Part Two: Heinrich Schliemann: The Archaeologist Who Destroyed Troy
44m 42s
Heinrich Schleeman, a 19th-century German archaeologist, is widely regarded as one of the most destructive and unscientific figures in archaeological history. Despite having no formal training, he launched illegal and reckless excavations, particularly at the site of Troy, where he tore through millennia of layered ruins without proper context, mapping, or ethical considerations. He claimed to have unearthed the legendary palace of King Priam and the treasures of Helen of Troy, but his findings were based on personal conjecture, not evidence. He destroyed crucial artifacts by indiscriminately removing soil and dismissing or discarding finds that didn’t fit his narrative. Schleeman also exhibited extreme racism, personal arrogance, and a tendency to discredit any criticism, often cutting out collaborators like Frank Calvert and even his wife from his official accounts. His later attempts to justify his actions were undermined by professional skepticism, and modern research shows that many of his discoveries were either forgeries or misattributions. Though he gained fame for his discoveries, the real archaeological value of the sites he damaged was lost. The damage he inflicted was only gradually reversed by meticulous scholars like Wilhelm Dorpfeld, who later documented the full timeline of Troy’s occupation over thousands of years. Schleeman's legacy remains a cautionary tale about the dangers of unchecked ambition, poor methodology, and the prioritization of myth over evidence in archaeology. His story highlights the importance of ethical excavation, collaboration, and scientific rigor in preserving humanity’s cultural heritage.
Welcome back to Behind the Fasters, a podcast about the very worst people in all of history. And this week we're talking about the very worst archaeologists in all of history. Or at least, particularly a guy who's going to be on the short list for the most destructive archaeologists ever, Heinrich Schleeman. But before we talk more about Old Heine, let's bring back our wonderful guest for this week. Kristin Konger, host of Unladylike and Conspiracy, she wrote two great podcasts. Kristin, welcome back. Are you doing? I'm great. Thank you so much for having me back. And excited to learn more about this rechit archaeologist. Yeah, he's about to get really rechit. And he's about to basically purchase a wife, which is always a good time in old-timey stories. Don't like that phrasing. Well, yeah, it's not great, Sophie. It's not great. Well, we'll hear about that very soon. OK. This is an "I Heart" podcast. Guaranteed Human. I'm Melissa Jeltsin, host of The What Happened to Her Podcast. We're kicking off the season with the Sandra Birchmore story, a case the police wrote off as a suicide in a snowstorm. Her family never bought it, and the man they suspected wore a badge. They never know who that devil is because he's wearing the skies. Sometimes it's a police uniform. And you can get access to all episodes 100% ad-free with an "I Heart" True Crime Plus subscription exclusively on Apple Podcasts, available only to "I Heart" True Crime Plus subscribers. So don't wait. Head to Apple Podcasts, search for "I Heart" True Crime Plus, and subscribe today. Lisa, tell them about our new show. We have a new podcast. It's called Don't Lie to Me. I'm Lexi Iwanyu, where two best friends, 22 years apart, but so close at heart. And I'm Lisa Julio, the old one, which means we have wildly different references, occasionally different opinions, and at this point in my footies, I've lived it all. Now in my 30s, being the founder of New Shoes, good taste is my business. Listen on the "I Heart" Radio App, Apple Podcasts, or wherever you get your podcasts. I'm Hamza, and I'm Martin, and we're the hosts of Out of Character. The funniest podcast in the entire world. I like that, it's a good way to promote ourselves. We are two funny guys having fun and enjoying ourselves, and we just know how to have fun, unlike anyone else. If you guys like fun conversations, hot takes, what else? Not too hot, just kind of lukewarm takes to get your mind thinking a little bit. Listen Out of Character on the "I Heart" Radio App, Apple Podcasts, or wherever you get your podcasts. In 1986, a man named Scott McLean was killed in broad daylight. Police quickly found their suspect, prosecutors convicted him. But now, almost 40 years later, I'm re-examining this case. I really didn't believe any of it was real, and I was like, "Well, they're going to figure out this is not me. They're going to do their police job." As the wrong man been in prison this whole time, listen to "Examined, the Backfire Effect" on the "I Heart" Radio App, Apple Podcasts, or wherever you get your podcasts. Detective said he had stalked her before she died. Years later, they said he remained the person they continued to focus on. This is Hunter Gilmourn, host of Hunting for Answers, a True Crime Podcast, shedding light on the silent epidemic of missing and murdered black women and girls, bringing attention to stories that equally deserve to be told, and to the questions that still remain. Listen to Hunting for Answers, a True Crime Podcasts from the Black Effect Podcasts Network on the "I Heart" Radio App, Apple Podcasts, or wherever you get your podcasts. So Heinrich Schleeman is going to make his very first attempt. When he left him off, he'd visited Italy, he'd watched, spent a couple of weeks watching an excavation in Pompeii, and he'd been like, "This is really cool. I want to do archaeology. Does it have to take so long?" It's like, "It have to take a long time to dig things up. What if there were a faster, lazier way, right?" So he's going to make his first attempt at a dig, really just a few months or weeks after that, and he has, again, very little understanding. He hasn't taken any classes. He just kind of watched a guy and decided he was too slow. So later on in that same 1868 vacation, he travels to Greece and he goes to the summit of Mount Athos, which is in, like, the main Greek peninsula, and he decides for no real reason that this had been Odysseus' castle, right? He finds some ruins, like a buried wall, and he's like, "This must have been Odysseus' home. There's no reason to believe this, but one thing Odysseus came from what scholars were referred to it as Homer's Ethica, right? There is an island of Ethica in the Greek area, and Homer was probably writing about that island, right? Odysseus was probably supposed to have been the king of that island of Ethica, but we don't a hundred percent know, you know, there's some debate about that, and a lot of that debate comes from Heinrich Schleeman, because Heinrich is going to say, "No, he didn't come from the island that's named the same as like the island in the story." He came from this mountain because I found some stuff there. That's really all it's based on. There's no reason for him to think Odysseus was here. Classic Heinrich. No evidence that Odysseus was a real person. Yeah. Just classic Heinrich. He's like, "Must have been Odysseus's house, because I found some stuff in the ground." So