This iHeart podcast blends health advice, lifestyle recommendations, and cultural commentary, centered around the theme of personal authenticity and informed decision-making. A key focus is on injectable preps, where the host stresses that not all options are the same, urging listeners to consult their doctors and ask about lifestyle compatibility, side effects, and medication reactions. The conversation is enriched by recommendations from Veve Healthcare and Quince, which offer accessible, ethical health and fashion solutions. John Waters, a celebrated filmmaker, shares how his formative years as a beatnik influenced his artistic rebellion and embrace of "bad taste." He reflects on the cultural significance of films like *Hairspray*, which celebrate self-acceptance and resilience. The podcast also explores deeper cultural themes—such as the evolution of humor, film, and social norms—through personal anecdotes involving famous figures, music, and fashion. From the rise of queer culture to the politics of taste and authenticity, the discussion emphasizes that true connection comes from vulnerability, curiosity, and shared experience. The show concludes by encouraging listeners to embrace their individuality, challenge societal expectations, and actively participate in shaping their personal and cultural worlds.
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Everybody who's considering injectable prep, listen up.
Not all injectable prep options are the same.
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What about other meds and injection site reactions?
These are some questions.
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In the meantime, visit getprepwisdom.com.
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We've been talking about Kewpie Mayo for a minute now.
And wow, so many of you already love this stuff.
And if you're thinking,
wait, what is Kewpie?
Do you not have the internet?
It's the OG Japanese mayonnaise.
The one with the red cap.
What makes it different?
Egg yolks.
Kewpie is made with egg yolks only,
giving it this rich umami flavor
that elevates everything.
Chefs use it.
Restaurants use it.
Where chefs work, of course.
Food and flavor lovers use it.
You haven't tried it yet?
Well, find the red cap
and see what everyone's talking about, why don't ya?
Kewpie.
The original Japanese mayonnaise.
Kewpie.
Look, man.
There.
Oh, I see.
Wow.
Oh, my.
Bowen, look over there.
Wow.
Is that culture?
Yes.
Oh, my goodness.
Wow.
Las culturistas.
Ding dong.
Las culturistas calling.
Welcome to the cavalcade of perversion.
Oh, I'm so excited.
I'm wearing my Seth Bogart merch for our guest.
Yeah.
This is what they sold at the Academy Museum.
Which, come on.
Which was--
18 rooms.
Oh, my God.
How are you up on the--
Because I did my research.
On the exhibit or on the museum?
Did you see the exhibit?
I did indeed go to the exhibit.
Oh, it was fab.
You went?
Yeah, I did go.
Amazing.
It's a major day.
And also, I feel like the spirit of the guest
was on the New York City streets today
because I'm walking down the street
and I'm wearing sort of a jacket that I didn't realize
had holes in it.
And so medication I was holding in my jacket
fell out, just beta blockers.
Felt like anxiety meds fell on the street.
Yeah.
And a woman ran up--
a crazy woman with like a pin, like a clothespin,
ran up and said, do you need a clothespin?
And I was like, what?
And she goes, for your hole.
And I was like, OK, today is the day
John Waters is on Los Angeles.
Oh, my God.
Because a woman just ran up to me with a big clothespin
and offered it for me to have for my hole, Beau.
For your hole.
I was like, if this isn't a John Waters film--
Absolutely.
It would need to have been a lot bigger, I think.
Everything would need to be more outsized.
For your big hole.
Did you pick up your meds?
I got them.
Don't worry, everyone, we're OK.
This is so wonderful.
He just celebrated his 80th birthday.
Happy birthday.
He's on his Going to Extremes tour.
He's going to Fire Island for the first time in a minute.
He sure is.
You're going to see him at the Ice Palace.
He's now part of the, I guess, turf war,
if you want to call it that, between Fire Island
and Provincetown.
But he's a P-Town guy.
Oh, yeah, you are kind of like showing your cards there.
Wow, I don't really know what else to say.
He's my favorite director ever.
I've said this on record.
I had a hard time picking between Female Trouble
and Multiple Maniacs in the Criterion Closet.
And what did you choose?
I chose Multiple Maniacs because it's
the most shocking movie still of all time to me
because of what Ming Stole and Divine do in the church.
If you know, you know.
Oh, my god.
And I was watching Serial Mom on the Plane
yesterday for the first time in years,
and that is a perfect movie.
It sure is.
Perfect.
Perfect film.
Yeah.
It's-- oh, my god.
And I had a sex dream about--
Johnny Depp.
Johnny Depp.
Today, not even from Cry Baby.
No, I had a sex dream about Matthew Lillard.
Well, that's just going to happen.
That's just going to happen.
But he was like-- he had like a dark beard,
and he was just all muscly.
I love the Lillard.
I love the Lillard.
Well, he's my favorite.
He's here.
Everyone, please welcome--
John Waters.
Thank you very much.
And happy birthday again.
Thank you.
I know my birthday-- my god, it was so overhyped.
The people were yelling happy birthday to me
on the subway, strangers.
What more could you ask for?
What's the appropriate level of hype for your 80th birthday?
Well, I did 59 shows on the road last year,
but I did nine birthday shows.
No, eight, I think, in like 10 days or something.
So it was-- I was--
I'm a carny.
I'm on the road.
But the math works out.
Eight shows-- no, what is it?
Well, I think it was seven or eight in nine days.
I forget.
But I did them-- I was every day doing a different city.
It was great.
But you don't-- but I
feel like you maybe-- you're a little bit
allergic to like overpraise, right?
And this is mostly what this podcast is.
Well, no, I'm not.
I'm just used to-- I built a career on bad reviews.
Now when I get good ones, I'm shocked.
I take them with no irony.
Like when the Academy Awards had a museum,
how would that ever be possible that that would happen?
You weren't checking for me before.
But it was so great.
It was wonderful.
Amazing.
No, I don't feel like Janis Joplin when she went back
to her high school reunion after she was famous.
People were still mean to her.
Yeah, yeah, yeah, yeah, yeah, yeah.
They were still mean to her?
Yes.
No one could give a fuck.
Which is kind of funny.
She thought she was going to go in and be like,
ha ha, showed you.
And they were still hateful.
Hi, ugly.
Basically, they didn't say that.
They didn't say that, but they acted like that.
Yeah, they felt it.
They thought it.
But are people still mean to you from back in the day?
Never.
The people that were mean to me then didn't matter.
We put them in the ads.
We put the bad quotes in the ads.
Yeah.
And then-- but then you'll never--
we would never put the good quotes now
in anything necessarily, right?
Oh, sure we would.
We would put them on when my screenplay books came out.
But we did publish on the back, the only quote
was from the New York Times for "Desperate Living,"
which Criterion is putting out in 4K--
Let's go.
--very soon.
But the quote was, "You can look far and wide,
and you'll never find--" but you could look far and wide
to find a film this ugly, but really, why would you?
That was a New York Times quote, and that's
on the only thing on the back of the screenplay book.
That's wonderful.
Some of the bad reviews are written the most elegantly,
I feel.
You know what I mean?
It's like sometimes people just--
Well, then bad reviews matter.
Today, it doesn't really hurt you that much.
Or does it help?
Critics don't have the power they used to.
Like it used to, if you were an art film,
you got a rave review on the New York Times, it was a hit.
Yeah.
Today, it doesn't mean it's a hit.
If it's the bad one, it's still a bomb.
Right.
But then our friends-- we have friends
who have made what I think were immediately
considered future cult classics.
Our friends Josh Sharp and Aaron Jackson made a movie
called Dicks the Musical.
Yes, I saw it, yeah.
You did?
Yeah, yeah, definitely.
Starring Bowen as God.
But the thing is, a cult classic is the worst thing
you can say when you're trying to get financing.
That means five smart people liked it, and it lost money.
Serial Mom was a failure when it came out.
Was it?
And the executive that-- he doesn't care
that it's a hit 20 years later.
He was fired because the movie didn't make money.
Right, yeah, that's all that matters.
Do you keep in touch with him?
No.
I bought a house with the money he gave me.
There you go.
He got something out of it.
He lost his job, but he wouldn't have been happy.
No, but he was fair.
And it's just like, my movies are weird.
They test it.
They go to Mid-America to test it.
Why?
Why?
That's not where they're going to play the best.
Yeah, but you know what?
The person that needs those movies in Mid-America,
thank God they went out and tested there.
They get to say, I got to really find my freak.
But now it's a different world.
When I go everywhere, my audiences,
if it's in Iowa or New York, they're the same.
They're smart.
They dress well.
They've seen every movie.
Because you don't have to go anywhere anymore.
