NerdCast 1012 - RPG Western 1: Bem-Vindos a Widow Wood

[Music] [Music] Oeste, more than a land, more than a region, more than a piece of a country that is still in this information, the U.S. is a dream. People from all over the world, from all the places of the cardiais come to here. Some, for example, Russian and Chinese, they went to the east to get to this land. Other, the Spanish who came to the west, they went to the north, also to get to the same place. The French and English explorers came to the south and came to my place, but they were the United States, the last to get here, that they called this giant region of the most imaginable distance, of unfunable plannies, of natural and landscape, that they did not come to any other place, they called the west, the border. But this region, actually, has always been affected by these immigrants. For the native peoples who lived here, this was simply the cellar. It was the center of the world. The stories of indigenous peoples are so trained and so ancient that the myths of creation, the history of creation of these nations, they unite the own people with the land. The west, as well as the whole land of the United States, were surrounded by indigenous peoples, with fire, and nuances, with bullets, but not all the people who came here, were privileged, were rich, were explorers, they were people who were sitting well on the top of the hundred others. The biggest part was the compound of desperate people or the sound of the ears in search of a better life. As I said, people from the world all came to the west because the west is a dream. A place where everything seems possible, where someone in a very courageous or maybe with a little bit of time, I think it can be a single little stone, a revolver, and a sufficient amount to sleep in a barrage, instead of a subcontractor. The west is all this, it is a land where the law still is not completely consolidated, where people do not know what belongs, they do not know if they are French, French, Chinese, native Russians or even the same United States. They know that they are all destroyed, but that each bringing a part of their experience and each building, this land, different from everything, and specifically in some places of the west, there is a city, small city called "Wyrowood", the boss of the village, the boss of the village, you go, "Anaka". It was not what it was called, it was very clear, because I simply killed a name that saw the bastards. "Oh, it's not going to be that way, you will see it." "It's going to be that way." "Wyrowood" didn't start with this name. At the beginning, this small town called "Severage", it would be the town's border, the town's limit. Not because of the metal plate, but because the first inhabitants who were workers, who created here, saw the mountains that do not so much so far with their peaks, who made a press and gave a press of non-eparticity. And during a long time, if a region of a village was a village that was a village that was created, a region that was not very close to where nothing happened, that people lived this simple life of the camp, some in the river, a large part of the village, working very little, until these same mountains, someone found a map. "Those guys who were the first actors, they went to the rivers, to the rivers with the panoramas, because they had come from the river, which were rich, that the river simply ran with water, and they tried to look for signs of the river, in these little little stones, little stones with golden stones, to see signs of some of these rivers. And some of these rivers started to find the place of the river, and started to spread the rumor that in Silver Ridge, ironically there was no silver, but there was gold. So this city, which was something that was not almost where they lived, they made the entire village and their camp, their vakes, their empires, started to see a lot of people looking for something, the city was a show of a time for others, a few years ago, a few places in the village came people after opening saloons and selling drinks to take a little color that these men could run each other, they came, sexual workers, to try to survive in this region that was so inclement with them. They came, people considered, but respectable, to open hotels or other establishments, they came, people who wanted to tell the stories of the east, because even now the east is already a legend, and there are already written books, already written accounts about the great scholars, the great explorers, the great hunters, these people came here looking for some legend that had information, in a very little time Silver Ridge, experienced an explosion and turned into a bomb town, the explosive city, which is a name that is given to the community, so in the forests that surround the city in the bosques, that were still being killed to build all these new establishments, started to run out, because there is a lot of wealth and little law, there are also parts, people who came here, they came to accompany, right after left their companions, their soldiers, to go back. So, the people, Silver Ridge, left to be known by the beauty of their mountains, and passed to be known by the mortality of their posts, passed to be known by Mirawood, the bosques of the sons. Mirawood is the type of place that has everything and does not have anything. Many people live here, but the biggest part in precarious conditions, here there are some saloons, but one of them is the main one, there is a casino that is also a border, there is a army, there is a hotel, there are general products, there is a bank, the first miners bank, and there is a church, there is a prefecture, there is the chrysanthemum of the sheriff, there is everything. Pet Shop of the horses, right? Pet Shop of the. I would like to know what is Pet Shop of the horses. I think it is a Stabolo. That's it, that's it. It's all forgotten by the name. Today we have a Pet Shop of horses, we are well known as Stabolo. We have a lot of them back, right? Where were the old ones, the old ones, the workers who dominated even ten years ago, and there is a new street of iron, which ended up being built. The Wyrowoods is in the neighborhood of another large revolution. As long as the gold was discovered here for several years, and this brought wealth, this brought a lot of speculation, this brought a lot of people looking for a new life, the gold was taken by the Reds, by religions, in a very risky way, and that was very angry, and that generated a lot of death, a lot of violence, because it was easy to know when the war was going on. And it was still isolated from the rest of the country, even from the rest of the forest, but the progress is inexorable, as I would say, better than normal. - And inexorable, I'm sorry. - And inexorable, I really fell in love with the school of the school of the church, - and inexorable. - And inexorable, it's much better, right? - It's much better. - It's much better. - I never accepted it. - We can change this pronunciation if we insist a lot. - It's not that hard. - No, no. - The Google didn't say anything. - It did. - And it hit? - No, it didn't hit. - Imagine, a company of. a road road, the Westward Railroad Company, the West Railroad Company, in the last weeks, finished putting the last strings that pass through the road. And the first strings that are starting to live, every time they pass a train, what can be told in the hands of a mother, how long they've been here until now, is a meeting for the city. And the train station, which is 9,000, is like this, is built, is still not inaugurated. Here, in a week, there will be official inauguration that says the president of the Westward Railroad Company will be in this city, and will officially cut the line and inaugurate the first strings of the city. Of course, this is so festive, so stupid, and that for more than 30% of the speed, it was built also by the construction of a lot of softwares. The Chinese workers who built the railway are living here in the Westward Railroad Company. The city's shadow, is a more festive part, in extreme conditions, the name is "Git" and the "Git" is exactly, almost all of them only speak Chinese, unable to communicate with people outside of this community, and this is not the case, right? It is a proposal, to the end of the people who have power, the people who know how the country works and who control the fate of these migrant workers. They only speak English, leaving these workers in this isolated state in which they can't access the information and have a lot of contact with people outside, it's a strategy to keep them open. But they are also here, as well as many others, as well as many other people in many parts of the world, like Mexicans, like natives, even with people who were born here. The year is 1880. The state of the Colorado, where you are, was only a territory until few years ago. Only in 1876, that is, four years ago, President Lee Cesar Grant signed the proclamation to admit the Colorado as a state of the United States, and this gives a lot of security, right? For people who live here. In 1880, the United States is living the most prominent race in the world. Good part of the West is already between the Asian countries, since the immigrants from other countries know how civilisation is. The islands that lead to California, to Oregon, are almost all mapped and you know how to get to this border. There are already many contacts between the cities, between the states, but traveling to another place is still a very risky thing. As far as a small city, you will have a newspaper, you will have a medical building, you will have several comodities, you will have several things that we know about modern life. This does not mean that even the next city is safe, if you are strong enough that it is the least primary transport, you can be ambushed at some hours of the city and die without anyone knowing. The distances are very extreme and there is no type of patrol, there is no type of police, the territory is still very abandoned. That is why the trains are so important. For people who are not used to the contemporary, who are not materials, who are not cowboys, who are not soldiers, the only way to really be safe to travel or in large groups, many cars that even make that circle of cars or train. The train is a big evolution. It is a way of change that people can exist in this region. And even so, the human is empty, it is able to completely enter a train line from the rest of the country. This is the reason for the Red Dead, it is very good. There are roads, established, and there is also space for new roads. People can earn their lives finding paths and finding shortcuts, finding passages by the mountains. The Trailblazers. Exactly. Trailblazers. That's what you are. In the city of Weirowood, at the same time, Prospera and with many parts of the population living in the misery, at the same time, modern and even connected to the ancient ways, a city that ended from having its first train line, but in the city of people, especially when they end up in the city, but the city that has already been part of a state, that is, it is already being served in the law, but where all the armed people because there is a blackboard in the paper, it can't protect everyone. But the city that the power can be for any side. No one knows if this modernity will really be here, or if there will be a change, or if there