he decides he's going to put together a dig to excavate like whatever is at this site. He has to leave to do this, and when he comes back, he can't find the walls. And he, we don't know if he actually ever found walls. He had been pretty sure he had, but he winds up digging, and all he digs up is like some funeral earns, which is kind of fucked up to dig up. You probably leave those where they are, man. I don't know what you need those for. He does eventually find the ruins of a small building that who knows might have dated back to ancient Greece. We don't know because Heinrich does no work to preserve the age of anything he's working with. And whatever real value his find might have had was surely ruined by the fact that he insisted this small shack must have been Odysseus's palace. And he's like, "No, that's just like a small barn." It's like, "We have no idea." But there's no reason to think it was a palace. It's not big. Now that he's found something wonderful, Heinrich begins increasingly trying to insert himself into scientific conversations about ancient history. He's writing letters. He's reaching out to these real archaeologists and historians. He's trying to publish stuff. And he's not really taken seriously at this point, but he is trying to be. And in regards to Troy, he becomes what's known at the time as a realist, right? The realists in regards to Troy are people who believe the Iliad is written about a real war that really happened, right? He's debate about how much of the poem is true, but there was some real war that it's all based on, right? And this is still debated today. At the time, I think the realist position is more or less the dominant one that like, yeah, there was some kind of real conflict that it's all based on. But at the time, Heinrich's idea is not the dominant, excepted one. There's a lot of people who be like, "No, it was just it's a complete fable." What's funny is that the ancient peoples, and remember, Homer composed his poem, "Cinturies After the Trojan War would have occurred," knew where Troy was. And in fact, it was a tourist attraction, right? Homer is super popular throughout the whole, like, later classical periods and during the Roman Empire. And for a lot, a big chunk of, like, Greek, you know, classical history and all of Roman history, Troy is a tourist trap. Like they know kind of like where the ruins are, and people will visit to see the sites of the Trojan War. Now, any real walls from that era of the war were largely buried. But there were these big burial mounds, and there were burial mounds from, like, regular people who had lived in the area for a long time. But, like, Roman tourists would declare them, "Oh, this is the burial mound of Achilles." Doing the same thing that Shleeman did, there's no reason to believe that, right? Other than that, you can make money, like, taking goalable tourists to see, "Do you want to see where Achilles is buried?" It's the first Star Tours, Star Map. It was so easy back then. Yes, Star Map. Yeah, that's a, you know, Robert De Niro's house, sure. So by the late 1800s, though, the site of Troy had fallen into disrepair, and it had been that way for, like, well over a thousand years. So even though during, like, during the classical period, the Roman Empire, it's a well-known tourist site, by the 1800s, there's doubt as to whether or not a Troy had ever even existed. Because all that's left of it is like a big mound on a chunk of the Turkish coast, right? So in between John's overseas, and time studying at various universities, Heinrich kept up of luminous correspondence, and was often a huge dick to his family. His elderly father asked for money, and Heinrich did give him the money, but in the letter before he gave it over, he asserted, "I expect you to use the money in establishing yourself in a manner befitting the father of Heinrich Shleeman." Whoa! He's not like famous. He's just like, "Yeah, my father can't look poor. You reflect on me." Shleeman is not a US citizen at this point in his life, though he would soon become one. But biographer Leo Duol notes that he, "considered himself a citizen of the United States, and broadcast his civis Americana sum to the world long before he ever assumed tidal to it." That book describes him as "American to a fault," which is how I would describe myself as well, unfortunately, like, "Yeah, that's it, you got me." He also notes, that also notes, "His bigotrys towards non-European races were staggering, and it gives several examples of Shlimin quotes from his book.
letters that include the laziness of Negroes is beyond description and the physiognomy of the Californian Indian is the most stupid and ugly I have ever seen in my life. So doesn't have a big influence on his life but super racist. Like it doesn't have a big influence on this story but remember Heinrich, big, big old racist asshole, right? He's a German in the 1850s. When they woke up some physiognomy, you know, the physiognomy. Yeah. Yeah, you're about to hear some racism you haven't even conceived of. Someone's about to tell you how fucking Dutch aren't really white. Okay. Okay. Stand by. Stand by here everybody. Look at this guy. Yeah. Look at his young man. They really spend money on tap hats in those days. And then he hiding under there. Look at that stash and there and then and then there he is. There's how he's eight. He looks so German here. He does. He does. He's very German and by the number of top hat pictures he has, we know this man had mercury poisoning like you would not believe anyone who's top-hatting in this time is just basically raw dogging straight mercury into their skull. Look at this bit though. We need to return. That's it. That's an aspect of style I want to get back to. His top hats just drenched in mercury. God damn. That's when things were proper. So Heinrich gains his American citizenship in 1869. And he gets it for the most American reason of all to cheat his wife out of a bunch of his money. He buys a house in Indianapolis and he establishes residence there for three months, which is log that as long as you need to be living in Indiana to use Indiana state divorce laws, which are like really positive for his situation, right? So he decides Indiana divorce laws are going to be the best ones to live under in order to split from his wife, a catarena, who'd become a real buzzkill on his plans to be a famous archaeologist by this point. She was complaining by the fact that he's never home and is abandoned as family. Yeah. Wasn't she still in St. Petersburg at this point? Yeah. She's in St. Petersburg and he is trying to cut her off from his mind, right? That's why he wants to divorce her in Indiana and that's why he becomes an American, which again, American to a fault. There's nothing more American. It does make me patriotic to hear about Germans moving here to divorce their wives and cheat them out of their money. To get his divorce, he had to lie and say he planned to build a life in Indiana. He's going to leave the country as soon as he gets divorced from his wife. This is a total lie. However, before he leaves the United States, he has one last important