The speaker, born in rural China and raised across multiple countries, shares a life shaped by migration, cultural adaptation, and deep personal conviction. Their journey from China to Germany, Norway, Canada, and the U.S. instilled a unique sensitivity to cultural context and communication. This experience led them to co-found a communications firm after studying international security, where they learned that traditional PR is ineffective for unconventional or disruptive ideas. Instead, they champion “go direct”—a philosophy of bypassing intermediaries to build movements through personal, authentic storytelling and narrative sovereignty. Founders must first believe deeply in their mission to inspire others, much like historical leaders who rallied through intensity and clarity. The speaker emphasizes that successful movements are built on human-centered narratives, not technical features—drawing from examples like Steve Jobs, the Jetsons, and historical leaders to show how stories of value and transformation inspire action. They also critique the rise of fake, mass-produced content in tech launches, arguing that authentic, beautiful, and emotionally resonant experiences—rooted in real relationships and shared values—stand in stark contrast to superficial, inauthentic engagement. Ultimately, their work centers on a timeless truth: people connect with stories of human purpose, not polished product features, and the most powerful movements are born from personal conviction and genuine human connection.
So you were born in China, yet you speak Norwegian.
Can you explain what occurred in your life
between these two points?
Yes, I was born in rural China.
I was born in a little village where I think my mom didn't even
know whether I would come out a boy or a girl
or in six months or 12 months or there was very little
knowledge.
And so I emerged.
And we were able to leave China because my father was sent
to Germany to get his PhD in astrophysics.
I think at that time, the number of people who
wanted to leave China far exceeded
the number of people who were allowed to.
So technically, we were supposed to stay
behind as a kind of collateral to make sure that he came back.
However, dot, dot, dot, we end up settling in Germany.
My mom and I actually do go to join my father
at the University of Heidelberg where he was getting his PhD.
And we started moving around to different universities
where he would study at like University of X to work
at the observatory.
And so University of Oslo is one of the places
where he was sent to work on astrophysics.
And that's where I did a lot of my growing up.
Went to public school.
And I just became a little bit Norwegian.
How many different countries did you live in now?
Yeah, I grew up in China, then Germany, Norway, Canada,
at which point we were able to become Canadian citizens,
which was very exciting and welcoming for us.
And then Grand Slam, big dream, the United States.
I came to the US for college, been here ever since,
and a few years ago, naturalized in the first Trump
administration, which was very exciting for me.
How long did you know that you wanted to come to America?
Was it just for school?
Did you think, no, I'm going to live here after?
No, I just wanted to live and be here and be American.
It was a dream that was sort of inherited from my father.
If he hadn't gone to Germany, he would have tried to go
to the US.
In fact, the only reason he couldn't was because it was like
oversubscribed as a destination at the time.
So we've had kind of a multi-generational dream
to come to the US.
And what I'm doing now feels like the culmination
of multiple generations of work.
I can see you very singular, like, player on the board.
I don't know anybody else that has a business like yours.
You do the comms for some of the greatest tech founders
in the world.
You have anywhere, you know, from like 10,
let's say, 10 to 12 clients at time,
where you have a wait list of, you know, a thousand companies
that want to work with you.
A little less?
Yeah, a little less.
That want to work with you.
But it's always like the elite of the elite.
And it's a few of these people who have been on the show.
For example, and I've talked to them in private about you.
So it's an unlikely story.
I happen to know this because we spend a bunch of time together
with us the year and a half.
But can you explain, OK, you go to college,
what do you think you were going to do
when you were in school?
I did not know what to do.
You and I have talked about friends of ours who've known maybe
from an early age that they wanted to go in a certain direction.
I did not know.
And I think because the thing that I'm doing actually
has not existed until I started doing it.
And there are many other things like this out there
that don't exist until someone starts doing it.
So I think there's a lesson there.
But what I really was forced to do and then enjoyed doing
was some version of super duper reading the room
and then figuring out how to become and speak
as someone that the room would accept.
And as a kid moving around and always
being the weird kid with the weird accent and the weird clothes,
it's a forced almost survival mechanism.
I'll tell you a story about in Norway
in a second how I learned this.
And when I got to Canada, I actually
learned English from a book called English.
It literally was like a green and blue book.
I could picture it.
It looked like a Greyhound bus seat type of design
called English.
I read it and I was like Neo waking up from the matrix.
So I was like, I know English.
I thought I knew English.
I actually did not because English,
there's like the book English.
And then there's the how people actually use it English.
So while I was in college, I did an interview with BCG
or something that the career office funnels you towards
and thank goodness I did not get this role.
But part of the reason I didn't get the role was they asked me
if I had any experience doing something.
And I said, yeah, I have quite a bit of experience below the belt.
And the difference between below the belt
and under my belt is in some ways almost nothing
and in other ways like in that interview, everything.
And so even now I feel like I'm still learning to speak English
and adapt and to think about the fine textures of words
and meanings in every different setting.
So it explained the connection between
what you do in comms now with jumping around from culture
to culture.
You said you have a story about this when you were in the--
Oh, tell you the story.
I'm in Norway, and I'm just desperately
trying to fit in and be a normal kid.
When you get to the public schools in Oslo,
they have something called Mutaq's Crescent,
which is like welcome class.
So it's like a transition halfway house
for immigrants who can't speak Norwegian.
And once they think you're ready enough,
they transition you out.
So I'm in this classroom and it's like October,
and I'm trying to fit in.
We talked about Halloween.
Halloween was coming up.
And in the US, you wear your costume to school
and you have a little parade, and it's awesome.
In Norway, they knew what this was.
So I show up to school in a full body rabbit costume.
And I mean, it's got the gloves.
It's got a tail, like everything.
And nobody else is wearing any costume whatsoever.
So I'm the new, it's like the only thing worse
than my normal clothes was a full body rabbit costume.
I said that you had to hold my pencils like this,
like a whole in class.
And it just turned out that it was not customary
to wear these things to school.
So how would I have known that from any of the conversations
that I had had where people knew the date?
I thought we were all on the same page, guys,
like it's October 30th, as we talked about this.
And it just wasn't a thing you did at school.
So the takeaway is that there's a lot that is unspoken.
There's a lot of context that people just assume
that you might have.
And if you think you do and you actually don't,
it will be exposed in sometimes very dramatic ways.
- Okay, so let's jump in exactly what you do today.
And why you think it is needed more than ever.
If I walk up to you, I didn't know you at all.
And I say, "Hey, nice to meet you, Lulu, what do you do?
How do you describe what you do?"
- What I describe is I help founders build a movement
to help their company succeed.
If you are building like the seventh B2B SaaS
in a pretty crowded category, I'm not sure
that's the most relevant for you.
And it's not necessarily the thing that brings me joy.
But if you are building something like we've talked about,
Andrew, it's sort of easy to talk about
because it's such a perfect case study from the past.
But we've talked about ramp or general matter of these.
You need to build a movement of people
to believe something counter-intuitive
because you are essentially creating something new
that if it were obvious it would have been done.
By virtue of it not being done,
you now have to break through all of the existing biases
and rally people to you.
And these are people who have lots of great options
that they have to say no to to come join you on this quest.
And that is building a movement.
- So explain the context of what was going on
at the time in the country when you start working with Andrew.
- I had accidentally sort of become
the co-founder of a communications firm.
And I didn't know what comms was
and I didn't know what PR was.
- Okay, you got to say more about that.
If you don't know what comms and PR is,
how do you accidentally become the co-founder of this?
- For grad school, I studied diplomacy
within which I studied international security,
within which I studied counter-insurgency.
So I really wanted to work in and for the government
and on security issues.
And I could not because I was not a citizen at the time.
So it's difficult.
So I ended up in Washington, DC doing what felt
like a pretty close thing which was political risk.
IE, if Google is entering into Egypt
and there's a coup, what do you do?
It's not a normal business situation.
