The transcription presents a powerful critique of colonialism, racism, and systemic oppression through the lens of African geography, history, and Black identity. The speaker argues that for over 500 years, Africa has been misrepresented on maps and in global narratives, leading to its devaluation. This distortion is tied to deep-seated white supremacy and misogyny, which the speaker links to self-hatred—particularly the internalization of racial and gender-based stereotypes. Central to the discussion is the spiritual reclamation of Black identity, with the artist Rhapsody drawing on her travels to Ghana and African traditions to create a new cultural narrative in her album *God Got an Afro and Gold Hoops*. The work celebrates Black beauty, resilience, and spiritual connection, challenging Western ideals of divinity and appearance. The conversation also explores how hip-hop, despite its cultural richness, has often been weaponized to scapegoat Black communities and reinforce negative narratives. Through personal stories, historical awareness, and familial influence, the speaker emphasizes the importance of truth, vulnerability, and collective healing. The dialogue ultimately calls for a reimagining of Black identity—one rooted in self-worth, cultural pride, and resistance to colonial legacies. Alongside these themes, the mention of FanDuel and Text Now serves as a commercial interruption, but the core message remains focused on reclaiming agency, truth, and dignity in the face of systemic oppression.
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Did you know for the last 500 years they've been shrinking Africa on world maps?
Whether it's penis envy or map making, white people always mad about how big we are.
The U.N. just passed a resolution to correct the map and unsurprisingly the United States voted against it.
They also voted against a resolution to designate slavery as the gravest crime against humanity.
It's almost as if they know that if they admit the value of black people they'd have to pay for enslaving us.
Which brings me to this bullshit about overpopulation.
You got Bill Gates trying to sterilize us.
We don't trust that Epstein ass n***a.
They tell us. The problem is that we keep having children we can't feed.
Instead of the problem being that Europe keeps stealing our food.
That's like f***ing a n***a wife and making them pay you child support.
F***ing you the father!
There's a massive amount of space in Africa.
Nigeria, Sudan, and Congo alone are bigger than the whole European Union.
You can fit the U.S., China, India, and Mexico inside of Africa.
Here comes that penis envy again.
Africa has 65% of the world's uncultivated farmland.
Half of the world's diamonds.
40% of the gold.
How can we be poor?
That's the trick though.
Rob you and make you think you broke.
My guest on the Vic Mensa show this week is my family, Rhapsody.
One of the greatest living MCs.
Her new album, God Got an Afro and Gold Hoops, was inspired by a trip to the continent.
Pick the orange from the tree.
Peel the layers back on the world.
Strange fruit.
They still swing your bodies in A to L.
You know it's solid when they got Don Lemon inside a cell.
Divided by black and white like Karl Lagerfeld.
For the dollar bills.
Forced to produce for corporate suits.
Blood on that orange like O.J. Simpson juice.
Presidents assemble troops for a slice.
To the pie, one dips deep, you see the bombs.
Joining the Vic Mensa show is my loved one, the homegirl, Rhapsody.
Hey, what's up my brother?
Yeah, it's love.
Absolutely.
Fresh.
What is your concept of God?
I love that question.
My concept of God is an energy, a source.
I see God in all things.
It's shapeless, genderless.
Formless, a creator.
Yeah, you know, in Islam, Allah is technically a non-gendered being.
Absolutely.
That was one of the things that really attracted me to Islam when I first started
studying it about five years ago now, maybe coming on six years ago.
And the idea of Allah is this non-gendered being because
it's an entity too great.
It's too great to be fit into a gender or something conventional, a human form.
You know what I mean?
Beyond comprehension.
Exactly.
And I love that because I think I've pushed back against the Western idea of God
and felt throughout life, much resentment oftentimes towards it because I felt that
a white bearded white man in the sky,
just didn't line up with like my idea of divine presence, you know what I'm saying?
Now, when I think about God got an afro and gold hoops, though,
it does connect me to the idea of of God as a woman.
But God as a being beyond comprehension can also be a man and a woman.
But I think if anything, God would be a woman to me.
If anything, you know, but.
To create life.
So exactly.
But the title is so much deeper than that, right?
It's interesting you say that because one of the inspirations for this album was
Sister Soldiers, No Disrespect.
And I called her because I wanted her to do the interludes.
And we had a great conversation.
I love how she challenges me.
And, you know, she practices Islam as well.
She's Muslim.
She was like, I can't be a part of it because I don't play with God like that.
Right.
And I didn't take any offense to it.
I understood the context because
we're in the same world.
Like she said, rap, I challenge you.
Don't mix. Don't mix the truth with a lie.
Right. She said, even if it's satire.
And I respected that.
But for me, it wasn't about necessarily giving God a gender.
It was about
anybody seeing God in themselves because he is genderless,
because he is faceless, raceless, all the things.
And we do live in a westernized society where we've been painted this picture of Jesus or God.
You know, as white, bearded hair, blue eyes, whatever you have it.
So it was me, like reclaiming, like, no, like God, we see God in black people, too.
You know, don't forget our even our spirituality of Africa, Yoruba, whatever spirituality practice.
But you should see God in yourselves and all people.
So it was me saying, you know, God can have an afro and gold hoops, too.
You know, and that was more of it to even create the conversation and to have
a space for allowing everybody into this world of how they connect with God.
Man, one of the most insidious tricks that colonialism ever played
has been to convince us to hate our own gods.
When you can convince someone that their God is, in fact, the devil,
you have absolute control of them because you can tell them, no, you must follow my God.
My God says you will
belong in servitude. Your God is the devil.
So what you thought to be divine is actually very evil.
I've been thinking about that, like, as it relates to
misogyny in general.
I saw this manosphere dickhead talking about how, like, vaginas are disgusting.
And I was like, man, you really just hate yourself.
And you must never ain't getting where life comes from, like where life comes from.
But I started going into it and I'm thinking, hey, the mitochondrial Eve.
Yeah.
The unbroken matrilineal DNA transfer from an ancient African woman into every person living today.
So really, misogyny is just self-hatred because every single person contains the mitochondrial Eve.
So if you hate women and you hate yourself, you add in misogynoir and it's just an expansion.
Like really, white supremacy is really just self-hate because at the end of the day, you got that mitochondrial Eve.
I believe in you, whether you want to admit it or not.
That black ass mitochondrial Eve, you know what I'm saying?
It is the motherland for a reason, you know?
So talk about the motherland.
You've recorded a lot of this in in Africa.
You have a South African group on the on the first record.
And in the album title, it was inspired by some time you spent in Ghana.
It was.
