פרק #4 - עמיר לב

[Music] [Speaking in Hebrew] [Music] [Speaking in Hebrew] [Speaking in Hebrew] The first thing is to show you the Al-An, the Holy Spirit, the Holy Spirit, the Holy Spirit, the Holy Spirit, the Holy Spirit. This is our podcast, where we talk about where everything begins. We try to understand where everything begins. When we see everything, we hear "Rat-la-li" and that's it. But I always try to show you the most, most, most exciting resolution of where everything begins. Everything, from our perspective, is the very, very bright and the song that lives with music, with songs. Where does everything begin? There are a lot of memories that I remember. I remember from the 1960s when my parents were going to my grandmother's, who was in Cologne, a few months from us. My grandmother and my father, it was a bright, bright country, and I remember when the person came to me on his own, the text of Shalom. And I heard the sounds of the bells, just like this song, and I heard it, I loved the sound of the sound in the salon, it was on vinyl and that. And I heard this song as soon as they came back, suddenly. I heard it on vinyl, I think. Yes, on vinyl. In the salon, you said, didn't you? In the salon, yes, you said one. Who was on vinyl? I think it was Akhi. Before that, the music was also on me, and I heard it and I was shocked, but this thing that came out of you from life, as if I was tired, as if I was asleep, you're not alive. You hear it and it happens again and again. I remember exactly the same thing, I also heard it in the voice of Andrew White. I think it was in the same way. And I was like a person. Where were you? On the way. No, a person on his own, I know. In '76. In '76, I was 62, 14. All the time, even before that, I loved music, I was shocked, I heard it and I was shocked, but this thing. I'm shocked. Before that? Akhi, Akhi first. Give you an example, it's an example that I bring here on the podcast, 'Midei Perek'. My first memory was in Brazil, at home, in the salon, 10 days. It was the song that opened my mind, my heart, and made me understand that there is already such a thing called music. And since then, it hasn't changed me. I don't remember that. I remember that if you come to this feeling, it's also connected to Shalom, it's Shablul. This album by Arik and Shalom, which is here, Shalom Khanok. I heard it and they changed my life. Really. It was before? Yes, it was before. Wow. Of course. The first time Shalom was with me, it was the first time he did it on his own. I heard it and they changed my life. I used to listen to it, and it's already in the age of ten, four or five years, nine years old. I'm sure they were before, but I don't remember that. I'm sure that it was before. I don't even remember when I was in the church, there was a single song there, it wasn't covered in bananas. Shabbat al-Malqai, right? Is there something there? No, I think it's called Kehe, Kehe. It's a song like that. And I don't even remember, if you tell me one more time, I remember that there was a song by the three of them. Bani Amdurski, Shalom and Hanan Yovel. And there was a song called "Mim Loh Elohim". All of their songs were about Russian and Israeli people. The last song was about Levine, which is a bit like that. And there was a song, "Mit Afar Le'arim", "Slagim" or "Bgadim" that they look like. I don't remember that. There's a solo guitar there, I think, by Haim Roman or by Txer Txil. That's even more important. I have an interesting memory. I want to say, I'll say, it's very selective. It's basically covered in one song, "Shalom". And I might go a bit too far, probably, in this part. But that's a bit too much for me. So if you're talking about "Shalom" in text, I'll say "Bakli", "Mityashevli". If you're talking about "Shalom" and "Agasha", then you're coming from another world. Less expressive than "Shalom", I think. I don't know. I think what my parents listened to in classical music, I couldn't explain it. My father, on Saturday, was very well-educated. He was studying at Ram Koleim, in Manif Yadayim. And he was listening to "Rachmanin" from Arsinai. You don't understand that, do you? No, I don't understand that. I could hear it, operas today, I couldn't hear it. Don't you listen to classical music today? No, operas, classical music. How do you hear it? I don't hear it. I don't hear it in my life. Only hear it. I have a few friends who... I'll listen to you. I'll listen to you, you know. Yes. Operas, no. I don't understand. No. And there was a lot of music that was around me, because we were in the background. There was a lot of music of... Arab music. Farid and Abdel Wahab. When there was a melodic music, he didn't try to make music out of it. There was a melodic music, which I had come to a friend, and he was listening to this music, and we were going to Makolet. He was listening to Farid, and we were able to listen to him, and that was the music, like there was a kind of levy, and a kind of arctic, and a kind of food, and a kind of food, that was the melodic music. The first time that this music came into play, it was when Nisim Sarouss, the composer, came out of the hall, one side was not able to sing, the other side was not able to sing. After that, when I came out of the hall, I was able to come out of the hall. And at the moment, everyone was listening to the music, and the one that I don't remember, was already singing, and I think it was a mistake. I don't think there was a chance to sing. And we were listening to the music, "I can't, don't disappoint me, I remember seeing them walking by my side, I remember..." It's a song, like other people know. "I can't, don't disappoint me, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, I remember