‘Lanterns’ Episode 4 Instant Reactions | Midnight Boys
96m 49s
The podcast dives into the fourth episode of *Lanterns*, analyzing the evolving relationship between Hal Jordan and John Stewart. A central theme is the tension between trust and fear, particularly in Hal’s interaction with Sinestro, where his submission reveals deep-seated insecurities and a sense of vulnerability. The show also examines racial dynamics and cultural trauma, linking John Stewart’s journey to broader Black experiences of systemic oppression and the struggle to earn respect. The narrative underscores how both characters are shaped by their environments—Hal by his isolation and power, John by familial and societal distrust. The episode’s plot, involving a covert manhunt and a morally ambiguous slaughterhouse, is framed not just as a mystery but as a commentary on power, control, and identity. The creators note that while the mystery is intricate and well-constructed, the emotional core—particularly the buddy cop dynamic and the characters’ personal growth—resonates more deeply. The discussion touches on whether Hal’s actions reflect unconscious racism or simply the instincts of a powerful, privileged figure. Ultimately, the episode succeeds in blending sci-fi storytelling with nuanced social commentary, creating a compelling exploration of race, loyalty, and personal transformation in a high-stakes universe.
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On Friday, Button Mash gives their reactions to Wolverine
and gotta bring up something real quick.
What are we bringing up?
I thought you wanted to get to the episode faster.
What am I bringing up?
You're right.
I'll save it.
Ben, we see you.
What?
What do you mean?
He wants the coach for Wolverine.
On today's episode, Ben, we see you.
Come on, man.
We see you.
Big Cullenberg kind of put it down a little bit.
On today's episode, we react to the fourth episode of Lanterns.
And I'll say real quick right now, the response to this show is,
they boon for the Ringerverse and for the Nerdverse.
Wow.
What a show that we can coalesce around.
We're having so much fun with Lanterns,
and this episode is fantastic as well.
Is this one of the first,
it feels like one of the first times we've had a show
where it's like it intersects with everything,
where it's like, oh, it's the nerd shit,
but they also got a lot of black shit going on,
and motherfuckers need to come right here.
Kind of a discourse machine.
To get the full perspective.
That's because we weren't a while when Watchmen was on.
We were in the same thing, but you're absolutely right.
And kudos to the showrunners for being able to have a show
that's accessible to a lot of people
for different cultural reasons, okay?
But before we get to Lanterns,
we have to do a spoiler warning.
We're going to spoil the show,
Wolverine, Lantern, all kinds of things.
Steve?
We're getting ready to talk about Lanterns.
You're listening to a reaction podcast.
The spoilers are coming.
To begin our reactions, though,
we have to put you in the know.
The only person that can do that is
Charles.
I actually forgot to do the Midnight Benefests today.
So can you, uh, can we do, like, a. Hello, Ringiverse fans.
I regret to inform you that due to the initiation
of Deep Shadow Protocol,
this bit had to be edited out of the pod.
I know.
I'm just as disappointed as you are.
Thanks, as always, for listening.
And the Midnight Boys, pew, pew,
will get back to you shortly.
Midnight.
Okay, just fucking do the Manifest now.
All right, this is your Midnight Manifest
for Lanterns, episode four,
directed by Geeta Van Sant.
Oh, you actually. I actually wrote the Manifest.
I was being an asshole.
Okay, okay.
Hal visits the imprisoned Sinestro
for information about the Manhunters
during this conversation.
Sinestro stokes fear in Jordan.
The former pilot admits that he knows
John is in his backup,
but a replacement sent by the Guardians.
Back in Rushville,
John locates an underground bunker
on the Macon Ranch,
and the duo make a plan to search the compound.
Before embarking on the mission,
the Guardian visits John
at the motel.
She tells Stuart that
in order to become Green Lantern,
he must stab Hal in the back
by taking his ring away
and saying the oath.
John draws a digging machine
that will help the duo
make it to Macon's compound,
and Hal gives his subordinate the ring
so he can manifest the object.
But when the two Lanterns
get to the high-tech compound,
they're ambushed by men
with anti-Lantern tech.
Macon makes John draw his dong in captivity
until Carrie arrives to save the odd couple.
Zoe arrives at the motel
and has sex with John.
Her walk of shame
turns into a walk of death.
When a satellite vaporizes her truck,
John shows little emotion.
Hal and John locate the maker
of the satellite
with the help of Carrie.
They ambush a man they think
is Hector Hammond,
a classic big-headed
Green Lantern villain
at a slaughterhouse.
This Hector isn't Hammond,
but an engineering student
meant to lead the Lanterns
to this location.
Hector threatens to murder
John's family
and further ruptures the trust
between the two Lanterns
with a recording of John
bowed,
bowing his mentor.
Hal uses the information
he got from Sinesho
to suss out that Hector
isn't the Manhunter,
saving John's family.
On the drive back to the motel,
Hal figures out
that John suspected
that Zoe's the Manhunter
and in a reenactment
of the podcast,
pilot Hal jumps out
of a moving vehicle,
leaving his former partner
to crash into a phone pole.
That has been your very long
midnight manifest.
Gonna throw it back to you, Vin.
I feel like we gotta start
where the episode starts.
Hal versus Sinestro.
Two iconic heroes, villains.
How do you feel like
the show handled them?
Okay.
So this is a very important
scene in the show.
Yep.
Okay.
So Hal with Sinestro,
the veneer of Hal Jordan,
totally gone.
Yeah.
Totally gone.
Such a well-played scene
by Kyle Chandler.
When he's in front of Sinestro,
you can tell that he does two things
he hasn't done to anyone else.
Number one,
he submits to Sinestro's authority
ever so slightly.
Every other time
that he's being Hal Jordan,
it seems very authentic.
When he does it with Sinestro,
it seems forced.
I'm just gonna fucking leave you.
No, you don't wanna do that.
You don't wanna just leave him here
and fly away
and figure it out yourself.
You want his help.
You care about his opinion
for whatever reason.
And there's almost
an energetic submission to him.
And also,
you see the beginnings
of fear.
I think you pointed this out
when we were off mic.
Talk a little bit about what you said.
I don't wanna take your take.
So what's been interesting
and a lot of fans have noticed this
is that if you notice the difference
between Guy's ring
and Hal's ring,
Hal's ring has like a gold trim,
but also they do a lot of close-ups
in this episode
where you,
you realize it's starting to crack
around the band.
And when he,
when Hal was having the conversation
with Sinestro,
not only do I agree with you,
Sinestro was doing a very subtle thing
where he was instilling this type of fear
about Jordan
and his place in the universe.
And they almost,
it felt like
Hal almost has like
a Kobe to MJ relationship
with Sinestro
where he respects him.
Obviously, he was powerful.
He was able to kill a Guardian.
This was his mentor who taught him so much.
So to me,
it's such rich storytelling
that this is probably the only,
at least Green Lantern or figure in the universe
that can really poke Hal in the way
that makes him not only afraid
of the person he's supposed to be teaching,
but of his place in this galaxy.
- Let me ask you guys something real quick.
What type of person can tell you what to be afraid of?
Who gives you your fears?
- Usually your parents.
- Ha ha.
So we coming off one episode,
where we saw parents take fear away from a child
and what that looks like.
And we saw another one, there's one part where he asks him,
he goes, like, is he fearless?
And it's almost a throwaway line that Chandler goes, he may be.
And when he says he may be that way,
the seriousness in his face is like,
this guy might actually be someone who could supplant me.
But that scene is so important.
It's the beginning of a suspicion about the greatness of Jon Stewart,
but as kind of how Jordan is regarding him.
But it's also the first time we see that there is a humanity to Jordan,
that there are certain people in certain situations
that they will be able to take advantage of.
I mean, and what was also interesting is that Carrie says,
I forget if it was in, like, the first or second episode,
she talks about how lonely Hal is.
And we know that his dad died.
So it is this poetic thing where his father figure, his mentor,
perhaps the only person in the universe,
because he tells Jon later in the episode,
don't get close to people, this is a very lonely job.
It's very poetic that the only person in the universe
that can really understand Hal right now is Sinestro,
his father figure who is locked away.
And then the other person in Jon, he's pushing away.
Like, there is, the show is doing this very interesting,
very interesting thing where the bravado of Hal,
the bravado that Kyle Chandler's bringing to this role,
is hiding something childish and nefarious
and just very, like, lonely.
Something broken, yeah.
There's an interesting level of layer to this
because Sinestro kind of instructs him to, like,
lull Stuart into, like, a false sense of security of, like,
okay, fine, play along with this.
Make him think that you're actually training him
and feel comfortable.
Make him feel comfortable about it.
And for the most part, we do get that
because there is a level of cooperation throughout the entire episode.
But the conversation that bookends this episode,
like you said, like, he kind of full-on admits,
at least, and I seem to believe it,
that he admits that, yeah, you could have every chance
at being better at this than me.
And, like, you probably are going to be really, really good at it.
And with that, he then crashes a car.
And I think that that's a, like, that's a very interesting choice
of, like, the level of vulnerability
that Jon has in his mind.
And I think that that's a, like, that's a very interesting choice
of, like, the level of vulnerability
that Jon is willing to offer up to Jon
and then immediately, like, undermine it
or, like, smack him in the head with a pole
is very interesting.
And it's, like, a sort of familial bond
of, like, acting out this level of insecurity
that is instilled from Sinestro passing down to Jon.
And, like, I don't want to talk too much about the ending
because it's fascinating, the conversations
that they have in the car.
But that was the biggest thing from Hal's perspective
that I saw.
I think, like. I think, like, for me, talking about. I mean, obviously, Hal and Jon's relationship
is, like, the foundation.
It's the crux of the show.
And for the first time, we see them work together
and we find out, like, oh, these guys actually
work together pretty well, right?