We didn't.
I didn't want to jump into recording in Johannesburg.
I wanted to be inspired.
I wanted to to to feel the continent, you know, in a different way.
I had been twice before, 10 years before I went last summer.
But I didn't really get to
insert myself in the culture and really learn and feel things.
So I went to Ghana first.
I spent six days.
We didn't do any partying.
You know, we didn't we didn't you know, we didn't we didn't do the nightlife.
Congratulations on that.
Yeah, it was.
They loved it.
It was on my agenda.
But I was in the hotel and I met this
this tour guide by the name of Hector, we called him the mayor.
He was like, you don't need to do any of that.
I'm going to take you here.
I was like, are we out?
And the first morning we left, we had a five, six hour ride to the Ashanti region.
And it was five, six in the morning.
The sun was coming up. It was beautiful.
Like I was not even really present because I was so that blue hour, that
morning blue hour in Ghana is like, you know, none fucking other at this type of
time of year, it was it was so, you know, I'm setting the scene and I'm
I just want to hear good music.
But what I'm hearing is like this Westernized
Elvis in a choir shirt type gospel music.
And I'm yeah, it just it took me out of it.
And I'm just like, where am I?
Like, you know, I'm in Ghana.
I'm in the motherland.
I'm not here in American gospel.
Yeah. Westernized, particularly white.
Not even any real like soul that our church has in it.
So I asked him to turn the radio and he turned and it was another one.
I asked him, you know, I said, can you turn it again?
Another one. I said.
I said, why is this all that plays on the radio at this hour?
He's like, this is what everybody listens to.
And my friend Gretzky was with me.
He was like, well, you know, my plane ride
is a bunch of white Christians and they're coming to, you know, the open churches
out here and it just it brought me back into even in the motherland, you know,
on the radio, you can't even hear your own spiritual music, you know what I'm saying?
And how much
Western religion has been indoctrinated in in the continent.
So by the time I got to Joburg, it just sat with me, you know,
even in America, like you say, like, you know, Jesus is painted everywhere.
This white guy with beard and, you know,
Dena made
this beat and I was just like, man.
god i got an afro like that's that's the first thing that came to my head so i just i was just
around the house singing it and that's where we we started at it was just that simple you know um
music for me is just a real snapshot of where i am and my albums and everything was calling me
home to africa you know i'll be on instagram and any style that i like clothing wise african you
know nigerian so i was like i gotta go home and that's the story i told of everything that
i learned everything that i was awoke awoken to um inspired by like you know man there's so many
colonial symbols that are so prevalent in ghanaian culture that pissed me the fuck off like in court
they wear these dumb ass wigs that look like thomas jefferson and like george washington and
shit
um
, you know i'm saying you you go around to gas stations and corner stores it's bleaching cream
so often just right in arms reach of a child right you know i lost my auntie to uh
bleaching that was the song we did together yeah she bleached her skin for
a long time and ultimately got skin cancer and it just like it tears me apart it breaks my heart to
see my people so mentally enslaved as bob marley said emancipate yourself from mental slavery
number ourselves can free our minds because oftentimes like the visible chains right have
long been discarded and much more uh long-lasting mental chains remain but that's why i feel like
it's on us to shine the light you know what i mean to to speak about it and find a fun way to like
find a fun way to make it resonate with people which was why i loved when you brought in chelsea
um who did the big shout out yo chelsea's from chicago man i know i did a shoot with her like
super gifted maybe like four years ago i see she's really having i had heard she was having a moment
and then i saw it in your video and i'm like oh let's go she's having she's brilliant i'm like oh
let's go she's having she's brilliant i mean that was brilliant that was diamond my home my stylist
um you know we were getting fits for that and she was like she sent me the the real she said we got
to use these and i had seen it i was like absolutely so i just i slid in chelsea's dm i
was like hey that's the best way though you know yeah i like i like to have one-on-one that's an
alignment though between you and her and like the fact that she's in fashion and presenting a a new
creative
idea of black womanhood and beauty and i think that lines up with what you do like from the idea
of beautiful to eve to god got an afro and gold hoops that um you're very intentional about
presenting black women as the standard for beauty and i wanted to ask you like
about your ideology behind that i grew up around strong women in a village
of 13 children and there's five women and i've always watched them be the leaders
of you know our family um they always were presentable whenever they left the house you
know they had to look a certain way dressed a certain way they loved on each other they
complimented each other um you know they looked after each other's children like all i knew was
beautiful black strong intelligent women
didn't matter what the family was going through they're on the phone they're huddled up
they're figuring it out they're sacrificing for each other and that's the depiction of women
that i you know that's how when i see black women that's what i see you know and i have this great
affinity especially for older black women i was a huge fan of cicely tyson tony morrison
maya angelo nikki giovanni like you know these are the women and stories that i was exposed to
growing up in my home so
that's what i that's what i know and that's the story that's the only story that i can give because
that's my truth that's the truth that i see in us and our people and especially as a black woman
going through this world and i've been through the colorism you know i've seen uh the hyper
sexualization of us and our art um as very one-sided story of who we are especially in hip-hop
and it was just all ways for me to bring harmony and to bring another truth that i know of
who we are and you know that's what it that's what it was for me in every album that's why it's easy
for me to celebrate and speak the names of so many women yeah i love you know like it's no ego it's
i told somebody recently i realized when i got in this business i was always looking for village
i always wanted a family in this music industry that reminded me of the family that i grew up in
and it was never ego it was always about doing things together so it was always about me
celebrating all women
you know because they are a reflection of me i'm a reflection of them you know and james
baldwin has that conversation with nikki giovanni yeah if i love you i can't lie to you of course
you can lie to me and you will if you love me and you're going off with maddie someplace you're
lying to me because what the hell do i care about the truth i care if you're there that i feel is
one of the most quintessential moments of black thought and i know you also had a conversation
with nikki giovanni i did a short one what did you learn from her i feel like she taught me so
much in her conversation with james baldwin just like the idea of she was like basically you go
outside and you smile for massa every day at work whether it's a fake smile or whatever the fuck it
is like but you come home to me with a frown like lie to me too like at the end of the day that's a
bare minimum request
like don't don't give put on a fake smile for everybody else and you ain't even got the energy
to give me that you know uh and i thought that was like so it it impacted me it impacted the way that
i think about how i deal with my own family and being like you know at to be intentional about
my smile how i how i utilize my smile you know yeah and
like what was your conversation with nikki giovanni like like that's crazy
um we did a interview i want to say it was for essence um what i learned most about her was just
how unapologetic she was and that she was big on the bridge especially between the elders and
the youth like her love for tupac having a tatted thug life on her arm she got thug life on you know
that no no i didn't know that you did not know i'm not even really in tune with like
late life nikki giovanni like i know she's got a crazy new documentary like movies she made as
an elder i don't even know in my mind she's that young nikki giovanni god nikki got thug life
tatted on her arm like oh she's cool you know one of my favorite poems is a uh essay she wrote
it's a letter to tupac in her book so you know nikki was very just raw and at the time and she
was just going to tell it to you straight i don't care who you are you're going you're going to get
it how i'm going to get this work you're going to get this work loaded it taught me to be fearless
like in your art in your speech to always speak truth um you know from the short conversations
that's that's what i got from her you know be intentional about your art you know what i'm