Or if Alibaba is having its biggest IPO in the US,
the things that they have to overcome
are not just normal business things.
There's like fears about China,
which to this day continue and many are warranted
and about data privacy and all these things.
Anyway, I was working on political risk
and ended up partnering with the man
who was helping Jack Ma run their IPO.
And he was born and bred, Texan had worked in government,
had now become the head of corporate affairs for Alibaba.
After the successful IPO, he decided to start a firm.
And he asked me to go and do it with him.
Jim Wilkinson, someone that I consider a great mentor
and teacher took a bet on me,
someone who has never done this before.
And he said, I think you can figure this out.
I didn't know if I agreed but I went with him.
And so here I was, the co-founder and COO of a comms firm.
And I was googling like, what is PR?
What is communications, what is this?
And I would learn essentially by embarrassing myself.
We would go into meetings and again, credit to Jim
for just throwing me into these situations.
But we would go into meetings with leaders of like Citadel
and major serious operations, S&P Global.
I would say things, sometimes they landed other times.
Somebody would pull me aside at the end of the meeting
and be like, you know, maybe fewer like power rangers
references next time.
We had a meeting with Gap Ink where it was very clear
that I didn't know what corporate communications was.
I thought it was like put on a suit.
sale, you know, some are so. And just learned the hard way by doing your clients in this case,
they want to like traditional PR, correct? Yes. Which is not what you do at all today.
Currently, it's not what I do. When I was learning traditional comms, it was very much wipe-on-wipe-off,
what am I doing here? And I didn't have any credentials. You know, like, I'm nobody, nobody would answer
my emails. People didn't want to deal with me. Reporters didn't take me seriously as they probably
should not have. So all understandable. But then I get to know Matt Steckman,
now president of Andral and Tre, chairman of Andral. We were all in DC at the time. And Tre recommended
me to the team to handle their comms. And they had talked to a bunch of people. What was the state
of their business when this is happening? It was pretty early. It was in the first year of the company.
Our company was founded around the same time as them. Of course, our PR firm didn't become
Andral, but it was around the same age at that point. And they were in the process of defining what
the company was. They had actually been in semi-stealth the whole time, where there was the website.
And the website provided just enough fodder for all these conspiracy theories about what
is plumber doing, but not enough information. It wasn't like today where you do your launch moment.
And then you have your cinematic launch video. And it was just like the company existed.
And there was rumors and gossip about it, but not fully defined. And they, to their credit,
recognized that it was time to really define it. And you would compare their idea at this time
in history to counter insurgency, correct? I believe that they were very much like an insurgent.
They were going, yeah, they had a smaller team than the people that they were up against,
like imagine Boeing or Raytheon. They were going against the grain of their community.
So, especially in Silicon Valley, it was super duper not cool to work with the government.
And that's when Google had employees walking out, protesting, and involvement in Project Maven with
the DOD. And they didn't have access to mainstream information propagation networks. For example,
the media just hated Palmer. This was when he was kind of persona non grata in tech and mainstream
for supporting Trump and not supporting Hillary while he was at Facebook. So it was pretty
soon after he was pushed out, fired for political beliefs at Facebook, which is kind of mind-blowing
to think today. But at the time, it was like, of course, he should be. Of course, he should be a
pariah. This is unacceptable for someone to hold these political beliefs. And so this was the
situation that they were in. And they rightfully decided that they were going to take matters into
their own hands and create their own stories and create their own ways to get it out there.
So they took a massive bet on me really changed my life because Palmer sometimes very kindly,
as you helped us with comms. And they're like, actually, he helped me with comms. You know, I
learned how to do comms by working with Palmer and Tray and Brian and Matt.
I have a question for you. The way Palmer is now where he takes the fight to them, he goes direct.
I know that's part of your manifesto. Was he like that back then? He still had that same
fighting spirit. Now the environment was different. And so it would land differently. And his
audience was a little bit different. So it would have looked different on the surface. But I think
the the fighting spirit and the instinct was there. And that's why I had this wonderful
opportunity to work with these great guys at a time when I was objectively really underqualified.
They could have gotten, you know, best of the best. They could have gotten anybody. And I will
always be so grateful. This is why I talk all the time about being so grateful to these guys.
It's like, you know, on our stand, people, people don't understand. They enabled me to learn
how to do comms. I would not be in this position. I would be like at a regular PR agency doing
regular PR agency things if it hadn't been. Do you believe that though? And I definitely believe
that the influence and your appreciation for them. But I have no you too much. Your personality
type would not your personality would not allow you to be a normal person working in a normal company.
Even the way the structure of your company is incredibly rare. I actually don't believe that
you believe that. Yeah. I don't know what I would be doing. Maybe I would end up here by some
other means. But it doesn't mean you would have found this path. But you would have you're too
singular. I would have reached couldn't end it up somewhere else. I don't know where. I don't know
where. Yeah. But that is where the lessons of counterinsurgency and accepting that you don't have
the mainstream information networks and that you don't have a lot of people already on your side
and just not relying on those and building your own came into play. So this is very like, you know,
I think this is like the playable first startups, right? So explain lock and pose. Let's go.
So explain the I love this idea of yours. Like explain the similarities between somebody that
has an idea to start a company or a movement, which I love the phrase you use and a counterinsurgent
and what they have in common. When I was studying counterinsurgency, they made us pretend to be
a terrorist group because the best way to study the thing that you're fighting is to understand
the thing that you're fighting. And so they had us create these mock terrorist groups and you had
to come up with your mission and vision. You had to create your manifesto. We can talk about the
importance of a good manifesto. This is when I got really manifesto-pilled. I think we're maybe
now overdoing it. Maybe it's part of that is my fault. But the value of a good manifesto
cannot be overstated. So makes a good manifesto. A good manifesto looks at the world and says
the people that we're fighting or trying to replace, they have more numbers than us,
they have more money than us, they have more force than us, and today they have more legitimacy than us.
But we are going to beat all of that with more intensity. There's a quote that's maybe a
apocryphal that says one man plus the truth is a majority. And I think that applies to insurgent
movements where a small number of people who are willing to die for the cause in this case literally
and have that intensity, intensity can overcome everything. There's no amount of money or
incumbency that can overcome somebody who wants it so much more. The purpose of a manifesto is to
make concrete that intensity and paint for people a vision of what the world could be
such that when they see it, they are willing to leave their jobs, families, security, everything.
To go and make that happen and a good manifesto is once you see it, you can't get it out of your
head. You have to go do it. So the manifesto is the magnet. And if you don't have that,
you have no right to go up to someone and say, leave your comfortable job and leave your beautiful
family and come with me on what is probably a death mission. Who do you think you are? You have no
right unless you have articulated that. I want to tell you about the presenting sponsor of this
podcast, Ramp. I have been reading a lot about SpaceX lately. SpaceX is one of the most valuable
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increase revenue because you can pursue opportunities you couldn't otherwise. And we see that in the
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business on Ramp and you should to go to ramp.com to learn how they can help your business save time,
save money, and grow revenue. That is ramp.com. So you've written a great manifesto. It's called
go direct. Yes. Okay. Can you explain the ideas that are contained in your manifesto? And why
do you think it's so important for founders today to do this? I remember trying to name the manifesto
spent like days and days and then we ended up with go direct the manifesto. It is one of these
things that you toil over for weeks, maybe months, and then end up writing it in like two hours.
The key idea in the manifesto is that traditional PR as we know it is dead. Maybe you can see the
body, but it doesn't have a pulse. And it's a good thing because traditional PR meant that you would
have to filter your message through somebody else's prism. You would have to be dependent on
somebody else to have the goodwill and the alignment and the means to faithfully portray to the
world what you want to say. That actually very rarely happens. If you're doing something pretty
uncontroversial and well understood, that can go fairly smoothly because it won't be distorted that
that much, but if you're doing something unconventional.
conventional, far outside the mainstream, unpopular, then you do not want this to be filtered
through somebody else's prism.