will be a massacre, or if something even more unexpected can happen. I know you used to with Leonardo very, very lenient, you know, things were easy, simple, there was no blood, there was no suffering, it ended. It ended, it ended, it ended. Where is this place? What is this? It's a fucking house, I died on this story. It ended up in childhood, it ended up simple. We are playing a new system, which is, for a long time, simple, that serves our purpose, exclusively developed by Jean-Bot, to play here, and this system, it has a basic characteristic, it is metal. What this game is, it is brutal. So, the idea is to kill people. I think the people who will get very fast in the system, it is quite slow for the narrative, the characters are described not with numbers, but with adjectives, the things they are good, the things they specialize in, and the main characteristic of the system is, if you enter a tirotei, the chance to die, is real. It is real, and it is real in the US, it was developed to be very possible, very likely. Even a person is trained even a 15-year-old guru if he had a weapon, can kill a large pistol of the US, it is not because the guy is very good in the gun, that he is invulnerable to bullets. It is the weight of the gun, the weight of the gun. I'm so tired. I'm seeing that someone is trying to play a meme. So, you are in "Wheelwood", I believe in all the minors who, in their most immense work, for a company manager, who has almost everything here, who has almost all the vehicles, almost all the parts of the minors of the game, which are "Wells Boram" mining company, which are almost all these minors are going back to the city. After a day of work and that maybe they have won a lot of money for other people and very little for their minors. But even so, the small dollars that they won now are going back to the minors in the city and all the buildings are open to receive, to do what they like, and their dollars, a game, a sex worker, a petaclet, that, many wonderful, never seen, in the US, and even, in the most prosaic things, like a good joint, in the restaurant, or maybe for those more uncomfortable, there is no chance to spend money because they end up in the city of the city, the local city, the bank, which is also in the main square, which is the first miners bank, the bank of the miners, it is closed, obviously, it will open only tomorrow, because also, all the markets are going to be closed, because the streets are going to be beaten, which has so much protection, exactly. There is no sale of hop in the city, so maybe it has, but you will probably have the work of the Chinese emigrants, as I said, everything that I was able to interact and even things that I have not had you can ask. There is a program with drugs, like Pro-Air, and Prada, and the bathroom. I don't know what the ingredients are. Anyway, one of these people who is running into the city, is not an inhabitant, a fan of "Wyrowood". It is a monastery that comes here, sometimes when. Tukano, describe your character for us. My character is called "Filipe Goteir", also known as "Filipelebom". It is very cool, the aspect of the current is very beautiful, light or blue, and it is mounted in a carrosa, pushed by two walls, the carrosa will push a horse to the back, on my side there is a cachorin, from the Petitian race, Petitian Lyon. I will look for it, man. Man, it is not possible. It is not possible anymore. I am looking for Petitian. Oh, it is beautiful, man. And I am playing a violin and singing. In the middle of the street? In the middle of the street, I am in my carrosa. For those who are able to see, just put on Google, go to the "Mertão do Pston". And I am singing. "Lewet" and "Gente de Aliuet" playing my violin. But for the moment, the carrosa is exactly where it is. It is entering the city. It is entering? Yes, but I play the music to make it clear that I am here. It is the car of the "Etyl" version. I forgot to tell you that my character is "P" "Badu". Yes, it is not possible. It is not possible. It is not possible. Man, I am sorry. I am really sorry. Calm down. Well, Felipe, it's good. You go with your carrosa crossing these streets of "Wyrowood" the streets, in fact, are not expensive to behave like a carrosa, but if it doesn't matter because carrosas, horses, people, all of them, they mix and pass by others in this "Tardecê" that is everyone looking for a little version, a little bit of relief, maybe. The phrases, the horses, the "Vlasilhâms" of the carrosa, they fight and find another one, making a barulho that seems to be something to accompany your voice. I think they forgot to say that besides "B" it is "Benderedor de Birito". Exactly. I was driving in "Gar" a music-in-the-drogue. I am happy to be able to have a di-silaria called "La Belligoteer" "Destillery" and I do better the "Isque" of the colorado. And you start already breaking the wall and you start to feel the joy of everyone that is 20 in the console. But that is the joy of the "Where". You are not the one. Where I come from? No, from the "Burgonha". I want to know something important. "Alain the "Wisque" you sell in a "Shine" too. Yes. Exactly. And even if we want to know if we can do it in a "Shine" of the "Rontaloto" that I want years ago, it's linked to it. Already, it's in production. Already in production. I also produce "Randy" which is a "Massan" and "Jim" too. But they are not strong cars. The good thing is that I produce is "Wisque". I make wine, a "Mirlo" too and serve it, but it is for the own consumption. And "Shine". And "Shine". I can't believe it. I thought you were going to lose your mind. "Philipp Lebon, you are so good with your carrosa and you see, in the external parts there is already a well-known "Fordunso" but a part that has a good open space. You see that there is a circle with several colored tendons and a huge letter, saying "Ezibissão e tinerante, la vinte de maravilhira". And there is a guy with a weak red, a little bit of a "fiat" or a big "Borboleta" a cartola that has already seen the best days talking about the car like this. "Ven, ven, ven, ven, all the fairs! Great wonders of the spectacular "la vinte". We have here things never seen before. We have here a "Lenta do Este". We have an animal that should not exist and we have something so extraordinary, so fantastic, so mysterious that no one ever got. After the TV show, "Volzen, Olzen, there is no fear, come all, come to other childrens! Come all the fairs, wonderful, "la roo de la vinte". And I don't know if any people have seen it, or do you know, some more ingéns want to enter, but it is really like a "spetaco" that exists in several parts of the West. "I'm passing in front, good luck, Monami". "Oh, look at you, and I'll do the test for the first time". Look at you! Look at you! And she says, "Ah, a Russian, very good! You my friend, come, come to know me, I am a descendant of the great inventor Leonardo La Vinte, a French, who is he? He left his wonderful words to me, and I bring them here, it seems like a piece of land, you see my Russian friend, we have here things that you never can imagine in your land of brutality, things from the French side. I'll ask you guys, what time do you start the "spetaco"? Ah, there's not much time, there's not much time. But if some people arrive, the "spetaco" will start, but all your friends. Monami, tell me, what do you have, a "Lup Gaul" exemplary? Exactly, this is the "Lupesome" coming straight from the north, ice, we have here, I brought him the provinces. And then I'll be there, I'll be there, come, come, bring all your friends, bring all your friends, and you, Russians, will understand what France can do with, wonderful things. Then I sent a call to him, he said, "Drovia". He said, "Chelanter, this is not a French word. But on the other hand, someone arrives, someone who sees something very different. While the central square, the bridge, a church, a bank, the correct, the main establishments of diversity, also the prefecture, it's not very common that a city of this size already has a predisposed to the prefecture, but Uiro Utoen, a man, comes here and sees something very different. Carlos, a person's describe, I'm coming to our city, with a high, 94, we call attention, especially a bridge in a horse. No, I'm not here. I'm not here. Yes, to the east, it's like a horse, the roof, the horse, with the floor. I arrived in the city with a guy tied in the back of the horse, tied with his hands and legs tied. The mobile of the horse. But it's behind you, in front of you, that you're behind you, will you? It's tied, behind me. It's ready. Red and red, damn. He doesn't know if the horse doesn't play with us. It's a horse of wide-open. It's a horse, you have to be great for the horse. A horse, I don't know. A horse, a horse, a horse. A horse, a horse. A horse. I called Logan Simani and I enter the city, playing the horse. Look, all the references from the east, let's see one more time. I came to the full chalice bronze of the Dormel of Altura. Damn, I didn't know that the bronze of the martial arts is going to be done. Damn, it's too afraid. I'm a son of a slave, with a lord of doing, who was his owner until the time of war. I ended up living there, doing, until my adolescence. When I managed to escape, I managed to escape. And then, at the beginning of the war, I joined the Yankees and fought alongside them in battle. I'm going to be known as. Wolf was the sword. Damn, that's a lot. Damn, the horse is now the master's body. Wolf was the master's body. I have a similar appearance. I imagine the Budspenser. Damn, the horse is listening to the Red Geese, and there's no better idea than the Budspenser. Look at that. Damn, you don't know what the band is talking about. I'm mixed with Danny Glover. Damn, I lost my mind. I lost my mind. I lost my mind. Really. Danny Glover is giving me an open-air. That's it. That's it. The only thing that I'm afraid of is not open-air. Look at that. Sorry, it's like this. Like this. That's it. I changed it. I also know how Gaiter is. I know him a little bit. Poor. I always get to touch my Gaiter. My god, I'm so happy. I'm a Gaiter. I'm a T-Bomb. The difference is that I have my size to be in this. I wanted to say, man, it's Charles Bronson's two master's culture. He said his name is Gaiter, man. It doesn't work in the Apilites. I don't know if you know. I'm not a big guy. I never got what he wanted. Logan Siman, you also get to be bringing this prisoning captured something that you see how much it passes through the main square. It's not so festive as the French Philippe Le Bonville. It's something much more sinister and more apparent. The first place is the Barut Cerroche and Martelos. It's not as common as the time. People are already working on it. But when you pass through the bridge, you'll see that every false is built in the main square of the city. And there's the master of where a fork will be. Because you know very well this kind of environment, this kind of time, that if you're building a false here, it's because the execution will happen here in a very short time. And the execution of someone famous, someone who will bring the people to see the dance of the point of the record. I saw it there behind me. I take the lift and the head of the guy I'm taking. I think we knew I was bringing you to the city. No! The guy tries to talk like that, the guy goes. "Hey, Logan!" "Hey, I'm. I'm. I'm not sure about this." "Hey, if