saying um so i wish i had more chance to talk with her but that conversation with her and james like
i always look at things i try to from a
360 perspective right and she made such beautiful poignant parts but it also made me like look at
james too like for sure so for black men like where do they have a space where they just can be real
you get what i'm saying like where can they go and not smile and be upset that the world is the way
it is and how do we honor both yeah you know what i mean like there's so much work to do like that's
why i love no disrespect my sister soldiers so much because it's really it's a book about her
childhood from like four or five years old until she graduates college but it's about the
relationship between black and african men and women and she tells the book through all these
different relationships and what i got most from it one of my favorite quotes she was like i love
my people i'm not afraid of my people i know my people i'm not afraid of them and you know she
really just put into perspective how much deprogramming we have to do and when you think
about it it can feel so hopeless like ridiculously hopeless when you think about you know just our
community uh drugs incarceration um profiling uh jail uh welfare how they separate the men from the
women and then you know she talks about in the book that there's this welfare house it's like a
big hotel they made into a welfare house and how many families without fathers and their kids and
they're exposed to
uh poverty and then you know everything that comes with that uh being raped watching murder seeing
drugs and these kids they have all of this on them and she's like this is just one building
in one city yeah and in brooklyn
there may be 30 of these buildings but then think about new york and then think about la and then
think about detroit and it becomes so hopeless it's like damn we got so much work to do but we
know like how powerful our art is and our voices and just sparking the seed it necessitates it
necessitates the narrative warfare from our end i think a lot about what i do is narrative warfare
you know because i know that we're under attack you know fred chairman fred hampton says politics
is just war without bloodshed come on and when we spit and i feel like
this is our way of engaging in revolutionary combat in a lot of in a lot of ways you know
what i'm saying because it's a it's a political attack right upon us even to poison our minds to
the point that sometimes when i'm in chicago i come out the house you know my eyes are like a
hawk yeah
you know and i see another black man and if he's looking a certain way got a style kind of like me
uh in my mind it's like i'll kill this right now right not because i not because i hate
myself i don't think i do but because like i've been trained to fear myself you know and i have to
like have this internal mental battle with myself be like he's tying his shoe
you know he's just he's just existing you know what i mean but i think
i'm also colored by the traumas of like i saw somebody get killed on that corner exactly you
know what i mean like i remember like i just kind of like walked over his body you know and like so
when i'm on that corner like always in the back of my mind it's like you could get killed here
exactly you know and alert and it's in and it's got me in a certain way and it makes me think
about what you say we're like where do black men go to cry yeah for me
the shower
i get too emotional because it's like you don't want it to be seen yeah by your family you know
shedding a tear and you feel that you're supposed to be strong and you've been convinced that
vulnerability is weak so you're in the shower you're sticking your head out the bathroom window
you know and and you grow and you realize that it was a damn lie yeah you know that
having vulnerability is far stronger than having some false machismo masculinity you know yeah and
it does so much more for you but i don't know it feels like a lifelong um i'm glad you could cry my
brother hey man yeah man that's powerful i don't know where where i heard it or read it or saw it
but it was like a guy saying you know i don't know where i heard it or read it or saw it but it was like a god saying hey man that's powerful i don't know where i where i heard it or read it or saw it but it was like a guy saying
what's what's the basketball player uh
beasley mike beasley he says i cry in the rain and that's what he said
michael beasley is a poet ain't he michael beasley is a poet he said so much i cry in the
rain so nobody don't see it like he is a poet he said so much he's so brilliant he's amazingly
brilliant i've been thinking about that interview so deeply because i've been like yo like how to
be that real right and that raw and without fear it's so fearless when you become aware of the power
of vulnerability you start to realize like yo the more vulnerable i could be it's like that's
that's fearlessness you know freedom too and one of one of my favorite um
one of my favorite songs of yours of recent years from please don't cry
is stand tall when the album came out man i felt like i listened to that song on repeat a lot
because it was forgive me when i fall short trying to stand stand and stand tall it felt
like it excused me for uh my mistakes you know i mean for my like shortcomings and like
everything i up you know and it gave language to like a feeling i feel you know because oftentimes i
think i've attempted it i've attempted at something righteous and maybe gone about it in a way that
fell a bit short yeah you know what i mean what if we could democratize communication
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you question from that song you question a lot how people are constantly concerned with sexuality
do you feel like that's a trivial question like
as you muse upon in that song like do you feel like that's a misguided focus i don't think so
it's it's something i wanted to understand and process to even set me free with nobody else you
understand what i'm saying
saying like you know i had to ask myself why are people so concerned with it why are they
so judgmental about what a certain type of sexuality looks like and why does it bother me
and i think the last question is the most important sometimes you have to ask it
in order to have an understanding too for yourself so i don't think it's trivial at all
um i think with understanding comes freedom you know when you understand the world we understand
society we understand everything that's at play uh that puts these questions even on a platform like
i don't have to make it mine i can leave it you know what i'm saying like i understand
where it is and where it sits but i don't have to make it mine i don't have to make it my problem
it's just like okay you know what i'm saying so that's what it is for me um because that hour
when was about showing that we all are human and we all are going through human experiences and
that's okay like nobody's perfect here um no day is perfect um you know except ice cubes day except
ice cubes like today i didn't even have to use my ak like the bar is in hell for you to
have a good day the only thing that needs to happen is you don't need to use an ak god damn
fucking like profound exactly a lot of folks felt that no that was so profound in a real macabre like
dark way it was like i didn't have to spray somebody everybody got to live and go home
i came in my way one of my favorite uh records in hip-hop history
hip-hop is so many things to us you know it's our encyclopedia it's our history but
books it's our cnn you know it's our bible it's our webster's dictionary and at the same time
it's a staple of woman-hating yeah in so many ways through so many decades when you were falling in
love with hip-hop and as someone that is deeply in love with hip-hop how do you reconcile that
ninth uh such an amazing scholar you know that's who i came up under
and we used to have this conversation a lot and he gave me a beautiful
perspective that i hold and he was like uh hip-hop is just some microcosm of the society we live in
we like to point the finger at hip-hop yeah but hip-hop is putting the mirror to everything else
let's not act like it's not prevalent in politics in film like you know what jay-z
say like scarface the rapper did more than scarface the movie for me so you know um
for me it's understanding capitalism and when they get a hold of our culture
how intentional they can be with uh what messages are pushed to the forefront you know um you read
about that um secret meeting where there was all the record label executives in the 90s and they
were like we're only going to harvest you know self-destructive music um yeah i've heard about
that uh i've i've heard and read the harvard report you know about that nah so the harvard
report is uh
a report um where these kids in harvard for a big record executive were sent out to study
the chitlin circuit and how we kept the money and the music within our communities and it was
they wanted a piece of what we had the money so it's like how do we infiltrate that and
part of it is you know you had to do away with mom and pop stores
um uh independent radio gone and if you go through the list all of these things happened
You know what I'm saying?
