Roberto Kaelin on Building a Martial Arts Gym & Training Under Carlos Machado
74m 30s
Roberto Caelin’s journey into martial arts began in 1980s Peru, a time of political unrest and strict curfews, where he found physical discipline through karate, running, and grappling. Initially resistant to structured training, he was drawn to the realism of combat seen in UFC footage and martial arts films, which shifted his focus to Brazilian Jiu-Jitsu. After moving to the U.S. at 17 to attend college, he trained under Carlos Machado, whose emphasis on technique, subtle movement, and mental discipline deeply influenced his philosophy. Roberto developed a core belief in the "battle of attrition"—a strategy of constant movement and adaptability to outlast opponents. He now runs his own school, integrating traditional martial arts with engaging, game-based children’s programs while maintaining strict adult training. His approach prioritizes real-world learning, collaboration, and continuous growth over rigid forms or imitation. He views mastery not as an endpoint but as an ongoing process, shaped by personal experience and critical analysis. Roberto emphasizes transparency in teaching, advocating for students to question, deconstruct, and co-create techniques with their instructors, fostering mutual respect and deeper understanding. His journey reflects a blend of personal resilience, cultural evolution, and a deep commitment to the evolving nature of martial arts.
(upbeat music)
- What's up guys, this is Wesley Wazin.
I'm Wesley Parker.
- And I'm Bailey Parker.
- And today we have Roberto Caelin
and right here with us,
Ma'am, super excited.
He's been training martial arts since he was nine years old.
A fourth degree BJJ Black Belt.
First degree, Black Belt and Judo.
A first degree, Black Belt and Karate.
And also he's training Kung Fu, Muay Thai, Akito, Kindo,
and--
- Yai Do.
- Yai Do.
- He's drawing the sword.
- Oh, okay, okay.
I'm familiar with a few of those, and not all of them.
But, no, I definitely have to hear more about those, for sure.
Super excited guys to have Roberto on here.
I've been looking forward to this for a while.
This is super, super cool.
So, it's kind of just like dive into it.
Like, I'm really interested to--
I kind of know a little bit.
We've talked a little bit about it,
but I'm kind of curious about like the origin story of Roberto.
So, like, you started at nine.
So, how did you find Jiu Jitsu?
And was it like growing up in Peru, correct?
- Yeah.
- Once you found Jiu Jitsu and how that kind of transformed?
- Well, in the 1980s, Peru was like a war zone.
We have the terrorist group,
San Pedro Luminoso, which is the Chinese path.
So, you know, we had like curfews at night,
like, you couldn't leave your house after 10 p.m.
until five.
You could hear like the machine guns at night.
The terrorists would bomb the high tension towers.
So, I remember doing my homework at Candelite.
- Wow.
- I guess you would just lose electricity.
- Goodness.
- So, yeah, it was like, it was like Beirut, you know?
But yeah, that was Peru in the 80s.
But if you go to Peru now,
the younger generation had no clue how it was.
So different now, it's like, you know, modernized.
They have my dolls now.
Yeah, you know, colonized, really have my dolls then.
- Oh, that place from on the map, McDonald's.
- But I was lucky enough that my parents had money.
So, they would take me to this new world.
And, you know, I was in American school.
That's why I learned English.
- Really?
- Yeah.
So, you know, I got to go to this new world.
I got my dolls.
(laughing)
I got my dolls.
(laughing)
So, but still I had to live in that atmosphere.
- Yeah.
- Which was normalized for us guys.
But then when I began like nine years old,
you know, nine-ish, like I got a little fat.
I got a little fat.
So my mom said, no, you gotta do something to lose the gut.
And I hated it.
I just wanted to play my Nintendo, right?
- Almost so you were a gamer as a kid too.
- Well, who wasn't?
- Okay.
- Now I was playing my ninja turtle.
So my Nintendo, and that's all I wanna do, right?
So, I had a chauffeur back then.
So my mom would tell me, she told me, what do you wanna do?
So, one of my cousins was doing karate.
So I said, okay, karate, whatever, right?
'Cause I didn't like soccer.
And that was like the primary thing.
So she put me karate.
And I hated it.
'Cause it was all lazy.
I didn't wanna exercise, right?
So, like my chauffeur would take me there.
And my mom had instructed him to like grab me
and take me on his shoulder and get me in the dough joke.
And I would kick and scream at it.
So I saved my allowances.
And I talked to it guys, it's listen man.
I'm gonna bribe you bro.
- That's hilarious.
(laughing)
- I'm gonna bribe you man, he's money.
He's like, all right, fine.
He's like, yeah, no problem.
I'll take good money.
But the problem is, if your mom sees that you're gay,
it's clean.
After you come back, she's gonna fire me.
So, he's very smart, right?
So he told me, listen, how about this?
We go to this park that is behind the dojo.
And you run laps, right?
You run laps, so you're gay so, like sweaty.
And then you just roll on the ground a little bit.
So the next is dirty, right?
And then it'll be cool.
So yeah, I was fine.
So I started running laps, running laps.
And I was like, dude, this is harder than the karate man.
(laughing)
- What are we doing here?
- Yeah, this is a hard thing man.
- And I'm paying for it.
You know, I'm paying for it.
- Oh my god.
- And it'll like, take me to karate.
Take me to the stupid karate, I'll save my money.
So I started going to karate and I started getting stronger.
You know, when I liked it.
- Yeah, I liked it because I was good at it.
So like when I started fighting the kumite,
the free fighting, I was good at fighting.
So, and that was off what soccer.
And it improved, if you're bad at soccer, man, you, you know.
- You don't have a chance.
- It's over, it's over.
But I was good at something finally.
And then my mom would punish me by restricting me
from the karate.
So once I, once, I got back greats all the time.
So I got back greats.
And my mom told me, okay, like I was on the phone
and she said, where's your report card?
And then she saw my report and she told me,
no way, you're not going to karate today.
So I got my bike and I drove my bike all the way
like from one side to Lima to the other.
Like an hour drive on my bike.
When I came back, she just shut the door
and had to sleep outside.
- Oh my goodness.
- In the 80s man.
So, yeah, this is different back then, right?
But she didn't restrict me anymore because she knew
I was just going to rebel also.
And after that, and that was with my Sensei Waiyo Salas
and the guy's like a truck man, like muscle.
And he was the perfect build for Shotokan karate.
That karate is like a straight line.
So he believed on the one punch kill
and the shorter distance between two points is straight line.
All right, so the advanced like a truck.
So if you're skinny or frail, that's not for you
because you're gonna go like this and bounce back, right?
But this guy like a truck, so when he went through,
he went through, right?
So that was really good for him.
But then the UFC hit, all right?
So man, I saw Hoy's Gracie fight these dudes
and it's like in the ground and everything else,
like this is crazy.
I gotta do this.
- How old were you?
- At that time.
- I was like 14.
- Okay.
- And I had gone my black belt karate, I just got it.
- Okay.
- So man, I had to do this stuff.
Right?
So in Lima, there's the Japanese cultural center.
It's in the district of San Felipe.
It's this big building where all the Japanese people
go to celebrate.
But in the basement of this big building,
you go down the stairs and it's like a big
underground collision and they separated like pieces.
They're all mats.
One is for judo, one is for karate, one is for a kido,
the other one's for kendo.
And all the classics go simultaneously.
So you can go to one class,
it's over and you jump to the other one.
And then you jump to the other one.
- How long are the classes?
- Like an hour each.
- Like an hour each, like a typical class.
- Yes, and they were ongoing.
And they were ongoing.
So I would just jump from one to another
and then do it each one.
So what I would do, like after class,
I would like in high school, in middle school,
ending middle school, I would go, well, 14.
Yeah, that's like more or less.
I would go from school.
The bus I was stopped by, they were caged.
(laughing)
- It is gaming place.
- Yeah, please street fighter.
Please street fighter there with a crowd.
Please street fighter.
30 minutes of that, then I would go to the Japanese culture
or something and train all the way
till like 9.30 and something's 9.45.
And then I was out and back to my house.
- Wow.
- Yeah.
- And I was at 14.
- That was 14.
- All the way till I was 17 and a half, almost 18.
And that's when I came here, forgot it.
- Did you find like when you were doing that,
that you were leaning towards one particular martial arts
that you kind of preferred?
- Yeah, I was failing.
- Yeah, I wouldn't miss a judo class.
Because of the hoist crazy thing.
'Cause they have ground.