I'm in trouble, we can. invite what I didn't hide." "No." "The forest." "Where did you hide in the forest?" "Hey, I'm. throwing." "I'm. I'm. I'm. I'm. the back of the caravan, from. the. now that I'm talking to you, you're going to jump on me, right?" "I'm. I'm going to see how much he's going to pay for his head." "Hey, Logan!" "I'm going to look for a good place, right, for the. chery." "Chery?" "Chery, the local city." "The history of the chery, no?. the other is. I'm going to find a good place because I'm going to do it." "I'm going to stay close, not tomorrow, nothing." "To see this little building, in which there is a. having a very. a very. try-eating guy,. a very. rugged with a big-o-dum,. branqued with a bunch of sides of the mouth,. and he immediately receives your prisoner. and he'll put it in the cylinder. This, in fact, was a simple work,. and really what you're feeling now is. it's sad to. try to take something to. releash it after having. the price of your duty and the reward. "It will come right after that, like the chery. "Hey, look, if you're going to take it, if you're going to take it,. we're going to have at least half an hour, two Bob Marlin." "I don't think so." "I don't know if we can do it." "It's cool, man. It can be you. "I don't have control like that." "No, we don't." "We don't control anything that we do." "Well, while this is also a person who is. holding the wheels of the city. to see, once again, something quite different. Jotapé, write your character here for us please. "I open the door, then, of the house that I put in the city. and these are small stairs. "Who leaves, in fact, is the cat of the Mekovski. "And it's a bit sad, because it's a guy of big, big trees,. but lost short ones. "There's only one, 53. "And lost, you know." "Then, at the point of the street, he pushes the people,. they are being caught in suspensions,. they are being caught in the little chapel. that covers the head of the red-headed people. "And it's in search of activities, in the turn. "So, he will walk to the salon, all his. simpact, all his aura. "The character is going to the salon "And really, as you're already in the city,. you're already a known figure,. until the cause of your peculiar appearance. "Or the way you talk, even the same as your attack,. the clothes or perfume,. that always takes a second look at my description of the place. "It passes through the hotel, the hotel, the golden repose,. that doesn't stay long in your house, the house that you're lying to. "And in the hotel's door, you see that a man who already knows. is the owner, he is not very high in height,. that you are,. just in case, in the house, in the clothes,. it would be more natural if he had,. I don't know, man, in a court of justice or in a building,. but those clothes are half a suit,. because he uses every day, he doesn't have time to change. "And a very peculiar thing is that he doesn't have. the hair color on top,. he is the hair on top of his head. "Do you know what he says, man? "When you pass through the door, he says,. yes, sir, sir, sir, sir, sir, there is a certain thing. that you don't prefer to leave this house,. a small and ugly,. and to see here, to the hotel,. we have four available,. to. to get the hair off the car. "My hair is so hard, man." "The question has to be,. is it the car, before or after six months?" "I'm not asking you, sir,. I hope you're okay." "I'm not asking you." "Your room, if you were more comfortable,. I would be more comfortable." "No, man, the hotel's company. you know very well that I like my partner." "I came here, one of the people came here,. and this cold climate is beautiful." "That California guy,. who made us a little. no, no, I'm good there,. but good night." "You're also here, then,. to. to. to. to. to. to. you. you leave, so he didn't even get the word "to the restaurant." "I'm sorry, man, for being so annoying." "I wanted to be respected." "I was just trying to be respected." "I was respected." "Well, I'm in the hotel's door,. and I'm going to the Saloon's way." "Moravir, and you three,. so,. are going to the main Saloon. of the World War II." "Yes, I would like this Saloon. to be described. by the new player." "Where?" "I wrote the Saloon,. how is it called?. what is it?. what are the attractions?. what is the public? "Well, the stop is to the bar,. that together with the bar,. it's a barbeque too. and then the name is. parbeer." "I just want to know. that the nerdist. is going to the Irou,. is not. in São Paulo." "Oh, look,. there, there,. and then he's going to the Mild, but that is the Mild's wallet. the Mild, the Mild, the Mild, the Mild,. there is no Orga,. it's just a little bit. "Exactly, right?. it's a bar that was given to his family,. that his family of immigrants and Dutch,. then the bar was always receptive. to the people of. immigrant too, in Poven,. so it's a Mild bar,. but there is that one with the wallet,. there is the main balcony,. someone in the left,. in the balcony there is a small room. where he makes the bar, right? "Is it separate?" "No, it's not separate. because he won't. mess everything in the head. because he is. why not?" "Oh, I really imagine. that. the. minorators. are going to the house. with the guy. with the guy in the caravan. "Oh, when I cut my hair. I was in the hotel,. it was all together." "So, man, you see. that suddenly. the wall falls,. because it's very close to the door. "It's awesome, it's awesome. "It's a Mild bar,. we have space for those who want. to play a piano,. but there is no piano there. there is a space. like the most imaginary piano. "It's just. someone wants to bring. the investment there. to bring it here. "Air piano." "Air piano, well-willed,. I don't know,. I'm very happy,. I'm wearing your piano. "Air is a joke,. I'm a joke,. I'm wearing a piano. "There is a roll, right? "It's. you see, the roll has a roof,. you pay the roof after the piano. "It's a joke,. and it's a beer." "It's just a piano,. the piano is a joke." "The idea of a guy. is to get to the house. and even if the people. are not able to communicate. in the scene,. because every immigrant. are their own. and they are well received. because the family came. and worked a lot to get. the building. "Okay, and who is behind the balcony?" "Brin or Sullivan?" "Brin or Sullivan is. a face figure,. the representation of the houses there." "The face is a face,. a face,. a face, a face, a face,. a face, a little face,. a little face, a little brightness." "Thank you." "It's a 17th,. the top of the medium,. the man with arms and arms. the men with long arms. he is fat. with a fat like a white onion,. a kind of a white onion of the "piney". a fat, but without that, right?. with a little thumb on the onion. that goes outside of the face. with a big "big". like a little "marine",. only with that "point",. like the "lora". which is like this,. with a "point" doing the "curvinha". and it's a "tongue grisalio". they use white blues,. brings,. suspensorio,. calsabed "curtha". until the "tantorilha". then he has "inpecable". beards,. he can be with a "suge". in the middle of the month,. beards,. with simple,. and carefully. and it's the short boots, right?. to still be able to show the months. and he uses a collar. which has a. a picture. a person in the collar. Wonderful! Brinas Levan,. to see that the "barbeer". is very full today. and it is still the beginning of the night. so,. he is seeing that today. the place will be good. even. maybe it is. just. a coincidence. or maybe. the people here in. Wheelwoods. are feeling that something. is going to happen. are they singing or. maybe it's because of this. handsome business. there are many people. news. but it's seeing that. it was. even in this "in the "suge". noice. not to reach people. the months are. bearing. very quickly. as almost there is no more. in the place to sit. people are. bearing. in the conversation. and I had said that. it's not a piano. and maybe. it's already good. or maybe. it's even more. that there is a person. one of the. the months are. like this. a guy who came. very early. when he was. declared. but he didn't stop. to consume. you know, he didn't stop. to serve. to ask for a "is". to ask for a "reddorn". to ask for a "reddorn". to ask for a "reddorn". and he is with a "violin" and he doesn't stop singing and playing. And players treating the crowd surrounded by crowd. Woo! He's lucky. He's standing with the "hoo" He crafting thatador on a balcony freezer. In a parade! On his roof he does his show. opportunity A funny style that spreads a став. He's behaving like a cowboy… It's all blue. Of course, he's wearing a beautiful hat. A hat of those balls. He has two sons. He's very handsome. He's pretty handsome. He's a young man. He's handsome. He's like a guy. He says "Ah! I can't go up to the balcony." So I'm not going to be him. I'm going to cut him off. But it's just a little bit. I know what happens when a cat doesn't even start playing. And people can't talk. Ha! Ha! Ha! That's it. It's a promise. Do the person consume well? I'm needing it. And this one is the best beer of all this salt. Ha! Ha! Ha! Ha! The guy is a bit tired. Some people laugh at him. But the question is that he's being treated all over the world. He's just on the ground. He has some white cowboy boots. Bored with reddocks. He's never seen a wolf. He's just there. He starts playing. He plays songs that people know. And he's not even pushing it. And people sing together. He's lifting the legs and screaming. And that's the environment that comes. You're stressed. Felipe is good. The long-summer. And the summer. Do me coves. Let's call him a douche to yeah. Do me coves. Do me coves. I said that because I'm not familiar with it. And I said that I see him entering the salon. I'm out there. Like, I'm already walking my horse. Lebonbon! Lebonbon! Lebonbon! What do you think? Look at the guy with a straight face. He's a real man. He's a real man. I'm so happy. Look at him. How are you? I'm fine, Monami. Are you okay with that classic baby day? I brought a box. This is a dream. The dream comes to receive the best of the region. The region of the region, no, Monami. It's obvious. Is the whole world the same? No, Ripe, I'll explain it to you in Dutch. That's what I'm talking about. That's right. You three come to the barbeque. Seeing all this, there are a lot of people. People, all kinds of people. But there's someone who also came a little earlier. He makes at least half an hour here. And he saw the bar in the chair. So the miners started to arrive in the cities again and look for something to fix their seat. And the guys described your character. My character, he has a set of 70s of height. He looks physically with a few columns in the 18th century. He's going to take a picture of you. But there's a particularity that is very impressive in his name, the Bigode. The Bigode of this guy is a lady in the credit card. It's like the Bigodes of Daniel Deulieus, Kurt Rosal and San Elliott made a treasure and had a perfect son. And this perfect son is the Bigode of my character. He's called Elliot Kaylyus and I'm an actor. So it's the biggest and amazing college college. You can imagine it. - He's a teamalist. - Of course. You can imagine it in the chart. You think the Bigode is perfect. You make your eyes and imagine the Bigode is perfect. There's no one who's sobering. You can't see his lips. Bigode hides it, but it hides it from the enough. He's not dirty, he's