Sophia Bush reflects on her personal journey of self-discovery, particularly how her time in an all-girls school shaped her confidence, voice, and ability to advocate for herself. She stresses the importance of boundaries in personal storytelling, advocating for authenticity and privacy in a world that encourages oversharing. Bush shares her emotional perspective on breakups as transformative but painful, and discusses how early experiences with gender, identity, and queer culture influenced her self-perception. The conversation shifts to a deep analysis of the film *You Can See Everything*, which dramatizes the real-life story of Elizabeth Holmes and Billy Evans. Bush critiques the film’s portrayal of memory, truth, and performance, highlighting how Amanda Seyfried’s character embodies both artistic conviction and emotional depth. The film reveals the complexity of truth in narratives, showing how personal and constructed stories shape public perception. Ultimately, Bush sees the film’s final scene—a symbolic act of love in cold water—as a powerful testament to the enduring power of human connection, even amid deception and scandal. The discussion underscores themes of identity, truth, and emotional resilience, offering a nuanced take on how personal and collective stories shape our understanding of reality.
Okay, spoiler alert.
You can see everything.
The Nathan Fielder-Lance Oppenheim movie.
If you haven't seen it,
stop listening right now.
That includes our engineer.
We made him.
So if something goes wrong,
just be an ally to him, okay?
Hi, I'm Peyton.
And I'm Hunter.
And this is Let Me Say This from Higher Ground.
Today, we are talking about
You Can See Everything, again,
because we saw it again and see it all.
But before anything. Oh my God, set it up.
Before anything, we're joined by
a little friend of ours.
Why did I say little?
No, like, she's big time.
Like, sorry, she's big time.
I was like, don't. Women shrink themselves.
We teach women to shrink themselves.
Don't do that.
I take it back.
Okay, warm, warm, warm welcome
to Sophia Bush.
Hi, girlies.
Oh my God.
Oh my gosh.
We did it.
We're so happy to have you here.
I'm so happy to be here.
We're all in the same energy, too.
It's like, we've had days.
And I love that.
A few, in fact.
Yeah.
But we're good here.
We're safe here now.
Yeah.
I. Thank you to the fire horse.
Also, if it could just slow down
from like a breakaway gallop.
I could do a casual trot.
Sure.
That's the energy I need
for the rest of the year.
I just need a. Can I ask a brave question?
Yeah.
Horse girl?
I was.
Oh, yes.
Yeah.
I love a horse girl, Batty.
They got a bad rep for a second.
I know they really did.
And I'm like,
they have great posture.
Why are we mad?
Like, we could all learn from this.
Also, I think some of the rep
is deserved.
Like, much like bad reps
for billionaires.
I think it's like the fancy,
bitchy horse girl
who got a bad rep.
And like, okay.
Yeah.
But the, you know,
the rest of us who like
mucked around after school
and literally like
had to muck stalls,
we're fun.
I think we don't worry about it.
We got outfit.
I'm good.
I'm a hard worker.
I love a horse girl hard worker.
Yes.
That was her tea.
Yes, outfit.
Cut to next week,
I'm in full drag.
You just walk in
and you're like,
this is my new identity.
See if Hunter notices.
I would.
They do give like
soft dom.
Just saying.
Horses do?
The boots.
Oh, the boots.
The boots.
Soft dom.
Soft dom.
Soft dom.
Excuse me.
Excuse me.
Excuse me.
Excuse me.
Excuse me.
Yeah.
Yeah, yeah, yeah, yeah.
Hunter's like,
what's that?
Oh, that over there.
And I learn something new
every day.
Okay, we have a question
that we ask everyone
who comes on the show.
Okay.
Do you consider yourself
to be a lover or a hater?
Unfortunately,
I think I was born
to be a lover girl.
I really was.
There's so many things
in the world
that I do hate.
Like, I don't know,
fascism.
Heard of it.
But I've realized
that the root of that,
at least for me,
that kind of sacred rage,
the desire to
stand up for something,
to stand up for people,
to defend democracy
and my neighbors,
it's because I love hard.
Yeah.
So, yeah.
What are you?
I just listened to your
Call Her Daddy episode
and the way that you were
talking about love
made me, I mean,
because, you know,
we go together.
Yeah.
Yeah.
Hey.
We go together.
All my hands on the under
is like, same.
That was crazy.
She's like,
and I am.
But also we go together
because I'm a big-hearted bitch.
Like, on my sleeve.
I know.
We kind of echo
the hater, the lover.
But then we, like,
we rotate.
But the way that you talk about love
is so deeply, like, romantic
and moving and full-bodied
and it's really beautiful.
Thank you.
I, yeah,
I really appreciated it.
It made me really emotional.
Thank you.
Anyway,
that's just me getting that off,
starting off on a high note.
But it did.
That's the lover in her.
I know.
It does leave me sometimes
down the road.
Sometimes my heart's, like,
too open
and then we got to close up shop
a little bit.
I mean, same.
And unfortunately,
all the,
all those mistakes
have been out
in the internet forever.
So that's fun for me.
Yeah, we're going to talk about
a lot.
That's right over there.
But we also want to do
a quick little rapid fire
lover-hater
of teen shows.
Teen movies.
Oh.
Okay.
Well,
oh,
I thought you were going to
The concept.
Oh, sorry, sorry.
The concept.
Sorry, I was like,
which one are we starting with?
There's many.
I've done a few.
Um,
lover.
When they're done well,
I think they're so incredible.
Did you,
did you watch Stirling Point?
Yes.
Love.
Take it up.
Oh, my God.
Everything
that is someone
who was on
a teen show
and did a
teen movie or two
wanted those things to be.
And sometimes I think
they are great
and the genre itself
can be so iconic.
And when it's done well,
I mean, come on,
what's better?
No, really.
I think there's a certain
like affection you have
when you love a movie
when you're a teenager.
When you love a movie,
you had a sleepover
and it's like,
oh, that's it.
You do it your whole life.
Do you remember the movie Sleepover?
Of course I do.
With Alexa Vega?
Is that her name?
Yeah, yeah, yeah.
I've never seen it.
I wanted to have a sleepover
and I said,
let's rent a sleepover
and watch Sleepover.
Didn't they have like a smart car
in that movie?
They drove the smart car.
They snuck out.
I remember that.
Yeah, one of those little cars.
I just remember she skated
and she was skating barefoot
and I said,
women.
