 1798, by William Wordsworth. Five years have passed, five summers with the length of five long winters, and to gain our hair, these waters rolling from their mountain springs, with the soft inland murmur. Once again, to our behold, these steep and lofty cliffs that all the wise, sack-looded steaming brass, thoughts of more deep suppolution, and to connect the lens key with the quiet of the sky. Today is come when I gain the pose here, under this dark sickening and viewed as lots of cottage ground, with these orchard tops switched at this season, with their unrape fruits outplayed one green hue, and those themselves meet groves and corpse. Once again, I see this huge rose, huddly, huge rose, little lines of sported wood run wild. These pastoral farms, green to the very dew, and rats of smoke, sent up in silence for alone the trees, with some uncertain notice, a smart scene of feckland dwellers in the house less woods, o of some helmets cave whereby his fire, the helmet sits alone. These beauties' forms, though alone absence, have not been to me, this is a landscape to blind mains eye, but oft, in lonely rooms, amid the deen of towns and cities, I have owed them in hours of weariness, sunsass and sweet, felt in blood and felt long the heart, and passing even into my pure mind, with fun-kill restoration, feelings to have a remembered blizzard, such perhaps as heaven's light of trivial influence, while that best portion of a good means life, this litter, nameless unremembered act of kindness and of love, nor as I trust them I may have ordered at the gift of the respect mostable in, that blessed mood in which the burden of the mystery, in which the heavy and the weary wait, though this unintelligible world is lightened. That serene and blessed mood in which the affection gently let us all, until the praise of his corporeal frame, an event, demotion of our human light, alerses penned it. We are laid asleep in body, and to become a living soul, why with an eye, made quiet by the power of harmony and the deep power of joy, we see into the life of things. Thank you very much. Well, Bismillahirrahmanirrahim. Salam olaykum warahmatullahi wa barakatuh. Selamat datang. Selamat perjumpakmebarii dengan saya di anuraman di Enker FM. Ini adalah podcast saya yang kesekian dalam penjelasan saya tersematakulika, introduction to criticism, atau pengantar kritik yang disajikan di semiser lima, di judusan sasraenglis atau perusahaan sasraenglis, fakotas adab dan humaniurah uyan sinan kurung cadipan. Halo, apakah bersimulannya, mudah mudahan anda tetap sehat tetap ceria tetap semangat, tetap ceria pesihatan jika immunitas tubuh, sampai kita bisa melewati masapan deming yang selut ini. baik sangat-sadara, kali ini di podcast saya yang kali ini, saya akan menjelaskan mengenai teori romantik, atau aliran kritik romantik, atau romantik jizem, yang tentunya akan disajarkan untuk pertemuan kita kali ini, sesuai dengan korst plan, atau sesuai dengan syllabus, yang itu disajarkan pada tokoh William Wordsworth, seorang penyakir, dan sekaligus kritikus, sasra apa nya, masapan romantik di englis, saja yang saya bacakan, beberapa menit di awal, adalah saja dari William Wordsworth sendiri, yang judurnya cukup panjang, lain sumpah sedihkan beberapa dan sepanjang perjalanan, 1327-1998, ada banyak yang menarik dari sajak ini, yang tentunya a reflection of the theory of the theory of the real world, what is the best thing? what is the good thing? in the context of the romanticism? or romanticism? the most important thing from the book I read the first book, was about how to think, how to feel, how to be happy, how to imagine that is very strange in the context of the world, the world is like a whole imaginative world, the romantic world is not an ordinary world, the romantic world is a world that has a connection with the world, that has to be reflected in the reality of the reality of the world, there are thoughts of mold, this deep seclusion and connected landscape with the quiet of the sky, with the quiet of the sky, with the quiet of the sky, and in the second stage, I read it, but of in lonely rooms, and made the theme of town, since it is, I have always read them, and once, in a little bit, I read it, and made the theme of town, since it is, and in the middle of the book, I read it, I have always read it, I have always read it, in the middle of the book, in the middle of the book, I read it, and in the middle of the book, that is romantic, with the world's world, and I have always read it, I have always read it, and in the middle of the book, I read it, in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, I read it, in the middle of the book, I read it, and in the middle of the book, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, I read it, and in the middle of the book, whereby all the new things should be presented to the mind in an unusual aspect. One of the most common things is that we have to think about one of the most common aspects that we have to think about that we have to think about one of the most common things is that we have to think about one of the most common things is that we have to think one of the most common things is that we have to think The main objective of this project is to create a series of theories and theories about the world's world. The first thing that we want to do is to create a series of theories about the world's world. If you want to create a series of theories about the world, you can create a series of theories about the world's world. We want to create a series of theories about the world's world and the world's world's world's world's world's world. The first thing that we want to do is to create a series of theories about the world's world's world. [MUSIC]