And the second thing is, I believe that there's a lot of virtue in being self-reliant for
its own sake, for its own sake, even if nothing is on the line.
We are sovereign human beings, we should be in control of our destinies, we should be
in control of our narrative destinies and the stories that help us achieve the destiny.
This is narrative sovereignty.
You never just want to be depending on someone else.
And so the manifesto was a way of giving founders permission and exhortation that nobody's
going to do this for you.
And that's good.
It is in some way scary, but it is in some way liberating because you're the guy.
There's no other guy who's going to go do this for you.
And the same amount of seriousness that you apply to the product or the code or the hiring,
you have to be applying to your story and you're the only person who can say it.
You're the only person who can do it that effectively because you have, at the beginning, especially,
not a lot of evidence to back you up.
You have your word and you're going to back it up with your personal reputation.
The greatest founders that we know go to the people that they know and say, I know this
sounds crazy.
If you're me out, I'm going to do this.
We're going to do this together.
The other person's like, all right, OK, David, Sandra, this seems OK because you're
doing it and I trust you.
So there's just no other way around it.
So when I read your manifesto, one thing I love about you and this is this idea that
it's a very old idea.
Like you take these ideas from history and from the past.
And so like when I'm reading your manifesto on your website, I'm like, oh, this is like
Julius Caesar.
This is like Napoleon.
This is like Churchill.
This is like Abraham Lincoln.
You're just applying it to, in many cases, like the legendary tech founders of today.
Yeah.
The reason the company is called Rostra is because Rostra was the speaker's platform in Rome
from which place history was changed.
There were many times when the mood in the city was A, somebody pulled themselves up there
and stood to face the crowd.
And then they stepped down and the mood was B.
And this happened after Caesar's murder, you know, the city completely turned in its
perception of what had just happened and who was the good guy and who was the bad guy
and who had legitimacy because of word spoken from the Rostra.
So I think that we have figured out how to relate to and move and rally and gather other
people a long time ago.
And some of that art has been lost in recent times because we're just distracted and
our attention spans are shot.
But these are all things that we've figured out a long time ago.
Okay.
So let's go back to where we were earlier.
You start working with Andrew.
This idea of go direct comes after your experience with them, correct?
Okay.
How did you work with Andrew and Palmer Lucky, shape this manifesto that's going to come
a few years later?
This is Necessity is the mother of invention.
And a lot of companies now that consider going direct as a default, I believe have Andrew
and Palmer and Matt Bryan and Trey to thank for this because going not direct was actually
just not an option.
You're going to call some mainstream reporter and say, hey, the guy who got fired from Facebook
for supporting Trump that you hate is doing a thing and you should hear him out.
It's just very hard to do.
There were really small number of reporters who were afraid during that time that I remember,
but it just wasn't the way.
And so we were not going the traditional path of tech crunch or what Palmer calls trying
to get the coolest startup award at one of these conferences.
We were going directly to Quantico, speaking to the Marines there, Palmer went to Ken Pendleton,
going to speak at National Defense University, going to speak to the CIA, just going to the
people directly, like literally walking into their building and speaking to them and
then showing them the thing and then same for recruiting instead of letting some hostile
outlet.
Yeah, you said this before, like, okay, you go to whatever, I'm just going to make it
up.
New York Times.
You get a message out to get to the actual like 200 people you want to reach.
You're just assuming, hey, maybe 500,000 people read the story and hopefully the 200 people
you want to reach that actually matter to what you're trying to, the impact you're trying
to have in the world, get to that.
I was like, well, let's just cut that out, just go directly to that.
Just tell them.
Yeah.
It's like you and I both care about a really shockingly small number of people's opinions.
And these are people that in our case are like a text message away.
Why would you go to somebody else as a supplicant asking them to carry the message for you so
that they can filter through their world view and then their editor and then put it into
their publication and then hope that that spray and prey reaches some of the people that
you care about.
Also, by the way, you lose, we were talking earlier about intensity and the power of intensity
to overcome a lot of other things.
You lose the intensity along the way because it becomes watered down.
So the founder relays the message to their PR person who then puts it into their words
or tries to remember it and then relays it to a reporter who then pitches their editor
and then they write it and then the editor weighs in.
And then it goes out and then whoever it's reaching is trying to interpret it.
This is why in AI right now, it's so stark.
You've got some AI companies who do not need a mainstream audience because all they care
about is recruiting five top ML engineers.
And they actually know who they are.
And they're going to go what to. Good morning, America.
The Kelly Ripa show.
Yeah.
What are you doing?
Oh, bro.
And blast out to some big number of who knows who these people are.
As opposed to a podcast with a lot fewer listeners, Brian Armstrong went to a podcast called
Pot of Jake.
It was a guy called Jake.
And he had like, I don't know, 100 listeners and then afterwards he had 115 or something.
And you know, we reach people like Brian, or there's like a few sub-stacks or there's
a few people on X and then you know where they're getting their information.
Just go there.
Work backwards.
Does this require?
Because I can't tell the conditions in which this occurred but I had the crazy experience
where I wound up spending like eight straight hours with the Palmer and I found him.
I've never met like a mind that was like him.
Unbelievably charismatic, crazy storytelling, but like he is an inexhaustible mind in my
opinion.
He's the bottom of him saying interesting shit.
You got that.
Wait, is this one you had to call emergency backup podcasters to come out?
I've told you a story.
You had to call a friend.
So no, we just happened to be with a weird circumstance.
I can't tell you details, but just there happened to be other podcasters and I was just like,
dude, after three hours.
I was like, you got to start asking questions because I can't.
It was so wild entertaining and it's similar to like I would say Toby Luke in a different
way.
It's like, you can't predict what his response to your statement's going to be.
And that makes a very fascinating, but in this case, it was like, holy shit, I got to
like tap out on this.
But he's also one of the most charismatic people on the planet.
So does going direct only work with that kind of founder?
No.
It works better with that kind of founder.
But you don't have to have traditional personal charisma.
You can be more quiet, more introverted, you can have a whole range of personality types,
you have to have intensity of belief in the idea.
So the idea has to be fleshed out and coherent.
And then your belief in it needs to be on a saleable.
So how much of your work is working with the founder to make their thinking clear enough?
Because there's that idea that Steve Jobs would say the simpler the idea, the more they'll
spread.
Right?
And so he would spend on, but it's actually a book on this entire book on this.
There's two books called one called insanely simple.
The other one's called the presentation to Steve Jobs, I read both of them.
And he's such a clear thinker and look at the way he describes his products and the way
he does the interviews.
There's so much work behind the scenes that you're not seeing for him to distill his thinking
out to that.
Is that a lot of the work that you're doing with these founders?
Yeah.
So I'll give you an example of a founder that I met at an event.
I actually don't remember his company.
We don't work together, but that's what makes them a good example.
We spoke for maybe seven minutes and for six of the minutes, he's saying, okay, I have
a business where anybody can become their own cloud kitchen.
You know, there's all these people at home who know how to cook really good food and there's
people who want more variety than the stuff they get on DoorDash and I'm connecting them
and there's a network of, and there's a lot there.
And we had to distill it down and I'm listening to this and I thought, okay, so you're turning
a cook into a chef and he said, that's any ran with it.
Sometimes it's just having somebody who's not necessarily smarter than you and I don't
know more about the topic, especially some of these AI founders who are just like technical
geniuses, but sometimes someone sitting across from you can take your word cloud of thoughts
and ideas and suggest for you a synthesis and for you to see that coming from someone
else makes you recognize that that actually is the core of your idea.
And now you have the compressed simple thing that you can share in spread.
Okay, so you have a simple idea that can spread.
You have to be, you're starting a movement, therefore you have to have some kind of
passion are very like, it's almost like your mission driven. How many clients do you have at this moment?
Over a dozen. Okay, so now we're expanding. Okay, so I know you're expanding, you're helping.
