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"RE-RELEASE: Adam Sandler"

51m 38s

"RE-RELEASE: Adam Sandler"

Adam Sandler’s appearance on Smartless offers a heartfelt and insightful look into his career, personal life, and values. From his early days on SNL and early film roles to his later success with both comedy and dramatic films, Sandler shares how luck, persistence, and self-awareness guided his path. He openly discusses the anxiety and self-doubt he’s experienced throughout his career, especially during high-pressure moments like on Letterman, but emphasizes that his authenticity and emotional honesty have made him deeply relatable. A central theme is his commitment to family—his kids, his partner, and his close-knit personal life—which he sees as the true source of happiness, not fame or financial success. Sandler balances humor and serious storytelling, showcasing his versatility as a performer and his ability to connect with audiences on multiple levels. He shares personal anecdotes about parenting, golf, and daily routines, revealing a man grounded by family and tradition. The episode underscores how success is not just about achievement, but about living with integrity, staying present, and nurturing meaningful relationships. Sandler’s journey reflects a rare blend of humor, vulnerability, and emotional intelligence, making him a model of a balanced, fulfilling life. Through his openness and self-reflection, he inspires listeners to value personal connections, authenticity, and resilience over external accolades.

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(upbeat music) Hello, listener, this is Jason Bateman along with Will Arnett and Sean Hayes for the podcast called Smartless. If that's a place you're looking for, you found it, congratulations. It's not a real high-concept podcast. One person invites a guest, the other two don't know who that guest is, and then we chat. Here we go. (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) Jason, you missed this last time. Look what I got. - That's a baby Yoda. - It's a baby Yoda, and there's a message on here. - Is that from the Mandalorian show? - Yeah, this is from my friend Michael Cohen and the Cohen family, not that Michael Cohen, but look, and he recorded this. - Welcome to Smartless, the best podcast in the world, with my dear friend, Sean Hayes, Jason Bayman and William Arnett. - He went William, I liked that he went William. - Yeah, and baby Yoda said that. - So he's the voice of baby Yoda? - Yeah, could you not tell him? - He sounds Latin, is I didn't know baby Yoda? - So he is, baby Yoda is Latin, huh? - Yeah. - I gotta watch that show. - I'm developing new show, it's baby Yoda Nanny, and it's a Nanny who works - It's just after. - Most after. - No, it's just the doll that you leave with your kids and tell them they're watching them. - Yeah. - It should be noted, Jason's haircut, have you commented on a good, finally? - It looks good, right? - Well, this is Kai's, listen. This is just rolled right out of bed. - It's such a thick, had a hair. - I know, it's so thick. But it's a very boyish look he's got going right now, isn't it? - Yeah. - It looks very boyish. - I know, I'm trying to get respect as an adult, but that's why sometimes I try to grow up in a facial hair, but that takes-- - Do you push? - It costs me a year, actually, to grow that. - 'Cause you're just saying to the world, "I'm a man." - Yeah, oh man, deal with it. - All right, so speaking of men, we have a man today. This is a funny man, a family man, and for the next hour, he's a smart-less man. Ladies and gentlemen, Adam Sandler. - Adam Sandler, hey. - The one and only. - I love it. - I did the beard. - I'm sorry about this. - Look at, now that's a man. Look at this, a man. - That's gross. - It's gross, good to see you all. - You're moving dime bags or something with a beard like that. - Wow. - It started off early in the pandemic, and I just kept going because I gained a lot, so it was covering the neck. - You gained a lot of weight? - Of knowledge, of knowledge. - Yeah. - Yeah, a lot of weight. - But wait, I just read a report yesterday that said belly fat is now officially medically proven to lessen your life if you have a lot of belly fat. No matter how much other fat you have. - Let's see it, Sean. And scream, you guys don't like cookies? - No, once a week, he brings it up. - There it is, the bagel. - That's fun, but I don't know who ate the cookies. - What'd you call it, the bagel? - The bagel, yeah, squeeze the belly button together, make a circle. - And Adam, it's sometimes I say to my husband, I'll fuck her this up, I'll go, fuck that belly, fuck her. (laughing) - That makes sense, that looks good. - All right, so Adam, do you have a plan aside from pushing a bench press or something like that? Once your plan is it gonna be diet, is it gonna be exercise? - Well, this is what I'm doing, and I just kinda started this. So at the beginning of the pandemic, my buddy was doing the eight hours a day, you eat thing, the intermittent fasting, yeah, I did that too. - So I was doing that during the pandemic, but I was starting eating at like five in the afternoon, so I was going deep into the night, and then I'd wake up kind of thick. So then I got some bad information. I thought, I said to him anytime, and he said, yeah, and he picked the hour, so I did it. - He responded while chewing, I think. - He looks great, but I saw anyways, I started again, I'm trying to calm down and I'm doing one in the afternoon to around 7, 7, 30, I quit. - And then you're done chewing until the next morning or afternoon? - Yeah, until the next one of clock rolls around. - Oh, buddy, that's so good. - That's a good one, but I eat a lot during the six and a half hours. - It doesn't work for me, it doesn't work for my body. It doesn't work for me. I tried doing that. I was on a strictly ice cream diet, but. - Yeah. (laughing) - You got to try it longer than a couple of days, well, you know. - What do you do, well, do you look good? - Well, thank you, like I said, I've been doing the walk, and I've been working out, and I've got this real kind of, what I referred to as my jailhouse gym and my garage now. Jason's seen it, it's a disaster, but. - But there's weights in, like, homemade stuff you did? - Oh, there's weights, and then there's, like, baby, carriages and stuff, they're just crap everywhere. It really looks like a- - I have a question, Adam. How long have you been flying a space craft? - Oh, is that, look like that? - Looks like a control center. - This is in my house, fellas. I just got to fill it up here. - Oh, wow. What are those? Why do you have, he's got some Nike's in a plastic box. - Those are LeBron James shoes, the man who owns this house, and those LeBron I, so- - Do you know the man in the house? - I do, I haven't met him yet. - He's pandemic, so you've rent it, he leaves. - Oh, you're renting, I see. - Oh, wow. - No, I just got here two days ago. - Hey, but he's left those shoes there for people to admire that are renters? - I think he was just letting me know that I'm not the only shoe guy. - Famous person that he can't use. - Exactly. - Wait a second, wait a second. I, Adam, I have to ask you this 'cause I've never bought it up. I've only met you a handful of times over the years. We don't know each other that well. I have a tremendous amount of respect for you, and I think that you're awesome and hilarious. - Same thing. - And I- - Sounds like something really insulting about you. - No, no, no, one of the funniest things I've ever witnessed, and