When they're not bickering or, like. Well, not even, like, really hiding stuff,
but just, like, doing their own thing.
When they actually, like, put their minds
to one singular goal, they could be really successful.
The problem is, like, they've got so much other stuff
going on.
Jon, like, him, like, needing. Not needing to take the ring,
but needing to earn the ring, right?
He feels a personal sense of,
I can't just take it from this guy.
I need to be. It's got to be given to me.
What's wrong with you?
Why are you the way you are?
I feel like Chandler. Chandler Spry. Chandler can take it.
Yeah, I think he can take it.
I think, yeah, I mean, I absolutely think
he can take it.
I mean, first of all, you got to work up to it anyway.
Yeah, you can't just start. Yeah, obviously.
It's not like the industrial drill
that he made from the. Yeah, you can't take that.
Nobody can take that.
Well. I'm talking metaphors here.
Darkseid.
Darkseid can take the drill?
Probably, yeah.
Thanos?
After a while, but you got to train it.
Right, yeah.
You got to train it.
You got to train it.
But, no, if Thanos couldn't take
Ant-Man up the booty,
how could he take the drill?
Well, to be fair, we don't know that.
We don't know that.
We don't know that, for sure.
So, you guys played along, by the way.
This is what happens, though.
You guys always go,
oh, Van.
That's D&D.
Yes, I am, man.
Wait, really, I want to ask,
because you guys have brought up
something interesting.
Is the league changing
in front of Hal?
Not just with Jon,
but when we think about
the larger DC universe,
I'm like, oh,
Hal predates Superman.
So, he is very much like,
he's used to being, like,
not around a bunch of superheroes.
And now he finds a replacement
that can make constructs
from the inside out,
almost does not need the ring.
And if we're looking at
everything else that's happening,
probably around this time
in the universe,
he's like this,
which is interesting,
he is an old dog,
in a changing world.
So, I thought about this.
I don't think he thinks
in that regard.
Okay.
So, I think that
that is what's happening to him,
and that's what this show
is cementing.
And he is waking up to that
in real time,
and we're seeing it.
I don't think that's ever
actually gone through his mind.
Okay.
Because I don't think
he thinks broad enough, right?
I don't think he thinks broadly enough
about things like that.
It almost felt like,
Sinestro had to make him,
well, it didn't feel like this,
we watched it on screen.
Sinestro had to make him,
in the front of his mind,
say what Stuart is,
his replacement.
He had to get that out of him,
because he's either fighting that
that's deep down inside of him,
or he hadn't seen it yet.
But now,
it's in the front of his mind.
And it was interesting to see
how he acted throughout
the rest of this episode
after he had to admit that, right?
I'm going to bring up
a scene from a movie
that some people might have seen,
some people might not have seen.
The last thing I'll say
about this particular scene
between Hal and Sinestro.
Did you guys ever see
an actual movie called Manhunter?
Oh, yeah.
Who's in that?
Okay.
So, Michael Mann made this film.
Right.
And in this film,
this film is William Peterson,
and then you have Brian Cox
as Hannibal Lecter.
Okay.
So, this movie was remade
into Red Dragon.
Yeah.
Where, what's the character?
Somebody's screaming out back there.
What's the character that is played?
It's also in the movie,
it's also in the show Hannibal.
Right.
It's not Hannibal himself.
It's like the other
mad serial killer, right?
No, no, no, no, no, no, no, no.
The character that
William Peterson is playing,
he plays in the show Hannibal,
that character also exists.
Special agent.
Yeah, the cop.
Huh?
You're talking about the cop
who's in the books.
Will Graham.
Like, Will Graham
is the character that is,
you know,
that Edward Norton plays him in
in Red Dragon
and then in Manhunter,
it's what's-his-face
and then, you know,
whatever, whatever.
If you watch that scene
in Manhunter specifically,
they've redone this scene
a couple of times,
but if you watch this scene
in Manhunter specifically
when Graham has to go
and talk to Hannibal Lecter,
it's weird now when you watch it
because it's a young Logan Roy
playing Hannibal Lecter.
That'd be awesome.
But when you go
and you watch it,
and you watch the scene now,
there's this way
that Graham has to soften himself
because he needs Lecter's cooperation
because he's at the limit
of what his mind can do.
Lecter is a genius.
He's brilliant
and he knows everything.
But there's also this tension between them
because Graham put Lecter behind bars.
I really wonder
if I had one of the writers here,
if they used that scene
to model this scene
between Hollis and Nestro
because it is the same thing.
He has to sit there
with the guy behind bars
who he knows has more information than him,
who he knows has more angles
in his head than him,
but who he put there.
So there's this tension between them,
but he still leaves with information
that makes it,
in this situation,
in Manhunter,
he's trying to catch the tooth fairy,
but in this situation,
he has more information about
what it means.
Are the rings getting out of control
or at least the people who wield them?
Because what's interesting
if you look at the lineage
is that the Guardians
are afraid of Sinestro
because he was powerful enough
to kill one of them.
Hal, obviously,
is more powerful than Sinestro
because he took Sinestro down.
And now Hal is like,
the guy that's trying to replace me,
damn near does not even need this ring.
And it's like,
I was like,
oh, are the Guardians realizing,
like, similar to the Manhunters,
the lanterns and the rings
and the people who are there
who wield them
are something that
we just cannot control at this point.
What the Guardians are trying to do
is bring in replacement players
so they can reset
the market of the league.
Like, in 1988,
the NFL brought in replacement players
and people still went to the games.
And after that,
the Players Association
kind of knew
how they could get out of it, right?
Like, they knew what their limits are,
what their Cs are,
what their dealings were.
In this situation,
the Guardians are trying to prove
that we don't actually need the ring
to make a decision.
We can make a decision
because your lifespans are so short,
we can make the Green Lanterns that we want.
And if they do that,
and if they can do that,
they've reset the power dynamic
of the Green Lantern Corps.
They'll never have another Green Lantern
like Hal Jordan again.
Somebody that they can't control.
Yeah, Hal is,
well, interesting,
like, I don't want to get too far away
from your Sinestro point
because it kind of, like,
undergirds the whole episode,
obviously.
But when he talks about
you can't get too close to anybody,
you can't love anybody,
he's also talking about Sinestro.
that was his boy they brought him up and so when he betrays he betrays the guardians betrays
the green lantern corps he's like and he had to take him down he's like yo i really don't have
anybody there's nobody in my life i can trust he can't even trust john he can't like his entire
life is like fundamental to that thought to that thought and so yeah like i can understand why how
it's kind of how sucks but i understand how you become that way when you can't love anybody you
can't trust anybody you are all alone now we go straight from this back to john we see john he
wants to buy a scope his parents are calling the whole nine we go straight from this back to john
now that you've seen this scene when you first saw stewart again in this episode because he
has a lot of awesome scenes leading up to the first time that they go how did you feel seeing
stewart now knowing that the conversation that he had had with the guardians like all of this stuff
seeing everything what's your feelings on stewart now after the conversation with sinestro and you
know what the guardians told him about taking the ring well what makes stewart so fascinating now
and the way aaron pierre is playing him and he even brings up this after him and zoe have slept
together that like everyone's lying to me you have his parents who are calling him the entire episode
yeah trying to get to him so obviously the guardians are still conversating with him and he's
conversating with his parents and he doesn't know how much he can trust them or how overbearing
they are he can't really trust the guardians he can't trust how and then after episode three
obviously they foregrounded how much this show is about race so it's very funny when he walks
through to get the scope oh man and he drops the money down how much where i'm like oh aaron pierre
is playing his loneliness different than how's if how's loneliness is very much like i'm gonna be
tom cruise mr maverick like watching i understood john stewart's character a lot more where i'm like
oh he's truly alone or at least like as a black man as a green lantern as just someone in rushville
it's mission accomplishment and he does not necessarily have time to really slow down and
be like what the fuck is happening
right and it makes like a feedback loop of distrust between how and john specifically because
while how doesn't have anybody backing him and he feels like everybody is against him
he feels like john feels like all the people that are supposedly rooting for him
clearly have ulterior motives just behind his ascension yeah and it's like that's the more
fascinating thing because like that's just going to escalate every single episode until we hit a
breaking point i mean it's really interesting especially given the conversation i last took
about raising versus
programming and you could make the argument that they programmed him too well right because
the guardians want him to take the ring from how they're like amen that guy kind of wild and
it's really not you got to go get take the ring do the oath whatever but john doesn't feel like
he should take the ring he should get the ring like that john feels he should you know instead
of taking he should earn it despite what he tells uh the guardian in the room yeah man he's sorry
he's old i'm next up i'm him he doesn't want to take it he still wants it to be given to him he
still wants to earn it is that all right if we're getting spicy because i could tell there were maybe
there were some black people in the room where i was just like it is very interesting that john
that john doesn't want to have to take the ring from how and do it in that type of deceptive way
because i'm like that is very true to the african-american experience where it's like instead
of getting the ring because you deserve it and the right way to go about it you almost there has to
be subterfuge there has to be like i have to overprove myself i have to do all these other
fucking things just to get to the starting line and i was like oh that's fascinating man when i
saw that this is what i thought about you are absolutely right so if we go back to the programming
thing i'm not gonna do a long preamble because i want to stay in the moment of what you just said
but actually i'll come back to that let me stay in the moment of what you just said
he doesn't want to do that because there's an inherent entrenched self-morality code that exists
that is a part of the black experience we hold each other even if we can't be hyper consistent
in all the time to a standard that's based in community give you an example of something
you don't ever hear like white record executives have to answer questions about bad contracts that
they put artists in like nobody asked these questions to jimmy ivane nobody asked these
questions to like tommy mottola like clive dave nobody asked these questions but if you're some
if you're a black mogul if you're master p you know if you're dame birdman if you're a birdman
the black community is going to ask you why did you put someone in a
contract that we believed to be predatory how could you do this to one of your how'd you do
this to one of your own right but there's something beyond that too there starts to be a sense of
we really not trying to dirty nobody he doesn't want to get the ring that way because that's
against his cultural tradition his cultural tradition is not take advantage of the first
