Legendary Hip Hop Producer Reveals UFO Obsession (Ft. Flying Lotus)
2h 10m 36s
This episode explores the intersection of UFO culture, personal belief, and consciousness, featuring a deep dive into key conspiracy theories and public figures like Flying Lotus, Steven Spielberg, and Jake Barber. The host reflects on how UFO narratives have evolved from fringe speculation into a powerful cultural phenomenon, deeply tied to personal identity and spiritual experience. While acknowledging the lack of concrete evidence, the conversation emphasizes the emotional and psychological resonance of these stories—particularly for those who feel a connection to something beyond conventional reality. The discussion also highlights the role of misinformation, AI-generated content, and online echo chambers in fueling belief, as well as the intense emotional reactions that follow. The host shares personal experiences, including a rare encounter with a possible alien-like sighting and a formative experience involving DMT, which deepened his belief in the existence of hidden dimensions. He underscores the importance of balance, urging listeners to approach the topic with skepticism and empathy rather than dogma. The episode ends with a call for a collaborative, open-minded dialogue—where skeptics and believers can coexist, examine evidence, and explore the possibility that the universe holds more than we currently understand. As the conversation touches on time travel, consciousness, and advanced technologies, it suggests that UFOs may not be about alien visitors, but about human perception and the limits of reality itself. The tone remains grounded, thoughtful, and reflective, celebrating the curiosity that drives inquiry while acknowledging the emotional stakes involved.
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There was one time I jumped into a conversation.
It was about the Skinny Bob stuff.
Oh, yeah.
There were people just talking about like,
oh, you know, this video is amazing.
And I said, I'm like,
are y'all still talking about this video?
It's clearly CGI.
It's like a motherfucker, dude.
I know.
I'm here with one of my production heroes, Flying Lotus.
I feel like I can't even categorize you.
I have to call you a creative
because you are,
an amazing director.
You make films.
You're, I think,
one of the best hip-hop producers ever.
Well, you come from
maybe the most kind of interesting musical family
I could think of.
Alice Coltrane is your,
what, is your great aunt?
Is that right?
Yeah, yeah, yeah.
She was like Yoda.
You know, she was like a Yoda type person.
When I play it,
it makes me recall Egypt, ancient Egypt.
It makes me seem to remember
that I have a past,
or a history there somewhere.
She just had,
she was tapped in for sure to the source.
Maybe this is something that we were,
you know, connected to a bit earlier
in our development as human beings.
You know, maybe we were closer to God,
closer to the source,
closer to the stars.
You saw a motherfucking, like,
frozen alien or something yourself, right?
You see like this?
I might have.
I might have.
I saw a thing with three fingers,
and three toes.
Isn't Jaime Muson part of that situation?
He's a known fraud,
so like, it's all bullshit, isn't it?
I think Spielberg knew some shit.
And then he looked around the room and he said,
and there are a number of people in this room
who know that everything on that screen
is absolutely true.
People would call in and they're like,
we're doing time travel stuff at Area 51.
What we're thinking of as aliens,
they're extra dimensional beings
that an earlier precursor,
the precursor of the space program,
made contact with.
Different parts of the brain
have different activities.
But you know that, don't you?
You people are giving me a lot.
Maybe you should interview me.
I have to call you creative
because you are an amazing director.
You make films.
You're, I think,
one of the best hip hop producers ever.
And yeah, man,
just an all-around awesome guy.
And I didn't even know you were interested in UFOs
until we started DMing, I think,
on Twitter or something.
And that was so surreal to me
because I was like,
I've been listening to this guy for years.
Like, 15 plus years.
And he's into the stuff I'm putting out.
What's going on?
It was pretty surreal for me
for you to respond the way you did, too,
because I was just like,
you know, I felt like I was reaching out
to a few people
just to try to get some info
and some insight on, you know,
what people knew.
And you responded,
and you're like, whoa.
I was like, whoa.
Because I've been following you, too.
You know, so it was a trip.
And I mean, I'm really excited to do this.
Same, man.
Well, you were asking amazing questions.
You were like,
why can't we just get Lou Elizondo
and Kirkpatrick in a room together?
Yeah, why not?
I'm with you.
It was like, why is that so hard?
Why are they. Who's not making it happen?
I feel like one of them
would love to do it
and the other doesn't.
Yeah, it's a lot of, like,
cheap shots from afar.
It's like,
why can't we get
Grush and Elon Musk
in a room together?
Why not?
Yeah.
Why not?
Who's afraid?
Who's afraid?
Well, in my experience,
it's usually the anti-UFO side
that it's like they're. hiding something
or guarding something.
Yeah, and they probably put up
that whole front, like,
oh, I have no time
to talk to these people
who are. They're clearly liars
and all this stuff.
So, I don't know.
It's kind of bizarre for me
to, like, on the outside
where you're just, like,
you're seeing all this. all this testimony
and you're hearing
all these things
and then everyone's just
kind of, like, talking
in their own little echo chambers
and speaking about it
and it's just. It'd be nice
to just have a round table,
all these people.
You know, have. What's that cat?
Who's the skeptic?
The big skeptic?
Mick West.
Mick West.
Yeah.
Put him in there, you know.
Everybody.
Yeah, put everybody up there.
Everybody.
Let's just work it out together.
Do you have any favorite
UFO or alien conspiracy?
Oh, yeah.
I love. I love. There's a few.
I love, obviously,
Bob Lazar's story.
Oh, yeah.
It's super amazing.
Yeah, and that touches
on a lot of the stuff
on his shirt, for sure.
Bob Lazar's story
is one of the. It's like one
of the gateway drugs.
It is the gateway drug.
There's another. I forget the cat's name,
but the guy who worked
at Raytheon and. Eric Hecker?
Yes, that guy.
The dude that said
that we have a neutrino emitter
and detector on the South Pole?
Yes, but it also was the reason
for the Christchurch earthquake
in New Zealand.
Earthquake in New Zealand.
Yeah.
Crazy.
And I love that.
I mean, I don't know if it's true,
but I fucking love that.
It's wild.
It's such a wild idea.
And, you know,
I don't know how much of it is true.
I don't know what's real,
what's not.
I feel like he must have been there.
I think there's photos
that he shared.
He was at Raytheon.
Yeah, he was there.
But, you know,
he said a lot of stuff
was like overheard,
like water cooler talk.
Right.
So, you know,
who knows what that even means.
But, yeah, Stephen Greer,
fascinating dude.
Yeah.
He hates you, bro.
He hates me.
Yeah.
I loved watching that episode
of him talking to you, man.
I'd never seen him
be so fucking mean.
He showed up to that.
Dude, he was like,
he was out the gate
like not fucking with you.
He called me a dilettante
like four times.
Dude, he said a lot, man.
He said a lot.
Oh, if you let me finish,
I'll tell you.
He was like,
look, I've been in this
for 30 years.
He was like,
you don't really know anything.
Yeah.
Okay, I'm sorry.
But it's funny, though, man.
I don't know.
I was actually
on my way here.
I was thinking about
how
just thinking about
the community in general
because I've, you know,
ever since I've started
liking tweets,
all I get is UFO stuff
in my feed.
And there's like,
you know,
the usual suspects
who are posting stuff,
John Greenwald
and
what was that?
UFO Joe.
UFO Joe.
Yeah.
UAP Gerb.
UAP Gerb.
He's amazing.
And I was like,
but I always find
just the auxiliary community
so interesting.
Yeah.
And I don't really engage with them.
I'm kind of a lurker.
That's good.
That's a better position to be in.
Trust me.
But there was one time,
there was one time
I jumped into a conversation.
It was about,
it was one of those UFO accounts
that was talking about
the Skinny Bob stuff.
Oh, yeah.
And like,
the Skinny Bob video.
And I was like,
there were people just talking about like,
oh, you know,
this video is amazing.
It's clearly CGI.
I know.
I said that
and people were pissed.
They were mad.
They were pissed.
They were like,
who's this blue check
I had never heard before?
He got a whole bunch of followers on.
Like, he's sending disinformation out there.
Like,
I was like,
oh, shit, son.
Like,
the people want to believe
this shit so bad, dude.
They want to believe it so badly.
And I feel bad now
because we're in a time
where like,
we're making all these crazy
AI videos
and all this stuff.
And it's just like,
man, these people,
they're,
I feel bad.
No, it's a religion
for most people
that are into it.
Yeah.
Because they're like,
if this stuff is real,
it has to incorporate
into some larger
metaphysical worldview.
Right.
And then it's like,
that's all that matters.
It's the only thing
because then reality
is not what it seems.
And then you see
them get so argumentative
and angry
and dig their heels
and if you hit
one of the things
that they're like,
sure about,
and it's one of the things
that's hard about
the quote unquote
communities.
You have to,
you have to.
Dude, I feel bad for you.
I feel bad for you.
I feel like any time,
like after the Joe Rogan thing,
I think I saw people
just feel like
Jesse Michaels
is like a paid
and somebody's fucking
working for the government
or some shit.
Like, you know,
you're like,
the billionaires
are in your pocket.
Yeah.
All that stuff.
And like,
yeah, I think
20% of Reddit
thinks I'm like a CIA agent
or something.
It's ridiculous.
It's crazy.
Well, it's kind of shitty
because not only
are there like
dangerous situations
or like seemingly
dangerous situations,
I feel like I'm in
vis-a-vis those people.
Right.
But I'm also,
And now I'm fucked.
Now you're fucked, bro.
These motherfuckers
are going to come for me.
They're going to get tracked.
You don't fucking believe
the skinny Bob video,
you dick.
I'm blocking you.
Yeah, yeah, yeah.
But I'm saying that
you get it on both sides
when you get deep.
enough.
