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LeBron James, Daniel Kaluuya, Marcus Rashford, and Rashid Johnson

33m 8s

LeBron James, Daniel Kaluuya, Marcus Rashford, and Rashid Johnson

Several podcast hosts share updates on their new or ongoing shows, highlighting diverse content and social issues. Lexi and Lisa launch *Don’t Lie to Me*, a podcast about two women with contrasting life experiences. Lacey Mosley introduces *Scam Goddess*, a comedy podcast on crime and deception, while Kyle Proo’s *Get Worse* caters to those interested in dark, rebellious topics like blackmail and revenge. Roland Martin’s *Unfiltered* podcast addresses critical social issues, including the absence of body cameras in law enforcement and rising attacks on Black farmers. The conversation also touches on the ongoing detention of basketball star Brittany Griner in Russia, drawing attention to her prolonged imprisonment and lack of public response. Additionally, discussions explore cultural identity, the significance of Black narratives in art and media, and the emotional depth of athletes in high-pressure environments. Themes of resilience, artistic integrity, and community solidarity emerge throughout, reinforcing the power of storytelling in addressing both personal and societal challenges. These segments collectively serve as a platform for empathy, awareness, and advocacy across diverse audiences.

Transcription

6795 Words, 35109 Characters

English
- Lisa, tell them about our new show. - We have a new podcast. It's called Don't Lie to Me. I'm Lexi Juanu, where two best friends, 22 years apart, but so close at heart. - And I'm Lisa de Julio, the old one, which means we have wildly different references, occasionally different opinions, and at this point in my 50s, I've lived it all. - Now in my 30s, being the founder of new shoes, good taste is my business. - Listen on the I Heart Radio app, Apple podcasts, or wherever you get your podcasts. - I'm Lacey Mosley, author, actor, stand-up comedian, creator, and host of Scam Goddess Podcast. - The True Crime Comedy Podcast, all about robbery, fraud, and those who practice it. - Each week, I bring on an amazing guest. - Ooh, I scam them. - What? - I could talk to you for an hour. - You're a generational yapper, like me. - That's why I had to make yapping a job. - And now you can catch full episodes of my show on YouTube. - Start listening to Scam Goddess on the I Heart Radio app, Apple Podcast, or wherever you get your podcasts. - Scam Goddess. - There are thousands of podcasts that can tell you how to better yourself. Get worse with Kyle Proo is not one of those podcasts. So if you're interested in getting thinner, going to therapy, starting peptide, setting boundaries, taking supplements, making your better getting closer, then I would humbly recommend other podcasts. If you're interested in blackmail, love, bomb, and cloning yourself are getting revenge, then we've got a little something, something for a dastardly individual like you. Listen to Get Worst with Kyle Proo on the I Heart Radio app, Apple Podcast, or wherever you get your podcasts. - Didn't catch the latest Roland Martin unfiltered podcast. - Here's what you missed. - There should not be a single law enforcement agency that does not have body cameras. - It's real. - Black farmers have been under attack. This is just the latest example of them just slapping DEI on anything. - It's raw. - And I'm sitting here going. They are playing y'all for fools. - Catch Roland Martin's daily commentary on the Black Information Network. - And download Roland Martin unfiltered on the I Heart Radio app, Apple Podcast. - Or wherever you get your podcasts. - Uninterrupted. - I don't know how many of you remember to follow the Brittany Griner situation. Has anybody followed that? So there's a woman named Brittany Griner. It was an amazing basketball player, amazing person. She was in Russia playing the war broke out. On her way back, flying home, they said she had some amount of hash, which was illegal in Russia. And they, she is in Russia. We don't really know where. She's been there over 100. It got to be 1130 days, something like that. The last text her wife got from her was, they're taking my phone. - This is happening, they're taking my phone. - They're taking me and they're now taking my phone. She's in her from her sense. It's pretty fucked up, what's going on. - The NBA season has started and she's still. - She still has not come back. - She hasn't come back. - She's a superstar. - Superstar. - We're talking about. - This is the top of the top. - This is the top. - LeBron of the WNBF. - You being you, LeBron James. Have you thought of like what, like if it was you, you travel to Europe, you do these things. Like have you put yourself there in terms of like, man, what she must be going through, what that experience must be like? - I was trying to imagine it and it's hard for me to, to even put myself into what she's going through. Like you such a great human being, a great person, obviously I've been in her presence a few times and, you know, you always feel like, you know, if you're from a certain place, you always feel like they got your