You can stay where you are and make it better.
Yeah, 100%.
I feel like there is something about maybe hairspray doing
so well, that's like the punkiest thing you ever did.
It's the most devious, because it's snuck in.
It plays in Florida in grade schools and nobody bitches.
Two men sing a love song, encouraging interracial dating.
Racists even like it.
They're so stupid.
Wow.
Yeah.
So I was reading that you were initially--
were you shocked by the PG rating?
Or were you just like, I can't believe we made something?
No, I was shocked by it, just because it was divine in I.
And then New Line at the time was shocked, too.
They wanted me to put the word shit in so we'd get a PG-13,
at least.
I said, no, let's keep it.
That's the shock, that it is PG.
Yeah, this is the race we're running.
Because I even saw Hairspray for the first time
in the seventh grade.
Well, that's fine.
So there you go.
Perfectly should see it at any age, that movie's fine.
I think it would get a G today.
Yeah.
You would get a G today.
But I just remember it being-- because I
think that was my first technical exposure.
And it was when they're playing--
it's when the woman's holding the sign up that says falsies.
And I was like, oh, there's something
different about this movie.
And I--
Criterion is putting it out now.
But we have the side, the scenes that were cut out,
where Tracy's mean, where she's mean to the kids
that work in the drug shop.
She gets a hickey in the car and says,
hope he doesn't have blue balls, and breaks into Amber's house,
reads her diary, and dyes her hair in her own house.
Stuff that wisely got cut out, because it
goes so far away from the nice girl that Tracy was.
Right.
But now I want to see the movie of alt-Tracy.
Yeah, of alt-Tracy.
Hairspray in the other dimension.
Do you and Adam Shankman still keep in touch?
Yeah, some.
Yeah, definitely.
So Matt's in an Adam Shankman film now.
Oh, good.
Which one?
The Stop That Train.
Wow, great.
It's going to be really fun.
It's really fun, it's real, I mean, it just,
forget about a time when movies just went for the fucking joke in every single scene that's what
this is yeah well i'm looking forward to it i'll pay to see it that's what you do for your friends
you pay to see it the friday night it opens in a theater absolutely it's exciting to be excited
about a movie coming absolutely but on that note it's like what like the dicks the musical thing
as it came out as they it screened at tiff midnight madness people were like this is a
future cult classic and then and like you say like josh and aaron were like but wait a minute
we wanted this to be like a current now a future cult classic means it bombed yeah yeah and it
it will take like years of fermenting or whatever or a patina or something you can't make a cult
movie happen i mean i remember when mommy dearest after it came out they tried to make it a midnight
movie but what why did not drag queens go to the melania documentary dressed as her and shout out
stuff like rocky harr wouldn't that have been the
most hilarious take it back from them so great it would have been well republicans have female
female impersonators it's drag yeah it's it's a gender it's just their women underneath i can't
believe what the drag show that happens at every republican event now well they all look the same
they all look like elderly porn stars yeah yeah yeah but i do fox whenever i go on the shows
they're nice to me and i sell so many books when i do fox it's amazing wow yeah are you seeing where
the sales are coming from
like no i mean i don't care you know if they bought the book it's certainly not encouraging
what they're saying and they were nice to me on the shows i don't have any trouble but all the
everybody that works there looks the same yeah yeah it's a little odd hot you know women that
look like i don't know people said to me did you ever go to jeffrey epstein's what would i do
pussy island i would be hiding under a desk it would have been no i didn't go there no shared
interest
do you feel like you have this air of respectability now as you walk yes i'm so
respectable i could puke i said that at the academy awards museum yes but it's great it's
nice it's not i'm not i don't take it as revenge or anything i think it's just things change
yeah at what point did things become cult classics to you in terms of certain films and i know that's
a dirty term and when pink flamingos came out right away it became a midnight thing so i could
tell then it was working
and that was totally by audiences we went to each city at a separate time it did one city at a time
this was before video before uh internet or anything so you'd go to a city would start one
day a week then two days three days four days so it took two years for pink flamingos to open around
the country but is there a rolling timeline with like hairspray doing great as it comes out but
then like but then like crybaby and then cereal hairspray was a hit for real yes yes baby was
definitely not
but then was there this like delayed sort of like push of like cryberry then become that then becomes
a cult hit and then cereal mom becomes a cult like like do you get what i'm saying yes but i've never
gotten profit participation from crybaby or cereal mom they've never broken even wow wow
interesting but that cost a lot of money yes yeah of course i was wondering about just because you
had you talk about building a career on bad reviews etc they accumulate and then suddenly
you're working with johnny depp on crybaby and he was truly like you know leo before leo like the
the marquee idol does a star at that level seek you out because he liked your work i went to him
you went to him because i knew he was like justin bieber at the time he was on the cover of every
teen magazine but he hated that image stick with us we'll get rid of that yeah yeah we'll fuck it
up a little bit yeah the same way patty hearst made a movie with me she was sick of being a
kidnap victim you just want to change changes i
went to a big uh big fancy dinner where she was honored and the man sitting at her table i said
how do you know patricia and he said well she robbed the hiberian bank which i owned
and he paid five thousand dollars to have dinner with her she robbed his bank well when she was in
the sli i mean she didn't think it up she didn't know where the bank was but still i mean it's
amazing how things change it's the same way as what me getting picked by the national registry
picked pink flamingos as a great american film what was the scene in that
screening that made him decide that do my balls mama i mean what line the singing asshole i'm
trying to think what particular i would think both of those things well maybe but that means
they've got a pretty good sense of humor they place that movie above the graduate
that was variety oh that was a hundred best comedies and i was there with charlie chaplin
it was hilarious because when variety when the movie first came out we got one of the best bad
reviews everywhere from variety and they later said that they were wrong which was very funny
and i love variety i
been reading it since i was 15 years old do you remember what they initially had said oh yeah the
most beyond it out the most disgusting film of film history something really good yeah something
very declarative and perfect marquee wasn't yeah it wasn't pussy footing around yeah no no no direct
communication i we you have to know i think i think i even told you this when we first met
but um at like almost every other show at snl or every table read we tried sarah sherman and i would
try to write in me as any character any old character screaming no gator no no gator no
from female trouble edith yeah that's edith yeah and every lauren just like frowning at me being
like what are you why are you screaming what is this from why one of our great screamers it's i
and just sarah sarah and i bonded for the first time because we each had female well that was in
sarah's show recently i know it was great did you watch the whole thing of course and when am i gonna
host saturday night live i don't know that would be genius you would be wonderful you've lost your
in the crew i could write it's the only time i could ever write with somebody else oh my gosh
i'll i'll come back for that all right good and you can do edith i can do edith wait i i've always
i've i've meant to ask because i think when when we met was right before leslie van houten got paroled
yeah i don't talk about that i don't talk about that i don't talk about that i don't talk about
that anymore because i'll tell you why and i get why you ask there's no such person anymore she's
never going to talk about it again she's vanished it's over yes because because and and this actually
goes back to what you're saying about um everything changes like even something as like
completely immoral and dark and awful and inhumane about what she was involved in and what she did
well immoral when you're 19 and meet the biggest madman on his but she never blamed him she said
it was her fault for making him a cult leader so all i'm saying is uh i just don't
talk about it anymore only because it's over he's dead it's not over for the victims and nobody's
saying that you know i don't i get why the victims you cannot ask for forgiveness if they give it
it's amazing like charlie kirk's wife the next day she did say she forgave who did it that is
christian it is christian for better or for worse well i'm just saying it's hard to do that i'm not
picking sides uh if somebody killed my mother could i ever forgive them that's a that's a
really amazing thing but i'm not talking about that i'm just saying that she was paroled correctly
and she's out there's no such person she's never going to talk about it's over it's done and
there is like um and you as a storyteller can understand like the the ending of something
like the resolution of something where you're like there's nothing to talk about there isn't
it's the story's been told many times a terrible story and uh what point would it be for her to
talk about it there's no point i i
completely understand i just was always so curious especially because it's it and we're
not going to talk about it anymore but it's like oh it's it's over it's done and like you wrote
such a beautiful essay about thank you and i think that the la times editorial we should it is time
for her to live amongst us again made the governor not turn it down yes so the paper that made it
the most notorious case in the world also amazingly and i believe correctly
ended it and i think through her you really looked at your own sort of obsession with
oh yeah i apologize for a lot yes yes yes yeah and now true crime i mean when we made serial mom
that was a joke on but now true that was before true crime was as popular it is and now serial
mom it looks like oj it was before oj even but it wasn't even meant to be prescient was it you
were just kind of doing something well i was parodying true crime definitely yes
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Time for some prep wisdom.