They, we had a juditsu instructor in Peru,
but he was in a crappy area.
So I wouldn't go there, you know?
So I wouldn't go there.
So I would go to the better, better, better area.
- Yeah.
- And I thought judo and juditsu were the same stuff
because the same arm bars and the same choke.
I had no idea.
- Yeah.
- I had no idea.
But still, and it was grappling.
But yeah, I spent all my time there.
And that's where I started growing up with this.
Yeah.
- Wow.
- That was really cool.
And so once you, so it was pretty much hoist crazy
that is what sets you on this track, and you see.
- Before hoist crazy, it was a revolutionary.
He revolutionized the martial arts.
Before hoist crazy, in the martial arts believed
all these stupid stories of flying Chinese guys,
you know, the master with the long eyebrows
and the long beard, we totally believed the lies, right?
Because nobody had to prove anything.
They would tell you about the death touch
and you believed it, you know?
They told you, you know, this is too dangerous
for competition, you never use this, right?
So it's like, and something, stuff
that would give you killed in the street, right?
But when hoist crazy came around, he changed everything.
Because now you would see the different type of arts,
the traditional arts, being proven against each other.
And you would see, it was all myth.
It was lies.
Like for example, they had a ninja guy.
He went to the hero's seas against a Pat Smith,
a kickboxer, and the kickboxer wrecked them, you know?
And I was sure the ninja guy was gonna,
like, you know, throw a puff of smoke and disappear
and appear behind, you know,
teleport behind him or something?
No, he was faced bashed in.
And I was marveling at that, you know?
It's all the movies, because every Saturday,
they had the Kung Fu theater in Lima,
and I wouldn't miss it.
So they would pass all the 36 chamber of Shaolin
and all these movies, and I wouldn't miss it.
All the Van Dam movies, all that stuff.
And of course, you believe it as a kid, you know?
But when you see an action that is so bunk,
it's like, it's a revelation.
Do you have any specific memory of like when you first saw any UFC fight?
Like do you remember where you were or like what you were doing and or just the first time you realized like
I want to do this. This is awesome. Well, I was subscribed to black belt magazine
So in the inserts they have the
Not a program advertisement
The advertisement for UFC. So I ordered the VHS tapes
Not to Peru, but to to someone in the States and when I went for vacation, I got them and
I hadn't VHS and I watch I had a stack of them and I watch them. It was amazing
That's my entry to and then I go to the Brazilian valetudos and then the and the world tournament saw fall jury to me in the mats
Like like ours. The green and yellow bug in the day. Yes, I know what Tracy just told us about that when we did the podcast with her
I had no idea that I saw that like the puzzle type or were they they have us up there kind of like this
But no the colors were yellow and green. Yeah, that's how it wasn't back in the like when hoiler was young
I used to fight and all that yeah like they the classics
I used to watch that was a kid
I was with Marvel of that. So that takes us to use you see hoist and that makes you want to come to the States right at once
You see hoist. Yeah, so once you decide you want to come to the States. Yes, then what kind of happens after that?
You research who's over here and well I research you came for college - so that was that was driving it or was it like that was a hook?
It was like when Wesley said he moved to my hometown to go to college
Right, right. Yeah, that was a community college. It was because I lived there. So no, I wanted I wanted to
So since I was a little kid, I wanted to be a master in art. I didn't want to just be a fighter
For example, I really liked the Ninja Turtles, right and everyone wants to be the Ninja Turtles. Everyone has like the Rafael donatello, Michelangelo and the other guy
Leonardo, right? I wanted to be master splinter. I love that. But why because I like it my reasoning all right my reasoning was this
Leonardo is a master of the sword. Michelangelo, the nunchakos, Rafael, the side and the Nutella of the bow. They all the old master of one thing
But who taught them right master splinters and master of all?
Right, so I wanted to agree to him. Yeah, I wanted to be a true master. So you know, he's the mastermind that controls all styles
Not just one. So he's he's no one dimensional
So he controls all so he can move and defense or attack in all planes
Just one little thing. So yeah, I want to be the rat
Super cool though. So once you move to the stage you move to the stage and it wasn't exactly because the college has kind of the hook
Right, so the things I wanted to learn to do from that real master real master
so back in the day, like I will go to the
The internet we got the internet in the my high school lab like a bit of lab
And I will research here and we only have one one form. It was moved sales form from Houston as school in Houston
They got a form where they discussed MMA you need to wonder so like like read it
Yeah, but it was like it was old was yeah, it was like red. It was red with like a white font. It was awful
I was still on Peru, right? I was still in there. Yeah, I was in there. So I researched who was here and not many black bills were here
But one attracted my my eye was Carlos
Carlos macho and he was in Texas. So I saw I saw clips, but you have to like wait for like an hour for the clip to log
Just to see a picture was like, you know, yeah, you have to turn that sound on
Yeah
But I managed to like sit there for like an hour and get the clips and he will talk and do his moves
And I was like, man, it's amazing. This dude, you know, and
And he was a good looking dude. So I wouldn't have to be like him
Because the other guys look like you know, like warrior. I'm angry. But this guy look like a superhero
Yeah, so and I was like 16 17. I want to be him
So I said this guy
so
My I told my mom. Hey, what I want to do is I want to you know, continue my martial arts
And she's like if you could do martial arts, you're gonna die of starvation
No one makes money of that. You're gonna be a doctor a lawyer or an architect
So man, I'm like and she's like you can go anywhere in the world you want
Okay, I'm like, okay, Brazil. No way because you're gonna go to Brazil
Okay, I'm like, okay, Japan, right? No, no, Japan. It's all just thinking, okay, whatever I'll do. Do no
So I go, well, how about Texas? You're gonna talk to my counselor about Texas and everything and she's like sure because I got accepted to a university
It's in my you know
My acceptance stuff and they accepted me
And that's the story I came here and the first day I arrived in the airport
with my suitcases
The orientation wasn't ready in your university. So I went to a motel and parked my bagus
Called the Carlos school and went the same day to drink. Oh, yeah, same dream. Yeah
And it wasn't in the film studio where they were filming a
Texas Walker Ranger
So I met Chuck Norris. Of course, he doesn't remember. I was just a little twerp. Yeah
He doesn't remember but I remember him. Yeah, and we trained there
Until until I don't know what happened that we had to move we moved to a squash court, which was awful and same dream
And then we moved to the to the hole in the wall school where all the magic happened
Really? Yeah, yeah, so leading you you moved to Carlos
Now, what's the story about from your white belt to blue belt?
To what happened there because we kind of talked about this a while back
Yes, the problem was that I didn't have a car
So I will go Carlos in his farmer's branch and I was in the dorms in Irving the University of Dallas in Irving
No UTV US Judy you the University of Dallas and so I would spend all my money on taxis
Because you know or if someone could could like give me a lift by bag then no one would want to take me
So either have to live pay for gas money or beg and I hate it begging
So I ran out of taxi money
So I told my man in your car. It's like you don't even know how to drive
And that's true
How old are you now like where we're at now you you're in a university
I'm probably I'm still 18 I just I just turned it not even 20s yet
No, it was like two more three months into it. I lost all my money for 10 taxis
I spent all my money tax. That sucks. Yeah
And then
Well, so I looked in yellow pages because the only way to find a school near me and I found molar
So I want to Alan Muller's he was right there in the colinesis like close to the green is in Irving
And I I stayed with him until the blue belt and that's when I learned to drive and finally got my Honda Civic
As soon as I got my Honda Civic
I sped up to Carlos. Yeah, yeah, so that's the story of course
Moller taught me a lot. Yeah, but my sides were set on the master. Yeah, I wanted to live with the master
And as soon as I had the wheels
Bye, man. Yeah
That's awesome. I I've gotten to meet Carlos like and what he's like now
But what was Carlos like when you first met him in those early early days like how accepting was he to a brand new guy
I mean, I got not really brown. You probably brought a lot to the gym with all your experience
So I'm curious like what was he like back then? Well, I was like one of the younger guys. Yeah, so he like he looked at me like a pet
Yeah, and in the mornings, which is funny too
In the mornings I will go to Dallas, Judo to train with Vince Tamura. So I will go train the morning with Vince and at night with Carlos
Okay, and in the morning, they were like the black belts were also like very like older men
You know like over 40 most of them and they also took me in like a pet
It was like they would all teach me their tricks
Because I was just like a kid here and same with Carlos. So Carlos
What he did was like when he got private lessons
He will use me as his okay as his you know, he's dummy
And I was happy because his his private were like 350 bucks an hour. So I could just leech
Techniques, right? I just I didn't mind like being folded into, you know, right?