not drunk. He's a perfect Bigode. If you imagine a perfect Bigode, it's a bigode. You feel like he's coming to the night. - At night? - Our. Or not. - Elliot, what's up? - Elliot Kaylyus. - He's from Kurt. - He's very happy working at the age. He's a girl. She's a band-aid, a mother of her. She's working on it, trying to explore it, trying to find a way out there. It's not easy. But he has many manual skills, a machinery, a carpenter, a forge. He also makes a different building. They even need it. He's from England, from the world. And he's starting to live here. In this house. Look at this beautiful thing. It's just a novelist. The English, the Irish. And a French. And a French. Let's see if they can understand it. They don't need it. Just respect it. Just to tolerate it. Another thing you notice in Elliot, he uses a red screen, he has a lens on the helmet. He's even more treated than his life. He tries to care. He carries the gun on his helmet, in the helmet, in a cordon, in the helmet, and the good-looking guy in the helmet. Do you think he's in a big family? No. He's too much. And his gun is a mixture of several weapons. It's also a wonderful one. The port of weapons in this city. It's open, guys. It's a soap gun. I use my penultimate gun in the helmet. Literally. In Urawood, people use weapons. It's common. The most common part of men, who have some conditions, is armed. Because it's not common to take the gun in half of the city. Men are armed. They're like "Moleton", like that. I've been asked this question for a while. If he has a gun, he's going to use a gun. Is it a gun? Yes, it's a gun. You know that if you don't have a gun, you're asking for it. To be a victim of violence. The question is not so much that you have a frequent shot in the middle of the city. Although this can't be done. All of you already hear stories and many recent stories of someone who was hurt in the city or simply killed another person. The attraction. You know? But you know, if you don't have a gun, what will happen? You can't be known as the gunman who doesn't have a gun. You have a gunman, you're being wrong. Exactly, man. The problem is not necessarily you take it, you take it, you take it, you take it, you take it, you take it, you take it, you take it, you take it. The problem is, you're going to be the man because all of us have a gun. And so, you asked this, you know, they said it's the car of the sheriff. And really, the prefect of the "Wheelwood" changed relatively little time. There was a prefect when the city, a non-official character, when the city was still in the territory, it prevailed after the city's glory became a state. But, after that, it was organized, a new prefect and a new election. It was elected. Why am I saying that? Because specifically, this prefect didn't do anything. About weapons, weapons, nothing that, in respect to law, it seems to be very tense. It gives a lot of tension, and so on, to accompany the miner, and to the road of hell. You know that he has a lot to do with this. And who cares, really, who takes these decisions, who defined what is allowed here, that people can go to the armed here, is the sheriff. It is a sheriff who is also not here for a long time. The two previous sheriff were dead, and no one wanted to assume but a woman, an inhabitant of the region, a person who knows everything here in the U.S. took to the post that he wanted to be sheriff. In the middle, it is Melissa Olívia-Smiles. It is more known as Mel or Smiles. Mel or Smil. It has a look of the face of this woman. Melissa Olívia. Melissa Olívia is Mel or Mel, or Smiles. And she is really known as having a look of this woman. In fact, she is young, but very feared, very respected. And she is also known as a corrupt woman. You know, she does not have tolerance for any kind of justice outside the law, and much less to take a profile of the miner or the workers, or the workers who want to be. A very correct person. Do you have a lot of support? Do you have a lot of support when she was a child? The biggest part of the people is finding her way out of it. These people are very used here with whom she plays the game and mainly with the biggest part. Almost all cities, in fact, with the help of miners, who are working for the company. So they think it's strange that there is a person in a position that has no proper reception. If she has this option, why is she not doing this? But no one has much courage to talk about this in front of her. Because she is not tolerance. And you all know that there are people, besides the prisoner who is a login trot, you know that there are other people there in Shilindro waiting for them to be punished or to be taken to the place, or maybe as a false being built in this instant, maybe waiting for them to be executed. But well, while she was here in the barbeque, you saw a man coming right after you, like, you came, one minute later, he came, you already saw this guy. You know that he is, he is practically the only minerator besides you, who didn't sell his part and you saw the part of the mountains that he had right to accompany him. He is a few miners, regardless of who exists. But here, different from you, that your miner has the fame of being the person who is the most sombrado. The miner of this guy is the only one who has fame to be rich, only that he is only one. Sometimes he contracts a more helpful one than the other, but he has no condition of exploring the mine. So, he is in this situation, you only know that because you are a minerator and you see that he is a miner in the field and not only that he sent you, you obviously saw this, because he was a farmer, he sent you and he asked for three whips, and he turned three times. And three more. And you two come, like, this little time that you have at night, I will get there, I will get there. What is his name? He is Floyd Bow, Bugby. Floyd Bow, Bugby. Floyd Bow, of the French, Bugby, of the name of Rubilinho. Floyd, my friend, what is he getting? He looks at you like this, you see the eyes injected, like, who is already drinking a lot of time. He has the beard, already gray, very well-spoken, without cut, he uses a hat, completely dry, like the sandpaper, that touch, that touch, that touch for us, like this. With a hat, like this, with the beard, to the front, that thing, a beard, like this, a cacão, it is all dirty. So, you see that he is so so bravo that he can not talk, he says, "You don't want to know, no one wants to know." No, I asked you, literally, I asked you, I asked you, "You have to be caught." He is in my. "Pain, with strength." "Yes." "I already give, I already give, I did it like this, calm, calm." He was cutting the hair, it's there. "I have a hat like this, in the brain, let me see, let me see, he has three cups of one time, it is an excelsior consumer, let me see. I am going to walk this side, also like a dog, talking to a friend, with another one, that I recognize, but I am reaching the weight, the weight, the weight. I am perceiving this whole meditation, like this, man. You know these guys, because you are from the region, you know, for example, that the side, he is a guy, a little girl, from the work of mine. You know, he is a guy very, very, very, very famous, very strong, that if you want to do some very difficult demolition, in the mine, he is the guy, called, you know, that the Logan, is a person of dangerous, curious, known, like, this type of people don't care about the perception, the flip is good, he is the winner of the fight, that is, always welcome, and the brin, is the barman, so you are people who are with you, against this funny guy, that you were talking about, that literally a miner who is recusing his sell, and so on. You all have some sympathies, I sympathies. Well, is it in my situation here? Yes. So, to answer your question, you saw this movement, but it is not common, that people who have this power of decision, the way they take it, to do, the results of the crowd, you know, like, there is a person who is reaching the fight, can see a guy there to mediate. When I saw a guy starting this movement to our friendship, I read to you, like this, do it like this. Yes, no. I'm. I'm calm here. But even so, I gave one more two steps forward in their direction. Tell me, Floyd. Yes. What is the drama? This drama has exist. The guy wants to buy and we don't want to sell. Let's go figure it out. He looks at you, shaking like this. No, it's not only this. I can win. I would like to buy my men, but the Indians killed my brother. The government didn't do anything for them. I'm going to come. You're calm. Calm. When was it? It was the same. I discovered his body. And now you're alone in the world? He says, I. I. And my men. I. I'm going to show you all. Your men are saying it's the hole in the floor. It's not a person. Wait, I'll take your men. This description, so that this suggestion can be my thing. That's it. Please. He says, "It was the last family I had. I'm going to get married. You'll see. I'm going to the army. I'm going to buy my best weapons. I'm going to. You don't have weapons. Today, nothing. I have. I'm going to sell my best weapons. Do you have money to buy weapons? I'm asking you what's the problem? I'm listening to this. You can. I want to ask you what I want to buy. I'm going to send my best weapons. Send my best weapons. I'm not a bad man. I'm not a bad man. I don't understand you. I'm not a bad man. Your best weapons. Don't you get that from the nose? You have my best weapons. He's bad. The best weapons. The best weapons. You just have to find him. Now, if you're there, you can die. This is the question. But it's not a lie. I'm behind Brin. I want to have the attention of Floyd. He's going to sell my best weapons. If they beat my brother, I wouldn't be able to kill him. I wouldn't be able to kill him. I took him to the floor, 変kommen, get to see him in the living room, yüken Is threads is taken a long time ago We were here to time to pay for him in the car But rather, to our mission, we really understood How were you the winner, she'll give It all out Did you see this information called Lévor Parallel? This is not fake news, it's disinformation It's disinformation Because it's him and his people are good They save the world We know that the demographic is indigenous to the surroundings of the city Well, Lato, do a cult test I can have additional because I had an interaction for a good time with the grandfather of the north of California I know a little bit of it It's on your side, man Can I put more than two? Four Next, Lato Do you have a demographic? Yes, the Chienes are the ones that live in this region But they are the loss of the mines And from nothing, kill a guy, cagando You fat, it's very strange You don't understand why Chienes were brave But in the sense of the Chienes, Chienes would do this But it's a little bit of a feeling Master, all the difficulty is an opportunity I say the following to Brim Brim, you can For us a resource that we can talk without the gazaar Without the other victims that don't care Or listen to what I have to say Let's go to the barberie here, on the side of a more resourceful side The lady there is the chieftain there, the chieftain here And the chieftain there? Wait, where is the guy? Can you put him in the corner? So we are going to talk about some things And we need privacy. Friends, we are losing time Let's be objective We have a situation here in the hand But then