I've quoted this a thousand times, maybe more, is years ago you were on Letterman. And he said to you, I don't know, tell me if you remember this. He said to you, you came on Letterman and you said, you know Dave, he said, how are you doing? You said, you know, I'm doing okay, but last year I said something and you said to me, what are you an idiot? And you really burned me and I was thinking about it all year just, I wish I had had a better comeback, so I've been thinking I finally have a good comeback. And he said, okay, and he said, so ask me again, so Letterman says to you, what are you an idiot? And he said, no, where are you? (laughing) Do you remember that? - I kind of do, yeah. - Yeah, it was one of my faiths. I just thought it was such a, it really got me, I'm not kidding, I've repeated it 1500 times. - That's amazing. I used to get so nervous on Letterman. - You guys, oh, the Letterman? - Blackout, yeah, blackout nerves. - That was the one guy that got you nervous, right? Yeah, I get blackout. - Yeah, for sure. - Every talk show. - Letterman just from growing up in high school and thinking he was the best of him all. - Yeah, for sure. - I used to be on the side of that stage and Biff would like, okay, okay, it's coming and I'd start going holy shit. Like my whole head would spin and I feel like I was gonna faint the whole time walking on. Then you'd see Dave in person, you were like, oh my god, there he is. It was so overwhelming. - Does that exist for you at all anymore? I mean, you put yourself in the wings right now, about to go on for a talk show like tomorrow. - Yeah. - Do you, like, you can't shake that. It's always gonna be a part of you, right? Have you just learned how to manage it? - Not that great. My whole career from starting, I did stand up when I was 17 and stuff and I had that same weird thing where I wish I never took the gig right before and I started patting and spinning. I forget all my lines. And I noticed everyone else was like laughing and having a good time. I'm like, oh my god, everyone else is ready. And then rare occasions, I'll go to myself in the daytime. I'll go, don't do that. Don't do that thing when you panic. Just overcome that now. Get over that. - And then don't you question yourself? Like why, why? 'Cause I go through the exact same thing. And I'm like, why do I choose this? - I know, we all wonder, we're always like, what did you choose this? Believe me, it comes up a lot. - That's a good one. - Yeah, stick around. - Well, it's got like three of them. - But it's a good point. Like Adam, I think what's cool is you actually kind of, sometimes you use your nerves. You can see it even in an instance like that. You use it to your advantage and you make you very accessible because you're not trying to put on, you're not a different character as you are, who you are and you're very authentic in that way, which is great. - Yeah, you're fucking nervous 'cause you're on Letterman. You should be. I'm nervous. - Yeah, yeah, yeah. - But you weren't nervous for this bullshit today. - I was nervous, sure I was. I mean, I liked it, though. I listened to the episodes. They're all great. - Come on. - It's excellent. - And oh, I was psyched to be here. And I don't know, I'm the same way as you guys. I'm the same way of every movie I make, you go, didn't I already prove myself, dude? Why the hell am I trying to prove myself? What the fuck am I doing here? - Here we go again, yeah, exactly. The only thing that can happen is it can go back. - You know, but that quality that Will's talking about that you have, it's so, it's so personable, and it's so kind, and it's so authentic, and so honest, and so human. Has it always been like that? Or do you think that it's gotten even better now that you are incredibly successful? And some of the ease has come into your life because you basically won. Have you gotten even nicer? Or like some people I'm sure you've worked with as I have, people actually get mean and entitled when they get successful. You've actually kind of gone the other way. - Yeah, you guys all seem the same also. It's like I had a, I think when I was young, I didn't know what I was doing as a comedian. I didn't know what I was doing as an actor. I was a little all over the place. I think I was a little more aggressive back then because I guess I want it. this so bad. You know, I wanted to work or I wanted whatever the hell I wanted. And I probably was mad at myself for not being great. I was a little more aggressive in my early 20s. And then I started going, by the time I was like 28, 30, I started calming down and being able to just relax a little more. But it took a while. Like Colin, you guys know Colin Quinn, right? Yeah. Comedienne. All areas. I think he's one of the greatest comedians. And he kind of, when I want to NYU, used to MC the shows and he would talk to me after my show. Because I think the reason they used to hire me is I used to bring a crowd. So even though I wasn't that good, there was this place called the Paper Moon. And I used to bring a crowd. So they used to from NYU. And Colin used to say, it's so much funnier hanging out when we're talking in the daytime. You just, you're doing something weird up to you and not really being yourself. And I used to try to go, okay, I got to be more myself. And then I would just panic right away and start doing something else. I just didn't like, I guess I, I wasn't comfortable with being myself. And then took a while to get to sit in it and just be okay with not getting a laugh and, and but plowing through and that kind of stuff. What did you go to NYU for drama or for acting? Or yeah, yeah, I went to a Strasper. Same. Yeah. Okay. So I have a godson who's also going to New York right now to Tish. And he not only has to go through drama classes in comedy and all that stuff, but he, he has to go through musical theater classes. And so when I saw you do opera man for the first time, which is one of the funniest characters I've ever seen. I was like, holy shit, Adam Sandler can really sing. And then you would bring out the guitar and sing like, it was always hilarious. So please tell me you did musical theater in college because in my mind, that would be one of the funniest things in the world. Man, I audition for everything at NYU. I didn't get anything. You did? I want to see you do a technical dream cook or something. I did as a kid though. I was in Oliver. I was in Oliver. I did, I played a, they named a guy. I didn't really, it wasn't really, I had two lines and they said, you're, I think Charlie Bates. They said, you're Charlie Bates. And I was like, yeah, I'm Charlie Bates. I kind of wanted to be the Dodger, right? And they were like, well, you're not him. You're Charlie Bates. I said, yeah, yeah, great Dodger. I thought so too. You got a pick and pocket or two, right? Yeah, yeah, yeah, yeah. How about Smitty on the Cosby show? Was that your first? That's not your first role. My first thing I ever did was show time at the Apollo. I did stand up. I did five minutes. Yeah, and I wasn't, wasn't that great, but I got, I tell me like the first first show you ever called her. And if you like, I could tell you mine. Okay. Well, the one that worked for me back then was, it was something I heard my father say to my mother, but I, and I used it. I pretended to happen to me. I said I was driving up here in a cab and the driver killed the dog on the way I said he didn't hit the dog with a car. You got out and stabbed that was my big, that was my guaranteed lap. That happened because my mother, my mother was, they