So it was a concentrated effort to like, how do we implement
trait this powerful music that's happening and how do we get money from it and now it's become
this prison the pipeline thing like you know so those are the things that that i focus on like
everything else that they've thrown at us this is another thing and sadly we fall victim to it
you know um so it's like you know how do we educate each other so we understand what's going on
and reverse it it could be done it could be reversed you know y'all seen that that he got
that line about um people speak about hip-hop as if it's some giant in the mountains disconnected
from the people like right it's people doing bad hip-hop gonna be doing bad if people all right
people gonna be all right that's fear of man yeah yeah that that's like the most just eloquent
depiction of how hip-hop is made to be this boogeyman the scapegoat right for
all of america's evils you know i mean when truly it is it is a mirror you know what i'm saying it's
truly a mirror they bringing it to your door like you know i i can't necessarily hate on a brother
who's expressing what his day-to-day life looks like in his music that's what you gotta think
about when you think about chief keith coming up exactly that's what he lived chop like you know
literally this is their true experience you know i mean as a kid from the same city
same side of town different walk of life so many of the people in my life right were on that exact
side of the coin or maybe mortal enemies to them and i would see like you know i remember
15 16 it's just like constant shootouts you know i mean people just being murdered living in real war
you know and like that's how cnn like actual war and they were like this this is my life experience every day we didn't
we didn't build these guns they came on a freight train it stopped on 95th street and it intentionally
was sent through the hood was given he'll sprinkle a little crack on it take the gun take the crack
let's see what you come up with exactly exactly um yeah it's the problem comes to when we glorify it
you know and it's it's how do we hip-hop does that yeah you know like how are we honest about it you
know and and say our truth but at the same time how do how do we keep from glorifying it like this
is what this is the cool thing to do you know this is just my truth but it's not necessarily something
that we should want for each other so you know and i think that just comes into like having these
conversations you know i'm saying like i don't think it's by accident you know this that a teen
summit or a different world is replaced with the love and the love of god and the love of god and
love and hip-hop you know as the number one show first time i went to africa the very first time
you know you get your passport they say welcome home yeah that's what i'm waiting for my welcome
home and she goes let me ask you a question i'm like yeah she's like are the women in america the
same as the ones on love and hip-hop i was like damn you know out of all the images like this is
that you know i'm saying narrative
real live narrative warfare yeah so how do we create harmony where you know like i think i do
see that amongst women in hip-hop in many ways harmony that is yeah that like coming back that
women in hip-hop seem to be very intentional about supporting each other you know saying
at the same token it feels like sometimes the idea of female mcs is like part of the
relationship between the two of you is like being partitioned from male mcs yeah and you know when i
think about what you do i feel like you're just nicer than 99 percent of niggas in general red blue
male female asexual alien if they had alien rappers you'd be nicer than most of them too
four legs a tail from the cosmos you know um but do you ever feel boxed in by the label of female mc
like it was really big thing too in the beginning of my career like i was very anti don't call me a
female mc don't call me fmc um for that very reason because i felt like it was used to separate
us as other you know as y'all go play in the sandbox together you know let the men handle it
you know let us be the big dogs um and i never wanted to be boxed in by that way you know this
this isn't like sports
you know this isn't like sports
you know where we're physically different you know like you're just built physically
to do certain things that i necessarily can't do at the same level all the time um you know
you have your anomalies of women but when it comes to this mental game right baby we're on the same
playing field you know it's like you just said like when you write it's like a conversation with
yourself um language art like the skill the intelligence that comes with it the creativity
um so it was always about just being an mc you know i don't need to put a gender in front of it
you either dope or you not that was the only bar that i measured myself against um you know so
when i would hear like female mc fmc you one of the best female rappers where i'm at with everybody
else because i'm bigger than that you know i'm doper than that i work too hard for you to just
put me over here i ain't got to be your number one but baby like we're not doing that you know
um so you know it was just a way for me to give back to the culture like a queen latifah mc light
a lauren lauren is is top five let's not get it twisted yeah i mean lauren could very very well
just be top one she could too you know i'm saying like by any metric like by any metric that's not a
thing at all you know so that's what it was um and two like defining what female look like in hip-hop
you know like female mc like what the fuck is that like what i mean what are we talking about
having babies only like or whatever you know everybody can have babies you know what i'm
we talking about there was only one time where i was like i understand the empowerment in it i was
at a black girls rock event which beverly bond used to do and um at that event this was the first
time that uh i got to perform alongside both mc light and lauren hill um mumu fresh was there
shout out to mumu that's my girl crazy talented and it was at that event just seeing all these
amazingly talented gifted women and all these women here celebrating where you're like okay i
understand the other side of how empowering it is because we are underrepresented the camaraderie
exactly and the representation that is lacking we're like yeah like that is a female mc and
female to us means i'm just a woman but i'm still dusting your ass like sure in that space i got it
so you know i've been balancing like depending on the space you in it's like
it's like when you say uh certain words they can have different context on the inflection you put on
it you know so i feel that that's that's where i sit with you know female mc now i just think i'm
so dead i say it again man it feels good to expose these fools seeing straight through the bs they
thought was gonna slide hear that wireless company because we can shave you loud text now cuts the
clownery nationwide 5g instant activation and a data plan that moves how you do pay what you want
or not
at all show these carriers we ain't paying for stupid because we're way too smart to pay dumb
some of the women in hip-hop are just the hardest rappers like the hardest
nervous talk about it lauren yeah you and no name and my sister aja monet and tiara whack
little sims yes and uh it's some mcs from chicago named mother nature
my homegirl john doe just like transcendent female mcs neptune 21 neptune xii yes yo i had
neptune on this uh i did a showcase in south by southwest which is low-key i think like one of
the first times i met you or saw you rock was when we did something south by southwest
eons ago and uh and i had neptune come out there like fly out and rock on the showcase i mean she
was like the heart of the show and she was like the heart of the show and she was like the heart
artist artist there you know i mean it was like a mixture of many many genres and different races
and genders but like neptune was probably like the toughest artist you know what i'm saying without a
doubt super talented and gifted she's she's actually has a a piece on the interlude on my
new album really yeah yeah yeah let's go you snap she that makes sense to me though and what
i love about neptune too is that she's a self-contained movement like she has a non-profit
organization. She got a whole clique of black women that are in all her videos.