seeing them walking by my side, The first big one, No, it was in the Galuyeot district, the second big one, and they came to me from Cholon, and one of them, suddenly, the group of friends suddenly came to the ground, in Adran, and I want to tell you, Amir, we didn't know each other for a long time, we didn't know each other, he was talking about us, I don't know where he was, and he was talking about us, no one knew, I was, it was also nice to be with a guitar, with a violin, with a accordion, it was... We were friends, we were friends, we were friends, we were friends, suddenly he said to me, "I don't know about Cholon, Amir, you know who he is, who is he, he doesn't live anywhere in his life, that's all." So, Rekha, did you get four or five hours a day, and did you have a guitar? No. Did you simply get a guitar as this world that Avot Hapnima? No, I couldn't play it, I had to play the guitar. So why do you ask? When did the guitars start playing? Once. Once today? You know me, once, yes. Once in my life, I didn't have a guitar, I didn't have a plan, I didn't have a place, I didn't have a place, I didn't have a place, I didn't have a place, I didn't have a place, I didn't have a place, I didn't have a place, I didn't have a place, I didn't have a place, I didn't have a place, I didn't have a place. So what was your success? I told you, that's what I did with my family, with music. And I also... I found out about you too. And I found out about myself too. It was something that I didn't think about before, but the question was... Yes, people who ask me about music, musicians who like music, you know, they can't play music, so I told them that they don't like it. People, you know, think of me playing music, it's something that I can't do. And it's not so true. It's all in us, in you, you know, in everyone. And it's the same with the professor. And also, yes, the question is, what should I play? Everyone has their own opinion, their own desire, a small family life to play. Yes. And it makes you happy. Listen, but because... because I didn't have a goal, and I didn't have... any plan, I told the truth. It doesn't do the job anymore. It doesn't do the job anymore. It doesn't do the job anymore. But I want to take a moment to... I mean, to take a moment, to see if you're satisfied with the job. It's like we're wasting time. I'm not sure if I'm going to have a family with friends or something, and there are a lot of things. If someone didn't see the super dramatic then it's a great deal for this time. And to get to... what you're learning from the side, in a big group, in a school, a school, right? First you were in the school, then in a school, or a school. It doesn't matter. I was in Amun. No. Amun found me. So that's him. And then... Then I was in NMC, and then Amun told me, "Okay, let's go together, and they'll be really nice to me." They took me and helped me, and I remember that Eddie told me, "Listen, we just want to help." And then suddenly it was in NMC, and then I was in Amun. Which is Gil? Gil 22. I was in the middle of the fifth grade. How did you get to NMC? To Amun. Before I was there. I didn't get there. I was the only one who came to help him. I told them, "How did I get there?" They said, "It was before you asked me." "It was before you asked me." "What did you tell me about everything?" "It was before you asked me." The dramatic thing was that Shai, who was playing the guitar, I would play and write "Shirei Punk." And they asked me, "Me?" "No, no, then?" "Yes, yes." And then Shai asked me, "What did I tell you about that?" "That energy and that." And then they would put up posters in all sorts of places. They would put up Shai's songs, which was really cool. It was very cool. There were also posters in the posters. I don't believe it. And my parents were much more fond of it. They would put up posters and all sorts of things. "Shirei Punk." "The bass was on." "The bass was on." "The bass was on." "The bass was on." "The people were awesome." "They were awesome." And that was it. He was just playing in Lebanon, in Shai. And at some point they sent me a message from someone else and in the car I took a tram and I got out of the car and I read a letter and I said, "What kind of a tram?" "What kind of a tram?" And I got to the bassist who was in the car. He was in the car and I took a tram. And I told him, "I want to go too." And we went to Jerusalem where we had to take the bus to Cholon. And then he told me that he was going to Iraq. And then I got out of the car and I went to Shai's house. Now everyone says "You keep it, you feel it, it's cool." In his house someone brought a guitar, a guitar and a drum. When everyone was in the army one of the friends was in the house. But I think that this scene at the end of the story of his life and I think this will affect him I think that the life situation the situation of the soldiers I do not understand that he brought you a guitar with 10 guitars in it I will teach you three chords and I know that you just need to know that he is going to start playing you know how difficult it is to know how to play the chords and it takes days days, months, years and then you play it and then you are in the last day that you know how it can affect him he is from the army you are there you do not know what to do in life these little things between all the things to do is also to give him a different guitar you can play it like that you can play it like that but if you are in the spirit not in the spirit that is what it was if you are listening to the notes of the songs and things that you played you need to listen to and there is a way I know something like that and then I lived in the city of Frug you moved to Tel Aviv and in