were in the car. My mother goes, the man, my father said, the sky killed the dog driving the other day. My mother goes, what happened? He hit it and he goes, no, he stabbed at you. And so I went, oh God, that's a pretty good one. What's yours Sean? I was terrible. I was nowhere near as talented or funny as you are. I was horrible. These guys know the one that I won't repeat, but the other one was, and it's long. So you can't, it's like, it's like 20 seconds long. Okay. So it's just long for a joke. So I would go, you know, they say on Mars, the atmosphere is like 95% carbon dioxide and 5% oxygen. So imagine one day when we live there, we'll breathe something like this. And they didn't laugh at that. They never laugh. I left crying. I left crying. That's solid. Did you hold your finger up? That's a good one. Adam, what about this discovered by comedian Dennis Miller thing? Did that happen at the Apollo? I can't imagine. You know what? It was. So I did stand up when I went to NYU and then Dennis didn't really discover me. He just told Lauren Michaels about me. He said, there's a young kid who was funny. But when I was young, I went to school with Anthony Quinn's son, Lorenzo. He was in my acting class and he told Bill Cosby about me and I got an introduction to the casting agent over there whose name was Barry Moss. Do you guys remember Barry Moss? I feel like it's a cast a lot of stuff back in the day. Right. So he got me an audition and I played smitty on four episodes while I was going to NYU. That was my first big show. It was the biggest show on the planet. It was incredible. And that's where I developed the whole spinning thing right before going on. I was spinning like, oh my god, I got six lines. I've got a choke so badly. And I don't know. I became friends with Malcolm though. He used to call me down to be like, you got this man. Yeah. He's such a good guy. Yeah. Yeah. Yeah. Wow. So then how long after that, did SNL happen? How old were you when that happened? SNL happened when I was 23. I moved out to I graduated NYU and then I moved to LA and and I was living out in Van Eyes. And then gorgeous. Yeah. Yes. Right on the water. Beautiful. And I I lived with four guys from from NYU also. And then somehow I got Saturday night live and moved back. Well, did you go in audition in LA? Did Lauren come? Chicago. Chicago. When I auditioned, it was me and Chris Rock and Dana Gould and a couple of the guys at Second City or at the Chicago improv. Oh, it's going to probably. Yeah. And then I remember Lauren was there and Smigel, Robert Smigel was there and Marcy Klein, a couple of others and Chris Rock got it immediately after the show. And me and Rock know each other since we're like 17 also. And so I saw Lauren run over to Rock and I was like, oh man, okay, he's got it. I'm out. And then I was flying home and no one talked to me and I was flying home and remember on the planes you used to put a credit card in it was like 25 bucks a minute and stuff. Yeah. Right. So I was scared to use that because I knew my father would kill me for wasting money. But I was just flying and flying and I was like, I got to call my agent, man. So I put the credit card in and he called and I said, did they say anything? They liked you. They thought you some of your writing was good. I said, oh, okay. And what's that mean? They were like, well, they want maybe want you as a writer. And I said, what do you mean? I think I was like insane. I was like, I want to be a, but I want to be a star. They were like, I love the guy next to you on the plane. Probably just like, oh boy. Yeah, this guy wants to be a star because you can't talk quietly on a plane. But I want to be a star. Get in line, buddy. Get in line. We all do. Yeah, man. I don't know. So eventually I got hired as a writer a writer for what like a year and then and then on camera. Yeah, I did. It was thing called writer feature player and and and me and spade and Schneider had that and and you would do that. I'm sure you guys all know this stuff, but you would write, write for everyone else and then give yourself a line like us to deliver a guy and try to get on and score. And you know, and you'd score after 10 shows, they started going, all right, that guy's okay. Let's let's give him a couple of months. Right, gosh. You used to see that a lot with JB smooth. He would only have himself in his sketches. Oh, yeah. I always see JB on there and you'd be like, oh, yeah, but how cool you you go for your your audition and it's there with Lauren and Marcy, of course, and Smigel and you couldn't have known, of course, that that would become this like lifelong partnership. Yeah, I mean, how incredible, how wild, right? When you look at that moment. Yeah, yeah, sure, man. I mean, Smigel was, in fact, I heard later that Smigel was kind of in my court that he was going that that one kid was funny. He I think we need that on the show. Somebody young and they were like, well, we already have David and Rob. We don't need any more of that. Yeah. And so as Smigel and Jim Downey, I heard would stand stand up for me a little bit. And Lauren, like me, he thought I was good. He just didn't know what to do with me. I was, I wasn't easy to digest. I was mumbling up there and I was nervous wrecking. I was hostile. Like I used to be when somebody heckled me. I used to be like yell at them and not say anything funny. No one is funny. You're getting pissed off. Well, I said, I turned it into something good, but in the beginning, I used to just be psychotic and get like challenged people to something like in her set. I mean, see the way he just dropped his face, right? Then it just got like deadly, fucking serious. I love like there. There's just, there's no middle with you. Like he's either super sweet and like, I can't get out my way. And then just drop the gloves and I'm going to fucking kill you. I love those swings. I don't even know how that happened. I just because I don't want to fight anybody. I'd get, I'd probably get killed, but I was always ready to go. Have you been in a lot of fights? There's a kid or when I was a kid, when I was a kid, now I would literally just run so fast. Anytime I feel it coming, I start my heart's pounded through my chest and I'm like, Oh, shit, I got to get out of here. But back then, as a kid, yeah, I'm sure you guys did the same. It doesn't hurt as much to get hit when you're level. I like the idea that Lauren's going like, "Hmm, I guess we could use a nervous mumbler." Now, what about, is it true that they fired you and Farley in '95 or is that overstated? No, I mean, what happened was kind of the end of it, people were repeating ourselves. I'm sure there was a new guy running NBC, he didn't like the young guys that much. He didn't like us. I think he didn't like Norm McDonald and he kept saying we got to get rid of them, that nobody likes them. And Lauren was standing up for us, saying, trying to defend us and kept us on a while. And then I got a call from my manager. You know, everyone at Burlstein Grade kind of represented every guy on the show and woman on the show. So, I got, "Hey, maybe it's time to move on to me, kind of call." And I was like, "I don't know, man. I think maybe I'll do another year." Or something. They were like, "Yeah, but maybe you should move on." I was like, "Nah, I want to stay. I think I'll stay. I kept going. I think it's time to move on." I was like, "Do I have to move on?" They were like, "It's good if you move on." And I was like, "Okay, okay, now I got you. All right. I'm moving on." So, it was kind of like a fake quit, fake