But first, some common sense, people.
Everyone is different.
Every one.
Yes, even you.
Yes, even your situationship.
Especially your situationship.
And just like people, injectable prep options, not all the same.
That's why you need to talk to your doctor and know what to ask.
So here's some prep wisdom.
Did you know there's more to consider about long-acting injectable prep options
than how often you get it?
Also, why you want to take it matters.
Your lifestyle matters.
Your routine.
Your chaos level.
Your I-might-forget-my-own-birthday energy.
All of it counts.
Basically, talk to your doctor.
Have the conversation.
Ask the questions.
Be a little nosy about your own health.
It's allowed.
Encouraged, even.
Okay, did you write all that down?
No?
Don't worry.
Just head to getprepwisdom.com to learn what to ask your doctor.
That's getprepwisdom.com.
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Do you talk to Kathleen Turner still?
Of course.
We're great friends.
She's one of the greats.
She just played Gertrude Stein on stage.
Oh, really?
Oh, wow.
See, I gotta keep up with Kathleen.
Kathleen Turner, like, that's a signature presence.
Oh, Kathleen's great.
Good friend, funny.
She doesn't suffer fools, but she's smart as hell and a really good actress.
You can tell.
Yeah.
All right, so we have to ask you.
You have your. I've become prepared.
Your preparation here.
Yeah, yeah.
And that is perfect.
We have a question that we ask every single person that comes on the show,
and that, sir, was what was the culture that made you say,
culture was for me?
These early influences that made you, when you really look back on it,
become John Waters or start?
There was one culture only, and that was being a beatnik.
When I read in Life Magazine about 10 years old,
I wanted bongos.
Day-o, day-o.
Yeah, yeah, yeah.
You know, I went to coffee houses where they had poetry.
I wanted to wear socks.
I wanted to wear sandals, dirty sweatshirts.
Your feet out.
The girls with black nylons with seams in the back and turtlenecks.
I still wear turtlenecks to this day because of beatniks.
Poetry.
Oh, coffee houses.
Yeah.
Interracial couples.
Yeah.
Howl.
City Lights Bookshop.
North Beach.
Allen Gisberg and his boyfriend, Peter.
That was the first queer beatniks.
Junkie.
William Burroughs.
A junkie queer on top of it.
Oh, wow.
Leroy Jones.
I always loved him.
And Maynard Jones.
And G. Krabs from Dobie Gillis, the first beatnik.
And Malcolm Sowell, the most famous beatnik in Baltimore, who was the star of my first movie.
And I just had my first poem published in The Atlantic last month.
Come on.
Now, I'm officially a beatnik.
You're a beatnik.
You made it.
What was your first sort of exposure to this culture?
Life Magazine.
When I read about beatniks.
Yeah.
Life Magazine corrupted me.
I read about junkies, homosexuals, beatniks, everything Life Magazine covered.
And every family got Life Magazine.
Yeah.
Wow.
Was this what led you to your first LSD trip?
Certainly.
Beatniks became hippies.
Hippies became punks.
And still now, I'm a beatnik.
I went back to being a beatnik.
Right.
But what was. Pia Zadora in Harrisburg is a beatnik.
Yes.
And reads Howells.
And Allen Ginsberg was mad.
And I had to. He was pissed I asked him if I could use it.
Were you. Because how old were you on the first trip?
The first acid I took was in 1964.
It wasn't even illegal until 68, I believe.
And they used it in a mental institution for alcoholism.
And my friend worked there.
And he stole it.
And it was. Oh, he was. It was Sandoz acid.
It was so strong.
Was it really?
It was stronger than. Yeah.
And I never. I did it a lot then.
And then I stopped.
And then I did it again for my book when I was 70 years old with Ming Stoll.
We took acid again.
And we hadn't in 50 years.
It was still good.
It was still good?
I'd only tell old people to take it.
Not young people.
Stupid.
The 60s are over.
Because now when your family's concerned when you're old, you say,
I'm not having dementia.
I'm tripping.
Yeah, I'm just vibing.
And that's the last time.
Yes.
I would need to never do it again.
And it was no, like, microdoses these young pussies take.
I know.
The little spray you see that people have.
This was taken from Timothy Leary's asshole.
Oh, my God.
It was the best acid I ever took in my whole life.
So I did it for the first time at the tender age of, like, 27.
And I still feel like I have holes in my brain.
So it wasn't a good experience?
No, we were not together.
It wasn't good?
It was a great experience.
I still have a fear that I just have, I took a melon ball to my head.
And I'm like, am I less of a person now because of that?
He's so much smarter now after it.
I think you're probably better.
Although some people I took LSD with went crazy.
They became drug addicts.
So it didn't do that to me.
I'm not saying that it's for everybody.
No, of course.
And if you ever see, even Bill, who was the head of AA,
who invented it, he wanted people to take acid.
Have you ever seen it online when he said, can you see it?
That's, like, the one people in AA don't exactly agree with.
Same way Freud was wrong about cocaine.
He was right about a lot of things.
And penis envy is making a comeback.
Penis envy is making a comeback.
That's a rule of culture, number 30.
It's the whole look-smacking thing.
Like, yeah, like, I connected to that.
It's like there's, like, this need for male approval in, like, right-wing circles.
Well, it's also now.
Them told me that when you go home with somebody now, you don't know what you're going to get.
They said, whatever it is, it's politically correct to call it a bonus hole.
It is?
A bonus hole.
How do you talk dirty?
Get that bonus hole.
You get your special.
You get my bonus hole.
Talk that dick, cocksucker.
I don't know.
It used to be shut up and blow me.
That was the best porn title ever.
Shut up and blow me.
Yeah, but that's politically incorrect.
You can't say that.
Is it?
I did a photo piece of that headline, and all women bought it, powerful women for their
office.
Yeah, good.
Which I loved.
No, I love when we get a suck my dick from a woman.
Yeah.
I mean.
Did you ever, did you watch Heated Rivalry?
Which, oh, yes, I did.
So that, I feel like, is appealing mostly to women.
To women, it is, which is amazing to me.
And I always heard, and I asked butch lesbians if this is true, and they said yes, that butch
lesbians like to watch gay men's porn.
I don't get why.
Literally, my therapist is a lesbian.
She, every session, without fail, brings up Heated Rivalry.
Heated Rivalry to the point where I'm therapizing her.
I keep being like, so you've brought it up again, and I just want to ask.
They're not supposed to bring up their personal life.
But the thing is, I'm just like.
To get your money back.
At a certain point, I'm like, because she always relates in an interesting way.
But she is a lesbian who's into Heated Rivalry.
But that's not hardcore.
That's softcore.
You're going to watch it.
And I asked why, and they said they want to have the big dicks themselves.
Exactly.
And I'm imagining, I guess.
I don't know if that's true.
Penis envy?
No.
Well.
That's a form of penis envy.
Envy for a cis woman.
Size envy.
I don't know.
I think it has to do with safety, to be honest with you.
I think it has to do with watching a love and a sex that has nothing to do with you.
And therefore, it's kind of like, I feel detached from it.
And it's kind of nice.
I think that's why so many women are fanatical about Heated Rivalry.
Not to say that gay men aren't.
But it's different.
There's like a passion towards the show.
Yes.
Good.
It's a new audience they didn't count on.
No.
And I love that.
And I bet the test screenings didn't predict that.
No.
And did you watch Hunting Wives?
No.
See, that was a lesbian Fantasia in Texas.
No, it's so hard to turn on the TV that I have to have three assistants there to help me.
Or I'll be duct taped to my bed.
That, it's, I, I need, I need the same.
I don't, I don't, I barely know how to work the remotes either.
I yearn for three channels, rabbit ears and tinfoil.
Because so many, it's so hard.
It's too much.
And the Sonos update, when I get them.
And I have to go to a mental institution.
I, I, I, I, I have three Sonos camp.
You're not allowed to say that anymore either.
No, yes you can.
Mental, I don't think you can say, is that politically incorrect to say you're going to a mental institution?
You can say send me to a mental institution.
Oh, I'm on this show.
Then this show is over.
If you can't say that, we're ending the show.
We can't.
How about that?
I still say I, I need to be institutionalized.
And I, sometimes I do feel that.
It's a munch house.
Well, Betty Davis had the best line about that when they asked her about Faye Dunaway.
She said, she belongs in an institution and I don't mean marriage.
My favorite Betty Davis quote is, um,
Someone asked her, how do you get into Holly when she goes,
Yeah, yeah, that's great.
That's things she learned.
And there's always the famous one.