Wow.
That's cool.
Interesting.
Do you have a formative
like teen show or movie
that you grew up on
that felt like it really
made a mark on you?
Oh, man.
Size your own, I guess.
Well,
I was very early
on the OG 90210 train
and then I went to camp
that summer.
I was nine
and that's when,
shoot, who was it?
I think Kelly and Brandon.
Had the affair
behind Brenda's back
or no, Kelly and Dylan.
That's what it is.
I'm catching up.
I'm coming back.
Dylan McKay.
It was like a whole thing
and my parents watched
the episode
while I was gone
and were like,
you are never fucking watching this show.
So then I wasn't,
yeah, I was not allowed
to watch 90210 anymore.
I was very upset about it.
I think for me,
I was definitely into
the beginning of Dawson's Creek.
That was a moment.
Great theme song.
It wasn't,
it wasn't teen,
but when I got to college,
my first friend
who was my,
like,
best friend on my floor
was obsessed with Sex and the City.
So I started watching that
from the beginning with her.
So that is burned into my brain
as sort of the next wave,
the collegiate years.
But yeah, I don't know.
It's crazy to have been a part of
a teen show
that defines that era
for so many people
because I'm like,
oh,
I have that
with other things.
Yeah.
Oh, I love that.
It's surreal.
I love that.
Okay, next one.
Love or hater of breakups?
I mean, hater,
they're horrible.
I'm. You love a breakup?
I. Okay, you know one thing about me.
I love a divorced woman.
Yes.
And I think
who you are after a breakup,
it's like you get to meet yourself again.
And I really think that's special.
Like, you have to go through
like a lot of really hard stuff
Yeah.
to make it,
to the other side.
Okay, I'm going to amend my answer.
Okay.
Lover of myself and friends.
Yeah.
Post-breakup,
lover.
But the actual process
of a breakup.
Oh, totally.
I hate.
And I think especially because
when you are a lover girl,
you have to mourn
that this thing
that you really believed
or really wanted to believe
was right
ultimately wasn't.
And it's. I think it can be really devastating
to realize you've been more in love
with potential than reality.
And that is just something I hate.
I wouldn't wish it on anyone.
But you are right.
Yeah.
The light at the end of the tunnel is
then you know yourself better
and then maybe you're even more lovable.
Yeah.
There's a few phoenixes
in this chat right now.
You know what I mean?
I've seen smash, you know?
All the way down.
Yeah.
I guess.
I guess.
I guess sometimes.
Okay.
Lover, hater of all girls goals.
Lover.
Yeah.
I went to Marlowe.
The best.
You did.
Oh my God.
It's all over me.
It's obvious.
Yeah.
I mean, well.
Low-key drug.
Hello.
I feel like. Do you think that it's impacted
the way that you
to like take up space
and like advocate for yourself?
Absolutely.
Yeah.
And when I think about. Because people will talk to me
about my confidence or whatever
and I'm like,
oh, it's terrible in here.
What are you talking about?
Like as mean as you think
the internet is,
like nothing's meaner to me
than me in here.
And I think
that. When I reflect on
all-girls school,
I really think
I'm able to be the way
I am in the world
and I possess the intellect
that I possess
and I speak up
in the way that I do
because of it.
And when I think about
my internal life,
the work I've had to do
to unlearn self-doubt
and self-criticism,
which, by the way,
don't go anywhere.
Now I just am like,
bitch, you're noisy.
Get in the back seat.
I'm driving.
Like I get I never get
to kick her out of the car,
but she doesn't have to. You can make her
put her seatbelt on.
Yeah.
Like she just doesn't
have to be the driver.
For sure.
I don't know
who I would be
without the amazing
freedom and confidence
from an all-girls school.
You know,
that mean to me
me might be in charge
of my whole life
and, again,
wouldn't wish it on anyone.
Yeah.
I remember being upset
when my mom was like. She like cried
when I got into
the all-girls school
that I went to called Marlboro.
So I was like,
I guess I don't have a choice.
I was like,
James,
you're weeping
on the freeway.
Oh, here we go.
Here we go.
But I feel like so much gratitude.
For being able to, like, really, like, know and find myself amongst, like, women I really cared about and informed, like, the woman I am now and, like, are still friends of mine.
And there's so much research about it, too. You know, boys flourish pretty much the same, whether they are in a co-ed environment or not, but girls don't. An all-girls environment gives girls tools and better mental health and better outcomes in their life by leaps and bounds.
And so that, it's kind of an interesting thing for us, I think, as a society to start to look at and try to figure out how to…
Make the space for better outcomes for women in other spaces, too.
Yeah, yeah. Kind of like OG Girls Girls.
Yeah.
Like, I feel like girls and don't girls are really ready to buck up for people.
Yeah. I'm like, where's Hannah and Paige?
But for other girls, I'm like, yeah, come here.
Yeah, when I found that out, I was like, oh, of course. It's all, like, I feel like your advocacy, it's all rooted in you.
I think so.
Like, your ability to, like, shoulders back, titties up, let's go. Let's have an argument. Like, I love it. Oh, I love it.
Thank you.
I'm hearing that my parents made a mistake. I should have gone to an all-girls school.
Sorry. Sorry. No, there weren't any in Oklahoma. If they were, they weren't cool.
Okay, I want to pivot a bit and talk about your memoir.
Yeah.
Which we have a copy of it right here.
Yeah.
So zoom in on that, and I will tell you mine.
There's a quote from the book that I really love.
You said that,
I've learned that not everything belongs to everyone.
This book was never meant to be a ledger of everything that happened.
It was an attempt to understand what happened to me.
And so I wanted to think, I wanted to ask you about how you think about memoir and the purpose of memoir as a genre.
Yeah.
I think what I had to really come to terms with for myself was first and foremost giving myself the space that I inherently give to other people.
You know, you talk about advocacy as it pertains to me.
The first thing I do when I get a spotlight is try to shift it onto others.
And that's actually something that I love about myself.
It's probably my favorite quality.
And I really had to consider why am I so uncomfortable holding this?
Why am I actually uncomfortable being the center of attention if the attention is on just me?
I can stand up and give a speech.
I can help host a rally.
I can go out and doorknock for us.
And what is. And so when I realized there was something kind of in the ether, when I'd been asked to write this book over and over and over again in different rooms and by different publishers and in different spaces, I was like, okay, well, this is starting to get ridiculous.