So let's say if a dozen, how many of them are not mission driven? None. Okay, so you need to be
mission driven. What other characteristics? It doesn't work. Like, how are you going to get
somebody else to believe it if you don't believe it? Okay, so perfect. So what I'm trying to get to
is like, what are the things that the founders listening to this need to do before they can go
direct for it to actually work? They need to convince themselves. You know, you have to go out
in concentric circles and the dot inside all the circles is just you the sovereign individual
who believes that you're going to lead this movement. If you haven't convinced yourself
of what it is and why it's worth doing that you're going to dedicate your life to it,
you know, it's like if Napoleon's your general, if he's not going to die for it, why would you die for it?
If he's not going to charge the bridge, well, why am I some schmuck running across the bridge,
same with Julius Caesar, right? At the battle against the working getter X where he came out
and was the easiest target out of anybody because of the way he was dressed,
people saw him and they rallied back up. He's going to fight, we have to fight, you know,
Joan of Arc, everything. You see the leader or you see a leader doing the thing that you now feel
ashamed to not be doing. The person in the middle has to be the most convicted, the most
passionate and have the clearest idea of the promised land. You know, it just hit me where I'm listening
to you speak. I think this is a perfect opportunity, articulate why you're doing this. Like what is
why even start the company? Why you work like a dog like 70s a week. I call you like 11 o'clock
at night on the east coast and you pick up like and you have a bunch of kids and like you have this
crazy life. Yeah. So why are you like what is your mission? Like why even do this? I think the world
is better when we allow new technologies to take root and flourish and in my opinion building
the technology is often not as hard as getting people to use the technology. It is not if you
build it, they will come, which by the way originated from Field of Dreams. Did you know this? That's
the origin of that quote. I thought it was from like the Bible or something. It's from Field of
Dreams. You build it, they will come. There's going to be a studio. It is not if you build it, they will come.
It's you might build it. Maybe nobody uses it. Maybe it gets regulated out of existence and maybe
nobody wants to come work on this thing and you get overtaken. So in my opinion, the greatest and
most underestimated barrier between technology existing and actually having an impact is people
understanding it, welcoming it into their lives and wanting to go work on it. And so there are a
lot of really brilliant people working on the engineering and in the building. I don't think there's
a commensurate amount of effort and thought being put into the second part, the human part of
the equation of convincing people to want it and use it and work on it. You see that with AI
today, right? We can build the AI. Is the government going to allow it to be released? Are people
going to use it? We can build data centers. We know how to build a data center. What are you
going to do when there's a moratorium? Because people don't want it. This is a perfect example. AI
right now has the worst reputation. It's like the worst favorite rating of almost anything. You
see people talk about AI commencement addresses and they're getting booed out of the room. What would
you do differently? Explain the problem they have right now, what they're doing and then how you
would approach it differently. A lot of CEOs are describing that AI will cause massive job loss.
Most people will look at that and say don't say that it causes massive job loss. I look at it
a little bit differently. If you believe that it'll cause massive job loss and you're in that
rare position, I think you do have an obligation to warn people and to try to get us to prepare for it.
But the really small but really important thing is don't look happy when you're saying it.
Don't be smiling when you say there's going to be a 50% unemployment rate in a year.
Eric Schmidt doing that commencement speech. Explain the context of that in case people haven't
seen it and then what he did and then what you would do differently because I like your response
of this. Eric Schmidt gave a commencement address and among other things that were totally fine,
he said that AI will change the world and the question is whether you will help to build it
and that it's going to disrupt all of these jobs and it will change the landscape.
I forget his exact words but the vibe of it was it is taking away jobs, deal with it and get
on the train or you're on the tracks. Two things. One is at the center of his story the protagonist
wasn't the human and it wasn't the person he was speaking to. He wasn't saying you can go change
the world and you have the world's most miraculous technology to use. Think of what you could do
with this. Instead he said the technology, the protagonist is coming whether you like it or not,
you are potentially in its way or you can get on the bandwagon with me which is just like the wrong
framing. And then the second is when he was talking about the possibility of AI essentially
taking half the jobs of these anxious graduates in the audience, he didn't seem upset.
He didn't share what fear anxiety or didn't recognize what it would be. He dismissed any potential
anxiety that would arise from that. He sounded completely secure and blasé about this happening.
And so a lot of people have a behind on the messaging of how you're going to talk about job
displacement or you're doing or you're over optimistic and all of this aside, a human talking to
another human should recognize the other humans reaction to that news. And if I'm telling you
that you are potentially going to lose status, purpose, income and security. And I seem just fine.
And I'm smiling as I say it automatically. There's no trust between us. You don't even think
of me as it barely is like the same species, but you don't think of me as being on your side.
And you don't assume that other things I say are things that you would agree with or relate to.
So the same way that like if you and I are disagreeing and we're fighting and we don't know if we
can ever get on the same page, the best tactic for me is to find something that you and I agree on
and to lay that as the foundation. It can be some anodine thing like you and I both really like
that hot chocolate. You didn't completely unrelatable to me. So it would be something else.
You don't understand she has hot chocolate in that cup every time I see you.
It's what fuels me. It's what fuels me. It's what fuels me. It's what fuels me. And that's why
there's alpha in the fact that others don't recognize the potential of this as a performance beverage.
You're grown up. See, this is why you should not be having hot chocolate every dinner.
This is why I don't have to spray my nose with the zinc stuff because I know that my throat
because I talk a lot. Hot chocolate is helping me. If we were arguing and I wanted to get on the same
page, I would say so. Yeah, well, now we have to reconcile. So now we have to be like,
this is a really beautiful place. I'm glad we're here. Thank you for the Amon New York for letting
us shoot here, by the way. Shout out. I'm on New York. Now that we're back on the same page,
you can assume that things I say in the future are things that you will probably agree with because
you believe that I'm someone with whom you have things in common. So a lot of the senior
people in AI that the general public sees get introduced to them in a way where they automatically
believe this person has nothing in common with me. And anything else they say, I cannot assume
that I would as this is the situation the same way. Deal is how the best founders turn the world
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deal.com/centera. That is deal.com/centera. Something that I've heard you say a few times is that
humans crave a story. One of my favorite all-time quotes is from Steve Jobs. He says the story tellers
the most powerful person in the world. And something that I think is important because I was sitting
here listening to you when I asked you like, "Oh, what's your mission behind? Why even do this?"
And you're talking about the importance of creating new technology. I think you and I, what you're
doing on the PR side and what I'm trying to do with the podcast is this new podcast, this show,
essentially started out. I was like, "We should have a love letter to capitalism," right? It's like,
"I'm the son of a Cuban immigrant. My grandfather's born in Cuba. Castor takes over. He's like,
"This is fucked. We need to get out of here." That one decision by a man I don't ever remember
For meeting, change the director of my life.
And what's weird to me is capitalism seems like
the one of the greatest inventions humanity ever had,
a huge force of good,
the reason I'm one of the reasons
that America's the most powerful
and prosperous nation on the planet,
it should be celebrated.
I remember sitting across from Jeff Bezos one time,
I got to talk to him for several hours,
which was incredible.
And I told him I was like,
the idea that they protested outside of your house
and they put a fucking guillotine in front of your house
is insane to me. - Oh, that's wild.
- And I told him, and I told him,
I go, you made a magic button that I can press
and anything comes up to my house.
It used to be two days,
now it comes like three hours later.
And I was like, that's what it's like,
you deserve all the money.
He just laughed and laughed and laughed.
But I think like the other story,
you don't displace, you can't just like say,
oh, communism sucks,
look at all the people that have died,
look what happened in Cuba,
look what happened in all these countries.
You have to tell a better story,
you have to give them a better alternative.
I feel the people in AI, I use AI every day.
It seems miraculous to me.
We use it for the podcast,
we use it for learning, we use it for entertainment,
all these other things.
They're not putting forth like a better story.
- They're not doing it in the right way.
Also, there are people who have painted
really wonderful optimistic visions
of what AI could create in the future.