And I do take Fountain, and I always think of that when I'm there.
She lived on Fountain at the end.
In a condo, she did, I think, yeah.
Favorite Hollywood star of all time?
Lana Turner.
And I'm still friends with her daughter Cheryl,
the most famous juvenile delinquent in Hollywood who killed Johnny Stompanato.
And I had Thanksgiving dinner one year with Cheryl,
her lesbian girlfriend, Lily Tomlin, and Lana Turner, and myself.
How do you find these bank robbers?
Do they come to you, or do you find them?
Well, Cheryl was very famous.
If you look back on that case, it was one of the most famous cases in the 50s.
And in one of my books, I said I wanted to meet her,
and her hairdresser read it and showed her, and she called me.
Wow.
And this is just a lesser version of what you've probably understood,
is that through this, we'll mention one thing or one person,
and it somehow finds its way to them.
And I'm like, that is dangerous.
I feel like it does not necessarily,
it is not necessarily a force for good for me and my mental health.
Because it gets, well, I've always said the only person left I want to meet is Eminem,
and he still hasn't called me, and I've said it for two years.
Why? What's the deal?
I like him.
What do you think is his deal?
I'm all for him. Good.
Maybe he's better than me.
I highly doubt that.
It's because he was-
He's not homophobic.
He gave Elton John and David for the wedding matching gold cock rings.
He's-
He's not homophobic.
He's not homophobic.
But is that part of the fascination for you?
Like that he was so rampantly-
No, I just like his record.
And I used to go to this redneck bar in Baltimore,
where it was all white guys dressed like black rappers hung out.
And every time I'd walk in, they'd play Puke by Eminem as a tribute to me.
Oh, wonderful.
So every time I'd walk in, they'd be like,
and I'd go, hi, and I'd sit down.
So it was just a personal thing.
So did you get the Eminem of it all when he had first come out?
Because I think as young gays,
hearing him on the radio say things like faggot and like, you know,
like whatever, like stuff like that,
I think it bothered us because we had our guards up.
But you at that time-
It didn't bother me.
Hearing his music, it didn't bother you.
It didn't bother you.
I thought it was like-
You were entertained.
He was just causing trouble like we did.
I don't know.
Because it was just a white person being a rapper was so new
and people hadn't seen that.
Right.
And it was over the edge.
But no, I always liked him.
Yeah.
You love something or someone who chafes something.
Who does something first and changes how we think.
How we think about them.
Yeah.
Which he did do.
Yeah.
Absolutely.
Puke.
You can play the record.
Maybe you can play the record at the beginning of the show
or put it under me.
We'll put it under.
It'll score.
Blend it.
We will just mix it in.
Lightly throughout the episode.
Yes.
I think we can make it happen on the show.
Eminem, if Eminem's team, people are getting this,
what would you like that encounter to be?
Where would you want to be?
What are you guys doing?
Oh, just in private so we're not exploiting it.
Of course.
You know,
come to Pete's house, Eminem.
I'm just a friend for them.
Yeah.
Yes.
They'll love you.
Sing puke to me, please.
Croon puke.
And this is something that you cherish, right?
Like you don't want these interactions to be for public consumption.
No, no.
And if he wanted to talk about, you know, it's just the kind of thing.
I have met almost every famous person I ever want to meet.
And I'm not bragging, but just I've been doing this.
I'm 80 years old.
I've been doing it for 50 years.
And that's thrilling.
It's exciting.
And they like to meet.
You too.
It's fun.
But at the same time, I have great friends that are not famous.
Many of my closest friends are not famous than I've had for 50 years.
And I don't trust people that don't have old friends.
Absolutely.
I feel like I'm now getting to the point where my old friends are college friends.
But I feel like I did a full hard reset once I got moved to New York.
I feel like Matt's really good because he grew up in Long Island, relatively close.
You still have a connection to those people that you grew up with.
I'm still, I'm still.
But Facebook friend, that's not a friend.
No, no, no.
You have to work at it.
You have to go out.
You have to.
You have to get your hair done.
You have to make, see them in person.
You have to go to their house.
It's not just that.
It's easy to do that.
But to be a real friend is work.
Yeah, it is.
And I, what's that, what's that they say?
Like discomfort is, is a, is a friend of community.
Like in order to like really maintain community, you have to just make yourselves a little
uncomfortable sometimes.
Like maybe you haven't seen someone in a long time.
Get out there to dinner and go see them.
I tried to see my old friends at least twice a year.
And then, you know, it's funny you say college friends are now old friends.
That was technically half our life.
I know.
Like, which just feels like it went by like that.
But you know, I've known you half my life.
I've known you.
Yeah, that's crazy.
That's kind of wild.
My best friend is Pat Moran, who's won, you know, she's cast all my movies.
She cast The Wire.
She's won Emmys.
Wow, wow.
We met because we had the same boyfriend and I've known her for 60 years and we've talked
every single day for 60 years.
So was it hard having the same boyfriend at first?
Not really.
No.
They're both dead and we're friends.
Who had him last?
I'm not going to say that.
Who had him best?
I'm sorry.
I really admire.
This is the thing that I maybe took for granted is that you do have this wonderful protectiveness
over information and people and lives.
My personal life, nobody knows.
Interesting.
I mean, I don't hide it, but none of the people, none of the boyfriends I have.
I want to be in the process.
Exactly.
And yet you're still, you're still, you're still known.
You're still in the Agora.
You're still like, it's, I do find it.
You, you were also my first exposure into what P-Town was.
Yeah.
This is my 63rd summer there.
I was going to ask.
Yeah.
So you've seen it all there.
Oh yeah.
I used to be friends with Norman Mailer.
I worked in the bookshop.
I waited on Robert Motherwell.
I, you know.
You worked in the bookshop.
The premise on bookshop was my main job.
The old one where the porthole building is, is the pot shop now.
It's now across the street.
Yeah.
But I worked there and I worked before that for Molly Malone Cook and Mary Oliver before
she was famous.
Mary Oliver.
She was my boss and she was huddled on the back in a peacoat acting crazy.
Wow.
But that's when I, I thought she's turned in her grave when I had a poem published.
Oh.
No, she was my girlfriend.
He's a beatnik.
I was with her when she won the Pulitzer, when she got her award or whatever award she
got Pulitzer, I think.
And so I knew him forever and I worked in both the bookshops there.
That was my education.
Yeah.
Did you ever do those?
Because now that you have those artists residencies and those shacks on the beach.
Yeah.
I don't want to be out there.
We took the, um.
You know, it's fun for an hour.
I'm not lugging water out there.
No, there's no plumbing.
You shit in the sand.
No, thank you.
No, thank you.
We did like the, the, the Jeep tour out there.
That's good.
I couldn't believe how far out.
No, it's great, but I'm not lugging my stuff out there.
No, no, no.
Certainly not.
Not you.
Have a coyote come shit on me.
At this juncture.
No.
I'm saying like you.
You, uh, you still, you still expose yourself, but you are protective of others.
Yes.
Yes.
I don't tell dirt about people that don't want it.
No, I never do.
I never say mean things about people.
I learned a long time ago because then I sit next to them at a dinner.
Literally.
Yeah.
It doesn't matter when.
Yeah.
Yeah.
And I think, okay.
And thank you for bringing this up because I think this is what Matt and I have learned
because we used to kind of speak a little too freely on this.
Well, then you don't know.
I've had to sit next to.
I've had to sit next to your critics who gave me terrible reviews.
They're uptight too.
Yeah.
And they're nervous to meet you.
Well, they don't want to sit next to me at dinner.
It's an irresponsible host that puts you there.
Or it was a devious host that was doing what they want to do.
But I'm fine with it.
Yeah.
Yeah.
Well, you can handle whatever.
You can handle whatever.
Um, I feel like there is this, you, you've, I have Mr. Know-It-All, which I bought in
Boston.
Um, I have my hard copy with me.
If you will sign it later.
Of course I will.
Thank you.
But it was that way.
It's not like he asked me to change the flat.
And I have a flat you have to change.
Which I couldn't do.
If I had to change a flat tire or die, I'd have to die.
Yeah, that's the thing.
If I had to open the hood of my car or die, I'd have to die.
So have you always chosen partners that this is a thing they can do handy?
They can all do it better than I can.
Right.
Yeah.
We've had, we've had conversations here with other, with gay men of all, of all stripes
who are like.
All persuasions.
All persuasions who are like, if, if I'm forced to do anything manual, like I, you
know, I choose to.
No, if the grid goes down, we were set like a couple of friends of ours.
They're, they're talking about getting guns for when the grid goes down.