Like, what am I not looking at?
And I had to think about the books that have changed me in these enormous ways.
And most of them are memoir.
And I. I didn't expect to have that dawn on me.
And then I thought, oh, dear God, the memoirs that shape me and that I revisit really are like, take your whole soul out and put it on a platter and organize your bones for people.
I'm not going to be able to do the. What a gross term.
Celebrity memoir thing.
Where I'm like, and then I booked this job and I went to set and it was cold.
Like, that's not going to be my. They gave me nuts.
And like, you can do that.
And I've read some of those and enjoyed them.
But I like to be in the marrow of a life.
And that was scary because I realized, oh, dear God, I'm really going to write.
I'm really going to write the things down.
And I've not done that.
That was layer, maybe the first two layers.
And then the next layer, when I really was doing the thing, was realizing that there were stories I had to write.
And I had to write the shit out of them.
And I had to write them forensically and go through years of inboxes and text messages and voicemails and things to really make sense of them.
And then when they were out, I had to go, this is not all for the world.
Maybe part of this was for me so I could really, in the deepest way, understand these experiences.
But this doesn't belong to anyone else.
This thing actually would be. It would be good for people if I took almost all my experience out of it and just focused on the details that offer context and then what it taught me.
You know, it's a really surreal thing.
And I think part of the gift of the experience was beginning to understand that while my natural inclination is to be like, you can have everything and you can know everything and I'll answer every question, to go, actually, no, there's a sliding scale here of. This is for me and this is for the world.
This is all I need to keep here and they can have all of this and everything kind of in between.
And all I have to say is thank you to my therapist.
You are worth every non-insurance penny I pay you.
I've never covered it.
The best ones are never covered.
I feel like in a time where we're almost encouraged to overshare, especially in such a digital age, it's really nice to hold something.
And it's a really important lesson, I think, for a lot of, like, especially young people to know, like, you don't have to give it all away.
Don't.
And sometimes before you learn that lesson, I mean, I know this is true for me and you're just participating in the world.
Nobody tells you that what you share out of just genuine openness potentially could be the thing that follows you around for the rest of your life.
And you're like, hello?
No, thank you.
You know, you don't really know.
You know that stuff.
And so I do think given how connected the world is now and how much everything is out there, we do need to start figuring out a practice of what it means to, yes, be open.
You don't want to be like a closed off grouchy asshole walking around.
But how to be an open person while still protecting some of your own personal space.
Yeah.
Your person and your privacy.
Yeah.
That reminds me.
I don't know if you read Carrie Fisher's book of her diaries as she was making Star Wars.
I haven't.
I actually just got it a few months ago.
A friend recommended it as kind of inspiration for the writing process.
And I was like, great.
Yeah.
And then I was like, I don't have time to read anything.
So I just have this giant stack of books I bought myself in 2026 and I've read two.
Well, that's okay.
Like, you've been working.
Yeah.
Yeah, exactly.
There's a really…
There's a really good line in that book that I think about all the time where she, like,
is reflecting.
And she's like 19, I think.
And she's like, I waste myself.
I, like, will give myself to anyone for anything.
And it really…
I read that in my early 20s and it reframed a lot of, like, oh, I'm making a conscious
choice to share my life with people.
Wow.
And I shouldn't…
Am I wasting myself or am I, like, sharing?
Am I wasting or giving?
Yeah.
And sometimes it's so blurry and hard to see, like, which is which.
Yeah.
And make that distinction.
But I'm glad you did with this.
I love them.
I love, like, gifting a book over…
That's, like, me with The Artist's Way.
Yes.
Me with it.
Yes.
You need it.
Here, take this.
But I love gifting a book.
I think it's actually really, like, personal and it's really…
I don't know.
I think a movie rec is great.
I think a book rec, for some reason, is like, oh, you're going to take time.
You're really invested in this, too.
I'm going to say that's funny because I had to buy my own copy of The Artist's Way.
Yes.
And that was part of your journey.
That was part of your journey.
I said, I'm going to find it.
Interesting.
Interesting.
You were like, no, this will be your assignment.
You started 10 years ago as The Artist's Way.
Have you done it?
Is that your tea at all?
You know what's really interesting?
So, one of my friends who is a phenomenal musician gave it to me.
I mean, I was living in Chicago, so this is over 10 years ago.
Yeah.
And I carried it around in my book bag literally for four straight years.
And I kept starting it.
Yes.
And then work would get crazy and I'd be like, oh, I have to start over.
And it really is kind of my white whale.
Yeah.
Like, I've…
I continue to make progress through how far I get into it.
And I've never gotten to the end.
And I'm like, me and this book, baby, we are just…
We're like, we're in the bird spiral.
Okay.
Something that I also wanted to ask about is how did you think about how much One Tree
Held to talk about in the book?
Like, how…
Yeah.
Because that's a part of the book, but it's not the entire focus.
No.
And that's, I think, a really important thing is…
Whatever people know you for in the world is a fraction of who you are, right?
And I was writing a book reflecting on 40 years.
And that was 10 years of my life, which granted is crazy.
It's a quarter of the time I've been alive.
Wow.
And it's just kind of part of the story.
There were times where it was the whole story.
Yeah.
But it's just a part of it.
And so for me, I think it felt really important to…
Yes.
Contextualize certain things I knew I had to contextualize for an audience.
You know, sometimes there's stuff you want to leave out and you go like, well, people
already know this, so I don't get that luxury.
