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Maya Rudolph (Live)

82m 36s

Maya Rudolph (Live)

Maya Rudolph and Ron Bunches discuss their deep personal and professional bond, with Ron praising Maya’s innate talent and joyful presence in performance. Ron shares how he first became a fan of Maya through her comedy on shows like *Saturday Night Live* and *Loot*, and how their meeting on set was a surprise and joyful moment. Maya reflects on her SNL audition, recalling a shaky start but eventually landing a role due to her undeniable comedic and musical abilities. She describes the creative environment at SNL as supportive and emotionally safe, with memories of moments like a cleaning staff member offering comfort to a crying colleague with the phrase “Don’t cry sexy.” A major highlight is Maya’s role as Kamala Harris, which she says gave her hope and a sense of purpose during a turbulent political time. She emphasizes the significance of being the first Black woman to portray a presidential candidate on the show, highlighting the rarity and impact of such representation. The conversation also explores the deep connection between comedy and music in Maya’s life, rooted in her childhood and family, and her lifelong love of both. Ultimately, the episode celebrates Maya’s natural talent, resilience, and the powerful, joyful community that shaped her career.

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[MUSIC] [APPLAUSE] This episode of Good Hang is presented by Walmart Express Delivery, getting gifts to your doorstep in as fast as an hour. Who needs elves when Walmart Express Delivery can make an espresso machines magically appear on your doorstep? And if you do happen to forget something, no judgment. You can even order gifts up until 5 p.m. on December 24. Santa, you might want to take notes. Download the Walmart app or head to Walmart.com and get your gifts delivered fast. Subject to availability, terms, and fees apply. [APPLAUSE] Good evening, ladies and gentlemen, and welcome to Good Hang. [APPLAUSE] Hello, welcome to the Fonda Theater. I am Amy Polar. We are so excited that you're here tonight. How's everybody feeling? All right. Just want to remind everybody to please turn off your cell phones and refrain from taking any photos or videos during the show. We want you to enjoy yourself and be in the moment, which I know is difficult to do in these trying times. We are very, very happy that you're here with us. Thank you so much for coming and to kick off the show and get us started. Give it up, ladies and gentlemen, for my dear friend incredible musician and the singer of the Good Hang theme song, an incredible artist. Amy Miles, everybody! Amy Miles! Thanks so much. Let's get this going. My name is Amy Miles. I'm so happy to be here. I am so honored to be here. And I am here with my beautiful friends, Mr. Quick Weddwin. [APPLAUSE] And Mr. David Wain on the drums. [APPLAUSE] OK, you guys, without further ado, we're going to play the theme "Two Good Hang." And I like it, and I like it. And I will not mess with the stuff. One, two, three, clap! [APPLAUSE] [MUSIC PLAYING] [MUSIC PLAYING] Whoo-hoo, go in for the hook. Go out with a bite. What's up, what do you say? I like it when it was a really good hang. Oh, mum, see if I'm breathing. 'Til the ride is start believing. Money's got a dress that the party started. Money's got a party that starts tonight. What do you say? It starts tonight. Party? You broke my heart. When I see you, I turn and go home. Whoo-hoo-hoo, go in for the hook. Come out with a bite. What do you say? [MUSIC PLAYING] Ladies and gentlemen, the host, my friend, your friend, Miss Amy Bollard. [MUSIC PLAYING] Amy Miles, everybody, Amy Miles. Hey! Whoo! Come on, one, one. Whoo! Whoo-hoo-hoo! Whoo-hoo-hoo! Hello! Hello! Hello! Thank you, Amy. Thank you, David. Thank you, Craig. Hello, everyone. Please have a seat. This is a podcast. We're sitting down. Hello, welcome. Welcome to Good Hang Live. Thank you so much for coming. It is a thrill to be here. I just want to start by saying I apologize for the late start. I did not know this show was going to be an 8 p.m. show. I truly didn't. And I'm so sorry. I'm telling you right now, you're not getting home before 11. And it's upsetting. And I won't do that to you again. Welcome. We are very, very excited to do our show tonight. We have a few people to thank before we get started. And the first is Spotify. Thank you for everything everyone here who works on Good Hang. They're just an amazing group of people. And we've had a pretty awesome year. We started this podcast this year. Yeah. And it's going great. [LAUGHTER] So thank you to everybody working on the show. And I will thank you all personally and Jenna, most of all. And also thank you to PayPal for sponsoring this evening. And I know there's some PayPal peeps in the crowd. You're my pal, PayPal. If you guys thought of that as a slogan, PayPal is my pal. But thank you so much for making tonight happen. So we're going to get started. And I think, you know, without further ado, I think it's important for you guys to know who you're getting to see tonight. Because we like to keep these guests secret up into a point. But you are eventually going to hear us talk to each other. So I have to say, ladies and gentlemen, you have a really good, good hang guest this evening, because it is the one, the only My Arudal. [CHEERING] Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yes! Do you want it or do you want it or do you got it? How exciting is that, Maya? Whoo! That was exciting. [LAUGHTER] But yes, yes. And I have my lip balm and my laptop and my glasses. So excited. Whoo! But we always like to start our podcast by talking well behind our guests back, right? So I'm going to introduce the guest. Who's going to do that as I move this microphone over? This is what we practice in blocking. And then Amy is going to play me over to the desk. [MUSIC PLAYING] This podcast is sponsored by PayPal. OK, let's talk holiday shopping. Make the most of your money with PayPal. They give you the flexibility to pay in four. No fees, no interest. So whether it's the must-have toy or a tiered cheese board, PayPal helps you make the most of your money this holiday. Subject to approval. Learn more at paypal.com/payin4. PayPal Inc. NMLS 910-457. Whoo! All right! Now I have come to while sitting down. OK, we are very excited to introduce our guest who's going to be talking to us about Maya and giving me a question to ask Maya. We always like to do that in good hang to talk to somebody who knows our guests really well. We're thrilled to have this person joining us tonight. He is an incredible actor, stand up, and sweet, tenderhearted person. And he plays Maya's cousin, Howard, on the show Loot. Give it up for Ron Bunches! Everybody, Ron Bunches! [MUSIC PLAYING] [MUSIC PLAYING] Hi, my name is me. Hi, Ron. Hi. Hi. Now, people should know we were trying to keep you a secret. But then you and Maya just saw each other backstage. You didn't do a good job at all. Nope. [BLANK_AUDIO] like no one even tried to keep us apart. - No, all we literally needed to do was close your door. - Yeah. - And we forgot to do that. (laughing) And I think Maya said that she just went, "Hey, Ron, what are you doing here?" (laughing) Like you live here. - Yeah, sometimes I just pop up places. (laughing) - Thank you so much for coming now. Let's take a water break. - It's so nice to be here. - And I have some lip balm if you need me. I can't believe you got so many people here. - Really nice. Very exciting, very nice. - Don't they know podcasts are free? (laughing) - They are severely overpaying. (laughing) - It's a good point. - I think it's an excellent point. - Yeah, you can go home and listen to this for free. - But they don't seem like they make good financial decisions. (laughing) They wooed for PayPal. (laughing) - Yeah. Ron, are you a cal. You're not a California kid, are you? - I was actually born in Los Angeles in Gardena. (cheering) - What's it like being a California kid? - I mean, I'm just proud to be from here, especially this year with the wildfires and everything. I feel like you get just a sense of community and loyalty to the place, but I've moved around a bunch. I live in Chicago, I live in Oregon. So I kind of just learned to just carry my home in my space with me mostly. - I like to ask people when they've moved around a lot, what's the coldest you've ever been? (laughing) - Definitely, this is outside of Chicago, the shoveling snow in the winter, it's terrible. - And what's the hottest you've ever been? - Hmm, probably when I was like 212 pounds, real cut. - Just every day? - Yeah. - You tour a lot. What is your tour, what do you like to do on tour? - What's your, how do you prepare for your show and what do you do after? - Thank you for asking, no one asked me that. - I'm really fascinated by a person on the road. It's hard work. - No, it is because you just hate being away from home. I used to, when you first start, sometimes the hotel much better than my home, but as the years had progressed that had switched. (laughing) And I always want to be home. And so I try to make the road as much like home as possible. I travel with my best friend Gabe Dinger. He's a great comedian. He's here with me tonight. We bring our video games with us all the time and I usually do a Pilates class wherever I go. - Okay, so yeah, what video game do you play when you're on the road usually? - I love them. - I love them. - Anything, anything you got, I will play. If you could. - And Pilates, which I enjoyed doing, what do you like about