I just leech the techniques and so and he would like go over every detail of the guys
You know, and I was just listening and listening and then he would roll with the guy and I would watch Carlos
He did and what he didn't teach that he did
Yeah, he had a secret moves and I was like watching my watch like he would chase the hip and stuff
Things that he wouldn't teach back then he teaches him now
But back then he wouldn't really teach that I will watch him watch
So yeah, I would like, you know, dissect his game. Yeah. Yeah, you think that was intentional by Carlos to like kind of hold some stuff tight
I don't know, I don't know because right now he's an open book. He teaches every single detail. Yeah, but back then he he didn't
You know, he he thought a lot obviously, but there's like like some details that he only did
That he wouldn't really go over
But I like checked it and looked at him and looked him and I picked him up and now he just issues freely
So no one has to do that anymore. Yeah
Yeah
So once you met Carlos and you started training you have your blue bell and you start climbing the ranks
Like did you come across any interesting characters or do you have any names that everyone was an interesting character
Yeah, yeah, it was like that then it's probably a lot different. It was like a far worse than YouTube again. Yeah
There was a lot of ego
Yeah, you know the the quote of
Deep your ego out the door. Mm-hmm. No one followed that
They brought it all the way to the match. No, no follow that. It was just like, you know a bumper sticker
Because no one followed it.
Everyone had the ego, the size of a mountain.
- Interesting.
- Every day was a tournament.
There was a friggin ladder and everyone was aware of.
And if they beat you, they would brag.
So every day, I remember driving there,
you know, Honda Civic and pounding diacokes,
just to get pumped up.
Because it was going to be a war that day.
Every day, right?
So yeah, and when you got there, it was war.
It would grab you and everyone had one speed.
There was no light running at all.
That was a myth.
People would throw against the wall.
They were friggin' holes in the wall.
Man, the door was unhinged.
The back door, people rolled out into the streets.
- That's wild.
- The wild west.
- Yeah, within air conditioners, we put a big fan
and people like crashing to the fan into the street
and roll out.
And they keep going because no one can lose.
- Yeah, yeah.
- So it crazed stuff.
- And poor Carlos, he's non-confrontational.
Man, he had to deal with these friggin' animals.
(laughing)
But that's not a really a good thing.
I mean, yeah, it's very gun hole and very extreme.
But the problem is that since you feel
that you cannot lose, you restrict yourself to the game
that works.
For example, I would like fight close guard.
I'm stronger than that.
But I would resist opening it.
Because if I know, if I open,
then the guy who is crushing me.
- Yeah.
- So that's not very good because the match
should be at your laboratory where you can lose.
You can try new things, they pass.
Now work your defense.
But these guys would pass and then crush you
with their friggin' animals on the face
to make a point.
So it was like that.
But that kept us, as time went on, they got there.
- Yeah, do you feel like that kind of culture
and mentality, I'm sure it exists with some people
in some places now, but do you feel like
that mentality has changed?
- Yes, yes, it has evolved.
Just like juice has evolved and mentality has evolved.
It's like, when you see like boxing or keep boxing,
people from the stance scream like kill 'em.
No kill 'em.
If you go to a tournament in jujitsu and scream kill 'em,
everyone's gonna jump and you say what's your problem.
So yeah, back then it was the kill 'em mentality.
And now it's not.
- Yeah, I know it's more sport-oriented.
- Yeah, yeah.
'Cause we've talked about that,
about the difference that we see in jujitsu
and the community and the culture of it versus other sports.
So that's really interesting
that it didn't necessarily use to be that way.
- Yeah, that was a big drawing factor for me
from boxing is the culture of jujitsu.
So I'm glad that it's changed.
'Cause like you said, boxing is a lot like that.
It's like killer be killed in the ring.
It's still like that.
- But it was like that back then for jujitsu.
- But it was not good because it made you
about one tracked mind fighter.
You didn't open yourself to trying new things.
- Yeah.
- So for example, I remember when my game is the close guard.
And I was fighting his huge freaking beast.
And he also made close guard and I was attacking
and Carlos walked running to me.
He looked at me and said, "Open your guard."
And I looked at him and said, "Cipro is all."
Like, "Yes, Professor."
And I didn't open it.
(laughing)
And he said, "Open your guard."
And I said, "Cipro is all."
And I stared at him and I didn't open my guard.
And then he just like threw his arms up and walked off.
And I was thinking, if I open my guard,
this freaking animal is just gonna bum rush me
and crush me, right?
So yeah, you're not here man, you know?
Yeah, you're not here.
Because he was probably insane.
He was like flailing, you know what?
He was a bald dude.
So he's like bald sweaty head was right on my face.
He was going berserk.
I was, I was not gonna,
I was not gonna open my guard.
(laughing)
So yeah, and then I submitted him later
because I did a battle of attrition, I remember.
So I tired him out and then I had to start attacking.
And then Carlos came up to me and he told me,
I see your style, you use, you wear them down
and they'd attack them, that's your strategy.
And I went, "Yes," like I was such a genius,
but in my head, I was just surviving.
(laughing)
I was just freaking surviving.
And then I would get lucky.
(laughing)
What I'm doing is very intentional.
Back then, were you like one of the smaller guys?
Yes, I was the lightest of the advanced guys.
Okay.
And I was fighting.
That makes sense.
That's why I know it.
His close guard is amazing.
You feel my, you feel my biggest favorite existence.
Yeah, you had to resort to it.
And yeah, you feel my pain, yeah.
Speaking, you kind of touched on the battle
of attrition, like, do you have any other philosophies
that like that you've picked up through your entire career
of all martial arts that you kind of stick by?
Like anything that is kind of like just how you view
your style and how you play the game with Jiu-Jitsu,
any other philosophies, battle of attrition is one.
Battle of attrition, yeah.
Keep moving, keep moving.
And when you're in your worst position,
move the most.
It's not time to take a nap.
'Cause while you're taking a nap, they're planning.
Yeah, that's it.
And while you're moving, they're consolidating.
And while they're consolidating, they're not submitting.
So it's when you stop moving with the consolidate
and then they will do submission.
So yeah, keep moving.
Keep your arms tight, your legs tight, but move, man.
Don't fall asleep.
That's the way they go.
Yeah, and for that, you gotta have a good cardio.
So train harder, won't be lazy.
Yeah, yeah, definitely.
I mean, Tracy mentioned, you know, in the last podcast
about how that's one thing that you talk about
is your diet, how good is your cardio?
Are you lifting different stuff like that?
So I'm sure all that plays into your game, right?
Yeah, you take care of yourself really well.
Yes, yes.
Because I know I'm gonna pay for it in the mat.
Yeah.
If I don't like do my, my aerobics after class,
because after class, when you guys leave,
I put my TV and I do my hit training.
Yeah, sometimes before we leave.
Yeah.
So I'm like jumping there up and down
with girls and bikinis.
But that's fine.
I told the kids they shouldn't come join you sometimes.
Yeah, jumping up and down.
But it's worth it.
It's worth it because in next time when I need to move,
I'll just spring up.
If I don't do that, you know, you've come heavy and sluggish.
That's not the way to go.
Yeah, I've always thought I was crazy.
You do all these rounds and you roll with everybody in here.
You know, like you're not taking the rest rounds
and then you do your entire aerobics at the end.
I'm like, and sometimes you tell me you lift it
before you came in, I'm like, hang, how are you?
Are you not sore?
It's gonna be good.
Well, I lift three days a week and do my aerobics really this.
Yeah.
Well, I see it training, it's not aerobics.
Well, I know.
It's not aerobics because you saw the girls I do it,
but on the TV, but it's not really.
That's really it.
Yeah, I've seen it over there.
It's like, it's definitely hit that we've got.
But no, that's hilarious and really cool though.
So when you move from blue to purple to brown,
I mean, you're moving through the ranks.
Is there anything that you took from,
I'm sure there's a lot, like anything in particular
that you took from Carlos, like as you move the ranks
that maybe you didn't pick up on as a blue and white bell,
but it started to become clear at purple and brown
that you hadn't quite seen at the earlier ranks?
Well, the thing is starting like coming together
for like chasing the hip, moving when I'm like,
you're resting instead of resting move details.
Everything starts clicking in.