And what felt important to me was also to be able to talk about it in the things that
all these years later are my favorites.
from it that aren't necessarily even things that happened on the show and I think it just
it gives a fuller lens to the pieces of the life that it was if you will but yeah I mean
I'm sure we could do multiple volumes on just stories from set yeah I don't have any interest
really in doing that yeah um so to even to talk about all of us girls and what we were doing
collectively in 2017 you know five years after wrapping felt so special because it
I think it offers people yes information that is probably really interesting but also a reminder
that there was so much more to that experience than just what we were filming right yeah yeah
what was the best part about playing Brock for you oh honestly how much I had
to make myself uncomfortable to play her because in the beginning I was like we can't be doing this
and I can't be setting this example and who is this girl what are we this is not yeah yeah and
and I had to find a way to like her even though I hated a lot of her scenes and it made me I think
more fully human in a way because when you have to push past judge the judgment you instinctively
feel when you read something it it it it helped me work that muscle in my life like it has taught me
that yes I can judge policy I can judge what's not working in the world I can judge systems
but I don't judge people yeah I will I will always hold space to sit and listen I mean granted I have
some red lines like fascist in chief is and I'm not having a meeting with him I'm not having a
meeting with him but you know in in the world I think working that muscle enabled me to be
so curious and it helped me stay open in the way we were talking about earlier
in ways I might not have and as Brooke and I got more similar she made me so much more bold
um Brooke was definitely I feel like um so many people's queer awakenings thank you yeah no thank
you thank you
I'm just like I'm curious if you know coming out later in life we're gonna go all over the place
yeah did you have any moments where you look back and you're like oh I was queer well here's what's
so interesting for me and I think about this a lot obviously but I almost think there's something
harder like when you were like oh there were just no all-girl schools in Oklahoma I think there's
something harder about coming coming out of this and I think there's something harder about coming
out as we know it to be if you are a person who has never thought you were queer or who
who grew up in a place where that was not allowed if you grew up super religious like one of my best
guy friends who is gay and also an amazing author grew up deeply evangelical in Tennessee
like that was not an option for him so there was a lot of struggle I was like madly in love with
my French exchange student when I was 16 I grew up in my dad's photo studio everybody was gay
like my my uncle Jeff's husband did drag as Diana Ross every Saturday night in West Hollywood like
I was like open to it all so in the in the most interesting way speaking of early character
queer awakenings your fandom of John Tucker must die like there were people who who were like
are you sure you want to like do that scene you and Brittany are gonna do that scene and I was
like is everyone dumb like what do you mean we're doing that scene we're doing we're doing the scene
you know I've played queer girls and straight girls and bi girls and gay girls I've done the
whole thing and I've been what I thought was like very open to whatever whomever would come my way
it was never a conversation I felt like I needed to have publicly because it's so
it's so oddly declarative to be like by the way also I would kiss this person like I don't want
anybody to know who I'm kissing in the first place I've let rumors run wild I've let rumors run wild
about me dating some dudes I never dated because I was like now y'all don't know who I'm actually
dating like you know I was like whatever like we've never even met I was like okay I remember
when I ended my relationship with my ex one of my best friends was like here's the thing
I don't think you're bi and I was like
like I'm a 40 I'm a 41 year old woman what are you talking about she's like I think you're actually
gay and I think I think society is so heteronormative and I think you're very feminine and I think you've
you were cast so early as like the hot girl that all the guys wanted to be with that like all all
these guys have tried to be with you and I don't think you like them and I was like what what do
you mean so so for me it was a really interesting thing because I didn't have the oh that's not an
option for me I didn't have the oh that's not an option for me I didn't have the oh that's not an
I was like everyone's an option for me bad bitch behavior but maybe a bar very brooke davis of me
thank you but then I was like maybe I don't want everybody to be an option and so it's a really
interesting thing to to sort of adjust the sliding scale of your percentages and be like
hmm and I I'm also open to the fact that maybe it changes throughout your life I also think
I don't regret many of the relationships I've been in a few um I I don't know what I do know is that
the inevitable thing that always happened was easier to attribute to other things like
oh well it's hard for a man to be with a woman who's famous who's a breadwinner who out earns
him who gets recognized when he doesn't who you know has a bigger name than he does who
like there was so much of like well yeah it would be hard for someone to be with me
which is so annoying because it's really saying like I'm hard to love yeah but culture teaches
women that we are I think I grew up in the time I did in the way I did in the family I did in the
friend group I did in predominantly gay male spaces and so the really interesting thing my mom
when I was like surprise I'm I'm with this woman my mom was
like I've just never seen you more yourself and she was like I I I'm I'm so surprised and not that
you're happy I guess I'm just surprised because you grew up around so many gay people but did
we not raise you enough around around enough lesbians did you not see yourself
being in this relationship I'm like oh all that stuff that just was
well these are just sort of the the difficulties your life presents they don't exist it's not a
slog it doesn't take so much work and yeah relationships are work don't get me wrong but
it's like I feel like I'm doing a like we're doing a project I'm not like I'm not like doing prison
labor with her and like whoa that is different I was like it I think I have the wrong definition
of hard I think what I've called hard for my whole life has actually been suffering or suffering
adjacent and it doesn't have to be that what a concept yeah I was being like wow
oh my gosh um also I wanted to bring up something very important which is our friends Missy and
Steven made this video about raspy girl raspy voice girl and gay guy oh and the way that
besties yeah
it sounds like that's your experience yes in the world yes gay guys flock to your boy and yes gay
women and all people actually I'm gonna say me your boy we gotta talk about the boys yes please
thank you thank you did you read your audiobook yeah oh of course yeah I did it it would be wrong
if you didn't actually no I had to yeah also I love that my publisher was like we've booked five
days in studio for you and I said I'll be done in four and they were like not possible and I was
like I'm an actor I do ADR I have a podcast like I do this is my job I will be I'll be done in four
and I actually finished the book in three days and that's a professional wow that's a professional
dream for them they're like say anything you can read the alphabet and be like that is put that
right there it's you have a beautiful voice did you always feel that way though um or did you even
feel I just put that on you I've honestly always been okay with it I I've sounded like this since
I was about 18 I've always been okay with it I've sounded like this since I was about 18 I've sounded
like this since I was about 18 I've sounded like this since I was about 18 years old yeah yeah which
