Noli Me Tangere, Part 1

In a piece published in Global Asia, the renowned sociologist Sayed Farid Alatas remarked that, "The Philippine National Hero, the writer Jose Rizal, was the first intellectual in Southeast Asia to think systematically about social and political issues. In fact, it could be said that results thoughts about the nature of Filipino colonial society laid the foundations for an original Southeast Asian sociology of colonial society. Within the corpus of results intellectual output stands his first novel, the Noli Metangere, an incendiary Gitties that dared to describe, if not exposed, the complexities, tragedies, and color of life in the Philippines in the late 19th century under the Spanish colonial regime. In this first of two episodes, we explore the Noli and talk about the context of its publication and the main characters that animated the story. Hi, I am Aaron Nalyari. I am Nika Nguelarri. I am Janet Rignin Estelia and I am Veckel Porja. And you are listening to podcasts, conversations, and Philippine history, politics, and society. Hello everyone. We are now at the second episode of the second part of Rizal on Air. Okay, so we are going to be happy because we are not going to record it. True, we are going to be happy. We are going to be happy. It has been a while. But we are going to be happy. So, we are going to be happy. Actually, this is what I am saying. Of course, it is important that the Noli and Rizal are happy. We are going to be happy because this is the first episode of the season. It is going to be a lot of fun. The things that we are going to be happy about. If we are going to be happy, we are going to be happy. We are going to be happy because this is what we are going to be happy about. This is what we are going to be happy about. I am not going to be happy because there are only a few people who are going to be happy. There are only a few people who are going to be happy because there are only a few people who are going to be happy. But, there are only a few people who are going to be happy because there are only a few people who are going to be happy. We are going to be happy because there are only a few people who are going to be happy. Wait. Wait. Wait. I have a question because these are the works that we are going to talk about. This is the major reason why they are going to be happy and they are going to be executed. This is the research of crime and punishment. The infernism is the major interest in the mode. The idea is the character that is born in the quote, "We will be killed." The idea that is born in the quote, "We will be killed." If we are going to be killed, we will be killed. If we are going to be killed. The idea that is born in the quote, "We will be killed." This is the project of a Nobel Prize-winning project. In open-tone risals, the European Union, the European Union, the Indian Braavos, the Illustrados. We mentioned this in one of our previous episodes, "A earlier part of the season," the Illustrados meeting in 1984, the Justice Reserve, this is what they said together. But the plan of the process of making a new car was made by this growing. But it is not materialized. But eventually, the proposal was made. It was made by this proposal. And the accounts that were announced in the story, the story of the Nobel Prize-winning project, as early as 1984, and was published by the 1887s. It was published in other countries in Europe. In Spain, it was published on the 1.5th, and later on, it was published in Germany in 1887. The story of the Illustrados meeting was made by the Violla, which was published in the story, for print and the first 2000 copies, later on, it was published in the story of the Ibygun and Kailala. The biography of the Ibygun is a very influential young man, who was born in the early days of the year. And the old Tom Skabie, who was a heart-yet teacher, and the title, "Words from the Bible," was made by Jesus, who was a very young man. So, he was born in the early days of the year. Touch Me Not, for I am Not Yet Ascended to My Father. Touch Me Not, or was born in the early days, because the story of the controversial, was not published in the early days of the year. So, he was born in the early