Well, you know, there is gays against guns, which I'm for, but then I saw somebody with
a shirt on and said, give fags guns, which made me laugh too.
That made you laugh more.
Yeah.
I don't know.
Well, these gays are like, when the grid goes down, we're both getting guns.
I'm like, babe, when the grid goes down, I'm out of here.
I'll shoot myself in my leg if I have a gun.
You're never the only one that said that.
I've shot a gun once.
A biker, a straight biker I know, took me in his Cadillac limousine, broken down the
thing, and we shot machine guns in the woods and it was fun.
Your first gun was a machine gun?
Only gun.
First and only gun.
Listen.
With a real biker to a straight guy I knew.
And you, so you knew him enough that.
Well, he invited me.
Yeah, sure.
And it wasn't like to, no, I blew him.
Yeah, yeah, yeah, yeah.
It wasn't like that.
No, it's just machine guns in the woods.
He's in one of my movies.
He's in Desperate Living.
He plays Eater.
He has the line, you can suck my real hemorrhoids, you fat pig.
That's his only line in the movie.
Only line in cinema.
And what year was this that you shot the gun?
77.
Okay, so at that point you'd already like given guns, you'd already used guns in your
films.
In Pink Flamingo, that gun that Devine's shooting is a real gun with real bullets in it that
just the unit photographer happened to own.
We had no safety people.
I don't know.
We're lucky, you know.
Yeah.
I mean, there was nobody standing in front of him when he shot it.
Sure, sure, sure.
Devine certainly was not pistol safety.
It's not one of his top things.
at the time.
And did you have
an intimacy coordinator
on that set?
I always imagine
when an intimacy. Do you mind eating shit?
Is that okay?
An intimacy. How do you feel
eating the shit?
And even in my last movie,
A Dirty Shame,
all the extras
had to make out
and hump with each other
for hours every night.
They didn't know each other.
Of course.
They just started laughing.
I read a thing
about Pasolini's Sala
where they were
underage and nude in it
and they said,
we had the best time.
When he'd say cut,
we'd just start laughing.
We had the best time.
What I will appreciate
intimacy coordinators,
let's say on Pink Flamingos,
they would have said,
this is how I would eat shit
just so you have a way in
and you don't have
to second guess it.
Did you ever work with them?
I've worked with one.
And what was the scene
that they had to advise you on?
Right.
So you're going to love this.
It was just two guys
making out at the club.
And I was like,
I've had experience doing this.
Was it a stranger?
It was. Was it an extra?
It was my love interest
in the movie.
Oh, so it was someone
that you work with every day.
That's just called acting.
Right.
That's stunt work, maybe.
But they did give
actually good blocking camera.
Well, that's different than. Not a lot of tongue.
Not a lot of tongue.
And I think this was something
that I maybe. I appreciated that knowledge, right?
And I think I wasn't. I obviously would never wish
an intimacy coordinator upon you.
I would never want you.
They'd run.
They'd run.
They'd just run.
They would run.
We had, for my last novel,
my only novel, Liar Mouth,
have to give it to a sensitivity editor.
And she never called us back.
We could never find her again.
She quit.
She didn't exist.
No, there was.
It was a famous one.
And she was a big editor.
And she refused to respond
after we sent it to her.
But then it got published.
Yeah.
So then it was fine.
I had a great editor,
Jonathan Galassi,
who had faith
in his own thing.
Maybe she was like,
if I were to impose sensitivity on this,
it would lose what makes it special,
so why would I do that?
They never think that way.
They wouldn't have a job.
Yeah.
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Every one.
Yes, even you.
And just like people,
injectable prep options?
Not all the same.
Your routine.
Your chaos level.
All of it counts.
Ask the questions.
It's allowed.
Encouraged, even.
No?
Don't worry.
One thing,
just to speak on
the intimacy coordinator,
did you use it for Fire Island?
I used it for Fire Island.
Not really, no.
But my thing was
a thing where I was like,
the character was drugged
and in a sexual situation.
So then it became a thing of like,
she was just kind of
administering safety on it.
But I do think
it's wildly different
when it comes to like,
it depends what your film is depicting.
Yes.
The intimacy coordinator,
I hear the conversation
about it happening.
I think it's a really
fascinating conversation to hear
when you speak to filmmakers
who have been working
for a long, long time
this sort of like,
confusion towards it
and now it's so industry standard
that I just wonder
how that rubs with people
that have been working.
I hated filming sex scenes.
I never liked it.
It's embarrassing.
Because it's awkward?
To me it is.
You know, like, do this.
You know, I just want
to make them comfortable.
But I mean,
in Pink Flamingo's divine,
really gives head.
Yeah.
Was that real?
Yeah.
Wow.
And to a straight guy
and he started laughing,
they were friends.
He didn't get hard.
But he had to yell,
do my balls, mama.
One of the rudest lines
in the movie.
One of the rudest.
Do my balls, mama.
Imagine the intimacy coordinator
on that.
Do you mind saying that?
Yeah.
So how I would say it is.
Go ahead.
No.
No, I was doing.
I thought you were going
to give me a line reading.
Right.
Do a line reading.
It's just do my balls
in the last one.
I was going to land mama.
Do my balls, mama.
Good.
I did my audio books
of all my screenplays
came out
and I play every role
in all six movies.
So it's,
and I had to yell
do my balls, mama.
I'd look over
at the technician
thinking, Jesus,
I hope they were prepared
for this.
Because when you're reading
your own book
and it's dirty,
it's more mortifying.
It sounds filthier
when you read it out loud
than when you write it
or read it.
And then like
with that much time passing,
you're like,
oh, I didn't realize.
I know.
Well, certainly those lines.
You can't like now
I can say fuck
on national network television,
but I can't say fat on PBS.
And which would you rather say?
Both.
Fat fuck.
Both, of course.
You'd rather say fat fuck on Fox.
Yeah.
I, okay.
So Mr. Know-it-all,
I think,
was that where you coined filth elder?
Maybe.
I don't remember.
Yeah, I did call myself that,
but I did not call myself
the Pope of Trash.
William Burroughs.
William Burroughs did.
And all those other titles
the press made up.
The only thing I ever called myself
was a filth elder,
which is not exactly bragging.
But do you love Pope of Trash?
Sure.
Because William Burroughs said it.
It's like being anointed from God.
Of course.
I have that shirt too.
I have the John Warner's
Pope of Trash shirt.
Wait till you see the new stuff we have.
There's new stuff.
Have you seen the cum rags?
The John Woodard's cum rags?
I'm the only celebrity cum rag.
And we have puke bags.
Not for long.
I'll get in there.
And puke bags we have.
All through Seth Bogart's company.
And he did these,
but we have a whole new line.
Wait till you see
what we got coming out soon.
I framed the puke bags
from the 50th anniversary screening
of Pink Flamingos from P-Town.
Yeah, we were in P-Town for that.
That's right.
That's where we met.
It was one of my favorite nights.
It was my first time in P-Town.
We were seeing the 50th anniversary
of Pink Flamingos.
They were showing Fire Island
at the film festival.
Yeah, it was Fire Island.
We saw it, yeah.
But Filth Elder,
do you feel like
there are filth protégés?
Do you feel like
there are a bunch of filth?
Sure.
I mean, there's young people
that don't imitate me.
They're the ones that do.
I don't like the work.
They're just trying to be shocking
without being funny or witty.
Yes, yes.
But there's certainly
young filmmakers that surprise me.
They're mostly French
like Gaspar Noé
and Bruno Dumont
and all these
kind of people.
Kind of young filmmakers
that are. I love Eddington.
I loved. Uh-huh.
Surratt was. Did you see that movie?
Oh.
It is so good.
So I'm just saying
there's still great movies
out there, definitely.
Yes, but none have this
kind of like. I don't know.
There's just a good-heartedness
to all your films.
Is that fair to say?
Yes, I think I was. I made fun of things
I loved my whole life,
not that I hated.
And maybe that's why,
including I started
by making fun of myself
by calling my films
trash epics and everything.
You know,
I think,
I think that's one
of the things
that immediately. So one of the. We asked this question,
what was the culture
that made you say
culture was for you?
And one of my answers
to that is
I was 10 years old
and my parents took me
to see Hairspray on Broadway.
And Good Morning Baltimore,
I think that what jumped out
about it the most for me
was the fact that
she was so joyfully,
joyously singing about
and playing in her world
of filth.
Even when she's getting
flashed.
There's the flasher
who lives next door.
I played the flasher
in Adam Shankman.
Yep, yep.
Typecast.
Perfect.
But there is,
there is something about that.