get like the conspiracy theorists think that you're part of the establishment right and then
the establishment is probably keeping tabs on you and you're like fucking hey this is crazy so thanks
yeah thanks oh man well this is my shit is tapped now it wasn't tapped before
just be in here with you oh that's funny yeah well i don't know where do you think it goes
do you think it um what just the whole ufo conversation do you think this ends with
something get getting unveiled the area 51 a saucer and a hanger do you think the president
makes i feel like that moment right there the president makes announcement i always think about
that and i always think about how many people be like well trump said it i don't believe it right
right more than there's the people that are trump said well i definitely believe yeah but i know that
the weight of that is somewhat diminished in this term yeah yeah yeah yeah it's something about it
i mean if he comes out and says that shit everyone's gonna
be like well why did he say that totally what else what else what well we know already but
where's the video they show you the video yeah it's like well it's ai yeah oh well i mean honestly
you gotta be like hey they gotta be here with us yeah you know and and like it's gonna take so much
i think at this point you can have material i got this piece of metal scan it yeah you saw you saw
a motherfucking like frozen alien or something yourself right did you see like i might have
yeah i might have i saw a thing with three fingers and three toes the the tridactyl beings in peru
from dated from the nazca period where there's cave art all over there one of the the um bioinformatics
genetics people found a mutation that matches a human mutation that involves digit differences
on the finger crazy stuff that one of them has a fetus that might be tridactyl inside of it
yeah eggs right one has eggs yeah one has eggs so it's like but yeah
isn't jaime muson part of that yeah right situation he's a known fraud so like it's all
bullshit isn't it and you know i don't know i'm just saying and i'm i met i spent a lot of time
with jaime i love jaime i think he's awesome i went to the the unveiling oh you did yeah i went
yeah it was like yeah it was like down the street from my house basically so i was like shit i'm
going there i'm going to check that out what was your take when like on the spot with the with the
beings um well they didn't have them there
it was a presentation like saying that they are you know they were showing the photos and the
the x-rays and all that stuff yeah um so it was a little hard to really have an opinion when you
don't have you're not seeing it with you sure but i just take it all with a grain of salt i find it
fascinating it was i had a great time yeah met a couple cool people there yeah and left that's the
move man you you have the right orientation towards this whole subject which is like it's fun and like
we'll see what happens we'll see what happens
um i will say though there's times where i'm like nah man this is real as hell you know there's been
there's been those moments but then there's been moments where you know it's just like well of
course it's us yeah of course it's our technology why would they want to say right why would they
want to admit that um you know we're making all these crazy things why would they want to share
that with anyone i think the way to back them into a corner is you go as deep as you can on the
gravity stuff and then you go as deep as you can on the ufo stuff and then it's like okay unless you
have all these fighter pilots lying then one of these is right yeah yeah so i would think hey man
i who's i'm not saying the pilots are wrong but maybe they're seeing lockheed martin's stuff yeah
and i don't know the whole um what jay barber jake barber jake barber stuff
but the sky washer stuff yeah it's really fascinating super trippy
really interesting that when jake barber came out on that was it with ross colhart when it came out
man that video he was like talking the whole time me and my buddy was like all right let's take a
shot if he blinks i didn't blink at all we were sober like motherfuckers but like but man it's
it's it's really interesting fascinating stuff and i don't mean to poke fun or whatever but i i think
it's i mean if you follow this stuff i really do hope that you have a sense of humor about it because
you need to you got to it's it's just like you know you get so worked up people get so worked
up over these things i can tell just by the tweets and seeing stuff um but yeah people need to touch
grass and that's right you know sometimes people get so heated i'm like just relax it's all good
yeah it's all good it's all good you know if it if it is true your life is not going to change
yeah still gonna have to go to work tomorrow that's right yeah yeah yeah whatever it is at least right
now is like weakly entangled with our reality like we are you gotta still be a good person
you gotta pay your bills you gotta do all these things that like yeah aliens don't really affect
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this episode and like i'm sorry if if ross colhart really knows where there's a giant ufo he knows
i feel like there's ways of leaking that information yeah that doesn't you know get
anyone hurt i uh just interviewed him and of course i asked him that is there anything joe
rogan just talked about this everybody talks about this amazing bombshell thing that you
reported on you know i'm gonna say yeah this ufo possibly found in uh uh that that they needed to
build a bunker around that was like you know a mile plus long anything you can say about it
do not resile from saying what i've said previously which is that there is a buried
or at least built upon ufo that was too big to move and that's it he did not give me the answer
tells me you know he might be bending the truth a little bit you know i don't know he he implied
and i can say this because he said this to me and it's coming out he was like it's an extremely
sensitive site that you would say it's a very sensitive site and he said it's a very sensitive
you'd endanger personnel on the ground like maybe soldiers or something so that makes me
think like current war zone it's a very sensitive place that should be enough of a guide for you
and to reveal the full extent of what i know would compromise the lives of young men and
women who are doing good things for america completely separate from the uap program and
they're probably oblivious to what's sitting downstairs there's ways to leak information
yeah he knows that yeah you know it doesn't have to trace back come to him right ross yeah come on
man come on man if you can really change the world yeah you should yeah yeah come on ross
so that's it you know it's like i understand his spot though too because say he hasn't fully
corroborated that that's true like he's somebody shouldn't be saying shit then he shouldn't be
saying shit yeah he shouldn't be going because he's very confident when he says that yeah
that's true so it's like i've seen it or you know i remember when those the chinese drones were
flying over and he was always like my sources say this and my sources say that he's so confident
about sources and then the sources keep changing the story yeah yeah yeah still well he just came
out with something about the drones recently his sources did yeah his sources yeah he said that
something about the drones being american military exercises like yeah yeah so i don't know his
first you know it was like there's some i mean if anyone out there is really about to change the
world with this stuff i feel like the powers that be might forgive you might not go to jail forever
might not get executed yeah you know i think it's worth i think it's worth it if you really got the
goods right yeah like would you do it you'd be the people's champion i would do it if i wouldn't
Like if it was like a person that was like you will get
me killed or something like i can't do that but if it was like you'd be like julian assange dude
like you don't want to you don't want to but julian look at where julian assange is man but
it's not a fun life but yeah this is the difference though yeah right is like that information is
totally different than true it's not like you're just going head to head with mike pompeo and the
cia it's totally it's like this is just pro human you'd be the people's champion yeah yeah yeah i
mean people like luigi man whatever like yo that's next level you could play him in a movie
what's that you could play luigi in a movie oh i'm down yeah i heard super super mario's brothers
were it was a very high grossing uh film so you know you gotta pay a pretty penny if you want me
as a you know i'm rocking my green i'm talking about the fucking guy who killed the oh damn man
but you know what he's the people he was the people's champ he was a people's champ you know
for a while i don't quite know why i mean i kind of get it because united health care sucks you
know it's like also fuck that guy not that he deserved what whatever happened but uh yeah it's
a weird one i don't think that killing people is the way no to the way forward definitely with
anything um but you know in terms of making a difference and stuff if you got the goods
mm-hmm like that
yeah like ufo goods like that like world changing come on man it's interesting i think you met my
buddy chris ramsey we were hanging out in austin amazing magician has an awesome channel area 52
yeah he asked me on the podcast he was like is it the logical conclusion that you will be shown
a ufo i hadn't even thought of that that maybe personally yeah like that'd be cool
like i wonder if like art bell was shown you know our course yeah like was he shown a ufo like he had
these things art arts parts these little bits and pieces of ufo stuff i don't know and i wonder if
he was ever given access to anything because he was in nevada area and like i don't know he just
had so many crazy crazy whistleblowers back then yeah it's interesting people think the
whistleblower thing is a new phenomenon like then people would call in and they're like we're doing
time travel stuff at area 51 they know i'm i'm running from them i just quit or whatever like
people call in saying this shit it was crazy
i i've kind of been running across the country um oh man i don't know where to start they're
uh they're gonna um they'll triangulate on this position really really soon so you can't spend a
lot of time on the phone so give us something quick okay um um okay well what we're thinking
of as as aliens are they're uh they're they're extra dimensional beings that
an earlier precursor of the um space program made contact with uh they they are not what they claim
to be uh they have infiltrated a lot of uh a lot of aspects of of of the military establishment
particularly the area 51 uh the disasters that are coming they the military i'm sorry the
government knows about them and there's a lot of safe areas in this world that they could begin
moving the population to now aren't but they're not doing they're not doing anything they are not
they want the major population centers wiped out so that the few that are left will be more easily
controllable
discharged
well this was certainly interesting we are now on a backup system everybody
a backup system and uh that one caller that i had on the air
i guess we were about in the middle of his transmission his telephone call which was
one of the strangest ones i've ever had and the entire transmitting system by satellite went
down here and we were notified we were off the air and it would appear to be from this end and some
sort of massive transmit failure so we are now using a backup system to be on the air
and not that i would normally believe this kind of thing mind you
but i can't help but wonder if somebody somebody zapped us in some way yeah man i mean look
if they got the goods someone needs to say something or else you're just going to get
a bunch of the same same stuff that we've been seeing i don't it's going to take a lot to move
the needle i think at this point you know everyone's like waiting for that movie with
the age of disclosure to come out or whatever like that's going to make a difference like it's just
going to be another same people talking the same thing ain't showing nothing different yeah so
we'll see what happens yeah i'm curious man watch it though what's that i'm still watching it though
oh me too it's a great movie do you will you help with the whole thing by making a movie
about one of these stories well yeah i would i would like to try my hand at it i get a little
discouraged because i know old spielberg's coming out with his disclosure yeah he's gonna do his
thing i don't know what what angle his is gonna be uh it's a love story with emily blunt of course it's a
love story yeah they're all love stories they're all loves yeah what's the other thing do you like
spielberg i i would guess that maybe you're not the biggest spielberg that's funny you say that
because i feel like you don't like conventional it's funny you say that yeah i love
spielberg really i love conventional movies i love it i love it i love it
when you can do when you can do the whole hero's journey thing well and it works
yeah it's it's amazing and i'll be honest with you a big part of my love for spielberg and john
williams though oh amazing you know i mean the music so like you want to go back to like well
giraffe's park is actually like up like top movies oh yeah you know um 10 years old seeing that movie
for the first time i want to be a paleontologist after i saw that it was like gonna change the
trajectory of my life but i think there was something about his movies with john williams that
synergy that connection is just really um it brought in the sense of wonderment oh yeah and
in the film and it just made like i didn't realize until like last year i went through
a spielberg thing last year i was i watched all of the movies all of them because i was really it
was more so a john williams thing i was going through um so i had to watch all spielberg stuff
but you know close encounters
i had actually never seen that one oh wow and it was like perfect timing yeah all the ufo stuff
and um i was just blown away yeah and i saw i'm embarrassed to say but i only saw et for the first
no way this year i love et that movie destroyed me i was like i was watching that movie like as a
grown man but i was also like a 12 year old boy watching that movie and like the last half hour i
just couldn't stop crying
cry was like just endless just couldn't stop that movie just destroyed me i could think about that
right now probably start crying it's it's so good and when he's biking and you have et with the hood
on and these and they starts flying off the cliff or whatever and the john williams john williams
comes in and john williams like oh my god i think spielberg knew some shit about ufos i think he has
some inside sources yeah because he watched close encounters the third kind of stuff in there do you
have the crates that say trw and
skunk works in the late 80s when nobody really knew that much about those two frontier r&d something
was up he was definitely he was definitely clued in and there was like it was some weird stuff too
like the orbs he had some like like orbs that trailed after the big ufo thing and i didn't even
know that there's some like weird little they were like here we go just right it was like little
little stuff like it was like really the sunburn that he gets when the ufo passes over the mountain
which that's really interesting do i need to pick up on oh yeah it's like it's like electromagnetic
radiation damage which if you like you know kit green and gary nolan you know cia spooky stuff
they're looking at biological effects of people who've witnessed or encountered ufos it's the same
stuff now and then et you have the kid lock on with et and they have the same biorhythm and heart
you know readings or whatever and that's like jake barber where it's like he's locking on to the
sun and then the final one this is my favorite one you've seen back to the future no i live under a
rock so he executive produced that yeah so we've talked about this guy thomas townsend brown yeah
it's your boy i love that i can't get through an interview without mentioning this anti-gravity
amazing anti-gravity inventor but in general relativity time and gravity are related so the
whole his whole life he's obsessed with time travel and if you watch back to the future it's
tt brown thomas townsend brown flies on his flux capacitor which is capacitor experiment was brown
uh it took place in pasadena which is where brown lived that might be coincidental i don't know
i don't know i don't know and then it was it was the year that he died it was 1985