question to figure out. Who's gonna have sex with him now? Right? That's obviously Heinrich's priority. He's gotten divorced time defined another wife, right? In his biography, Leo Dual wrote that Schleeman was least lucky with women, most of his life, unlike his full-endering father who begone a child an old age. So he's probably got to piss the dad keeps showing them up. Yeah. Oh, dad fucks. This is upsetting. Yeah, dad fucks. This is a real issue for me. Heinrich Leo writes was hardly a favorite with the ladies before he got rich or after, but obviously having money is going to really help his ability in that department. Dual writes that quote, his sparse physical frame, shrill, high-pitched voice, stinginess, petulence, and egomania did not mark even the young man for easy conquests. Besides, he was too disciplined and jealous of his time and energy to lose himself in frivolous pursuits. He explained his lack of success with women in another way. I myself am blind. He wrote a sister, passion clouds my vision. I see only the virtues and never the failings of the fair sex. Yeah, that's that's true for a guy who like moved to Indiana to fuck over his XY. Yeah, so man is fair. Just like, oh, yeah, oh, they always trick you. The man's fear would have hit him like fucking smallpox hit the Americas. Like, this guy would have been so on board for Manispure. Shit. That's hilarious. A lot of people died, Sophie. That's all I know. So Kindrich was an old guy officially by 1869, but he is also rich as shit, and he decides to use that as a base to launch a new attempt to find love. Probably my favorite account of Schlimen's life comes from the book Digging for Troy by Jill Rubelkaba and Eric Klein. That book notes that the second time around, he figured he had learned exactly what qualities make the perfect wife. And we're about to hear what those qualities are because he writes them down. All the biography, the book notes is that he finds a friend who he trusts to go to Greece and woo women on his behalf. He's got, he's giving a friend a list of traits that he wants in a wife, and this friend is supposed to find a girl emphasis on the girl in Greece who wants to like marry him, right? I have questions about this friend and who he is, but this whole story does make it really clear to me why it was so easy for Jeffrey Epstein to make rich old guy friends. There's always been a market for like fixer who can deliver to a rich old man a teenage girl, right? That has always been a profitable business to be in, and that's what he's doing, right? From the book Digging for Troy, quote, he wrote to a friend asking for help with the search. The woman he had in mind should be well-educated, but poor, with black hair and if possible, beautiful, but my main requirement is a good and loving heart. More important, she must read Homer. Schlimen assured his friend that he could tell everything he needed to know from a picture. His friend sent several. Schlimen dismissed one after another, two bossy, two ill-tempered, two domineering, all this decided from pictures alone. Finally, Schlimen settled on a student who was about to become a teacher. Her name was Sophia in Gastraminos. Schlimen wrote his friend, "Hi, where? She is the only woman who shall be my wife." Schlimen left America to meet Sophia in Athens, Greece, where he told her, "If you marry me, it must be so that we can excavate together and enjoy a common enthusiasm for Homer." She must have liked Homer, and maybe even Schlimen as well, because 19 days later they were married. Schlimen was 47, and Sophia just 17. Yeah, that's an upsetting age gap. This guy sounds like the most insufferable date. I just think you're about the description of him with the shrill voice. Shrill, and talking about him. He's got equities in Homer. Two bossy, like, two domineering. He probably sounds like Ben Shapiro. Oh, man. Yeah, yeah, little Ben Shapiro-y voice. He's got his homer-loving child right now. I don't agree with the biography that this suggests she had a shared enthusiasm for Homer or for Schlimen. All I think this really says is that some Epstein shit went down, and Heinrich bought a teenage girl. Although there is a plausible more optimistic way to look at it that maybe this poor chick in Greece was like, "There's this rich idiot who's willing to marry me, and he's not gonna live that much longer." Especially if he wants to go digging in Turkey very easily, he could die doing that. Then I get his money. She may have been making a very smart decision. If she was just like, "Yeah, I think I'm willing to humor a rich old asshole until he strokes out. If that was your move, hats off to you, Soviet." Top hats off to you. Top hats off to you. His money is better with you than anyone else. As Rubel Kama and Klein describe it, once companionship was taken care of, Heinrich pivots to his much larger plan, which is making himself immortal through fame. Right? He's gotten rich, but he's not famous. He wants to become a famous figure, and the way to do that is to make a great discovery, to find the buried ruins of Troy. Earlier on, during his first experimentations with archaeology, he'd met another real archaeologist, a guy named Frank Calvert, and this would have been when he was in Turkey during his grand tour in 1868. The two met by chance near a dig site that Calvert owned, a big mound called his Sarlick. Through judicious and careful study, Calvert had grown convinced that his Sarlick held the ruins of Troy, and he was right. It absolutely does. Now, I should note here that Calvert did not originate the idea. For a long time, realists who believed in Troy had traced its ruins to a location called Pinar Bashi that was nearby. But in 1801, I kind of a tourist amateur archaeologist, I think, named Edward Clark, had visited his Sarlick and had picked it out as the site of the actual Troy. By doing like real archaeology, he had done some light excavations, he'd found some coins in the inscriptions, and he argued based on the evidence that like this is very likely where Troy was. Calvert is convinced that Clark is right, and he buys a bunch of this property so that he can start digging, but he doesn't have a lot of money to keep doing. Robert, this is not the first time this guy has come up on our show. When you did the episode with Chelsea back in many years of the behind the swastika, this guy came up. Yeah, Edward Clark. Yeah, because he was doing early excavations. Well, I mean, in Schleeman does too. They find swastikas on some of these ruins, which is part of what we do talk about that in the swastik episode. The fact that there's a symbol that exists in some of these ruins is part of what ignites swastika fever in Europe because the discovery of these Trojan ruins is such a big deal. And because nationalism is all budding in this period too, it all unfortunately comes together in a stew that's going to have some tragic outcomes much later on. But nobody's morally to blame for that stuff here. Heinrich meets this dude Calvert, who's become convinced that Clark was right, and Calvert converts Heinrich to the view that his Sarlick is where the Trojan Ruins are.