You know, it's like, you see the matrix, right?
You see the matrix?
It's like when Neil suddenly sees the code.
It just comes together at once.
It's not like, you know, you start learning the moves,
you listen to your instructor, you know,
but there's a certain moment with everything just,
you know, clicks together and you see the code.
And then you start moving and it's like,
it just happens, like a magic.
So that's why I tell my students when they start
and first are the white belts and they're all cumbersome
and they're losing heart because they're not used to it.
I'm just wait six months and they'll click together.
It's like when you were learning to ride a bike,
you were like, you know, wobbly, you're wobbly
and maybe your parents are whoever was pushing you, right?
Maybe.
So they were pushing, but there's a point where they let go
and you didn't even know.
And you just went and you learned to ride a bike.
You just clicked at once and you'll never forget.
So it's like that.
It's just a moment of realization, you know.
Yeah, it just dawns on you.
Yeah, that's really interesting.
It kind of makes me think of me and Billy went to an open mat
on Sunday and we're talking to somebody and there's this phrase,
we've never heard of it.
I think you looked at it.
Oh, I did.
You heard of Invisible Jiu Jitsu?
Invisible.
I've heard the term.
Yeah, I don't know much about it.
I just wonder if there is anybody else that we talk to you
that do you remember what it is?
It's kind of like how you described it,
but maybe at like a black belt level, you know.
I think that you need to step away from,
when you go from white to brown,
you're stuck in the forms, right?
Like I should put my hand here,
my hand on the shoulder, hip on the shoulder.
You know, I turn this way, step one, step two to three.
But I think that the ultimate level of this
is like Bruce Lee said, be water, be water, be formless.
Just feel, you know, just feel where the position points are.
So you're not thinking,
I'm gonna put my hand on your hip and my hand on your shoulder.
No, you just go directly to the hip and shoulder
because that's where the main controls are
on the upper body and lower body.
You just feel it.
You just see the code.
You don't have to think anymore.
So if they have a butterfly hook, for example,
you know to like raise your stance,
turn your knee in,
crush with your hip, like your pocket and at once,
but you just feel it.
You don't have to think about it.
- Yeah, you understand the mechanics of why you do
certain movements versus like,
I have to follow step one, two, three that I was taught.
- Exactly.
you can connect it all together and say based on all these things I've learned, I can deduce
in this situation, this is the right thing for me to do. I don't have that yet.
Yes, at first you need a plan, right? So if I'm going to use like this, take down and it fails,
I'm going to use that other take down and then I'm going to pass the guard this way and it fails,
that way I'm going to use this guard pass, everything by the book, right? But it becomes like really
structured. So if you're number one fails and then you're number two fails and number three fails,
you don't have a number four, then you'll be fretting instead of just flowing with it, right? So
first it's good to have a plan, but later you don't need a plan anymore. Yeah, I'm curious what
it was like back whenever what was the class structure like it calls Carlos's gym like in the early
days. It was the same was here. It was exactly. Yeah. So do you feel like that is informed because
I've been curious before just being at other gyms, you know, sometimes people do warm-ups or whatever
and then there's the infamous one-two clap that we have not done here until recently. We didn't have
the one-two clap back in the day in a fairly recent thing. Yeah. Yeah. But it's picked up and now I'm
doing it too because you know the master does it who am I to not do it? Right. Everyone loves to clap.
So we're doing the clap and learning to do the one-two clap. The warm-ups we had very few warm-ups
and I have zero warm-ups. So because I think that it's for the kids yes because the kids are not
going to be doing push-ups at home or sit-ups at home. They just won't, right? They don't want it.
They want to play in just turtles on their Nintendo games like you, like you know. But adults,
wear adults and we're responsible to do our push-ups, your cardio, your lifting, everything on your
own time. Exactly. Your own time. Oh, yeah, you do that all the time, don't you? Do it.
Catch me at home doing my push-ups. You're going to do it because it translates to it next day.
You have something you don't. I know. But if you feel the class with warm-ups, that to me is just
filler. It's a waste of time. You're responsible for your own body. At that time that you're filling
up with warm-ups, you could be filling up with techniques. My time as a human being, as we know it now,
it's limited. So I want to squeeze my brain. If I could like take a cable and upload my
all my information into your cerebral cortex, I would, right? But I don't, I can't do that right now.
So I try to fill as much of the class with techniques. So I can pass you my all my knowledge.
And if I can pass you my style, you can make my style yours and expand on it and digest it and
make it your style. Then I have succeeded. So that's why I try to teach as much of technique as
I can in that one hour. And we do technique. And not fill it with like fluff, like sit up some push-ups
and you know, and shrimping. It goes shrimp at home. Yeah. Do some shrimps and eat some shrimp.
Yeah, eat the protein. So what about like the new, it's kind of a new wave. We've been experimenting
without the gym, the ecological approach, like kind of doing mini games that are very specific
to the technique or to a position. Like what's your view on that? Have you been liking that?
You think the results are pretty good when we've been doing it at gym?
You know, I like it because there's some people who are lazy, man. And they like, they will
roll two rounds and just jet. And no matter what you tell them, they will keep doing it. I can tell
them, you know, you got to roll more and get your cardio up, man, because you're looking kind of crappy.
So you need to roll more. I mean, if you want to roll two times today, three tomorrow and keep
pushing that wall, hit that wall until you're dead tired. And next time one, you can go one more,
right? But people like refuse. So these eco-drills are good because it forces them to like at least get
some rolling in, even if it's just like situational. And these are getting some cardio in which translates.
And also they get to like perform the moves in a life scenario, which you know, so they'll remember
better. So I really like it. If I didn't like it, I wouldn't incorporate it.
Yeah. Yeah, I've been enjoying it. I like doing it a lot. Now I'm moving on. So you get your brown
bell, you get to your black bell. Yeah. What was that was there a big ceremony? Like what happened?
What was it like when you got your black bell under Carlos? Well, my dad flew in. Yeah.
And that flew in from Peru. And it was very emotional. I had to talk and I dedicated the belt to my
dad. He got very emotional. Yeah, very much. He passed away in 2015. So when he passed away and
we buried him, I put my ghee and my belt on his conference in the world. So it was he took a part of
me. Yeah, for sure. You know what I'm saying? But he loved me very much. But he came over all the
way from Peru and I dedicated it to him. And even Carlos said that I was very emotional. Yeah.
Moment. So did he trim it all? Is it any time that any turning all year? My dad did some jewel
back home. He got like to brown bell or something. Oh really? It's still comfortable. But he was
something. Yeah, for sure. Yeah. So it was funny. I went with Seth. I took Seth to Peru. And he was like
he was like eight years old. But he'd be he'd be training with me since he was like three years old.
Yeah. Maybe even less because we like wrestle around, right? So setting my son by the way.
And my dad was like, okay, let's see what you got. And Seth put him on a triangle.
And he was choking my dad. I was like, let go. Let go. Let go of your grandpa. Man. Let go of your
I want to kill him. He was like, he was 30 purple. The old man who was 35. I had to pray the kid off.
Oh my god. Yeah. Oh, that's hilarious. Oh, Seth. I'm going to try and go that's hilarious.
Yeah. Oh, man. So I guess it was a pretty big ceremony. I mean, based off what you said,
huge ceremony. Your dad flies in. Yeah. Then what does it look like after that? Did you you said
you wanted to be like the master splinters, right? Of of Jiu Jitsu and of of your own school.
Yes. So did you immediately branch off and start looking to do your own thing?
No, I stuck around like a couple of years still training with him. And then I talk, I talk
Carlos. I went to open my own school. So he told me you're great. You're not great. And so I
entered an affiliation with him. And of course, I moved as far as I could from him. So I wouldn't
step on his toes, right? I wouldn't step on his toes. So, and that's it. But I came, I always went to
visit him and train with him once a week and still do. I go every Thursday and I train with him
every Thursday. Yeah. Unless he's on a seminar or whatever. But if he's on a seminar, I'm there.
Yeah. Wow. I didn't know you went that frequently. Yeah. Every Thursday, I'm there.
Yeah. Yeah. Yeah. I didn't know that till like maybe six months ago. I was like,
and every time I go, I learn something new. Yeah. Yeah. He like improves my game every time.
We go for the little details and it's like a small class like some black belts and me and he like
pays attention to my game. He like improves me every time. He finds like little things that I can
just improve. So yeah. He's like, the man, I always said about Carlos. He doesn't do juice. He does
magic. Yeah. The guy is a wizard. The guy is a wizard. How did you say that?