fucking opportunity that you see and do something when someone's not right and just pounce on them
and still that's not the cultural tradition it's not the cultural tradition it's not the cultural
tradition of morality that we've been raised with that we've been told is the right way to do
something and we are no matter what people try to say and lie about the community that i come from
that people will look at you and be like yo you wrong and he is not interested in that and the
reason why it's so interesting right now is because he's we're watching him in this episode
like break the programming he disobeys his parents he disobeys the guardians and that comes off
as if he's not interested in his parents and that comes off as if he's not interested in his parents
in the last episode why did he say that he wanted to shoot the apple off of his mother's head
because she lied to him oh yeah she lied like the thing that made him go no you know what you stand
under there is because he realized the same way you feel about your parents when you realize santa
claus ain't real why did you tell me this all of these years like what's what you want and then
after that you go okay well what else is out here that you told me that's not for real now you have
a different relationship to them that like literally i'm not gonna lie to you i'm not gonna lie to you
understandings of the glitches in the programming or rearing or whatever you want to call it is the
reason why you go seek the truth for yourself because you start to really understand that what
you've been giving might not work for you it might not even be true and i think he's in this episode
if you look around he's operating outside of the chain of command a couple of times and it gets him
more relaxed because this episode has a lot of moments of levity without a doubt levity between
john and hal that i found like amazing
actually like the little joke about the weenie and the uh amounts of times that they were like
kind of like staring at each other about how weird like the slaughterhouse was and all of that like
there's a lot of funny things that happen when hal and john are actually legitimately bonding
or at least what it seems like that because we don't know if like at least i didn't clock whether
or not hal has that level of duplicity in him to actually lull him into a sense of security
proclamation right
proclamation proclamation you can't just say proclamation right now i declare bankruptcy
that's what you wish on me no no no no it's the joke it's like you can't just say i declare
no you you watch the office white guy makes an office joke i get it i get it uh proclamation
aaron pierre will one day be the biggest star in the world oh for sure proclamation aaron pierre
will one day be the biggest star in the world and i'll tell you why why it's what steve is saying
talking about when they're sitting on a water tower and he makes the joke i was gonna kill the
vibe at disneyland aaron pierre has a way of softening his face like changing his gaze
almost energetically morphing into a scene to where you understood that he was trying to tell
a joke and you didn't even have to laugh it made you feel good and even the way chandler plays off
of him the way how did you just make a joke like he
has this thing that he can do the subtlety that he operates with in this role of being this army guy
it's just very very rare that an actor has that emotional and energetic control over the characters
that they're playing he's amazing and what i thought was interesting because if you start
from the beginning of the episode where john puts the money down that choice informs everything else
that happens in the episode because what he is saying is
not only could i afford the gun i can afford the scope i could probably afford everything
in here every single time he is in a scene with anyone else it is like what's he doing to how oh
that's the weenie this is how i learned it blah blah blah when they're in the motel with carrie
he's like this is a setup this is why blah blah we're walking into this even when how gives him
the ring and he makes the construct from the inside out it is john proving at every single
point why would i have to steal the ring i have every i don't know i don't know i don't know i don't
know i haven't done everything and i have all the skills right like my bank account is fucking full
why would i ever have to steal my way into this i'm that good at it and it's like that's why i
also think kyle chandler is playing something interesting where
his jealousy isn't really jealousy of john anymore there starts to be a recognition where it's like
oh there's someone else like me in the universe who's this good he's starting to respect him yes
yeah oh yeah he's like he's he's he's starting to respect him he's starting to see that number one
he is qualified it's not just that the guardians want to want to howl jordan replacement this is a
bad motherfucker yeah he's smart he's capable he's all of those things i don't want to i don't want
to get i don't want to like get to like the ending yet i know we got some other stuff to talk about
but that man you hit it right on the head bro the way kyle chandler through through this episode
like starts to look at john in a different light despite the conversation he had with sinestro yeah
right sinestro is trying like you gotta look if you're not gonna kill him you gotta uh we gotta
undermine him right turn uh find the manhunter bring him to oa and disgrace john in the process
and he
doesn't do that they go out they they find the weenie they they get off the compound they go to
um the the slaughterhouse all the while you they have they're having the conversation like in the
car for example and he's like hey man like you're hey man you you're kind of good at this bro like
that that was awesome you you're cooking right now i appreciate that and like it just makes the
ending hit so much harder throughout everything well i don't want again i don't want to like
we that's so much uh we have so much to talk about but that particular like it was the
moment when he was like just give me the ring when we go in the slaughterhouse he's like no
but i respect what you did so can't this i bumped up against this when they finally get to macon's
compound this show is jumping through a lot of fucking hoops for them not to use the ring they're
like they got black smoke they can't use the ring i'm like hey yo bruh like so i guess i have a
question i wonder why so is it because of budgetary
constraints to the show and all that stuff like that they don't want to do the whole thing
or is it because the ring itself is too convenient of a narrative get out of jail free card like the
ring honestly could solve most of the problems that exist right and do they want to put these
guys in a position where they have to use their human skills more than just like the i guess
this one was that moment was i tripped up on because i was like we still have not situated
the green lantern ring in this world so i'm like how does make like i know like you could say man
hunters but i'm like he's equipped all of these people in here with anti-green lantern tech like
that is something that if true why is he even making like going they're like oh all the green
lanterns will come i'm like you guys have smoke that makes the rings useless right like you you're
one that would make you one of the most dangerous people in the dc universe if this is still the
universe where the green lantern ring is going to be the most dangerous people in the dc universe
ring is the greatest weapon that that they have right answer this fucking question
you'd explain it like you know i'm saying like in the past you know all you needed is to wear
something yellow and then right or wood right now i just imagine that i think it's column a column b
right budget you know i was i literally watched a scene of of in superman when the justice gang
for the first time and guys doing like the whole
thing sure i'm sure that costs a bunch of bread right and so can't really do that a and b i think
there is a level of it is a joke get out of jail free card so ultimately what you want to do is show
that they are like john and how or john specifically can get by without using the ring right and so you
put them in a situation where they can't they can't use it all the time therefore they show their
skills without the ring and then once they start wielding it you're like yeah this obviously this
is a little bit of surf dracula in that but right but it's still like it's still it still means
would you guys though if if you're captured by making are you drawing the dong gotta draw yeah
i'm gonna make it like i'm gonna get real teensy yeah i don't care i don't care what he's actually
you gotta be anatomically accurate yeah you can't i mean respect the process is that i mean there's
no reason to draw that man's and be small if it's not small that tells me i mean like if then look
right you gotta think about it i'll put a clown nose if anything
i'll i'll i'll look out for you you give him a couple inches yeah if anything it's like i'm not
gonna draw right because you know sometimes check him up sometimes i went to the getty museum we all
went to the getty museum and you you look at it and it's like a sculpture of mercury right he's
got the hat on the whole they were doing those guys any favors and you're like you this key can't
be a but this is how i can tell it is freaky he got all these motherfuckers in there he's like
y'all all seeing the meat and i'm like if i'm one of the soldiers i'm like hey boss only person who
was freaked out and his daughter
hold on for a second though but why bro why why i generally uh who i have i don't want to see my
employers me but yeah but there's a bit more of an hr thing okay but here's the deal though like
if you in the nfl all right right and you playing in the in the in the in the fucking game you
shower you see people yeah but that's everybody's meat not just one person but here's the thing if
i'm like at the gym i'm in the locker room i'm like that's a place where i'm like you're probably
gonna see some meat yeah like if i'm just you can't get used to it though
what are you talking about man equinox sports club la
sepovita meat show that's the meat parade and i get it it's the locker room it's the locker room
but that's the all right while we're here let's just get it out i'm gonna be
is the man is the manhunter box fire because john went back for seconds jesus i mean after he knew
he was a manhunter okay so we're off the meat we're okay we're in the we're in the corner
we are in midnight okay midnight no bullshit i think that this is actually like a really good
chance to talk about like in a serious way talk about like john's experience with intimacy and
why it actually makes him afraid well he's a robot and of course he would like to fuck on a
robot right but well no not even that it's the fact that like when he has a gun pointed at her
for way too longer than it should have been you could actually see that he's afraid of what might
happen if he puts that gun down yeah and then it's the one thing that his parents really
couldn't teach him he put the gun down is to be like intimate and vulnerable with somebody and
still feel safe so here's the deal though the most interesting thing about all of this to me
is that at the end of the episode we are led to believe that he knows that she's the manhunter
he's fucking her anyway okay would you not i'm okay so uh uh if you had a chance to fuck a robot
so wait a second not just any robot this is a question that y'all have to answer pretty soon
this is a question y'all gonna have to answer pretty soon sam altman's somewhere going oh my god
right and then robo chris hansen shows up yeah so so um you see how this looks
robo chris hansen show up that's funny bro it's funny no bro it's that's actually hilarious
it's funny well if in the future the chris hansen is actually coming in there because you fucking
right like you got my car that you're trying to like you know i'm saying you got like
transcript it says here uh one zero one one zero
is this what it looks like sit down don't go anywhere robot here you want to breach my data