Pilates? - I like that, it's so difficult. - Yeah. - I like that, I could be like, how am I sweating so much while exclusively laying down? (laughing) - Oh, this is a good audience for this joke. - Yeah, this is a Pilates audience. Are you kidding me? - The audience is like a group story. - Hey, everything, everybody gets a reformer on the way out. (laughing) You have a reformer, do you look? Do you bring anything with you on the road? You know how people bring up pillowcase or a carbon monoxide detector? (laughing) - No, I just usually bring the same pair of pajamas that I want to wear. I bring my steam deck, which is my little video game thing, but it makes me feel like I'm at home. And then, but that's really it. I think that and the Pilates keep me feeling like I'm focused at home, because with the traveling, I always feel stiff and just kind of off balance. And once I feel like I landed a place and I sweat and a place, I feel more grounded. - Yeah, I hear you. And last question, are you a person that likes to talk to people on the plane? - No, not at all. (laughing) Not at all. I got my headphones on all the time. Exactly, I know it's probably okay to be name droppy here. But it's how Bill Hader and I connected one time, we were working on a movie together, and we were both on a plane and we saw each other. And so, but we were like separated by a aisle. So the lady I was sitting with was like, "Do you want to sit with your friends?" So you guys could talk and we both looked up and immediately we were like, "No." (laughing) - That's a nice friend. - And we were like, "Okay, I respect you." (laughing) - Now, you and Maya have a real chemistry on your show. And I know you also have a real friendship in life. Can you tell me where you first met? Was it working together on Loot? Or did you meet me? - Yeah, I met her first through. I mean, obviously been a big, big fan of hers for a long time. It's similar to you as well, you know? So I just remember watching her on Saturday night live. I don't remember how many times I would rewind and rewashed the scene of her just shitting in the street. (laughing) Bridesmaids, you know? Like, to me that was-- - Beautiful. It was like, it's like a beautiful office. - It's the highest form of art you could ever find. - I agree. - And so I've always been such a big fan. And then when the Loot came up as an opportunity, I was actually in the process of pitching my own show and was seeing if that was gonna go across the line. So I originally turned down the audition. And then Maya sent me a nice email which was just more like, hey, I know you probably think this is just like some random call and you're just a month of 20, 30 people. But I like your work. I'm a fan of your work. I know who you are. I just wanted to just send you a quick email to see if you would reconsider and do this audition and just getting a direct email from her like that. I was like, oh, I should probably do this. (laughing) And then locally in the next two weeks, they passed on my show. So I was like, I really need to do this. (laughing) - And what is it like to work with her? - It's amazing. It is like, I've told her in person and nice to tell her on this podcast. I'm a big, big comedy fan. I have been my whole life. One of my favorite shows is I love Lucy. Big fan of just Lucille Ball in general. And I always say that working with her to me must feel like it was, like to be like William Frawley and to be Vivian Vance working with Lucille Ball. Like to see the level of dedication and the level of skill and the craftsmanship that she can do in multiple areas that she's can be funny, that she's a great singer, a great dancer, that she can be a dramatic actor when she wants to be, to have that full skill set and to put that on display while still being a kind person is something that I don't see often. So to me, I'm like, this is the, I'm in the presence of a true legend. So it's a, but she never makes you feel separate, you know? She never makes you feel like you don't belong or you're smaller than, you know, sometimes she'll be like, she'll turn to me, she'll go like, is this funny? And I'm like, well, you, why the fuck are you asking me? (audience laughs) If you say it, it probably will be. - I mean, I don't usually talk behind the guests back when they're off stage right there, but I want to, what I want to talk about tonight is that Maya is like a natural. Like she's like one of a kind natural. Like she's, she's one of those people to me that feels like is, was born to do what she's doing. Like it's almost like she makes, she makes it look so easy when she's doing stuff. It's because she's so naturally good at it, I think. - Yeah. - And, you know, I think they should remake the natural and they should put Maya in there in the room. - She's born to do it, you know? She's true, Hollywood royalty. And a lot of times people look at that and they just think about like nepotism or people who don't do anything. But in a lot of cases, it's the opposite where it's like she's been born into this world and she's been the lifetime crafting these like abilities and it shows and everything that she does. And then the fact that she still is spent so much time with her family and so much time balancing everything. That's to me is the wildest part is like to accomplish so many things and to still be driven to get up and come do this show and still spend time with your family. Like that, I mean, I know it's hard for me and I just, you know, I'm doing standup four days a week so they do all of the stuff that she does. It's amazing to me. - Yeah, yeah, women are amazing. (audience laughs) - We are, and you too, Ron. - Thank you. - And you too. So, what question do you have for Maya? What would you think we should ask her today? - I have three questions. - Okay, I need a pen. - There you go. - Okay, okay, I'll remember it. - You'll be fine. - Okay. - Why is Luke coming back 'cause I need a job? (audience laughs) - Great. - So, if you could confirm that onto a microphone. - Great, is Luke coming back? - Yeah, we'll be helpful. Number two is one that I really do wonder personally, but I don't know if she'd want to answer in the pot. So, I'm just gonna ask, and she doesn't have to answer. But just when the time that she spent on Saturday night, life playing Kamala Harris to me, is the thing that I'd be very interested to know more about, to go through all of that, to live in her skin while she's going through the most pressurized time in her life, to have things not turn out the way that she, nor me, are most of us. (audience laughs) (audience cheering and applauding) would have preferred. I just wanted to know what that would feel like. I imagine there'd just be a lot of symbiotic pain from doing that, but maybe she don't want to answer that. So my third one would just be about how does she choose like what projects are worth spending time away from her family, what makes her choose a thing that is like, is it like about providing more for her family or just something that she finds fun for herself or challenging for herself? Just 'cause again, like I have my son and I'm on the road four days a week and then I immediately come back home to my son and it's like a balance because, but I don't know how to do it. I want to know how to do it, babe. - Yeah, I know what you mean. Me too, we all want to know how to do it. We're all hanging on by a thread. - Yeah, that's the secret. - Yeah, nobody knows, that's the secret. Nobody knows how to do it. I don't know what they do, but if you have a microphone they'll go, maybe they know. - Yeah. (audience laughing) - Yeah, I'm going to sell a course, talking about it. (audience laughing) - Okay, so just 'cause I'm a menopausal, so we've got, so you've got, is Luke coming back? - Mm-hmm. - Come on. - Come on. How do you do it, babe? - Yeah. - How do you do it? Right on, those are awesome questions. - Thank you. - Ron Funches, thank you for doing this. You're a total delight. - I'm gonna take the mug. - Take the mug, that mug is yours. Everybody, Ron Funches, thank you so much, Ron. (upbeat rock music) - I don't know if you saw the back of Ron's shirt, but it said, "I only want to work with friends." - What a great shirt. - Wow. - Ron, thank you so much. That was a pleasure, I could've talked to you all evening, but it's literally already, eight, 33. (audience laughing) - Horrifying. Okay, very excited to introduce our guest this evening. You know her from a backup singer for the rentals. (audience laughing) She was a crossroads, coolest student. California's own biggest comedy hit MVP of SNL till the end of time. Ladies and gentlemen, give it up for Maya Rudolph. (audience cheering) (audience cheering) - Hi, Maya. - Hi, you may as well. - How's that? - Going, is this a nice crowd? - This is very nice. - So many nice people. - Nice people. You can tell they're nice people. - I can, I can feel it. - I can smell it. - Maya, we're gonna do a little mic check. - Okay. - And let's, will you sing the National Anthem? (audience laughing) - Yeah. - Okay, little mic check, go ahead. - I'm not kidding, I want someone to ask me to do that again. - Would that be fun? - Someone did say for the 50th, hey, we want you to sing, open the show with the National Anthem. And I was like, okay, and then it just went away. (audience cheering) - Wouldn't that have been fun? (audience laughing) - Are you want me to do it? - Just one of them. - Just one of them? (audience cheering) - I haven't even, I don't really like, think I've ever done it since then. - Roos. (audience laughing) - Sorry. (audience