trying to get a beat to firing me. That was like me at every high school I went to. I swear to God. Really? You got kicked out. I'm like, "No, I didn't get kicked out. They just asked me not to return." What did you do to get in trouble growing up? I did all this stupid stuff. I was smoking cigarettes and I grew up in Canada, so there were a lot of woods to escape too. I was out there drinking aeroplane bottles and smothering bots and all this stuff. I was just, but also I was a wiseass. I was like, "I said to my dad actually once, I was such a wiseass." And of course, the worst, the infraction, or the bigger the joke that you can make, and especially the teacher's expense, the bigger the laugh you'd get from the audience, or as I'd call my classmates. So I would fuck around and then get really mad. And years later, I remember my dad was out here and I just built this house and it was like everything. And my dad was like, "Wow, this house is beautiful." And I said, "Yeah, who knew that fucking around could pay off, huh?" And he finally had to admit like, "Yeah, you're kind of right." Because I was a pain in the ass. You know what I mean? Like my poor dad. Oh, sure, sure, man. You figure out how to channel it. Yeah. All right. So then we're things sort of set up in a way where transitioning out of that show and into other possible sources of employment were kind of set up. Like were you feeling confident, or did you go right into, was it happy Gilmore? Was it first out of there? I think I did Billy Madison when I was on the show. By the way, when I got fired, I was confident until I got fired and then I was like, "Oh, no." Yeah, that's the way that worked. Right? I kept, while I was there going, these guys don't get it when I got, man. They don't understand it. And then right when they were like, "Yeah, go do it on your own." And then I was like, "Oh, shit, personally, you humiliated that people don't watch you." And you got to tell people like, "Yeah, I'm not on the show when they're looking you and the eye is going, you got fired." And you're like, "No, you know, you should be making up shit." But it's like doing what we do, you're effectively getting fired at the end of every single job. You have to go find another job. And if you're having a really good year as an actor, you get fired like six or seven times. And you've got six or seven and you have, like, there's no guarantee, there's no diploma that you can kind of. That's true, man. It's job interview after job interview and it's, I remember buying the attitude that I realized I should have been renting when things kind of dried up and I was really confident until they just didn't want me anymore. And it's like, well, now you got to build up a whole ego and coping mechanism to get yourself confident that's not reliant on employment. That's really hard to do. Oh, God, yes, sit in the bench and being shook up. Now, I'll tell you, I know, no kidding. I loved you when I was a kid. I thought you were incredible. I swear to God, I thought you schooled shit. You guys too? Yeah, I thought you. Yeah, yeah. I wanted to look like you. I wanted to fucking be like cool and calm and funny like that and I always thought you were awesome. I'm not lying to you. And I loved your sister too. Thank you. Do you remember Jason's show yet that show? It's your move. Did you ever see that? Yeah. I think I know more about the Hollywood family was after that or Valerie. Yeah, yeah. When Jason got his star on the walk of fame out here in Hollywood, because he's a big Hollywood guy. So when he was in Hollywood, he was a liberal elite. And so anyway, so I get up and he asked me to say a couple of words and I said, you know, when I was growing up, I remember watching family ties and seeing Justin Bateman and thinking, man, I wonder if she's got a brother. But I loved him. We felt the same way. This comes up all the time. We used to always look at Jason and be like, oh man, that guy's. Yeah. Because he was a smart ass. He was confident. He had great hair. Oh man. Oh, I was so confident. I thought I was such hot shit. And then the phone stopped ringing. I did not know what to do. Well, my 20s was a whole regroup. I just had to build it back up from zero. Jason, I had lunch like decades ago at the Chateau Mar-Mont, which houses the liberal elite. That's right. And Jason said to me, I don't know if you remember this, Jason. You said to me, we were just talking about careers and whatever, the ups and downs. And you said, none of it is up to you. None of this is up to you. Yeah. Yeah. To try and control things that are out of your control. It's not a meritocracy. Like in sports, if you're a 300 hitter, you're guaranteed employment in acting or any form of part in the term art, it's so subjective. You can't rely on, well, I'm the best at singing or the best at painting or they doesn't matter. The best in who's on. Yeah. And then so Adam, so kind of taking that, like one of the things that I think is really awesome about what you've done, you've had incredible success. What is, is, you know, I've tried to, especially in the last couple of years, I don't want my work to define who I am as a person or how happy I am. It's about family. I know you're a really big family guy, you've got a lot of really close friends. And even in your work, you do stuff that you want to do and you do stuff because you know it's going to take time and then you know that it's, you know, it cuts into school and all that kind of stuff. And it feels like you gear everything towards making it fit your life and making sure that you're happy and your happiness, you're truly not a Hollywood guy. I can say that. And yeah, you don't define yourself by it, right? I kind of, you know, I lucked into having the career of getting a right stop and get to do it. And not everybody has that luxury, I'm sure more people would do what I'm doing if they could just, you know, just say to the head of a company, hey, let me do it in October because it's, you know, I got a lot of luck on my side. But you earned that position. You really have. I got that after a while, after a while, yeah, let me really quick ask you something about that and then back to what Will is saying because when you were younger and you're broken to film for the first time and how much of that success was like, you know, agent business driven and you were just along for the ride and how much of it was self-generated and kind of ambitiously coming directly from you. I was ambitious in a weird way. I just, I always kind of got in the beginning, hey, hey, hey, maybe, maybe next time they would hire somebody else when I would do auditions and stuff. I remember auditioning for a few movies as a kid when I was like 21, 22 and they would always pick somebody else and I was like, God damn, these guys don't get it, man. And I was such an asshole, you know? And whoever they picked, I would be like, oh yeah, okay, man, like I was high up to the end, what a mistake. And then I wrote Billy Madison with Tim Hurley, when we were on Saturday Night Live and I gave it to Lauren and Lauren was already doing Tommy Boy with Chris. And so funny movie. Oh yeah, that's awesome and he was, it was the first time me and Chris had either or kind of thing. And Lauren said, we're doing Tommy Boy, we can't do Billy Madison, actually Tommy Boy used to be called Billy the Third. It was two Billy movies. Yeah, they were like two, the two Billy movies and we would look at each other like who's to get a pick? And they picked, you know, Tommy Boy and I was going, oh man, oh man, I guess