But it feels like PR and people write it off.
And it feels heavy-handed.
The last time there was a really effective
techno-optimist message was the Jetsons.
And it's because they weren't beating you over the head
with technology's gonna make your life great.
The show was about other stuff.
I don't know, they'd go around,
they'd go about their daily--
- The family don't have anything else.
- Do you have a robot in your house doing all your work
if a flying car?
- It was in the background, it was ambient.
It was ambient and assumed.
Everything techno-pessimist,
the tech is in the foreground,
and it's about the tech.
It's a terminator, or blade runner.
Anything where there's a future
that you potentially don't want?
- Distopian.
- It's the dystopian stories about the tech.
The tech is the thing people focus on.
But the utopian stories about tech,
when you make tech the thing people focus on,
they write it off as PR.
And so I think what we want is for the utopian stories
about tech, or the optimistic stories about tech,
to have it in the background, just be ambient.
A lot of people have read sci-fi novels,
or, and sci-fi novels are usually not
about the technology itself.
It's about a story.
Like, Neil Stevenson's diamond age is about Nell
and her family, and Seveneves is about the people
being sent to space.
And the fact that they have technology
to preserve the human race is in the background
as an enabler.
And these are the types of stories
that make people so inspired
that they have now started companies.
You and I have talked to many founders
who have started companies based on being inspired
by sci-fi, plumbers, obviously, one of them.
And it's not because they're bludgeoning you over the head
with one specific invention.
It's because they're showing the better world
and the human stories within it,
with technology in the ambience.
- I feel like if people went back and studied
like David Ogovie, Claude Hopkins, Albert Lasker,
some of the greatest copyrighters,
some of the greatest founders of the heyday,
like the Madison Avenue of these advertising agencies.
They just all say the same shit over and over again.
They're just like, show the benefit.
Show what you're, not, don't show your product,
show the change it enables.
I think one of the best examples of this
is if you heard the story when Steve Jobs was really young,
I think it was like in his 20s.
And he's like, he tells the story of the most efficient
like local motion for any creature on earth.
And a man is really low on that compared to other animals.
Will you put a man on a bike?
And he's way more efficient than even like the condor,
I think is what he, the animal that Steve Jobs compared to.
But he's like, if you put him on like the bicycle,
he goes, what I'm creating is the bicycle for the mind.
And then you're like, oh, I want a computer
because this is now makes me more efficient.
It makes me take me from the slow-footed human
to the fastest animal and the most efficient animal
on the planet.
That is a perfect illustration of like,
I'm not selling you bits and bites and ram.
I'm saying what is going to occur
after you use my product.
So let's go through some examples
because I think some of your clients,
you're on the board of Shopify, for example.
I think Toby does this perfectly.
Like the way he conveys what Shopify is
is like trying to create more entrepreneurs in the world.
- So one thing I want to point out is
talking about the change in you with the product
is exactly the right one.
And what we were talking about earlier
with showing technology in the background of a human story
and not just bludgeoning you with the technology
is more effective.
The second thing that's really effective
about bicycles of the mind is the analogy
because he just saved himself two paragraphs
of explaining by saying the word bicycle
'cause we know what a bicycle is.
So I was talking to a founder a few weeks ago
where he said, we take a system that ingests the data
and then finds the inefficiencies and identifies it,
and I thought about it and I said,
oh, it's ozemic for companies.
Okay, and if you know what ozemic is,
then you've just saved yourself two paragraphs
of explaining where you get two words one stone,
you get the complexity, but you also get the simplicity
and it's the best of both worlds.
- So give me some more examples from some of your,
like the way they described their mission,
they distill it down to like the existence of their company.
What is their company doing for the people,
their customers and the people that use their products?
- You asked about Shopify and Toby is very good at this
where he talks about there's kind of two levels of Shopify.
One is the level of this wondrous technology
and what it means for the world and in some ways,
it is the technology backing entrepreneurship
and entrepreneurship is going to be the last bastion
of human economic value.
If they take everything from us,
we will always have entrepreneurship.
So Shopify is sort of like a hedge against every job being taken
because they can't take from us our agency
and our ability to start new things.
Shopify creates the technology to make that happen.
Shopify's infrastructure for entrepreneurship.
That's one level for it.
Another level is the merchants.
Toby and Harley do a wonderful job
of telling the Shopify story through
what it has done for the merchants.
Skims, successful company, probably on a IPO,
was possible because Kim and Yensen,
the team didn't have to sit down and say like,
okay, we want to start the store,
but first we have to figure out how to individually do
a web portal and payments and design
and all of these things patched together.
How many people have that as an insurmountable obstacle
before they're able to actually bring their business online?
So the story of one merchant going from someone's dream
and it might be somebody in a small town
who is retiring and has always wanted to open a Marmalade shop
or whatever, or maybe it's one of the biggest celebrities
on earth launching Skims, turning that into
what is now a thriving business is the best way
to talk about Shopify even though they're not the hero
of the story.
So again, we're seeing a theme.
Same thing is what I said previously with the Jetsons.
The Jetsons are the hero of the story.
It is not called show about robots.
The robot made series and then the Jetsons are side characters.
They're the heroes, the human stories, the hero,
and then the technology is ambient.
It's the same thing with Shopify.
In this, in the Skims story, Kim and Jens and their team,
they're the entrepreneurs, they're the hero.
Shopify is ambient because without them,
none of this would be possible in its current form,
but you are not bludgeoning people with this is about Shopify.
All right, you wrote this essay called
Standing on 2026 that I absolutely loved.
You talked about the difference in strategy
that founders should take moving forward.
Can you lay out the thesis and domain idea behind
what you're writing?
- This is my Philippiad for the year,
which is this tirade I've been going on,
which is that everything seems fake now.
Everything is fake.
Everything is fake.
You go to some of these launches.
First of all, every launch uses the same
like Slop cinematic video, same template.
It was original a few times.
And now it's just like they're all doing it.
And then half of them, you go to the engagements completely.
Like, you saw one from today.
I think you said that it had like. - It has like a hundred likes, but 4,700 retreats.
Like, why are you paying for retreats?
- Yeah, there was another one from a couple of weeks ago,
and then another one from the week after that.
And the reason we know is because you and I have the eye
to look for it.
And also, I know who some of these agencies are.
I get the messages, you know, pitching the paid promotions.
I know the people who get the messages.
And you can just start to tell after a while
that number one, the amount of engagement this thing has
is completely disproportionate
to how interesting it actually is.
And then number two, when you look through the people
who are engaging with it,
it's all like some random account
in a developing country that has no other tweets
that are then shilling products like this.
When that happens, I write off the entire company's fake.
I don't think this was a fake video or fake engagement.
I think to myself, it's a fake company with a fake founder.
I will never buy their product, do business with them.
I would never recommend somebody go work with them.
The whole thing is fake.
- What is the advice that you have in the essay
for it to do, like what would you do today?
- You can do things that can't be faked.
So first of all, it's better to put out something
that truly represents the best version of what you are doing
that might get lower engagement, but the people
who are engaging are actually real people and they care.
So it's better to get 50 people who feel like
this is speaking to them,
then to get the 4700 retweets or whatever
that you saw that seems obviously fake.
Two is there are things that the fakes can't replicate.
And these things are relationships with other humans.
You should make sure to be telling your friends about it,
telling your contacts and partnering with the people
that you've known and trusted for a long time.
That can't be faked by one of these fake companies.
Another is doing things in the real world,
where you might just bring people over to your house
and talk about it.
Fake company can't do that.
There's a sense of taste and discernment and beauty
that I don't see in these fake things.
They're not made with love.
- Hey, keep saying this.
They're gonna be like a return to beauty.
What does that mean?
- There is a return to beauty.
- People are allowed to care about
objectively beautiful things again.
We had probably a decade or the better part of a decade
where we had to take this aesthetic reliftivistic view
of everything is beautiful in someone's eyes.
