אנשי הצלילים, פרק 1 | ארבע דלתות, ארבע הזדמנויות

In fact, my first group of friends had a bunch of friends who were also there at Kibbutz and we were very close and they also worked as a team. I knew him as a team member, so we were a family. And he, just one day, knew that I would open a book and he was my first friend. That's how it was for you. Hello, you and my friends are here with us, the podcast that tells the story of the singers who are after Israeli music. This podcast is about David Ben David, the director of Israel, Neta Meshali and I, Amir Al Fassa. Today, in the first part, we will talk about how each of the major singers in the industry started the way, what were their first challenges and how each of them managed to become central in the music industry. It is possible to accept the music industry and choose from the major singers. Each of the major singers that we will talk about started a different way. They are not always prepared and not always consider themselves as singers. For each of them there was a moment when they were just about to get to the point that they didn't really want to. In this program, we will meet four singers, four artists, four singers. On his way to the world of music, Noam Feingold has a brilliant side. Together, they opened the Music Awards of The Mythology in 1994, at the Jewish Center in Salom Alechem in Tel Aviv. To the left, the place went to the music awards of the ZAPA. Noam has a relationship with artists and artists, and does not plan to become singers. Feta's father found himself a member of Salomo Artsi, and the collaboration was great. He is a member of the ZAPA and he wants to be a part of his ZAPA. In 2012, he decided to come and join. Most of the time, he is a member of his ZAPA. It was something that led me to become a part of the ZAPA. Of course, I was also inspired by the humanity of my career and the understanding of the other side. In the ZAPA, I was one of the first to become a member of Salomo Artsi. I was inspired by Salomo Artsi. In fact, Salomo Artsi is a world that is not common in the world of music. It is very unique. Of course, I learned a lot from him. A few years later, Feingold's brother joined the ZAPA, and instead of Salomo Artsi opening up to Noam, he became a member of Salomo Artsi. In 2019, he became a good friend of Moshe Ben-Ari. He became a member of Salomo Artsi, and he asked me to help him. He is a very close friend of mine. Me and Piloni started playing with Moshe. Piloni and Danika were the only ones. A friend of Salomo Artsi, a member of Salomo Artsi, and also a member of ZAPA. Feingold passed away from the ZAPA to Noam. He grew up in Salomo Artsi only after he quit Salomo Artsi. Today, he is also a member of Salomo Artsi, and he is a member of Salomo Artsi, and he is a member of Salomo Artsi, and a member of Salomo Artsi. But how can you know that you are a good member of Salomo Artsi, when you don't have a good team? This is Reisenman. Today, the member of Salomo Artsi, Nufar Salman, and Yogi, Yogyav Grusman, starts playing music. I became a friend at Leaka, they called me Benji Trio. We worked since 2017, and for three years we worked together. I think we were one of the best in the country for so many years. We worked together for four or five weeks, and from the start of Benji Trio's work, I found myself taking over the entire strategy and communication both in the festivals and in the festivals. I didn't do it at all, but of course I wanted to fix it, and I wanted to be a better strategist. Suddenly, I started to get used to it, to get used to the movies, to get used to the entertainment that is called "tagging". The more I get used to it, the more difficult it is, and the more difficult it is, the more difficult it is. And I continued to do it, and in the end I got used to it. Maybe it wasn't the beginning of the classic, but that's exactly what makes Leoman's way of playing. Everything opens up in order to be used, without having to move from head to toe. There are some that are born with a guitar in hand, others are born with an open axel, that Ron Arbiv, who was on the side of Jane Bordeaux, Tarminer, Rona Cainan, Ruta Kiboud, and today Leoman is playing with Yassmin Mualem. No one of them is born with an axel. She wanted to find herself, and she found herself in the context of the play, again, almost in the end. I really got used to it. Really, before the festival, I was in the 19th and 30th, I attended a lot of festivals, I was really into music, I don't know if you've heard of it, but I listened to the whole campus, listen to it and listen to it. I was here, I got used to it, music was always a part of my life, really, but I didn't listen at all to Israeli music, maybe a few weeks ago, I saw Dana Internation, she had an album called "Golan Biladay" It was always a part of what I loved, and I developed it well, and it was global, but I didn't know that there was such a thing, of course not in Israel, and I didn't realize at all that I was doing it. Then, in the 1930s, I met a friend, I was like a monster in one of the festivals in Tel Aviv, and she asked me, "What is this?" I said, "I'm looking for myself, I don't know anything, I have a friend I know, he works with me, he's a member of my team, he's the leader of the group, he's called Gilad, and he's always looking for a big guy and doing all sorts of things, he's a musician, I told him, "Let's meet him." He just met us, and he didn't know what he was doing, so he met me, because this guy was my partner. This guy is Gilad Admoni, who's a member of the group, and the record company was launched in 2018. And we started working together, and he told me, "Yes, I'm a member of the group, and I'm looking for something to work with, they call me Jim Bordeaux." "How can I not work with you?" Gilad told me, "I don't like it, I don't listen to Israeli music, but come on, I'm coming." And I started working just for fun, because I wanted to understand how it all works, and I actually started as a member of the group, of Jim Bordeaux, that's how I got into it. It's easy for someone who knew me, someone who managed to be a partner and a really good friend of mine, until today. All of this happened in the next decade. But let's move on to Oren Gorevich, the director of Yudha Poliker, Balkan Beatbox, Idan Chaviv, Rikigal Vaod, the artist who didn't know music, opened a new album. A few months later, the synthesizers and the music that was released were sold in the stores. There were artists, but there was once a festival called the "Festival of the Sun" which was held before the sun, and I was taking part in a special event, I had a pub there, and at the end of the 1980s, we started to do the performances. For some days it was Fort Kites, for some days it was a festival, a rock festival, as you can see in Israel, and by the way, I started working