what did you what do you mean by that but look so he knows that she's a robot yeah and he knows
that she's a manhunter at some point and he's still having sex with her now let's talk about
what we know about manhunters he doesn't know everything he doesn't know everything he doesn't
know everything obviously hal doesn't know everything he's getting information from
sinestro but what you do know is that these are synthetic beings that have been around for a very
very long time that are immensely powerful and inherently dangerous what does it say about john
stewart that he suspects strongly or knows that zoe is one of them and it doesn't stop him from
having sex with her and this is a very lindelof
type move to steve's point you know what did we see last episode there's a very oedipus
complex reading of this where it's like he holds the gun against his bob it shoots the apple
and he obviously gets turned on by holding a holding a mother figure at gunpoint and
having sex with her there's a lot going on
you're allowed to read it like that i'm just like
again you can read it hold on wait a second but that's zoe zoe in this i'm just gonna be honest i
don't want to go too far down the oedipus hole right but zoe but zoe in this is played some
she's an older lady than john stewart right and if you watch the relationship that was reflected
in three and now like when she's leaving she tells john in the first episode or maybe the second
can remember the first one right very directly you want to walk me to my truck like come out here
they don't change names only he's almost it's almost as if in that situation he's kind of
following orders a little bit yep like just a little a little bit this is not a bad read i'm not
nobody is saying it's a bad read it's a tough look for john but no but that's what i'm saying
i'm like there's a level of like non-training that he has when it comes to intimacy that like
very clearly, like, if he is
like attracted to a woman or has feelings for somebody even if he just mildly likes somebody
that's not in his programming from the previous episode like that's not part of his life so they
taught him they taught him be fearless but they didn't tell him about how to talk to women it
makes it kind of makes sense the birds and the bees that's interesting about whether or not they
did or if they didn't because there is a certain amount of fear that goes into those types of
understanding being vulnerable but they probably had to take that fear from them too hey man don't
be scared of the hoes bro are you going up there you got all right we're not we're not saying the
h word anymore hold on y'all have said scaring the hoes all the time i know that's more tech
better
i hope that the entire audience is the lights are bright a different time
get at me when i do it okay let's stay on the light stop right
this week they they pretty bright the lights is bright right now as they have fucking got around
we want to be in publications the lights the lights are just all right y'all play y'all play
not like okay let's stay on this situation let's talk about the end scene before
zoe gets fucking zapped all right let's talk about the end scene he's everybody's lying to me
everybody everybody the guardians his parents you this is an echo of when his mother lied about
the birds of course and then he took a little bit of his power back from her by making her scared
or seeing if she was scared testing her fear and this is what has to happen to john john has to see
that people they're not respecting the chain of command they're not being consistent for his
program in the break and i think that's what's going to happen to him and i think that's what's
going to happen to him and i think that's what's going to happen to him and i feel like that's what
happened in this scene that's what happened in the show was it a miscalculation on his part where i'm
like yo you pulled the future your old girl got zapped and he was like happens like if i'm if i'm
how like how rightfully so it's like god damn i didn't think you were that cold well i i think
again it speaks to like the emotional conditioning of like okay well that's a thing that i'm either
distracted by or afraid of that is no longer here i don't think i i legitimately think he's trying
to fight that because again in the end scene of the crime scene he's like i'm not going to fight that
car he's trying to fight the fact that he actually liked her it might i think that's what it is though
really because i think what it actually is is how it's just that good like that's what it comes down
to for me it's how it's just that good because how i was like man i was trying to solve it but
this what what ultimately comes to the conclusion is like uh he was he was lying to me like that's
that's what it is that you got you you got caught up like that's ultimately what it all came down
to and we can't really work like that if that's how you're gonna got him out of character but
is zoe really i don't think he was sad about zoe really a manhunter or is this underlying what we
were saying in earlier episodes that there's a bunch of manhunters at this point i think it
speaks to that theory a lot probably speaks to the theory that there's a bunch of manhunters
um i wonder if john is down the road of the mini manhunters theory if he's believing that she's a
manhunter but that her being a manhunter isn't that singular in this particular place where they
are because
after she is zapped everything that we're talking about about like how he starts acting so odd yes
he becomes a little bit reserved he's in the room he's holding back from them number one he already
knows this he's holding back from them he they're solving the crime which was even when i was
watching i was like god damn these niggas is like fucking sherlock holmes in this bitch yeah they
got we got pulled up ndas from like 10 dummy corporations we didn't talk we didn't talk
about
it we talked about like her getting blown up from the sub-upper laser but yeah shows shows cooking
hey where'd that come from up there just point
just point just point 45 degrees just point boom gone found it found the satellite brought it back
down and then we go on this really interesting journey from this part in the show to where they
have to you know reassemble the satellite figure out where the satellite came from who licensed
the satellite all things that are going to happen and then we go on this really interesting journey
that whoever would have put that satellite in the sky
would know, that would be very easy for an investigative agency to do.
They would have to know that.
Then we get to the point that they don't really care
because they wanted to point to one person.
All of this is doing more work between the characters
than it is between the actual story.
They just want to get us to the point that they get us to
at the end of the episode.
I'm still not really convinced at how, quote-unquote,
good the mystery of this show is
because it's not kind of on the rails,
but it really doesn't have that level of. I mean, we'll see maybe later on in the season,
but I'm not really seeing a level of red herrings or duplicity come.
It's just more of like, all right, we're down this path.
We solved this problem.
Here's the next clue.
It's very power broker coded to me.
I think the mystery is devastatingly well executed.
You think so?
I have no clue what's going on.
Right.
Like, no clue what's happening.
By the way,
Zoe could be the Manhunter.
Let's say Zoe is the Manhunter.
Or a Manhunter.
A Manhunter.
That might not even be the big question of the season.
I have no clue what's happening.
We still don't know if that's actually John who's dead
or Al who's dead at the end.
Who killed him?
Who the Manhunter is?
Who the benefactor?
Like, there's so much happening
to the point where I am confused sometimes
while I'm watching it,
and it's not an issue.
It's not like, oh, man,
this show's not doing a great job explaining it
or threading me through.
This mystery, it's more like,
oh, my gosh, so much is happening,
but this world is so well-designed, well-built
that these mysteries,
as much as they are intertwined,
I'm still locked in despite the fact
that I don't know what is happening.
I guess I'm more so on the side of
because I'm so interested in, like,
John and Hal's relationship
and Sinestro and Carrie and all of that,
the mystery part of this isn't the thing that's key.
Like, if this,
it was obviously influenced by True Detective.
True Detective,
True Detective is something when I watch that,
besides the performances,
it was like, what the fuck is happening?
Who's behind all this crazy shit?
The mystery was driving that.
This mystery is, I'm just like, oh, it's cool.
Like, we're getting to the final boss.
Yeah, like, it's a buddy, it's more,
I'm more interested in the buddy cop dynamic
in this show.
For sure.
And I think the good thing about, like,
whether or not the mystery might be hitting for me
is the fact that, like,
we're all staying present in the moment of the show
and not really, like,
obviously, we have a lot of theories,
we have a lot of things that could be happening,
but, like, we are entranced with what is happening,
right now,
and not game-theory-ing out, like,
ten episodes ahead.
But I think that's why the show's so, like,
incredible, because it's doing both things.
Right.
At least for me.
You have the mystery element that I'm enjoying,
and you have the buddy cop dynamic,
like, absolutely works.
I think that's why the show is operating
at such a high level right now.
Hmm.
Um, so,
now, by the time we get to the slaughterhouse,
we are in full weird fucking what's happening mode.
The tone of it,
it's an incredibly clean slaughterhouse
with people acting weird,
the characters do something
that I always love in scenes like that,
where they call out how weird things are.
Yeah.
They say, hey, enough of these weird-ass people.
We watched that poor fucking cow.
Whoever wrote that was a vegan.
For sure.
Because when you have to watch how your steaks are made. Nobody wants to see that.
Nobody wants to see it.
Man, I don't care.
You don't give a fuck.
I don't care.
Now, let me ask you guys a question.
Shut up, bitch.
Get some brisket, man.
Let me ask you guys a question.
Like, we're not gonna all eat that in New York.
In the scene
where the gentleman is sitting
sitting there,
what's his name, Hector?
Hector.
They say he's Hector Hammond.
He brings up John's parents' house,
puts it in there,
hey, we're gonna zap them
the same way we zapped Zoe.
In any part of that scene,
did Stuart show fear?
Did he show fear in that scene?
I don't think he displayed fear,
but he froze.
I don't think so.
I think, like,
as close as you can come
to John being afraid,
because he was like,
that's my parents' house,
and then Hal started, like,
dicking around,
and he's like,
hey, man, like,
I'm not afraid,
but we,
that's my folks, you know?
You gotta, you gotta
get to it.
And eventually, like,
Hal figures it out.
But I think there's,
I even still feel like
in that moment,
there's still enough trust
between them where he's like,
he's gonna figure this out,
but I would prefer
if my parents did not get blown up.
So,
you brought up something interesting,
so I wanna fold all of this into one.
I think a lot of viewers
are bumping up
against Kyle Chandler's
betrayal of Hal,
because that scene is a perfect,
like, people are like,
is Hal racist?
Is he a dickhead?
Is he this?
And that scene, to me,
is I'm like,
oh, no,
this is just how
he moves through the world.
This is a very,
this is a trope of cops.
Like,
the cop who's gonna do anything,
he's gonna figure it out,
he's always trusting his gut.
And my reading of Hal
in that scene
is I'm like,
Hal knows he's gonna land this plane,
he doesn't care how he has to do it.
And that's what makes
this so interesting,
because the Hal
that we would get in comics
would be a little bit more
goody-two-shoes about it.
He's not gonna put
Jon Stewart's family at risk.
This Hal doesn't give a fuck.
Well, this Hal is also,
we,
Hal's,
we've talked about this
a couple times,
the source of Hal's power
is not the ring.
The source of Hal's power
are his instincts.
That's why he is who he is.