So Heinrich basically heads back west, long enough to divorce his wife and marry this child, and then he's like, it's time to go dig up the ruins of Troy. Because he had very little experience with any of this. Heinrich used Calvert as his own personal Google, or I guess fucking chat GPT today, and he bombards the man with questions about like, how do you do an archeological dig? What do I buy to spend several years digging in Turkey, right? Calvert himself is broke and had no more money to fund the dig on his own land. So he was happy to help Heinrich in the hopes that this rich asshole would pay to fund the achievement of his dream. In 1870, Heinrich arrived at the dig site, Hisarlick, with a team of hired men armed with pickaxes. Now it is important for me to note that Hisarlick was located within the heartland of the Ottoman Empire as a real functioning government. Sorta, they had a process for archeologists to follow before digging shit up. But Heinrich is not a go through the processes kind of guy. He knew that would take time, and it would inevitably just force him to keep the best stuff he found in the country where he'd found it. And that's not. - That's because he's not getting permission. - Well fuckers, that's an absolute shit. - Well, debatably not. He definitely doesn't get a permit. And he's definitely digging illegally. I didn't, in my research, I found a 1999 article in the Journal of Archaeology that claimed Schleeman made an informal agreement with Ottoman authorities to split his findings in exchange for permission. So he didn't get a permit, but whoever the local authorities were, he promised to split the treasure with. - There's no way we think that, yeah. - He doesn't do this in any case, but he may have had some local approval. Whatever the case, he's breaking the law by doing this dig, right? You know who else is breaking the law? - No, maybe. - God willing, our sponsors, you know? We'll see. If you can buy a switch to turn a lock into a machine gun off a Facebook illegally, why not have illegal advertisements on podcasts? Let's see, maybe it'll be something fun. - I'm Melissa Jeltsin, and in my new podcast, What Happened to Her, I'm bringing you new stories and conversations every week. Stories about women whose deaths were too quickly rolled as suicide. - She was starting to get worried and get scared for her safety. - Stories of survival. - The only difference between me and her, frankly, was a little bit of luck, because by all rights, I should be dead. - Cases that everyone else called closed. - They can't convict her, right? Like, she has so much evidence. - These stories all start in the same place, with a woman failed by a system that didn't believe her, that didn't protect her, that didn't see her. - No child should ever experience that. - And we were babies. - She did all of these grave things and came out and spoke about it and he got a year. - I never know who that devil is, because he's wearing disguise. - Listen to What Happened to Her, on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. - I'm Hamza, and I'm Martin, and we're the hosts of Out of Character. It's a podcast, I know. There's a lot of them to listen to these days. How are you gonna get to us? Well, there's a specific reason why you should listen to us. - We are the best podcast in the entire world. I swear, I know, bold. But why don't we list some of the things we might talk about on a regular episode? So sometimes we'll talk about, I don't know, the Uber driver we just had. - And how nice they were, or if we tip them or not, come and find out. - Sometimes we'll talk about that weird news story from last week. It's the one you're thinking about, trust me. Or maybe we'll talk about music and what's happening in the underground, or drama and music, or TV shows, or the Med Gala and what the actors wore. What we're saying is we're not afraid to talk about everything under the sun. And if you wanna see what that's like, come join us. It's a place where everyone can hang out, anyone, wherever you're from, whatever you're like, you're welcome. Listen out of character from Will Ferrell's Big Money Players Network on the I Heart Radio app, Apple Pods, or wherever you get your podcasts. - They shared the same name, the same home, the same DNA, the same blood. But behind closed doors, blood isn't always thicker than water, and family loyalty can turn deadly. From shocking betrayals to carefully planned murders, the Black of X new original podcast series, Bloodline Crimes hosted by me, Morgan Wood, explores the darkest and bizarre cases where family became the most dangerous threat of all. Because sometimes the person you should fear most is not a stranger, but rather someone sitting at the dinner table with you. Real cases, real families, real killers. This is Bloodline Crimes. Listen to the Black of X Bloodline Crimes every Thursday, starting October 8th from the Black of X podcast network on the I Heart Radio app, Apple Podcast, or wherever you get your podcasts. - My name is Josie Duffy Rice. I'm a journalist who covers the criminal legal system. In over my career, I've heard account after account of prosecutorial misconduct, story after story of injustice. But I've never heard a story quite like this. - The more I kept reading that stuff, I thought, man, there's more red flags that just kept coming up over and over. - We'll hypnotize them to strengthen that memory. So he went into a good France. I really didn't believe any of it was real, and I was like, well, they're gonna figure out this is not me, they're gonna do their police job. Listen to examined, the backfire effect, on the I Heart Radio app, Apple Podcast, or wherever you get your podcasts. - Shortly before 6 o'clock AM on November 13th, 1991, Annette's mother and her two young sons found her unresponsive inside their apartment. Investigators ruled the case a homicide. Over the years, detectives continued searching for answers, but the case eventually went cold. - This is Hunter Young-Worm, host of Hunting for Answers, a two crime podcast, shedding light on the silent epidemic of missing and murdered black women and girls, bringing attention to stories that equally deserve to be told and to the questions that still remain. - As the years passed, detectives continued working the case, but more than three decades after Annette's death, no one has been held accountable. Annette's mother, Freda Scott, spent years hoping to see her daughter's case song. She never saw that day come. Annette Jones's case remains unsolved. - Listen to Hunting for Answers, a true crime podcast from the Black Effect Podcast Network on the iHeartRadio app, Apple Podcast, or wherever you get your podcasts. - And we're back. So Heinrich had become convinced that a specific spot in this mound has Sarlic would yield up the ruins of Troy's walls. And again, they are in there, but a lot of stuff is in there. Troy was a long time ago, and people had kept building over the same site over thousands of years. Because of this, Calvert urges him to gently test his hypothesis. If you think the walls are here, let's dig several small trenches in different places to try and survey what might be there and get an idea of where we need to do deeper excavations without causing any unnecessary destruction. And Shleeman said to that, "I'm not gonna do things slow way. Well, we can do it the slow way. We can do it the fast way." From the book digging for Troy, quote, convinced that Troy was at the very bottom of the mound at his Sarlic. He armed his workmen with pickaxes in order to huge trench dug into the center of the mound. So if he will