and then it goes back to 1957 which is when he proved his experiment and it was powered by mr
fusion his experiments were powered by he wanted them to be powered by nuclear reactions i want to
watch it again yeah i want to watch the game i think that movie might even because if if some
of this stuff is time travel that movie's fascinating because it points to us mistaking
the ufo thing for aliens extraterrestrials when actually it's time travel because the kid i don't
know if you remember this but the delorean comes back in time and um it hits it goes into the shed
and the kid has a magazine like a ufo magazine and he's he's looking at the thing and he goes
it has no seams it has no rivets he goes it must be a flying saucer and then and then uh when marty
goes
he comes out like he's an alien too right that's right yeah that's right it looks like it is so
they mistake it and then when marty comes back his father goes he's trying to get his mom and
uh dad back together so that he can exist in the future timeline and his dad goes and he's like
dad like you know he doesn't call him dad but he goes you know she really likes you like come on
get together he goes i wouldn't listen to you unless you were an alien showing up in my bedroom
from another galaxy and then he shows up
so it's almost like showing how we might mistake and then steven spielberg in an interview says
what do you think is more likely uh it you know distant galaxy zeta reticuli you know andromeda
you know whatever or did he say zeta reticuli he said one of those i was like i was like damn
side he's going there that he's definitely clued in yeah yeah i don't know if he did i might be
putting that or or he said and he says is that or is it us thousands of years in the future and
they're keeping track and they're keeping track and they're keeping track and they're keeping track
and trying to like adjust timelines what if they're not from an advanced civilization 300
million light years from here but what if it's us 500 000 years into the future he said it with
colbert recently and he apparently said it to the deadpool creator so i don't know you might know
some shit it was in the white house screening room yeah and reagan got up to thank me for
bringing the film to show him to show the president the first lady and all of their guests
and um and he just stood up and he looked around
the room almost like he was doing a head count and he said i want to thank you for bringing
et to the white house we really enjoyed your movie and then he looked around the room he said and
there are a number of people in this room who know that everything on that screen is absolutely true
and he said it without smiling um um but he but but he said that and everybody laughed by the way
the whole room laughed because he presented it like a joke but he wasn't smiling as he said it
i think it's uh it's perfect that he's doing this movie and you can get him on your podcast
oh let's go how do we do that reach out start now start reaching out now well he's a hardcore ufo he
he blur you know james fox of course yeah so he like wrote a little complimentary thing like a
review for james fox's first movie out of the blue which i haven't seen that one actually it's from
20 maybe 14 or something like that it's from a while ago so it's like just shows how hardcore
he's into it man that's wild i think
it was funny though spielberg was like i i heard him say something like
um he he gave a lot of props to denny villeneuve for arrival and he was like yeah it's the best
ufo movie since close encounters damn bro like you you really on your shit like that you really
feeling yourself that's great since my movie yeah that's one since i did something arrival is
amazing arrival is amazing it's incredible rivalry is amazing do you ever read the book
associate was it ted
chain story of our time i haven't either so i just want to i have nothing to say about oh
be cool if i read it um yeah but yeah spielberg he's he switched on man and uh james fox
how do you feel about that moment of contact that i thought that was very interesting i think that's
his best movie well i i think the phenomenon james fox is amazing i love him i think he's
got the best energy he's like the type of guy i i would love for him to be
the guy to film the first ufr find it because he's been he was uh valeting cars and painting
fences while he was making his first movies he's so passionate and he just in it for all the right
reasons he's so collaborative he just loves everybody so he's the man um the phenomenon i
feel like is the best like entry point absolutely you don't know anything i always show that to
people who are like right what about what's going on with this i was like yeah watch that one because
it's like it breaks it down in the best way it's like best overview
gateway best gateway exactly and then moment of contact i think is one of the best docs on this
ever so and it's i love that it's so out of left field it's not some official u.s government thing
it's like these people in virginia aren't lying about this stuff yeah man it's really really
fascinating i just facetimed him he's making moment of contact too oh really yeah what else
you gonna say about it there's a lot of new crazy stuff yeah okay yeah well i'm curious yeah curious
think that more like it was such a revelation to me to see that you were into this i was like this
is the great coolest collision of worlds do you think that more people in just general culture
continue because i think it's on twitter it's like you and father john misty are like to me
like the cultural icons who are like peeping into ufo twitter and like liking stuff here and there
i don't know if you know that i didn't know that that's cool oh it's really random and funny yeah
and he'll he wrote like something like uh when i when i heard diana pasolka say that chris bledsoe
is the new paul benowitz i realized i needed to get a life or something that was just like
recent that's perfect it's like bro like you are deep in it you know at that point that's perfect
also dude from what blink 182 oh tom delong i mean he's yeah dude what see that's your autism bro
that's your autism you got you got everybody's name like you're so good with names i watch you
do interviews all the time
and you know everybody the name was like oh yeah
i don't know how you do that like somebody bring up some obscure book
that someone wrote you know the author's name and everybody who was in it and
that shit dude like i forget everybody's name i don't know y'all's name back here
you got sam and mauricio are you lying no i'm not lying i got that right
yeah but i find that to be like that's actually super powerful that's my first of all it's a
totally useless skill no it isn't you don't need memory it's a parlor trick on a podcast no no it's
always impressive to me well i appreciate that that means a lot that it's funny it means a lot
to sam and mauricio too that you remember their names yeah well hey what can i say i mean uh
i think it's i think it's my only skill i did after the rogan thing we hung out at the
mothership at his comedy thing and my girlfriend was there and she was talking to him for a bit
and he was like
it was the best compliment he was like jesse's memory is next level and to me his memory is
next level well i mean because it's like he knows all sorts of crazy facts about all like
i'm in a narrow domain i probably have a decent memory on some of the other stuff but like he's
got diverse interests yeah he's got diverse interests he's actually one of the people who
got me to try dmt for the first time no way yeah yeah really back in the myspace days whoa he was
he was talking about it and i was like i don't know what to do with it i don't know what to do with it
and i think this is even before he was like doing the podcast like that but yeah he was yeah he was
early on dmt he was you know he's got me on rick strassman's book and all that stuff and uh i
brought some dmt for you i think this would be the most absurd environment don't talk dmt here
don't don't do it here don't do it here i would break but you should try it maybe i will talk
about that last honestly i don't i've done ayahuasca oh that's right technically i've done it but not the
not the fast acting yeah maybe maybe check it out if it comes your way okay yeah yeah check it out
you've told me some stories hey you know it's um it's fascinating stuff i feel like
my brain don't think of the stuff that that showed me so i find it to be really really
interesting yeah that's fascinating it's like you were in another objective reality
like where does that if that's not in your mind yeah because you know where is that i always think
about you know people saying when they trip they talk about like oh i was i was in jimmy hendrix's
guitar when i was listening to his music and all that stuff like jimmy hendrix was nowhere to be
found in this reality it was like really just stuff that i'd never my brain doesn't go in this
direction but it's funny though because i don't really recommend it to people anymore except
people like yourself i feel like my worldview is so trippy though i worry i worry that it was like
you're saying that yeah like you're afraid that like you're not gonna come back or something
afterwards because i'm already so like my my worldview is very different i think than the
average person because i'm in all the weird shit all the time so i i feel as sensitive as i ever
have around like you know just keeping this thing on you know straight no i feel that but in the
right sentence setting if it were you know to come across my past serendipitously i would do it
i would just throw a dmt with that maybe you man i mean who else no no maybe you that'd be awesome
be cool i wouldn't do it though that's why rogan got you into it maybe man it's um i saw he follows
you on twitter yeah from like forever ago like when twitter first came out you know i could see
him liking your music i know he likes hip-hop for sure oh man well that's interesting yeah i don't
know i don't know what's up with joe i i find him to be an interesting dude um but as far as dmt
yeah man i think um i think you need to try it that would be crazy what's up guys i want to tell
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you heard about them please support our show and tell them that we sent you the way it came to me
though it was so weird because i i remember after hearing joe rogan talk about it i i remember saying
something on on myspace just talking about like i'm very curious about it or and then i was in
australia i was in perth on new year's new year's day so they celebrate day there um this summer
yeah so as uh it was a morning party that i was at it was like it must have been like
noon or something like that and i'm like throwing down played a really cool set and i don't usually
like toot my own horn if i don't deserve it right like it was actually a good set i played i was
pretty wasted though so people like carried me outside carry my big ass outside yo like
because i was so wasted i'm like sitting out on on the patio of this venue and some dudes just
random aussies came up to me and just like dapped me up and was like yo i heard you want to try dmt
and just gave me like a fat sack of it well i'm like i'm like i'm like i'm like
and i like an idiot smuggled it all the way back to the states i did a whole tour
out there smuggling it the whole way and brought it back
i don't i would never do anything like that yeah yeah but uh but yeah it was uh it was some amazing
stuff i've never seen any dmt that looked like that ever since actually yeah do you feel like
it changed the way you think after the experience you know what it didn't but it it was more so
validation to the idea that maybe there is some more than this yeah i think that's what it was
helpful for just showing you that there was there's way more going on yeah being behind the
curtain you know and i think at that time my life i needed it you know my mom had passed away like
a month months before that so i feel like it was really um a way for me to connect to
the other side yeah still be here
you know yeah um so yeah i think again i don't i don't recommend it to everyone just because i i do
feel like if you are susceptible yeah to you know um schizophrenia or any of that kind of stuff
they could set you off so do you feel like the pain of your mother passing you say that it kind
of influenced cosmic grandma a lot right yeah absolutely was do you feel like pain creates
great art
and it can spur on great art um i think i think it's a weird one with that is i don't know if
if that's real but i'm just grateful to have art to turn to when i'm when i need to go
to church it's an outlet yeah i need when i have to say something i'm always so grateful for that
to be able to create music um
um whenever i need to go back to the source it's kind of awesome like when you feel
overwhelming emotions you have like a thing that you can just port it into yeah and i think a lot
a lot of people don't have they don't they don't have i'm really grateful for it because
you know in a way i get i get my job is to go to therapy yeah yeah pretty much yeah is to just heal
you know and um and try to understand more about the world and the universe and stuff and ask
questions through the music it's uh it's a it's a great it's a great job if you could smoke dmt with
anyone in the ufo world who would it be um good question
man i'd be down to smoke one bob lazar i'd be down i'd be down to give these bob lazar in that
way man that'd be fun yeah um i wouldn't you know i i respect that experience so much that
it would take a lot for me to do it again actually i've only done it like two or three times okay
and uh to try it again would be a lot yeah yeah yeah i wonder sometimes some of these ufos
might be like it's it's like that is is dmt like you know night vision or like infrared or
something and if you're gonna hook those up to the optic nerve you could see that and dmt is like
another version of that where it's like a window into i think jake barber was talking about that
saying so i think he was alluding to that a little bit and i think that maybe some of the
other whistleblowers might have too but like i do feel like there could be some connection
i at least the very least that maybe this is something that we were you know connected to a
bit more uh earlier in in our development as human beings you know um maybe we were closer to god
closer to the source closer to the stars and um i think that part of that was maybe
seeing some of those places that you can access on dmt yeah totally and i feel like the reason
a lot of people don't believe jake's story is the reason i do believe it because it involves
this like mental connection and i think for a lot of people it's like you are grouping in
ets or nh non-human intelligence along with psychic stuff yeah give me a break i'm not gonna you know
dude i'm gonna be honest with you it was a lot though yeah dropped a lot on the day and it was
like even for me who's someone who's like i'm trying to be down yeah you know like i was like
oh buddy yeah you're gonna lose some people with that stuff second half of that story you should
just stay on the first half show the egg and let it let it go you know next interview you could
talk about that but man he dropped a lot on it and didn't blink either i was like bro like you
have this like googly eyed i've seen some shit look in that in both of their interviews with
ross colter i don't know if it's ross's lighting or if like they've seen some shit you know and
like they have that you know kind of you know like i've seen something kind of gnarly grush blinks
though yeah yeah yeah jake's got something about that dude that was just like what is going on is
he an alien that's buddy that's but um i think it was a little chiller in my follow-up interview
totally totally and i'm just like oh my god i'm gonna lose some people with that story
just talking shit i'm just having a good time but i i have so much respect for all those cats
honestly i think it's um they're all i think they're all brave to just even knowing how crazy
the community is knowing how crazy the the stakes are yeah all this stuff i i do i do feel like that
it's a level of courage that is is pretty next and these people aren't media personalities they're
not trained to be in front of the camera and stuff so you know we've got to give them a pass no they
don't know what they're doing often you kind of have to help hold their hand and stuff and like
and they're scared and they i've see i see it firsthand because i often i'll get thrown in
with them or whatever they get a lot of backlash like like they got randy anderson who he went
underground and he saw this like gauntlet thing that like emitted hieroglyphics and he was at he