laughing) - Ooh. (audience laughing) That's enough, right? - Beautiful. (audience cheering) - Beautiful, it's the faces. - Yeah. - It's the faces and it's the amount of time it takes. - Yeah. - You know what? - Can we talk about that for a second? - Yeah. - Talk about how that came to be, you singing the National Anthem. - There was a character. - My character Pamela Bell, let's be clear. You know what, I rarely, all the time that we were at S&L, I rarely had good ideas. (laughing) That's not true. - You know when you have an idea and you're like, this is gonna be fun to do. Or maybe I should be more clear. I always have ideas for characters, but I never really had clear ideas for sketches. And this one was like beginning, middle, and end. And it's because in the writer's room on nine, at some point, someone was watching, I think it was like a rewrite night. And American Idol was on. And they do these wrap-ups. And I think it was like bass, I don't know, I don't know, something with a baseball. And they had people singing take me out to the ball game. And this one girl said, ♪ Bommisham e-nuts an apple jacks ♪ That was it. I was like, here we go. E-nuts and apple jacks. - Oh, god damn. - But it was honestly like, ooh, I know. - E-nuts and apple jacks. - I just, it was such a moment to be, I've never been like, other than when we did Bronx Beat. That was the only other time where I've like, done something that wasn't completely on the cards. - Yeah. - 'Cause Bronx Beat's the only time I really feel like we were, I ever did anything loose. - Yeah, yeah, that's what she said. - That's what she said. - Maya, I don't know if you heard Ron talk, and I talking by you, but-- - What? - No. - No. - Did you know Ron was gonna be here? - What? - I actually didn't until I walked in the room and he was sitting there. - Well, literally all we needed to do was close the door. I couldn't get that done. - I couldn't close the door. - How dumb am I? I was like, hey, Ron. What are you doing here? I just thought he was hanging out. - He lives here at the Fonda. Have you performed here or been here at the Fonda recently? - I've been here. - I was here recently for the Geese show. - Oh. - Yeah. - Oh, Cameron Winter. - Yeah. - Yeah. - Yeah. - What if he's here? - Oh my God, Cameron! (audience laughs) - Was that to do Geese? - To feel cool when you were in a musical. - Oh, he felt so cool. I did bring earplugs. - Yeah. - 'Cause I'm 53, but. That was a huge laugh. But I love them a lot. And it was really hard to make myself go out. - I know. What time did you have to go out? - I don't know. - What time did they go on? - I don't know. - You really don't remember? Was it 10 p.m.? - Who knows? - Literally like. - What time is it? - You had a sleeping cap on and a candle and you were like, oh no. Got my night count on as a Geese on? (laughs) Jacob Marley, is that you? I hear your chain. I am at a Geese show. It was very late. But it was totally worth it. 'Cause they're so good and they're so exciting. And as you know, I get really grumpy when music is bad and they're so good and they're so talented at making music and writing music, performing music that I was happy to leave my house. - Oh, that's great. I mean, it is hard to leave your house. It's hard to go out and I appreciate that you're here. - Here you go. - Yes. - And I really do and I wanna talk to you about music because in your relationship to it and I wanna start with the fact that you are, as I asked Ron, he's a California boy. You're a California girl and we had a great interview with the great Jack Black who said that you were the coolest person he knew in high school. - He said that? - Yes. Do you not listen to my podcast? (audience laughing) - I do, but I didn't listen to his episode yet. - You did it. - We glaze you so hard. - Wait, what? - Glazed City Bank tonight. - And it go home tonight. - Good night. - Oh, my god. - Woo! (laughing) - It's funny, I almost said his name when we were talking about the National Anthem because when I was singing it on, first of all, there's so much to talk about when it comes to Jack 'cause I've known him since I was 14. I met him in school and he changed my life for the better and when you find people and you both speak the same language and he was new, he was a couple of years older and he had transferred to the school and I think my drama teacher was like, "You guys should hang out," he coached me in an improv competition, me and a couple girlfriends and we just spoke music the same way right away. We both had a love for Bobby McFairon and I didn't know any 14-year-olds that liked Bobby McFairon, but when I was doing the National Anthem, especially when I go, (humming) I always think, about Jack. He brought me to my first groundlings show when I was a kid and showed me this whole world. I didn't even imagine I'd end up being there and that would lead me to you, really, honestly, I mean, he changed my life, but there's just so few people that you can, you feel so lucky when you have those moments where you had no idea you were going to meet someone that was going to be such a positive influence on your life, and he's such a great goof. Did you guys ever kiss? No, I wanted to. There's still time. I really did, last act three, baby. I wonder if we did maybe in like a, like, a short film? Well, I played his girlfriend and like, Brett Morgan, who ended up becoming an incredible documentary filmmaker, he went to our school, I know everyone's like, in class, we're just like playing in school. Like, it was such a fucking great creative, cool school. It was so punk and weird and artistic and I took film classes and improv Jack got me into the improv class early when I was in eighth grade. You're supposed to be a ninth and he got me in. He's great. You're like, hey you guys. I got something in Brava Barrow and you're like improvising, you're like, honey, I'm home for more. With your little briefcase. It's in candy, stupid. Tough day in the toy factory. Oh boy. I don't remember. But you played his girlfriend. Okay. And you want to say that when she's school with Gwyneth? Yes, elementary school. Elementary school with Gwyneth Paltrow. Yeah. And what did you guys kiss? We kissed. And you guys did kiss. Yeah, we did. Okay, good. That's what I thought. Yep. We went to St. Augustine Together, which was the elementary of Crossroads before Crossroads really had an elementary. He was in this church called St. Augustine by the sea. And yeah, and we were very close and weirdly our dads went to college together. So we had kind of like a family bond. And then after sixth grade she went to New York. But. And do you remember your first time in that time period with like your wonderful artistic beautifully groovy parents? You remember when you first saw SNL? I really do remember speaking into my parents room and faking like a stomach ache or just like I can't go to I can't sleep or something. That's how I talked to another kid. I can't sleep. And my parents were young. I mean, they were probably in their 20s. And they were, yeah, they were watching the show. And I think I saw the Landshark is what I remember. But those of you. Chevy Chase put on a man named Chevy Chase. And he was on. It's all you need to know. And the shark would come in and grab them and get them. Yeah. Yeah. And groundlings. You mentioned groundlings. When you were at the groundlings, premier improv sketch comedy theater, who was in your freshman class? Who were you with at the time? I had the most unbelievable group of people. So our beloved dear friend Emily Spivey, who we wrote with for many, many years at SNL. I met Emily there. My friend, Nat Faxon, who's on loot. My friend Jim Rash, Cheryl Hines, Melissa McCarthy, Ben Falcone. Oh my god, who am I forgetting? Jordan Black, Will Forte. Well, was it our group? Who else? Shit. This is going to sound really bad when I can't remember people saying. No, that's great. That's perfect. Is that good? Yeah, that's great. Rachel Harris. Oh my god, I'm still talking. We had an unbelievable group of people. And what did you like now with a lot of perspective, right? What was the biggest takeaway, the best thing about being in that space, making that kind of art at that time? Absolutely. Knowing that I listened to myself and found my people. And that I liked, and you've said this about me, and I know it to be true, especially because you're so good at reading people. I like to be with my friends and have fun. And I know that sounds stupid, but it's such a great way to do improv and sketch. I like to like, I like to come in the room and people are hanging when there's a group of people that I really like. It makes me so happy. And then it makes me feel like I'm actually funny or funny or, and it fuels me. I like to be in the mix of it. Yeah, Maya, if I may speak for you, Maya, be in about you. The word fun feels like, you know, it just feels like not a complex word, but it is because it's really about this idea of like a shared communal sense of energy. And you love that. And I will say, you know, I said to Ron that you, I think you're one of the most naturally gifted performers I've ever met. And I think you're the the most naturally best person at SNL that's ever been on the show. It's true, babe, you have to have a lot of skills to be on that show. You've got to have a lot of skills to pay the bills on that show. And one of the things that you do that is so important in live television, especially is we are never nervous when Maya is performing. Like we're never worried about you. Our mirror neurons aren't firing that you're like, because you're like, when you