Man, like I can't get my little jujitsu brain can't even compute someone teaching you something.
I know. Same. I feel like that's one thing Tracy said in the episode is like you always have
an answer, a good answer for every question we have. And she made the comment like, and if you
don't have one right away, you will have one. You know, if I am, if I am an artificial intelligence,
he's artificial super intelligent. Yeah. He's like way. Yeah. That's crazy to even imagine.
That's really cool. I love him with all my heart. And I hold him in such admiration. Yeah.
He's the best. Yeah. Carlos is the best. Yeah. And that's awesome. That's, I mean,
to have someone that you look up to that much that is like really transformed and molded you
is like super special. Yeah. After after my dad, he's been a father to me. Yeah. And I spent
one-on-one like if we add all the moments and like all the hours, I spend with him one-on-one.
I probably spend more time with him than my own dad. Yeah. Yeah. Yeah. That's that much. Yeah.
For sure. So I hold him in a really, really high regard. Not only in Jusu, but he's taught me
about life, about life, and he's given me purpose. Yeah. And yeah, I admire him so much.
Master Carlos is the boss. Yeah. For sure. Yeah. It was cool having him here whenever
into the seminar here. That was really cool. So you, that's takes us into like you get your two
years in from getting your black belt. You get your own school. So what are those first few years
like? I mean, I got some friends that are recently new to owning a gym. Like, oh, kind of difficulties.
We're there about kind of crazy stories. We're there. I'm sure there's some, the gym invasions.
The gym invasions. That was like dough just for me. Yeah. We were gay guys in the white belts that
come in, you know, and like trail like roll with me hard. And like, and I remember one told me,
I wanted to go all out with me. And that's why I went all out and put them on his head, right?
And then he like walked off the mat and outside the school and I was like, what the heck?
Then he walked back in and he told me, no one has ever beaten me like that ever.
And then he walked out again, never came back. And then I saw him in a tournament and he was a brown
belt. No. Yeah. He put on a white belt just a, yes, that's crazy. And I was like, dude, yeah.
I had also purples and the brown belts come in. Oh my goodness. Can you tell when they're not actually
white belts? Can you tell when a guy is like five years more experienced than a white belt?
- Oh, I know.
(laughs)
- For sure.
- That's fair.
- But yeah, but that hasn't happened after like,
after I began to establish.
But at the beginning, yeah, it happens all the time.
New schools, with new instructors,
especially when they're young,
oh man, they want to prove themselves.
- I think they still do that, how do you think?
- I don't know.
- But yeah, they, yeah.
Probably, but then they were just disgusting about it.
They would just wear a white belt and not say anything.
- Yeah.
- And just come in.
I had you look, I still do that too.
- Really?
- Yeah. - And then later, tell me,
yeah, I'm a black girl and you don't listen to that.
(laughs)
- It was, this test of year.
- That's okay, okay.
- So, yeah, that's pretty crazy.
Those first few years, I mean,
was it, were there some like growing pans
with getting numbers in?
Or was it like, you just put a sign up,
people just start coming?
- No, back in the day,
we have to have the versus the yellow pages.
There was no social media.
So it was a pain.
- Yeah.
People, like, I had like this inflatable animals
for the kids to play like, well,
'cause I put this like obstacle course,
like, I mean, labyrinths with like blocks.
Now we use blocks and like inclines
and I put plush animals as the danger things.
But back in the, it was the prototype days
where I was testing my ideas.
So I started with inflatable animals.
So the place looked like a pool supply sticker.
- Yes, we heard.
(laughs)
- It looked like a pool supply.
And then the animals would just die
and they were patching them.
So it was like this for the birds, man.
So they just freaking ridiculous.
So then we moved into the plush animals.
And the plush animals were explode
because the kids just rip 'em.
So I tried dog toys and that works much better.
'Cause they have, they resist more.
- Yeah.
- And they look good, you know?
- Yeah.
- Did you have a lot of experience with kids classes
when you were training under Carlos Machado
or was that like brand new when you started
a school and figuring out how are we gonna do this?
- Yeah, Carlos hated the kids classes.
He didn't wanna do it.
So he asked me to do it.
But I couldn't do it at the time
because during the, during the mornings
I would go to Vince Tamura.
And after that, I would teach in a place called Jim Kits.
- Okay.
- Jim Kits in your flower mound.
And we were three.
Actually, one, one was Rob Abel's
who has no school, the Marcel Garcia.
He was him, he was me.
And the, the program director was a Taekwondo woman
which was, she was great.
I learned a lot from her.
And there was that judo guy also.
And the classes were immense.
The first, it was a huge place.
And the first, first floor was gymnastics.
Sigma floor was the martial arts.
- Okay.
- And that's where they had all this gymnastics equipment.
All right.
So the woman made like stations
with the gymnastics equipment.
Something is, I came from a traditional school
where traditional martial arts
were you like, you sort of like a hardwood floor
and hitting the, hitting the Machiwara,
which is that you know, like the wind poles and stuff.
So it was like hard stuff.
But she was using the gymnastics stuff.
And like, making her stations
and like giving them like team names.
And that like blew my mind.
It was like, and so I started thinking about that.
And then I thought, man, what if we make like an adventure?
Make it an adventure.
And they make it like a maze with all this equipment.
And that's not enough.
So I started thinking, what if we get like any electronics?
We're like, any sorts of stuff.
I started just like, you know, pipe dream, right?
- Very big, yeah.
- But what is the, has to explain to me obviously.
So what is the second best?
Use, I don't know, inflamed walls or plush animals.
So we didn't do that then,
but my mind was already working and those, you know.
And in every school, every school,
how you maintain a school is with the kids classes.
Adults, you know, keep the lights on everything.
But if you want to survive, you need the kids.
And for the kids to stay, they got to like it, you know.
So and kids don't think like adults.
They think like kids, right?
So if you teach the class again, like for adults,
they don't go, they're kind of bored.
And listen, out of 10 kids, two are gonna hold
and want to like, you know, compete and they die it.
But this is two out of 10, like her daughter.
She's like, those, she's special.
She has a warrior spirit and she wants to go.
But for one of that, you got nine that don't.
- Oh, right.
- Because you want to go play Ninja Turtles and the Nintendo.
- Exactly.
(laughing)
So you got to appeal to them.
- Yeah.
- Like a game, like an adventure where they look at that.
And then you sneak in the Jujutsu.
And then the Jutsu, like Tracy teaches, like, you know,
like Champwood, like the shark and stuff.
Instead of telling them to grab his wrist, you know.
No, the shark, the shark chomps the fish, right?
Stuff like that.
And it keeps, it keeps them thinking,
these kids thinking cartoons, when you grow older,
you become more practical, more cold, you know.
But kids live in fantasy, in a fantasy world,
and something that we should not lose.
- Right.
- Because, you know, imagination is so important.
And that's how you make your new moves
and you have to be imagination.
But that's the best for me to teach the kids
and to get them engaged and for them to like it.
If not, they're going to be, you know,
bribing their chauffeur to make them run in the park.
- To let them run out of the park and roll in the dirt.
- Exactly.
(laughing)
You're gonna make that appealing.
- Yes.
- And yeah, so you get your kids' program of stylish,
you come up with some really cool ideas.
What about your adult program?
I mean, you studied and kind of stayed the same.
Was there any small adjustments that you made
as you own the school and maybe you went
from one location to the next?
- I kept it as close to as Carlos started.
- Yeah.
- But as Carlos started back in the day.
- Yeah.
- Yeah.
- Like I said, I was raising traditional martial arts.
And I like to keep it traditional.
You see, I don't even wear a rash card.
Because back in the day, we didn't wear a rash card.
- Yeah.
- So like a fuse, right?
Even when I go to Carlos, he's policies to wear a rash card.
And I'm sneaking by right now.
I'm sneaking by, you know, I know one day he's gonna--
- Tell you this.
- He's gonna lay the law one day.
But I run out and sneaking by and I'm not wearing a rash card.
So I hope he doesn't listen to this.
(laughing)
Watch others part out.
- Yeah.
- Yeah, edit, edit.
But yeah, I keep it very traditional, like they always.
And I think I learned well that way.
And I think it's worth it.
- Mm-hmm.
- And I have a suggestion box.
As you can see.
- I do.
- I have a suggestion box that says,
"Are you not entertained?"