show you how that looks, you can get an idea of how much is removed from this. Like it's just, it's a V. He just tears through this fucking mound, which is layers and layers of artifacts. - V. - Yeah. Yeah, it's deep and very destructive. Now he's got another professional archaeologist that he's brought on and this guy begs him to stop. And it's like you have to take my new notes about what comes from what depth about where everything is because each layer of ruins corresponds to a different period of time. And artifacts uncovered without knowledge of where they came from without their context are close to useless, right? Shleeman calls that guy a pussy and punches it up to 11. - Quote from digging for Troy. Shleeman's methods were savage and brutal. He plowed through layers of soil and everything in them without proper record keeping. No mapping of finds, few descriptions of discoveries. Single mindedly, Shleeman chopped his way toward Troy. He pushed himself to exhaustion. The work day began at first light. They worked until the sunset and the light was too dim to continue. Shleeman oversaw it all, pacing the site with his odd gliding walk. Later by lamp light, Shleeman wrote the events of the day in a plane, stiff-covered notebook. He recorded the number of workmen, the days expenses and the progress on the dig. Sometimes he sketched the objects they had found that day. Today, archaeologists wouldn't wait until the evening to write out their notes. They wouldn't rely on their memory, which is unreliable. They take notes right in the trench, but Shleeman was never concerned with accuracy. Particularly when the truth didn't fit the story he was spinning. Because he had decided the summit of the hill would be the logical place for the most important and impressive buildings to have stood. When he found walls elsewhere, he merely moved them to the summit in his official reports. - So he's not only disturbing stuff. He's lying about what he finds where, 'cause that doesn't work by where I think things should be. So I'm just gonna say it's in a different place. I cannot exaggerate how bad he is at being an archaeologist. - Imagine him shrilly yelling at his teams of. - Deeper, deep deeper. - Yeah, they've got like artifacts. Throw those away, there's a too high up. They're not from ancient Troy. Burn them. As his teams plunged down, [BLANK_AUDIO]
through pottery sherds and bricks, which turned out to be part of a massive interlocking series of ancient walls, layers and layers of them from thousands of years of time. Heinrich was overjoyed, surely these were the walls of Troy. They were walls, and they were in fact in the location of ancient Troy. So what did Heinrich do wrong here? To explain, I'm going to have to jump forward to the present day for a second. We now know that Heinrich, by which I really mean Calvert, was correct, his sarlet contained the ruins of Troy, or rather, the ruins of several Troy's, and by digging down to the very bottom of the mount, the stuff he found at the bottom of the mount that he has convinced is Troy, are the ruins of a sizable walled village that archaeologists today call Troy too. This coastal village would have prospered between 2550 and 2300 BC, which is centuries before the time most experts expect the Trojan War would have occurred. This means that in digging down to Troy too, and tearing through or throwing away everything he found above it, Heinrich Schleeman had in fact destroyed a large portions of the ruins of Troy he was looking for. He dug down to an older thing and destroyed actual Troy. He said literally like dug too deep. Yeah, he dug too deep and just tossed out the shit he was actually looking for, because it didn't seem cool enough and it wasn't an area he thought it should be. Yeah, we will never have a comprehensive understanding of what we lost, and some passages from digging for Troy are heartbreaking if you are any kind of antiquities nerd, or just someone who values and improved understanding of our shared human cultural heritage. Quote, "There are pickaxes and shovels obliterated history." In his diary Schleeman wrote, "Unfortunately, we are obliged to destroy the foundations of a building 59 feet long and 43 feet broad. If it wasn't Homer's Troy, he wasn't interested. At 30 feet, they struck and shattered more pottery tools and weapons, but it wasn't Homer's Troy. Schleeman kept digging." And it's entirely possible, those Roman weapons he tossed out were dated to the Trojan War. It's possible that building he destroyed was from that era, right? Some of the pottery and tools that he's running through certainly did will never know. As Heinrich urged his diggers on, sickness and plague descended upon the camp. They called it the Marsh sickness, likely malaria, and it brought many of his workers low. There were also constant scorpion attacks and a major problem with venomous snakes. And digging for Troy, the author's right, "Schleeman was sure this site would have been unworkable if the Storks hadn't eaten most of the snakes." Thank God, the Snorks ate the snakes. The Storks ate the snakes. We'd have really been screwed otherwise. Didn't even know Storks ate snakes. Neither. I mean, I guess it makes sense, sure. I just thought they brought babies, you know? Yeah, that's all I'd been taught. Well, maybe the babies are snakes, just like Frank Zappa was trying to tell us. So, by June of 1872, they had reached a network of walls that we now know represent several cities built over each other over a long period of time. And he mystics them for giant walls, right? On June 18th, he writes in his diary, "I am among the ruins of Homeric Troy, which he, of course, just annihilated. But by one of these walls, he finds a gate. And behind that gate, there's a building, and he declares this building, with no evidence, had been the legendary King Priem's palace. All right. There's no reason to think this. It's just the biggest building he's found. Further discoveries followed, as Rubel-Kaba and Klein just, uh, right, quote, "Sleeman claimed to have unearthed parts of a soldier's helmet, which turned out to be the pieces of a smashed bronze vase. He had identified a shield, which turned out to be a pan with its handle broken off. It's a different idea of, like, how accurate he is. Ah, this must have been a killy shield. It's like a fucking cooking pan." Heinrich and his boys kept digging until finally, at the very end of May 1873, they found honest to goodness bonafide treasure. He would write later of this legendary find, quote, "I came across a large copper object of the most remarkable shape, which attracted my attention all the more, as I thought I saw gold behind it. I cut out the treasure with a large knife. It was impossible to do this without the most strenuous exertions and the most fearful risk to my life, for the large fortifications wall, which I had to undermine, threatened at every moment to fall down on me. But the sight of so many objects, each one of which is of an estimate of value for science, may be foolhardy, and I had no thought of danger. The removal of the treasure, however, would have been impossible without the help of my dear wife, who stood always ready to pack in her shawl and carry away the objects I cut out." And I love he's like, "These are so valuable to science, as he's destroying the building they're located in, making it impossible for us to have an clarity of like, where was this stuff from? What was its context? What is this relate to? He's ruining all of that, because he just wants the gold, right? It's cool looking." This find yields up a hall of gold and silver cups and