was stationed at naval surface warfare crane in indiana in indiana in 2014 he was taken down a
elevator to a deep underground military base and then he was taken basically through a tunnel
past a bunch of skiffs into something that said i think it was like um off off world or off planet
technology yeah yeah i heard about this yeah yeah yeah and then he's talking to greer he was
talking to greer before i met him okay yeah yeah and and i had been talking to him for about six
months he was talking to uap curve actually before i met him too oh cool cool and i had a
some inklings that like this year was going to be kind of crazy as far as whistleblowers coming out
and i was like dude if there's ever a time i think you
come out now and he was in vegas and came down to la and but like right after that you have all
these guys being like he he's not a green beret and he didn't pass these tests and he wasn't at
war and it's like i spent i've got dinner with him the night before i spent a lot of time with him
his friends like hours and i've met you know two of his calls you're a psyop dude but i'm a psyop
that's right they don't yeah that's right that's right i don't believe you yeah well good there
you go there you go but i it's like you know and his friends are like you hear their frustration
and you see their dd214 like their background you're like is anybody seeing this and then you
have these people i think it's fine and i think he would even say it's fine to go after the
experience be like i don't know maybe that was bullshit maybe he was psyoped but when they then
they go after his like background is like a war hero it's like come on it's a lot man it's a lot
and it's no one wants to deal with that no and anyone all these whistleblowers
you know they're like i don't know what to do with that i don't know what to do with that
you know and i think it's like i don't know what to do with that i don't know what to do with that
watching how everyone's reacting to this stuff they're doing their research why would anyone
want to be put themselves out there like that just to get picked apart yeah be called liars
and all this stuff and 100 it's not cool but that's not fun it's not fun but i'm optimistic
after this wall street journal article the reason being i think it's really interesting
they say it's all part of this air force hazing ritual which is really dumb for the
ufos and nuclear weapons all these q cleared employees all these guys sue the government
right you know or wall street you're gonna follow up and show the program you're not to the uh the
american populace dog you can't do that there's like federal torture claims provisions and so
they they are they're fucked because i think it's totally fake there's no hazing ritual or if there
have been it's been in little spots here and there that does not explain the whole thing
so they kind of back themselves into this interesting corner i think that's the problem
is trying to
blanket all of it ever you know it's like i think so many of these things can be true
personally i think there's so many parts of it that that can be true um you there could be there
could be future human there could be some grays there could be some stuff that we're doing it
could be some stuff that china's doing all these things can exist i think yeah and it probably is
yeah yeah i've been trying to figure out personally well how i feel about all this
stuff yeah still because i go through this ebb and flow yeah of just kind of being like i'm always
going to be fascinated yeah but in terms of my own personal beliefs i'm just kind of always like
ebb and flow with it like i'm really in or i'm like i'm like back in and i'm like i don't know
so it's it's it's really it's it's really uh something that fluctuates for me but i think i'm
always going to be curious i'm always going to be following it whether or not you know i i believe
it i just think it's all
fascinating especially because it's all playing out on tv in washington and you know we're having
congressional hearings about it it's crazy crazy what got you into it to begin with um well i mean
i've always been in the sci-fi i've always been into the idea of of aliens and stuff i've never
seen anything and if i do i probably can't say anything because i'm like the least credible
person out there yeah of course fly a load of
saw that of course he did but no i haven't seen anything and um but i've always i've always felt
that there there is more out there and um i you know i've made a film uh about a couple films with
alien themes yeah yeah and um i think when i was filming ash when we were filming that movie um
aaron poll told me about uh david grush because that video the videos of him with uh ross colhart
has just come out and i saw that on my timeline but i was kind of i don't know go through but
then he was like yo man you gotta check him out i believe this guy and aaron i you i don't i wouldn't
guess that he was like really into the topic but um you know i watched it and then i kind of took
me down the rabbit hole i guess yeah um
but um but aaron you know he's he's wild he he talked to bob lazar he talks to bob
yeah and like they were like writing messages to each other i know i'd love to be a fly on
the wall for that i know i know you got to get him on the show i would love to well i guess
breaking bad is kind of a vegasy show like i don't i'm trying to think where that would even
have occurred i don't know how the connection is made but like he's a fascinating cat whoa
well ash was amazing man i loved it and this set kind of reminds me i was texting you i was like
this is not a set we're in a spaceship we're in a space we're in an actual spaceship yeah
and you have the coolest shirt oh you want to show it to the camera
we got a lockheed martin aurora antimatter matter reaction anti-gravity that's great i have another
one too like the lockheed martin reverse engineering program no way that's it's ridiculous
it's fascinating that whole thing that whole side of it has just been like just super interesting
to me so interesting the reverse engineering stuff and how much of that because there's
definitely weird deception and like you know psyops going on with aerospace and then how much
of it is real because there's a lot of evidence that there's something there as well yeah so it's
fascinating but it's funny that you said like of course fly low seen an alien when i first heard
your music i was like this
dude
because i was super into like dilla and pete rock and dj premiere all these like 90s hip-hop
producers and then you came on the scene and i think i it might have been around your album
cosmogram or los angeles like oh wait oh you know 2010 era and i just i saw you play actually with
thundercat in new york and i remember because like dilla would mess people up because his stuff wasn't
contrived right right and then i remember hearing your stuff and i was like this guy's on another
planet like this is crazy hey well you know they made it okay they made it okay for us to go there
yeah um so well you took it to the next level hey well hey doing my part doing my part yeah but you
know it's it's funny though because i got you know just like everybody else probably i got a lot of
flack in the beginning for doing my thing you know and being being that person like i keep bringing
this up and i'm like i'm not gonna do it again i'm not gonna do it again i'm not gonna do it again
because it's so bizarre to people but like back when i was first getting on and the scene like
around like what 2004 um i get a lot of shit can i say shit i'm gonna say shit oh yeah
i used to get a lot of shit for using a computer to make music really back in that back in the day
instead of an npc yeah you had to have npc you know or or sp or something like that or else you
wasn't making hip-hop
you was making techno or computer music or whatever they was just like there's no way there's
no way you can you ain't there ain't no swing in that computer you can't swing with that so it made
me more determined to to like really get in there and get the sounds and to try different stuff and
and i actually was was really encouraged earlier on in my development to you know just to do the
other thing just to try and go in different directions and so i always
a lot to the people around me really who supported me to just like not do not to do what everyone else
was doing at the time well you come from maybe the most kind of interesting musical family i could
think of alice coltrane is your what is your great aunt is that right yeah and then uh marilyn
mcleod is your grandmother and she she wrote love hangover and she also wrote uh i get hot or i get
high as a
styles p um uh uh swiss beats sample uh but it's it's no it's it is i get high too right yeah the
original free to paint yeah she wrote that as well yeah so you just come from amazing you know
family when it comes to this stuff they still was looking at me like i was crazy though like why
does this sound like some garbage hitting on some garbage cans you know like why what is what is this
and uh i was like but you guys are crazy too what are you talking about um but yeah i had to find
find my way so
it's like uh just like we all do it is true your your drums i think set you apart so much it's like
that plus the crazy synths like the like sounded like it was like you you leaned into the computer
thing yeah yeah and it was like that plus the drums which you know was like yeah it was like
garbage like back alley like crazy and i was like oh my god this is crazy yeah yeah well yeah just
just went for it man just went for it um a lot of support from from my grandmother though
um she was the first person to put a machine in my hands you know she had was the the 6606 the td606
or something like that like one of them drum machines were like you know those weird analog
sounds and stuff in there and she was just like here take it i was just making drum beats and
stuff when i was really young and that was kind of what what set me up and then just being around
different family like my cousin he was making music
on a mac 2ci like old old mac like back when that was
was like super foreign to record on and um you know was watching him while i'm playing sonic
the hedgehog he's like making stuff that sounded like prince and stuff and like i was just always
surrounded by music and always surrounded by people trying to make stuff that makes sense
you played sonic the hedgehog because it i feel like it's that sega like wave racer oh man no
doubt and those loops man they still in my head man you know and i still i still be sampling sonic
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that's awesome yeah yeah so was alice an inspiration for you early on my aunt alice
was such an inspiration but i feel like my appreciation for her and her music
grow grew over time you know like when i was i feel like kind of in high school
all the stuff started making more sense to me and i was really starting to see it but then when i
really started like vibing there and like you know trying mushrooms and stuff like and like you
know leaving my brain and stuff i'm like oh i get it for real now you know it was really starting to
make sense and um and i had just the deepest appreciation for it but you know still to this
day like i feel like every other year i'll go back and listen to music that she made and just be like
what was she doing how did she do that why why did she do that that was a weird choice great choice
but you know like yeah i'm still still picking it apart after all these years and you said she
never saw her practice i never saw her practice that's crazy in my in my entire and i you know
she was like the coltrane side though they're like the closest family to me in la and um so i
spent a lot of time over there i you know i went to this to school right by their house so i walked
from school to hang out over there all the time and you know i would see them very often i'd
never see them in my entire life i would see them in my entire life i would see them in my entire life
never saw her practice never and um i remember when one time when i was like maybe like 10 11 years
old i went over to the house and she had a beautiful piano beautiful grand steinway piano
um surrounded by you know her harp and all these amazing instruments i went in there i was like hey
can i go play your piano yeah she was like well are you gonna play it i was like i don't i don't
know actually what do you think she
meant by that she meant am i gonna get down dude like don't mess around you know like don't go in
there like messing around on my piano you're gonna go in there and play it well you go play it but
you better play yeah i was like i took that like all right so i didn't do it i never touched that
thing ever and she was very kind of spiritually tapped in as well right oh man yeah she was the
most she was the most tapped in i would say yeah there's a lot of influence but i guess it would
be more non-denominational i would say yeah i would say yeah there's a lot of influence but i
guess it would be more non-denominational leaning but um but yeah a lot of a lot of influence there
definitely yeah yeah she's amazing i mean just hearing what's it i think it was turia and
ramakrishna yeah yeah yeah it's like that old blues kind of vibe and it's just so beautiful
it's like ethereal and beautiful and like where is this coming from it's amazing it's wild because
it can always be you can always hear the blues and then it just goes to some other just crazy
places and i remember being with her in in paris once she she had me come with her and and ravi they
played a show in paris toward the end of her life and um i just remember just hearing her you know
she was like a she was like yoda you know she was like a yoda type person where she was like real
she was really tiny and you know moved very slowly very gentle with everything but you know she just
when she went on that piano boom was busting out all crazy you know like who is this person and it
was like even even ravi her son he was like whoa what is going on you know so like she just had
she was tapped in for sure to the source well john was tapped in as well i mean i think he might
be like at least top three maybe favorite jazz musician of all time are you a fan of his
absolutely absolutely and and i think i think i was a fan
of his first and it was it's funny because when i was growing up and i would people would want to
talk to my aunt and be around people want to talk to her they always want to talk to her about john
coltrane all they want to talk to her about is like what was it like being around john culture
what was he like what was he like and she would always answer very humbly and you know and then
now it's like everyone wants to talk about alice coltrane and it's it's really awesome to see that
just to see the turn
happen but i i do wish she that she was here to to see her her influence um in the way because i
feel like now i'm hearing way more about her than him even though he's you know i go to sushi
restaurant it's always john coltrane playing you know in there but like i just feel like the the
young the young folks around are really vibing on our music right now it's really cool to see
absolutely well she really i think just pushed the envelope and experimented
obviously he was amazing too yeah um that is cool to see and it's interesting how music
kind of like your ufo interest ebbs and flows and changes and how do you feel like do you feel
like it's in an interesting place right now do you feel like it's in a weird place like what
music music in general is that even a is that even a a question you can ask or is it just it
is what it is or you know as far as the industry and all that stuff i i can separate it and think
about it in terms of like the actual music itself and there's always some good stuff going
always always always interesting you just gotta look for it yeah you gotta seek it out but you
know if you're only gonna listen to what the charts are telling you then you're probably gonna
be thinking it's it's all the same it's definitely weird that it's now filtered by
is the person a good social media personality absolutely that's weird to me absolutely and
like the numbers like people people even see like okay well they only have
certain amount of listeners on spotify so they're probably not that good yeah yeah they're probably
not that great yeah they only got like 10 000 listeners every month so they're probably
right it's this like infinite force ranking of everything absolutely everything's a beauty
contest oh dude yeah and i feel like in the past 10 years you know the the numbers thing really
got into the fandoms of rappers and stuff like you know first week sales