and like a community it does something for the listener to be like oh a bunch of people believe
in this you know saying like it's a movement yeah they're all showing up and it's bigger than music
you know like eating people and philly that's that's that's that's her movement um yo you do
have a bar though about sometimes i feel why lauren left or something like that you got a
bar about why lauren left yeah man i think about lauren and i don't know why i just don't even
think about her as having left i know she only ever did one studio album and a live album as a
solo artist but i just think that one album those two albums to me are better than people's 80
albums and mixtapes one of them by themselves could be and she
gave me 100 it's enough for me like on a deserted island just me and wilson you know saying on some
castaway shit miseducation i'm good i'm good but she gave you another one oh my god unplugged yeah
y'all can't handle the truth in the courtroom of lies i knew you was gonna spit that one come on
oh my god the plaintiff and then like she's black like i still can't i almost really still can't
wrap my head around pieces of that album like how she did the fingerprint
picking guitar and wrapped at the same time right it's like it blows my mind what do you think about
why lauren left though um i mean from i could say from what i've read you know she just had to do it
her way and not not from an ego type of way but uh uh people controlling you and you know
putting the pressure on you to do a certain thing like i think that was her way to rebel in a way
or do things that felt good to her you know one of the best records yeah come on um like
i would love to speak to her you know if she wanted to share and
get a deeper understanding but that's from my understanding so far um you know she talks
about she got into it because she loved the culture and she had something to say and when you make
something that impactful you know and that's successful to them oh yeah told me stories
about when they were opening for her on that tour they say lauren hill come into every show on a
helicopter you feel me they like we wanted to say what up it's like that's the homie but it's
hard to dap a up when they in a helicopter and you were on in a tour bus yes so it's like
you got something that commercially successful and what comes with it when people see like oh you
a money maker and she got a different type of love for it she like i don't i'll let all this
go and you know what she said to protect my love for it and protect myself that's what i why
i think lauren left part of the reason i cannot confirm nor deny but that's my understanding and
what she says in that album too is after the song rebel she says it's funny that this comes after it
because when i did that she said it's funny that this comes after it because when i did that you
know what she says and here's what i found it's just like the water come on i felt this way
come on just like the water that's my favorite just my favorite song on that album and possibly
lauren's song one of my favorite songs of all time just like water adam visit theory is one of mine
yeah that's another one just the title alone the poetry of that title oh man
yo you you had a crazy process on your last album that inspired me a lot
i remember calling you about it yeah and then you gave me game on it that you had a set of images
yeah that guided some of the emotions that you felt you wanted to convey and that you
put these images up around your space and you used them as like constellations to
lead you towards the north star yeah it was it was my way to to lead me but also to speak to my team
right so they could understand what i was thinking visually what i saw things that i felt and i
learned this from alicia keys it's my very first writing session i ever did and i walked in her
studio and she was getting her nails done so i was just walking around the space and she had
all these different photos up and she came out um and i was looking at one i think it was a
deconstructed bus and she's like what do you see and we just had a conversation about it
and we went through it and she was like you know this is what i do and i was so inspired by that
so on this one i went to pinterest and it would be poems it would be words it would be photos
i think i told you for a diary of a mad me and s1 i went to texas to work with s1 and
he let me put him up in the studio um and um i picked up one it was fingers that had honey on them
and it was dripping and then there was one of a dog it was half man half dog and the dog was like i
like mad as right and i said you know this is how i feel when niggas cheat on me you know
what i'm saying i said but this picture of the honey is i don't know what it's pulling from me
but i'm i said just make what do you hear like beat wise for the honey he took the drums and put
them in reverse to make it feel like they were sticky and i was like that's that's so brilliant
and then the aggression came from the photo of the dog and it would allow me to tell my story of like
exactly like i'm mad as hell like i feel like this dog like there's one side you got this this face
and it's stoic but in the inside i want to like choke you out you know what i'm saying like you
know what i'm saying before you have your emotional maturity or intelligence um you
know and and that's how we spoke with all those songs through photos it might be like
coast of people dancing you know motion joy is color uh i was listening to grace jones
i was listening to grace jones
a lot of soul aquariums you know that's how i bring people into my world that's you know
that's my rosetta stone you know before i let you go we've all had a moment where we needed
a new number my number got leaked online my home girl needed one because she got
blocked and she needed to let him know that was the wrong decision text now handles that
and a lot more their phone service delivered through an app that gives you free and unlimited
talking text on nationwide 5g covered by ads so you can save money data plans available when you need
them no commitments no carrier locking you in download the text now app today and take control
of your service grace jones with the damn art direction oh man when you said colors for for a
moment i thought about colorism and i called a bar where you said when you were 12 you felt like
you were too dark yeah i went through i went do you remember what made you feel like that
you feel that way um you're doing like some meditation go back to that how does it make
you feel i think that was on complexion right on yeah you said when i was 12 i felt like i
was too dark yeah me and dot did not have to have a long conversation because i i lived it i already
knew what it felt like you know that age it was late 80s early 90s it was you know all the beautiful women
you saw on the tv shows i felt like were like lighter complexion or when you go get a barbie
doll they don't have a lot of black ones you know um uh watching the boys talk to my sister and you
know use the term like i love me a red bone you know it's those little things where you think like
a child ain't really paying attention but we kids at that age are sponges they soak up everything
and even like
20 years later 20 something years later i'm taking my niece at the time who's three
to to get a barbie doll and it's the same thing she goes i don't want the black one i want the
white one i said why you don't why you don't want the black one it's not pretty you know and i called
my sister i was like this happened today like we gotta we gotta work on this now you know what i'm
saying yeah you know and that's why the title of this album is so important it's you know
these kids have to see themselves representation matters even beyonce putting out the sacred thing
and talking about why jay locked his hair was so blue could see herself and beauty and her dad like
he has hair like hers um you know i'm getting tagged where you know kids have these braids and
bees and they're watching the video and i shake my bees and then they shake theirs like it's things
like that where you know they get to have a a deeper curiosity or representation and sometimes