back. And in a sense like now, how could she feel like America has her back? Like I would be feeling like, do I even want to go back to America if I'm, I'm going over 130 days and I feel like it's been zero effort. - I'm still shocked that we haven't heard more from the state department. - Me too. That's my point. - And that we're not hearing this more often on the news or Biden. - I mean, this is a significant kind of name in American sports. I know when it first happened, you know, there were some concern kind of like, could this resolve itself maybe being too vocal actually cause more of a problem for her? But I think now we're recognizing that. It's important for us to amplify our voices, to make sure that people know about the situation. - As literally as it's growing day by day, it's like I can't not say anything like I'm just trying to get more and more people's ears, people's eyes and like more as much support as possible. - On this episode of Uninterrupted the Shop Podcast, LeBron James, Maverick Carter, and Paul Rivera are joined by Marcus Rashford. - It was a United fund before I started playing for United. So when I was about seven or eight, they started taking us to every home game. So you can imagine from that age to 18 till I made my debut, like I was at every single home game. - Daniel Kaluya. - We've got to redefine what Blackness means to all of us. Just to say on an understand, it's a new thing. Not new thing, it's just like, get away from the kind of white centric definition of it. Just to say, which is like, do your dish, your dad, your dish, your dad. And this is like a new thing, it's like, and then in day, if you're Black and not born in Africa, you're a new thing. And Rashid Johnson. - An artist I think that's really all you have is your taste and your sense of what's right and wrong. And you have to say, this makes sense for me, and I believe in it. And when you don't believe in it, it becomes really obvious. - Check it out. - How much do you hate Manchester United? - Fucking hate, no. Fuck them, guys, bro. (laughing) Fuck them, guys, man, but it's cool, though. - It's cool. - It does cool things for the kids, bro. - But how much fuck you look? - How long have you hated Manchester United from this? - You know what, it started, yeah. - I was at school in like, I think I must have been seven, seven or eight. And I had a friend, ex best friend who was rolling. (laughing) This is why, yeah. We was rolling, we was Arsenal, yeah. We was Arsenal, we was rolling. And the next day was like, I support Man United. I was like, "Ed, you can't do that." And then I just, I was just, I was like six or seven. I was like, "This is a green, bro." So I feel like, this is a green review, like, it's a person. I said I was like, "It's Man United, it's the reason." So I said, fuck Man United from there. - Is it any club you hate like that you like, actually don't like? - Yeah, Liverpool. - Hey, I knew you'd like to say that. (laughing) - I thought I don't like Liverpool. Certainly, obviously Liverpool of Hester, so it's more, it's a bit more better, but with City, it's like, you don't like 'em, but you don't really have, like a massive reason not to like 'em. You just grow up and it's just too much exercise, almost like we were, almost like, but the rivalry with Liverpool's just, is deep. - Yeah, it feels much. - Mark, because you've been at the club since how old? You've been at the academy. - Yeah, it's six. - Since six years old, you played for Manchester United? - Yeah, and since you were six, you knew you wanted to play on the senior team for Man United, right? - Yeah, like I was at United from before, started playing for United, so I remember when I was about seven or eight, they started taking us to every home game, so you can imagine from that age to 18, till I made my debut. Like I was at every single home game. - It's one thing to grow up seeing a club like Manchester United from the outside. How is your perspective at all changed, like playing? Is it everything you expected playing for the club? - Yeah, it's obviously a great feeling, but like Man United back in the days, they've been successful for many years before, so success was like, when you get it once, you get a taste for it, and you learn how to make it like a more of a short thing, whereas now, like, since I've come into the team, it's been a transition period for the club, so finding stability has been difficult. That's why we have so many ups and downs. - But at the same time, it's a club that is rich in history, so you just like steadily trying to get that feeling back. But it's not going to happen overnight. - What do you think the stability part changes? Do you think it's because a lot of players go to different clubs and things of that nature, or is it like, you know, people from upstairs, or how, why has this stability changed? - It's a bit of everything, to be honest. - Most people say once they're Alex left, so they had a coach. He was there 25 or 30 years. Once he left, the United States. - Yeah, it changed, but the morals of, like they've worked hard to keep the morals the same. I don't think they'll have a goal because of what he's doing for the