is crazy you know like you used to get the telemarketer calls and they'd try to pitch me
and I'd be like my mom's not here and they were like your mom ma'am and I was like I'm nine like
what um it was also sad because back in the days of like the avocado phone you know when prank calls
were a thing I couldn't prank call anyone everyone knows it's me like actors loved actors loved the
initial COVID lockdown because they could put masks on and go out and be anonymous not me bitch
people can hear this behind their ass they'd be like hey and I was like oh my god you know
I can't order a coffee
yeah like everywhere my voice gives me away sometimes even if my face has not um but I do
think it's probably why I watched so many Demi Moore movies as a kid and was like that's my
bitch like G.I. Jane was my movie for a time I love Indecent Proposal oh my god that's crazy
but I love it by the way obviously I was like that's my chick like I and I yeah I think she
just made me feel cool because she's got the rast yeah
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I have to give so much grace for like someone who doesn't have a frontal lobe you know what I mean
like the things I've said and done having a frontal lobe and literally being on television
and having every dumb thing you did while your brain was scrambled eggs right here
like memorialized forever I'm gonna say all I had was snapchat and I'm still humiliated
and I'm so like oh my god I'm like thank god my myspace is taken down like yeah I don't know I
think there's a lot of I mean we know now because we're grown adult women but like
to have this real clarity looking back at a moment of like I was doing the best I could I was young
and um feelings are so and you're a lover girl so feelings listen I leave with my heart and
sometimes not on my head I don't know every time yeah every time it took me a long time to figure
out how to get those on the little balance beam yeah completely wait really quickly on on john
I'm curious have you watched hunting wives at all oh my god of course
upset
we're big fans oh it's the best it's so great and it's it's wild because britney is one of my
oldest friends and malin and I have been friends for a really long time and to watch them both
just having it's like the blend of perfect drama and in on the joke camp
I I'll never get over it I love it so much they seem like they're having so much fun together
they are and I'm trying to find out too I'm down to have fun and everyone's wondering
they're literally having the time of their lives okay and I'm so happy wait I need you on I need
you to go on that show please could you imagine yeah you said to her stride you said listen what
I think there's so much you know beauty to be found in the finding yourself in a divorce what's
some of the lessons that you've taken with you oh my gosh you know the most kind of profound takeaway
and I think we could all use this especially in a world that wants to criticize you for everything
you do and everything you don't
and by the way we'll tell you you did and didn't do something at the same time and you're like what
is it to be brave enough to risk looking foolish so that you do not waste your days in the wrong
life is something that I too admire I admire it and anyone who's done it I admire it now in myself
because it's not
flippant and it's not a quick decision I think when you get to the point and there is a day for
everyone where for the umpteenth time the thousandth time the ten thousandth time you say
I cannot do this for one more day but finally that's the day that you really you mean it to
your toes and you actually change your behavior you actually decide to stop thinking it's gonna
be different
tomorrow it requires an immense capacity for bravery and also a real
reckoning with yourself and a real investigation and and patience with grief
because there's grief that comes with it but I also think
I think part of the grief you're carrying is the grief for every day that hasn't been what you
thought it would be or what you've begged for it to be or what you've worked for it to be before
so on the day that you finally put it down it's like you don't have to be sentenced to a dead
thing it's okay to outgrow something it's okay to realize you tried really hard but it wasn't right
it's okay it's okay to leave something that's really unhealthy or abusive and
the day after you put it down is the day the rest of your life starts and it's brave as shit
I'm gonna get married just so I can get divorced let me tell you right now let me tell you right
now someone please marry me right now oh my god I can't wait for Ben Shapiro to get his hand on that
one let's go bitch oh my god that was no that was so beautiful yeah okay well thank you so much for
coming on I feel like this was the hardest way for me honestly
my diary tonight is going crazy my journal's gonna go insane
can I say um and I will tell you mine out now yes out this week and the easiest place for anyone to
find it because you know now there's six thousand places and handles and social things we made it
simple sophiabushbook.com easy and it will take you to your preferred bookseller it will take you
to the audiobook shop at an independent bookstore if you can please and thank you but you know
if you can't I'm not gonna judge the Virgo moon in me loves that sophiabushbook.com
yeah period you can't yeah you can't fuck it up it's easy okay go do it um thank you so much
thanks ladies okay spoiler alert you can see everything the Nathan Fielder Lance Oppenheim movie
um if you haven't seen it stop listening right now that includes our engineer
we made him so if this if something goes wrong just be an
alias I'm not gonna judge you if you can't I'm not gonna judge you if you can't I'm not gonna judge you
I lied to him okay so now that we're amongst friends we can talk about her she her she you
know who a little miss Amanda Seyfried come with your baddie shame truly so there was a point the
first time I saw this movie that I genuinely was like she is the most beautiful woman to ever live
like truly like everything about her face was just so beautiful and expressive
expressive and not like too done you know like just the right amount of like
actress but also like human being yeah so let's set this up so in the movie if you've seen or not
whatever it goes from watching from nathan's pov and suddenly we're we're seeing the first clip
again on a laptop screen who's watching the movie i mean to say i forget and he is like has this
conundrum he's making a movie about elizabeth holmes elizabeth holmes is now in prison her
husband is a fucking idiot so now what's gonna happen he shows the footage to amanda and amanda
is like you know i have like fantasies all playing her again blah blah blah it was like immediately
need them to break up right she said i need them to break up and he's like are you serious she's
like of course yeah i can't see any woman in this position la so then she and nathan start on this
journey together where they're trying to like reenact some stuff but then also like
help her out and she's like i don't know what to do i don't know what to do i don't know what to do
help her out and she's like i don't know what to do i don't know what to do
get access to elizabeth without billy her husband getting in the way yes
let me keep going yeah it was one more thing then amanda says you know i can be pretty convincing
like people really open up to me like very like bats her eyelashes like i'm the most beautiful
woman in the world and nathan is like okay let's go visit billy and try to get him to
let us see elizabeth again yeah a couple quick things i was surprised how long she stayed in
this till the very to the bitter end i thought we were just gonna have a
almost like funny light-hearted meta cameo moment but she is in she's in the weeds
no at some point she becomes like audience proxy slash like co-investigator totally of this um
and also really quickly i need an idea on those chic sunglasses she's wearing in their drive
to see billy her grin when she looks over at him and he's like