it's difficult because you are not required to be objective So the objective is to be objective Yes, it's complicated I want the following We have a second gift here For us to be able to meet And I saw that our friend there has a story Yes, he has It's the second gift where he lives But he has it Where he lives, we will be in the bed But we will be in the same room But we will be in the barberie There is no option Well, you go to the gift There is a deposit in the room Where the ring has function It was only one It was only one It was only one So you just abandoned the ring You abandoned the establishment Look at me, please Pay the cash of the whiskey before abandoned The Balkan, please I see that it will be sold For this week, we have to hire people again But I am looking for other problems there So you are going to be there If you go up to get a fire here How do you do not have anything? You just got the key and go away So you are going to be there Brin, Brin Leave the emperor in the Balkan He tells The music He is there, you know Now you see that he is from the palm tree And there are many people He sits in a chair And it starts to tell a story And everyone is having fun And the things he looks like are super animated For me I am there My friend is not in the trance She is in the middle of the church The devil is completely different She is in the middle of the church There is nothing to see The devil is there We are already there Let's go I am the emperor I will hang the woman here for me She is smiling to open a smile Do you want me to be behind the Balkan? But I will not be able to do this I am always here behind the Balkan You know that once I entered a bar I started asking for everything they had to drink And the guy was giving me a lot of things I went drinking And when I saw him passing through the middle of the mall Just there And I realized I want a beautiful farm And then the devil How do you know that? I laughed like that I am crazy But let's go You are so scared The doors open like this So many times At this time you are here And enter a very famous figure In fact two A young man You must be I have been with his legs a few years ago With his leg bent to the back On the white side His leg bent already You can see it And he has a big head Yes He is glued on the side And he has a brush In the shape of a train And behind him He is another guy That is more young He must have been like this for 18 years He also used his head With his head bent He can't even have a big body But also with a white side But a little lower But a little lower And all of you You know The perfect Of We're a woods The Hunter Rush It is the perfect one He enters And starts to get close to the world And he knows the name of everyone Like this Oh, Mr. Jones Oh, Mr. Ritaz Sullivan Oh, Mr. And man, I count with your vote in the next election Here is the train of progress And then the guy who is behind him He says I look at the guy Very close to this guy I have a beer with a girlfriend's friend Yes, yes, the man knows He does not make any secret He is 100% in the stock of the fairway And you know that he can seem a clown But he won the last election And it's a guy who protects his power And the interests of those who finance him In a very aggressive way Yes, man He goes walking With the main salon Picking up his hand Going to To download a wheel To a table How much is your vote? Your own question It's a baby cat, you know Well, this was before we went up Right? Yes, how much are you going up? The reaction of the floor when the prefect comes You see that he is a little bit angry He doesn't seem to have a great understanding I already had some interaction with this prefect Do a short test Roller, round 16, I'm going to get out 6 Yes, you already had a very significant interaction With the prefect Hunter Rush He was the next one One day You were at home, you live in the mine You live in the hotel I live in the mine, I have a barracad of mine One day A figure appeared hitting the palm of the barracad When you saw who was completely dislocated In that region The city's facade Was the prefect With your Palmandage It's his mini-meet And he was accompanied by a guy that you know It's a dog He's a manager A giant guy Very big guy Very nice, kind of like a garden It's the guy who puts the managers To work He behave when they are Wanting to not be interested And the prefect came to you with a conversation You know, there is a circular business And there is no one there And when you saw him talking In your friend's door To accompany the manager And I didn't realize that this reaction No, man You see that the flow doesn't seem to have this reaction You know he is a very simple guy But like that The prefect knows that He has not many heroes here But he is a snake He is really Being paid by the street And by the manager And he is not ashamed To come there to try to convince you to sell your mini Did you hear that story? I don't know, he would have come No, for me, no But I like it in the English word Like that of any kind This guy must give you a problem Look, a problem is not given Because it is a palm-made It is a palm-made of the ferovia And it is a palm-made of the manager But this guy He is understanding the interests of the industry Is that it? He wants to buy my mini I don't want to sell it I am even accused of the fraud with this guy And Boba Alegg is losing this guy You see that the prefect It seems to be a St.Dambalian I don't know any apparent reason Someone has an attempt to enter But it's alert I have it Felipe, can I do a test? 12? Yes, it's 8 This only has a 8-thousand It can only be 16 Because there is no 9, right? No, there is no 9 6 6 You realize that when the prefect of this field, of this Exit-media, without reason He is looking Significant For the music You know that he is the one The Emperor And this Emperor And it is very fast But only because you have this You can understand But it was He looked curious He looked at complicity Or selling an opportunity So you think that With some kind of complicity I will be accused of this So, take the view Honami Felipe, I'm sorry that I The only view I have This box is entering here in my room Prefect I have a woman For our friend Napoleon It seems that they are A common Of some way Napoleon is of his Total conscience He never saw him For him He just brought his clientele But now that you remember He is thinking that That Napoleon Was his friend He was doing shows here In his establishment Not just friends He left his dog In Napoleon's hand Yes, man In the business He saw that guy My I understood my Stabilism You know, I have a piquet And the piquet of the horn In Napoleon's hand But that's why we Talk quickly and Let's see if it's necessary Use a favor Continue behind the bar Keep our prefect Distrained That we don't see We going up to talk Or at least he He better notice That's right So, he Felipe is good Logan And the cat They end up In a quarter In a second and a half And while the brain Stay behind the bell And the dog keeps the prefect Situation sometimes Put people Disconscious In a Opportunity To make business We have here our friend Heliot That is a brave Resistance To imperialism He can Keep his business Even with Minas Vases, let's say No, he was empty I don't know what he is The water is empty If you can't reach the end of it The water is down there It's the same thing with him The gold is there I just didn't get it yet Look, friend You probably don't know But I am Geologist I understand The thing here By all my studies I already know that your friend Can you understand something? But Nothing that will stop the river So, Mr. Major of the Dead Yes You already gave me a picture? A geologist Infiltrated Or, well, I don't like the miner too I already had a problem with her In another region What region? Califone Califone is long, it is large to the cacete It comes from Poland, so Califone is not so long here No, but it is large, Poland is micro Poor Poland, it is small On the side of the river Where the sun never gets up I was saying that it is actually the sun Not just a horse So, the condition is the following I call the worst People just confirming the flight is here with us The flight is there? No Yes, it is not It was hitting the costs, it was bringing it I brought it, I thought it was together with the rain It was on top of the field And you see that it really sits on the field And only looking at you talk Mainly, it is very fascinating to Eliat Everything Eliat is doing Yes, this is the same In the presence of a payment He pushes a bag of his cacete And put a little gold I took his hand No, no, no, no, no, that guy needs it I need it, I have something Wait, another story Let's go on a conversation How is this story? So, I know where the truth is Not a little bit that can go out of your friend But I know where the truth is But I have a problem right now To get there I have to cross the territory of the Chains Jesus, my friend of the Chains Or also But we need a little more than friendship To let them pass through there And then, they will go out of the territory But this is against me They are my friend of truth, save my life No, I don't want to judge them, they are not doing anything I'm showing that I have a cacete here From the fact that I am here Father, what was that? I put a cacete there My father was very brave with me And he wanted to go to the girls And the fire yesterday No, wait, come back, I'll go back I have to go back, I have to go back I'll go back, RPG And boy, what boy? Go back to the back Dude, I'll go back, RPG Seriously, I want to get married The girls are just around The boys wanted to make polina But it's the day of their fire It's the day that I gave the fire to them And he was very brave with me You are the first seniors That's right No, no, no, I'm a friend But is it a color friendship? No, no, no But you are a friend, do you give fire to them? Every time I see a cacete of whisky I will have the chabarré I will have the chabarré I will have the chabarré And we will have the chabarré So literally this day I didn't have a word or a trist They were all black Once by mistake I make this It's very funny But then you took the chabarré Why? Because I'm a dumbass He wants to laugh at the fire From work, from day to day He was with a roler He gave me a chabarré I was with a roler Ah, it was the faggot that gave me a roler Just to. Like the champou Don't you know champou? No Don't see it, it's a waste of salt It seems like Brazil is going to be behind The champou took a faggot in the chadea Damn, damn, damn I was with a champou All the champou is the time of the night All the champou here It was saved by the indigenous people And it was also the abit of the faggot That was there today I'm trying to get rid of this rionion Because I have to put the fire in the men's But I don't understand The idea of our friend You want to go to the chaini To get a miena of gold That's a part What am I thinking? The chainis They will be incriminated by the death of this irm Not going here Not going, they don't even know the name of the rionis Exactly, exactly To cover the champou Show them That we can sell the crime And not put the champou And it's a waste of salt in the past Then the idea This miena will send a strong investment To be completely explored We will get some gold And easy But to achieve the entire rionion It will need an investment But I don't know if I have interest No Go I'm