club. - So what is that about? Is that a culture? - That is absolutely. - So does culture so significantly impact how a team comes to success? - Definitely culture first, and then if you can blend that with the talent and the right pieces, it literally is the gateway to being successful for a long period of time. - I could go back to when I was drafted at 18 and made my debut with Cleveland, you know, there wasn't any culture, you know, and that's not knock on anybody that I was there or whatever the case may be, but there was no culture. And I felt like it was my job as an 18 year old to try to build the culture, which is kind of unfair, but it is what it is, you know, to try to build the culture to make it seem like, or make it feel like it could be some special. But yeah, like you just said it, like the culture is the number one thing. - Fair or not fair, do you love that pressure at this point in your career? I'm like winter bust, I don't care about scoring title, I don't care about anything, it's winter bust. You think, do you like that pressure? - Yeah, I'm obsessed with it, but winter bust. And what, what, what, what, what, what? what makes me have sleepless nights is when you don't have everyone that feels the same way on your club. - That's the culture you were talking about. - Like it's times where I wish I was like a tennis player or a golfer where it was literally like, looking to mirror motherfuckers, you versus you. - Have you seen players like transition in terms of like not have that mindset and then actually halfway through the season or halfway through the time that you've been there grow that mindset of like a win or bust or like you can like think and you judge someone too early essentially. - Well you can have guys that come from different clubs and different teams and they've played losing basketball for years. Like literally, I don't give a fuck who's on that club. You can have Jordan, you can have Shaq, Alan Iversen and Jesus Christ could be their coach. They're gonna lose, they're gonna lose. It's like literally the culture, but you can get up a player from a losing culture and you can see literally in the first couple of weeks if they really like want it or they don't, you can sense it. - That's also a great question for you because like, 'cause I read something when you've said, you've read a script that wasn't great, but like, fuck it, I'm gonna do it anyway. - Yeah, 'cause I know a lot of times I'm looking at there's a director no way is, if the director feels confident about what it is, then I'm like, I can call them, I can run it. I don't understand what's happening. - You can run it like I can, I can do it. 'Cause I feel confident that I know. And they wanna grow it because it's not gonna be perfect when you see it. Just saying it's like, rarely you get a perfect script. The only time I've ever seen something like, oh hey, that's perfect, it was a gal. I'm like, well that's kind of perfect. But people didn't understand what that was when you read it 'cause it was like, the guy from K&Pill and it was Blumhouse. It wasn't what it would be now. I think it's more putty knowing what you like. - No, what you're gonna do, you're gonna have a lot of chance. - I know what I like and I like it, I can always stand by it. - Got it. - So if it doesn't, what, it's kind of like the football and team analogy is like, if you've got a bad editor, you're fucked, saying like, so it's that thing we're like, what you can do is go, that's got the best chance to go to a certain place. I'm gonna go there and like, oh this director chooses this class and this kind of people. All right, cool, they've got good taste and they're going there and then you just hope for the best, essentially. - Honestly, as an artist, I think that's really all you have is your taste and your sense of what's right and wrong. And you have to just lean into it. And in the end, you're on an island and you have to say, this makes sense for me and I believe in it and when you don't believe in it, honestly, it becomes really obvious, almost everybody. And I think there's lots of actors that we look to and we say, oh yeah, they're good at this thing and then there's Daniel Day-Lewis, right? Who we say, okay. - Obviously he knows when he's done, the movie's wrapped. He knows when he's done, he's won a championship hopefully. He knows when he's done, he's won a championship. How do you know when you're done? - It's really a great question, honestly, not until they come pick it up. - Does work ever leave the studio that you wish you had five more minutes with or another day? - Not necessarily that quickly, but I may look at something that you have or that LeBron has and say, five years later, I think to myself, huh? - Russia, you've been not touched by shit, you've come miles away, you've been your miles guy, hey. - Who are you? - Come on, the man's movies, I don't, she what the fuck are you doing in my paint? (laughing) - I'm happy with everything. I've never let anything out of the studio that I didn't feel incredibly comfortable with it. - So there is a point with the brush or with the paint where you go, it's done. - There's a point where I'm, when