we have you know not even past barbie dolls or what's defined beautiful for black women on tv
but even in spirituality like i can see god in myself too you know what i'm saying so
that doll test too that's like that doll classic yeah rorschach test yeah
to see how americans have been poisoned and how black people have been taught to believe that the
white barbie doll is more beautiful so you celebrate blackness in the video yeah for god
got an afro i mean in your whole life it's a celebration yeah you know how we do right what was
you trying to say with the video the video I didn't get to do exactly what I
wanted you know we'd get to do 20% with the budget yeah that's where our
creativity comes in but I was inspired by the Wiz for that video yeah oh the
Wiz I watched a lot of the Wiz and the making of this album you know the colors
the dancing Mike with the Michael Diana got an afro you know I'm saying so I
wanted to feel like the Wiz I wanted to feel bright you know the kids when the
count comes out and you know they're running around a playground doing flips
doing hula hoops I wanted to feel joyful like that I wanted to feel bright I
wanted to feel youthful I wanted to feel like a celebration of our culture pan
Africanism I wanted to create a bridge between the two of us I wanted to create
a bridge between the two of us I wanted to create a bridge between the two of us
I wanted to create a bridge between the two of us I wanted to create a bridge back from black America to Africa you know Kwame
Kwame Nkrumah I learned a lot about him when I went to Ghana super inspired W Du Bois and that whole movement boy spent so
Du Bois and that whole movement boy spent so
Du Bois and that whole movement boy spent so much time in Ghana a lot I went to the
much time in Ghana a lot I went to the
much time in Ghana a lot I went to the house he learned a lot of what he turned
house he learned a lot of what he turned
house he learned a lot of what he turned into pan Africanism through W through
into pan Africanism through W through
into pan Africanism through W through American the American black experience
American the American black experience
American the American black experience exactly I'm in America yeah so fell out
exactly I'm in America yeah so fell out
exactly I'm in America yeah so fell out to fell I got turned out by a black
to fell I got turned out by a black
to fell I got turned out by a black woman when he was here Miriam Akiva
woman when he was here Miriam Akiva
woman when he was here Miriam Akiva straight up she got exiled so that was
straight up she got exiled so that was
straight up she got exiled so that was the bar though Miriam fucked me up
the bar though Miriam fucked me up
the bar though Miriam fucked me up Kiba how I ride for the click cuz she
Kiba how I ride for the click cuz she
Kiba how I ride for the click cuz she close out yeah click go on took me like
close out yeah click go on took me like
close out yeah click go on took me like when that dawned on me I was like oh
when that dawned on me I was like oh
when that dawned on me I was like oh yeah wait that's why rap is really
yeah wait that's why rap is really
yeah wait that's why rap is really really nice I didn't even put I was
really nice I didn't even put I was
really nice I didn't even put I was thinking I was thinking uh I think
thinking I was thinking uh I think
thinking I was thinking uh I think Miriam Cabo it's like a abolitionist
Miriam Cabo it's like a abolitionist
Miriam Cabo it's like a abolitionist okay I didn't know about her but
okay I didn't know about her but
okay I didn't know about her but Miriam the key behind ride for the click
Miriam the key behind ride for the click
Miriam the key behind ride for the click close shot out to South Africa yeah like
close shot out to South Africa yeah like
close shot out to South Africa yeah like she looked like my aunt's she was from
she looked like my aunt's she was from
she looked like my aunt's she was from Africa and she had on these garments
Africa and she had on these garments
Africa and she had on these garments and she's I don't even know where that
and she's I don't even know where that
and she's I don't even know where that she starts singing the song and I'm just
she starts singing the song and I'm just
she starts singing the song and I'm just like I'm in trance like it's like came
like I'm in trance like it's like came
like I'm in trance like it's like came through the TV it's snatched my ass up
through the TV it's snatched my ass up
through the TV it's snatched my ass up like you know I had so much deeper pride
like you know I had so much deeper pride
like you know I had so much deeper pride for myself I ate that particular moment
for myself I ate that particular moment
for myself I ate that particular moment Miriam Akiva like I wouldn't have known
Miriam Akiva like I wouldn't have known
Miriam Akiva like I wouldn't have known her at that time without that
her at that time without that
her at that time without that you are a major inspiration to me in
you are a major inspiration to me in
you are a major inspiration to me in your persistence so seeing you
your persistence so seeing you
your persistence so seeing you win that Grammy so many years into
gain
gain
gain 40 years old
40 years old
40 years old has inspired and influenced me
has inspired and influenced me
has inspired and influenced me to say
to say
to say at no point in time
at no point in time
at no point in time will I relinquish
will I relinquish
will I relinquish my dream you know I mean because my
my dream you know I mean because my
my dream you know I mean because my perspective and my life experience and
perspective and my life experience and
perspective and my life experience and the sharpness of my pen and my wick it
the sharpness of my pen and my wick it
the sharpness of my pen and my wick it has nothing to do with the ideas of an
has nothing to do with the ideas of an
has nothing to do with the ideas of an expiring aging rapper that you know
expiring aging rapper that you know
expiring aging rapper that you know one may be force-fed by Society right even
one may be force-fed by Society right even
one may be force-fed by Society right even more potent for a woman because they
more potent for a woman because they
more potent for a woman because they treat women as if they have
treat women as if they have
treat women as if they have no value past the age of 35 this is
no value past the age of 35 this is
no value past the age of 35 this is like the they say online
like the they say online
like the they say online um man I uh I've read this thing
um man I uh I've read this thing
um man I uh I've read this thing recently though it was like
recently though it was like
recently though it was like the differentiating factor between
the differentiating factor between
the differentiating factor between successful artists and those that quit
successful artists and those that quit
successful artists and those that quit it's not necessarily Talent it's the
it's not necessarily Talent it's the
it's not necessarily Talent it's the nervous system and how much
nervous system and how much
nervous system and how much it can withstand
it can withstand
it can withstand feeling
feeling
feeling disappointment yeah and uh I want to ask
disappointment yeah and uh I want to ask
disappointment yeah and uh I want to ask you
you
you what kept you pushing to the point
what kept you pushing to the point
what kept you pushing to the point where you reached the heights of your
where you reached the heights of your
where you reached the heights of your success
success
success at a time when many of your
at a time when many of your
at a time when many of your contemporaries have probably quit
contemporaries have probably quit
contemporaries have probably quit a few things uh
a few things uh
a few things uh faith and belief
faith and belief
faith and belief like stubborn stubborn faith like
like stubborn stubborn faith like
like stubborn stubborn faith like people I have ideas I have thoughts I
people I have ideas I have thoughts I have dreams all the time