perform, you're having a lot of fun. Yeah, it's almost like you're the most relaxed and the least nervous, or at least it seems that way. It seems that way. So is that not true? I definitely get nervous, but I think it's interesting how I get nervous. And I realized it coming back to SNL during COVID the first time I came to play Kamala, which was, which worked the first time. Oh, brother. Oh, brother. Oh, brother. I lost my train. When were we talking about nervous? How are you like when you're nervous? I, my nerves are different when I'm there specifically because I want to be there. And I like how present it is. And I get, I do get an adrenaline rush from being in that room and knowing that it's like happening in that very moment and the history of the world, like all of it. And over the years knowing so many of the people, so many of the crew in that room, but my armpit sweat is like how I know my body's reacting. I'm not, I don't tremble. I do, I do get nervous about fucking up or stumbling words. And that has happened. And that's the thing that sticks with you. But my memory of you is when you fuck up, you like look at, you know, whoever you're with and me being sometimes being like, which is like the, even the joy of the electricity of that. But like even, you know how you, you know how there's moments where you really, you're like, I can't wait to say this line. Oh, no. And even, even back to the National Anthem, remember, there was one line that I used to say, and it would tickle Keenan. And I was singing it kind of like Whitney Houston. And instead of saying like gave proof to the night I was saying like, give a little bit of proof. And every time I sang it, he would like, oh, and I love that he was tickled by it. And I was so excited to do it that I didn't do it. Yeah. Yeah. Yeah. And those little slip ups, even one of the most recent, I can't remember which one it was, but one of the most recent commas we did, I stumbled, you know, you just stumbled. Sometimes your tongue, your adrenaline, like your adrenaline gets you all twisty. Yeah. So I hate that. And then and then Sunday morning, you're like, oh, God, you just hear it again and again. And you can't fix it. But no one never knows. Nobody cares. I mean, no one's paying attention to anything except themselves. And I mean, it's almost quarter to nine. We're almost in bed. It's ridiculous. I agree. So you came into SNL for like the final three shows. Oh, of the 25th season. Yeah. So you came in at the very end. Yeah. What was your audition like? And what do you remember of your audition? I did not. Bitch. That's right. Shit. I knew it. I don't laugh. My water. Oh, my God. I spilled my water in my laptop. Oh, my God. Guys, we're going to get electrocuted. I don't love that I did an audition, but I said to Lauren very recently, if I had auditioned, I probably wouldn't have been on the show. I didn't have a very good audition ready to go. Do you do you need a napkin? These are the Seth Meyers Good Hang Tissues. The Seth Meyers Memorial Tissues, when I made him cry. Really, you think you would have blown it if you auditioned? Yeah, I did. I had never. I might want to. You don't need those questions? No. You know, we know how to clean a table, don't we? - I mean, this is-- - Do you like cleaning tables? - I do. - I love them. - I love them. - I like a nice smelling spray. - Oh, do you use Windex? - Oh, you know what I don't? Do you love Windex? You fucking love Windex, don't you? - And not the new stuff that doesn't have the chemicals in it. - I like the stuff that doesn't have the chemicals in it. - Oh, you're so california. - I'm fucking california, I know. - Well, that was the thing. When Maya arrived to SNL, there was, like, East Coast, West Coast people. - East Coast was, like, hey. (laughing) - From the groundlings? (laughing) - Cool. (laughing) - A little bit. - Well, when I arrived, you had already been there, but I didn't know at the time for only three shows. - But that's not crazy. - So what was it like to come at the end of a season? - It was very strange and it was a trial period. I had sent some VHS tape of some of my sketches to Lauren. - You directly to his house? - You directly to Lauren's house and I was like, did you watch? - You're like, five, five. - Park Avenue. - It was like a trial period, travel affair. They came to, they did come to the groundlings. I think I believe it was Tina and perhaps Mike Schumaker and God, I don't remember, probably Steve Higgins, who had seen me there before, who I credit, giving me my job. Amen, hallelujah. Change my life forever. - Do you remember where you were when you got the call that you were gonna be on the show? - I was at my house. I used to live near Largsmot Village. Around the corner from the yoga place in the Largsmot wine and spirits. Yeah, great sandwiches, am I right? When I was pregnant with my oldest daughter, I used to go to that yoga place just so I could eat the sandwiches after. (audience laughs) They're really good, have you ever had them? I'm gonna get you one. - I haven't, I would love one. Although our sandwiches, I'm not really into them anymore. - You don't like sandwiches? Have you grown out? - Not as a restrictive thing. I just like, in general. - It's a lot of work. - When I see sandwiches, I'm like, oh God, the sandwich. Like, how are we gonna get through this? How are we gonna do this? Do you talk to it? - I go, I go, I go. - You like negotiate. - But you know what I do love? Well, I love a fake felt sandwich. - Yeah, you do. - Sorry, we can cut this part out. Can we cut the, cut things out? - Probably not. Look at this felt sandwich. - I love it. - This is a fake tomato. - I want you to do ASMR a little bit. - Fake onion. - Okay. - You know you're in California 'cause we got an avocado coming over here. - Yep. - Let us? - Yeah, it's only six more things. Cheese and bread. Okay. I love you. - I love that. - Yeah. - Me too. - I like pretend, I like pretend food. - I love pretend food. - I love pretend things. Okay. - God, what were we talking about? - Okay, it doesn't matter. So, we were talking about coming. - You got the SNL call. - And I came out and I had nowhere to live. I was in the Sunday company at the groundlings and I think I had to come out there like in the next week or two or something. So, I lived at the palace hotel down the street and I think I pitched, oh, I came on a Tuesday because there was no pitch on Monday for some reason. And I didn't know anybody, I knew Chris Parnell a little and I said, "What do we do tonight?" And he said, "We write." And I said, "Too many to clock in the morning." And then all the doors started closing. (laughing) And I was like, and I was sharing an office with another temporary actor whatever you would call us there, I guess. Were we featured? I don't even know. - You're featured. - Named Zach Gallifinakis, not wild. - Yeah. - And then we'd walk back to the palace going like, "What are we doing here?" I was like, "I don't know." - Yeah, we've talked about it before where there wasn't a lot of onboarding. There was no like, no one told you any really. - I make her did. - I will say, when you and Seth started the following year, I saw him making an extreme. I watched the process of him onboarding you and Seth in a way that made me so proud and so happy that people were given a chance to understand the mechanics of how a show like that works. And it helped educate me. I still felt so new and I didn't know what I was doing. And it's one of those things where you don't want to tell people, like, I've never been swimming, but I'm going to try. Like, I didn't want to say, like, yeah, I've never been swimming before, but I just, I tried. But I didn't want to say how scared you were. - No, fake it to you, make it. - Fake it to you, make it, baby. We did a lot of faking it. And we did a lot of making it. - We did. And so Maya and I were, my office was across the hall from you and Emily Spivey. And Maya and Emily had a great office. It had a window. And it looked out over the Empire State Building. And this is in the 2000s, so you could fully open the window. - Oh, yeah. - No bars, nothing, and lean out and smoke a cigarette. - 17th floor. - 17th floor. - And when we were riding on Tuesday nights, we could tell it was time to go home 'cause we could hear people lining up for the today show outside and look down below. And we used to get visitors from a friend who would hang out of the window. - Yes. - He was made of cardboard. Harper Steele used to ride her on SNL. She used to draw a picture of a weird creepy dude and stick it out the window into our window. - That's right. - And then we'd go, who did this? - And then we'd run over and she would just be like, closing her window. - Her office would be freezing cold. - Yeah. - And also I have memories, lots of tears, laughter and tears in that office. I have a lot of memories of your office. - Our office was, I felt like you were one of the first people that really made me feel good about coming in and recognizing it as a safe space. You'd come in, you'd crack your back. You're a little back, you crackies. And sometimes you'd lay on the floor and it was just a place for us to say, this is really hard, or I'm really sad, or I'm stressed out, or this fucking sucks, or whatever it was, it was such a safe space. And I mean, I could spend so, as you know, I could spend so much time talking about how fortunate I feel about being there with the company that I was with. And I don't know how the stars aligned in that way, but I think because we had so many of us that even though we didn't