she's like does he know i'm coming he was like uh yeah i mentioned it she said
well she was like i feel like i'm undercover yeah and he was like do you like that and she was like
yeah actors are amazing by the way actors are amazing people and i appreciate their work
because you can just see her being like this is a talent of a lifetime like this is character work
like what i'm doing now is so far beyond like um reading words on a script what i'm doing now
is i'm i'm livening the flesh and when she sees billy she goes you're tall and i mean well there's
interesting things to think about billy we'll go to that later um but she's like oh my god i'm
how did you feel about her presence in the film i thought it was similar i thought it was going to
be like you know kind of a one scene and done like her just watching and being like wow wish i could
help you guys but i can't um but then just the way that she and nathan bounce off of each other
their chemistry together like both sexual and just like friend chemistry i think is so cool
um but also i think that she i think that it adds like the meta narrative of like if you're making
a movie about elizabeth holmes or if you're just even thinking about elizabeth holmes you have a
because you know she's a pathological liar you know she's like a kook you know that she has
those big blue eyes doesn't blink red lip dark eye whatever and we see how amanda has like built
a version of elizabeth in her mind that she thinks she knows her has like insight into her what she
does but then every time that like insight is challenged by the real woman or like her real life
it's funny to watch amanda sort of start to see the real elizabeth
but then also revert back to her impulse and instinct about elizabeth because that's kind of
where the movie ends right is that she's like i believe that she you know is i feel bad for her
but like she is a liar like she shouldn't be in prison you know a woman in prison is sad a person
in prison is sad but she did do all of this stuff and nathan is like well she says that she was
bullied in prison because of the dropout and she's like no she was bullied because of her own actions
yeah you know what i actually did i listened i started to listen to her and i was like oh my god
to listen to the dropout podcast that the show is based off of and so one we'll go back to that
because i was like oh shit yeah she guilty um so cut that shit last week and i was like like hold
on i've been put up in that i can say free her and i can say she's guilty she thinks of me true
once well i don't know um but i will say like you were despised already but it really is interesting
to watch amanda grapple with her own involvement her own
artistic endeavors and the way that she even actively is engaging with this narrative like
live on the scene like not just the work she did and it's out and the dropout is just a show and
i got paid and i'm over it yeah like her interrogating the way like when um when elizabeth
is like you know i can't amanda's show or like i can't believe she i don't want that to ever happen
to me again someone to portray me without like essentially my consent while amanda is live
portraying her technically with her own actions and i'm over it i'm over it i'm over it i'm over it
without her consent in nathan's doc it's it's so funny and meta to watch her work that out in real
time and then to watch her kind of almost switch a little bit when she gets defensive at the end
she gets defensive because in the very when they start talking about the recreation when they're at
when she's like with her horses and like that that goat is tooting or whatever yeah something
she says is like you know people will believe it's me because like i like you know that was
fiction but like everyone believed it but then when they did come back at that last scene which
was very phantom thread by the way
by the fire and he is like well she feels like because of your portrayal of her that's why she's
being like bullied in prison she's like well that was fiction yeah and that sort of like having it
both ways i think is like artistically so interesting but also the human question of
can i am i more devoted to my idea of you than what's actually in front of me or than what
you're telling me is really interesting on something else that i thought about um upon
rewatch is
how amanda i mean she just i know people are like oh she can't win an oscar because like this is
documentary but in those especially in that final um recreation when she's in prison and her lips
are trapped af a24 put me in touch with makeup artist um she is so good she's so good and it was
like chilling to me amanda safe read the way that she has elizabeth holmes gate down to a t her
kind of stalking sensibility yeah hunched shoulders her tech neck it is so it is fascinating i know let
me sit up straight hold on uh it's so you can't not believe it's her you know what i mean i'm
watching her being like yeah you convinced me you're elizabeth holmes yeah you did you are her
you're a tether that's what you are yeah i it was really yeah i'm i loved her involvement and i i
had a debate with someone almost of like is it was it right or wrong it's like that's so beneath us
like conversation it's more of like um how interesting for us as a viewer to also something
that was fun for me when i re-watched it was this idea of like manipulation of memory like whose
memory do we get to trust uh who and what memory can be and how fickle it is just to be alive and
then when we were talking about yes her trauma but um i'm not saying what's that tweet that you
referenced that she created uh theranos as a trauma response to her rape yes that's a tweet there's a
i think movies with like laura dern about sexual assault oh the tail the tail yes fantastic and
you know the scene where she's like recreating her sexual so oh it's really good she's like
recreating the sexual soul or like remembering it and it changes over and over based on the memory
that she thinks she has versus maybe what she was told she had and i thought that of i felt a
version of this when in real time nathan would make edits to be like actually that's not what
she said it might have been oh to the script not something yeah so or the idea that she was like
even the new york times conversation of the character i created versus a character
that you you or they created yeah and so it's like who whose memory do we trust and it's so
fascinating fun to to not know sometimes yeah well i think that is why i've seen a lot of people
say that it's like this is not journalism or this is like kind of cosplaying investigative
journalism and obviously i'm like well duh it's not journalism this is not a question this movie
is not about like is she a liar did she do it yeah she is and she did but it's more of like
how far is she willing to take this and how i truly believe that she is lying but like we'll
convince her that she's not lying completely because there was even a moment when she is
explaining the chemistry of the device and i'm working on a hung up post about this like all
the questions and i was like this is what i would ask her after this movie has come out because
it's like okay so if you had the device but the device didn't have the like chemistry capability
of making all these tests then why were you running tests on a siemens machine
like this is so like stupid watergate like duh there's so many it's more about like just the
strangeness of this person and also how many lies there are about her i was like looking through
some old i don't know like archival stuff about elizabeth holmes and there was a theory that
her eyes weren't really blue
and i was like wait are her eyes blue no they're totally blue like people are like she's wearing
blue contacts all the time and like her childhood photos have her show her with brown eyes and like
that's not true at all yeah but it's like when someone lies so much and they're so like convincing
in some ways um just they're not even what they're saying but like their self-regard can make you
almost trust them yeah yeah i'm gonna i'm gonna pivot yeah um i do need to say something
Goes out to the lovers out there.
If you know, you know.
Obviously.