I have a gladiator.
"Are you not entertained?"
So if I urge everyone, if they don't want to, like,
if they're shy about telling me,
just put the thing, I want to look at the cameras.
I want to look at the cameras.
It's anonymous, I promise.
And just put your suggestion.
And if he's a good suggestion, I'll follow it.
I mean, I'm open to change my ways.
If, you know, if he's good, I'm not stubborn either.
- Yeah, yeah.
- Like for some of the eco-drill.
- Mm-hmm.
- Yeah.
- Look at the clapping.
It refused for a long time.
- I know.
- But you know what?
Get on with it.
Times over.
- Yeah.
- All right.
- Yeah.
- Open up for his birthday.
I'm gonna get my rash guard.
- I know.
- But we're like a bandad.
- A rash guard with my face on it.
Like one of the kids, Dane, he has a rash guard
that he got that has me on the back.
Flexing has Darion on the front.
It's hilarious.
- That's pretty crazy, but no, that is really funny.
- No, I mean, I used to not wear rash guard
for a long time either,
'cause I just hated having the rash guard on.
I wasn't used to it.
- But then you would come home and complain
about like, Gebert on your scale.
- Yeah, yeah.
- And I'm like, that's why you wear a rash guard.
- Yeah, no, you also get really hot.
- You just get hot, it's like, it's just hot.
- Yeah, I mean.
- I'm just used to it.
- Yeah.
I'm curious about what your mentality
of what you thought a black belt was as a white belt
versus what you think of a black belt?
- Oh God, like how different.
- I'm going over there.
- Yeah, especially now, 'cause you're--
- Touchable.
- Yeah. - Such a high, like, expectation
and wanting to be a master splinter.
- You know, you know, it's Kung Fu Moys
where the master wear the eyebrows.
- Yeah, I feel bad.
- Like you build a Py-main from Ghibel.
Untouchable, the touch of death.
He looks at you, you're dead.
That was a black belt to me.
- Yeah.
- Really? - Wow.
- It's back then we didn't have a much black belt, see that.
You know, we were all like, oh, white belts,
or when we first got our first purple,
we were just like, wow, man, we have a purple.
Yeah, it was Carlos and us.
- Wow. - So yeah.
- So what about your view now of a black belt?
What does it mean to you to see a black belt,
another black belt?
- There's black belts and black belts.
- Yeah.
- There's black belts and black belts, yeah.
- Yeah.
- Do you feel like you are now a master splinter?
Have you achieved master splinter status?
- I walk like master splinter.
(laughing)
- You're my team.
- You know what?
You're like master splinter, dude. (laughing)
- And you definitely hold a roll like master splinter.
- No, you do not.
- Oh my gosh, that actually kind of brings me
to another thing I'm curious about.
Like, I mean, around the gym,
I feel like you're very known for your pressure.
Like you have insane pressure.
Do you feel like the pressure that you use in your technique
is it more of technique?
Is it like a full lot, how do I put it?
- Like a psychological aspect.
Where you're just trying to physically,
like you said, the battle of attrition,
like physically pressure them down to the ground,
or they just not.
- You haven't trained with master Carlos, have you?
- I got to roll with him now.
- That's his stuff.
That's all the pressure.
Follow the hip, control the shoulders.
The shoulders are the hips of the arms.
And the hips are the shoulders of the legs.
(laughing)
- Yeah.
- So yeah.
those two points and you got the guy done and now if you just put that bonus of moving
their head around you got the fight one but his game is pressure passing and I studied
it and studied it and I just absorbed it yeah I'm also gonna say the things to dissect your
instructors style but not copy it because because the copy will never be as good as the original
pressure yeah because you have your own like body type your own upbringing your own strengths
and your own weaknesses you know and if you copy the guy yeah you can be a good copy but you'll
never be what he is you never be an equal yeah so you have to make your own style according to
your own body type and your own movements yeah so that's the thing I remember one guy training
back back in the day a guy from out of town came in was training with us and he told me everyone
like fights like Carlos but you fight differently because I made it a point to like adapt to adapt
so that's my philosophy on like copy don't copy you know just absorb the technique digest it and
make it yours your own style yeah but that comes at a later later later belts you should be a
brown belt you're already creating your own style yeah man I mean I mean the I've told my friends
and like my cousins come and crush in here a few times that rolling with you reminds me of like
if I if I was rolling with a boulder and a ballerina all in one that's like the master feels like
is it feels like you really are dancing around me but at the same time I mean crushed the entire time
yeah like the amount of yeah I mean I mean I know when we roll I'm like this is about to get
intense because it's always a really hard I love it you just describe how it feels like all my
juicer career rolling with with a master that's exactly how I would describe it exactly yeah wow
it's like a boulder coming at you it's like you feel like Indiana Jones with like boulder coming at
you but there's no escape so you just put your hands up like this and it's like a coyote with the
umbrella the big boulder for you yeah same deal you just waiting for it to happen I mean you can see it
but you can't stop it yeah that's how it feels yeah so now that you've been teaching for so long
like you wanted to become the master but now you I mean you're I'm not a master yeah I'm not a
master yet like thank you for everything but I don't think I've achieved it yeah there's still a lot
of room to grow yeah I mean that's one thing we talked about Tracy's I don't I don't think you can
ever master do you do too especially the way it keeps changing yes do you find
you can become a master of your style right and that's what I admire Carlos so much because
he has master style yeah or nobody can quite teach the details and stuff that he knows on the way
the game he plays yeah for sure I can totally see that yeah but you know in the sense of what you
and Tracy are talking about like you'll never know at all like you'll never know no no and whoever
tells you that is lying to you for sure he's a fraudster no you can't no yeah and and and you know
I lose respect for for teachers that you ask them a question and they try to BS you around and
teach you something totally ineffective I respect them all to tell you you know what I don't know
yeah but you know what let's find out together and then you start drilling and deconstructing
for example I've I've students that bring me stuff from YouTube it's just crazy crap monkey
monkey doing backflips cannot do this yeah yeah and they tell me okay what do you do how do you do this
let's look at the video together right let's look at the video together and how do you defend
I don't freaking know man you know and let's let's look at the video and let deconstruct the
position and once you start breaking apart because you know that the movie is like building
Legos you know how do you you know break the Lego apart you do this assemble you and start
the same thing you learn the move and then to counter you the uninstall it so you know but if I
told the guy show me the video or tell me how you do it I'm like yeah this way and it's
completely wrong you know I would lose all respect for from the structure and I've seen it happen
and it's just off yeah yeah yeah if you don't know you don't know yeah you know and learn it yeah
learn it and get with your student and work on it together and that's more respectful anyways yes
way more respect that one and that creates more of a bond with your students yeah yeah and your
soul will respect like yeah we respect you more for it the line you know be honest yeah you were
going to say something a second ago remember no well I have a question you've competed you coach
and you've had your own and you have your own gym so I think we kind of already know
where you kind of land in this but like where do you feel like you have your fire of those three
like a gym owner the coach or the athlete the competes like where do you feel like you find like
your most you find yourself yeah most fulfillment yeah I think I'm a great competitor and do you
think it's change of the years like where you know he says the competitor since day one to where
you're at now no because my opponent has not changed yeah because how I don't compete with other
people I compete with myself yeah right so this is how it works I mentally I create a clone of myself
mentally so I say for example me three months ago a complete clone if I fought him right now
me of three months ago who will win you know if I say if I'm honest I'm like man I'm getting some
weight I'm not training that guy would beat me yeah I need to get better but if I can confidently say
I will beat him I will beat myself from three months ago it's going okay yeah so competition with
other people it's good you know it gets you better and everything but those people you cannot
continue measuring yourself with other people because things happen they can get an injury
yeah they can stop training or you can stop training but or they can suddenly get much better you know
yeah but it's better if you like test yourself with yourself is that a point it will always be around
and it will it will keep you straight you know it will always is the measuring bar that you want to
keep around yeah yeah it's interesting here you say that just knowing that Tracy's been you know
learning from you this whole time and I feel like I hear that comment from her all the time
yeah or like about other people too she'll be like you six months ago like you would you would kill
you're the version of you from six months ago so it's cool to hear um yeah so you might see
yourself very much as a competitor but it's so clear and obvious um what a good teacher you are
as well and how like you're stealing that and you're seeing the blueprint of Roberto on
Tracy I see Tracy in Roberto's blueprint on you I know like I get fat I'll I'll be rolling and
I'll do something and somebody I'll be like oh that had Tracy written all over it so
so like I said so competition is a big deal for me but competition myself it's a big deal that's
why I hit the gym and I hit the the the the hit training and rolling and everything uh because I
want to be better than myself yeah yeah I don't pick some some dude like a black belt from a Carlos
I want to be beat him beat him and then tomorrow he gets hit by a truck yeah where where the
my measuring stick went yeah stupid you know but I'm always around yeah I'm always around and I'm
always there you know and I like to teach by example so I roll my students and I'm always in shape
they never ever see me out of shape never and that's something I'm proud of and you know
the way to teach you through example yeah for example definitely yeah I will never ask my
students to do something I can't do yeah never so yeah if I can't do a move I'm not going to ask
them to do it yeah I need to do them good you know if I'm not going to ask a guy to get in shape when
I'm I can't even see my belt because my god is hanging over it yeah you know no no that's
unacceptable yeah yeah yeah it says a lot I mean as a leader too I mean it's important you know
of course and throughout your whole career of doing jujitsu you know someone who's been as
dedicated anybody who's dedicated to the sport that they're in there's always going to be ups and
downs anytime that you went through and you know any ups and downs you've ever has there ever been a
moment where you felt like quitting or like hanging over never never never never the thing is this
but if you don't have the mentality you will feel like the climb for jujitsu is just like a
it's like a little roller coaster right you start climbing you start going up up up up and then you
you hit a plateau okay so you go straight along and then you hit in the blow and you get depressed
because you're not advancing so you start going down all right and then you you like gather your
thoughts and gather your nerves and say no this cannot be happening so you you train more you study
more you work out more you you diet better and you start going up again yeah and then you hit a
plateau and then you get depressed and start going down and you get you put extra effort and you
go up again yeah and then the plateau and like that but it's always an upward climb but with that
little downward slope sometimes yeah yeah but when you are aware of the pattern you don't despair yeah
but if you get caught in the in the downward depression then you say then you say all
everything is lost it sucks I'm gonna quit yeah no no no that's the time to shoot straight up by
changing something yeah something is not working so that's that's when you have to like look back
and look at the clone of yourself what was working three months ago that you were in the steady climb yeah
oh I was lifting more I stopped lifting because you know I stopped lifting no
I've got to go back to lifting and lift a heavier, you know, or get more reps in or lift
the same and start researching more.