dishes, as well as some bronze weapons, gold beads, and a bunch of jewelry. Now, these had been made by people who lived centuries before the famous Trojans, but Heinrich declared the jewelry to a belong to Helen of Troy. He declared the whole find preem's treasure, which I'm sure would have been looted during the actual war, but I don't know, maybe Agamemnon missed some shit. Because the, I guess, like Helen's jewels didn't look for that. Because the valuable stuff had been in a small area, he declared it had all been stored in a treasure chest that had rotted away with the ages. He found a random piece of metal nearby and said, "This was the key!" He wrote up his findings to present them to the archaeological world, and he wrote this grand story about, "As the invaders are cutting through the city, the Trojan royal family is gathering their valuables desperately throwing them into bags, as they flee the invading Greeks." And his findings did land like a bomb in the European archaeological community. To buttress his claims that he'd found the jewels of Helen of Troy, he had his thankfully no longer teenaged Greek bride dress up in them for publicity photos. And I gotta say, she does look pretty good. I guess that's solid jewelry, you know. Sheik. Yeah, very, very nice. Heinrich was instantly catapulted into the ranks of the very most famous archaeologists alive. He wrote articles and books about his findings, but the notoriety carried with it some problems. Notably, the Ottoman government was not happy when he publicized what he'd done to their ruins, because they didn't really know he was there. And he was like, "Yeah, I just tore through a bunch of your shit. Found some gold, took it out of the country, took all these priceless antique artifacts with me, by the way." Pern article in Smithsonian magazine by Melan Sully, quote, "When Turkish authorities realized that Schlimen had smuggled the so-called preem's treasure out of the country, they mounted a legal case against him demanding the return of the looted artifacts and temporarily barring him from returning to the dig site. In the interim, the amateur archaeologist turned his attention to another mythical ruler, Agamemnon, King of Myceny, and the brother of Minalayas. Conducting excavations at Myceny in 1876, Schlimen discovered a stunning gold funeral mask he believed was buried with Agamemnon. More recent research has refuted this connection, indicating that the mask was created around 300 years after Agamemnon's lifetime and might even be a modern forgery. And this is, I've seen this when I was in Athens at the museum there, it's Agamemnon's death mask. We'll put up an image of it here. It's one of those famous artifacts, though, in the history of archaeology. It's this gold mask of a dead guy's face, and it's a really pretty striking looking artifact. We don't know if it's legitimate or not. There's a lot of debate about that. We definitely know it was not Agamemnon's. Nobody's arguing that. Experts have pointed out that the mask looks very suspiciously different from every other Myceny and mask we've ever found, from like that period of time in that area. And that's brought up an uncomfortable question. Did Schlimen forge or have someone else forge the mask? We know he talked about forging things at times. I found that article in the Journal of Archaeology, which is the Journal of the Archaeological Institute of America, which kind of collects a bunch of the different suspicions people have about some of Schlimen's findings, including some of the Helen of Troy treasurer. It's possible he had a lot of the stuff he found at Troy forged to. We don't fully know that article notes. When it appeared as though the Ottomans might claim their fair share of the treasurer, he explored the possibility of having forgeries, manufactured in Paris to give to the Turks. Memoirs of informed contemporaries preserve allegations that Schlimen planted fines with the intention of later discovering them. Among the skeptics were British scholars who discussing Schlimen's career declared, "He who hideth can find." Ernst Courteus, director of the excavations at Olympia and professor of ancient history in Berlin, called him a "Schwindler und Pfuscher," a "Schwindler and a con man." So a lot of reputable archaeologists think that he's lying. Now, they also don't think Troy. They generally think that there was no Troy, and we know they were wrong about that. But also, Schlimen talked about having stuff forged. And there's some suspicious aspects about how and when certain things were found. It's notable that the Mycenee excavations where he finds that mask went on from August 7th to December 3rd of 1876, and the so-called mask was discovered on November 30th. So he finds the mask and three days later closes the dig entirely. And it's also noteworthy. Heinrich ended his Trojan excavation as soon as he found the gold treasure. And that's not how actual archaeology is supposed to work. It was like, "Oh, I found a cool thing. We're done." It's like what my dog hides their bone under the pillow. And then they find it later and they're like, "Oh my gosh, how did this get here? I'm so surprised, but he's immoral in a piece of crap." Yeah. So people debate, did he maybe find different artifacts around the site and put them all in one place to make a better story? Did he have things forged? Or did he maybe
buy antiquities from like a bizarre or something and pretend that he dug them up. - So crazy. - We'll never really know. - Yeah. - But there's a lot of like, there's a lot of sketchy stuff here. There was sketchy stuff too about his Trojan excavation, right? As the article continues, excavations were also closed on November 26th and 27 while Schleeman was away. Where was he? A relative of his wife, Sophia, is alleged to have been an Athenian goldsmith. Did Schleeman obtain the mask from Sophia's relative and at Athens, then returned to Mycenae and Barriott to find it on the 30th? We'll never know. There's good reason to wonder though, right? This is still an unsolved archaeological mystery. Most, and by the way, I should note, at this point in time, the overwhelming, or at least the majority view of reputable people is that it is an authentic relic. It was probably not a forgery. That's the most common view that the mask is real but that it has nothing to do with like the Trojan war or anyone involved with it, although again, there is still debates here. And there were extreme doubts about the mask's provenance in Heinrich's life, both from people who thought it a forgery and those who argued it couldn't have belonged to Agamemnon. And part because he did not exist almost certainly. Near the end of his life, Heinrich did sort of accept this by saying, so this is not Agamemnon. These are not his ornaments. All right, let's call him Schultz. Right? I don't care who's it is. It's a great artifact. I'm famous, it's fine. Yeah, if maybe you'd done a better job as an archaeologist, we might have found out who it was. Yeah, but Schleemy doesn't care about the truth. He cares about finding shiny things, is that makes clear. And you know who else likes shiny things? Sponsors of this podcast, they love 'em. - So true. 