dreams all the time and people will tell you I will not take
and people will tell you I will not take
and people will tell you I will not take no for an answer I'm like no we can
no for an answer I'm like no we can
no for an answer I'm like no we can figure out how to do it um
figure out how to do it um
figure out how to do it um ninth one day guru taught me early on
ninth one day guru taught me early on
ninth one day guru taught me early on celebrate every single small win
celebrate every single small win
celebrate every single small win I don't care how small it is somebody
I don't care how small it is somebody
I don't care how small it is somebody tweet you you celebrate every small win
tweet you you celebrate every small win
tweet you you celebrate every small win because you're one step closer
because you're one step closer
because you're one step closer like you keep walking and you're like
like you keep walking and you're like
like you keep walking and you're like damn it still looks so far away but if
damn it still looks so far away but if
damn it still looks so far away but if you turn around you're so far from where
you turn around you're so far from where
you turn around you're so far from where you started
you started
you started and I believe that
and I believe that
and I believe that you it's got to meet me at some point
you it's got to meet me at some point
you it's got to meet me at some point it has to meet me it may take me longer
it has to meet me it may take me longer
it has to meet me it may take me longer in my path and my path it's my
in my path and my path it's my
in my path and my path it's my my timing is my timing so you know it
my timing is my timing so you know it
my timing is my timing so you know it was always
was always
was always put the blinders on you only look
put the blinders on you only look
put the blinders on you only look forward
forward
forward and
and
and you know
you know
you know that's always what I saw my family do
that's always what I saw my family do
that's always what I saw my family do I grew up playing basketball like I was
I grew up playing basketball like I was
I grew up playing basketball like I was used to being disappointed after a game
used to being disappointed after a game
used to being disappointed after a game but I knew there was always going to be
but I knew there was always going to be
but I knew there was always going to be another one
another one
another one it was always another game what's your
it was always another game what's your
it was always another game what's your boy Michael Beasley say tomorrow came
boy Michael Beasley say tomorrow came
boy Michael Beasley say tomorrow came and another tomorrow will come you know so
and another tomorrow will come you know so
and another tomorrow will come you know so it was it was those things it was you
it was it was those things it was you
it was it was those things it was you know the things that I was feeding
know the things that I was feeding
know the things that I was feeding myself to have a strong mind fall down
myself to have a strong mind fall down
myself to have a strong mind fall down seven get up eight like it the littlest
seven get up eight like it the littlest
seven get up eight like it the littlest thing is what what kept my eye on the
thing is what what kept my eye on the
thing is what what kept my eye on the prize like and just who we are as a
prize like and just who we are as a
prize like and just who we are as a people when I went to Ghana and and you
people when I went to Ghana and and you
people when I went to Ghana and and you know I visited the slaves castles and I
know I visited the slaves castles and I
know I visited the slaves castles and I I learned about the whole journey from
I I learned about the whole journey from
I I learned about the whole journey from the top of the mountain to everything
the top of the mountain to everything
the top of the mountain to everything they had in door being fed to animals
they had in door being fed to animals
they had in door being fed to animals dying dying in the river of the last
dying dying in the river of the last
dying dying in the river of the last bath return going to the castle like
bath return going to the castle like
bath return going to the castle like those that fought died died like so much
those that fought died died like so much
those that fought died died like so much death so much thing that said you know
death so much thing that said you know
death so much thing that said you know you would think that we would have never
you would think that we would have never
you would think that we would have never survived and still here we are it's in
survived and still here we are it's in
survived and still here we are it's in my motherfucking DNA not to stop because
my motherfucking DNA not to stop because
my motherfucking DNA not to stop because I know who I am and I know my people I
I know who I am and I know my people I
I know who I am and I know my people I got grew up at a house my father was so
got grew up at a house my father was so
got grew up at a house my father was so proud to be black anywhere no he wear
proud to be black anywhere no he wear
proud to be black anywhere no he wear lotion like what I have never he said I
lotion like what I have never he said I
lotion like what I have never he said I was like why you don't wear lotion I
was like why you don't wear lotion I
was like why you don't wear lotion I want him to know I'm black I don't think
want him to know I'm black I don't think
want him to know I'm black I don't think they gonna miss it my brother the
they gonna miss it my brother the
they gonna miss it my brother the blackest thing you can do is you know
blackest thing you can do is you know
blackest thing you can do is you know like is is is those things and because I
like is is is those things and because I
like is is is those things and because I I knew the importance of what the
I knew the importance of what the
I knew the importance of what the difference was I had to be a
difference was I had to be a
difference was I had to be a representation I had to be the
representation I had to be the
representation I had to be the difference I knew what that did for me
difference I knew what that did for me and it was it was just something that
and it was it was just something that
and it was it was just something that felt like it was my god-given duty I'm
felt like it was my god-given duty I'm
felt like it was my god-given duty I'm on assignment I can't I can't not do
on assignment I can't I can't not do
on assignment I can't I can't not do God's assignment nothing else calls me
God's assignment nothing else calls me
God's assignment nothing else calls me like this calling that's it you know and
like this calling that's it you know and
like this calling that's it you know and I had to let go what I thought
validated me I had to let that go
validated me I had to let that go
validated me I had to let that go because growing up like you look and you
because growing up like you look and you
because growing up like you look and you think like the dopest of the dopest are
think like the dopest of the dopest are
think like the dopest of the dopest are out and they're getting rewarded and
out and they're getting rewarded and
out and they're getting rewarded and they're in these spaces and these limelights
they're in these spaces and these limelights
they're in these spaces and these limelights and then it changes the more money it
and then it changes the more money it
and then it changes the more money it makes the more it changes I had to
makes the more it changes I had to
makes the more it changes I had to understand like those are not our bars
understand like those are not our bars
understand like those are not our bars anymore impact is our bar so the first
anymore impact is our bar so the first
anymore impact is our bar so the first time I went to South Africa in 2012 I
time I went to South Africa in 2012 I
time I went to South Africa in 2012 I made up a little girl's four or five
made up a little girl's four or five
made up a little girl's four or five years old her mom like yo tell her what