that's done. We'll write another one, Hurley, and then like I was in this movie called Airheads and a producer of that one called me like five months later. He's like, I read this script, you and Hurley, he wrote called the Billy Madison, do you want to do that? And I said, yeah, yeah, yeah, why would he mean to you? He's like, I could get that done for you for like $6 million budget. I was like, I was like, I get $6 million, he goes, no, not you, I don't know what any of that shit meant. But he got it fucking, he did problem child at Universal, which was a low budget movie and made a lot of money. So they said, get some more of those kind of things. So somehow Bob Simon's got this movie, I asked Lauren, I said, that movie you said you didn't want to do is it? Okay, if I do it with this other guy, he's like, do anything you want. So I did Billy Madison. And then that kind of got me going, I mean, I remember when I first did that, everything that they talked to me about doing after that was doing my goofy voice and being very, you know, the same Billy Madison again. And then I had that happy Gilmore thing that me and Herla, he wrote. And they were trying to talk me out of that. They were saying there was a movie called Ed with a monkey, you know, not no, no, that's Ed TV. It's the one with Matt, Matt Leblanc and they won with the monkey, yeah, with the monkey. And they were like, do that. That's more like Billy Madison. I said, I think, let me do, I'll do that one after I do the golf one, is that okay? And they were like, no. And so that had to make a stand and say, no, no, no, we got to do this happy Gilmore movie. And anyway, two of the funniest movies ever. No kidding. And hugely successful. Oh, thanks. I mean, Nick, good. I'm psyched that that's in my, they go down in history as with all the other great comedy movies. I mean, thanks kind of cool. But then the success was so one after the other, after the other, it was there was, was there a strategic consideration when punch drunk love came about was, or was that more of a react? Did, did Paul Thomas Anderson come to you and only in hindsight, do you see it as a great strategic sort of balancing thing offsetting the goofiness? Yeah. Did you think ahead and kind of seek out something that might counterbalance all that? That was all luck. I mean, in my head, Will, you did Strasbourg, right? So I thought I was good at acting. I was like, wow, I'm gonna surprise somebody someday and really act. But it wasn't on, on my mind. I kind of liked Eddie Murphy. Then I wanted that kind of career. And I just wanted to be a comedian. And then I was doing a, I think a little nicky or something like that or, yeah, something like that. And Paul, what's friends with Tom Cruise? They did Magnolia together. And I met Tom Cruise when Nicole Kim and hosted SNL. You know how you get to meet everybody because SNL? So I met Cruise and I met God. I'm Cruz had a Yankee hat on like dip down low and he looked up because, hey, man, I was like in love with him. Like, oh my God, I'm in love with Tom Cruise. But of course, anyways, Tom called me up. I'm on my set. He goes, hey, my friend, I'm doing a movie with my friend Paul. He's a great director. And he's interested in doing a movie with you. Can I put him on the phone? Wow. And I said, yeah, yeah, sure, man. And he gets on and Paul was very nice and he was going, hey, I loved Billy Madison and I go, okay, man, thanks. I didn't know who he was. And he's like, and I just love your movies and your albums. And I said, okay, cool, man. Okay, creep. Yeah. I didn't know what he was talking about. He's like, he goes, is it okay if I write you a movie? And I said, you can do whatever you want, man. That's, that's great. Just stay away from my house. But he was, he was sweet. I can tell you it was funny, but that's like Picasso saying, is it okay if I paint you a painting? I know, right. I know, it was the luckiest thing. And then, and I honest to God fell as I was, it was like 11 o'clock in the morning. And I had nothing to do. And Magnolia just came out and I said, I think that's a kid's movie. Wow. Paul, I'm going to go see that and I went alone and I was in the front row, it was sold out with all real film kind of people. And I was looking up at it and I was going, I was fucking terrified. I was like, oh, this guy's fucking better than me, man. I don't want to fucking be in this. This, I'm going to ruin his movie. Whatever the fight, you know, I was like, holy shit. And I called him up and on the way home. And I said, holy shit, I just saw your movies like, yeah, yeah. I was like, fucking the frogs in the holy shit. I was so excited about everybody. And I was like, oh, fuck, man. So you're writing that movie, man. He goes, yeah, yeah, I'm almost done. I'm going to get it over to you. I was like, well, when the fuck is that coming? I started to get very excited. Wow. And then he, he did it so cool, man. I lived in this, this, I rented a house on the top of Bel air road with my buddies. And he came up and he knocked on the door. And he's like, I got the script. And I said, here's my present to you. And I go, oh, okay. He goes, go ahead and read it. And tell me what you think. I go, you're going to stay here? He goes, no, I'm going to go for a drive or something like that. And I just sat in the other room and I read it. And I was like, oh, my god, man, I don't know if I could do this. It's no way. And so he comes back after his drive and you, what, you got a bunch of notes, right? A couple of things called it, so marked up and so move this that's true. No, I was fucking scared like, like, yeah, you know, when you get something and you just go, oh, she's man, I always said I can do this ship. And this is too much, man. And he talked me through and got me comfortable though. I mean, his taste is just unreal. I mean, I loved that he's a huge comedy nerd too, apparently. And then he can see the amount of acting it takes for you to pull off, believably, what you do is, you know, right in line with his, with his tastes and his abilities. And I just, I'm such a big fan of his. And then the safty brothers, you know, I mean, uncut gems is just absolutely stunning. I don't mean jump ahead, but they had fun and talking Betty and you talking at Aniston's was a great night. I just, I'm crazy about those guys as well. And I love the two of my favorite filmmakers. Well, that would be three. I put you as a lead in their films. And I hope that you take as much pride in that as you deserve. Absolutely. That was an incredible performance, man. It really was. It was, it was, it was so nuanced and deep. And this guy, it was you guys, you know, honestly, you could do it. You guys could do it too. I know you're all great, all three. You guys are great actors and funny as shit. And who's better? Yeah. Is there one that's better? You're number one. Yeah. Okay. Yeah. Okay. Definitely one. We're fighting for the silver over here. Yeah. You don't need to. You're both solid, but for sure, it's number one. So the, I would imagine that you, you, you, you love the, the creative process of doing a drama and also the process of doing a comedy. I'm not going to ask you which is your favorite, but what would be your ideal ratio between comedy and drama and like kind of like fun films with your friends versus kind of working for a director? I'm starting to get a lot of serious kind of offers and, and, and I love reading that stuff. And I, but it is more of a decision in my brain. I'm like, shit, once I say yes to that, then it's fucking, it's a hole on the thing in your