And once you're aware of that little pattern, like I said, the spirit does not sit in.
Yeah.
Yeah.
I agree with that 100%.
I think it's easier when you come to that point where you realize like it's going to
go like this a little bit.
And when you accept that, then you can take the little dips in stride and you keep going
about.
I mean, patience and discipline.
What do you think in all the belt colors that someone kind of figures that out in your
experience?
Like, where people, I feel like I've figured that out like kind of introspective and I'm just
a blue belt.
I'm not even very far along.
And I feel like, and that's not necessarily outside of my jujitsu game, like, but what I found
in the beginning, I would hit those plateaus.
And a lot of times it'd be like I'm trying a particular like a guard that I'm like trying
to get better at and everyone's figured it out at the gym.
So they're killing it.
And like, I start to get bored like frustrated, you know.
So then it forces me to change it up.
And so I learned that pattern that of constantly changing and which added to my game and made
me grow.
Do you feel like that's something that happens pretty quick as a blue belt?
Or is this something that usually happens later or is it just like sporadic for everybody?
I mean, you hear a blue belt.
The thing is that the hardest belt to break is the blue belt.
That's why everyone quits, right?
The purple, the brown.
Blue.
That's the hardest one to crack.
That's why most people have done it because they don't recognize that.
Yeah.
Or they either, they feel like they've accomplished their self-defense goals.
Yeah.
I know enough to fight in the gas station.
Yeah.
I got out of my belt.
Yeah.
I'm a superhero up there, so I got enough.
Yeah.
But the other guy said that it's not enough.
Now you've got to perfect the art.
Now you don't do it just to get enough fight out there.
Is this ridiculous.
Yeah.
Somebody out there is beating on a child if you fight another trained person.
It's ridiculous and unfair.
But now you're training to fight guys that are in this, in what we do.
And yes, blue belt is the breaking point for many people.
If you decide for that a blue belt, you'll be okay.
If you crack blue belt, you'll be okay.
Yeah.
There's a less chance you'll quit.
But this blue belt is the make or break for everybody.
Yeah.
Well, I mean, I think maybe part of that goes to your whole philosophy about competition
with self.
Like what is your actual motive for doing it in the first place?
And if your motive is to learn and progress and do better and be better than you were yesterday
a week ago, a month ago, a year ago, then, you know, that's enough to keep pushing through.
Blue belt is the edge lord belt where they like were, well, back in the day, they were
all this bad boy patches.
Yes.
Yeah, and then like the tap out gear, you know, bad for the sport, you know, and everyone's
like, you know, everyone's like such a mature man, you know, fight, fight, fight.
But that's where people lose hope too, like, you know, you know, they burn real fast.
Yeah.
They're like a match.
They're not a steady flame.
But if you make it and if you realize what you realized, you make it to black or you
fail a blue one.
Yeah, I literally cannot see myself quitting.
I'm the type of personality I am as I, I don't have hop, I don't have little hobbies.
I have full on dedication for many, many, many years.
And I think you'll be okay.
Yeah.
I've only had three things I've ever been that obsessed with.
Yeah.
And this is, I did all those for a very, very long time.
Being pulled up a chair and get comfortable because it's like, oh man, this is a right, man.
Definitely not backing out.
So that kind of makes me think like when you have a student that is earning their black
belt and it's, they put in their time to obtain the skill, the skill and it's time for
their black, what are, what are some things that you kind of hope that you bring them through
all the years of training with you on the mat and off the mat like what are the things
that you hope that you've passed on and have taken with them since discipline, dedication,
stay fit, pass my teachings to others which is also very selfish of me because I have this
notion of wanting to live forever.
So I know I'm not immortal, but my style is so, so as long as my style is passed to you
and you make it part of your style, I will live in you and your students forever, right?
So I want that.
So I get something out of it too, I'm profitable.
So yeah, I live through all of you and that's important to me.
Now how is used, my style is important too, you go, my name on your back man, you know,
so yeah, reputation upholds, yeah, that's why it's so important for me and the kids and
everyone that competes when we go and we compete, it's like you are representing our
gym, I have the conversation with our kids all the time.
I mean, you can be here or go to China or wherever or at Timbuktu and the first thing people
will ask you when you tell them I do Jesus is who is your instructor, who is your master?
And then if you do crappy, they say your master sucks and that's can't be, no, 100%.
I mean, I can only imagine, you know, I'm trying to put it into my shoes, fit into your
shoes and like someone talking bad about my Jiu Jitsu, you don't want that to reflect badly
at all and you're like, it's a different perspective, I haven't really thought of, I mean
I thought about it a little bit, but as I'm sitting here really thinking about it, like
you put all this time and effort into people you know and you hope that they can go out
and display the highest level that you showed them, you know?
As much as they can display, because some people have a lot of like their own weaknesses,
you know, and you can't expect all of them to be a Mr. Marker super, you know, no, you
can't like explain them to be like, oh, buff, you know, taking down people and putting
them on their heads, some people just don't have that, but they do have the dedication of
making it all the way to Blackbelts, you know, so they have, they put in the time, they
put the effort, the blood, certain tears, the injuries and everything, but they're not
as good as you would like them to be, but they're as good as they can be, they themselves
and that matters, because they beat their own, their own clone, you know, they're being
their own person, their own weaknesses, and that is a huge part of the Institute tool,
they'll point it in front of you, they'll point it within, and they conquer themselves,
that is Blackbelts material for them, you know, so yeah.