His instincts were
what was on display
during the interrogation scene,
and his instincts
are once again
on display here,
but he has to use them
pretty quickly.
On the,
Is Hal Jordan a racist thing?
So, like, the question to me, I'll frame it by saying this.
Like, there's a certain amount of power that if you have it, even incompetence is evil, right?
You can just be evil or you can have a certain amount of power.
And if you have that amount of power and you do something that's incompetent, you're basically evil because of the amount of people that you can immiserate.
Like an incompetent president, a president that just does something that's foolhardy, that starts a war for the wrong reason, that engages into something that is politically or even socially or culturally dumb.
You can't distinguish that person from someone who just wants to kill and hurt people.
Right.
Because.
Because the effect is the same.
I think what the audience is talking about when they talk about Hal Jordan is someone or this show, period, and a grander societal question that we ask is people who aren't aware of privilege.
And whether not being aware of privilege is inherently racist.
Because if you're not aware of privilege, if you're racially ignorant, if you're culturally and socially.
If you're socially ignorant, then the damage that you will do, your microaggressions are indistinguishable from actual aggressions.
So the uncomfortable conversation that black people have tried to have with America is for you to not be racist, you have to care about being anti-racist.
And then people go, well, wait a second.
Like, I don't want you to, like, police every single thing that I do.
And I don't want to have to.
Nobody's asking you to do that.
Calm down.
Your response is denoting that you feel like this is your country.
This is a community that I live in with you.
And if you inside this community with me are not aware of how I live in this, then you're telling me you don't care.
And how are we supposed to do anything together?
And so when you look at Hal Jordan in this show, just him not caring, him being unaware.
The Guardian.
Jordan's being unaware.
That all doubles down on the privilege that the guy might have.
And it comes across as racist, even if Jordan himself doesn't hate niggas.
Well, so I what I think is interesting and what this show is litigating as well is this is racist in terms of you have to think about when Hal was born and also what it does to the white psyche and what it does to the white male psyche.
When you see someone that is not only younger than you.
Stronger than you, potentially smarter than you, but is also black.
Yeah, we see that all the time where it's like it is easy.
It is just a human instinct.
It is easy, easier for you to want success for someone that looks exactly like you because you can put yourself in their shoes.
And then the minute that they don't look like you, it takes more work.
And when you live the society that we live in and you think of what Hal as this character, even though he's fictional, is going through.
Of course, there would be someone who grew up.
In the 70s, 80s, 90s, being like, oh, the version that's replacing me and is better than me is a black.
We see it in professional sports all the time.
Can I tell you something right now?
I want people to think of something.
I want you to think of this.
I want you guys to think of George W. Bush and Barack Obama.
George W. Bush is a C student.
Like the presidency chose George W. Bush.
Right.
Like it legitimately chose him.
Right.
Like his ancestors were on the Mayflower.
He comes from the lineage of Prescott Bush.
His father was the president and the vice president.
His brother was a governor.
It's almost as if the presidency chose him.
He was like somebody at that moment that was put in a situation to where it's like, OK, you're from this dynasty of a family.
The presidency chose you.
Right after that, what do you get?
You get somebody who is their entire life.
Has been preparation for leadership, editor of the Harvard Law Review, constitutional law professor, organizer, like achiever, achiever, achiever.
That is Barack Obama.
Even the talent that he had, like as an orator, as someone who could connect people, this uncanny ability, like almost to be able to create that construct, like this uncanny ability.
To be this transformative political like reality.
And look how people responded.
Yeah.
Like, look how people responded.
There were a lot of people that were absolutely inspired by Obama.
But then there were other people that legitimately felt an existential dread that he could exist, that there could be a guy like that.
But it breaks your reality.
And that's what Lanterns is getting at, which is.
The reality that in a racist society that a bunch of people do not want to admit is that just by existing, yes, if you are black in this world, you are going to have to do two or three times as much just as you get to the finish line.
And if you admit that, your world starts to crumble because you're just like, oh, how much of the things in the world did I get because I worked hard for them or because they were handed to me?
And it's interesting that the creators decided to use what we know about the ring in the comics, which is.
It chooses you.
And then it gives us Jon Stewart, where it's like all the rules.
They subvert that.
All the rules have changed now.
It's not funny, but it is kind of funny.
You made a great point.
But essentially what you said was George is Hal, Obama is Jon Stewart.
That makes Donald Trump Guy Gardner.
Wait, can we get the art team to do, we should do a Hope poster just for Jon Stewart?
Put Will on it.
It's actually not a bad idea.
I had a question because like that, that, that's all immaculately well said.
And I, I was really curious because.
Don't be too curious, nigga.
No, no.
He can't be like, man, he can't put a scooby on.
Do we have a coofy in here?
We should have one on deck.
We should have one on deck at all times.
Yeah, we should have a coofy in here at all times.
Go for it.
No, because like it kept me thinking about episode three, because when the guardians are talking to Jon Stewart, they're like, oh, we should have a coofy in here.
And they literally cannot conceive of racism.
Brown?
Like they just think of this as a more of like an objective thing and not understanding the consequences of even giving somebody like Jon's father the ring and then taking it away from him.
Do you think that like, can the guardians be racist while also not knowing what it is?
I mean, so I was thinking about this.
This is going to be a long way of answering this question.
I was like, the thing that's interesting about.
The space cop element of this show is they kind of say it in an earlier episode is just like, man, what do y'all actually do?
Like, if you think about it, you get one green lantern per sector.
So you got a bunch of green motherfuckers.
You have your own police on all these other planets.
Police that have either that have been put in military, whatever.
And then you got some random alien that's coming down, like saying what the law is.
I don't know if the guardians.
You race in the same way humans do.
But if I'm an alien, the DCU, I'm like, why do I got to respect these niggas?
I mean, to be real with you.
Oh, go ahead, Jimmy.
I mean, I don't think the guardians like it's who put them in power.
They did.
Right.
They took their own.
They took it by force.
They made the managers in power.
That's why I understand why I'll be listening to these motherfuckers, man.
Like, who are you?
Real questions here.
Shout out to Mace.
Mace was on it.
Mace was like, that's always why I got.
I've got the problems.
I got the problems.
I got.
Nigga, who are you?
That's the same shit with me.
It's like, let's just sit and talk around.
Can you imagine being in the DCU?
One day you like, man, fuck the police.
But you only got to deal with the green police.
And then overnight you got, damn, we got red police now.
We got yellow police now.
We got blue police now.
Honestly, yeah.
So that was one of the most amazing tangents.
Oh, what was your question though, Steve?
Can the guardians be racist while they seemingly can't understand what it is?
So the answer is it don't matter.
And let me tell you, like, the answer is it don't matter.
Like, I said this on Higher Learning before and people got pissed off at me.
In any rational world, you'd have to have complete agency on something to be responsible
for the effects of your participation in that thing.
But this one ain't rational.
This one ain't rational.
And the reality is, I'm going to look at you and be like, yo, man, you know every other
fucking thing in the universe.
Like, why haven't you taken the time?
Like, I can give y'all, y'all know every other thing.
Y'all invented a power ring.
Y'all invented all of this technology.
Nobody had time to read a little James Baldwin.
Like, y'all.
But, all right, if I push back, if I push back, they did say in a previous episode,
A, they didn't give a fuck about Earth.
Earth was not on their fucking radar.
So to the guardians, once Hal gets the ring, they might be like, damn, you gave this white
monkey the ring?
Like, did they?
And they like, we all just ate.
Legitimately I think it's two things
One, we know about the Guardians
They're not the coolest people in the world
They are dickheads
Two, more importantly, they don't care
They just don't care
They don't care
I agree
The larger thing is
And this is probably accurate
If you're an eons old space being
The quibbles of
Minuscule beings
Short life spans
A short life span on this planet
Probably seems like some dumb ass shit to you
Like two kids fighting over the remote
But do you think that
Actually the Guardians
Do know a bunch of this shit
And they cleverly were like
We do not like Hal Jordan
This is a planet where
They are killing each other
Over the color of their skin
We can actually manipulate this
In a way where we get what we want
Well the only thing I'll say about that is
There was a white boy walking out of the room
When he was walking in there
If that white boy exists
Yeah but here's the thing
It seems like the
And I might be wrong
It seems like the Guardians
Have been working the Stewart family
For a while in terms of
It seems like an asset to them
That the father and mother
Do not like Hal Jordan
Yeah I mean of course
Because they were able to use that as a wedge
We never even found out in that episode
What made Bernadette and John Sr.
Want their kid to be a Green Lantern so badly
They never discussed it
But I think
We are left to infer
That being a Green Lantern
Particularly for a military man
And a military family
Represents perhaps
Will be the right word
Maybe they feel like
It validates them in some sort of way
Maybe they feel like
The father's failure in that moment
Is indicative of the entire family
Or maybe the entire race
Like that it rectifies his failure
It's not intentional
It is not intentional
But it's so funny
I thought about this last night
While I was watching it
I was like
It says a lot about
The middle class black existence
Where they see
Hey yo
Not only could we be earth cops
We could be space cops
Alright back to the show
Okay now I'm with it
Fuck that shit
Back to the show
Okay so
This
When we got through the compound
Do we want to talk about the ride
Back
Well no
Oh the ride back
Before they get to heaven
The Hectors
No cause we talked about
We talked about them
We talked about the ride
After they leave Hectors
The ride after they leave Hectors
Where
This is
Obviously
We're halfway through the season now
This seems like a major breaking point
Between the two
Where
Hal is
We actually didn't
Before we go that
We didn't talk about this
The Guardian
What's interesting
When the Guardian comes to John
The not Hector gets the recording
And then plays it
For Hal
About everything that John
Really really thinks about him
Guardian's up to shit
Yeah
Don't believe it
Guardian's up to shit
Of course
The most clear thing
That was ever going to happen
Of all time ever
Was John was going to fight
Was that John
I thought that would come later
I was really surprised
I was going like
Oh that was like
It took 40 minutes
For the Guardians
To end up
Trying to drive a wedge
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Between John and Hal
Because that's what they love to do
The Guardians love causing mess
So that was going to be one of my questions as well
What the Guardians love to do
The Guardian that we have seen
It is interesting to me
That we have not seen her appear to Hal
And I'm like
Is this actually a Guardian?