trailer and you're fucking rocked and you got to think into shit that makes you uncomfortable. Right. It's slightly humiliating out there in front of people doing some of the shit they want you to do. Right. Right. And, and so it's a decision. But I like it. I want, I want to do that stuff. But I also love doing the comedy shit and the fact that, you know, I just did it. The probably the goofiest movie I've done in a long time that, you know, shit, I would have done when I was 23. And, but I still, I'm still happy doing you be, you be Halloween. Yeah. Yeah. Yeah. What is it? What is that? I don't know anything about it. It's on Netflix, right? It's coming out on Netflix and it's Halloween movie and it's all comedians and all. It's like a, and our kids will love it. Yeah. And my end of kids, I do that because I get excited for kids to laugh and stuff like that. And shit, I've been doing my whole career and I still love that stuff. But being able to do both, I mean, good God, you can make, you know, an eight year old laugh and you can make, you know, a 70 year old cry. I mean, it's like, come on. Like not a lot of people can do that. That's right. At all. Thank you. And I'm lucky. Yeah. Yeah. Adam, you said, I read somewhere a long time ago, you said, I'll do this for as long as they let me. Yeah. And they love that. And they keep letting you because you're incredible and talented and likable and winning. And is there a time when you actually tell them that you're done or you're still having the time of your life? Like what, what else? Because you work more than anybody. Like you never stop working. I don't know when I'm going to stop. I look at like, you know, I know Dustin and I know Nicholson and Pacino and those guys and those guys, they're addicted to work too. I mean, I had lunch with Pacino and he still gets excited about shit. And he's just, I read this amazing script. And he still wants to kick ass and I kind of think I could stop. And then I, when I'm stuck like this pandemic, man, what would not work and holy shit was I losing my mind and fucking every day becomes the same jumpy shit in my fucking family. Certainly wanted me to work. They were like, Jesus Christ, he's fucking insane. Get him out of here. I heard you were out on the golf course a little. Yeah, we heard, we heard from a friend that, oh, I hit into your buddy. Yeah. Who's your buddy that I almost hit by the one? Tom Warner. Tell Tom, I'm sorry. Okay. Are you a big golfer? Because I'm finding that that is keeping me off the streets a little bit during this pandemic. You've been playing a lot. Yeah. Well, you know, I bet you long time ago, like 20 years ago, you were friends with Brill. Yeah, I think back then. And I was at a party and I saw some thing that they interviewed you on like a show and you had a, you golf done it. And I saw you at the thing. I said, dude, I just, just saw you said, you got a great swing. And you kind of like, okay, okay. And that was it. But I remember going, oh, that fucking guy knows how to golf. He's got a great swing. He does. I didn't have a career at that point. He's got, he's got a great swing. We, we both taken it up in the last couple of weeks. We've been a little irritating to our significant others. Yeah, it's a long day, a golf day, right? Are you addicted to it? Or is it just something that you just kind of slap around? No, tell anybody what happened to us. I'm a member of Riviera. And I fucking live right, right down the street. So, so I, um, I haven't golfed. Since I've had kids, I don't golf that much. Just like you're saying, Will, right? Because of the whole five hours away and the, the, the stare you get when you get home, I'm like, are you fucking kidding me? Well, while they're in school, we got a house while they're in school, right? That's right. That's supposed to be it. But I get, I still get nervous leaving the house and coming back to a fucking whole other mood. So I know what you guys are talking about because when I make banana bread, I'm like, oh, do I, do I pull it out at the right? Like, when is the, do I leave it in five, another five minutes? Do I not? It's crazy. It's just like it. Well, listen, I know you must feel guilty about paying all those dues over their Riviera and not using the course. So Will and I want to help you out. Yeah, I'm gonna help you just kind of getting a little bit more active out there. So you just let us know. You guys are playing real well, like in the 80s and 70s. No, well, he is. I'm playing like shit. But Jason's game is getting together. But what we've been doing is we've been calling guys that we know who we know belong places because we don't. Yeah, that's where you come in. Hey, you playing these days and then they go, yeah, and we go, well, Jason, we're, we're available on Wednesday. We're going to keep you company. Yeah, man. Adam, I'm always especially like, I always ask funny parents this. Like Will and Jason are two of the funniest people I know. They always make me laugh so hard. And we've always talked about, do their kids find them funny? Do your kids, and you're obviously fucking hilarious. Your kids find you funny or not at all or like, do they get your sense of comedy? Do they watch your funny movies? Yeah, yeah, yeah. I mean, I'm pretty good at home. They, I'm happy when I make them laugh because when I'm asking them to practice something or that kind of guy, they like, they don't like him, but they like to funny me. They get, they, I do pretty good. Oh, good. I make them comfortable. And I, I definitely try to be funny a lot and try to get laughs. I don't always, always score like, I try to take them out of their moves. I think growing up, that, that was my move too when I felt my father about to fucking go nuts on me. Of course, I said a few jokes to lighten them up. I think I do that with the kids too. When I see him upset about something, I go to the jokes. Do you guys do that? 100%. Adam, who's the disciplinarian then? If you, if you make them laugh, everyone's, I mean, is Jackie the one that's laying down the law or do you do both? I heard you guys talking about this. You're a lighter than Amanda, right? I'm lighter, but it's, I would imagine you might be similar to me where you're super, you're the, you're the, you're the class clown. You're the Joker. But then you can swing all the way to the other side and really get serious if you need to. And there's really nothing in between. Oh, I, yeah, I think I get really fucking nuts when I just scared eyes at me when I'm like, no, you have to know this, right? I start raising my voice that Jackie would not do. Like, Amanda would not do that. She covers the whole middle ground and I'm like the bookends. Jackie cuts me off in the middle of that too and starts going, she takes a weapon out of your hand, right? Yeah, she's like, they can't understand what the weapon, I guess is my fucking loud. Right? You know, semi angry tone, all of a sudden. She's just like, stop, stop. They don't understand when you do with that. And just like, they have to know this. All right. Listen to how loud I am. Yeah, exactly. And then it goes away. And then I'm a kiss ass most of the time. I like keeping them fucking happy. I like when they're happy and laughing. And, but I put some pressure on them. Not, not about, I don't know if you guys have this, but everything I did, I would just go outside and practice and fucking basketball baseball, even bike riding. I would just like be in my own fucking world, just driving a circle, trying to hop off a curb, trying to pop a wheelie, whatever the fuck