days, precisely for the story. He was told in his dedication to the book, that he would help Amipatria or to My Father or Motherland. This is one excerpt. So that each one who would count to invoke the Divine would propose a cure for them. And to this end, I will attempt to faithfully reproduce your condition without much ado. I will lift part of the trial that conceals your illness, sacrificing to the truth everything, even my own self-respect for as your son. I also suffer inner defects and failures. So, it's very clear that what you want to do is to put your condition on the Philippines. So, let's enter. If you want to know what the truth is, you should be able to read the book. You should read it. Because it's one of those early works that really thought about society in the colonial context. Okay, so, what do you think about this book? The main character of this book is the Christos Tomoe Ibarra. I don't know if we can understand the name of the church. It's a mystizo, right? It's a book that is written in Europe and is written in the Philippines. In the fictional world of San Diego, the setting of the Bible, but the character of Ibarra is very complex. The vision of the book is that if you read it, in San Diego, because it's the same for you to understand the meaning of the Bible. After you realize, there are other problems in the book. Of course, I'll explain to you the meaning of the Bible. It's a very complex character of the Bible. The representation of the people of the Philippines is that it means that the Bible is a very complex and it's not the meaning of the meaning of the Bible. The meaning of the Bible is that it's a very complex character of the Bible. There are many other interpretations about the Bible. It's possible that it's a very complex character of the Jewish colonized body that is trapped in the life world. Sadly, sorry, spoiler alert. If you don't know, you won't understand it. You will understand. Of course. It's a very complex character. The story of the book is written by Christ, the prophet of the prophet. So, the father of Adam, the French, and the other people of the Bible, they are very happy to see the prophet of Adam, who is the father of Adam, the father of Adam, the father of Adam, the father of Adam. So, the father of Adam, actually, spoiler alert. The father of Adam is the father of the Jewish colonized body. So, it's a very complex character. Yes, I know. So in some of the prizewold, the father was open to safe low. They have taken their bandages from Christ to the his own father. So after these days it's time to give them the shrinkage constitution of anxiety and corruption for victims from public pierwszy studies which areagrams of others who didn't understand the reform your unreasonable remarks siaguro kung easy pens, siyito pa ba yung mga karakter sa tomatak para sa inyo, outside of these main characters. Okay, siaguro sa akin si Elias. So, kasi may mga interpretation si Elias, dewa para siyang idealist pero pragmatist den. Eh mo ko ako lang naman to, nose ko ganito ko siya nakikita in ng binasa ko yung nolino. Tapos, very self aware, tapos at the same time very selfless. Alam rin yung mga injustice na nangayari sa paligay, dati may gusto siyang gawin, toon kual doon. Mejumalong kot lang yung nag-ing turn of events sa kanya, kasi nakahilwala isilani salume, yung kanyang love interest. Tapos ultimately spoiler alert na matay siya. No, so at gusto ko talaga yung chapter na Elias at salume, yung break up scene nila doon. No, so barang ng long kot kasi wala si lang magawa, doon sa situasyon nila, no tapos tinang gap nila yung kalalabasa ng relasyon nila. No, so acho ka diba, I think ang lakan impactin sa kasi guru ng reality, na yung chapter nila, ay. Aksuitin ang gail ni-resal, kasi wala ng perapang print, daba. So ang sad lang nasilayon, sila yung napiling makros out dun sa mga chapters, no, so. Ano makasyon dini-isip ko rin yung bakit ka ay yung napili ng panggalin, no? Siguro na isip niya, da dalong naman siguro kasi yung story, kaya tuwala yung. I don't know. Pero para sa akin, remarkable K Elias at ibaray yung. na talon ni-ibara yung boaya. Na nalang yung bayon, yung part na yung talang. True. (Rin) Diba lang kinayon mo na nalagayon