Is this a Manhunter?
What is going
Because the only time we've seen
Maybe I'm wrong
The only time we've seen the Guardian
Beside with anybody else
Is when that guy was walking out of
The room for the job
And with John's mom
The entirety
But all of that would have been a part of the ruse
Yeah
Right
So I'm like
Why isn't the Guardian also trying to play Hal?
Like they know that Hal
Is visiting Sinestro
Yeah but I think their math is
He's lost
We can't talk about it
Yeah but if they knew that he was lost
Then they would have tried to get a replacement
For him going
And here's the question
They have
We didn't go
For having like 20 years
They have
We didn't go over this
It is very very weird to me
That she's just like
Okay the next time that Hal gives you the ring
Don't give me the ring
Don't give it back
Say the oath
And I was like wait
Why are you
Like if you guys are the Guardians
And you guys made the rings
Why is John having to go through with
With that
Like what's happening
So this is the thing that I was most interested in
I actually did a little research on that
The ring would then automatically acquiesce
To the will of Stuart
If he says the oath
That to me
Denotes that the Guardians can control
Who the Green Lantern is
That it's not all the ring
And if that's the case
To Charles' point
Why don't they just fire Hal
Yeah
And you know what I mean
Like
They have to have somebody
Who's worthy of it right
Right
So is the
Is
And this is why you need to explain it
Is the thing
That the ring
Is the best
At choosing
Who's worthy of it
And who's fearless
Right
And so then the Guardians
Go along with that
Because the ring does a better job of that
And the ring would not choose
Jon Stewart
If he wasn't fearless
Like if Jon Stewart says the oath
And he's not cut out for it
The ring goes no
Well I think it's two things
I think one like
I mean both of these are like
Mainly like show things
A
They want the ring to choose Jon specifically
Because
They bred him since birth
To be their
So the ring would still have to choose him
Even if he said the oath
If he wasn't worthy of it
If he says the oath
And takes it
Then he becomes the Green Lantern
He becomes their
Their proxy
Right
If the ring goes and flies off
And goes somewhere else
Then Jon's SOL
Right
They don't get their guy
That's in the mix
That's why he needs to take it
Well
Hal would have to die first
Exactly
Right
And so
By the comics
The comics
The fucking shit happens
The ring
Like
But that's what happened
With Abin Serna
Yeah
But in this situation here
That's not what she said
Right
Because Jon's not dead
Or Hal's not dead
Right
So like
Oh so
Only if he dies
Would the ring go and choose somebody else
Yes
Right
But
In this situation
He's not dead
Exactly
So
Would he have to be worthy of the ring
Because then the question is
What if
You're Hal Jordan
And you take it to me
I'm scared of plenty of shit
Like
You know what I'm saying
I don't like fucking
Stepping out on balconies
So like
So if you
You'd be the worst Green Lantern
Of all time
If you give
If you give me the ring
And I say the oath
Do I automatically become the Green Lantern
I don't think so
If I'm not worthy of it
I don't think so either
But I just
It was weird to me
Because even Jon
The way
Talking to like
Aaron Pierre being a fantastic actor
There's something on his face
Of like
Wait
Why do I have to go through
All this subterfuge
To get the ring
Yeah
Because it doesn't seem very
Official
It's not like he's being visited
By all the Guardians
He's being visited
By one Guardian
That only reveals herself
To him
And his family
And I was like
That is a little odd
I
Again
I mean
She knows that Jon
Or Hal has given updates
About Jon
He's not creative
I mean
There's
She says that
And then there's a scene
When he's
Showing him the schematics
Of the day
And he's like
I'm creative
But is Hal giving
Actual updates
Because we learned
In the previous episode
That he shut off
For ten years
So I'm just like
Is she lying to him
And like
I mean they're always lying
I think it is like
To be suspicious
Of
The Guardians
Is always
A good idea
Because again
These guys are
The worst
But
I don't know man
There is a level
To me
Where
Why
Who would they be
To make Jon
Their proxy
if not because Hal is such a nightmare.
- Well, 'cause this is also
starting to like me think like how does sinestro know about manhunters and how does he know that
there's some on earth well you know is it possible that the guardian that sinestro killed was actually
a manhunter it's possible and that's what i'm because like the only other way that that one
perceived manhunter that was that is say we're going with the idea that that guardian is actually
a manhunter that manhunter wouldn't have known that uh hal effectively clocked in to the prison
to visit sinestro to do so right i would manage i would i would wager that it's probably like a
rogue guardian but at the same time how is is like rogue in of itself right we talked about like
you know what it like being a human for a guardian is just it doesn't make their brains
can't like comprehend why these people would have these emotions would do these things would act
out of character you give a regular alien the ring out in space they follow orders to do as
they're told
there's no there's nothing other i mean there's chilling we gotta worry about it for humans they
act out these short lives give them these different emotions that makes them do crazy things we gave
a human the ring and we cannot control him yeah everybody else we have on a string this guy
creates problem after problem after problem we need a human that is going to do exactly what
they're told and so they again we've seen in the last episode they quite literally from birth
breed somebody who they feel like
the embodiment of what it means to be a perfect human green lantern you don't you follow orders
you don't say no you do exactly as you're told and for them when she comes back and she's like yo
hey man i spent your whole life making you this perfect uh robot for me to control and all of a
sudden now at the moment of the opportunity you not you're not coming through maybe your daddy
was a loser that was crazy by the way that was tough but here's the thing if i mean if you flip
it though think about this what do we know about the man hunters the man hunters can transform into
anyone anybody if we know that ab and sir and would either a man hunter was on board and that
man hunter escaped wouldn't a man hunter be like it would be great if we could raise a child knowing
everything we know about humans racism all this stuff wouldn't be great if we could raise our own
green lantern and have them on our side and that's why they're just like hey next time how
gives you the ring say the oath because they're essentially like they're not it's like that's my
thing if this was a guardian why are they going through this if the guardian was a man hunter they
would be like hey do this i want to say two things real quick one i'm having a fucking immense amount
of fun right now yeah this is crazy fucking this is amazing number two go back to what you just
said a second ago we have not discussed that the fact that he in some way showed a
little flex with the guardians or a little he bucked up with them a little bit and she started
ripping his family lineage to shreds in front of him talking the most cash money disrespectful
shit that we've seen maybe you a bitch just like your daddy nigga what the fuck you gotta fight
think about that though that to me lends itself to a theory that there is some
type of nefarious fucking aim behind these guardians because the thing that they are doing
in that situation is trying to egg him on to take to take over because they need control over the
green lantern for some reason they don't want it they need it almost as if they need him to do it
now so they can tell him to leave this entire thing alone before he finds out what is going on
in this town but here and
this is why this is why i am like raising the like is the guardian a manhunter theory
is maybe the manhunter when they crashed on earth with abin sir was like fuck we thought that we
were going to get the ring when at when abin sir died the ring immediately goes to the most worthy
person so they are impersonating be like actually i'm a guardian and we got a new way of doing
things i just i think that's a hard conceit because
okay
okay let's say john does take the ring john gets the ring and he's got to zip over to oa for you
know initiation and whatnot and they go wait a minute who is this yeah who who are you you
who picked you you don't know but that's that's also the other but like the guy gardner thing of
it all like he could be official right and not no and like because there's two rings now well
god gardener is 10 years later sorry it's 10 years later yeah we don't know but it's the mere
fact that like if if if it's to be believed that guy gardener is actually legitimately like he's
gone to see the guardians like he's part of that official did it go away did that like when this
was solved this mystery the death of how the guardians might not know that they have a manhunter
in their rings they might not know that like this guardian could be like on earth basically
manipulating a bunch of shit not and that's why sinestro when he killed they're like you
killed the wrong you killed the wrong and he's like no no you guys have a manhunter wouldn't
sinestro just tell how that nah you can't give up the goose like that you sinestro wouldn't just tell
how that like i killed a man instead of a guardian exactly yeah he's been before what to what end
though if he actually killed him if he like if he actually killed him wouldn't sinestro just be like
hey well maybe he can't because he's he realized he's being washed or they knew they went out there
anyway all this was fascinating all right let's get back because we're getting to the end of the
episode the conversation
in the car coming back that leads to car accident crash can you guys explain because you guys have
watched the episode more than i have why do you think that how jumps out of the car
leaves john in there was he trying to kill him i watched that scene i watched the scene like
going from the uh hector hammond joint to the end like 10 times because i was like i was like yeah
i was like yeah what is what am i looking at so here's what i think happened and here's why i think
not only is cal chandler amazing aaron pierre the whole writing team like everything is working at
such a high level right how does not uh jump out the car and put john through the freaking
telephone pole because he's upset about what he told the guardians he's not upset about uh like
like him taking the ring all of that all the nonsense that they've been through over the last
four episodes he's not mad about any of that in fact he respects him he's upset that he did not
tell uh that he's upset john how's upset that john did not tell him about zoe that's it yeah that's
the whole thing everything else he's like hey man the game is the game you know i would have done it
i was i was thinking about it but the fact that you knew that zoe was a manhunter and that's why
we're here in the first place to do that find out who the manhunter is so that they don't blow up
however long it takes and you didn't tell me that after all of that nah bruh you don't deserve this
ring you don't deserve to be a green lantern the whole thing that we've been like we've been
talking about it for four episodes and how much uh how sucks and how much ridiculous the one thing
that he is dedicated to is being a green lantern and and doing it even if it's his way even it's
the worst way he is still the man right and so when he finds out that john
knew that zoe was a manhunter for how long and he did not communicate that to him that's the breaking
point it's trust i would not if my partner knew that he suspected that this woman was a manhunter
i'm like how can i trust you now okay so let's beautifully stated let's talk about the remedy to