And this piece of art that is like clearly trash
is just as beautiful as one of the great masters
or somebody who is clearly unhealthy and unhappy
is just as beautiful as someone
who takes really good care of themselves.
- Your term will put in the abuse women
on like the front of a magazine.
- Yes, like the Victoria Secret had this phase
of like obese women and men.
- Men, Victor's Secret, advocate.
(laughing)
- This is Victor's Secret, but it was for a while.
Like why are we all pretending?
It was like the Emperor's new clothes,
the Emperor's new lingerie.
Like we're all pretending that this is still sexy
and we're pretending that this still looks good.
Anyway, coming off of the back of that,
people are allowed now to say this is more beautiful
than this and a beautiful building
is more beautiful than an ugly building.
And a beautiful website is worth creating.
This is what Joe Jebbia and the National Design Studio team
are doing is saying we believe
that more beautiful experiences on the internet
reflect the dignity of being an American citizen
and that is what we want.
So we're going to put in effort
from the best talent in the private sector
to go make that for you because it's worth something.
We're not going to pretend that a website has to be ugly.
And anything big or small, glamorous or very pedestrian
like a simple government website can be made more beautiful.
And when it is, people appreciate it so much more
because we do have this inherent yearning for beauty.
And going back to real versus fake things,
the fake things don't have beauty.
They're orphans in a way.
Nobody loves them.
- So you think appreciation for beauty is universal?
- Yes.
- It's interesting.
I just read this book.
It seems it's the memoir of scanning Kelly Johnson
who's the one that started the skunk works at Lockheed Martin.
And he talked about that, like he worked so much
and worked so, like his work was so stressful and difficult.
He went up having like, have part of his,
he got ulcerative and part of stomach cut out.
It's unbelievable pressure that he put himself.
And he had to find a way to literally take him out
of his work so he'd like to spend time outdoors
and he became a rancher.
And he said, you know, one of the most important things
that ever happened in his life is just the fact
that he liked watching the sunset every night.
And he's just like, there's nothing more beautiful
on the planet than a sunset.
And he's writing those words 40 years ago.
He's been dead for, you know, 30 years, 35 years.
And he's just like, that's still true today.
- It is.
- It was still true in time of Julius Caesar.
He explained to me the connection
because you talk about everything's fake,
which I agree with, and at the same time, you talk about
taste and beauty.
So explain how those things connect.
Like almost like taste and beauty.
I think the way you described taste was,
taste is the recognition of beauty.
So explain how taste and beauty's an anecdote to
everything being fake.
- Well, first of all, just on the thing about sunsets.
The one thing more beautiful than a sunset
is a sunset with friends.
Sunset with the homies.
To paraphrase Cicero.
You would say, he would say something akin to,
it's a great joy to be looking at the beautiful stars tonight
but even better to be looking at them with you.
Cicero and 50 BC wrote the last great treatise on friendship
and we've been underestimating the importance of it ever since.
And so one of the other things on the list of things
that are real that can't be faked is friendship
and having your friends come along for the journey and support you.
Now, as to the question of why taste, beauty, discernment,
elegance are antithetical to fake things.
It's because fake things are not beautiful.
It sounds like something that isn't necessarily true.
You're like, well, in theory,
someone could create something that's fake
and it could be beautiful.
In theory, yes, but it hasn't been done.
In practice, I have not seen a company or a project
that wasn't real, that was also beautiful.
So I can't explain the mechanism but empirically,
it is the case that fake things do not turn out beautiful.
And I think it's because no one has put that love and care
into them because why would you put the love and care
if you are just going to buy the engagement?
Anyway, on the flip side, it's that beautiful things
can't be faked.
Beauty is a scoreboard.
It's a very obvious scoreboard.
Someone who is healthy, who takes care of themselves,
you see it right there.
You can't pretend.
And so I think beauty is sort of like a stamp of authenticity.
- What's the business version of that?
What is beautiful?
You use an example of one of your clients,
the effort they put into making their product more beautiful.
Like what would be something we can buy too?
- I would suggest go to General Matters website.
We and they and a talented team that
slaved over this website for a long time.
Some slaved more than others.
I'm not saying I was in the minds making the website
but we all put so much thought and so much care into it
and argued back and forth probably longer than we should have.
And you see it and it's so simple.
And then you go into the mission and the manifesto
and it's so short.
And it took a lot of people.
I mean, the billable hours and cumulative IQ points
that were spent on this are unfathomable.
And it ends up with something that is so simple,
so elegant in my opinion, but you wouldn't have gotten there
without going through that journey.
Now if somebody had just thrown up some kind of slopsite
and vibe coded the thing and put a bunch of random words
that Claude wrote up there,
I don't think you would get the same.
- Or even worse, use a template.
Your anti template, I've heard--
- Anti template.
- This is one of the most interesting ideas.
Explain this.
- I do not use templates.
- Okay, but people come to you and they're like,
okay, well, I'm a company.
You work with other companies.
They had this problem.
I'm sure you have some kind of template for this problem.
You're like, no, we're gonna start
from a blank sheet of paper.
Explain your thinking on this.
- Two reasons.
One is, yeah, I do get asked for templates a lot,
and I always say I don't have templates.
I actually have to resist the temptation.
I have to pass the marshmallow test
to save myself time by using templates.
I can make my life easier and have 20 more minutes
at night to read by using more templates.
And the reason I resist it is,
number one, no two situations are the same
and by pretending that they are, we miss that texture.
At the beginning of this conversation,
we talked about context and texture and respecting that.
And I think that alpha comes
from the little cracks in reality
that only you can see and that you can exploit.
And if you are just plastering over that
with a templated version of something else,
you are sacrificing the opportunity to be better.
And I am sacrificing the opportunity to be better
than my own work of six months ago.
Why do I wanna settle for the shlubby nonsense
of the thing that I did when I was six months dumber
that I am now, not gonna do that.
So I don't use templates.
The second reason is we've talked about things
that are inherently valuable.
Inherently valuable to me is the idea
that everything deserves originality
and that there's a shortage of it in the world.
Anything worth doing deserves originality.
Now, if there's like a founder that I literally didn't care
about, by definition, I would never work with,
maybe I would toss them a template.
But anybody that I care about,
I would be insulting them by taking the shortcut
and discounting their originality
and I would be insulting my own ability
to continue generating new ideas.
- I found one of my all-time favorite quotes
when I was reading the book Zero to One.
The quote says, "The single most powerful pattern
I have noticed is that successful people find value
in unexpected places and they do this
by thinking about business from first principles
instead of formulas."
That is exactly what Apploven has done
with their advertising platform.
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Apploven allows you to capture undivided attention.
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competitors are on app-loving. And you can do that by going to app-loving.com.