and stuff like people are like kids are talking about rappers first week sales like selling what
what are people selling anymore like y'all buying records and stuff like what is what is it's just
it's super weird that that's actually part of the conversation in terms of like is something good or
interesting it's like what are they selling how how much are they moving how many units are they
moving like it's like old barbershop conversation or something that has now become like a very very
popular bit of a conversation unfortunately well you started an amazing record label brain feeder
do you feel like and i didn't even realize some of the people you had signed yeah i was
independently fans of and doing research oh i like that i was like i like like i was like
taylor mcfarren like i was like i was like of course he signed him like it's like similar
drums and of course you'd be in the taylor oh i love like that when i first heard i think it
was degrees of light i was like wow like this is crazy like what is that it reminded me of you
a little bit and daedalus yeah and i'm trying to think there were a couple others on there where i
was like damn i didn't even know you guys had worked together yeah yeah brain feeder has been
going for a minute man it's been going for a minute and it's it's something that i'm actually
really really proud of because it's it's you know something that is kind of flourishing on it on its
own at this point you know and i'm still doing a lot of work with brain feeder and curating and
you know the anr side but you know i'm still doing a lot of work with brain feeder and curating and
you know that that's like a it's a machine that's moving and it's awesome to see and maybe through
that you can fight back a little bit where it's like i don't care if you have 10 000 weekly streams
or whatever like i love it absolutely and um you know it's it's become a thing where it's there's a
lot of risk in the personal sense because i want to do right by the artists but as far as everything
else there's no risk for me
you know i'm not trying to make money there i'm not it's really not my source of income like that
it is but it's not you know at the same time so i just was like it's it's my a passion project
but like i've been so grateful to be able to see all these different artists flourish and have
their careers and you know they're doing their thing yeah being there yeah super cool is there
anybody you're into now that the public probably doesn't know about
yeah
oh yeah absolutely um there's a there's an artist just named thing okay
thing i love drum and bass some drum bass like classic drum bass but sometimes we'll mix up some
like some like um uk like two-step you know kind of gary uk garage kind of vibe um you know
smaller following uh-huh doesn't matter don't care but like i'll be in the gym it's like
i'm doing a listen to amen breaks and stuff like yeah so it'll be it's kind of random but
um and the cat puts out stuff like every week it's pretty damn i know it's thing yeah thing
go check out then thing is dope thing is dope yeah sick man yeah and you've worked with some
of the most legendary artists like yeah i mean one of the guys i feel like you're just
probably friends first and then collaborator second is thundercat who i saw you live with
in new york yeah yeah um he's amazing man he's so awesome and he he credits you
for the work you do and i'm so grateful for that and i'm so grateful for that and i'm so
for having helped give him a voice and because he was just playing bass primarily right and you kind
of helped him out and you were like look man you should just sing over your over your tracks is
that right yeah he was doing some oohs and ahs on stuff and i was like what's going on you know
let's do it and and then there was one day i'll never forget and i think about all the time we
were sitting in my apartment my sweaty apartment in northridge um and he just you know we were
talking about music i had these like like portable portable lunch tables they're like they're like uh
you know the classic picnic tables or whatever that's where i had all my my gear set up on and
it was like surrounded by all these like medicinal marijuana jars and it was yeah he just looks over
at me and he was like man i want to be your artist and i i was like yeah what does that even mean you
have never done that sort of thing before and um yeah we've just been going at man ever since we've
just been going for it and it's it's been awesome to see and and honestly something i take so much
pride in aside from my own work is you know just seeing how his music and his message and his
influences affected the world yeah you see he's another guy who like you know back in the day i
was like an artist artist where it was like he's amazing on the bass yeah yeah and then like in the
last five years i feel like people are just like everybody knows who thundercat is which is so cool
to see yeah i was i was randomly at dinner and they're playing his music just randomly you know
it just comes along like let's go yeah i love it i love it is he into alien stuff like i could see
he seems like such a like a fun kind of goofy personality like i could see him being into you
know he's kind of like come over the house and i got like some weird alien youtube videos on and
i'm like i turn them off real quick i'm not watching any of that stuff no but i don't think
he's really into it okay okay i don't think he's super into the the stuff um but you know because
he's probably an alien he doesn't want to be exposed you know exactly you don't like the
exposure or maybe you'd act into it like you you never know maybe maybe we might be you know it
right right maybe maybe um i want to list some artists and you've either collaborated with them
or you might have something to say about them i want to get just one sentence about each of these
guys okay jay dilla oh man um one of the greatest ever um very grateful to have met him a couple
of times close to the end of his life um i feel like i saw him maybe a week or two before he
passed away it's crazy i delivered a check to his house yeah let's tell that you told me this
crazy i used to work at stone's throw um back in the day and he were you like you were like i was
an intern yeah i was an intern there um a paid intern okay i was working there long enough they
had to start kicking me down a little bit um but um yeah i i was there and uh yeah he was finishing
up the donut stuff that was that was happening uh madlib sound directions is he was doing that
it was like he started madlib starting to play drums live and stuff and that was kind of like
that the time i was there um and yeah they were they were finishing up some business and they
sent me over the house like yo um
you might see something over there just you know be cool because he wasn't in really good
toward the end he had like a blood disorder blood cancer or something uh lupus and and i don't know
what else yeah but something else i think something else was going on too but um but yeah i was i i
got to see him the machines were still on you know he was in a wheelchair he looked really bad man i
cried after i left there i was like i was fully in tears just because not only because of what i saw
but just because i still felt the energy i still felt the power still i felt the the the force it
was strong still man it was really strong even toward the end and it was um it was really really
um it was a lot but it was i was very impressed that even then
you know everything was still lit up but he was still working on some shit was he good energy was
he was he oh it was great yeah it was great i and you know i could tell he didn't want anyone to see
him like that yeah and that was the thing too was like i could i didn't really want to look him in
the eye bro just because i just tell you didn't but he still was like holding it together and
yeah and he was at commons house right yeah i think they were yeah they were living together
but yeah his mom's was taking care of him around me too yeah yeah you
listen to some of those tracks like that um isley brothers sample don't say goodbye
you call it bye or whatever and you're like oh my god he's like saying goodbye and it's so ethereal
it's so like yeah it's crazy a lot or donuts of the heart that um jackson five sample it's like
yeah when when i was there i think it was it was finishing up the shining the shining stuff was
happening okay donuts was already done oh by then we were already like hearing all that stuff in the
office yeah and i was like oh my god i'm gonna go to the office and i'm gonna go to the office and
you know we were getting like donut deliveries you know and like there was like a couple beats
coming through and we would like gather around the record player and like or whatever and just
be like oh it's you know you know just be like blown away that's interesting so he was doing
the shining after donuts well yeah i think there was there was still little ebbs and little bits
and pieces that were kind of like you know still lying around for um for donuts like i think um
can't remember exactly which one but there was some stuff that wasn't all finished okay it wasn't
all finished and delivered there was like pieces of that and i think shining was finished by
i think jay rock or kareem riggins back back then so okay yeah okay yeah stone's throw was
so interesting like what a constellation of amazing you know peanut butter wolf started
uh with him and charisma and san jose and then they came to la kind of for mad lib who was blowing up
time yeah and like man was that an inspiration for you it was a huge inspiration it was a huge
inspiration um before i you know i was actually living in san francisco studying film and a buddy
of mine was like you know he was we call him crazy john because he was crazy he was insane dude
uh but he had he had great taste in music and he was like oh you like hip-hop was
you need to listen to lp you need to check out mf doom metal fingers okay victor vaughn
mad lib i was like okay i'm gonna check these people out and i went and bought these records
and my mind was blown and i was like you know just yeah started getting back into making beats
i made beats when i was younger but when i was in college and like hearing that stuff i
was really i got really into it again like and more so on the sampling side yeah
because all the stuff i had made before was kind of like synth based and you know messing with um
groove boxes and then that was like the gateway into sampling getting back into that stuff
listen to wu-tang and hearing all that but favorite wu-tang clan member the risen
of course yeah hard to argue with that yeah producer yeah yeah yeah although
jZA had some amazing beats too absolutely amazing beats absolutely
barizza heart and soul yeah yeah but but yeah when i was when i was in school i remember
just being like you know what i'ma skip history of film school history of film and just like
work on some beats right now i'd be doing that and then i heard about this label stone's throw
that was in la back home and i was like you know maybe i need to the whole scene was in la too so
i was like man i need to get out of san francisco go back and be around these people and get in
that energy so that kind of led me back there stone's throw brought me back in a weird way
I love it.
All right, let's keep going on the artists.
Sorry, I was only supposed to give you a sentence.
No, no, this always happens.
I love it.
We're flowing.
No wonder your shows are like three hours.
Yeah, man.
It's always just, I think the best conversations
are just free association, just what you're, you know,
whatever comes up.
Yeah, sure, sure, sure.
Speaking of which, you just named two people
I was going to ask you about.
So let's go Madlib first and then MFD.
Oof, okay.
Madlib was definitely one of the most inspiring folks around.
Considering he was one of those people who was like,
oh, it don't matter what you use, you know,
and I'm like, okay, well, I use a computer.
You know, they don't matter.
Just make something.
And then.
You're ready to level up your business,
but the pressure to find the right person
to do it for you.
And to make that happen is intense.
Hiring now?
It was like the output.
You know, I remember being an intern
and they showed me the box, you know,
like all the Madeline beat tapes or whatever.
They were like, all right, you know, check these out.
And it was like, it was insane just being able to like,
it'd be like hundreds of beats or like,
he would fill up all these CDs.
And I would listen to all them joints, man.
Just be like, whoa, what is going on?
You know, it's just crazy.
And it would make me feel lazy.
You know, it would just make me feel,
but also it was one of those things
that just kind of lit the fire.
It's like, okay, I need to work on this.
I need to keep going.
There you go.
So it was, he was definitely influential in that.
And just the energy, you know,
he was just such a cool, humble person.
And, you know, whenever I got to be around him,
it was just like a, it was a special day.
It was always a special day just because, you know,
he was, he just had such a,
an impact on the whole community too.
Like there was a,
aside from, you know, the, the stone's throw thing,
you've had this kind of adjacent squad of,
of producers who would hang out kind of around,
like the, any kind of stone's throw related event,
you know, there would be like the cast,
like D.B. Ossie and Georgia M. Muldrow,
Ross G., you know, Take,
and all these other great producers
who went on to go and do great things.
We started to build a community kind of
on the side of what they were doing.
And, you know, we'd be out front of whatever parties
they were throwing with little boom boxes
playing each other's beat tapes and stuff.
And that was really, you know, with, oh man,
Madlib came by earlier, you know,
with, you know, dudes who worked at, you know,
Poobah Records and Amoeba, they'd be like over there,
like, yeah, man, he came in, he got this record,
this, that, whatever.
So it'd always be like, you know,
legendary Madlib stories of what's going on.
But always, always really influential
and really influential.
And he, wasn't Quasimodo like an accident?
Like, that's how prolific he was?
Like, I think Peter Butterwolf like found that
or someone was like, dude, this is actually pretty cool.
And then he kind of ran with it.
Yeah, yeah, that's exactly, yeah.
So crazy.
Yeah, man.
And Doom.
Yeah.
Doom was, I mean, to me, he's my favorite rapper
still to this day.
You know, I think he's kind of, he mastered the,
the, the, the persona of, of the, the, the character he created.
Yeah.
He really did.
He was really the villain, bro.
Like, I mean, all the stories you heard about Doom are true.
I don't know.
They're not, they're not legend.
It's all true.
Like not showing up.
Like not showing up to stuff.
I remember there was, there was a gig.
We invited Doom, you know, I had a show in London,
and he was gonna play and, you know, we fly out to, I fly out to London.
I think he's already there.
Cause he had been deported or something.
I think he was already living in the UK.
So we're like, great, get Doom on stage, you know?
Um, and I think, as we were sound checking, we're, I'm in the venue.
Yeah.
This is like, this is the day, I think day before.
Cause we had to set up that whole visual show the day before he canceled.
The gig, uh, and, uh, it was, that's kind of unheard of.
I mean, here that, oh, okay.
Well, but doing that sort of thing in this business is not cool, especially
when you have flyers and all this stuff, promoting everything.
We actually got Jay electronica to fill in that spot, which is also really crazy
thing to do is he's also like, he's another guy where it's like, you never
know when he's going to release his album or show up, but I think.
I think he had reasons to come visit the UK and, uh, well, he was, uh, is he
married to like a Rothschild?
I didn't want to go there.
I didn't, I didn't, I wasn't excited for you.
I said he had a reason, I don't know what the reason is still, uh, but yeah,
very elite, um, but he came out and rocked it.
It was wild, but, um, yeah, it was, it was really, it was really scary.
And that was that moment.
I was like, oh, wow.
He really is the villain.
He, he, he doomed me, right here.
Um, but man, you know, it was like, after that happened, you just kind of, well,
yeah, it's the villain.
Yeah, it was what he does.
I feel like he's just the most elusive, interesting, like, I don't know.
It's interesting with him too, where we were just talking about Thundercat, you
know, I feel like 10 years ago, it was still more kind of underground hip hop,
obscure circles were hardcore fans.
It was like, oh my God, you know what I'm saying?
Like, you know what I'm saying?
It was like, you know what I'm saying?