I'm finished. - Do you know what's done? - Where I'm comfortable with it leaving. You know, and there's no way, you know, the thing is, and I love sports, I'm a big sports guy, I always have been, and I love how defined it is. - There's a finale. - Because when are you loo, it's a wrap. One or the other, with art oftentimes, I'm open to any number of ways of interpreting it. There are things you might hate about it that I'm happy to hear that you don't like about it because I don't like something about how you see the world. So I'm glad that you dislike this aspect of how I see the world, friends. And so this is kind of pushing pull of like, what's good, what's bad, and how all of that function. - So let me actually, another thing. Lots of white people globally are collecting black art. Do they actually need to understand blackness? Have you had to explain that ever to collectors or people like, they see the shea butter, the black something like? - Yeah, I think in all honesty, it's not the responsibility of black folks to use their work as a teaching tool. You know, that sense of didactic are using, are employing your kind of cultural production as a way to engage, you know, a white audience is not particularly effective because at that point, what you're doing is you're centralizing whiteness, right? Like, everything kind of lives outside of this kind of center subject where it's, we just keep throwing things into the white ether and saying, do you see us, do you see us, right? And I don't think that that is essentially what artists should be doing. I think that we should be making work as if we are in the center of our own conversations, right? We should be. - Put ourself in the center. - Absolutely. And it's not about saying, oh, you know, our hair is different. Come look at how it's different than your hair. You're in the center, come look. It's like, no, this is my hair. - Fuck you, all right. - Fuck it is. - Like, we're in the center. We're in the center of this conversation, right? And so if, for me as an artist, my whole production has been about kind of putting my narrative and my version of Blackness, whatever that is because Blackness is not monolithic. Right? - Of course, look at this. - This brother's from England, this brother's from England. I mean, like, you guys are from Ohio. I'm from Chicago, like, it's more complicated than some folks try to make it seem, whereas, and we need the coalition bill. We need to be together on a lot of things so that we can make positive change. But there's also, there's a beauty in the fact that our experiences aren't exactly the same. I think we just got, like, I think as a product of the internet, we've got to redefine what Blackness means to all of us. Just saying and understanding, it's a new thing. Not new, it's just like, get away from the, like, kind of white centric definition of it. Just saying, which is like, do your dish, your doubt, your dish, your doubt. And this is like a new thing. It's like, and then, if you're Black and not born in Africa, you're a new thing. Just saying, you're one person, like, this is a new race of people. We're making this up as we go. - Yeah, we're all making it up. We're all not born in Africa, making it up. Just saying, like, it's like, we are a different, like, and it's like, if we realize that we have that in common, and we all have that in common because whoever it was, whether it's Belgium, whether it's English, whether it's Black. Well, went to Africa, did some fuckery, just saying. So we're kind of having, in that thing, we actually have a common throughline between all of us. Just saying and understanding that that is what joins us together and then redefining it for us. - That's what I feel. - Factoring at all into, like, your work. It's the priority about Blackness. Is it playing a different role? Your dialect? - Yeah, my thing has been intrigued by that. I mean, I always want to, like, I care a lot about us being seen in a certain light. For me, it comes my way. I'm always thinking about, I'll pull up to wherever that person's from and get to know them so I can feel the stakes. So I go to the end of that, so when I was doing Judas, I went to Chicago, I just pulled up. And I was there, like, well, I was there. I was where Chairman Fred used to speak. I used to be there, meeting people that are there, talking to them, and I understand what he means to them. The people that are from there, went to Mayway, went to the area when the people that are from there, then I go, okay, I'm doing it for them. You just think of them, got not. That's the film for them. - How many takes for the speech? - I'm a revisionist here. - Yeah. - How many takes? - Shit. - I did that all day. - Really? - We did that all day. - I was like, wow. - You did it all day. - I feel it. - Yeah, it's there. - No worries, man. - That's crazy. - It was just like, that was a special day, man. That was a different-- - Yeah, I mean, that shit came off so fucking powerful. - You get to the point when you're tired and not, it was good to me, it was Cleveland. I was tired and not, and then, they were lifting me up. 