the city of Frug I moved or in the city of Magbil or in the city of Frug or what is Magbil in the city of Frug one of the Arabs Israelis? No no, israelis is a different city ok what is there? I saw that Arik is going Arik is going to there and I went to the harbour we went there I saw that in the cemetery it was a place like that under the house and I stood there I stood there like an idiot I remember sometimes in my life I stood next to the Dibby an hour, an hour and a half I didn't go anywhere I stood in the US I stood next to the Dibby there were 20 of you in the cemetery I stood there, someone opened the door maybe I was right and there was this a stand-upist who was a friend of mine he called me he was a stand-upist they were in situations he said "what is it that he came and stood there every time?" I didn't go to Israel he started to stand on me what do you think? I remember he told me once "what do you think it is?" I said to Arik Einstein "what do you think it is?" I saw him and he said "what are you doing here?" so I said "you're going to live here?" and then I had a meeting with Ariel Zilber and I gave him songs and Ariel went to Michael he said to Michael he said to him "I am telling you" so Ariel Zilber told you Ariel Zilber told me I gave him songs we started working on the songs that I wrote suddenly he stopped he told me to listen then I started to listen then I succeeded and he didn't I don't want to get tired I don't want to get tired and then I left and he went to Yadin Danny Yadin he was in the alim he was in the alim of CBS it was CBS and it changed he said to him "who are the songs?" he said "this is a song" "you should listen to it" so Michael contacted me and I didn't know who he was and suddenly he told me where he lived and I stood there and I said that I went to the alim to see where I was outside and he went to the alim like in a movie he was there every day he was with Arik he was in the alim and I was with him and he wanted to sing and he said and Ariel said he will make it and he sent me to Aaron of Zaza in Karavan and Ariel and Aurel Balaban and suddenly they sent me a song that was called "A Kol ke mori" and I was already in the NMC and NMC and Amon were with me and they wanted to see what was going on now many times they told me that I am a musician and I am a musician so I was a bit proud of my friends they didn't like the song they didn't listen to it on the radio but they really liked the song I remember that Ron Deri and all the other people so it was from there it started to start so I on your way I met with you and Shalom and Arik and Michael Tapouach and in the end you made a duet with Shlomo yes because I was in Amon and Shlomo Aertzi and Gidi Gov and Antri and Shalom and and suddenly suddenly I met Sherelei Shlomo? Yes I wanted to write a song together to help me so I said something like that I wanted to hear it I said "no" I remember I said "let's meet first" you know I don't know you I said "let's go to your house" I said "what's that?" suddenly suddenly he came really? we talked I didn't say "no" maybe you are Shalom I said "let's meet first" I said "no" I remember it really because you know that was the way to talk that's how I was in the morning we tried to have a conversation in the morning we sat with them on the text of the song we bought a bottle we had a coffee and I did in his appointment and at the meeting outside the meeting outside the meeting all the time I was just a little inside the meeting outside his meeting that he was talking to him every time about the meeting that was in my hand in the morning I thought "why didn't he take me?" because he was a celebrity he wrote the song and then there were some songs very beautiful I told him "what's the place?" there was one song that he said "let's meet" because everyone was there I told him "I was outside the meeting" I told him "I said let's meet" "I'm not talking like that" I told him "why?" "you didn't hear it" "but you're not like that" I told him "let's meet" I told him "let's meet" he said many times "let's meet" with his friends I did an interview with him "in a way" "to work with you" "it's not about that" "but I really, really" "can understand" "why he's here for you" "and that's what he told me" "to the textual world of you" ok we understood that at the beginning there was Andriks and Shalom a person on the left and after that Shablul Shalom on the left how does that make up this album his language but I think that in a few years from one side you're alone, let me tell you from one side you're so solid and so powerful from the other side there's always a change from side to side and it's a change to the text, it's not a change to the textual world "where did it come from?" what makes up the textual world of you actually look, each one of us you know, sorry, I'm opening my eyes what we did, sometimes I'm confused I remember this today in Diabad, so I think it was a bit in the middle of the textual world from side to side to the textual world wow, that's amazing I really didn't feel it I'm talking about the textual world I remember we talked about texts and that's it, you know today in Diabad I remember what I thought about myself I know what I wanted to do and it's more like in the area of performance to find something that might not be there and I don't know if we succeeded and that's it, you know I think maybe in the middle of the night we simply worked, I was interested and and you didn't like me things that you didn't like, you said that you didn't like me and we learned that sometimes we didn't come to the textual world but we really stood up and said to ourselves "what's wrong with you?" and I said "I don't like you" what do you think about