You know what I'm saying?
it's wild it's wild it's super cool to see i just for some reason i just thought of like the first
time i met doom though i met him at at peanut butter wolf's halloween party i was like bath
robe man because that was all i had was a bathrobe i couldn't i didn't have any other costume but you
had i was like a dude in the bathrobe and some sunglasses i'm hugh hefner and uh and doom shows
up he just got into town he just he just shows up as himself of course um and i'm like you know
hey man how's it going how what's how you living how long are you in town you you welcome to la how
long you out here and he was like can i trust you it's like that like i hope so you know like that
was the first thing that was his response to me and i was like okay he's a he's a special special
cat very special well you hear him way back in the day we were talking about this last time when we
hung out he was in a group called third base and he's in that song gas face and his voice is like
different he seems like more of like like he's trying to be this like more square like cut and
dry rapper yeah like try call quest vibe a little bit 100 early 90s and then he like goes off grid
i think he's homeless for a while and he comes back as doom and you're like oh my god like his
voice is different and man yeah he he'd been through something he's you know he'd been through
a lot actually but um but yeah there was there's something about it he locked in he figured it out
he just fully embraced the villain yeah i think there's a a really cool movie to make it's
definite why don't you make it you're the you are the most qualified because you make amazing movies
i am the most qualified producers 100 and estate you knew the guy you made music as close to that
genre you have you were on a track with him between villains with uh captain burphy there's
two tracks yeah there's two tracks there was uh we're supposed to do ep together okay i had a
whole bunch of stuff on this computer okay you know the classic yeah classic tale of like a
hard drive full of stuff a lot of it there's a lot of my stuff on there um and uh what's gonna
happen to that let's get that out i know i know estate estate movie and hard drive yeah um
thundercat actually got to see him close to the end he went i think he saw him at his house
in in london he was over there he was he was staying in london for a while so
gotta have him talk about that oh i'm curious that's amazing okay let's keep going with the
the crazy list uh kendrick oof actual genius actual genius weird little guy
i remember asking kendrick yo man what books are you reading it was like oh man i don't be
reading, man, you know, power of now.
Okay.
All right.
That's cool.
I was so, so surprised someone like him who has so much to say and, um, very
thoughtful, didn't, didn't read, didn't like reading books and stuff.
I just felt like it was all.
in there i thought it was all books yeah i felt like he was always referencing books in his work
he is referencing i wonder if some people are just kind of tapped into and they're channeling
yeah it's just like yeah actual genius he um you know it's the kind of person that shows up
writes it on the spot does no no fanfare yeah you know he came through wearing some like
you know some some slippers with some socks on and wears some shorts and a hoodie and just kind
of you know just kind of came through and killed it bro like um would you say best battle rapper
of all time i wouldn't put it in a battle rapper category personally i think he's he's he's
definitely one of the most important voices in in music um to pimp a butterfly is his classic album
amazing um
yeah i i've one of those people too you're just like it's it's so you're like wow okay
i don't want to get in your way yeah i don't want to i actually don't want to be
i don't want to be near you i just want you to be able to exist and not you know like it's
there's something very um he has this sort of um i don't know this vibe about him where he's just
like super quiet yeah
maybe he's in his head you don't say much so i just was like i just want him to do his thing i
don't want to interfere or interrupt whatever his whatever is going on his process yeah yeah yeah
who's who's uh top five for you mcs oof he's up there um if not you know number two number you
know top three at least yeah him doom man this is the worst question to ask i'm on camera
i don't suddenly don't
know any right they've all fallen off the face of the earth right now um what else you got i got
i got a couple more i want to get through a q-tip oh q-tip he's a super super inspiring dude
um amazing producer that um as well as rapper um i think he didn't get he doesn't get enough
credit as a producer uh yeah amazing
yeah yeah really great beats um really great energy the voice
um i don't know him that well but we try to collaborate on some stuff
i think sometimes the thought of working together is better than the result sometimes for sure you
know but um uh i would love to to have another go yeah at that yeah for sure what about apex twin
hmm
uh apex is is uh interesting interesting in that because you know he was he was one of those people
that i listened to back before i was in college without knowing who or what or why it didn't
matter it was just dope it was just cool electronic music um square pusher i'm on tobin
those guys were kind of like in my sphere i wasn't like fully in the electronic zone yeah um but those
were like the kind of auxiliary pillars uh for for my ears um but and i always found a lot of
inspiration from the music videos um chris cunningham videos and when they did that director
series back in the day the dvds they just had all the collections of music videos from like chris
cunningham michelle gondry and and so on um and i always just would run those we'd run those so much
and just like just pick them apart just because you know being a in film school and thinking about
music music videos like those were the most cutting edge those were you know that series
the director series i wish they would re-release those on you know 4k whatever things now yeah i
don't think it'll ever happen yeah
okay final one in this series kanye
you know kanye it's funny man i actually i never really had the like i'm a super kanye fan i never
had that thing but i did love yeezus i didn't like it when i first heard it then it really grew on me
and i think that that album regardless of what you know he has become yeah i feel like that album
was really really ahead of its time and it set a tone for many years in music not just hip-hop just
in music in general i think that sound um it kind of expanded and it people took it in different
directions and um i think you know there's so much of like electronic music that has come from that
and hip-hop and the intersection that's very influential stuff yeah but but yeah what a
fucking nutcase crazy yeah and i'm not one of those kanye sympathizers man i fell off the train
when he said slavery was a choice i was off that mother yeah yeah yeah yeah i'm gonna get off now
fully tripping yeah yeah yeah yeah i just hope he's okay man because he's musically
a big inspirer i love him i think he's amazing and i just wish uh i don't know i wish he would
just stop whatever is going on now i don't know it's it feels like it's he's definitely trying
to get a rise like it's like if there is a third rail he'll touch it yeah he'll hit it
and then there's some other part where like is he even in control like i don't know well you know
mental illness is a thing man yes it's a thing and people are capable of being very successful
and mentally ill at the same time um that is a thing often they're correlated right and um
also too like you know the dude he's just like
yeah
got probably like a lot of yes men around people like enablers people just like i mean he's got a
cult you know and people who are still apologizing for him constantly and just be like oh he you know
he's just he's he's going through it you know but it's also got to be really hard for someone like
him to have been at the top of yeah of the music pyramid or whatever and to now just kind of just
be existing among others
other great people not being the greatest top selling most grammy collecting person or whatever
like it's got to be a little a little difficult for you a hundred percent a little fall from
grace there yeah it's got to be it's got to be it's got to weigh on you who are your biggest
inspirations when it comes to filmmaking you put david lynch in one of your videos
you already know you already know did i just answer it for you i think you did i think you
did um yeah david lynch whoo he was your favorite david lynch movie my favorite david lynch movie is
probably eraser head that's makes sense because the movies you make that is such a crazy movie
yeah it's it's a crazy all this stuff is pretty out lost highway so i got into david lynch through
being a fan of trent resner back in the day which is really i it trips me out when i think about it
because he worked for david lynch he worked for david lynch he worked for david lynch he worked for
david lynch he worked on lost highway he did some music for lost highway and i was following him at
that time okay and then i was like oh what's this movie who's this guy lost highway loved it um and
then i kind of got way in at that point and i was he was one of those people too um early on where
i was like oh maybe maybe i should go to film school maybe this is for me because i really i
really love this i really love this and i think he also really got me into the film industry
got me inspired aside from the filmmaking more so like the living the art life as they say you know
where you just kind of fully commit you just you're fully you're fully in it you know that guy's tapped
in yeah you wake up you smoke and you you get to work and you you that's your life just create yeah
that's your life and that's how i live my life sans the smoking part i've it was weed but i've
given that up a bit um but yeah like um seeing that and seeing that it worked for someone
and that they've made the the best the some of the best things it's like okay it's okay for me
to be this way oh yeah you know it's i can i can do this and i can live this way and it's okay you
know you kind of make sacrifices the you know you have to have like whatever that regular life is
um it's almost like his life itself is art like you see him doing the weather in the morning and
i remember i ended up at his house because of some tm you know transcendental meditation benefit
yeah and he was giving some speech and it was about you know it's like all you gotta do is tap
in
twice a day, you know, the whole TM thing. And I was like, this guy's on another level. Like he's
on another planet right now and he's getting downloads and he's, he's truly amazing. And I
feel like a lot of filmmakers try to do the David Lynch thing and they fail. Like they get so hard.
Yeah. Well, I think, I think, um, the issue comes from, you know, people still feeling like they
need to satisfy the audience and, and have some sort of like making sure everyone knows what's
happening and having closure. And it's like, there's a difference where I think with his work,
it's more so about how something feels versus how something, what it means or, um, what it's
supposed to do or where the story is supposed to go. It's more so the feeling that it, it gives
you. And I think he always tells people that.
You know what it means, even if you don't think you do.
Yes. Yeah. And it's, it truly, I feel like he'll break a lot of sacred cows or, you know,
do things that you're not supposed to do, but it like, it just works. And I'd say Blue Velvet for
me is one of my favorite movies of all time.
Oh, it's so good. And it's so good. I love that one too. Cause it's a, it's such a good gateway
David Lynch movie because it on, it starts off, you know, like most movies in a way it starts off
kind of simply in it actually of all the stuff, it is kind of more commercial leaning. Um, so it's
one of those ones. And this episode is brought to you by Indeed. Get a $75 sponsored job credit,
an indeed.com slash podcast terms and conditions apply hiring now. And they have those moments. I'll never forget the scene near the end. Spoiler alert
that, uh, you know what they deserve for it. You haven't seen Blue Velvet.
Can you show a clip of this? Can you show a clip? I might be able to, we'll try maybe a frame.
Yeah. We'll show a little frame. All right. All right. So
frame is, is when, um, what's the guy's name? Um, what's his name? And Kyle McLaughlin.
Kyle McLaughlin. Yeah. The main character. Um, when he walks into homegirls apartment
and some shit had already gone down and there's the, the detective who was like wearing the
yellow suit and he's just standing there. He already been shot in the head, but he's just,
he's standing there still. I love that image so much. It was so haunting, dude. Like
that kind of thing.
It's just so surreal and such a kind of like, wait, is this a mainstream movie? Is this not,
but it's just one of those things like that's you see, you can see his painting background
right there. Cause that's like, that's just like some, uh, yeah, some bugged out.
And I feel like it's a juxtaposition between this like suburban, like kind of fake light vibe. Like
in the first scene, I think is like some dude watering the garden or whatever. And he like
chokes himself.
Yeah. Yeah. Yeah. He's, he's the best man. And so you like, how many years have you been
like eight years that you've been making movies now? Or have you ever, maybe even before that
on a smaller scale or how long have you been making movies?
Um, well, if you want to go there, um, for a while, I, I started messing around with
camera a long time ago when I was, when I was a kid. Um, when I was a, when I was a kid,
I made a short film called use me, which won the audience award at the time. Um, and I was,
I've just been always messing around with stuff. My friends have seen all my work,
but the rest of the world has it.
Dude. I love it. It's crazy. Like Kuso and VHS and, and Ash are all epic and they break your
brain. Like they, that's what art is supposed to be. I think like it's really, they're all,
it's insane. So everybody got to go watch Kuso. Kuso was fun. And Kuso is crazy. My favorite
at that. Yeah. Kuso is fun because it's at that point now where people are re-examining it and
they're like, man, that movie, I love Kuso. But at the time people were just like, what the fuck
are you thinking? What are you doing? You can't do this. You can't do this. And it was, it was
really right. That movie came out like right before you couldn't really do anything anymore.
It was like right when they started like, Oh, the cancel culture.
Right. Right. And I feel like I felt that coming on, like, you know, just people's were
getting a little sensitive to stuff. And, but I feel like now because things have gotten so stale
in a way, something like that kind of stands out. It's coming back. Yeah. I think like Gen Z,
Gen Alpha, I think they're just like, fuck this. Like we like good art. Like it's all good.
Some of the people who saw Ash were like, Oh man, I don't know. It's not like Kuso, man. I'm like,
well, all right. Fair enough.
Yeah. It's definitely not Kuso.
No, Kuso is the, will break your brain. Ash is a little more of a, a movie, movie,
like structured. Ash is amazing, man. And I feel like it like really plays on themes that are
growing in the zeitgeist right now. It's kind of the AI theme a little bit. And it's also,
you know, it's a little bit of the pandemic COVID thing going on as well, where you have this kind
of brain eating, like, you know, paradigm.
That takes over. I don't want to spoil that either.
You spoiled it already.
I might've just spoiled it. Yeah, it's true.
Let it happen. Just let it happen. It's cool.
But that was amazing. It's an amazing cast.
It's funny though, because when I think of that movie now, I feel like if only I had done it
now that I know so much about the, you know, the, the lore, the UFO phenomenon lore,
it would probably be a little different or I would have a different take.