that was. And I don't see my kids want to do that as much as me. So I'm like, there's nothing you want to get good at. I do that, that shit. And they're just like, not just not what you want us to get good at. We want to get good at what we like, you know? All right. Well, in closure, I have one last question for you. What makes you happiest in all of these, all of these areas of your life, there's, it seems like there's so much harmony and everything's kind of cruising. And there's so many things to bring you happiness. I'll bet you'll say family or some garbage like that. And, by the way, this is Jason's looking at this is going to be informative. He's looking for something to make him happy. So he's looking for views, whatever kind of. Yeah, just can't find him. Yeah. If you had to put usually where do you find yourself the most sort of just serene? And this is a great day. Well, fuck, I would have to say when shit's going good at home, everything is good. That's true. When the kids and your wife or your partner are happy and there's nothing else to be concerned about. You're just fucking free to be who you were as a kid, you know? Like, that's when I feel like, shit, I'm making a movie. This is great. When I'm fucking making a movie and I get a call from home and something's off, I'm like, I'm fucking lost. Totally. Lost until that shit gets resolved, right? And you got to act good. And the other actors are joking around. And you're kind of like what? Like your beat behind. And you're looking at your phone because you're like, fuck is this thing going to resolve itself? Oh, yeah. Yeah. Yeah. You're fucking heart, heartache, heartache for no reason. And then all of a sudden, I doubled mine because I now have like an ex-wife. So I want to make sure that Amy's happy and also my partner and every, I've got like way too many people. I'm worried about her happy now. Sure. Sure. Yeah. So it sounds like a complaint. Listen, I'm a very lucky guy, but still. Yes, absolutely. No, we all are. But that definitely ups and downs in my own brain. I can't, I never have a fucking 24 hour happy day. I don't see that ever, ever coming my way. But I have what I'm working. I'm pretty like, all right. How about you guys when you're working? Are you like, this is great? Are you kind of like when the phone is off because you're working and it's in your onset and you're in that thing. That is a great space when you're really in it. I remember for me, one of my happiest times was when, when Jason, I were first doing a rest of the development. And so people, you didn't text as much back then. It was because everybody still had to flip phones. I remember you got a new flip phone. That was so psyched and two way patient, two way page or thing. We had those. And we had those. And I just remember like you'd go to, you'd go to work, you leave your trailer, whatever you're dressing, you go on to set and you're on there for like four hours and you're not contacting the outside world. And in this thing working in your in it, that is a happy memory for me. But if you know that there's that there's something a little sideways back home, you still can't 100% enjoy it. So staying a little bit ahead at home and making sure that that's all running smoothly. And it will be smooth again tomorrow too, because I'm not just, you know, you know, I'm doing something proactive to keep it going forward and staying ahead of it. I've been trying to lately. Yeah, my wife's, when I know I go on Tuesday, I got a pretty that big scene blah, blah, blah. She'll go, okay. And then she'll kind of block shift. She should not bring shit up to me on a big day. Oh, that's nice. That's pretty nice. And then yeah, that's nice. Anyways, and then yeah, I got you run lines with her. Yeah. All the time. And she's good at finding shit that I wasn't going to do in the scene and going like, well, don't you know what that line means? Oh, that's awesome. She does that for me. Yeah. Yeah. Yeah, I do it all the time here. You do that with Scotty constantly. That's nice. Are you good at memorizing your lines at them? Not too good. How about you? Jason's the best in the biz. The best of all time. That's really good at it too. That's a fucking TV shit. That's a TV shit. Yeah. Fucking unbelievable. I'm surprised it, Sarah Nightlife didn't kind of grind that in on you. Or you just want looking at the cards the whole time. Oh, both. They tell you to, right? I would do the panic thing like before Letterman. Well, I remember I did this shit on We Can Update where I did costumes crazy. I'm crazy pickle arm and all this shit. And I do this thing where I was I'm crazy under the desk guy. So I remember in my head, I went, when you're crazy to the end of the desk guy, there's no cue cards because you're going under the desk and you got to remember your shit. I remember I fucking live. I went under my desk and it was like, my head's going holy shit. There's no fucking cue cards. You're a trouble man. And I think I remembered most of them and got it done. But no, I like knowing the cue cards were around. You were tight with Wally, right? Was Wally doing things back then? I know. Wally, he just texted me out of the blue the other day. He's doing well. I've got fucking some other business he's doing right now. Yeah, I don't know. He's, yeah, I've been heard from him here. But Wally was the guy, the cue card. It's got an amusement park now. I think you just started an amusement park. Yeah. Oh, John Candy's working there. It's nice. Adam, you're incredibly generous to give us all this time. Thank you for saying yes to doing the show in the first place. You're asking me guys. You're right on your show. It's a great thing you're doing and getting to hang out all the time together. And you're great guys. We're pretty lucky. We're we're very appreciative. So looking forward to seeing on the golf course tomorrow. We'll be there probably about eight three. Yeah, we're going to warm up first. I know you don't like to warm up, but we will warm up right right on, man. All right. We love you. Say hi to your family. Love you pal. You too. Thanks buddy. Okay. All right. Later, guys. Oh, he's fantastic. What a good Decent Vents, so engaging. like I could listen to him talk for hours. And by the way, how he's talking about all that anxiety that he has, I'm like, yeah, I totally get that. I relate. - Yeah, he stayed. He stayed so human when he's had many opportunities, probably not to. - Yeah. - He's able to stay very loyal to his friends. He's also putting up a great product. He's got his family with him. Like, he's just been so smart the way he's kind of put all these pieces that are available to him into a certain direction that I would imagine perpetuates. So much happiness for him and so people that are close to him and obviously his audience as well. - He's a good human being. - Yeah, he's a well-rounded, smart guy. And he's got a sort of happy life. And for me anyway, I like looking at the people who are having a happy life because it's not defined by what they do, but it's defined by so many other things, starting with family. - And what they do with the things that are available to them in their life, whether it be, you know, really expensive, nice things or not. What you do with what you've got, I think, is the good test. Thank you to Adam for joining us. That was great. - So good, Jason. - He better take us coughing. You better take us coughing. And thank you, listener, for joining us for another hour of "Smartless." ♪ Oh, bye, baby ♪ ♪ Smart, smart, smart, smart, smart, smart, smart, smart ♪