It's one of the,
one of the things I think
is the most unfortunate
things in the world
is people who take
themselves seriously.
And so watching her
just immediately
eschew all of that.
But she loved her life
and she was so self-confident.
She was so proud
of the place she came from
even though it was garbage.
You know,
and in that way
it then wasn't garbage
and she saw hope in it
and she saw,
she saw possibility
and future in it
and she just went for it.
That, I think,
it being made into a musical
and then into a movie musical,
that message keeps getting delivered
to kids and it's important.
You can't screw it up.
You can't screw up Hairspray.
Even a bad version of it.
No, yeah.
Yeah.
Because the characters,
Tracy stands for anybody ever
that was hassled
for being different
in any kind of way.
Who takes what they were hassled by,
exaggerates it and wins.
Mm-hmm.
That's all you can do.
If they use something against you,
own it.
Grab it and say,
yes, I am.
And then make it work.
It takes a long time
to learn that, though.
And I feel like,
you know,
her,
like that,
it's just an important thing.
It's like that thing
that makes you different
is what makes you special.
That's like the twee way
of saying it.
But it's,
that you said it.
We haven't heard that term
in a while.
Yeah.
We love saying twee.
I like it too.
When you speak that way,
there's a whole language
called something.
You know,
I'm so allergic to it,
but like,
I'm sure we could do it.
We could get all twee
with each other.
It's more angry.
John Waters' films
really break the mold.
of what's acceptable. Legitimately.
It's that kind of like, I don't know.
And we do that all the time. We're guilty of that in earnest.
But we love to make fun of it too.
I think that's
us making fun of ourselves.
Well, it's important to do that.
We are not twee. I am
going to reject this. No, I don't think you are either.
Thank you so much.
I feel like the
beatnik thing though is what
developed a good taste for you.
And so then you learned the rules and then you were
able to revel in bad taste.
Well, I was able to realize like a
dirty t-shirt could be great and bad.
I don't know. It was beatniks
outraged people at the time when they came out.
And it was the first thing I saw
rebellion that I wanted to do.
I always say the first
record you buy as a child, no matter
how young that your parents hate, that's
the beginning of the soundtrack of your life.
What a terrible thing to like your children's
music. That stunts
your child. If you say, oh, I love that
record. You're going to keep finding
one you until you hate it.
You're so right. It's true. You're
so right. I yeah.
And I think that
a bad taste or good
taste, whatever side it falls
on is is just
compensating for like the thing
that you were lacking.
Maybe I was drilled good
taste and you have to learn those rules to make fun
of bad. Yeah. So I thank my parents
for that. Like what did that like? How did that show
up for your parents? Like they were like, this is how you
wear. Oh my God. They my mother
thought you should die if you were white shoes
after like, really? I'm
still right wing on that.
You can't wear
velvet before Thanksgiving. You can't wear
patent leather before Easter. I
believe you should die if you do like
in serial mom. Who is that actress who was
also in Crybaby? Like the
woman, the juror who gets murdered in serial. Patty
Hearst. That's Patty Hearst, of course. Oh my gosh.
Just fashions change.
No, it kills
her. Yeah, I know. Kills her. Patty really
takes that hit well. Even Kathleen said better
than any stunt woman I've ever worked with.
Oh my God. It really did.
But I think this is so like I
was like reading something about like
where how bad taste shows up and
it's in these cultures. I'm just gonna
I'm just gonna throw these out there.
People can come for me, but it's like
between like Russian
gaudiness and like
some kinds of Asian gaudiness
like Saudi gaudiness. Like these are all
from. It's hairhopper.
People that spend too much
time on their hair without
iron or iron without irony
and act rich
when they're not because because
they're show labels and
and look the same as everybody with
no hair, a hairhopper. You
shouldn't Swiss people know how to
be rich. You hide it. Yeah, because
it's coming from like like
in let's say like in all these
parts of the world that I just just
kind of rattled off. It's like because they were coming from
like desolate
really, really just
austere places, right?
We're like, oh, you didn't have the nice
you had no idea. You had no access to
anything. Maybe the tyranny of good
taste. They'd never grew up with that
isn't a sort of an American or
British thing, which is what you
grew up with your parents. Yeah, this tyrannical sense
of like this is what you have to do. Well, they
were very opinionated on and they taught
me what was right and wrong and I'm
not sorry. They did. I still
use a lot of the stuff that they taught
me. Yeah, and but
yet they were horrified by
the movies I made right up to the end, but they
supported me doing it. They were
and they were which is amazing
and my parents had a happy 70 year
marriage. So I give them great credit. Wow.
And then that also expands your palette
in terms of like like I have always
I love I think
I think I got my first
like sort of written sense
of like come to Garcon like Ray
Kawakubo stuff from role models or
I was like, oh, yeah, like you still
have this appreciation for like
like the current fashion. Do you still
go to metal shows? Yeah, I
went to I went to see
Nine Inch Nails just recently.
We went to Nine Inch Noise. I saw
them in LA at Anaheim.
Oh, wasn't it fabulous? The audience
is really I just like looking at the audience
at all these shows. It's wild. It was good. Yeah.
It was like it was like it's time for
for faggots to love Nine Inch Nails again.
Oh, I go to heavy metal. I just like to look
at the kids. What are you looking for?
Because you're observing. Something new. Some new
thing and I just think they look great.
And they're having fun and they always I'm always the
oldest person there ever since William Burroughs
died. I'm the oldest person.
Yeah, not
that I'm the same, but he was always the oldest
when I were and it went anywhere.
Yeah. And so
no, I just like to see the energy.
Yeah, I'd like to see I hate old
people like my age and say we had more fun.
No, you didn't. I just don't know what's going on.
Yeah, fun adapted. I would have been
a hacker. How just except
they have bad clothes.
That poor posture. Yeah.
It's just hunched over the hackers
should be using those the standing
desks with the treadmill. They walk on.
Yeah, you're going to do great hackers.
So hacker clothes like you can't
there's norm core. Yeah,
because you there's no clay on the
table for you to mold around. No, there's no rebellion
look for a hacker because you got
to blend in. Yeah, you're out. You don't want
to get a dark web. You
don't dress for it.
What do you think of like the
the people still debating what can't
is now that they're
old Queens that the last movie
they saw was Rita Hayworth.
I don't know anybody that would say
the word camp. Yeah, you've
never you don't say it. No
that word was over in ninth after
Susan Sontag wrote. Yeah,
sitting in a antique store
under Tiffany lampshade talking
about Betty Grable movie.
Holy moly.
Then it became camp
became. I don't know
trash. Then it became filth. Now.
It's just American humor. Yeah. Now it's just
met. It's just funny. Yeah.
Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Like
your stuff will always be
singular. It will never be like
even as I'm wearing merch, even
as you're at the Academy, even though even as it's
being like institutionally recognized, it
will always have this
like like this this
this this fingerprint of like this is
worse now. You think it's worse
now? Yes, because they're political correctness.
Yeah, you say happy birthday fat. So
you can't say that anymore. Like they're
the stuff in there. You can't
say any of this shit that's worse
than it ever was. And yet still
nobody gets mad. Have
you heard about this movie? The drama with
Zendaya? I'm dying to see it, though. Yeah,
I think you'd love it. I think you'd love it. I mean, there's a lot
of fan of him. He's wonderful. And he takes
chances in all movies. Yes, he does.
Um, and
I'm dying to see it. Isn't it the
same? Didn't Ari Aster
executive produce? He did. And I love Ari Aster.
Yeah, yeah, yeah. I was I was gonna say. Remember the movie
about sleep
being dogs lie where the girl tells
her boyfriend everybody's playing tell the truth
and she says she blew her dog. Uh-huh.
This is the same
kind of genre. It's the same
conceit where
I know the secret. Don't tell. Yeah.
But in that way, she like confesses
to this deep dark secret, right? And
it's about like, you know, gun violence
and it's
no, I know what it's about. I'm dying to see it.
That's the next movie I'm paying to see. Yeah.
I think about female trouble all the time
where Divine literally shoots up
the audience who wants to die for it. That's
so politically incorrect after that happened
for real. Yeah. Yes. That
puts it in a whole different
that's really what it is. And
I almost no one ever complained about
that. I've literally like 10
years ago, you could make gun
violence jokes. You we
would do it like back at like UCB and
stuff like we were doing sketch comedy like
there were there would be it was maybe this is
just young people doing comedy and sketch comedy
and like doing what they think was funny. But a
common thing was for a gun to
come out. Nowadays up
makes ass and desperate living. I cringe
at that. It would make people nervous. Now
make people nervous, man. Yeah,
people really nervous now, though, that it's
like, no,
even even the
pink flamingo thing with Divine with the gun
sometimes they exit out and stuff
really well because it's
literally triggering and
everybody in the politicians in Baltimore
always say, how can we make the city better?