On some of the stuff that I did, um, how so I don't know off top, but I just feel like
now I shouldn't be making the alien UFO stuff. Uh, maybe the next one will be, but, um,
I feel way more qualified to tackle the topic now just because I've been so deep in it, you know,
but, you know, there are so many stories to tell, you know, so many that are, that are,
you know, one of those things where it's like, it's stranger than fiction.
I was, you just took the words out of my mouth. I was like, that's what I love about the UFO topic
is it is weirder than fiction. And that's a cliche to say, but it's true. You hear some of these
stories, you're like, what happened? And then you're like sitting in front of the guy and you're
like, you have no mental health history and you were in a high position in government and like
security clearance and all that. He's saying all that. Yep. Wild.
Crazy.
Wild, wild. But yeah, I find so much inspiration and just listening to the stuff, whether or not
it's true or not, it doesn't matter. It's like, I just find it fascinating. Like, yeah, keep talking.
Well, I can't wait to see the fly low UFO alien movie.
Neither can I, neither can I, and neither can my friends. Cause I can't stop talking to them about
it. So they're ready.
I love it. It's one of those things where once you go down the rabbit hole, it's like hard to
not be annoying about it.
I know. I really had to just try to just not go there, but you know, some people will be like,
all right, so what, give me the doubt. What's going, what's been going on?
And you always get looped back in. You get tired of it and you're like, ah, this is crazy. There
are all these psyops, there are all these bullshit people. And then you take a break and then
something happens. You're like, fuck, I'm back.
Yeah, true. True. Yeah, man. When that, when that damn, um, cause I used to really fuck with, um,
Jeremy Corbell in Georgia.
Imagine that. But then when Jeremy Corbell went on that whole tangent about the, the missing page
and the fact that he, his name was taken off of the whole thing and it just really rubbed me the
wrong way. The whole thing made a big old stink about it.
Yeah. That was weird.
And it was obvious that it's like, it's not about you.
It's not about you. Yeah. Yeah. It was like that. That's an official government document.
And what really got me was Matthew Brown met,
Schellenberger before Jeremy.
Right. Right.
So it's like, and he's not putting a cover letter promoting his podcast or what. So like,
I didn't, I didn't quite get that.
Are you going to separate the Matthew Brown interview in the three parts
to next week, kids, for the next episode of Disclosure?
Yeah. I like Jeremy, but yeah.
I mean, I'm still watching this shit. So obviously I do too, but it's just, it's,
it's all the stuff just makes me, it makes the unease part creep in.
Absolutely. Well, Matthew Brown also requires a follow-up. Like the stuff that he said,
it was like, you know, I, I saw these documents, Immaculate Constellation. Here's the, maybe the
weirdest, most interesting thing. It was like, I figured out Immaculate Constellation, Lou Elizondo's
name was tied to that program. And then Lou Elizondo's testifying with Michael Schellenberger
saying, you know, I can't confirm or deny whether I was read in, basically saying I was read into
this shit. So it's like, Lou, like, tell us, man.
Like, and then you have Korbel, like doing speaking tours with Lou and stuff. So it's like,
let's take this thing a little bit further. And then Matthew Brown gets into,
he just tweeted the other day. I don't know if.
Oh, he tweeted the weirdest, like it was like talking about how the White House has like a crystal ball, basically.
Like they have some proprietary AI that like predicts future timelines, which is from a story base.
Like if I were trying to be inspired for like a movie, like so interesting, but like, it's like, dude, what, where are you getting that?
Like it's, that's fascinating.
Like that would be crazy if true, crazy if true.
And I want to know, and we DM'd a little bit, but Matthew, if you're out there, follow up.
I know you said you wanted to talk because that's, that's insane.
It's true.
That's like, that's fascinating.
Yeah.
And implying that like, what else was, did he say?
He said a lot in that interview too.
Said a lot.
Said a lot.
And he said that there is a God, but that we're in kind of like this prison planet and that these, you know, beings are, you know, we're kind of like captured by some of these beings.
Well, we're like an energy source or something like that.
An energy source.
Yeah, we're a resource.
That's what he said.
Yeah.
Yeah, I don't know.
That's kind of dark.
I don't, I don't, I don't know.
I don't know if I want to believe that that's it, you know?
Hopefully there's some more meaningful shit going on.
I hope so too, man.
We're not just getting mined.
I wouldn't be surprised though, but they'll stop eventually.
They're like, hey, you know what's funny though?
I keep thinking about this shit, like aside from the Barney Hill.
Yeah.
Any of the black abductees out there?
Well.
Is it like a white, is that a white phenomenon?
That is, we talked about this last time.
That is the OG, you know, abduction.
Yeah.
So, but that's a great question.
I mean, aerial school, right?
Aerial school for sure.
Then there's that little girl who says, she says, in space there's no love and we have love.
And so that's why the being wanted to come down and interact or whatever.
I think that in space there's no love.
And down here there is.
There is love.
Yes.
So.
But yeah, like they're not.
But you think the ratio is a little off.
They're not taking no black people at nighttime coming in your crib and like taking, that just is for some reason.
You think it's a, it's a lower percentage than the percentage of the population?
Or I mean, maybe it's just not reported or something, but I don't, I don't know.
I find that really fascinating.
That's it.
If you could find some, like a book.
A book of black abductees or whatever.
I want that book.
Let's audience.
Let's get the stats on that.
Yeah.
Yeah.
It's a, it's a, it's a funny thing.
Yeah.
Well, yeah.
I mean, the first one, I mean, I don't know if they were the first, but the first very documented, you know, but that is interesting.
I don't know.
Well, Flylo, this was an honor.
That's it?
No.
How long?
I think we went over three hours.
That was three hours?
This is amazing, man.
I'm a, anything else that we're missing?
Anything missing here or what?
I'm trying to think.
We might've got it, man.
We might've got it.
But keep fighting the good fight, man.
Thank you, bro.
I will.
And you too.
And I'm doing my best.
Yeah.
But play some more of them beats though.
Y'all don't know that that's his beat in the intro to the show.
Like, yeah, I found, I figured that one out.
Oh man, most of my beats.
Put some more beats on, dog.
Dude, I can't, I can't be talking to you about beats.
I'll tell you to do it.
I can't.
That's how you keep going.
Okay.
Yeah.
Okay.
Keep going.
I need to.
I need to.
But, uh.
It's therapy, you know.
But then I hear your beats and other people who I like admire and I'm like, I can't make
beats, man.
I don't know.
It's supposed to be fun first.
Okay.
Okay.
It's fun first, man.
Like, have fun, you know, and just explore, you know, if something happens, great.
But like, just have fun with it.
I do.
And that's the thing I have to remind myself to do.
Yeah.
You know, like, there's so much pressure when I sit in the chair.
Yep.
To do anything now.
Mm.
That I have to remind myself to do.
I have to remind myself that, like, no one has to hear or see or anything.
Like, I can just have fun doing this.
Isn't that interesting about art where you start and there's no self-consciousness and
then you become this thing for other people, like Flying Lotus.
You're like a concept for, like, other people.
But you're, like, still in your head.
You're like, I'm just this dude.
Yeah.
But maybe sometimes when you sit down, you're like, ah, I gotta, like, adhere to this level
of quality that I've done.
Absolutely.
And it's a daunting thing to just have a catalog and a lineage.
And a history and all this stuff.
But at the end of the day, I know that people can hear when I'm having a good time.
Mm.
Mm.
I know it.
That's beautiful.
I think y'all can hear it.
Yeah.
You know?
You can hear when I'm inspired and when I'm having a good time.
It's, like, it's obvious, I think.
Mm.
Do you sometimes look back at your life and you're like, damn, like, this is stranger
than fiction.
Like, it's a movie.
The amount of people you've intersected with.
And your own insane career.
And then how much you've been able to do in cinema.
And you've done, I mean, deeper cut people know Captain Murphy that you rap to.
And hip hop production.
Like, everything.
Do you ever think about that?
Man, I do.
And I'm, I feel like, I just feel very grateful, man.
Mm.
I feel very grateful every day.
I have this written on my refrigerator.
Be grateful.
Mm.
Because I am, it's just, I have the best job in the world.
And.
And I have so much love and support for all my endeavors, you know.
Of course, some people don't like what I do.
Mm-hmm.
Some people like this.
Some people don't like that.
Cosmic Graham was the only good thing he did.
It's fine.
You know, but, like, I'm, I'm having a great time.
I'm creating stuff.
And I'm, I always try to hold on to that part.
That, the, the innocent part of, of that.
Because it's, it's, they want to take it from you.
Mm.
You know.
Yeah.
As soon as you start putting stuff out, they want to take that.
And, you know, your management, you got managers and people in your pocket
and your families and then people want, need money and you got to, like, support.
Yeah.
You know.
And the legal aspects of music.
And the ownership and the, yeah.
Instead of just, like, creating.
All that stuff.
But it's just, yeah, and it's all, all gets in the way of, of the fun.
Mm.
And all gets, it gets too heady.
So, yeah, trying, trying to hold on to that, man, is, is a thing.
And, like, kind of trying to always stay inspired.
Always chasing whatever.
That will keep me happy and inspired.
Mm.
It's a thing.
I love it.
Well, I don't know if I'm going to start making beats again, but maybe I'll send you some samples.
Because that, it's funny.
I have a little bit of an encyclopedic mind with the UFO stuff.
And then it's, and then it's samples.
Dude, I know.
It's crazy.
I was so shocked when you started, like, you know, dropping, dropping tunes on me.
I was like, dude, you know your thing, man.
I mean, I love it.
Very impressive.
I love it.
I don't know.
Well, it's, uh.
Yeah.
It's more impressive to make the stuff than to just.
Well, you got to send me some playlists, man.
You got to send me.
I'll send you, I'll send you some stuff.
I'm sure you've heard everything that I'm sure you're deeper on all this stuff.
I may, I may know a thing or two, but it's still nice to hear where your ear's at.
But I'll send you some old soul, like, I'll send you some samples.
Come on, dog.
I will.
Let's get it.
You promised me those samples when we first started talking.
I feel like that was early this year and I still ain't got none.
Okay.
Okay.
I'm going to send you some samples.
I will send you some samples.
I know you're a busy man.
You know?
You got, you got a lot going on, so I give you pass, but I'm, I'm, I'm waiting.
Okay.
I will send you samples and you can do so much more with these samples than me.
So I really need to send you a sample.
Yeah, get sued.
That's what I'm going to get.
You can't really sample anymore, huh?
It's just that you've got to just interpolate or whatever.
It's a wrap, especially, you know, where I'm at, you know, people like ready to flag.
Ah, because you're so big.
Whatever you want to say about it, they know I'm.
They're looking for it.
Yeah.
So like, it's, it's.
It's not fun, you know?
So like, that's why I end up doing a lot more keyboard stuff and less sampling just because
it's like.
Why did that happen?
Because like back in the day, they would clear sample.
Like you think about like.
They would?
Yeah.
No, they wouldn't.
Well, I'm just thinking about like, uh, Juicy Fruit and 2 May or whatever, or like, I don't
know, Upside Down from Diana Ross and, you know, it's like, you're taking the whole song.
Yeah.
Like that's not even, sampling is generous or whatever.
You are literally taking a loop.
From the song and then putting some drums over it or whatever.
Yeah.
Like, so like, I look at that and I'm like, why aren't they getting, why isn't there some
big legal thing with that?
Maybe some of the samples were cleared.
They were cleared.
But a lot of times it's not necessarily the artists who will sue you.
It's their kids.
Ah.
You know?
Like that.
The grandkids coming after, you know, like, cause they're in charge of the estate.
Right.
And they be listening.
Right.
Yeah.
Like that Robin Thicke, Pharrell, Blurred Lines, Marvin Gaye, one of the bassline or
whatever.
Yeah.
That was bad luck though.
That was bad luck.
You think that was just like, really like too much.
Yeah.
Yeah.
Yeah.
You should have saw something.
Interesting.
You should have saw someone looking over, you should be looking over your shoulders doing
that kind of thing.
Yeah.
Yeah.
Yeah.
Yeah.
That was, that was an obvious bass line.
Yeah.
That was kind of maybe a little rip off.
Well, it's hard to say.
I don't know.
I'm usually pro the person taking the stuff.
I am.
You're doing something new with it.
I am too.
But again, you can't speak for the estate and being a person who's, you know, my grandma,
she wrote Love Hangover and people sampling her music is how we ate for years.
Yeah.
Totally.
I love that song by the way.