na talong mo yung boaya. Oh, eh ba, kaya, strong kasi siya. Lama, lako siya na sa avian sa klasi. Kasi feeling ko yung pinakakak exciting na ano e, no, part, dun sa novel. Yung talang may actual, no ba? So, pero ano yung nga. Interesting yung ko, ento na yung naliyas, no? At sabinganilan ng i-hina yung si-Rizal, no? Napinatayin yung karakter na iliyas. Oh, ko sa during the time alamang did, dignapalam na may season to pala itong nolimitang hari. So, naman kaka-sikwell palasya. So, pangit naman kung maging parang fantasariya na naman bubuhay, ulet boy palas yan. So, kaisi-Rizal alam nakornig ang taraginagawa parin ang mga Filipi-Matalisal yan, gungayon. Madan na way. So, Karang, diba parang, jokulang di pa da siya patay, hasil. So, ya, dag-dagkolang, no? Yung conversation ni, niibara sa kanilayas palayin. Yung isang part na gusto ko about alayas, nung nasa bang kasi lano. So, to me kasi it comes across na, na, si-Rizal parang inaway nakaki pag-bushab siya sa sarilinya. Noon na, ano ba yung dapatgawin sa mga eels ng nang lipunan, mga ganyan? No, pero anyway, no? So, kaisi, nupa yung mga karakter para sa inyonan. Nags-trikes, sayo. Ako siguro bilang nana yan, no? Yung ano, yung pamilyang siisak, krispín at basilyo, no? So, ang aking kasi madalas na giging caricatriceelas sa mga depictionsan nolid, eh ba? Pero ang lalim kasi for minong kumenton nila, sabing hari nong ibang interpretations, no? Yung buhay nila, yung isang malinaw nakuento ng oppression, sa pano ng kolonialismo. In dito ng mga pilipin ng in-general pun, di patinang nana, ba ba? Eh, de ba? Kabataan. Okay, so, ang dunan ang daming sector. Yung laging na papalo, yung mag-kapatit na sa kristala, lim bawa. Adeva, na pagbintangan na nagnaakaw, hanggang ikamata yon. Si-sisa, hi-cahos nga, kasi ang gopoyong asawa mo, depressed, kasi hindi, makapag-provide sa para sa mga anak. De ba? Wala siyang magawak, kung wala makaay, nyo yung mga anak nya. Ma'yimang ilan pang interpretation na, itin natawid na representasyon, si-sisa ng inang bayan. So sa-can, nalakinong impact niya sa exposition sa Sanoli. No, so, ala ba, actually, ako, never-curintalag na processo kung si-sisa ng ayong representasyon ng inang bayan. Pero, in fairness, toto ang a-nashayong receiving end, naman ang actual, and discursive violence, nung contexto ng panahun ng kolonialismo. So, tapos, yun pa'yimang striking talaga, yung wala siyang magawak na push to the edge, ang gangsa, nawalay yung ano, kata-inu-an, doa. Nalakunod din yung depakesyon ito, nalong depakesyon ng si-sisa, a-cryspin-basidio. Specially, yung crispyin-basidio, dynamics, pedikod ang kasi-resil ni, marido-DSA baya. Nalakunod ang sobrang, sa-obang bioden for me, yung sin, hina-hampas ng pare si crispyin, kasi-penag-bintangan nag nagna-kaw, no. I mean, we all know this happened, but when I was seeing it, I was like, "So, so violent and traumatic." So, maramatur ng pina-anayong mga kapatit. So, mga-bikit sa-for me, bina-al-al-suh-have one brother, nakhari-leap. So, akunaman, um, for the characters, akot, take-ok, very interesting si-piloso potasyo. Kasi, di-ba, mayaman, parang mediat video, bello, fiyong pamilyanya. Pero, very jaded in life. Tapos yung gusto niyan ng reforms, pero ang cryptik niya, tapos parang yung interpretation, nong iba-dol parang sobrang talinu niya, na-elinate ng mga taong gusto niyan tulongan. So, to me, bila-tiba para sa-atenanatatang kanamag, buotay ng karir sa akadim, ang nakang-reminder ni Tasha, to remain grounded. Nga, paka-naman, dinapalatilagatay na-unaw, naman, nung ma-kawusap natin, or, inasum ko lang nga, dinilaka yung naway ang sinasapiko, pero, nung kot, nung kot nung kot nung kwento ni-piloso potasyo. Na, parang, parang walang panalo, nung sa nangyari sa kanya. Trong, ang lalimano, pero alamotama ka janvek, kasi, minsan ang iraptalagana na naka-kolong kalong din sa sarili mong thoughts, t-as-diba, sa fili ko nga, kaya ganon yung image na parang na baliwag, kasi ang toto, oind dinilas na na intindihan, kaya si sinasaping baliwana lang, naman, pero yung nga, indika makababa, diba sa nangyari sa baliwagit. Pero, si goro bakarin, yung mga takot ni-resal, no? Actually, no. So, parang, kung ikaw yung mga illustrado, diba, ayo muna-mana, na magsulat na, nang isang bagay