'Cause basically it was like a scene partner, like the crowd was a scene partner. So then I was like, all right, cool. It's wearing dialogue. So then I had to get you in a certain place. So then I can hit it in a certain way, and then you feel it in a certain way. So it was all, it was like, I would keep going, I am, I wouldn't, I would just keep going until they broke. - And then like, cool, then start to speech. - That's our preacher preachers to feel that. - Yeah. - Can I take you on that road? - Yeah, take you up and down and get the crowd. - Yeah, but then the, he's, some was on set. He's, some was on set. So that was the another thing that was quiet. And he never met his dad. 'Cause obviously he got assassinated. - Did you feel that responsibility? - I'm crazy in responsibility. Crazy in responsibility. Great, it was like, yeah, man, that heavy. Very, very, very, very heavy. But it kind of, it means sharpens you up. I've never felt like that ever in my career. I knew that day I was like, I did something there. - Wow. - But I knew, I did something there, 'cause something else, something happened. It was like, he was in the room. It was like some other shit. It was like, I was like, it's something's happening. When I watch the film, I don't remember the takes. I went into a place. It was like a, it's just an out of body experience. - It's a great film in a sports course. - Yeah, do you get that in sports? - I was about to say we call that being in the zone. - Yeah, exactly, yeah. You wish you can tap into that shit more often. Just when that happened you have no idea what the fuck is going on and you find new stuff just trying shit that you never even tried before. Like silly shit. That game I had in Boston, game six, down three two. I got to a point where I was just out there trying shit, one leg off the wrong foot, bump fades off my right shoulder. I'm not even a right shoulder, bump fade guy. When do you know you're in the zone while you're in it, like at what point? I mean, I think I started a game like eight for eight. - You don't know, you don't. - At this point right? - Every time I was shooting, it just felt so perfect and it was barely touching the net, like going straight through like a burge, it's going straight through the waters. - Can you see the other team start to get defeated? Like damn, now we can do what these guys are doing. - Yeah, because I feel like when someone's watching you, they know when you're, we call it lost in the game. When my brother's watching me play, he knows when I'm lost in, 'cause he's watching me play all the time growing up. So I used to get lost in the game when I was a kid, but I would never, before I even knew what that same was, I was doing it like, it's a different kind of focus. And when you're doing it, you can't put a finger on it, but if I'm watching it, I can't. That's like one study that hasn't been tapped into. How can we tap in to the zone? - I don't know if you can. - I don't think it's the one thing that you can't, you can't. - I had one coach and he used to say, put yourself in situations where you're not comfortable. Play outside of your comfort zone. - That's my favorite saying. - And how do you do that? I just learned to play in different positions. Like I started playing in central midfield and just positions in the picture. I didn't even necessarily like automatically when you're in places where it's not your speciality, you get locked, you said different kind of focus, 'cause you know that you have to be locked in. - And when you're in that moment, can you see the defenders of the other team, like, fuck, we can't fuck with this guy at this. - It's like an atmosphere, like, it's just in the stadium. Once you have that, like, are you constantly chasing it? Is it something you're striving for? - Definitely, it's rough. - You wish the night never ends. When the game ends, I'm literally like sad. Like I can literally go again. I can play a whole game right after the game ends. - Them kind of moments changed. Like the zone or the loss in the game is like that moment. It's like, it's one of the big reasons why I'm so picky. 'Cause I'll have an amazing moment. No, it has to be that. I have to touch that. Like, then I look at scripts and like, I don't, no, I won't get there. I won't get there. Oh shit, I can't do those little jobs anymore. I can't do those, it'd be a job. Because I, it's that now, but it's not like, for me, it's now, it goes, the reasons I'm doing it. If I'm doing something for money, I'm never gonna get that. If it's just money, never touch it. - I love that. - But then if it's like, I think, 'cause the story means something to me or I can grow or make me uncomfortable, I'm scared. If we more time is on the shook, you understand? Then you're more likely to get into that zone. - Do you look for roles that you scared? Like, fuck, I don't know how I'm supposed to. - That's the, that's part of it. - Yeah. What's your favorite place to play? Do you like playing at old Trafford de Besse or on the road de Besse? And then on the road, which place do you hate going the most? - I love playing at old Trafford when it's old Trafford. Like, it's got a special feeling and not many stadiums can recreate that. But at the same