That's app-loving.com. I don't know if you're going to remember this, but hearing
you speak right now, there's actually templates and communication, too, which you
see this with like, it can be autocomplete because we just say the same stuff
over and over again. So you and I were at, we were doing this event, cognition is
a customer of yours. I'm friends with two of the founders. They asked me to come
to this actually by a pure chance this same hotel were today. Was this the thing
where I sent that email? I'm going to get to there. Exactly. This is a good
you do remember this. So they're like, hey, we've come to this event and like
interview two founders for us. I'm like, yeah, I love you guys. That's fine. And I
don't check my email. Like I push everything to text and my email is just like, I
literally just don't read it. And I just happen to see like one pop up and
he says, Lulu. And I'm like, oh, I'll read Lulu's email. I'm like, I'm not
reading so the stuff. And in this email, this had grown back and forth for like, I
missed the thread. And I guess this other founders, normal PR person, had sent
over like a list of questions. Like, this is the questions that David, we want David
to ask the founder, which is like, first of all, you're fucking crazy. If you
think like you can put, like control was going to come out of my mouth. And you, I
jump in this. You're like, these questions suck. And David would never ask
these questions. These aren't good enough. But I realize, and then you read them,
which is like the most bland boring, templated shit that you've ever seen. It's
like, I think there is something. Why are we attracted to people like a palm
or lucky? We had Marc Andreessen on this podcast. And I was like, I think the
two best podcast guests, at least in business wise in terms of like what comes
out of the mouth and how they're able to speak is like, I told Marc, it's like you and
palm or lucky. Because it's like, they're so fascinating and entertaining to, to like
hear speak. And it's part of it is because they're not, it's impossible to say that either
of them are any of the good communicators, even Elon or any, well, it's like that is
like speaking in template form. They are truly unique and kind of leaning into what makes
them unique. When you use a template, you are giving up on the possibility that you
could be better. And I say this sometimes about AI writing your AI as a wonderful
tool. I use it all the time. But if you are relying on AI to write for you and to
generate ideas for you, you are putting yourself at sea level, or you're putting
yourself at the level of anyone else in the population who wants to pay fractions
of a cent for a token to get the same, you know, similar output from the same shared
brain. So if you are far below average, you should do that. Because average is better
than you. But if you believe that you can be even a little bit better than average,
you would be robbing yourself to do that. And actually Ralph Waldo Emerson calls it a
form of suicide. Because in imitating others, which is what a template is, you are killing
your own ideas. You know, what are we? What are we? If not a unique combination of beliefs,
ideas, feelings, like if you were really to unpack the soul that we have, it's these things.
I believe that there's a, you know, some more special spark of life too. But if you take
that and you mute it, you are killing a really sacred part of yourself. So I can understand
why he would say imitation is suicide. And using templates is robbing yourself of the
possibility that you could ever be better than the last thing. And that's a shame.
Okay. So you are the world's leading expert in terms of founder, CEO, comms, right? You
also do crisis comms for the same companies as well. So I need to make sure I understand
the way you think about this based on not only the work you've done in the past and the
clients that I know of, but also it's essay that you wrote where is the proper reading of
that essay that everything is fake is that you need to lean into the more distinct parts
of yourself. Is that what you're doing with your customers or your clients, brother?
Yeah. I am leaning into things that only I can do. And there are people, many of them
who are smarter than me or more sophisticated or better connected or more experienced
or whatever it is. But the combination of things that together, I feel uniquely suited
to do. I need to do as much of that as possible. And it has to be me. There's a million ways
you could get something else from not me. But if you want to build a movement around
a technology that has civilizational importance, this is what I'm here to do. This is what I
look to do. You know, it's sort of like your thing. You've got the one thing I'm not trying
to compete with other people doing other things. It's like this specific thing. And any
of the founders that we're talking about, they have been put on earth to do a thing that
needs doing. They're the ones. Why would you ever put yourself on the same level as something
that can be faked? And now that we are inundated with all of this fake bullshit, it is really
important to stand out so that you can attract your people. You kind of have to fight your
way through the fray and through the noise to even get their attention. And that's another
part of it too. Do you know who Dana White is? Yeah, I think he's a perfect example of
this. I would tell a lot of founders. You should just go watch his press conferences.
I don't care if you don't like fighting. That's fine. Just watch the press conferences he
does after the fights. And that's how you should communicate. There's two things that came
to mind when you were just speaking. One, he has this idea where the most important thing
is you have to know who you are. That's step one. Don't do anything else until you figure
out who the hell, who you truly are. And two, figure out what you truly want to do in
life. And he goes, "Why don't you make those two decisions?" He's got the simple genius.
So then you just wake up every day and get after it. You already know who you are and what
you want to do, so you just do that every day and you never stop. And those two things,
like knowing exactly who you are, what you want to do and then finding that opportunity
that only you can do. That is the most important thing if you're trying to do great things and
distinct things in the world. You have to do this first. Yeah. And sometimes when you see
repeat entrepreneurs who are successful, it is a version of that company. So William
Hockey, who did plaid, now doing column, feels like a natural evolution of one big mission
for his life. I think that it's possible to have multiple companies, but one meta company
if you will. I always ask these kind of founders,
like, "What's the last company?" Because you can see a lot of these examples. You had
to go through these experiences, but there's one company that's just like, "You wouldn't
sell. This is the last thing I work on." And I think that's when you've truly found
your mission. What you said about Dana White reminds me of something, which is I actually
used Dana White, shout out Dana, as an example of what we talked about earlier where you're
not hitting people over the head with the overt PR messaging that they're going to write
off. You have the human story and then the thing that you're trying to sell is sort of
in the background. So maybe we call this like the Jetsons rule. He did this with MMA. That
was the reality show. Before watching MMA with mainstream, humans being interested in
the lives and striving of other humans was mainstream. It always has been. And so the
reality show gave us a way to follow along on the human journey of people training for
these fights. And MMA was ambiantly in the background. And if you watch the season of
this, you got to know MMA. It's like people who watch, I guess, F1, they just get to know
the show. Yeah, whatever it's called. It's driving to whatever. I walked in. I can't
remember. That got me an F1. Yeah, I didn't care about it. Yeah, this is why I learned drug
dealing from the wire. Yeah, yeah. I'm kidding. I'm not drug dealer. Um, many examples of
this where you actually become interested in a thing and absorb it because it's around
the other stuff that you're interested in. The thing with Dana was interesting. We talked
about this off camera, I think after we recorded. But you and I just had lunch when we talked
about the fact that learning from history is a form of leverage and that time is really
the only filter you can trust. And that if you wanted to know about persuasion or certain
of movement, go read Cicero. There's just like these ideas, everything has been like
kind of solved. You just have to go find them. One thing that Dana's one of those interesting
is like, everybody told them like, this isn't going to work. No one's going to watch
these people fighting. And he's just like, it's going to go everywhere because for all
of human history, they love watching people fighting for go back thousands of years. It's
like there, if you have two men, usually two men, like they're going to come to some kind
of combat. And the great thing about his sport, which he realized that he'd be global
from day one is like, you don't have to speak the same language. It's like, I could watch
it as American. You could watch it as a Brazilian. You could watch it as Chinese. We're
watching the same thing and we still understand what's going on. And he's just like, no, of course
this is going to work. Yeah. With my first company, the one where I was learning comms
on the fly for a company retreat, we actually went to go train with UFC fighters. And we
trained with the team of your eye, a favorite who's now in the Hall of Fame and created pioneer
at the Bantamweight category. And he and his team spent the day training with us physically,
but also just talking about their mindset. And one of the things that stuck with me the
most is nobody owes you anything. There are guys who show up at their gym with a backpack
coming from Brazil because this is
is the only thing that they want to do or know how to do,
and they're gonna do this.
And they don't need a lot of infrastructure around them.
They don't need for something to tell them
that they're ready, there's gonna go do it now.
And then the other thing that they talked about
was sometimes your big break is being called up
for a fight on last notice, an on last minute notice,
because you're not the person in the big letters,
but you're hoping to be.
And if the person is hurt or drops out or whatever it is,
which sometimes happens, you might get a call on short notice,
and that is your moment,
and you have to be ready for that moment.
And so their mantra was, don't get ready, stay ready,
and your big fight could happen anytime,
which I think is a good just guiding principle for life.
- Okay, so I have these conversations selfishly,
because I get to sit across from like world class experts,
and essentially just pep for them with questions.
And I'm looking for ideas that I can then just apply
to my business and then the people listening,
hopefully do the same.
So usually people are building,
great founders build their careers off of a handful of ideas.
It's not fucking 20, it's five or four or three.
So when I think about you and think about okay,
let me summarize your handful of ideas,
and you tell me if I'm missing somewhere from wrong and I,
number one, lean into what makes you just think to,
to go direct, and not in any particular order.
Three, you have to simplify your message,
so it spreads, right?
And then four, you have to have some kind of mission.
What am I missing?
- Trust yourself.
This sounds very self-help kind of cheesy,
but this is the message that you need to believe in yourself
versus a hundred other people, a thousand other people,
millions of other people.