going to put the other one What do you have? It's complicated You have to travel This is your book It's a book Yes, join And through this chaini territory With this b-bub And explain But what do we need from this b-bub? Because the b-bub is what will put the cup in the chaini And the cup in the side What is the b-bub? It's me It's not a b-bub It's a b-bub It's not a b-bub It's a b-bub This b-bub is what will put the chaini The b-bub that took the rose in the raizi mode The b-bub We are here to enjoy a guy who has lost his hand And we are here He's trying to use the guy to do something I'm just thinking of the strange thing he's not talking about Nothing to us You see that he's just listening Looking at you for the other You don't know if he's really very drunk Or what's his problem But when you stop to press the tension He looks like a cordon I'm going to ask him about his and much more in front I'm going to say "Ployde" Do you want to go home? No, I don't want to come home I don't want to You're going to open the store I don't want to come I don't want to come I can buy this little piece I can buy it You're going to be a little crazy How many chaini do you have? It's time to go home I think this is the time It's time to rest I'm understanding the plan The fact is, I don't want to do anything I want to leave the "Ployde" But the "Ployde" is not what we want What's that? Wait a minute You're in You're in You're in You're in the right place You're in the right place to get a guy He says he's in a situation where he lost The family is close And then you want to use him as a spoiler We don't want to use him as a spoiler We'll leave him and live his life "Ployde, you want to go home? Give him a rest And tomorrow, when it's another day, you'll wake up You sleep on this problem And then you'll be able to think what you want to do Okay, okay Look at him, like the usual ones, on the ice So I wanted to stop You can still stop But not now The ice is closed The tea is sleeping Maybe you're a good moment But it's not time No one is in condition I'm in the third dose here You're in the third right And I've lost the presentation of Lupo Garrou Exactly Nobody will solve anything now Today was a busy day Let's talk about something The "Plan of the Lato" And forget everything he said I want to see you in the morning I'm sure he's not in the morning How will he know I'm in the morning? I want to see you in the morning But let's do the following Tomorrow you'll go to my morning And you say to me "No, I'm looking at my morning Because with a brush I can't I want to be there And truth Because my morning has a day I know I have Who is that? You have that gale That takes up the vibrations But it's for water, right? It's for gold It's for another stop I have it, I have a gale of water But it's not for gold It's for another business It's for salt, it's for the tongue It's for the tongue And you know Now you feel the taste You saw the taste of the metal Yes Very far But I. You were going to the mine It was in the mine That's it, guys You said it well from a long time ago And at some point I've distracted you Because of nothing I started to say That my mine is rotten You see that the flight is relevant And. It's for you I'm going to take the flight home I'm going to my house too I'm going to my mine And I'm going to my mines And then we go back to the mine And then we take a decision Based on the rest Because I can't take the tape "Ah, donate, donate my man You're a drunk I came to the prefect I'm going to kill the chanelis Who is that? As you are, right? So, I don't want to know if I can use the tape To see if. I can't talk to you, you see people I can't. I'm going to get some rumours I'm going to take it to know That I need to work something Okay, you can make a giant test So, the roll of the dust 9 Okay, Brynn. I'm going to take it You really, man You're a good person You're a good person You know everything And while you're coming there, man You're doing a lot of work People, since your only assistant And you're different You hear something you don't know It may be relevant to a job or not But, surely, it's relevant To your contacts Of. Anyway, crime and problem solving Because there's a figure And my boat didn't do anything It even spread to me And it was super well-known And talking to everyone On the contrary, it was someone who got So. So, someone. Maybe it wasn't expected that it was a piece of cake A man who never gets old Hair is white, but not skin It's not that high, it's hard But it was already more, right? It's already a certain age There's more in the same way as physics And with a certain difficulty But not. Mancando, nothing It's just a body body That already took a lot of back And you know, that already had a lot of stuff A pretzel clothes And a white color It's the reverend of the tone When you get close to being his He looks at you And he's a white A white baby on every night You know how to look at him And ask for white You know he's not white yet He knows that at night The tendency is that he gets He takes a head of whiskey On the contrary, the Floyd He doesn't turn a lot of whiskey He takes a head of whiskey And he's like. Who is getting a kiss He takes a small ball And he's like. "Look at your eyes And say "Past, you saw You saw each false And being built There, the beach You saw the fork He's going to say "You're getting a kiss And he's looking at you Contacts you to the end In the next couple This is not the justice of God This is here This exists He looks up to you Like a kiss But it's also not the justice of men You think that people Here have a moral reverend To decide who lives and who dies You think Tomorrow When they ask me To give the last words To that poor devil Condened In happiness And ask if he has Last words Like. And say "Rapazinho, how can I look In his face And knowing that He's dying For nothing Because they decided to die And knowing that There is God Looking at us He's dying As if seeing a theater piece That falls Nothing is a break For the people of this city In the scene The piece of the devil And I'm going to do it I'm going to be a clown Like all of us With the first part And a man Who probably doesn't deserve To dance on the edge of the rope A joke like that So He doesn't turn the risk He's saying well To have a small mistake And that mistake was drastically exaggerated To justify execution And dad So I don't know He's so used to see this And to see Sange running And Ramerda running Through the legs And the effort You know what happens With the effort People gather To see this And the grotesque We're listening to this That's a way But It's dead and absurd Oh, it's dead Wait, I'm going to do a test here From luck for you Dude, you're starting to get stuck And you see that Green is talking to the reverend The reverend of Dalton It's a man Intense He's talking, you know Disticulating And you're talking about your way of intense I'm going to get out with Floyd I'm going to look at the front of the reverend And I'm going to ask him "Reverend, who is going to be forced to the morning?" He looks at you Intensely in your eyes A man You You and all of us We called you Consalo Mariano A famous leader Of the quadrilis known as Losterones Which is the "Techugo" Your favorite And you will be the one And the morning, it will be the "Verdugo" The "Verdugo" is the Spanish car wash I don't know, is it imported? Yes, look at that! I'm going to be the "Stremonção" And you're enjoying it You know he laughed without any love He looks at you We have the right to kill anyone And even more like a mirror I know that you're waiting I share things with you I haven't had many years of experience The amount of things you made Will put you in the forest too And who will do the "Stremonção" I'm asking you He looks at you How do you know How do you know Look back How do you know I don't know anything I'm going to rest Come on, my friend Come on, let's rest The flow They were already walking In front of me I saw this conversation I was already going Going to their house Like a baraka That gold door is out of me I went out, to the flow Go, go, go, go I need to go to the bar If you decided something interesting You can look for me Anything behind the door will be more fun So you have a good idea I went there And I'm going to bring the girls to the room Yes, Felipe is good You go Until the "Lucky Buck" It's a. Border and Cascin Very refined, very well-reliant From the "Barbi" The facade is a establishment of Two and a half years for the girls And one more for the girls Even sleep there And you see that The second one is going to be known There are many windows The windows open They stay broken So trying to attract The girls that are on the street The facade has a Serving, right? A wooden roof With some cards on top It's the "Lucky Buck" The "Carracinco" is a completely different environment From the "Barbi" There is a person playing piano Some rolls All the people playing, writing, eating Some months later You see that the next part of the month You know, they are coordinated by a guy He is a. A guy older A big, a body He looks at you He feels like a headless scene And the "Circuno" By talking to clients Trying to call them For the room, trying to make them pay For them to drink There is a guy That sometimes have shows Of course, he will be the same That's what I'm talking about And you see Two figures known One of them Is a young woman A sexual worker Who is there How to look at all the nights? She is very beautiful She has a hair color Look How do you have several times? You realize That it is a very serious look When she is not Indeed, interacting with clients And having that laugh Of the "Barbi" they say But the main thing Is that she has a giant cicatris In a straight-up A cross-shaped form It is really a thing A thing that someone did to To figure out And the other person Very, very known That in fact, is known Of all in "Wyrowwood" Is the owner of the cabaret The lady, called Conception de Colarúias And Santana Herda It is a Mexican Already in a very beautiful way Like generosas Use a hair All armed Like this, in a box To the top There is a paint In the brush Nothing to do with the other cicatris And there is a lot of the background But always working You know, this is a girl She is always walking Between everyone Directioning the gurias And talking to clients And man It is a person Extremely respected Here As soon as you get She will 20 receive Like this "Ah! Felipe, you know You are banning with a girl Felipe, you see What good Let's go I don't know if I will do this I'm going to try Felipe, you see What good We have more at night A little bit of fog And a little bit of fog A little bit of fog But you have a conscience A smell How long has it been? I haven't seen it It's time I thought I had forgotten You are here A friend That I did For the lady Half of the shit Half of the fuck That I am cultivating there You like to present to her with this? And this is here the money of the girls For the day of fog When you talk about this You see that Many of them cry Like they die I'm like a shell, ok? And they face it in her Yes, like They know Everyone there Good joke You see that The clients They are going to take it But they know that They don't want to create the problem here So They are going to be asking And going out From the front Do you leave the players Or just I'm going to take them to the barbie area And then When you go taking them