with artists from the beginning in Faka, and after that, they came to work, and so on and so forth. Also, on the way of Zor Eisenman in the Nihul world, he started off at one point, that he did not give up at all. I met with Alma when I was, I had some Fort Kites in the area of Tel Aviv, and I met Alma when I heard about it, I was about to open one of the offices, and I went there, I was there for a moment, that I was standing there, and the festival started. And I remember that all of the way, I stood there and looked at them, and it was something that I had been through, even before we talked about Nihul, even before you were there, I sat there, in my brother's room, and I sat there for a moment, out of context. I was not at all in the form of something, but I saw it. So when Eli came, when we made the conversation, he came with Drive, Google Drive, he came with Google Drive with an album, so he made the album, when it was in Yudbet, it was a week, it was going, it was written with the name, with the name Boaz, and that's it. That's what Eli came with. And he went to see you, and the festival started. And he came with an album. It was a session still, he came to me without knowing or knowing, but he taught me, really, how to get out of this. When you say "I need Nihul", that's how it is. My friends, when I was making music, and I listened to the album, I was surprised, because I didn't know what to think about it. If the song goes like this, and if the song changes, it goes like this. A lot of times, the path he took started only in one song, and he didn't have to worry about it. In the case of Sharon and Yasmin Mualem, it happened in 2019. It was the period when I was in Rimon, when she even worked in the 16th century. And what happened was that I listened to her song, I listened to Rie, she released Rie, so I didn't know that she was going to release an album. She released the song, and she released it, and it was a friend who released it, and I listened to it. I said, "What is this thing?" "There's nothing like that in Israel." "I didn't listen to it." "I didn't see anything like that." I listened to it. And there were so many songs, that I listened to Gilad, and Gilad told me that he listened to them, from Judea, from Rimon, that he listened to Rimon, that he had to talk about it. And I said to him, "We don't listen to music, it's more than enough." And then she released more than enough. And then, more than enough, I said, "I know, I'll write it to her." And I just wrote to her, "Seron, let's meet at the cafe." She told me, "You're very welcome." And I said, "Let's do it." And we met, and really, there are moments, when we met for a long time, and when Yasmin listened to it, you can't explain it at all. He came out of the room, and we met for a long time, and we both said, "Wow, wow." "What is this thing?" "What does it look like?" And it was amazing. Yasmin listened to Seron and Gilad, three songs. 42, "Kacha Adifli," and another song that was, just a little bit. This song was written by Siba. Gilad and Seron told her, "There's a dog here. There are two people here who believe in God and what you do, and, well, let's start working." But we said, "Okay, there's no dog, at the moment, I don't know if there's a dog." If it's a bird, a bird in a tree, there was a song that came out, not from the 800 Views, what's clear is that you have to make an album. It goes here with a story, and you have to work on it. And it really came out, that it's a work. I made the call in February 2019, and in February 2019, in February 2020, I made the call. In February 2017, I made the call, a year after that. It seems that there's a woman in every neighborhood, and the same way that Zohar talks about Al-Magov in the streets, and that Seron is drawn from the right, that's Oren Gorevich, and he talks about Yudha Poliker. There's a small group of women in this group, and I thank every day that I have the courage to work with someone like that. The icons, like the name, the name of their work, and their heritage, are all about it. Yudha didn't say anything new. Yudha didn't say to be a part of this conversation that's happening today. I'm not talking about Yudha Poliker in Gilo. He's a very busy man. His family is very successful in Israel, and he's got tens of thousands of kartis, and he has to work with Yudha. It doesn't change, it changes, it changes, it changes, it changes, it changes, it changes, it changes, it changes, it changes, it changes, it changes, it changes, it changes. When you get a chance to get one of the largest in the Hebrew language, you take it. Noam Feingold also took that chance. I'm very happy with his work, I started in the easy field, we got very, very, very happy. I'm not very specific, I can call myself a woman from the Middle East, but in the Middle East, not in the Middle East, yes, in the Middle East, he's a very brave man, and he came up with a very big story, and he said, "I'll stay here." In the end, he's another person who needs a trigger, and a vision, and the thought is perfect, and that's what happens. In the end, he came to me in a short time, because I was a poet and a writer, and then I got a little nervous, but we have a lot of, a lot of thoughts, a lot of jokes, a lot of jokes, in the end, to keep calm, and strong, like I said, it's more difficult to express myself. Noam came at a critical point. If this is the case, he will be the artist that will be produced really in the last few years. Oren and Noam, are artists who are in the market, and want to keep a place, but what happens when the artist begins to put a trigger, and the reality is in control? First of all, it's important to note that this album came out in February 27, when it came out, the first album was released in Tel Aviv, in Israel. After it had already been released in the world, no one had the chance. Exactly. So the album came out, and when it came out, it was a global album, Corona, there is no such thing. The album that we released on the end of March, to Barbi, obviously didn't happen. Now it seems to us that it's a shame, because it's a terrible war, and at a critical moment, but then it's like everyone is silent, people don't know how to play music, or not. It seems to me that it was a terrible moment, and suddenly I remember that something happened, suddenly it was an accident. The situation in Corona is terrible. What happened in the year 23, it's been 10 years since the last time, because everyone is silent, quiet, and at home, quiet. And there are a lot of people that are very upset about Corona. First of all, I was a bit worried, I know, because I forgot to mention what happened before Corona. But the musicians, some of them were dead, like, broken bricks. And so, at the bottom of the area, there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension, and there is a lot of tension,