Yeah, no, I agree with that for sure, yeah, everyone's different and has their own inner
struggles to fight through, you know, that's why when Brownbelts are going to be Blackbelts,
I usually give them a test, for example, if they're overweight, lose weight, it's not
as easy, man, some people have been overweight for their lives, but they do it, improve, like
some people, maybe they're good, take down artists, they pass everything, okay, now I want
you to improve your open guard, and they're like holy crap, you know, so yeah, they're not
going to be Blackbelts until, I'm not going to tell me, you know what, you've got to be
champion of IBJJF, like worlds, some people don't want to do it and don't have it in them,
but I make them improve their weakness, so they have to break their own mold, and yeah,
that's a good test that I set up on my students, yeah, well we're kind of at the back end
of the story, you know, you've owned a gym for a while now and it kind of leads us to
here, where we're at now on Keller, what kind of, like what is the future hold for you,
what do you think, what do you, what do you hope that the future brings for your school,
you know, whether it be just more members, new people, new relationships, anything on
the horizon that you're looking forward to, I want to keep the future, I want to keep
the nature of the school as it is, yeah, I think we have a great, like culture, yes,
a great culture, everyone is helpful to each other, we don't have those ladders and
like, you know, bad feelings and bad intentions, and everyone helps each other, you know, people
ask questions, you know, in the upper belt's help, that's the nature I want to ferment
here, I don't want, you know, ultimate fighters just walking down the hallways, shoulder
bumping people, you know, no, that's not it, you know, we're a team, and this is our laboratory,
here's where we're going to test our techniques so we can use them outside in tournaments,
or mainly in the street, or wherever, yeah, but we need to have that culture that is, you
know, very, very strong, yeah, yeah, that's really good, I like that, and then just kind
of finish it off, a couple of little things, I'm curious, do you have any hot takes, we
may have already touched on one, yeah, the, the, mainly one of the controversial ones is
the warm-ups, the warm-ups, I'm strongly against warm-ups, yeah, yeah, but I think that makes
sense, hearing all of the other things that you've said, because you place a lot of priority
and emphasis on like personal accountability, for doing your part, so I mean that, that makes
perfect sense for you to say that you take your own personal responsibility for your
physical upkeep and well-being and the things that you need to do to be in shape to come
here in the world.
learn. I'm here to teach your armors not to push it to do burpees. Yeah. Yes, I mean it makes sense
having heard all of the other things you've had to say. Yeah well to finish off I'm gonna give you
like spit off some quickfire questions and you just like whatever comes your mind I grab off the
bat it's kind of gonna kind of be like either or thing I'm gonna say so like for instance to start
off I'd say gear no ghee ghee okay close guard or open guard close guard arm bars or chokes
arm bars rash guard or no rash guard all right um leg locks or upper body submissions I guess
well depends what you have yeah he'll hooks or arm bars depends what they give you
so it depends it depends it's what you do now or uh back control no now over back control I think
I have to perform back I know I know you would my pull it a lot but I just feel like with the bigger
guys I it's so much harder for me to keep stay on top because it's been fresh of me so if I get to
where they have zero weapons and I'm behind them you just gotta get you just gotta life to more
like Roberto he was teeny tiny and now he's not anymore when he one day many many years from now
when I get my black belt from Roberto he's in the set you gotta lift more you gotta go lift more
that's how you get good but yeah about the the mount thing yeah like Russell Crowe said in the
gladiator I like to see it look at my enemy so no the things I was really light but when I open my
school I had these freaking monsters coming in and I was getting injured yeah so they were
training hard I mean I will train harder Carlos but I kept myself light for competition and I
still get hurt but once I opened my school I wasn't competing as much and these monsters were
like hurting man I will get like football players you know like coming in and they're immense I'm
five eight man so you know so these huge dudes were coming and yeah I will train everything but I
will go home feeling it yeah but when I get and I say I'm just too light because they were like
grabbing ragdome and yeah I would have to spring back like a freaking jaguar yeah but I really took
the hit yeah but when I gained some weight yeah I feel different really that's kind of how I feel
I mean I feel like one day eventually I'm gonna have to put on some muscle I just don't live
lifting I mean if you're competing actively at your weight it's understandable yeah but if you're
not competing as much gain some weight and you feel the difference yeah in your less you have more
control too a lot of your story of being small and then when you own a gym it's some I would like
to one day own my own gym as well and I will fall in that same category you're gonna feel it
that too yeah I'm gonna have to live you know so yes you have to like train with the big dudes
every single day and go home like you're looking your own wounds man and you're like next day you're
gonna do it again and again and they only have one speed because they all want to prove to you how
tough they are by beating you yeah because you have some dudes the bad thing is this you got some
guys that they don't want to learn from you they want to beat you yeah yeah yeah so I mean I love
the students I want to learn from me but I know some just I shoot to like prove themselves beat me
yeah so and when they go hard yeah so if I'm like you gotta break me yeah yeah yeah yeah for sure
I saw you pick I'm not kidding the time I saw you pick up L-Rick from close guard twice in a row
man that man is so huge and you just lifted him fell and went back to your knees understandably
because he's a giant and then you stood back up with him and broke his close guard I was like
God was nuts yeah that was crazy yeah do that yeah and it's the best way to pass guards bring him
right up yeah stand up right just like you got legs yeah the best way to pass guard standing up
yeah so yeah start doing your your squats man well on that note Roberto I appreciate you for
allowing us to have you on the podcast is there's been great really truly so guys that is
what's the ways in I'm Wesley I'm Bailey and we'll go right here Roberto and again we appreciate it. Thank you Roberto
Podcast Summary
Key Points:
Roberto began martial arts at age nine in Peru during a turbulent time marked by political violence and curfews, which shaped his early exposure to physical discipline.
He started with karate but found it unappealing, leading him to embrace running laps and eventually grappling, which sparked his interest in Judo and Brazilian Jiu-Jitsu.
The rise of the UFC and exposure to real combat footage, particularly through VHS tapes and martial arts films, transformed his perspective and inspired him to pursue Jiu-Jitsu seriously.
He moved to the U.S. at 17 to study at a community college, initially training under Carlos Machado, whose teachings emphasized technique, precision, and subtle, intelligent movement over brute force.
Roberto developed a deep philosophy of "battle of attrition," emphasizing constant movement, awareness, and adaptability over rigid forms, which became central to his martial arts approach.
He values experiential learning, using eco-drills and game-based classes to engage children, while maintaining a traditional, disciplined adult curriculum rooted in practical technique.
He believes true mastery is not a static achievement but a continuous process of self-improvement, personal growth, and evolving understanding—never fully attainable.
Roberto respects instructors who are transparent, open to questioning, and collaborative, valuing real-world deconstruction over rote memorization or deception.
Summary:
Roberto Caelin’s journey into martial arts began in 1980s Peru, a time of political unrest and strict curfews, where he found physical discipline through karate, running, and grappling. Initially resistant to structured training, he was drawn to the realism of combat seen in UFC footage and martial arts films, which shifted his focus to Brazilian Jiu-Jitsu. S.
at 17 to attend college, he trained under Carlos Machado, whose emphasis on technique, subtle movement, and mental discipline deeply influenced his philosophy. Roberto developed a core belief in the "battle of attrition"—a strategy of constant movement and adaptability to outlast opponents. He now runs his own school, integrating traditional martial arts with engaging, game-based children’s programs while maintaining strict adult training.
His approach prioritizes real-world learning, collaboration, and continuous growth over rigid forms or imitation. He views mastery not as an endpoint but as an ongoing process, shaped by personal experience and critical analysis. Roberto emphasizes transparency in teaching, advocating for students to question, deconstruct, and co-create techniques with their instructors, fostering mutual respect and deeper understanding.
His journey reflects a blend of personal resilience, cultural evolution, and a deep commitment to the evolving nature of martial arts.
FAQs
Roberto started karate after his mother encouraged him to try it because he disliked soccer. Initially, he resisted but eventually found strength and enjoyment in the training, which led him to continue with other martial arts.
Peru in the 1980s was a dangerous environment with terrorism and curfews, which made Roberto's upbringing stressful. This environment pushed him toward physical activity and self-defense, leading him to martial arts as a form of resilience and escape.
Roberto was inspired by UFC fights he saw through Black Belt magazine, particularly the ground-based grappling. This exposure showed him that martial arts could be proven and effective, shifting his belief from myth to reality.
Roberto moved to Texas to attend college and discovered Carlos Machado's school through research. He trained with Carlos, who initially treated him as a dummy for private lessons, but later taught him advanced techniques and philosophy.
Roberto believes in the 'battle of attrition'—keeping movement and staying active even in difficult positions. He emphasizes learning through observation and experience, not copying techniques, and developing a personal style based on one's body and mindset.
The environment was intense and competitive, with daily fights and little room for rest. Fighters were encouraged to push their limits, and the culture emphasized physical endurance and aggressive fighting over technical refinement.
Chat with AI
Loading...
Pro features
Go deeper with this episode
Unlock creator-grade tools that turn any transcript into show notes and subtitle files.