time, the fans, I have away fans are like sick. It's a special connection between like, away travelling fans. Like, if someone's taking that amount of time out of the day or out of, you know, two days to travel and wherever you go around the world to watch you play a game of 90 minutes football, it means a huge amount. - So Liverpool, it's like, ball. - You're loving it, it's rough. - Yeah, 'cause the scousers are rough. - The fans can take the game away from you. Like, if you let them, they can take it away from you like, and my first game at Amfield, I almost got sent off straight away. - Really? - Yeah. - And I don't even like, just a bad tackle like, but I'm not on malicious, like, I'd never try and hurt someone on purpose. But like, when you, I don't know, like the one that I've been talking about, you can see, 'cause it's just like, it's that, like what you're saying, like, you chase them types of them feelings and them fears, and they just build you up like, that's the. - Is there, in basketball, they're fans, does you go play a way that they can literally take the game from you, you could feel like they have the fans, it's not gonna let us win this one or not. - Yes, I mean, what place is. - I mean Boston. - Boston, yeah. - Why do you, why do you hate Boston? 'Cause they racist as fuck. - They're nasty. - I was saying, they will say anything, and it's fine. I mean, fuck, it's my life. - You know what I mean? - She's dealing with my whole life. I don't mind it, like, I hear it, like if I hear somebody close by, I check them real quick, I move on to the game, whatever the fuck, they gonna say whatever the fuck they wanna say, they might throw something on you. I mean, I got a beer thrown on me leaving the game, you know, like. - Boston's. - It's the only place in the NBA in America you go and they have, like, shirts and I say, like, fuck, LeBron. - Yeah, I was like, oh, sections. - It's like. - It's like, LBJ T-shirt. - I believe they probably sold it at the fucking team shop. - No, they sold outside their arena. - Oh, they sold it at the team shop. - Oh, yeah, I've said something to do with their shit. - So I like, I used to, like, read football autobiographies for fun, like, so I read, there's a lot in the brim of it. Is that a team? One of the older guys comes to him and goes, "He said something like, are you good?" He's like, I don't know. He said, "When your way play away, did the fans boo you?" He's like, yeah, he means you good. (laughs) - And that helps me when I get hate. - What's it about? - It means you get hate, 'cause it's really and surely if you ain't good, they ain't caring about it. - They ain't good, but, yeah, okay. - Do you feel that I was a young player, have you, has it been a while adjusting to that a bit? - Um, not really, because, like, like I said, I was so close to it, like, I could see it happening, to, like, the first team players when I was watching them. So, you, you set an expectation from yourself, like, one day you're gonna be in a situation where your, your fans love you, but other people's fans don't like you. And, if you're not in that situation, and you're probably not doing something that you should be doing, - That's a beautiful thing. - After the Euro, did that get overwhelming though? - Um, because that was a bit different, right? - Yes, it's a different experience. - They played in the final in the Euro. - Yeah, that's why. - Against Italy, tough game. It ended, was it in the only or one? - One, one. - One, one, and it went, then, over time, over time, and then went to PK's. And, unfortunate for England, the last three guys were black, they missed, and they got a hit. They got that depth personally, they got out of their hand. - They got out of hand, got real out of hand. - Like, the certain elements of sport, that you can speak about all day, and you never come to, like, a bottom line, that's what should have happened, because it's a sport based on opinion, so, like, I've had hate for scoring before. Like, it might sound mad, but I have. - Did you think it ever got you close to where you felt, like, breaking, like, fuck, this too much? - Because, like, as a forward, you take risks all the time. - That's your job. - If you're not taking risks, you're doing something wrong. - Do you think the hate would have been, as insane, if it was three white young kids that missed? - Honestly, no. Like, that's just the way I feel. I don't think it would have been the same, but at the same time, I don't think people would have, like, noticed, like, I feel like they just reacted to how they felt, like, and whether it's because it was three black guys or three black guys, that's how they felt. I remember when, like, back home was getting deference and getting-- - He was one of you. - So, it's like, it happens, but they just want you to win, like, do you know what I'm saying? - Yeah, bro, it's toxic, man, girl. - Yeah, it's toxic. - No, like, that's like, that's like, that's like-- - Yeah, but I thought for you, man, like, it's like-- - I thought for you too. - 'Cause it's a sitting there, you're like, and that's why you get conflicted with support in England. It just reminds you of being a kid in