You need to have the actually insane confidence in your idea
that you're willing to trust one person over everybody else.
That is very hard to do, right?
If you're looking at any kind of scenario,
and there's one guy saying this,
and a million people saying it can't be done,
you might want to side with a million people,
but like we said, one man plus the truth is a majority,
and you have to believe that you're that person,
and that what you're seeing is the truth,
and you have to pursue it.
And then you have to stay with it
because you can't compound something that changes.
The way compounding works is that it has to be a set principle
that then compounds, and if you change what that thing is,
you start the clock again, you start the compounding over again.
It's not compounding.
Compounding is incompatible with changing the thing
that you're compounding.
So I would say that that's the fifth point.
And then one other, I'll tell you what the takeaway is,
but I'll actually illustrate it for you.
I'm going to tell you about a sequence of events,
and then you're going to react to it.
There's a man and a woman through an older,
and they're immigrants from Europe.
They're living in the US.
I forget where, but they don't have a lot of money.
Their son is in an insane asylum.
And it's his birthday.
He's been put in this asylum because he has a suicidal.
He has this mental illness, a form of schizophrenia,
or something like that.
It's called referential mania.
And so he's like super paranoid.
It means that he thinks that everything that happens
has something to do with him, and he sees conspiracies everywhere.
And so he was tortured by this.
It's his birthday.
And so they go and they buy him a birthday gift,
and they're trying to figure out what to get him.
So they get these like jellies, and they go to take it to him,
and the asylum won't let them come in.
They say, I'm sorry, he's had another attempt recently.
He doesn't want to see you.
So they go home.
And that night, they're thinking about their memories.
And the father says, we have to get him out of there.
So they're at the kitchen table.
It's really like midnight or something.
And the phone rings.
And they're surprised.
The woman picks it up, and there's a little girl.
A little girl says, Charlie, I'm looking for Charlie.
And the woman says, no, sorry, you must have dialed the wrong number.
And she hangs it up.
And she and the man continue their conversation.
And she says, in the morning, we'll go get him out.
And then the phone rings again, and it's the end of the story.
What are you going to do with this?
Tell me your reactions to the story.
I don't have one.
What are your questions?
It's incomplete.
Like, who was the little girl?
Who's the person I called back?
What's the same little girl?
What happens to their son?
It's not incomplete.
It's a complete story.
It's a story called Signs and Symbols by Vladimir Navikov.
And I think the message from that story
is if we don't have a coherent story,
we desperately try to fill it in.
If we're not given a story, we try to make a story out of it.
What I told you was a bunch of facts, each of which
could have stood alone.
You know, wrong numbers happen all the time.
Who do we care who's the little girl?
It's just a wrong number.
What happens to the son?
I mean, either he lives or he dies or--
I just told you, like, a bunch of information.
Just take that information and go, but we can't.
I've read that story before bed.
And I stayed up thinking about all of the possible things
it could mean.
And in the story, there's way more detail.
You can pick at things like the color of the jellies.
And he forgot the keys and all of this.
And what it says to me is that we all
have a form of referential mania.
We actually have what, in this young man,
was a severe mental illness.
But we have a version of it, which
is we need to believe that things around us
are pointing to something.
And if we're not told what that is,
we will try to fill it in ourselves
because our brains crave a story.
So if you're a founder and you're
giving people a bunch of information,
this is what we do.
I hired this person.
We're opening an office here.
Here's some current events we fundraised.
People will weave that into a narrative,
whether you want them to or not.
So that's not in your control.
The thing in your control is whether you get
to decide what that story is and fill it in for them
and give them a sense of satisfaction and completion
and feeling like, OK, I understand it.
Here's where this is going.
Therefore, here's what likely comes next.
If I had told you this story in a slightly different form,
you would have maybe assumed I could have told you
the same facts in a different way
that would make you assume that the sun was going to meet a bad end
or that there would be a happy ending or whatever.
I could have made you believe any of those things
with the same set of facts.
And this is what the founders often
are not paying enough attention to.
It's the space in between the facts that
ties them into a story that is our responsibility to fill in.
Because if you let people fill it and have hazardly,
they might end up with any conclusion
that you don't control.
OK, it's a perfect place, then.
Lilo, thanks for doing this.
Thank you.
I hope you enjoyed this episode.
Please remember to subscribe wherever you're listening
and leave a review and make sure you're
listening to my other podcast founders for almost a decade.
I have obsessively read over 400 biographies
of history's greatest entrepreneurs searching
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Podcast Summary
Key Points:
The speaker was born in rural China and moved to Germany through their father’s PhD studies, later settling in Norway, Canada, and the U.S., where they eventually naturalized.
Their multicultural upbringing shaped a deep understanding of cultural nuance, leading to a unique ability to adapt communication across diverse contexts.
The speaker co-founded a communications firm after studying international security, and learned firsthand the importance of narrative sovereignty and direct messaging.
The core idea behind their work—“go direct”—emphasizes bypassing traditional PR channels to build movements through authenticity, intensity, and personal conviction.
Founders must first believe deeply in their mission to build trust and rally people around an idea, especially when challenging mainstream norms.
The speaker draws on historical examples like Julius Caesar and Napoleon to show that movements succeed through passionate, personal storytelling that creates emotional resonance.
They argue that technology stories—especially in AI—must be embedded in human-centered narratives, not foregrounded as products, to inspire real adoption.
Authenticity, beauty, and human connection (like friendship or shared values) are key indicators of real, lasting impact and cannot be replicated by fake or mass-produced content.
Summary:
The speaker, born in rural China and raised across multiple countries, shares a life shaped by migration, cultural adaptation, and deep personal conviction. S. instilled a unique sensitivity to cultural context and communication.
This experience led them to co-found a communications firm after studying international security, where they learned that traditional PR is ineffective for unconventional or disruptive ideas. Instead, they champion “go direct”—a philosophy of bypassing intermediaries to build movements through personal, authentic storytelling and narrative sovereignty. Founders must first believe deeply in their mission to inspire others, much like historical leaders who rallied through intensity and clarity.
The speaker emphasizes that successful movements are built on human-centered narratives, not technical features—drawing from examples like Steve Jobs, the Jetsons, and historical leaders to show how stories of value and transformation inspire action. They also critique the rise of fake, mass-produced content in tech launches, arguing that authentic, beautiful, and emotionally resonant experiences—rooted in real relationships and shared values—stand in stark contrast to superficial, inauthentic engagement. Ultimately, their work centers on a timeless truth: people connect with stories of human purpose, not polished product features, and the most powerful movements are born from personal conviction and genuine human connection.
FAQs
I was born in rural China and moved to Germany with my family when my father was sent there for his PhD in astrophysics. We later settled in Norway, where I grew up and attended public school. Eventually, we moved to Canada and then to the United States, where I have lived since and became a naturalized U.S. citizen.
I developed my approach through hands-on experience, starting with working on political risk for a firm in Washington, DC. I later co-founded a communications firm with a founder who needed a bold, direct approach. This led me to create the 'Go Direct' manifesto, which emphasizes founders taking full control of their narrative and building trust through authenticity.
The 'Go Direct' manifesto teaches founders to bypass traditional media and PR channels, instead speaking directly to their audience. This is important because it preserves message integrity, avoids dilution, and builds authenticity—critical when launching unconventional or disruptive ideas.
I help founders distill their ideas into a clear, compelling mission that evokes passion and belief. This mission becomes the foundation of a movement, inspiring others to leave their comfort zones and join the cause, especially when the idea is counterintuitive or challenges existing norms.
A founder must personally believe in their mission to be credible and authentic. Without conviction, their message will lack intensity and trust. The most successful founders are those who are fully committed, showing up with passion and conviction—like historical leaders who inspired change.
I work with founders who are building something truly new and disruptive, often in areas where traditional messaging fails. These founders are mission-driven, deeply passionate, and willing to take risks—qualities that align with the 'Go Direct' philosophy.
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