na walang mak yung sinasaping, kaya pilo sa potasyo na yung kaya nabokasan yung mga kaka-intindi sa sinasaping na. So, lalo, pakaong diba, kung indakis na mga illustrado, ang gusto mo presais, liay magdulot ng pagbabagot, naman, so, well, anyway, no, ikaw li si no yung mga karaktoros na next try sa yung. Of course, classic na monton, yung mga very, very caricaturized, tadon niya, if you remember, si don't, yung victory na for one, parang pida ka karay katur yan halos nabong libro si don yung consolation at yung asawani, well, yung isa naman don yung asawani, don yung victory na si Tiburusyo. Because, siya, yung common interpretations sa kanila, ay sila yung embodiment ng thoroughly colonized na mga native, nga umabud sa point na ayo na ma-identify na native, but halos magpalit ng balat, di ba? Tidon yung victory na para, kudang na lang makchinchan susay para pumote yung balat niya, para ang ganda yung depiction na yung, na ang gusto na na, mas-identify si sa nga, naka-kila nalimang ispan yol, naka ang arts na salipunan, striking in for me, kasi it tells us na salipunan na natin, minsan yung, mas-panoong kot yung kapwa mo pilipino, ayo mo-identify na, na katulat mo sila, parang ganon. At naman, nga nyan, di ba? I mean, sa-asawani sa U.S. naman naman nga kisabi na mas-raises ba, aga-swili-pinos yung mga kapwa niya pilipino. So ang dami-parang ganyantos, parang kaisabi-pilipinos, parang ming mga auto-futouch na tao, nang gusto na yung display conspicuosli, yung yaman nila ganyan. So naka-kakairita sa-ha. Very sad. No, very sad. Naka-koha-yung mga nagaros, abrojan, dapat, inti-maging ganyan reminder, vek al-poha, li-kandelaria. Pong ita-pusta ako, so? Ya, na, ayon na, ayon na, siya, siya. Drog-koha-yung mga nila. Oh, sorry. Lina lang ang aina. Lina lang ang aina. Okay, I just go. Okay, so, so, siya, pred, ba? Ilan lang yan, dun sa mga-kharactors sa Sanolin. So, dami-pang iba, ang mga-kapadang actually yung mga listeners natin, magsharedin ng mga thoughts nila about these characters, nabanggit natin, at dun sa mga iba na hindi. True. Magkomit lang sila sa mga social media pages natin. Ya, ako gusto ko, ding, ano? Gusong mga giten. Siya, ampere, kung panan natin moa ba sa yung Sanolin, yung mga ganap ng 19th century Philippines, para ito yung itchura, ng lipuna, ng 19th century. So, to me ang galing dintalagang nida-zal na magpain, mag-depict, nga nangang pictures, yung dinascribe ni yung setting, nga nga naya-arang interakos sa, "Pakayat yung mismong sa diego?" Diba, kung pano niya nila-yout yung tahun ang galing dinda. I mean, kaya ka yung bahay lang ni kapitan sa ayo. Yung punong punong nga nang symbolize, dewa. Correct. Yung pagpasak niya, diba. Ayag ria, actually, kung titiknan mo yung "The Way That Resale," right? Because I remember in our last episode, we were talking about "Resale," writing two plays in one year. Diba yung el-conseho de los dio sa scha kaya yung huntual pasig. Pero ito ngonimita nganiti, ito kis-time, no? Na talagang, ayusan, it was years in the making, at ragang, akomplituhen yung descriptions ng munghayat ng mundo, ngon ka niya-describe. So, marami ka maralama na about the state of the Philippines. during the colonial period, particularly at this important turning point of the colony becoming transition towards independence. True. Kaya ng atinoturing Rinze Resal na isang social scientists. Kasi yung way na expociyon niya. At shempre ng maka kita natin sa matano mga karaktor, siyang ibat ibang panana na, no, toko salipun ng Pilipino. Tamah, no, so. Siguro, we can end this episode on this note, kasi ng atu parts yung nolimit ang episodes natin di to sa season ato. So, sa part 2, tatalakain natin yung noliparin, pero this time around, balik ka natin yung ilang aspects ng nang plot, at shempre pagusapan natin yung impact at continuing relevance long novel. Alright, so that's it for this episode. If you like this episode, shempre, pakilai ka follow, kami sa Spotify, at isang social media pages on podcasts na sa Facebook, Twitter, Instagram, and link in the income. My website, www.trainuppodcast.org at shempre, pasubskribes, is Spotify at YouTube Podcast TV. So, to do it, three long time, sir, Resal on air. So, hanggang next week. Thank you and have a good day.