There's a cure for this.
But you know, people sampling that was like, you know, Bone Thug sampled it, Will Smith
sampled it.
Like so many people had sampled.
Her stuff and yeah, man, like we, we.
We probably would have been out on the streets if it wasn't for, you know, people clearing those centers.
And playing stuff on the radio.
Yeah.
Yeah, that's how we ate.
So I totally see, I know the game.
I get it.
I get it.
People got to eat.
Yeah, that makes sense.
And she deserves all the credit for that.
I mean, what about, didn't she do stuff for Lamont Dozier back in the day, too?
I believe so.
I don't know, though, actually.
I think so.
I don't know.
Under a different, there was a group or something?
Because he was, Lamont Dozier was in one of those groups.
I'm blanking on which one.
But he also had a solo career.
And he was a great solo artist.
But I thought she might have written something for him.
Put me on, dude.
Tell me.
That'd be awesome.
I mean, look, people have been telling me stuff like that, though.
Like she was, she had done some stuff in her Motown era that I hadn't heard.
You know, my grandma.
My grandma was around.
She was, like, more so writing, trying to write new songs and trying to, you know, write jingles and stuff.
So she wasn't really focused on the back catalog as much.
It was just, like, when those samples and things would come up, it would just be like, oh.
And, like, even the Free to Paint, I Get High, I didn't even know she did that until the Styles P thing.
Styles P.
I didn't even know she did a song about getting high, dude.
I was like, what?
Grandma.
That's so funny.
I had no idea.
That's a beautiful song.
The original is amazing.
It's, like, ethereal and opulent.
Dude, you got some really amazing sound in there.
I feel like writers back in the day in that Motown era were the most underappreciated.
Like, you think about, I think about the Motown roster, obviously, like, greatest of all time, maybe record label, maybe ever.
But, like, really, the linchpin, I feel like, is Smokey Robinson, who was writing all the stuff for everybody else.
I'm like, damn.
Like, how did you write all that?
Hiring now?
It's wild, man.
And, like, some of the, just some of the session musicians, you know, who they would call back and stuff that'd be like, that would be part of the sound.
That'd be part of, like, the foundation for all this great music.
And then they would sometimes get sick of writing and they'd be like, we want the, we want to be up in front, up front, like, um.
Mike Thundercat.
Mike Thundercat, there you go.
That's a great example.
Yeah.
Or I remember, like, you know, like McFadden.
McFadden and Whitehead, like, ain't no stopping us now.
Like, they were writers before, you know, a lot of it.
Yeah.
Yeah.
My grandma was doing, she had her own music at the time, too.
And, you know, I don't think much happened with her own stuff, her own personal music.
But, yeah, there was, I think a lot of those writers were musicians and wanted to have a career singing.
And, you know, maybe didn't pop off, but they could write.
So, but it's a, it's a thing.
And I, I would see still, um.
She wrote for Junior Walker, too.
Yeah.
I just can't.
Yeah.
Yeah.
I love Junior Walker.
It's awesome.
But, yeah, man, like, even in, in modern days, you see it, there's just, there's people who was like, see it.
She was like a songwriter, but she was like, kind of like a background character, didn't want to.
And then, yeah, she eventually was just like, you know what?
I'm doing my thing.
I'm not going to show my face, though.
Yeah, never.
Never.
Yeah.
World.
That's, she won.
That's the movie.
That's the movie.
Right.
Yeah.
You're that big.
Yeah.
And you can just hide.
Incredible.
Yeah.
Yeah.
Maybe she was inspired by MFD.
I was just thinking about that, dude.
I was like, man, dude, he really did figure it out, didn't he?
He figured it out.
Yeah, man.
I was funny because I, I only just made the connection to the gladiator mask.
Oh, dude.
It looks the same.
I just didn't.
What do you just said?
I only made the connection.
I was like, what is that?
Oh, yeah.
That's wild.
Yeah.
So, he must have been basing it off of.
Of gladiator.
It's gladiator.
I feel like that.
I don't know where the mask comes from, but that is like the same mask.
It's the same mask.
Yeah.
Because you have it going, it goes below the chin.
Yeah.
Whoa.
That's trippy.
Yeah.
Man, he, his stuff is so like the metal fingers, beats and stuff too.
It was funny, man.
When I first got into that stuff, I was like, these are some of the worst beats I've ever
heard.
Well, they're just like raw as hell.
And then eventually they're like, come the best beats.
You've ever heard.
You know what I mean?
Well, he would just take, well, they were all named after roots, you know, and then
he would just take like a Doobie Brothers loop and just throw it on there.
And throw the worst snares on.
Yeah.
And then eventually he was like, okay, I get it.
It would just kind of work.
Yeah.
Absolutely.
You're like, okay.
Yeah.
Yeah.
I love it, man.
Well, round two.
Yeah.
Yeah.
All right.
We'll actually finish this.
We're actually wrapping up.
I could talk to you for hours, man.
Yeah, man.
Fly like a fly.
Hello.
This was an honor.
True honor.
And, uh, hopefully we come back when you are making your movie or crazy movie.
I would love to.
I would love to.
And, um, thank you for having me.
Honestly, it's so cool to be on the other side of this, man.
Oh, man.
I appreciate it.
And I owe you some sample.
I'm now publicly being held accountable for this.
I have to follow up.
It's time.
Okay.
I might not put it out.
If you did, that would be, uh, I don't know.
Uh, a life moment for me on the order of like probably more important than anything I've
done.
You know, when you do a thing in the domain, you, you kind of know you're okay at or whatever
and you're like, all right, fine.
This would be so much cooler for me.
That's got to happen.
Send me some shit.
Let's get it going.
Send me some shit.
That would be crazy.
It would be.
Appreciate you, man.
Thank you, man.
Thank you.
You know, that just got me thinking like, you know, Joaquin Phoenix provided push a T with
the beat.
No way.
Do you know about this?
No, no, no, no.
I think like that King push song.
No way.
Yeah.
I don't know if he gave it to him and it was produced by somebody, but he, yeah, it
came from Joaquin Phoenix.
Joaquin Phoenix gave the beat to Ye.
So when I got the beat from Ye, it was, yo, Joaquin gave me this beat.
That's interesting.
Really weird.
I've been hearing about some low key producers.
Hmm.
Robert Pattinson be making beats.
No way.
Yeah, dude.
Is he good?
I don't know.
I've been trying to get him.
I've been trying to get the beat.
That's crazy.
So just for my curiosity.
Yeah.
Gotta know.
Oh, wow.
Gotta know.
Oh, that's so cool.
Yeah.
I just, I don't know how to do drum.
I'm so good at the sample selection and then I just always sucked at drums and I
Do you program them in?
Yeah, just MIDI.
Yeah.
That's why.
Oh, you gotta play them.
But I don't think I can play them.
I just, I don't know.
You can.
Really?
Don't knock it yet.
Just try it.
Just try it.
The click in the beats thing is difficult.
It's difficult to get a vibe.
Yeah, yeah, yeah.
From that.
It's really difficult.
And I actually do that sometimes knowing what it's going to sound like.
Like sometimes I want stuff that sounds rigid on purpose.
Yes, yes.
But like it's only then because like I just cannot.
And a lot of people do that.
A lot of people just click them in and all.
I just cannot do it.
Yeah, yeah, yeah.
If I want that feel.
Yeah.
But like you got it.
You just got it.
But even, I remember like there's a Kanye interview where he's like, I can't do it.
He says he, I mean, he's amazing, but he was like, I can never figure out drums.
He was like, my drums didn't slap like Dilla.
He was like, my drums were not like Travis Scott.
Like, yeah, but his drums, he did his thing with what he's got, you know?
And I think, I think, you know, Doom did his thing.
But when you listen to early Kanye, like his first track ever for Rockefeller, I think
was Beanie Siegel and Jay, This Can't Be Life on one of their albums.
Beanie Siegel's random mixtapes.
And you hear the drums and you're like, these are garbage.
Like, these are not good drums.
Yeah.
And then half the drums are like Impeach the President, you know, fucking generic ass shit.
But you just got to try sound for sound.
Don't do like the whole kit.
Don't be trying to play the whole kit.
Just do like, just do some hi-hats first.
Play those in.
Play the hi-hats in.
You can even quantize them later, but just put the hi-hats in.
Okay.
You know, do the snare.
Okay.
Do the kick.
Do the kick.
Okay.
But another thing for you in that case, because now you've put me on, is do your drums first.
And then try to form your sampling around the drums versus using the sample.
Trust me.
Okay.
Yeah.
It's like, I have trouble with that sometimes.
Because finding the right pairing can be really challenging.
Yeah.
But like, if you set the drums first and you get a good groove with them drums, then something
else can happen.
Wow.
Then maybe you might think.
I feel like you're more optimistic than me, but I will try.
Oh, man.
You can do it.
You can do it.
You just got to have the time.
Appreciate you, man.
Yeah, yeah.
All right.
Yeah.
All right.
We're actually done now.
Actually done.
All right.
Quick heads up for you guys.
American Alchemy merch just dropped.
It's all super high quality, 100% cotton, embroidered hats.
clean designs, I wore the logo tee on Rogan.
up now go to americanalchemymerch.com to check it out thanks for the support it means a lot
you
Podcast Summary
Key Points:
The host discusses the growing fascination with UFOs and alien conspiracies, noting how deeply personal and emotionally charged the topic has become.
Flying Lotus shares his personal connection to UFO themes, citing his family's musical legacy and spiritual experiences as part of a broader sense of cosmic connection.
The conversation explores key UFO narratives like Bob Lazar’s story, Raytheon’s neutrino detector, and the Christchurch earthquake, highlighting their mysterious and unverified nature.
Skepticism and conspiracy theories are framed as part of a larger cultural divide, where belief systems create echo chambers and intense emotional reactions.
The host expresses concern about the potential for misinformation and over-identification with conspiracy theories, especially in the context of AI-generated content.
A major recurring theme is the idea that UFO phenomena may reflect deeper truths about human consciousness, time travel, or advanced technology rather than extraterrestrial life.
Figures like Steven Spielberg and Jake Barber are cited as examples of individuals who have deep personal or professional ties to UFO-related topics.
The episode concludes with a call for open dialogue, emphasizing the need for empathy, critical thinking, and collaboration over polarization in the UFO community.
Summary:
This episode explores the intersection of UFO culture, personal belief, and consciousness, featuring a deep dive into key conspiracy theories and public figures like Flying Lotus, Steven Spielberg, and Jake Barber. The host reflects on how UFO narratives have evolved from fringe speculation into a powerful cultural phenomenon, deeply tied to personal identity and spiritual experience. While acknowledging the lack of concrete evidence, the conversation emphasizes the emotional and psychological resonance of these stories—particularly for those who feel a connection to something beyond conventional reality.
The discussion also highlights the role of misinformation, AI-generated content, and online echo chambers in fueling belief, as well as the intense emotional reactions that follow. The host shares personal experiences, including a rare encounter with a possible alien-like sighting and a formative experience involving DMT, which deepened his belief in the existence of hidden dimensions. He underscores the importance of balance, urging listeners to approach the topic with skepticism and empathy rather than dogma.
The episode ends with a call for a collaborative, open-minded dialogue—where skeptics and believers can coexist, examine evidence, and explore the possibility that the universe holds more than we currently understand. As the conversation touches on time travel, consciousness, and advanced technologies, it suggests that UFOs may not be about alien visitors, but about human perception and the limits of reality itself. The tone remains grounded, thoughtful, and reflective, celebrating the curiosity that drives inquiry while acknowledging the emotional stakes involved.
FAQs
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Public belief in UFOs is often treated like a religion, with people seeking metaphysical connections. Many are deeply passionate, and their beliefs are shaped by stories, personal experiences, and perceived evidence.
Key figures include Bob Lazar, Eric Hecker, Mick West, Ross Colhart, and James Fox. Each has contributed to various UFO theories, from alien technology to government cover-ups and extraterrestrial contact.
Some believe UFOs may be linked to time travel, referencing films like Back to the Future and the idea that technology from the future could be arriving. This theory is supported by figures like Thomas Townsend Brown and Steven Spielberg.
Whistleblowers and conspiracy theories are central to the UFO narrative, often revealing alleged government secrets. However, the community faces skepticism and backlash, with some accused of being psyops or frauds.
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