grow up in the same town and go to the same schools, we kind of had a similar, I don't know, life ethic. And I always say it's like, well, we were like, you know, good daughters, good students. - I wonder if you're talking about the Sun Kylie Kelsey's podcast, great podcast, and love her. And you made a such a good point about that Maya. You were like saying like, why, you know, all the women at the time at SNL, Rachel, and Tina, and Anna, and Kristen, like we all felt like we were different, certainly, but we had some kind of similar shared sensibility. - A common thread, and I also feel like, you know, in those days, like even, you know, at the groundlings now, it's all, I think you have to wait a long time to get to the next level, or we were just kind of like, walking right in. We had something in common that we just knew was our thing. And I can't even, I can't describe it, but it was that generation, that time, we had the same shows growing up, we had the same influences. And I don't know, for me, it was like, my older brother was the funniest person I knew. And so I was trying to emulate people that I looked up to, like my heroes, that's why I wanted to be funny. I wanted to be funny because he and his friends were so funny. - What were they listening to, and who are they? - My brother was really into like, Parliament and Funkadelic, which has such a huge sense of humor, I mean, it's just like, the funkiest funk, funkity, funk, funk, funk. Like the mothership connection and motor booty affairs, one of the albums and the album artwork is insane. George Clinton is just like a freak. And clearly has such an amazing sense of humor. My brother and I used to watch The Gong Show and make me laugh. Did you ever watch Make Me Laugh? - Yes. - And we used to play Make Me Laugh in our house all the time. Make Me Laugh was basically, it was just a guest was sitting in a chair. And then I guess it was stand-ups or comedians were supposed to make them laugh. They had 60 seconds on the clock and the person had to like, not break. That was it. - And there were a lot of young comics that started there. Like, could it have been Gallagher? - Oh, I'm sure. - Was Gallagher there maybe and like, - I don't know, I was doing so much acid then I don't remember anything. But I have a feeling, if we looked back, we'd probably recognize a lot of people. Same with The Gong Show for sure. - Yeah. Do you, one thing I wanted to bring up in that office was, there was a cleaning lady, Rosa, that worked in the, on the 17th floor, teeny tiny lady. - Very teeny. - And she had been there for a very long time. She had seen some shit. - Yeah. (audience laughs) - And there was a moment when, would you tell the moment when we were in that office and Rosa came in? - I think it was probably, usually if we were in that office during the day. 'cause we were there so much at night. You know, we weren't keeping regular office hours. So there weren't great times we were able to come in and clean and change the trash cans out and stuff. And so it was probably a read through day, maybe like a Wednesday. And we were in there waiting for a table read to start. And someone was definitely crying. I think Emily might've been crying. 'Cause her desk in that office was close to the door and so she had her back to the door. And she was talking to us about something that was really hard. And we were also sleep deprived. And I just remember Rosa coming in and she didn't speak very much English. But she saw what she always saw, which was she came in and she saw a few of us just sitting around talking to each other, deep in conversation and Emily was crying. And she put her hand on Emily's shoulder and she goes, oh, don't cry sexy. (audience laughing) Do you remember that? (audience laughing) I love it so much. It was like it was yesterday. Don't cry sexy. And highly recommend you say that to your friend when they're sad. It's really-- To the little-- Don't cry sexy. Don't cry sexy. (audience laughing) Um, do you want to tell everyone the first time you met Barack Obama and who you were dressed as? Yes, I would love to. The first time I met Barack Obama when he was running for office. I was dressed as Shirley McClain. (audience laughing) And, um-- And then the second time you saw him, you were dressed as-- Barack Obama. (audience laughing) Um, yeah. It was a sketch that you were-- You and Darrell were Hillary and Bill Clinton at, um, Halloween party. And it was one of-- And I remember Barack was new on the scene. Mm-hmm, looking smooth. (audience laughing) And, uh, and at that time, I think, like, Barack Obama masks were popular. You know, it was like the new candidate. And, um, so the joke was gonna be that I come in like, "Wop, wop, I'm Barack Obama." And then he taps me on the shoulder with his mask and takes a mask off and I'm like, "Oh my God, it's the real Barack Obama." So we did that at dress, and that was it. Yeah, he didn't do it today. We did not do it at air. Thank God. Um, why? Do we know why? I do. I mean, I did not have a take on Barack Obama at all. I didn't have-- Oh, so, you know, I just remember you were-- You were a teeny-towel. You were a teeny-towel. You were a teeny-towel, man. Very tall, and so man. It's very fun and stressful to be dressed exactly like the person you're standing next to. It is so much fun. And I remember the first time we saw each other was when we were about to walk out on stage. So at dress rehearsal, there was like a little flag there and door that's supposed to open. And I'm there waiting in my little Brooks Brothers suit. And I think we, like, bound my boobs and I had a-- I used to play Scott Joplin. And so I had my Scott Joplin wig on. And I was standing there. And then-- People thought, no, Maya has the cutest, little, tiniest little legs from knee down-- Just the knee down. Knee down. It's like a little teeny-tiny toothpick. Look at those little legs from knee down. So cute. So cute. [LAUGHTER] Scratch. Scratch. Scratch. Yeah. Love Santa 3. Teeny-tiny. Teeny-tiny. Teeny-tiny. Just from the knee down. They're like breakable. I know. They're so little. So you had your little suit on. My little suit on. And it was teeny-tiny. And then he came over. And here's the thing. I didn't-- it was written then. I didn't have a good impression. I was sort of like, I'm Barack Obama. And so I was standing there. And I said, well, what do you think? And all he said to me was, I don't wear a three-button suit. Damn. I still don't know what that means. It's like-- that's like a guy-knowledge thing. Sounds like a flirting to me. Just kidding. No, I'm not. I will take that. I've gotten two tonight. And I'm taking them home with me. I'm taking them into the spank bank tonight. [LAUGHTER] Speaking of spank bank, Ron Funch is so great. So spank bankable. So spank bankable. And he has three questions for you. Let me give you the first one, which is speaking of standing next to someone that you play, you were so incredible when you were playing Kamala Harris. And it was such an exciting time to watch you play. And for Dana Carvey to be playing, too. And it was just very exciting. The world was watching. There was this feeling of like, here we go again. And that's the SNL at its best, I think, when the world is on the same vibe as the show. And the political impersonations, we-- I mean, it's one of the best things about the art tenure there is that more and more women, we got to play, because more women were candidates at the time. And Kamala was such an incredible-- you did an incredible great take on her. You were so good. And you got to do stuff with her. Ron's question is a good one, which is like, what do you do with all of that energy and feeling when it goes away when she doesn't win? There was definitely-- especially after the first election, I remember even talking about it with our friends saying, when we heard this was happening again, I'm scared to be hopeful. We were nervous about opening that vulnerability and opening up our hearts to, like, could something good happen? Because it's been such a shit storm and a rat fuck of-- of a-- of a time. I chose to-- especially because she came to the show and that electricity alone just propelled this idea of, I'm going to allow myself to be hopeful. I hadn't felt hope in a very long time when it came to this subject. And she made me feel hopeful. Even if it was a dream, even though I got to be honest, it didn't feel like it. It felt real, but she's really good at what she does. And she makes you feel like it's going to be OK, truly. She was saying things like this country really needs to heal, which, I mean, now we really need, like, a fucking-- we need some sage. I mean, it's so bad, Amy. Yeah. We don't have to go-- But what I'm going to say is-- What do you do with the feeling? OK, so-- And by the way, I haven't let go of it, either, is that knowing that I can still be hopeful, even when I'm scared, actually was really incredible. Ah, I see. And it was something that I shared with quite a few people the night before the election, after the election, is being hopeful is a good thing. Even if you lose, being hopeful is for you. That I was really surprised I allowed myself to feel because I felt like-- and in case anyone's wondering, yes, I wanted her to win. But what I'm-- Who? Who? But I-- Oh, god, listen, just to rewind a little bit, all the time that we worked at the show, I never expected to play anyone that was running for president, ever. Right. You know? And this was such a natural path, which is the best kind. And especially when you're no longer working on the show, and they