Billy Evans
and Elizabeth Holmes
are bad people
they're wrong
they
they're fake
but when
Elizabeth Holmes
was like
so
our interpretation
of God
me and Billy
our interpretation
of God
it actually isn't God
it's love
um
that was real as fuck
and I'm gonna say
who was that
actually saying it
Amanda
that was another creation
that's how powerful
she was
yeah
it really like
genuinely moved me
I was like
of course
that's what I'm saying
that scene was so good
but also
do you wanna
I wanna say a word
about Billy
saying that
Elizabeth believes
that like
she'll be remembered
most for their love
which
devotion
yes
and monuments of love
they're building monuments
of love to each other
um
which is completely crazy
but also like
that is effectively
what's happened
because I watched this
and I'm like
they are
I'll be your shotgun rider
till the day I die
till the day I
die
if I say 26
Bonnie and Clyde
and the way
wait also
so many like little things
on rewatch
that I forgot
Billy being strapped
at the meeting
he'd be like
oh I gotta carry a gun now
cause you never know what's up
and where
what did that meeting take place
camera pulls out
at a WeWork
WeWork
everything wrong
goes down at a WeWork
know that
including me getting wasted
in 2019
it's like the Robert Pattinson
nesting dolls of scams
like
oh my god
the Enron
the WeWork
the all
I was like
oh there are levels
to this show
yeah
the theater started cracking
do you think that
Billy is
gay or just
a cuck
or like
what is going on with him
I've
tried to forget
the scene
where we just see
actually
everyone is so gagged
about that flaccid penis
scene of him in the shower
and like how long
we stay on it
but actually
it was more disturbing to me
the scene right before it
where he's at the gym
like doing like
hip thrust
and grunting
in my face
like
that
what do you think
that's like
that's all about
well
I think
on rewatch
I was just so
it was kind of funny to me
that it's like
this is such like
a shower
in the home of someone
with small children
because like the shower
has like toys in it
and
yeah
kids
bathrooms
like they
they play with toys
in the tub
whatever
but it was just
such a reminder
that like
these are two crazy people
who are also like
forced into this like
sort of domestic drama
of playing
of being parents together
and the parenthood
part of it is
you know
really really sad
obviously
because she's about to go to prison
and she's like breastfeeding
but still the fact that
these two people
are raising kids
with an iguana on the table
a monitor lizard
whatever
sorry to misgender
but whatever that thing is
the python in the back
what the hell
it was
it was really
yeah
okay so
one of my friends
said that he
has a friend
who went to MIT
with Billy
and I was like
I'm so curious
what Billy's ambition was
because he seems like
such a wife guy
in the way that like
he needs a woman
to like give structure
and shape to his life
because who would he be
without Elizabeth
nothing
he'd just be like a rich kid
yeah
but in that way
I think that he's also like
they're both
they're both like
marionette dolls
for each other
in some way
and I'm gonna say
the real and true
and brave thing
what
which is that
Charlie from Girls
completely miscast
completely miscast
completely
and who should it have been
I think we have different thoughts
with
Armie Hammer
okay I hear that
I see that
he said me too
he's like I'm looking for a job
his Jamaican friend
just entered the room
but I also
hear me out on this
Jesse Eisenberg
hear me out
I think something in
specifically
Billy
when I think about Billy's
very likely
cocaine addiction
and when
and the speed
in which he talks
well at that point
Justin Timberlake
Justin Timberlake
like let's just bring
let's just bring in
Mac Daddy
I just have all three
it just changes each time
that would be so funny
it would just change each time
because like
who is this man
you know
fucking Billy Evans
um
fucking Billy Evans
like I know him
but I don't know why
I was like I could see
I mean again
I don't know
I don't know this man
but like
I do know
a lot of
gay guys that do cocaine
and some
that use different drugs
that I won't mention right now
and I was like
and that's him
and that's how Sue sees it
because
you know
Billy
I saw
you mentioned at 11
oh yeah you do coke
but you said
it wasn't a strip club
it was 11
it was 11
Nathan is like
what are you talking about
now
you're rambling about
like it's more of a performance space
or people are performing
yeah it's like
they have strippers there
but like they're more dancers
and I want to just say
to let our audience
in behind the curtain
imagine me
sitting passenger princess
in our combo with Teffy
you guys talking about 11
and then that very week
we go so you can see everything
and I'm like
11
11
it's 11
in the theater
it's like
look he went there
to see me
yeah
imagine
me and Billy Evans
at the same nightclub
nightclub
not strip club
yeah
and something I noticed
is I started counting
the seconds
in between
when he would blink
there's so many moments
when Billy wouldn't go
without blinking
for over 7 seconds
well
no one blinks in that family
it's just like
they nod there
it's something
it's so odd
it's very Clovis
if there are any
v-pads in the room
um
I
want
to
sitting on the corner
to
I do that
like just
when Hunter's like
mad at me or something
just so she knows
I'm on her team
v-preference
anyway
um
do you
think
about the
New York Times
quote controversy
oh wait
there's an update
I didn't know that
what is it
can you tell me
basically
um
the New York Times
the writer
who wrote that story
is only with the Times
but they did an interview
with her
and she was like
we
everything that
every conversation we had
was on the record
this was a conversation
we had while
I was walking with Elizabeth
we were walking their dog
um
"and she had said this
and
the whole article
if you go back
and reread that section
especially
it's about
the performance
of her playing
this
like
uh
business
girl
basically
and how
Sunny Balwani
um
her boyfriend at the time
the
co-chairman of the board
or vice chairman of the board
if Theranos
um
would want her to like
not get in a lot of sleep
to
lower her voice
to wear the turtlenecks
like all of that stuff
was Sunny
trying to make her
into someone that like
men would take seriously
um
right
and so in this
the whole article
is about like
building that character
that's not really her
which is why
the quote
controversy
it's like just her
putting a finer point on it
but the whole story
is ultimately about that
which I think is interesting
but on rewatch
they're reading that story
in bed
Billy and Elizabeth
and Billy is like
you would never have said
you didn't say that
and she's like
yeah I would never have said that
um
which I think
is largely a play
but I do think
in some ways
that the
um
Nathan makes a point
that it's really important
if you guys have audio
which they claim
that they have audio
of every single moment
that you know
if
if you have audio
this is really important
to the documentary
because that will
you know
could exonerate you
from telling this one lie
but then I also think
in a different way
that moment
that same like kind of
structure comes back
whenever Nathan is like
I
you know
Elizabeth hates that photo of her
and Billy's like
no she doesn't
and Nathan's like
wait no she said that
in our conversation
he's like no she didn't
I don't remember that
whatever
it's like that's how
fucking
that's how much of liars
they are
liars unless they don't
remember their lies
can't keep up with their lies
literally
and it's like oh
everything that Nathan said
why the New York Times quote
was important
is why
that photo conversation
was important
because she was weeping
sobbing
getting her full body scanned
to read her books
to read channels of her books
but it was actually just
so Billy could
parrot her to investors
whatever
um
and it's like
oh so they are also like
A. inconsistent
liars
they don't even have
their own stories
to write with each other
they just truly
I don't
it's unreal to me
yeah
how did you feel about
the final scene
of Nathan
and Elizabeth
in the water
jumping
through the crashing waves
together
the way we were
if I could sing
I would sing it
the Barbra Streisand song
oh oh oh
I thought you were
like doing a bar
like a bit
or something like that
like
no not a bit
just how I am
that's true
that is how you
are
what did you think of it
did you
did it strike you
as romantic
with your big big heart
of course
yeah
of course it did
when
in the cold water together
and
I don't really
there's just
something about
the two of them together
makes me believe
in
love
really
well that's
that's kind of
I really like the
WeWork scene
because it's like
it feels like
a romantic comedy
it feels like two guys
like duking it out
over this woman
yeah
but I really think that
I think that's
I think Billy's a cuck
I think Billy's a little gay
I think he's a cuck
and I think he is
on cocaine
yeah I also think
he got jaw implants
and that's why
that's why
part of why his
jaws were so swollen
I thought it was
heroin
but
well at least right here
at the very least
but
there's probably a ton of things
yeah
yeah
but
yeah I don't know
something about their
connection was
so
I wonder what the card
said to her
that he wrote to her
when he gave her
her final gift
to
before she went to prison
oh
yeah
well also
I have this written down
in my notebook
but
in that scene
which I counted the seconds
it's 28 seconds
that they're
that they're waiting
when like
that they're having eye to eye
right eye fucking
you could say
eye making love
and
he
she's just like nodding
the whole time
which is like
oh wow
and he's just like
okay
okay
okay
and then she's
does she say something like
you can do this
or something like that
yes
I'm like girl
you're going to prison
and you're saying
you can do this
to the man
and he was making a movie about you,
That's kind of love.