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Annette Jones' case remains unsolved. - Listen to Hunting for Answers, a true crime podcast from the Black Effect Podcast Network on the I Heart Radio app, Apple Podcasts, or wherever you get your podcasts. (upbeat music) - And we're back. During the height of Heinrich's active time in the field as an archaeologist, he was known to react with fury and venom to anyone who questioned him. This is just his normal life. A lot of passages from Leo Duel's book make him sound kind of like Elon Musk, including this one, quote, "His relations with even his closest friends "and associates remain stormy. "At one time or another, he fell out with all of them. "Touchy to the verge of paranoia. "He took a fence on the slightest provocation. "The mildest criticism of his books "and excavation results in since him. "Any disagreement he would take as a personal affront." Now, I should also note that despite the fact that he partners with Frank Calvert and is digging on his land and Frank is the guy who told him where Troy was, Heinrich doesn't mention Frank at all in any of his accounts of the story. He cuts him out entirely in the story of the discovery of Troy. He leaves his name out of letters and articles he writes about their shared findings, and he will work with other archaeologists and anytime he works with someone else, he cuts them out of the story. He constantly does this. As Leo duo writes, "Schleeman took from others liberally, "but an essentials claimed credit for himself. "In the end, it was always he who would discover "the site of Troy, the Magara longhouses of the second city "or the relief ceiling of Orko Minos. "In order to magnify his accomplishments, "he would play down the contributions of others "and enlarge on what he considered their errors. "The decisive role of Frank Calvert, "who had not only dug at his Sarlic Troy, "but owned half of the tell, "in leading Schleeman to the site "and the first place was never clearly acknowledged. "Even his wife Sophie is active part in excavation discovery. "He tended to sweep or leave entirely unmentioned, "even cutting his wife out of it at the most part." - Wait, so did Calvert get anything? I mean, he didn't get the acknowledgment, but did he get like-- - He does, yeah, he gets some of the, he gets some money and stuff for it, I think, 'cause he does own like half of the fine, technically. But I couldn't tell you exactly how things financially work out, but obviously we know about Calvert now. It does come out. He continues digging in returns to Troy after working at an arrangement with the Ottomans to hand back a few of the less valuable artifacts that he'd found to do them. And by the way, all these artifacts today are in Russia because again, they wind up in Germany and then the Russians take them. And so there's both Germany keeps asking Russia for the artifacts back in Turkey, keeps asking Russia for the artifacts back. And I gotta say Germany, these aren't yours. Guys, you have no claim to these fucking things. Like, I'll listen to Russia's claim because of the war a little bit. They should be in Turkey, right? Certainly not in Germany. We can all agree wherever they don't belong. It's fucking Germany. So Leo's book makes a really interesting point about the way in which Heinrich conducted his digs and how he decided like where to tear through and what to do, which is that he treated excavating relics like a venture capitalist treats investment, right? It's a very capitalist attitude towards archeology. During his archeological phase, he never ceased to look after his investments and he remained active in real estate and securities transactions. Until his last days, he visited himself with building schemes and Athens. His excavating, at least in the beginning, was haphazard and reckless, reminiscent of speculations that rested on shrewd intuitions like trading and commodities, right? He does everything that way, including like dig through priceless relics. Only mention to you.
like on the dig what he was, yes, he was drawing some things from memory at night, but he was also just like in the books, you know, like paying attention to the money. Yeah. He was too upset how much of my spending, what's the cost, right? As opposed to what am I digging up and where was it found? Yeah. We know more about like what he spent to make this happen than we do about where certain artifacts really came from. Um, he made his return trip to Troy on March 1st 1882. Heinrich was sensitive to the by now many complaints made by the archaeological community in his own day that he was a brute, destroying actual history and his almost blind quest to declare random shit Trojan war relics. And that's important. You'll hear periodically people say like, well, everyone in Heinrich's day was kind of that reckless of an archaeologist and they weren't. That mainstream opinion at the time is that he is a fucking destructive force. Right. He does hire real archaeologists for this dig. Thankfully, he brings a guy named Wilhelm Dorpfeld, who's a very diligent scholar and expert archaeologist with him on this next dig to Troy. And Dorpfeld sets to work trying to figure out what's happening in this disastrous dig site. Heinrich left behind years earlier because he immediately realizes, oh my god, you have torn through thousands of years of history and just tossed it in the trash. I have like, if I, I can maybe undo some of this damage, but it's going to be the work of the rest of my life to unfuck what you fucked up here in the slightest amount. Um, one thing Dorpfeld finds is that there were very large buildings in the layer that Heinrich had declared Troy. And as they uncovered them, Wilhelm mourns Heinrich not to draw conclusions about what they're finding until they have more information. And Heinrich ignores that and starts darting off letters being like, I found King Prem's bed chamber in the like. He leaves Dorpfeld out of the findings entirely does not mention this guy. By 1883, Schleeman is done digging and convinced he's done enough to prove his theories correct. It's such a dick. He's a huge prick. Once he returns to Europe, though, his claims are met with a wall of professional skepticism. People are like, yeah, man, nothing you've done has proved that it's Troy. Yeah. This guy again. Yeah. Like it certainly hasn't proved these relics belong to King Prem or anything. And so there's a lot of people who think he hasn't done anything of significance. Like he uncovered like a crematoria for an old royal family at some point is kind of what a lot of folks assume. Over the next years, he tried to enjoy his money and pretend he wasn't bothered by any of this. But by March 1st of 1890, Heinrich had grown so frustrated with what he considered a character assassination campaign that he returned to Troy and his goal is to find the royal cemetery because his doubters were claiming the palace he'd found was just a crematoria for the dead. And he was like, well, if I find the real royal graveyard that will prove there was no crematoria and then they'll have to believe I was right. He has a railroad constructed to the site this time so that he can more quickly throw away dirt dug up in this quest. He pays Dorpfeld to return. Per the book digging for Troy, quote, "Dorpfeld saw the newly exposed work site as an opportunity to reassess Hisarlick. He began a meticulous study of all the layers of occupation, not just those levels surrounding which Sleeman believed to be Homer's Troy. Sleeman found it difficult to be a patient with Dorpfeld's systematic approach. The man was far too slow for him. But his life's achievement, his legacy was on the line. So he left Dorpfeld to his finicky procedures. He's kind of he's resigned to the fact that I have to let an actual archaeologist do actual archaeology here. And it will surely prove that I've been right all along." You know? And Dorpfeld does puzzle out the different layers of Troy. He's the first guy to start doing this. And he comes to understand that Troy, one, the