to the barbie area Many people look at that That process That little train Very beautiful girls Things are very busy Train No, no, no Stop, stop, stop, stop Train Train Is the good in the front You are a good friend - - (laughter) (laughing) (laughing) (laughing) (laughing) (laughing) (laughing) (laughing) I'm a Bob, I'm a Harry, I'm going to do it with champagne. And so, really, it will depend on luck. They played 6. Let's focus on the game. When? A hit, it's a rather big hit. If you don't play against Rhodes 9. Roli master's history. It has been a 6 and 5. A result is a very good for a luck test. You're talking, Felipe. One of the stories with another, the conceptional one, which seems to have a weight as she's not speaking of anything, when the one with the cross-cats of Cruz in the chest comes to the title. What's her name? Her name is Daisy Monroe. She's been a great player in the whole world. She speaks to you very seriously and low, just like you heard. She says, "This man, he's not what he seems to be." She's making this pale skin, the saloon, and she's already in the backpack too. And she's also been trying to interact with all these stories. But then I saw her going to the hotel, the golden dress. She's there, look at her, look at the other. She says, "Felipe, I know you're an innocent man. There are not many here in the world." So I don't care to tell you, I know that a person with a very precise need is trying to get to the point. I need to try to get to the point where people are able to get to know the boss and even the conceptional one is the owner of the hotel. The dog? Yes, look at her. Her name is Nelson Quackposh. He looks like a joker, but he knows everything that happens in that hotel. I wanted to be sure that a foreigner had not arrived in the city, had his hotel's leg. If you don't see the case, I would pass the conversation to him. He said that he saw a representative of the minerator entering the room of Robinson Ringo, who you call the emperor. So his name is not Napoleon? No, because you think he was Napoleon? The only emperor I know? He was also a Adrian, right? I don't know. No, no, no, no, the emperor of the fans. So Nelson Quackposh came in the room of the name of the choir? What was it? Robinson Ringo, Mr. Robinson. He said that they stayed there for a long time and said that they seemed to be talking about something very serious. I don't know how he knows that you are talking about something very serious, but well, I wanted to tell him that he said that this man lost all this kind of good, good, good, good, good, good, good, when he started talking to the representative of the minerator. If he was the Jagons, the captain of the minerator, he has no problem of showing himself to the minerator. If he is doing a bobo, I think he must be more curious than I do. Someone knows me, Mr. Robinson. I do. I do. It's not like that. It's not my fault. He will try to convince me to change my hotel. And what I do is my fault. You realize now, man, you don't need to do this. It's just one or two more. It really doesn't make sense. Why are you opening your house's hand? You think, "It's strange, man, this guy is insisting to change his hotel." He must have some interest. I just had spoken to Brenner, of the perfect look. I will speak to Lato too. Messe Lato, Messe Dostoyevski. Our emperor's mother is accommodating with the perfect. I don't know what it is, but it's also with the minerator. What emperor wins, I'm thinking of getting a job. Well, there's one way to discover, to find a neighbor in the fourth of his hotel. Very good. I can stay here, entertaining the people. How much? Someone goes there. So, Gnade, leave me with me. Leave me with me what I have. I have the room in the hotel. I made an investment without the hotel. There, with the principal, the president of Nelson. I'm very sorry to tell you. I'll give you a word with him, he's trying to get away. So, we're going to stay here, visiting the emperor, not trust him. I can leave him here, I'll do this feeling at home and I'll want to leave him. Next, it's already night, closed. When the interdice started, it's now night, closed. But the city continues to bomb, because, in any city that is traveling to the cause of pain and the cause of money that comes quickly, the night life is very big, very agitated. And people want to spend money, because there's money that comes quickly and will spend very quickly. The hotel, the golden deposit, is not a point of night life, but it has a restaurant. So, we're also going out for a while. There are some garçons there that work, but who cares, really, from the front of the desk? It's Nelson, Nelson Quackbos. And he gets there receiving people talking, talking, complimenting who passes by the street, delivering the key, he doesn't stop. The hotel is on the other side of the street, right? Is that so? Yes, on the other side of the street. All these establishments are relatively close to the central square where we are building each floor. The bank, the church, is well in the central square and the barbeque, the hotel, the luck bank, all these are in pink, so very close, you know? It's a small city too, but anyway, you cross a street, you know, you pass by the horses, almost the horses, you know? You have to take some people from the way, some horses, who are already so busy, I'm kidding. The whole street, in those streets, it's very, very close to the same thing, right? Like, the same thing that has no noise, it's always in some way, the shoes always stay full of wool. It's like, how is this not a enough kind of agent? You hear that characteristic noise? And you see a side of a building, the foot, it's really bent forward, I'll put it on the dark side and the oil is on the side of it, I'm trying to help you. I'm holding my head. It's holding your leg. You know, like, with your hand on your legs, like, "oh, it's all right, thank you." When he's close to me, you're really close. No, it's very close, man, some people are close. I'm so angry for their information, and I say, "Yeah, what's the matter with the guy?" "Look, what's the guy doing? I took three shots of the helmet." I'm so alarmed, right? I'm going to get my hand on it. Come on. Go forward, go forward. You're still there, where? Are you going to take a walk? So, the day I decided the following, they will be going to take the helmet and I'll take a walk until where he's standing inside the room. They will take a walk, or they will take a walk. That's it. Now, thinking about it, why don't you go with me? Because I'm going to talk to a hotel in a conversation to distract you, but suddenly you go with me, we'll hold him in a corner, you'll hold him in a corner, and I'll go up to the corner. And the flight. In the field, it's going to be hard. I don't have a ladder to take a walk. I'm going to do the following. I'm going to look for that business of the Marrakevalo, you know what? I think the business. The guy who came to the salon to take a walk and take a walk. Is this a rope? No, it's a trap. A baby car. I think it's a dog. Yes, I know. There are almost all the buildings that are not houses of people. There are some places to take a walk. Do you know how to say "a baby of the horses"? Like a pet shop in the horses. Yes, a baby of the horses. So I'm going to take the flight to the next one, and I'm going to give a walk on his head in the water. I don't know what to do with it. My God, I don't know what the worst thing is. The head of the water is heavy. The water is heavy. The water is heavy. It goes down a little bit more, like, on the floor, on the floor, on the floor. Bro, come here. We're going to get a stop and I'll be back. You're going to take a walk with me? I'm going to take them. But first, I have to help our friend. And then, in the sequence, I'll be back. It's good. You won't even realize I have to pass. That's true. [speaking Esperanza] [laughter] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] Pinkerton National Detective Agency Agency National Detective Agency [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [music] [music] [music] [music] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] [laughing] [speaking Esperanza] [speaking Esperanza] [speaking Esperanza] It's very important to be able to run if you want, or if other people want to. And it has a very open line for someone who wants to take it off. I'm going to hit the group, to see if we're on the horse. Did you finish the horse? You don't need to do that. No, we don't. We won't. We won't. So, you're on the horse. The way we do is that we are exclusively lost. We would be exclusively there until the minute of the flight or there's still a lot of things to do. I can go to another path. For the mines, there's the minute of the flight that loses. And this is how it is. The same way, it takes to the other mines too. I'm going to shout, it's a trap! C-P-E-S! Haha, that's right. What a shout! You heard the first stamp. I'll start. I'll start with the horse. I'm going to jump from the horse. I'm going to say that you have a place to hide. I'm going to jump from the horse and go down to the back of a stone. I'm going to jump with something that's going to hide. And then I'm going to go down to the horse. Go, go, go! But it's crazy, the whole horse is going to jump. The horse is already going to jump. The sun will go behind you. And you can take it. What a shame. I'm going to stop and you'll get to see it. Since they start to take it, I'm going to try to locate the horse. The light of the shot. Well, like that. I'm going to roll a rope here. They have, they all have a company. Just to see. Logon, you see the brightness of the shot's explosion. You don't know if you felt it or not, but it's going to be a real blow. And you make it locate in a face, a silhouette behind a stone, too. I don't know, ten meters of distance. I'm going to look and take the one where the shot came from. Look and take the one where the brightness came from. You can shoot, because you did this plant, you don't have the reality. I have. I'm going to take the one where the shot came from. Exactly. I'm going to look at that explosion, that brightness. I'm very quickly pulling your gun. I'm going to shoot and take the shot again. A short scream. You know that you're right. It's a very, very familiar feeling, almost as if you feel your hand. And the same thing with what I want to leave this position that I'm in. I'm going to move and get it out of my way, like I'll burn it to another point. You can do it in the next round. How long can you do it? There. I'm going to jump the gun, too. I'll be listening to this scream. I saw it from the outside. So I'm going to put the gun in front of me and I'll be behind it. I'm trying to see if I can see something different from the other. Are you approaching what they say? Do a test. I have the alert and I'll give you 8, but I don't have 6. 