So that's going to be love.
Hey, universe, I want that.
And I said I wanted that last week
and everyone, look, look, knives out.
I didn't say I wanted him, for the record.
I said I want that kind of love to find me.
Not the prison part,
but I want to be imprisoned by how much I love somebody
and how much they love me like that.
But the Nathan Fielder stuff,
no, we both will be watching Nathan for you.
I'm keeping my hat so I was like this too.
We were watching Nathan for you.
That is a goofy dude in a way that I'm like,
girl, Hunter hates a trick, a bit, a roast,
a little joie de vivre.
No, but I remember one time Hunter got all strange
about being like, oh, I couldn't deal with goofies.
Just too goofy, he's got too much going on.
Nathan Fielder though?
He's not that goofy.
It's like more, it's like we're laughing together.
No, bro.
I'm with her, listen, but I'm not with her.
The baddest bitch you know right now being like,
yeah, Nathan Fielder.
This group, this group of girls are going to kill me.
What did I say?
He's a curious man and they're a dying breed.
Hunter was like, earlier she was like,
oh, like he asked so many questions.
I was like, imagine how many questions a woman asks.
Now imagine that.
Is there just one?
What are you trying to do?
Nathan Fielder.
I would say Nathan Fielder's a bit Tig Notaro.
We're wrapped.
We're done.
I'm done.
I'm actually done.
I'm done.
I'm getting, I'm done.
Let me say this.
Let me say this.
Hi, I'm Nicole Phelps,
Global Fashion News and Features Director at Vogue
and co-host of the Run Through podcast.
Each week on the show,
our listeners get an all-access pass into the world of Vogue.
On Tuesdays, join me as I interview
influential designers like Calvin Klein,
Rachel Scott, and Simone Bellotti.
On Thursdays, join Chloe Mao,
head of editorial content at Vogue US,
and Choma Nadi, British Vogue's head of editorial content,
as they explore fashion through the lens of culture
with guests like Doja Cat and Margot Robbie.
Listen and watch the Run Through with Vogue
wherever you get your podcasts
and Vogue's YouTube channel.
Podcast Summary
Key Points:
Sophia Bush shares her reflections on identity, growth, and the impact of all-girls schools in shaping her confidence and self-worth.
She emphasizes the importance of personal boundaries in memoirs, advocating for authenticity over oversharing and protecting one’s privacy in a digitally connected world.
Bush highlights the emotional power of breakups as moments of self-discovery, though she deeply resists the painful process of ending relationships.
Her experience with all-girls education and early exposure to queer culture influenced her openness to identity exploration and self-advocacy.
The podcast explores the film *You Can See Everything* (about Elizabeth Holmes and Billy Evans), analyzing its portrayal of manipulation, memory, and the performance of truth.
Amanda Seyfried’s character in the film is portrayed as a complex, emotionally intelligent force who navigates reality and fiction, challenging viewers’ trust in memory and media.
The film critiques the idea of truth in storytelling, showing how both real and constructed narratives shape perceptions of people like Holmes and Evans.
The final scene symbolizes a romantic ideal—emphasizing love, resilience, and emotional connection as powerful forces even in the face of deception and scandal.
Summary:
Sophia Bush reflects on her personal journey of self-discovery, particularly how her time in an all-girls school shaped her confidence, voice, and ability to advocate for herself. She stresses the importance of boundaries in personal storytelling, advocating for authenticity and privacy in a world that encourages oversharing. Bush shares her emotional perspective on breakups as transformative but painful, and discusses how early experiences with gender, identity, and queer culture influenced her self-perception.
The conversation shifts to a deep analysis of the film *You Can See Everything*, which dramatizes the real-life story of Elizabeth Holmes and Billy Evans. Bush critiques the film’s portrayal of memory, truth, and performance, highlighting how Amanda Seyfried’s character embodies both artistic conviction and emotional depth. The film reveals the complexity of truth in narratives, showing how personal and constructed stories shape public perception.
Ultimately, Bush sees the film’s final scene—a symbolic act of love in cold water—as a powerful testament to the enduring power of human connection, even amid deception and scandal. The discussion underscores themes of identity, truth, and emotional resilience, offering a nuanced take on how personal and collective stories shape our understanding of reality.
FAQs
Sophia Bush believes all-girls schools profoundly shaped her confidence and self-expression, helping her overcome self-doubt and develop the strength to advocate for herself in the world.
She identifies as a 'lover girl' at heart, deeply moved by the idea of standing up for what's right, but acknowledges that breakups and personal struggles can be painful and emotionally devastating.
She recalls being deeply influenced by the early seasons of *Dawson's Creek* and later by *Sex and the City*, which left a lasting impression on her as a young person.
She is a hater of breakups, especially because they involve the painful realization that love was based on potential rather than reality, though she sees them as opportunities for self-discovery.
She views memoir as a deeply personal act of honesty and self-discovery, emphasizing the importance of protecting one's privacy and sharing only what serves personal growth, not public exposure.
She believes in being open and authentic, but stresses that this doesn't mean oversharing—true vulnerability is about balance, and she values protecting personal space even while being emotionally available.
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