that? well, let me tell you there's everyone has his own world and he's now if you see someone who's angry okay and if you look at the screen that he's talking about he's going from one line to another you listen to what he's saying even if it's very interesting but this thing it bothers you it bothers you this is the spiritual world it's the spiritual world that has one of us that he sees all of a sudden someone who says to me like this every time he says to me "what's wrong with what he's saying?" it doesn't matter the mind is to succeed in speaking the spiritual world because that's where I am that's where I am I don't think but to give the world from you it's very special there are all the different feelings there are filters the filter the only thing that's there it doesn't fit in the others always with someone who's angry because he's in my song it doesn't exist I always took it with me I remember we had a bassist what was it? a bassist who was an oncologist and Aran Porat who plays with Ehrud and Milov and Moshe and Aran Tabib who was after that in "Spin Doctors" in some theater and I remember you were going to "Hadr Chazarod" and we didn't understand the connection of "Shara Lakot" to what they're doing why is it so different from us you know, we're all friends we were bent and bent who's talking about it can't be to reach something better in the music without perfectionism so you don't have to worry let me tell you let me show you I always remember this giga was amazing I said "I'll bring you the guitar" all the time we realized we weren't in the right place after that once after us the request of Sharon Moldavi, how are they called? "Gan Chayot" and we see that Sharon is the mother of the whole development now it's important even of course not everyone can do it you know what I mean everywhere and you know it's just a matter of time because we and always this thing that we talked about before I want to know so in the end the most important thing in writing is to teach the most important thing of authenticity yes, and the thing that I feel it's the secret that you love about what to write "Kahol Ve'arok" "Kahol Ve'arok" is my mother is my mother so for someone who doesn't know who knows a lot about it it's a song one of the great songs that were created here and maybe over there people just don't know to cut it to this resolution that it's a song like that but thank you it's a song of love for them that sounds like a song of love how did you start you got to be a writer you started working on the album was there a difference in everything that we're talking about from the beginning there was a difference because in the end I'm back to the beginning because I've been reading for a long time during this conversation I went to Kodem al-Shai and we listened to the song "Maril" the song was "Mir Curtis" "Zal" "Zal" and on the second night we went there on the second night in the middle of the night "Mir" came to me he said "I'll listen to you" I said "I'll listen to you" "I'll listen to you" he said "I'll listen to you" I said "I'll listen to you" "I'll listen to you" "I'll listen to you" I said "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" he said "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" he said "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" I asked six hours ago that this is the first song The first song after the album After the album Yes, after he told me about it And he told me "I'll listen to you" "I'll listen to you" "I'll listen to you" "You're in this time" "You're there" "You're there" "You opened the door" "You went to the right place" "More" So from there He started to write the lyrics of your song And then In the middle of the road You know there are those who say "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" "I'll listen to you" And then we understand that Alom is also here in the story and also Marik Einstein is here in the story Who do you think is the most intelligent The most intelligent I remember we had a meeting We had meetings around the issue of women's songs Do you have women's songs in your album? What? Why? Is it October? Yes, October is true Women's songs But beyond that, it's not what it used to be It's not the past It's something that has changed I don't remember where it is But there are all kinds of things It's not all kinds of women But it's everything that is not here and not here But that brings this understanding of this space that is just not If there was someone in Ulpan that's what we would have done But it was already It's not the feeling that it's really a great feeling It's not like against women on the surface of your sound It was very It was very And this is the point that you left the word alone and you tell the whole story and there is no story You know, I'm sure of it And you know the place where the song is no one of them can sing the song with me because they're all so big But they're all so different Shalom wrote on the 17th a friend of mine who is a kibbutznik I'm not a kibbutznik It brings him to the end I'm not a kibbutznik I'm a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik I'm not a kibbutznik so it's something that is clear it's something that makes you understand do you find yourself independent for language and for... I'm just, really I'm just to learn for the truth that the truth is a big word yes the truth is what I'm hearing in myself I'm not interested in movies I'm interested in everything a person writes You know, when I come to the meeting when I come to the meetings for everyone there's you know all sorts of stuff all sorts of things that someone does before the meeting which is also interesting because this time you called me and I was asking why are you