say-- and you hear people saying, they should call you and then Lauren calls you. It feels very like Avengers Assembly, right? It's such a cool-- it's like, Maya, we need you. You're like pulling on your pants. Oh, oh, oh, oh, oh. Trying on all of your wigs. And it's exciting to be-- and I think it helped me filter all my rage, my anxiety, but all of it, it was so great to have something to do. Yeah. And I-- To be a service. Yeah, and it felt like being a service. And then sometimes I'd say, like, I mean, it was really a fact, the election. And I was like, why doesn't it? I like being part of the conversation. Yeah. Especially some of the relief, because we needed some relief. And also, Maya, you bring up a beautiful, obvious, but yet not often discussed point, which is you looked like the candidate and candidates didn't look like you. Yeah. And that was for me, like, the biggest part of it. Is that all the years that we worked on the show, it wasn't like, what are they going to call me? And I was like, there's not going to be anyone that looks like me running for president in my time at this show ever. I mean, I couldn't imagine. And to play someone that looks like me, running for president in the United States was wild, wild. Yeah. And I'm like you. I'm like, you know, where those people that [BLANK_AUDIO] do anything on the show and we're like put me in coach, I want to do that, I want to do that, I want to do that. I just didn't, there are some things naturally that you don't get the opportunity because you don't resemble the person and that's just the way that it is. I mean you have to understand like and you know this about me, I played so many different kinds of people on the show and I think it's because I just believe I can be anyone and I don't even know like I don't know that's more just me and how I've always just been in the world and something that probably came out of me from being a kid and I don't even know, I don't even know that's allowed anymore you know in a lot of ways but in the best way possible like it was just more like I just do what feels natural or funny or right which is why it was always fine but I don't know, I don't know how I got so lucky, it was a really exciting thing to be a part of and then the other part of it was the Dana Carvee part of it because I think for us anyway our generation Dana Carvee was and that was the era that I started watching us know and they say like you're you know a lot of people one of the theories is like your favorite cast is when you were in high school and that cast was the dream I mean I fell in love with so many of the cast but him and Mike Myers and Jan Hooks and Phil Hartman I really didn't realize how much of them that I took with me and when we came off stage after that first time and Dana did something and he he turned on a little sauce like on the air and was being a little goofy and having fun he said I just like to do that I like to I like to make the other person part of it and I like to have fun and it's infectious and I realized while he was saying in that moment is that's why I that's what I like to do and I think I got it from him I couldn't believe it very cool it was really cool that's very cool yeah and you know I feel like we shared a similar feeling when we did Bronx beat with Mike Myers for the SNL 50th because we were huge fans of Linda Richmond and coffee talk oh my how we did a little what the kids would call a mashup yeah and we smushed everybody together I mean that's that was also like the most exciting dream is like SNL 50th I was like I want to be with my heroes and and that was truly the mashup that was really exciting that was cool it really was and and and I'll finish the and there's some I mean I could talk to you forever about all your characters you know you don't have to be on saying when you Houston and Donna televersace and I mean just you just did so many and just so also so many small dumb people with weird names and just those are my favorites and you and I both share a love for dumb dumb dumb dumb dumb so who was you what was the favorite wig you ever wore oh my god there was a wig that really like it made the rounds I think my Lailani wig became a Pat psychic became um who was the lady she was a fake charo she was a red-headed charo yeah fiesta political yes the political um yeah and she was like she kind of had like Amy she had your collar hair yeah she had like a beautiful red a vibrant red a vibrant red perhaps a little bit of a strawberry blonde um where my name was Rebecca her name was Rebecca good job Maya thank you yes I remembered something um yes I remember that because I remember well I'm not gonna tell this story can you cut it can we cut it probably not a whisper what you cannot tell that story oh slowly not I'm sweating just you oh my god I'm sweating sorry guys can we talk about flirting more I didn't get to like sleep with anybody at SNI I know I'm sorry or man anybody got a time machine no why didn't I like flirt with me I'm bad at flirting that I'm bad at it I agree yeah I can't read it you don't read it and I'm saying everyone was in love with you every yes didn't I didn't have that experience but that's why I'm bringing it up because the way you said it earlier I knew that's what you were saying was like you didn't know dummy yeah I did it you couldn't he's like whoa is me nobody likes me and there was like 10 like howling dogs outside your window every night not when we were going home I didn't happen I did go on one date when I was there with somebody that you know and he took me to see a show um called puppetry of the penis sure so I can't tell that story either um I should try to ask a question and we're and we're and okay I'll just say that in the in the vein of you being a natural and you being musically gifted in every way like you know Maya was you know we would have musical guests come on and then Maya would sing in a sketch and we'd be like um Maya's better than the then the multi-plot them sing her um but do you think that there's some rhythm that's important to have for both comedy and music and like what do you what do you think why do you think you need both like why do you think there's such like loving cousins their cousins I love this topic so much because I can't really truly define why I think there is a language to both of them I think that there's an incredible inherent um ability to them some people are just musically gifted um those people are musically gifted I know that for a fact and and and and and that's why you always hear about musicians quoting spinal tap on their tour bus like they want to be in some way musicians want to be comedians and comedians want to be musicians and sometimes they're both um but they they live to get that there's and and it's such a mutual appreciation yeah admiration society you know um but they're also like an incredible skill and and when you're good at it like you can't fake it you know you do great musicians don't I mean I I also like had this funny I don't know what growing up because I was surrounded by music because my parents were musicians that and we'd saw a lot of music too or we had friends that were musicians and music was just very music was very normal in my house like that's just the best way to describe it like it was it was normal and um sometimes I'd watch people on stage and I think I'm I'm that's what I want to do like I could see like I could just imagine doing it and then I see somebody funny and I was like that's what I want to do and I'd sort of like vacillate between the two but um here I go I can't remember I was saying um I think I think it's a fascinating um love story comedy and music and I think that when I think about some of the best people I do think it's something that you really when people are naturally good at it there's nothing better and I think I like to we all know Maya you know in another life has is married to prince in another life and you're here you you're in the band princess you you know yes and uh prince you know you had the um pleasure to meet him and um and you love him and um he you like to talk about how funny prince was so funny oh my god so funny can you tell us a joke that prince told you or something funny or a funny moment with prince he did tell me a joke once but I didn't understand it you're not supposed to I'm thinking about when Fred armison and you would do Beyonce and prince and prince would hide the whole time oh my god prince was always hiding and that was again like the best thing about that sketch was the fact that we loved prince so much that we understood it and so it was just like getting to do it wasn't like huh isn't this funny yeah he's short yeah I hate that so much and you felt that way about Beyonce like the same with Beyonce like such reverence for her well yeah because the other thing is like I never I don't know how you feel about doing impressions of people but I'm not an impressionist and we've talked so many times about different personality there's so many different types of people that work at saturday night live specifically some people are impressionists some people are stand-up some people are sketch performers and some impressionists they can be very specific person personalities. I'm not an impressionist, but I feel like when I do an impression, it comes from watching someone and I'm watching them because I'm fascinated. I'm interested. I'm excited by them. So I think I'm picking up in the same way that like you tell a story and you use the person's voice like whatever, but like, but, but, but, but, but, but I'm joking aside. Like when I