earliest settlement had been founded at the very start of the Bronze Age. The last layer, the top layer, Troy 9, had been constructed some 3,500 years later. So there's almost 4,000 years of history in this mound. At long last, someone competent had begun the still their Turkish archaeologist are today still undoing the damage that Sleeman died. And they can never undo it all the way, right? But he Dorpfeld starts the process. And for this last vanishingly brief part of his life, we can truly say that Heinrich contributed to real meaningful archaeology and that he paid Dorpfeld to do some real meaningful archaeology. During Christmas of that year, 1890, Sleeman left Dorpfeld to sort through their findings and went on vacation to Naples. He came down with an ear infection that wore at him throughout his trip, and then one day, on a way back to his hotel, he had a stroke. Heinrich was taken to a hospital where he died the following day, December 26, 1890, in Naples. And he's fucking dead now. Thank goodness. Merry Christmas. Yeah, Merry Christmas, everybody. Heinrich Sleeman did eventually die. That's our story. That's all I got. Yeah, I just worth it again. There's some good articles you can find about the Turkish archaeologist kind of undoing his damage and all of the work that has been done to actually figure out what was really going on at these sites. He declared, you know, Troy, where Troy was. But yeah, yeah, that's the Heinrich Sleeman story. Do we know if he's the young child bride, Sophia, if she continued in archaeology as well after he died? I don't think she did. I think she continued to be a rich lady for the rest of her life, though. Yeah. So good for Sophia. Wow. Yeah, nothing but sympathy for her. And she did look great in those jewels that had nothing to do with the Trojan War, how long it took. Absolutely nothing. Well, Kristen, you want to plug anything before we go out here? Sure. You can listen to my podcast on Lady Like and Conspiracy, she wrote. Just search both of them and find your flavor. Listen to both. Hell yeah. That's all. Yeah, check that out. Check out Conspiracy, she wrote and check out Kristen. I'm sure we'll have you back on the show before too much longer. Kristen Conger, but thank you for talking about some archaeology bastards with us. And I hope everyone listening enjoyed getting a break from horrific nightmarish crimes against humanity and enjoy just some all pretty upset in crimes against archaeology, but nobody was murdered. Yay. Well, kind of. No, he wasn't he was a war prophet here and a bunch of people did die at the digs probably. Yeah, but was that the marsh disease and marsh sickness? The marsh disease. Pretty low body count for a behind the bastards episode. Fair enough. Fair enough. You're welcome, people. You're welcome, everybody. Yeah. Yeah. Come back next week. We'll probably have some heart breaking. Bye. Behind the bastards is a production of Cool Zone media. For more from Cool Zone media, visit our website, coolzonemedia.com. Or check us out on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts. Full video episodes of Behind the Bastards are now streaming on Netflix, dropping every Tuesday and Thursday. Hit remind me on Netflix so you don't miss an episode. For clips and our older episode catalog, continue to subscribe to our YouTube channel, youtube.com/at Behind the Bastards. We love about 40% of you, statistically speaking. 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Podcast Summary
Key Points:
Heinrich Schleeman was a destructive and unqualified archaeologist whose methods caused irreversible damage to ancient sites, especially at Troy.
He based his theories on speculation, such as claiming Odysseus lived in a mountain in Greece, with no evidence or scholarly foundation.
Schleeman engaged in illegal excavation, bypassed Ottoman authorities, and destroyed layers of ancient history without proper documentation or context.
His discoveries were often fraudulent or forged, including the infamous "Helen of Troy" treasure and a gold mask claimed to belong to Agamemnon, which recent research has debunks.
Schleeman consistently misattributed findings, ignored or erased the contributions of real archaeologists like Frank Calvert and Wilhelm Dorpfeld.
He displayed extreme racism, sexism, and arrogance, including racist remarks about non-European peoples and a history of failing in personal relationships.
His obsession with fame and profit led him to prioritize shiny artifacts over scientific accuracy, treating archaeology like a speculative investment.
Though he is widely criticized, his actions inadvertently paved the way for later archaeologists to conduct more rigorous, systematic research at the site.
Summary:
Heinrich Schleeman, a 19th-century German archaeologist, is widely regarded as one of the most destructive and unscientific figures in archaeological history. Despite having no formal training, he launched illegal and reckless excavations, particularly at the site of Troy, where he tore through millennia of layered ruins without proper context, mapping, or ethical considerations. He claimed to have unearthed the legendary palace of King Priam and the treasures of Helen of Troy, but his findings were based on personal conjecture, not evidence.
He destroyed crucial artifacts by indiscriminately removing soil and dismissing or discarding finds that didn’t fit his narrative. Schleeman also exhibited extreme racism, personal arrogance, and a tendency to discredit any criticism, often cutting out collaborators like Frank Calvert and even his wife from his official accounts. His later attempts to justify his actions were undermined by professional skepticism, and modern research shows that many of his discoveries were either forgeries or misattributions.
Though he gained fame for his discoveries, the real archaeological value of the sites he damaged was lost. The damage he inflicted was only gradually reversed by meticulous scholars like Wilhelm Dorpfeld, who later documented the full timeline of Troy’s occupation over thousands of years. Schleeman's legacy remains a cautionary tale about the dangers of unchecked ambition, poor methodology, and the prioritization of myth over evidence in archaeology.
His story highlights the importance of ethical excavation, collaboration, and scientific rigor in preserving humanity’s cultural heritage.
FAQs
He failed to preserve context by destroying ancient layers of ruins while digging for Troy, tearing through millennia of history without proper record-keeping or mapping, and often misrepresenting where he found artifacts.
No, he did not discover Troy as a whole. He found ruins of an older settlement, but his destructive methods and misinterpretations led to a false narrative that the site was the legendary Homeric Troy.
His approach was reckless and driven by personal ambition. He treated excavation like a business venture, prioritizing quick discoveries and profit over scientific accuracy and preservation.
He moved artifacts and ruins to locations he believed were more significant, claimed discoveries without evidence, and fabricated stories—such as finding Helen of Troy's jewelry—without credible proof.
The gold and silver items he claimed were from Helen of Troy are likely genuine but were misattributed. They predate the Trojan War and were not connected to the mythological events.
He did not contribute through proper archaeological methods, but later work by scholars like Wilhelm Dorpfeld helped correct his errors, showing that the site contained thousands of years of layered history.
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