I said, don't just put out a bumper sticker
the wire. It's still like that.
And that's supposed to make it better.
Well, let me tell you the wire
in Japan. They love it
really internationally.
One of the most known and love
things about Baltimore is one of the best TV
shows ever. Yeah. So
why do we hide that? Why do we hide that? I mean,
do you know if your
movies play in Japan? Oh, I've
been there with them and they love
it there. Yeah, they're great. Oh, they must.
It was a huge hit because they love
Eddie Furlong. They love
hairless, androgynous men.
Yes, they do. Leonardo to them
is, you know,
Sylvester Stallone.
They would so gag like
the bears. They don't get that.
They there's there's a there's a very
specific subculture of bears in Japan
that they have. They have eagles. They have multiple
eagle locations. Yeah. Oh, OK. Well,
the eagles everywhere. You're right. It's just
not a young person ever in one
because it does look
different on young people. You think so?
Yeah. What do you make of
pups of these? What do you
make of these twinks who go around?
They're not all twinks. Lock them up. I'm just kidding.
Like the rest of the dogs.
Adult babies.
Lock those fuckers up. Yeah.
Yeah. I mean, I
don't get it, but you can be whatever you want. But
however, aren't plushies
lesbians? I'm not sure.
I don't get that either. But I went to plushie night
accidentally once in the Eagle in Baltimore
and it was mostly lesbians. And I thought, I didn't
know that. It was like. And plushies are different from furries.
No, I think it's the same.
It's the same.
Who wants to get dressed up like a fucking stuffed animal and have sex?
It's too hot.
It's so warm, yeah.
But then I think probably something else takes over in the brain that it's satisfying where you don't think about how it's hot.
You only think about how it's satisfying.
Maybe.
Yeah, maybe.
There's some things that lose me.
Adult babies, when I see them, and their fag hags are called mommies, and they nurse them.
And if you're sitting in a bouncy chair at 60, weighing 100, 200 pounds, lock them up.
I ain't marching for them.
No, no one's marching for them.
Yeah, some people are.
Some people are.
The rights of adult babies, not me.
Well, have you checked in on, I guess, the closest thing to the chaos, Euphoria?
Have you watched any of Euphoria?
I haven't, and I should.
You're fine.
You're fine.
But we're dealing with adult baby stuff on Euphoria this season.
I read all about the shows, and I don't know why.
I do the same thing, and I'll check in on clips.
And I'll be like, okay, this is what's happening.
But there was some scene last night in Euphoria where I was watching it for a second, and
then I was like, this kind of feels like a John Waters movie.
It's like, you know, Jacob Elordi getting the shit kicked out of him by the mob, and
Sidney Sweeney has a bloody nose, just her huge tits and her wedding gown, just like
sobbing, like, what's happening?
And I'm like, there's something here, spiritually.
That feels like one of your movies.
I guess.
But were you laughing?
I was laughing because I wasn't laughing.
I didn't have it in context.
I don't know if I'm supposed to be laughing at home.
I don't know what I'm supposed to feel anymore watching the show, which I think is an issue.
Well, maybe that's why people are talking about it.
I think you're probably right.
Yeah.
I think it's time.
It's time.
Okay, so this is what else must be on your board there.
Well, I was told I had homework.
I had two particular things.
See, I hate being a podcast that gives homework, but it is fun homework.
That's fine.
That's good homework.
Yeah.
So this is, I don't think so, honey.
The worst is when you give it and they don't prepare.
It happens all the time.
Who did the worst?
The worst?
I don't think so, honey, ever.
Probably us at some point.
No, we bomb every week.
We really do.
I don't think that's true.
And well, now I watch when I bomb.
No, watch when I bomb.
Every one.
Yes, even you.
Not all the time.
All the same.
Your routine.
Your chaos level.
All of it counts.
Ask the questions.
It's allowed.
Encouraged, even.
No?
Don't worry.
Just head to getprepwisdom.com.
Getprepwisdom.com to learn what to ask your doctor.
Anyway, this is Out on Things So Honey.
It's going to be a one-minute segment.
It's going to bomb or it's going to not.
It's going to be what it is.
So this is one minute.
Do you mean I have to talk fast like the ads of the side effects
at the end of a drug ad on the radio?
You know, don't feel pressured to do that, but if you could.
All right.
Yeah, we're going to model it for you first.
All right.
And then you're going to choose your own adventure.
That's okay.
That's fine.
All right, so I do have something.
It's been a struggle.
I've had this on the brain for a while,
and I feel like I actually haven't taken to the mic on this,
so this is a good opportunity.
Here we go.
We're breaking new ground.
This is Matt Rogers.
I don't think so, honey.
His time starts now.
You can't buy any medication you want at the CVS
because it's behind the fucking lockbox.
Get real.
I need Mucinex D so it cannot work on me.
By the way, also, I don't think so, honey, Mucinex D.
They said there's meth in this.
Fuck off.
Is that why it's behind the glass?
Because there's meth in it?
You can make meth with it.
Okay, that's ridiculous because I'm taking it.
It's not even helping me get not sick.
It's not going to create meth.
Every time I'm in the CVS or the Walgreens,
I have to ring the fucking bell.
They take their sweet time getting over here.
Now you can't even get toothpaste.
Can you make meth from toothpaste?
Because you would think I am really having a hard time
when I go into any store, and I'm like,
why can't I get this?
Oh, because if the wrong person came in here and got it,
they're going to create meth with it.
By the way, I've been not sick for two weeks,
but having whatever's going on here,
for two weeks, Mucinex D,
I guess I have to increase the meth in there
because it's not working on me.
Claritin, is there enough meth in that?
I can't get enough meth to get me not sick.
Just let me have the fucking medication that I need.
And that's one minute.
Plus, you have to check out yourself.
This is what I'm saying.
Like, I need your help to come get me the product,
and then you're of no help when I'm checking out?
I know.
What the hell?
And they act mad.
I thought, if I didn't act, you won't have a job.
You should be glad I don't work.
Well, by the way,
there's only three people working in there
at any given time.
So, this is the battle of the machines.
Ever done meth?
Maybe not.
I did, I shot diet pills once, though.
How did that happen?
You got a cold shake.
Oh, it was horrible.
Big black bubble rose in my arm.
Don't ever.
Oh, my God.
I did crazy shit when I was young,
but I never got into it that much.
I never liked shooting up.
It was like, but I had good veins.
He did meth one time on accident.
I did almost everything else.
When I stopped taking drugs was ecstasy.
A drug that makes you love everybody.
That's not a high for me.
See, I love it.
I can't get enough of it.
I would hate it.
You would hate it.
In a cuddle pile.
Can you picture me in one?
No.
Don't.
Stay away from ketamine, then.
Oh, I wouldn't do that one either.
No, it's bad.
You just drink water all the time.
Yeah, yeah.
Yeah, yeah, yeah.
Well, the ketamine, that will get you
barnacling on someone that you're like,
I don't even like you that much.
But here I am.
It's what you got to do.
Here we go.
You ready?
I'm ready.
Do you need my phone?
Oh, no.
I have my own phone for it.
All right, so this will be Bowen Yang's
I Don't Think So, Honey.
And get this, if I can get my thing up.
Where is my, where is, there we go.
This is Bowen Yang's I Don't Think So, Honey.
His time starts now.
I Don't Think So, Honey, the distance
between the beach and the main dragon province town.
This is why I will always still gravitate
towards Fire Island, despite the way
it changes year to year, despite the
the crowds, you never know where you're going to get.
P-Town represents wonderful stability
and wonderful community.
And yet, if you want to sunbathe
in any sort of respectable fashion,
you got to go to the public pool.
I love a public pool, but sometimes
even that gets a little too crowded.
Yes, I do, John Waters.
I don't love riding a bicycle,
especially given my family history with bicycles.
Three different generations of bike accidents.
I'm not going to chance it.
There's a curse on the Yang family.
So that's why I will never really get it up
in a sense to go to the beach in Provincetown.
And you never know where you're going to get weather-wise.
And there's just shit in the sand
because the artists and residents
are taking dumps on the beach.
I'm just assuming that's what's happening.
But I feel like that's the main
sort of obstacle I have with P-Town.
And that's what I meant.
Why don't you just go to the small beach on commercial?
It's right on the Bay Beach.
It's right there.
Go to the Bay Beach.
That doesn't count.
Well, you can't say this.