England. It reminds you all of them times where you're out, everyone, and then someone says something. So, your blood, or something, or someone's parent says something. Like, usually what spots you off is adults say something to you as a four-year-old, as a five-year-old. You know what I'm saying, and then it reminds you of that when you're trying to get closer to the identity of being in English, and then that happens. Oh, yeah, there's this guy, you know what I'm saying? And it's like, because, like I said, there's feelings, like, people were pissed off, and this is not any other, but you instantly go there. So, why'd you go there? That means it's just there waiting. It was just that kind of, it just, it was a joke of a reminder, like, oh, yeah. Oh, yeah, this country. It's why I was never comfortable in the pub like that. You know what I mean, as a kid, or you know what I mean? It's like, why I can't go certain? Like, it was that, what happened with you, Lord? That's what it was. - You still feel that way? After even winning an Oscar, you don't feel that's put you in a rare, different space. You still have to say. - Oh, no, bro. Like, if I believe in that, that's when I'm in trouble. I feel, 'cause it's like, then you think that it's disappeared. You believe what this is gonna exchange. Like, it's not nothing to do with what you've achieved. It's like, 'cause nothing to do with, like, the reason why they're doing it is nothing to do 'cause we've underachieved. It's like, the reason why they're there, 'cause they've got something wrong with them. Please stop me now. I don't know, I'll go to Oscar. That's what I'm carrying out of the windows. (laughing) Right, I didn't run out of that. It didn't smell like that, right, right. So, it's something wrong in me saying, you know what I'm saying? You've gotta be twice as good to get half as much wherever. And I always didn't like that saying. 'Cause I was just like, is that thing that you said it puts the whack point of view in the center of your lifestyle? So, I just wanna be twice as good 'cause I wanna be twice as good. That's what I want. I like that. You understand what I'm saying? And I like excellence. I aspire for it, like going for it. It's not something that you're gifted. It's something that you have to work for what I feel. And so then, I know that this Oscar, It's made the people feel away. Coming from where I'm from, right? You know, like you understand? So it's like I don't put my identity in any of these physical material things like, you understand? I'm still like Raleigh's whole thing everywhere. He's went they won't they won either from what if you either when he was playing in New York as a Nick And we all know Nick's fans have been dying for for championship here It all did all that's that's too much. That's too much Thanks for listening to uninterrupted the shop podcast make sure to subscribe rate and review wherever you're listening to the show for full video Episodes check out uninterrupted YouTube channel and for updates on new episode releases and exclusive behind-the-scenes content follow uninterrupted on social media You Lisa tell them about our new show we have a new podcast. It's called don't lie to me I'm Lexi you want to wear two best friends 22 years apart, but so close at heart and I'm Lucy de Julio the old one Which means we have wildly different references occasionally different opinions and at this point in my 50s I've lived it all now in my 30s being the founder of new shoes good taste is my business Listen on the iHeart Radio app that will podcasts or wherever you get your podcasts I'm lacy mostly author actor stand-up comedian creator and host of scam goddess podcast the true crime comedy podcasts all about Robert fraud and those who practice it each week. I bring on an amazing guess Ooh, I scammed them. What I could talk to you for an hour your generational yapper Like me and now you can catch full episodes of my show on YouTube start listening to scam goddess on the iHeart Radio app apple podcast or wherever you get your podcasts There are thousands of podcasts that can tell you how to better yourself Get worse with Kyle Prue is not one of those podcasts So if you're interested in getting thinner going to therapy starting peptide setting boundaries taking supplements making your better getting Closure than I would humbly recommend other podcasts if you're interested in blackmail love bomb and cloning yourself for getting revenge Then we've got a little something something for a dastardly individual like you Listen to get worse with Kyle Prue on the iHeart Radio app apple podcasts or wherever you get your podcasts Didn't catch the latest Roland Martin unfiltered podcast. Here's what you missed There should not be a single law enforcement agency. It does not have body cameras. It's real Black farmers have been under attack. This is just the latest example of them just slapping DEI on anything It's wrong and I'm sitting here going. They are playing y'all for fools catch Roland Martin's daily commentary on the black information network And download Roland Martin unfiltered on the iHeart Radio app apple podcast or wherever you get your podcasts