doing this why are you telling me to do all kinds of things what I have is that a few minutes before that I go to the side and even if I sit with my friends with my friends I'm not talking about the side I have this mantra that I say to myself I'm coming to the meeting I'm coming to sing for them I'm not an actor I don't accept them what I'm saying they're not in front of me, I'm in front of them I'm coming, they're taking money and I'm coming to sing for them that's what I'm doing today I'm singing for them that's what I'm doing now I'm telling you this and I'm going back to it many times four or five minutes if I'm sure I can say it and many times they're recording and they came to sing for me and I'm coming to sing for them and then I'm telling her you take the guitar you're like a home you're a mother and you give it to her yes, but you're your mother your career was opened at the beginning there was a rush and there was a rush and then there were three first albums that you did a good job not in the area of success or failure no, no in the area of your connection with the crowd the crowd still taught you took him some time to teach you right? not necessarily a good job is also a big deal now in order for him to teach you in a mature way he had to he had to be good at it in that context you look super good because you have the way you didn't take the right millimeter left you didn't take the millimeter and of course you have the way and the crowd sometimes comes from here and sometimes comes from here but in some way it's fine but I think that I'm in that way it's amazing because you have a connection that goes with you and that connection it goes after you and after the truth of you it's the worst thing that I've ever experienced in my career is the experience that came to see me did you do it for the first time in the albums that you did in Barbi Yashan the other one was I don't know how many times in a row once a week once a week every Friday one and a half at the beginning it was like this at the beginning I remember that in the first album it was 26 or 28 I came to Shaol and I told him which day is the end he told me and then he asked me why don't you meet Victor after that he looked like Shaol when I looked like he looked like Victor he was shy and he was just the same as the other one he told me that only I would like to do this Victor Shaol only remember Victor walking with a scarf to walk around like that and then and I remember that after after four times when you come and ask we ask to ask them to ask for more what we got after eight, after nine it was like a super group and I remember that we stood at the end of the show and it was like it was a group of people who were laughing at it at the beginning at Shaol with us and I took out the envelopes and shared with everyone we were together after five months the sold-out was 600 we started to bring 600 so I took all the music and they came and I threw it anywhere else because that was the point it's not that Shaol said don't throw it anywhere else only at my house it's a house it's a small land, we talked about it Jerusalem is near not only in the West but also in the U.S. if you see someone who wants to do it so in some way the original recipe was something that made you totally wrong they did it look how good it is at the beginning Shaol and then Ariel Zilber before everyone came and made his tour and then you have to open your door so that it happens you have to fix this and not all musicians know it they understand it a lot of musicians they think your door needs to be closed and whoever wants to come needs to open what I'm saying what I'm saying is that there is something in your recipe that is in the welcoming your recipe is amazing it's amazing the recipe and in the last few years you said it was a very unique very unique recipe and it's a great recipe and that's what you need to know and that came to mind in today's music that there are not many ways to make it from a certain level there is a way and it's always a new way you see music I'm not sure if it's from Sabo's album I don't know if it's from but it's still yours and there is a huge amount of great musicians who think they need to change in the form of a person and they also understand it and they also understand that that's the most important thing we are approaching the end and there is a similar recipe in the end but Tip we always say don't bring me something new I want to make a video about it Tip, music and new music the unique Tip that everything you do even if it sounds good or wonderful it doesn't bother you just use it it means that you are not there you do things you do things and you do things that you are there so you say to yourself actually go to bed not after dinner dinner is in a different place ok, you can go you go to bed you go to bed then what? you go to bed it's a medium like that it's actually written with a letter even if it's a skepticism and this is the feeling that you want that you feel in the letter in the letter it brings us to a conclusion listen, I can tell you I want to tell you there is a big gap for the Israeli culture that exists like you really you need to understand it and know it and say it in every way you know, we really want to say things in every way and that needs to be said and you listen to music and music so you know what I want to say is that you are a great person thank you there is no gap for the moment that you are a great person I saw all kinds of encounters and we made it in the letter I met someone we didn't understand him his songs Amir didn't know about the things that were written in the songs so it's amazing thank you thank you for what you said and of course for your time yes thank you