that he jumps out of the car and we'll find out next episode but he jumps out of the car at a high
rate of speed right after
finding out you know there's been some erosion in the trust between these two characters
there was the hearing of the recording to where he realizes that like he was supposed to take the
green lantern ring from him it's one thing he cares about more than anything but then it was
also the zoe thing now after this he jumps out of the car at a high rate of speed and the car goes
into a pole either we're gonna find out that he was depending on the
airbag to deploy and save stewart's life or guys he was trying to kill him he doesn't know if he
could try all right we gotta be real though you have to think about this if anybody can be a
manhunter and your partner is like i knew this person was a manhunter i don't know how far this
shit fucking runs like i don't know like because also how what is uh john said when look i was
gonna give back the ring
to hell he's just like oh i trusted you i gave you the ring i don't know if he was gonna give that
you can't prove that you were going to because he did give it back he did give it back that's that
and that's the that's the like yeah he asked for it he asked for it again that's very true they took
it from him but he was gonna do what he was gonna do he had a long time to do it to do it he could
have said the oath stopped the thing from burrowing and dropped a hundred pounds of fucking soil on
top of him exactly
like he he did give him a gun and he just don't use it the one time but he's like hell nah if his
if his goal
is to kill you you give him the gun and he don't shoot you i get it but i really don't like so i
think what you guys just said is really interesting so he killed him because he cannot trust him not
as a partner but he can't trust that he's a part of the overall conspiracy is what you guys are
saying yeah now i mean i can see that i mean you mentioned it like tried to kill him tried to kill
him yeah because then he does the same thing in the first episode yeah but he leaves the ring he
leaves the ring he don't leave the ring this time this is like actually like yo i think because it's
because he can't trust him to get the job done yeah that's what it's all about for how to whatever
end is to solve to get the job done in terms of like who the manhunter is now that i'm actually
thinking about if we go back dog the the fucking guardian was talking to john like that main oak
clip hey i want you to use that i want you to use that
you know man
no no no no no like how is i mean what what else does i have nothing right yeah again hey man it's
cool that they were skilled hey all that i'm not worried about none of that that's what the
guardians do the guardians love playing those games i met i can't even imagine the conversations i was
having with the guardians about sinestro man right like that kind of stuff he knows what kind of games
they play what it came down to for him was brother we have a job to do if you're gonna be a green
lantern brother you gotta
but do it if you think about it how like i think this episode situates where how alone how is
how is not updating the guardians he does not tell anybody he doesn't even tell
john that he's going to visit sinestro so at this point he even looked up carrie to be like
were you alive and around blah so already how is being like i don't know if i can trust anyone
because he knows more about the man hunters than anybody else that at this point is not you got to
remember at the end of episode two when uh like you get like how he sends him back he comes back
he's assaulted by the other aliens and john is like kind of on his last wits end but he still
tells how about the plot to come there and blow up brushville if they don't find the manor without
48 hours right and so like i think that's even there and then he goes out fluff to go see sinestro
even there you can see like okay they're coming together there's trust there he's finding it
okay john might actually be somebody who may be worthy of this responsibility for him to go
and not tell him about zoe yeah that's like but think but you can't do that but think about
what happens just before he jumps out of the car he actually calls him and has him set the meeting
up with those guys right before he jumps out of the car yeah so he wants to go and
check those guys out he just doesn't want stewart to come with him right he wants to do it by himself
which tells me that now his level of trust to you guys's point has absolutely plummeted but
unless the next episode begins and there's a line in the show somewhere and the line is hey
i knew you'd just be you you'd be fine passengers decide airbag like unless that is airbag like
the airbag saved his life this nigga's dead are you nuts yeah or you were wearing your seat belt
or whatever an hour into a pole or you're wearing your seat belt like i went on collision i mean we
i mean again we too mad to talk about this off air but the first time you see that i was like did he
just he tried to he tried to kill him i wouldn't know that was a point in the college racist column
for the people who that is but to put a button on it for but he needs him sidelined either through
or through serious serious injury like concussion and we have not seen that before maybe we saw it
in the first episode but that point he had the ring in this point he is punishing him so that's
a pretty severe punishment and it tells me that he doesn't just not trust him he thinks that he
might be the enemy yeah they i know we got some of our people in that room if the next episode
don't start with through the wire
hey is he gonna be able to go to the special hospital where they got all of the fucking
nobody they don't know how to use it by himself but they got the high-tech fucking shit so he's
gonna be okay even because i know we're wrapping up once again the thing that i keep wondering
about rushville and i can't tell if this is a budgetary concern if this is just how they wrote
it when john goes to get the scope in the gun
are these people racist against black people or these man hunters who are just like because
they're like oh you green lanterns buddy we this show is doing a very interesting thing where we
never see people from the town really and whenever we do see them they hate how and they hate john
and i keep you bring up the like oh if he goes to the hospital i'm like rushville's not a real town
right we have not seen any who's a character that is not related to the makings that we have seen
be anything more than an npc have we met have we met the bartender of the rushville thing right
well have we i mean like i understand what i'm saying have we really met we've seen people in
rushville get mad because he continues to play the song which would denote humanity annoyance
would denote humanity but we haven't really met
outside of our principles good old smokestack johnson yeah that that that kind of runs the
thing like that yeah because even that character even that would like deepen our affinity for the
town right it would put some like oh we want this town to be saved it's not the it's not the wire
where it's just like even if they're not the central characters they're just like you have
the flavor of people orlando yeah like we don't have that in the show we don't have that in the
show almost like we're not supposed to actually care what happens to the town i mean because we
know it's going to get blown up but every time they're talking about somebody doesn't all get
blown up because their son is still playing high school football sure so the school must still be
there but there's like a big yeah they say i'm still there but like to the larger point every
single time we see like people talking like in episode two when he walks into the uh the hall
and he was like oh you guys are talking about me right every time they're always talking about the
yeah that's all they can talk about it's so it's interesting it's all you can talk about it because
that's all they fucking have to talk about because other than that is aliens shit so all right before
we end i think we do need to bring back manhunter rankings uh right before we do that though okay
because we should end on that but before we do that
john uh how good you know kind of the worst dude also a liar he was like i would never mack on
a married woman he's that's that's brother wrong answer he was he was proud to put the moves on
carry all episode man he's been trying to put the moves on carry he all fuck his hey i can't i can't
remember episode two well you know i got a shaky marriage oh your marriage is on the road yeah
that's a dirty mack and king right there i mean he was like i would never forsake the matrimonial
bond then he go he hold her hand in episode he said i get why he ditched those bangs i see you
have no it's fine
dirty something just popped in my head
well we haven't looked at the relationship between han and luke different if luke was black
absolutely the way han be treating luke like the little nigga especially in the first one
right but wait just think about this because this is kind of the conversation black so
so if luke is black leia is black huh so if luke is black leia also has
oh yeah
so we got a we got a de niro situation
but you got to imagine how not only how he was treating a luke but how he was treating uh
leia yeah and i first joined nah you can't nah you can't do that man if if if if they was black
they was the black twins if that was was that 1977 so you know whoever is out there doing
their thing in 77 if luke if they're like who is it different it's got to be different
absolutely
we probably would have been calling solo solo a lot of that but isn't it isn't the original
star wars trilogy like the most progressive thing that's ever been made i mean it can't be the most
progressive thing that's ever been like yeah because here's the thing we look at that job
different because once he got he enslaves leia we like damn oh the job but in the slave why you
why she got to be a slave now would you judge your white homies if they're getting a slave
would you judge your white homies if they're getting a slave if they're getting a slave if they're getting a slave
turned on by Black Leia being
in the slave house. It would be totally different.
It's totally different. Slave Leia
would take on such a worse
connotation. You can't even say
slave Leia. Can you imagine
Anakin? Oh no!
Black Anakin would be not on.
Because you know, I'd be cheering.
That's some Django shit. Because Black Anakin
going King Von on all the
same people.
He'd be the man.
You know what I'm saying? Does that make fucking
Dirk Obi-Wan? Y'all ain't slide it.
Hey man, yo boy!
Hey man, free
everybody.
Well, not everybody.
But. But it's just, because when you think about this relationship, the kid stuff, all the stuff, it just, when you put that dynamic in there, it feels different.
Oh, man.
Like SEC football.
All right, now.
Manhunter rankings.
So, Manhunter rankings.
All right, Manhunter rankings.
What were they last time?
I feel like last time we had Kerry at number one.
Kerry was number one.
What are Manhunter rankings?
It was Kerry, Zoe.
We had.
We didn't have the Guardian on the board.
No, no, no.
We had Sheriff Kerry, Zoe Macon, Billy Macon, Noah Macon, and Willie Macon.
So, Noah is the kid, and at five, we had, like, Big Macon.
Right.
All right.
So, I don't know if I believe Hal.
I think, whatchamacallit, Kerry should still be on the board.
We got to move her down, though.
Yeah.
No, we're going to move her down.
But he's like, oh, I looked you up.
You were somebody before this.
And I was just like, Hal, if you think about this, the fucking Manhunter
has been on Earth since you got the fucking ring.
Right.
You don't think that that was done as a narrative technique to rule her out, though?
Oh, I do think.
But I was just, like, knowing Lindelof, that motherfucker a little slippery.