Podcast Summary

Key Points:

  1. Lexi and Lisa launch a new podcast, *Don’t Lie to Me*, featuring two best friends with vastly different life experiences and perspectives.
  2. Lacey Mosley hosts *Scam Goddess*, a true crime comedy podcast where she interviews guests and "scams" them, offering entertainment around fraud and deception.
  3. Kyle Proo’s podcast *Get Worse* targets listeners interested in darker themes like blackmail, love bombing, and revenge, contrasting with self-improvement content.
  4. Roland Martin’s *Unfiltered* podcast highlights issues like lack of body cameras in law enforcement and attacks on Black farmers, emphasizing systemic injustice.
  5. The discussion centers on the Brittany Griner case, where she has been detained in Russia for over 130 days, sparking calls for attention and support from the public.
  6. A deep conversation explores cultural identity, the evolving definition of Blackness, and the importance of Black artists being in the center of their own narratives.
  7. Athletes like Daniel Kaluya and the speaker reflect on the emotional and cultural weight of playing for Manchester United, especially the pressure and connection with fans.
  8. The podcast episodes underscore themes of artistic integrity, the “zone” in sports, and the impact of hate, especially when tied to race and identity.

Summary:

Several podcast hosts share updates on their new or ongoing shows, highlighting diverse content and social issues. Lexi and Lisa launch *Don’t Lie to Me*, a podcast about two women with contrasting life experiences. Lacey Mosley introduces *Scam Goddess*, a comedy podcast on crime and deception, while Kyle Proo’s *Get Worse* caters to those interested in dark, rebellious topics like blackmail and revenge.

Roland Martin’s *Unfiltered* podcast addresses critical social issues, including the absence of body cameras in law enforcement and rising attacks on Black farmers. The conversation also touches on the ongoing detention of basketball star Brittany Griner in Russia, drawing attention to her prolonged imprisonment and lack of public response. Additionally, discussions explore cultural identity, the significance of Black narratives in art and media, and the emotional depth of athletes in high-pressure environments.

Themes of resilience, artistic integrity, and community solidarity emerge throughout, reinforcing the power of storytelling in addressing both personal and societal challenges. These segments collectively serve as a platform for empathy, awareness, and advocacy across diverse audiences.

FAQs

The podcast is called 'Don't Lie to Me,' hosted by Lexi Juanu and Lisa de Julio.

You can listen to 'Scam Goddess' on the I Heart Radio app, Apple Podcasts, or wherever you get your podcasts. Full episodes are also available on YouTube.

The podcast is a true crime comedy show that explores topics like robbery, fraud, and those who practice them, featuring guests each week.

The podcast is called 'Get Worse with Kyle Proo,' which focuses on extreme and dastardly topics like blackmail, love bombing, and cloning.

Roland Martin emphasizes the need for body cameras in all law enforcement agencies and highlights ongoing attacks on Black farmers, criticizing the misuse of DEI initiatives.

Brittany Griner has been held in Russia for over 1100 days since her return from a basketball game, and she has not been released despite being a well-known athlete.

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