Podcast Summary

Key Points:

  1. Adam Sandler shares his journey from early comedy struggles to becoming a successful and authentic performer, emphasizing his lifelong commitment to family and humor.
  2. He reflects on his early career, including auditions, SNL, and early films, highlighting how luck, persistence, and self-belief shaped his path.
  3. Sandler discusses his emotional vulnerability, including stage anxiety and the challenges of navigating fame and self-doubt, while crediting his authenticity for connecting with audiences.
  4. He credits his success to a balance between comedy and drama, with a deep appreciation for both genres and the emotional range they allow.
  5. Sandler values family above all, with his kids and partner playing key roles in his life, and he emphasizes that true happiness comes from connection, not external achievement.
  6. He reveals personal habits, like golf and parenting routines, as sources of grounding and joy, showing how he maintains a balanced, grounded lifestyle.
  7. His comedic style—shifting from playful to intense—mirrors his approach to relationships and parenting, demonstrating emotional depth and adaptability.
  8. The podcast highlights his generosity, humor, and human relatability, portraying him as a well-rounded, family-centered, and deeply honest figure.

Summary:

Adam Sandler’s appearance on Smartless offers a heartfelt and insightful look into his career, personal life, and values. From his early days on SNL and early film roles to his later success with both comedy and dramatic films, Sandler shares how luck, persistence, and self-awareness guided his path. He openly discusses the anxiety and self-doubt he’s experienced throughout his career, especially during high-pressure moments like on Letterman, but emphasizes that his authenticity and emotional honesty have made him deeply relatable.

A central theme is his commitment to family—his kids, his partner, and his close-knit personal life—which he sees as the true source of happiness, not fame or financial success. Sandler balances humor and serious storytelling, showcasing his versatility as a performer and his ability to connect with audiences on multiple levels. He shares personal anecdotes about parenting, golf, and daily routines, revealing a man grounded by family and tradition.

The episode underscores how success is not just about achievement, but about living with integrity, staying present, and nurturing meaningful relationships. Sandler’s journey reflects a rare blend of humor, vulnerability, and emotional intelligence, making him a model of a balanced, fulfilling life. Through his openness and self-reflection, he inspires listeners to value personal connections, authenticity, and resilience over external accolades.

FAQs

Adam started with intermittent fasting, eating only during specific hours, but found it didn't work for his body. He eventually switched to a more balanced approach involving walking, home workouts, and working out in his garage.

He recalls being extremely nervous, experiencing 'blackout nerves' where he'd feel like he was going to faint. He once responded to 'What are you an idiot?' with 'Where are you?'—a line he's repeated hundreds of times.

He believes success shouldn't define who you are, emphasizing family, authenticity, and happiness over fame. He credits his journey to being grounded and present in his personal life.

Yes, he made his breakthrough on 'The Cosby Show' as Smitty and later gained recognition through stand-up comedy and Saturday Night Live, where he was introduced to key industry figures.

He enjoys both genres and finds fulfillment in creating films that can make children laugh and adults cry. He doesn't have a strict ratio but values the emotional depth of dramatic work alongside his comedic roots.

Family is central to his happiness and daily life. He spends time with his kids, makes them laugh, and believes in creating a home environment where everyone feels safe and supported.

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