tell a story, I usually imitate the person, but I think it's because I'm interested. I'm, I don't know, I can hear it. Yeah. Yeah. I also think I'm a little bit of a parrot to go back to the, the comedy music thing. Well, that's what I would just say is that I feel like you have a sense of time. Like, we, you know, when we started with you seeing the national anthem, you took, you take your time with that. You know when to go fast and be like Whitney talking to Bobby Brown really fast and you know how to go really slow and it's like you know the rhythm, the in-between of stuff. Like that's part of the magic of you. I think Maya is the way in which you can change the, the tempo of the stuff that you do really naturally and everybody's just like, you just, you have the rhythm that everybody, you like, you are the song everybody wants to hear. It's like you, we love your song. Like you are, you have that. Okay, so we're going to the speed rounds. Okay. Okay. Here we go. Here we go. Do you like scary movies? Nope. Great. Favorite thing to cook. Oh, pancakes. Silver dollar pancakes. What happened to your finger? I fucking cut it on Thanksgiving making stuffing. Oh, it sliced the shit out of it. It really hurts. Do you like going to Disneyland? Yep, I do. What's your favorite part? What kind of Disney adult are you? And by the way, I know you love me because you're asking me this question because you do not like Disney lamb. Oopsie. And I was born in Gainesville, Florida, even though I've lived here since I was one other than the time that I spent New York. Gainesville got a whoop, is somebody from Gainesville? You're from Gainesville? Wow. Wow. Hi. You, me, Tom Petty and Joaquin Phoenix. What if we looked out in the audience and it was just a crocodile? I actually have not been back to Gainesville. Do you want to go with me after the show? My speed round. Okay, sorry. I probably have AGG, but I was never tested. It's okay. Are big pants still in? What do you mean by big pants? You tell me. I mean, yeah. Whatever. These are big pants. Yeah, big pants are still in. I go to Maya for all my fashion. I love fashion. You love fashion. I love it. You love fashion. I've always loved it. The best thing about Hanukkah. This episode is going to be coming out close to Hanukkah. I love sour cream and applesauce on my latkes. And how's your dog, Leroy? He's great. Thank you for asking. What kind of dog is he? He's probably a golden doodle. We were told he was a standard poodle when we rescued him. For those listening, Maya did that in quotes with a bandaged finger. I mean, I think he's a rescue. He was, he and his siblings and his mom and dad were all living in a, you know, what do you call it? A crate or whatever. You think he's faking being a rescue? No, well, he's like, oh, my leg. He showed up at your door. Ding dong. Me and my family are kind of homeless. Our car broke down. You got jumper cables? No, it's just that we we got them from a rescue place. There's a lot of rescue places. Yeah, so I mean, whatever you pay like, but you got to pay to make sure they're healthy and whatever. It's the best fucking money I've spent. I fucking love that dog. I have a, I have another dog named Daisy. And tell us about Daisy. Daisy just got attacked by two coyotes. And now she's okay. She, I know. What in your yard? In my yard. Did you see it? No, but my daughter did. It was really bad. Daisy is a fucking warrior. Yeah, Daisy, Daisy survived. Fuck those coyotes. Fuck those coyotes. I know. And they have, they're kind of dicks. Like, when I say, they're dicks. Don't you agree? I feel like when I look at them, they're like, sup. But they do. They just stand there like, it's up old lady. I'm like, no, get the fuck out of here, man. I mean, I don't know. I eat it. Right? Coyote are so rude. Oh, it's rude. And they're really, they just, they're like, they're like the lost boys. So you got any bread? You guys have cereal? Get the fuck out of here, man. Nobody invited you into my yard. Get out of my yard, dicks. Oh, my God, the lost boy. I don't know why that was my reference. And then the last thing I want to ask you about is, I love fast questions. I'm sorry. I think it's more. This is fun. Your astrological sign. Yeah. Yeah. And I don't remember my. Any gram. Yeah. It's a seven. I've told you so many times. That's so many times. And you told me that I'm a seven because I don't remember that I'm a seven. Well, it's about fun. Sevens love to have fun. Uh oh. I mean, let's be clear. I like to have fun with you. There's plenty of people I do not have fun with. Yeah, for sure. I mean, we have a lot of fun. We've had a lot of fun. We have fun. We have fun. And then Ron brought this question up. But I think it's beautiful. Well, first of all, he'd like to know if Lut is. Lut is coming back. And congratulations on another season. Thank you. Thank you. It was a fun season. And I love working with Ron so much. And I love that he wants to come back to his job. Isn't that a nice thing when people are like, I want to come back to my job and be employed? What's pretty about working with Ron? Oh, my God. I always say Ron is like human mochi. He's like, well, the sound of his voice. But like, he's a genuinely good human being. And it's very, I was in love with Ron's work. And I just wanted him to be on my show. I just, I didn't know. I just wanted to work with him. And um, there's nobody like him. And he's sensitive and kind. And he cares. He cares about where he is and who he's with. And he is so singularly himself and so funny. I just, I love, I love who he is. I just love him. But Ron asks you how, how do you do it, Maya? How do you balance it? How do you? And what I think is, uh, lovely about that question. And behind it is what we were talking about, um, earlier, which is the idea of kind of like figuring out the art, you know, being an architect of your own life, trying to figure out what, like, what's important to you? How to have a full life where, you know, all of us are lucky enough now to have been friends for 20, 30 years. And like, we're, you know, some of us are blessed with children and lives and figuring out how to work and be a good mom and good partner. And, and I just, I, I have to say that like being in your presence as, as you, as your mother is pretty amazing. You're a fantastic mother. And you have wonderful kids. And I mean, I know it's so important to you. Like, I knew that was a really, really important thing for you to accomplish in this time around is being a mother. What is, what is it? How has it changed your life? I remember so, you know, I, I became a mother while we were still working on the show when we were still at Silent Live and none of my friends there had kids. That was wild because you go from one lifestyle and you're watching all your friends go out and have fun and you're over here like, my, I gotta get up with my baby. But thank God it, it taught me to let go of things that I really needed to let go of and I, I called it, you know, my bullshit meter and just, it just, everything that wasn't important just fell away. There was no time you have to keep a human being alive. And, and a human being that you're so in love with and it just really helped me. I, I tend to be someone who can get caught up in the minutia and I, and I worry too much about pleasing people, making sure I'm polite, doing the right thing. I always felt like I was a very good student when it came to being at SNL. And if I had to do it all over again, I'd, I'd want to be a slutty rebel. Yeah. But I wasn't, you know, and I, I wanted to do it right, which, which God in my way is. lot, to be honest. And then after I had Pearl, and I didn't know whether I'd come back to the show or not, I wanted to be with you guys so much. And it's also so fascinating that such a hard job is actually a welcome thing after having a baby. I really just was like, because you used to say to yourself, like, oh, I know how to do that. And even though you're juggling something else, I learned the lesson of if I'm doing something I love, and that's a good reason to say, goodnight to her and go to work, or give her a bath and say, like, I can't be here for bedtime or whatever, and go to work because I loved what I was doing. And sometimes, as you know, when you're traveling for work and your kids are little and you have to leave, and knowing that you're going somewhere that you love or doing something you love makes it more worthwhile, not to say I've never worked on things I don't love. I have, you know, we all have to make a living and that can be really tough too, but it made me make a mental note of what works for me. And so I try to seek those moments out when I can, as often as I can. And we don't always have the opportunities, but it definitely changed how I viewed work. And I think it's why I did the National Anthem. I think I like loosened up a little bit. And that was that was when I came back to work after Pearl this morning. Well, we're very lucky that we got to see you work in real time. And I think I can speak for all of us that like, we know there's so much stuff always ahead with you. Like, my everything you do is just fucking delight. Sorry, I swore. I don't know why I swore. I liked it. You've been listening to Good Hang. The executive producers for this show are Bill Simmons, Jenna Weissberman, and me, Amy Poler. The show is produced by The Ringer and Paper Kite. For The Ringer, production by Jack Wilson, Kat Spalane, Kaya McMollan, and Alayah Zeneres. For Paper Kite, production by Sam Green, Joel Lovell, and Jenna Weissberman. Original Music by Amy Miles.