So, I think I would put, if we're starting at five, maybe Kerry's at five now.
Not the kid.
I put the kid.
I mean, we're taking the kid off the board?
No.
Kid's always on the board.
Kid stays on the board.
Because we haven't seen him in a while.
Kid stays in the picture.
Yeah, kid's like, okay.
Macon is five, actually.
I don't think it's Macon.
Macon is five.
Yeah, Macon is five.
Macon is five?
That's too obvious.
It's too obvious.
Nah, but are we putting, okay.
Because he's a human that's got his life saved.
So, he's like a zealot to whatever.
But are we putting the Guardian on the board?
Sure.
So, then we have to take somebody off the board.
Unless we divide it to six.
I would be willing to take Macon off the board.
I would take Macon off the board.
I would take Macon or Kerry off the board.
I'm taking the kid off the board.
No, the kid is still on the board.
Why?
We haven't seen him in three episodes.
That's why.
By the way, I almost think that Jason Ritter's character should be on the board, too.
What the fuck is this?
We're keeping him on the board.
It's between Macon and the kid.
I'd say we take the kid off the board.
Take Macon and the kid off the board.
But Kerry, okay, cool.
You know what?
You really think Kerry is just off, off, off?
I don't know.
I feel like they went out of their way to tell us that Kerry wasn't the man.
But you got to remember, A, they did the thing where it's like, you were in Gotham, this
and that.
Right.
And Hal has been spending, spent four episodes, you can't get close to nobody, can't like
nobody.
All this and that.
And he's holding her hand and all that.
And she is at the end.
Maybe she's the Manhunter.
Maybe they left and let the Manhunters have their own time.
But also, maybe Kerry could have been killed and a Manhunter replaced her.
I don't mind keeping her on the list.
I do think we should move her down.
Okay, so if we're putting somebody on the board, then we have to take the kid off the
board.
We got to take the kid off the board.
I don't believe, I think that's still in the running.
I think the kid is still in the running.
Do you think there's even a chance that Macon's a Manhunter?
I don't think so.
I don't.
I don't think so.
To Steve's point, because he's a. He's a zealot.
Like, he was saved by Zoe and blah, blah, blah.
But this whole thing is aliens bad.
Boo, we don't like. Let's vote.
Let's vote.
Who are we taking off the board?
Macon?
I vote for Macon.
All right, we can take Macon off the board.
We can take Macon off the board.
So then who's five?
The kid.
I'll put the kid at five.
All right, kid's five.
Four, Kerry.
Yeah.
Three between Zoe, the Manhunter, or who are we forgetting?
You mean the Guardian?
The Guardian, sorry.
I think Zoe's at three because, like, she definitely. Zoe's at three.
I think that you convinced me that the Guardian should be at the two or one spot.
I think the Guardian's two.
I put Zoe at two.
No, I put Zoe at. I put Zoe at one because they. I put Zoe at one, the Guardian at two.
Right.
And then Billy at three.
That's fair.
Okay.
Yeah, I like that.
So run it down quick for social.
So one, we got Zoe.
Two, we have the Guardian.
Three is Billy.
Four is Sheriff Cameron.
And five, we have Noah, the kid.
Now, let me say something.
Okay.
Noah was brought up almost for no reason in this episode.
What do you mean?
That's his grandma.
That's his grandma.
That's Noah's grandma.
Just to remind us. That Noah is here.
That's why Noah needs to stay on the board.
Just to remind us that Noah's here and Noah saving his grandma would be a big deal.
Guys.
I'm calling my shot.
What if Noah goes. Goes off to college or whatever.
He plays at, I don't know, Florida State or something.
And he's like a prodigy.
And he's like the one manhunter that got away.
Oh, my God.
Noah going crazy.
Christian McCaffrey.
All right, cool.
Fantastic episode.
We cooking.
Like, these are some real fun episodes.
Great.
Very, very fun episode.
Fantastic episode.
The show continues to do something that is interesting, which is bring not all of it,
but bring a lot.
A lot of the feeling back to Sunday night on HBO.
Oh, yeah.
Oh, yeah.
This is a show that's working.
People are into it.
It's causing a lot of conversation, a lot of fucking beef.
I've heard that. Is it true that the season two writers room for Lanterns is already kind of like together?
Cooking up?
Were we greenlit for season two?
I didn't even know that.
I don't know.
I was seeing rumors.
Maybe this is some fake ass shit.
But. Was it?
Final.
If there's a season two for Lanterns, would you like them to follow the. The anthology-like method that True Detective does, where. It's more. It's two different Lanterns?
It's either two different Lanterns or a completely different mystery.
I love that.
Who would the Lanterns be?
Vanessa Baden-Kelly.
Think about it.
Could be fun.
Jessica Cruz, baby.
Because here's the thing.
Because I don't think Hal is dead either.
So do you bring. Do you partner Hal with someone else?
Do you partner John with someone else?
Is it too different?
I tell you what.
If James Gunn's too involved, that squirrel's coming back hard.
Nah, it's a squirrel.
Man, fuck that squirrel.
It's a squirrel, whatever.
Okay.
Monday, guys.
Remember, the House of R continues their Lantern coverage.
They're going deep, deep, deep on Lanterns.
On Wednesday, Ring of Quest Part 2 drops.
Support Ring of Quest right now.
Go watch it.
Turn this off.
You don't want to stop hanging out with us.
You want to hang out with the whole crew.
Go watch and listen to Ring of Quest.
On Friday, Bud Mash gives their reactions to Wolverine.
Just got to say it now.
We asked for Wolverine codes so that we could play the game.
They played us.
They played us.
Michael Lindbergh said. Played us.
Cash, gas, or ass, nobody rides for free.
That's not. He was like, if you want these Wolverine codes,
you got to come on Bud Mash and talk about it.
And guess what?
I respect it.
I would love for all the Midnight Boys to make an appearance together on Bud Mash
to talk about the Wolverine game.
They're going to give us Grand Theft Auto codes?
We got to talk about it.
Got to talk about it.
Cash, gas.
Cash, gas, or ass, man.
Nobody rides for free.
That's what Big Cut Lindbergh said.
Jesus Christ.
He could.
But on Friday, he's going to give his reactions to Wolverine.
So you guys are going to be able to. That's a very, very important game.
Everybody's talking about it.
So make sure you tune in to Bud Mash.
It's going to get overshadowed probably, but. Make sure you tune in to Bud Mash.
Wait.
Is it not?
By Grand Theft Auto?
Yeah.
That's why it's releasing so early.
Yeah.
Yeah.
But our producers today are Devin Baroldi, CT.
Shout out to CT.
Jamie Yukich.
Join me at dinner on social.
Hashtag throw your hands in the air.
That's from the last show.
An additional production from Arjuna Ramgopal.
Chuck, take us out.
We love fucking robots.
Oh, that box.
We can taste it.
And unfortunately, Han Solo might be racist.
We'll be right back.
We'll be right back.
We'll be right back.
We'll be right back.
Home of the Save.
Hey, it's Ryan Reynolds here from Mint Mobile.
Now, I was looking for fun ways to tell you that Mint's offer of unlimited premium wireless
for $15 a month is back.
So I thought it would be fun if we made $15 bills.
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Podcast Summary
Key Points:
The podcast discusses the fourth episode of *Lanterns*, highlighting the complex dynamic between Hal Jordan and John Stewart, focusing on themes of trust, fear, and identity.
The show explores racial and cultural tensions, drawing parallels to real-world experiences of Black Americans, especially regarding systemic barriers and the struggle for recognition and respect.
The narrative emphasizes the emotional and psychological depth of the characters, using the Green Lantern ring as a symbol of power and vulnerability, while questioning whether the Guardians’ reliance on replacements reflects broader societal power shifts.
Summary:
The podcast dives into the fourth episode of *Lanterns*, analyzing the evolving relationship between Hal Jordan and John Stewart. A central theme is the tension between trust and fear, particularly in Hal’s interaction with Sinestro, where his submission reveals deep-seated insecurities and a sense of vulnerability. The show also examines racial dynamics and cultural trauma, linking John Stewart’s journey to broader Black experiences of systemic oppression and the struggle to earn respect.
The narrative underscores how both characters are shaped by their environments—Hal by his isolation and power, John by familial and societal distrust. The episode’s plot, involving a covert manhunt and a morally ambiguous slaughterhouse, is framed not just as a mystery but as a commentary on power, control, and identity. The creators note that while the mystery is intricate and well-constructed, the emotional core—particularly the buddy cop dynamic and the characters’ personal growth—resonates more deeply.
The discussion touches on whether Hal’s actions reflect unconscious racism or simply the instincts of a powerful, privileged figure. Ultimately, the episode succeeds in blending sci-fi storytelling with nuanced social commentary, creating a compelling exploration of race, loyalty, and personal transformation in a high-stakes universe.
FAQs
The episode explores themes of trust, power, identity, and racial dynamics, focusing on the complex relationship between Hal Jordan and John Stewart, and how personal biases and systemic privilege influence their actions.
The show portrays Hal Jordan as vulnerable and afraid of Sinestro, who instills fear and challenges his sense of self, revealing deeper emotional and psychological layers beneath Hal's bravado.
John feels he must earn the ring through his own actions, reflecting a cultural and personal belief system rooted in self-worth and integrity, rather than accepting it as a gift.
It highlights John's emotional vulnerability and trust in relationships, showing that despite suspicion, he chooses intimacy, suggesting a deeper need for human connection and emotional authenticity.
The show examines how systemic privilege and racial awareness shape interactions, particularly through the contrast between Hal Jordan's unawareness and John Stewart's lived experience of racial bias and marginalization.
The ring is used sparingly to emphasize that characters can succeed without it, highlighting their human skills, intelligence, and emotional strength as central to their abilities.
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