It's the Bay Beach where you have to walk across the dunes
with all the bicycles and all that.
That is like a real beach to me.
Well, that's because people are having sex.
But that's not even the appeal.
How do you get a real beach?
Are people having sex on it?
They're not doing that at the Bay Beach.
But I do, as I get older,
love P-Town more and more over Fire Island.
There's no way it can compete.
First of all, in P-Town, you have restaurants.
Just that alone.
You don't have restaurants.
No.
Well, there's a couple.
There's a couple.
I mean, there's food.
Yeah.
There's not restaurants.
Like, if you go to Cherry Grove,
you can get your restaurants.
Right.
That's which is where you'll be when you go, right?
I play both the other places in the Pirates.
You do both.
It's nice.
But you are not going anywhere near the Belvedere.
I don't. I mean, I'll remember that place forever.
I've stayed there a couple times.
It was very, very kind of like Pink Narcissus.
Yes.
I mean, it is fantastic in that way.
Literally, where it feels like you're in a fantasy.
I would think you'd love it.
But can you picture me in the baths?
I've never gone to the baths in my life.
Walking around in a towel is not how I do well.
I feel like you'd go dress just like this.
I would.
Yeah.
That was a problem.
So what?
You're you.
You can do whatever you want.
But I'm trying to blend in in between shows.
That's right.
That's right.
All right, John.
All right.
Are you ready?
I'm going to talk fast.
Okay.
This is John Waters.
I don't think so.
Honey, as time starts now.
I can't stand the way some people talk.
I hate it when actors use the word journey.
That's not a fucking journey.
Winning a Spirit Award.
Escaping from Ukraine is.
I hate airlines when they say your flight is because of weather.
There's always weather.
You need bad weather.
Or when the MPA say rated X for language.
There's always language.
We talk about a silent film.
I hate actors and say they're humble.
We'll go down the SNM bar and get it shut up and get smacked around.
I hate people say surreal.
If you're talking about Dolly, all right, not some boring thing in your daily life.
I hate it when weathermen say wind chill and heat index that bullshit words.
I hate when gay people said, this is my lover.
Who are you?
Lady Chatterley.
I hate it.
Also, when gay people say to me, Hey girl, that I don't know.
Excuse me.
Do I look like a girl?
I guess it failed getting dressed this morning.
People say, are you a top or a bottom?
It's not a political party.
I'm independent.
And worst of all, when people say, can I take your picture?
No, my picture is home with Kool-Aid in it.
- Oh, thank God.
just about modern life and i love it did i hit the minute you did exactly 56 seconds and and the
slapping down of the of the paper was the final four all right we love pitcher i hate i take i've
heard newsmen say that look at this picture oh my god you should be fired you should be people say
that's a regional thing no it's not it's stupid i was just ready i'm an idiot at pizza i'm coming up
to you oh my god hey girl it is surreal to see you can we have a picture i hate when people oh god
it is surreal to see you girl i need a picture hey girl a little too familiar what how long would
you have to know someone for them to call you girl never do i look if i fail getting dressed today
sir yeah yeah there you go hi king what if someone called you king better girl yeah i guess so i
guess so daddy oh no i'm good that's what they call
old people zadio zadio zadio is interesting i like that chickens make good soup that's what my friend
pat moran when she dated an older man her mom said that old chickens make good soup yeah what is that
supposed to mean like when you're old young people go after you say yeah old chickens make good soup
yeah what's the soup come no it's just girl you're a girl you are second to stern tender yeah tender
old chickens make good soup it means you want to bathe around in their broth yeah that's interesting
i i
guess yeah i guess i guess i guess old people do
old chickens make good stuff he wants some old people soup i want old people crazy cannibal ass
yeah well john waters the star of kevin on amazon prime i'm one of the stars i'm not this time i
think aubry plaza also involved whoopi goldberg oh the whoops the whoops john waters any parting
words of wisdom i don't know that i would ever preach to anybody i don't know that i would ever
preach to anybody i don't know that i would ever preach to anybody i don't know that i would ever preach to anybody i want to hear your words of
i don't know that i would ever preach to anybody i want to hear your words of winsome of things that would make me
winsome of things that would make me
winsome of things that would make me nervous if you're younger than me
nervous if you're younger than me
nervous if you're younger than me are you prompting us right now yes what
are you prompting us right now yes what
are you prompting us right now yes what would make you nervous oh my god
would make you nervous oh my god
would make you nervous oh my god what would make you nervous it sounds like
what would make you nervous it sounds like
what would make you nervous it sounds like i think you should feel
i think you should feel
i think you should feel completely
completely
completely liberated or whatever about talking about
liberated or whatever about talking about
liberated or whatever about talking about this uh
this uh
this uh this idea of like
this idea of like
this idea of like political correctness i feel like that's
political correctness i feel like that's
political correctness i feel like that's the thing that that that makes everybody
the thing that that that makes everybody
the thing that that that makes everybody nervous and yet i feel like you have
nervous and yet i feel like you have
nervous and yet i feel like you have you've probably earned a place where you
you've probably earned a place where you
you've probably earned a place where you can just sort of you've seen it all
can just sort of you've seen it all
you've done it all you've shocked everybody up and down like i think you don't have to be nervous
about anything but i make fun of the rules that we live by not our parents i make fun of the
liberals rules yes and now there are more rules in my parents head oh trust me we understand we do
we we understand that completely um i have a thing okay so on every episode we end with a song
so you're gonna do that this time you're gonna end this episode with a song
hey hey set me free stupid cupid start fucking with me
lost culture racist is the production by will ferrell's big money players and i heart radio
podcasts created and hosted by matt rogers and bowen yang executive produced by anna
and produced by becca ramos edited and mixed by duck bame and our music is by henry komerski
this is an iheart podcast guaranteed human
Podcast Summary
Key Points:
Not all injectable prep options are the same, and it's essential to consult a doctor and ask specific questions about lifestyle fit, medication interactions, and injection site reactions.
Personal factors like routine, chaos level, and daily habits should be considered when choosing a prep method.
The podcast emphasizes transparency and self-awareness, encouraging listeners to be proactive in their health decisions.
Veve Healthcare and Quince are highlighted as trusted brands offering health and lifestyle solutions, with Quince promoting affordable, ethically made, timeless essentials.
John Waters shares his lifelong cultural influences, particularly the beatnik movement, as the foundation of his artistic identity and rebellious aesthetic.
Waters reflects on the evolution of cinema, film culture, and the role of humor and taboo in challenging societal norms.
He credits films like *Hairspray* for inspiring inclusivity and self-empowerment through embracing one’s differences.
The podcast promotes community, personal connection, and authenticity, emphasizing that real relationships require effort and vulnerability.
Summary:
This iHeart podcast blends health advice, lifestyle recommendations, and cultural commentary, centered around the theme of personal authenticity and informed decision-making. A key focus is on injectable preps, where the host stresses that not all options are the same, urging listeners to consult their doctors and ask about lifestyle compatibility, side effects, and medication reactions. The conversation is enriched by recommendations from Veve Healthcare and Quince, which offer accessible, ethical health and fashion solutions.
" He reflects on the cultural significance of films like *Hairspray*, which celebrate self-acceptance and resilience. The podcast also explores deeper cultural themes—such as the evolution of humor, film, and social norms—through personal anecdotes involving famous figures, music, and fashion. From the rise of queer culture to the politics of taste and authenticity, the discussion emphasizes that true connection comes from vulnerability, curiosity, and shared experience.
The show concludes by encouraging listeners to embrace their individuality, challenge societal expectations, and actively participate in shaping their personal and cultural worlds.
FAQs
Not all injectable prep options are the same. Consider your lifestyle, routine, and how well it fits with your daily chaos. Ask your doctor about side effects, injection site reactions, and whether other medications interact with it.
No, it's not safe to assume one option works for everyone. Each person is different, and what works for one may not work for another. Always consult your doctor to find the best option for your body and life style.
Visit getprepwisdom.com for expert-backed advice and questions to ask your doctor. This resource helps ensure you're making informed decisions about your health.
Kewpie Mayo is a Japanese mayonnaise made with egg yolks, giving it a rich, umami flavor. It's widely used by chefs and food lovers for its unique taste and versatility in cooking and eating.
Quince offers elevated, everyday essentials like cashmere sweaters, stretch denim, leather bags, and jewelry—crafted with premium materials and priced 50–80% less than luxury brands.
John Waters was inspired by the beatnik culture as a child, including reading about it in Life Magazine and attending coffee houses with poetry and queer communities. This early exposure shaped his rebellious and humorous artistic vision.
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