5. Yes. Do you see that there is a movement running on one side of you, like if someone wants to go behind you? Yes, exactly. I bring a straight and run in this same direction. You go in this direction and there is a little bit of a storm and someone is shooting at you. My God. They closed the door. They closed the door because they wanted to cooperate. You feel the ball, you go out, your hat, and that's it. You know, you got very close, maybe you died, or at least you were injured, but you ran towards that direction. Felipe, is it good? I'm going to the fire, where we are going. I'm going to go in front. In front, right? You go in front of your brother and you're all right. The ball is close, guys. Our brother is going to be injured. We continue going in. And finally, Brenna Sullivan. I'm going to go in front of the horse, but I'm going to go back with the horse with the spingard in my hand. I'm going to go in front of the surprise to get back with the horse. I'm going to go up to the top, going up to the top, going up to the top. I'm going to go back with the horse. I'm going to go up to the top. That's right. That's right. That's right. You feel nothing. It's very unexpected. You're flying on one side with the other. You feel a pact. You take to understand what's happening. And so, your brain, in question of a fraction of a second, is taking to process you to see when the pain starts to get to you. You see that you were a little dizzy. You lose a track. I'm in a bad mood. But in a bad mood, I have to be 7. You don't take the track level. In a bad mood. Poor guy who's lucky. I rolled 7 on 8. He's in the middle. Poor guy. Very well remembered. He was to lose. This track. It was to be a little dizzy. The ball takes from the husband. It would be enough for anyone else. It would be enough to let you be very weak. But, at the time of your heart, at the time of your resolution, you can be a little bit worried and not let it work. Because you're in the ball. And you touch your horse so that you're in a position and you're in a position. A little bit of agony. Agonia, coming from 15 meters ahead. You don't know what's happening. I just said, you chose to steal the wrong people. I'll go where I try to see another hand or another shot. I'll take this direction. I'll go. Coming from the middle of the corridor. I'm going to hit the ball. You can shoot. You're right. And at the same time, you're right. You see a clear shot too. I'm very angry. But, well, when you shoot again. You see a clear shot of a gun that goes to the sky. And at the same time, whoever wants to be, I couldn't shoot before you killed him. And where he was shooting the gun. I'm getting close to where I saw the guy out. It's a one more shot. Now you see more clear, because you're closer to the light. You see that there are two who ran behind you. And the two are a little more than a finger. And the other one is with a gun. The two are close. So, let's say, three or four of them are in the distance. One of them. One of them. I'm happy to be a banana of the game, there are their lines. Oh, I'm scared. I'm scared. I'm scared. The one of the specialist is the eight. The eight, you see. Yes. The banana of the game is the eight. The guy is in the middle of the corner. Each of them goes to a tree. They fall. They are quite different. But they die, which would be to wait for a banana to be in the middle. But they have certain two. You see that each of them is in the middle of the line. They are trying to get a hole. One of them is screaming. Oh, my leg! But it's with the. I don't have the exact same action. Well, if you go there, my guy will be in the middle of the game. And there. The two. They have the penalty for the game. But they will take two shots. The coax-tola is screaming the leg. You don't have the ball, right? So. You're right. That pain is coming from the back. Is the health of the game helping them? The health of the game will help you not die if you lose the three. My doubt is that if the health of the game is better, the health of the game will be better. It's better to keep the health of the game because if you lose the three, you can use the health of the game to recover. So I'll lose. I don't know how to say that. I'll lose the. The geology. The cult? You're right. But it's hard to think about. But it's hard to think about how the game is going to be. And the other will attack you. And he's rolling. At least the scum passes. But they're very physically able to shoot with. No, they had the penalty. The two had the penalty is that they rolled. One roll, they rolled well. The other one. You saw it? You think you should be around 6-7. I'm sorry. Felipe, are you ready? I'm almost done. I'm sure you'll see that you're very close to a goal. A guy brings a weapon with a Sponger. And at the same time, you're close to another one. I'll take two pistols. But I'll take them back. You take the gun to the top of the guy who's with two pistols. And while you're shooting, you can shoot. Five. Five. They're shooting. The one who's with the Sponger, for luck, he's not right. And the two pistols, the gun, you can get the gun. You're getting the gun, he's shooting. But I'm not going to shoot. You see that each shot goes to one side. And it's because I roll badly with this. You're so close. If you shoot this, you won't get the horses. Damn, it's very heavy. So I put my horse to run. David, what do you think of the idea? Roll the round of ten for us. One. Man, you die. This was a joke. This was a joke in reality. Unfortunately, despite the logon being touched, his horse is just for him. Maybe because he's coming to the logon, that the shot hits the gun. Your man is going to release the unconscious of your horse. He's going to see that shadow, he's going to shoot. And fall in the ground. He's going to die in seconds. For now, it's not over. I'm going to try to shoot another shot to try to make a surprise, to try to get a time to jump. You can get a gun, a convertible, or. That's a good idea. You can do a contest. 6 now. 4. You shoot. You shoot at the direction where the person was shooting at the cat. In the clear rooms you can see, they're trying to protect themselves. They won't attack the next round. And they're screaming. He's going to shoot. He's going to shoot. He's going to shoot. He's going to shoot. But if they get closer, they'll get distanced. They're trying to get closer. I'm going to drop the horse to get the convertible. The Brianna Sullivan 1 is going to shoot at the horse. You're going to shoot. And you know how to shoot. All the way to the side. Suddenly you're going to shoot again. I scream. And suddenly the grip. He's here. What the fuck? He's screaming. I'm going to shoot again. In the clear room you're going to shoot. Did you have a difference? I'm going to shoot with a rifle. I shot 5. I can shoot more than 5. You. You saw the light. And you too. And you see the flip-flip is good. You see the flip-flip is good. I want to say it's the flip-flip. I could do this. There are only two more cars. One of them is locked in the floor. You see that he's trying to escape. He's trying to escape. And there's another one that's a bit hard, but he's seen that the other companies are dying. He's looking at the sides, taking a look of one second and start running. Also running, a little different direction, but running. "Bren, what are you doing?" "He's playing "He's running" "He's running" "No, what's hard is not dangerous, he's running." You see that he's clearly scared but he's in his dark, not you. But he's running. The other guy is running a lot, he's running a lot. He's running, he's running, he's running, he's running, he's running. But he's in his dark, he's good. "I'm getting into trouble, he's going to let him go to the ground." "I still love that he's running." "He's running well." "He's very. very. very scared, you know?" "He's running." "With the ranch, with the ranch." "Come on, come here." "Now you're late, you're going to sing." "What do you want?" "You know what?" "I didn't do anything." "I didn't do anything, I wanted to know who you're working for." "Why was this waiting for us?" "Because this was clearly a sketch, your corner." "I want to sew in his corner, damn it." "He took the personal one, cool, right?" "What? How to take it?" "How to take it?" "He's running." "You see he's looking at the sides, to see if there's anything." "I want to do it, but while that's. "Filipe, you have something that's running. "So, right?" "Yes, he's running alone, he's getting running." "A lot, he's running, he's already listening, he's getting scared." "He's running." "Fuse." "I'm going to take the dirty part of this part." "The parlor, of course." "How much time do I have to take?" "It depends on the big tree or the little tree." discreetly describe the ANPS mark ħ sorry! i'll send a *out* just to see you wait you see i're here It's a *out* wait wait it's a respectful bullet Yes I need to pay too much It's like it's anchored with weapons, it's amazing. I want it to go back to the gas station, man. It was an 8 and a total score. 6. Just press it and you can make a Castle B. Maybe too? But I don't want to shoot a fatal shot, right? It's a good shot. It can be fatal. You have the gun, it's the batai. Dude, it's a second action. Felipe, you're fucking the gun, you're shooting. That's the one from the hip. It's a very big, very sticky album. It's really sticky. It's really sticky. It's really sticky. It's not fatal, it's not like in the back of the bin. It's exactly the most stupid part. You know it's going to hurt and it's going to prevent it from going. But there's a lot of meat there to make the shot not be fatal. And it immediately falls on the floor. Yeah, I'm going to the hotel, right? I just finished with my mouth, I'm going to the bathroom. I got there, I'm going to put a knife on it. A knife with a foot. It rolls a little. Just to keep it from him. And he's not dead. When he comes, he's with his hand. And you have half a second of time to look for the brightness of the weapon in the air, a little the air that has here. And you see, his eyes are injected with that hatred and pain. The teeth are caught because you're in front of him. You did his physical surgery. Everything that has in his face is revenge. It's like Leonardo is always down there. So, it's safe. Wait. 6. I'm going to shoot! 6. Did you open the door? Did you open it? I'm going to shoot. I'm not even able to. 5. Do you increase the damage when you open the door? Yes. Son of a bitch, you have a long time. Very short. It's like I'm talking about a second fraction. It's something that has a racer. It's not possible to record. You see all this hate in his eyes. And the blood of the weapon, breaking into the air and this is the West. The West is the wild. It doesn't matter that someone has just taken a shot at the Deriea. It's a gun. The opening of a gun. It seems to be the difference between the life and death. And you hear that they are beaten. Your ears are still so small. Your own shot. Your nose. It's still so small. The smell of the skin of your own gun. But so new, so little. Do your eyes. They are completely destroyed. A new, new skin. Do your nose in the Deriea. And a clear take your vision. Almost doesn't happen. You know what it was like. But you never get to have an idea. When you feel a martyred on your chest, on your belly, a subtle pain. You think you might have fallen. You might have been crushed in something. You might have been burned out of the sun. When you start feeling something wet under your head. Maybe your ears are falling. Maybe a wine. You just have to be crushed. When you feel something is difficult to breathe. You think you have been crushed. You know it's not a young story. You don't get to reach all these things. But you all, Morgan, Brin, Lato, you see that the man who was trying to shoot at the ball he hit the trigger. And hit the ball. It's good. And the friend of you, fall behind. Good day! It's impossible! (Birds chirping)