years old her mom like yo tell her what
years old her mom like yo tell her what you want to tell her she was like I want
you want to tell her she was like I want
you want to tell her she was like I want to be like you when I grow up I'm in
to be like you when I grow up I'm in
to be like you when I grow up I'm in Johannesburg South Africa I'm 16 hours
Johannesburg South Africa I'm 16 hours
Johannesburg South Africa I'm 16 hours across the ocean and a little girl said
across the ocean and a little girl said
across the ocean and a little girl said that's your gift to the world you know
that's your gift to the world you know
that's your gift to the world you know rap I can't thank you enough man I can't
rap I can't thank you enough man I can't
rap I can't thank you enough man I can't thank you
thank you
thank you I gotta give you your flowers though like
I gotta give you your flowers though like
I gotta give you your flowers though like you've been praising me but
you've been praising me but
you've been praising me but I can't walk this walk alone
I can't walk this walk alone
I can't walk this walk alone you know like it's it takes a village
you know like it's it takes a village
you know like it's it takes a village it takes you like us having
it takes you like us having
it takes you like us having conversations you send in a text like
conversations you send in a text like
conversations you send in a text like you walking your walk like watching you
you walking your walk like watching you
you walking your walk like watching you in chance in Ghana for black star like
in chance in Ghana for black star like
in chance in Ghana for black star like watching your evolution like orange
watching your evolution like orange
watching your evolution like orange shoulder you know I've been I've been on
shoulder you know I've been I've been on
shoulder you know I've been I've been on you since forever but watching like your
you since forever but watching like your
you since forever but watching like your growth like how you use your platform
growth like how you use your platform
growth like how you use your platform your voice you've always been
your voice you've always been
your voice you've always been revolutionary in your music what's that
revolutionary in your music what's that
revolutionary in your music what's that on 16 shots like yeah like I'm a fan of
on 16 shots like yeah like I'm a fan of
on 16 shots like yeah like I'm a fan of my peers and my brothers too you know
my peers and my brothers too you know
my peers and my brothers too you know like you inspire me this is this is
like you inspire me this is this is
like you inspire me this is this is inspiring like thank you
inspiring like thank you
inspiring like thank you cheers
cheers
cheers
amen who said God can't have
amen who said God can't have
amen who said God can't have an afro and gold hoops what kind of afro
an afro and gold hoops what kind of afro
an afro and gold hoops what kind of afro though like a Don King joint or like
though like a Don King joint or like
though like a Don King joint or like Angela Davis
Angela Davis
Angela Davis nah Gil Scott Roberta Flack John
nah Gil Scott Roberta Flack John
nah Gil Scott Roberta Flack John yeah so assuming God is a woman okay a
yeah so assuming God is a woman okay a
yeah so assuming God is a woman okay a black woman of course what kind of you
black woman of course what kind of you
black woman of course what kind of you think she'd be tired of them lying on
think she'd be tired of them lying on
think she'd be tired of them lying on her name anybody tell them to go get no
her name anybody tell them to go get no
her name anybody tell them to go get no delays and trying to prove she God tired
delays and trying to prove she God tired
delays and trying to prove she God tired of dusty ass trying to take away her
of dusty ass trying to take away her
of dusty ass trying to take away her voting rights right women's bodily
voting rights right women's bodily
voting rights right women's bodily autonomy sound like she tied a man to
autonomy sound like she tied a man to
autonomy sound like she tied a man to me
I'm gonna fall in the Vic Mensa show is
I'm gonna fall in the Vic Mensa show is
I'm gonna fall in the Vic Mensa show is presented by text now
presented by text now
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Podcast Summary
Key Points:
The speaker critiques colonialism's long-standing distortion of Africa's size and value on world maps, highlighting how such narratives serve to perpetuate racial and cultural superiority.
Africa possesses vast unexploited farmland, natural resources, and cultural richness, yet is systematically undervalued and misrepresented in global discourse.
The speaker emphasizes the spiritual and cultural significance of African heritage, drawing connections between African traditions, Black identity, and a redefined concept of God as genderless and formless.
A central theme is the rejection of Western religious and societal norms, especially white supremacy and misogyny, rooted in the idea that all humans contain African mitochondrial DNA, making self-hatred a form of internalized colonialism.
The artist Rhapsody’s new album *God Got an Afro and Gold Hoops* is inspired by African experiences and serves as a celebration of Black beauty, resilience, and spiritual connection.
The conversation explores how hip-hop reflects societal issues, including systemic oppression, colorism, and the trauma of racialized violence, while also serving as a tool for resistance and narrative reclamation.
The speaker highlights the importance of Black women’s leadership, strength, and representation, challenging harmful stereotypes and affirming their role as pillars of cultural and spiritual power.
The discussion underscores the need for truth, vulnerability, and self-empowerment in confronting systemic injustice, with music and personal stories as tools for healing and resistance.
Summary:
The transcription presents a powerful critique of colonialism, racism, and systemic oppression through the lens of African geography, history, and Black identity. The speaker argues that for over 500 years, Africa has been misrepresented on maps and in global narratives, leading to its devaluation. This distortion is tied to deep-seated white supremacy and misogyny, which the speaker links to self-hatred—particularly the internalization of racial and gender-based stereotypes.
Central to the discussion is the spiritual reclamation of Black identity, with the artist Rhapsody drawing on her travels to Ghana and African traditions to create a new cultural narrative in her album *God Got an Afro and Gold Hoops*. The work celebrates Black beauty, resilience, and spiritual connection, challenging Western ideals of divinity and appearance. The conversation also explores how hip-hop, despite its cultural richness, has often been weaponized to scapegoat Black communities and reinforce negative narratives.
Through personal stories, historical awareness, and familial influence, the speaker emphasizes the importance of truth, vulnerability, and collective healing. The dialogue ultimately calls for a reimagining of Black identity—one rooted in self-worth, cultural pride, and resistance to colonial legacies. Alongside these themes, the mention of FanDuel and Text Now serves as a commercial interruption, but the core message remains focused on reclaiming agency, truth, and dignity in the face of systemic oppression.
FAQs
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The title celebrates African heritage, spirituality, and self-identity, reflecting the artist's journey of reconnecting with African culture and redefining divine presence as inclusive and rooted in Black experience.
The artist sees Black women as leaders, strong, and beautiful, drawing from their upbringing and affirming their value in shaping cultural narratives and self-expression.
The artist uses 'narrative warfare' to describe how hip-hop serves as a tool of resistance and truth-telling, challenging systemic oppression and offering a platform for Black voices and experiences.
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