Podcast Summary

Key Points:

  1. Maya Rudolph and Ron Bunches share a strong personal and professional connection, with Ron having been a long-time fan of Maya’s work and meeting her on set.
  2. Ron highlights Maya’s natural talent and unique abilities as a performer, calling her a "true legend" with a rare blend of comedy, singing, and acting skills.
  3. Maya recounts her experience auditioning for SNL, noting she didn’t have a strong audition and even spilled water on her laptop, but was eventually offered a role due to her undeniable talent.
  4. The SNL experience was transformative for Maya, especially in creating a safe, supportive environment with fellow performers like Emily Spivey, where emotional vulnerability was met with empathy.
  5. A memorable moment from their SNL days involved a cleaning staff member, Rosa, comforting Emily by saying “Don’t cry sexy,” showcasing the warmth and camaraderie within the creative team.
  6. Maya shares her emotional connection to playing Kamala Harris, describing how the experience gave her hope and allowed her to feel seen and valued during a politically charged time.
  7. She reflects on the significance of being the first Black woman to play a presidential candidate on SNL, highlighting both the rarity and the power of representation.
  8. The conversation emphasizes the deep synergy between comedy and music in Maya’s career, rooted in her natural instincts and lifelong love of both art forms.

Summary:

Maya Rudolph and Ron Bunches discuss their deep personal and professional bond, with Ron praising Maya’s innate talent and joyful presence in performance. Ron shares how he first became a fan of Maya through her comedy on shows like *Saturday Night Live* and *Loot*, and how their meeting on set was a surprise and joyful moment. Maya reflects on her SNL audition, recalling a shaky start but eventually landing a role due to her undeniable comedic and musical abilities.

” A major highlight is Maya’s role as Kamala Harris, which she says gave her hope and a sense of purpose during a turbulent political time. She emphasizes the significance of being the first Black woman to portray a presidential candidate on the show, highlighting the rarity and impact of such representation. The conversation also explores the deep connection between comedy and music in Maya’s life, rooted in her childhood and family, and her lifelong love of both.

Ultimately, the episode celebrates Maya’s natural talent, resilience, and the powerful, joyful community that shaped her career.

FAQs

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The guest is Maya Rudolph, known for her work as a backup singer and performer on SNL, and for her role on the show 'Loot'.

Ron met Maya through her work on 'Loot', where he had previously been pitching his own show. He initially turned down the audition but was encouraged by a personal email from Maya, who expressed her admiration for his work.

They share a deep appreciation for comedy and each other's talents. Ron describes working with Maya as being like the legendary chemistry between Lucille Ball and her co-stars, highlighting her natural talent and dedication across multiple performance styles.

Maya recalls playing Kamala Harris during a politically charged time, which gave her a powerful sense of hope and connection. She emphasized how it felt like a moment of genuine impact, even in the face of uncertainty.

Maya believes her success stems from being naturally gifted and deeply connected to both comedy and music. She credits her upbringing in a musical environment and her ability to perform with authenticity and joy as key to her career.

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