The podcast explores a blend of space exploration, conspiracy theories, and the power of authentic human connection. It begins with excitement over NASA’s Artemis mission, framing it as a milestone in human space travel and a potential step toward lunar colonization. The conversation then shifts to the controversial claims of Bob Lazar and alien spacecraft, with hosts suggesting that such revelations may be slowly emerging due to societal discomfort. A central theme is the cultural need for real, unfiltered dialogue—highlighted through Kareem Rama’s *Subway Takes*, a viral show where he interviews New Yorkers on public transit. The format emphasizes humor, bold opinions, and personal insight, such as debates on noise pollution, street art, and the absurdity of shared desserts. Guests share unconventional takes, from criticizing loud rickshaws to proposing that online anonymity should be abolished. The underlying message is that in a world saturated with digital content, genuine human interaction—driven by curiosity, humor, and civic engagement—is essential. The hosts celebrate this as a form of creative resistance, with future ambitions to expand the show globally, fostering cross-cultural understanding through honest, spontaneous conversations. The episode concludes with a call to action: to embrace the "smartest" version of everyday life, engaging not just with technology, but with people.
hello listener my name is jason i am one third of the machine you have tuned in to listen to
speaking of machinery those two tools are on their way in sit tight turn it up here it comes
welcome to smartless
hey guys guess what what is it what's that there's our live episodes out now on youtube
with jonah hill from the avalon our live episode how can people find it it's at youtube
slash smartless is that right we'll say it again i wasn't right
yeah it's at youtube.com slash smartless and you can watch it and it's a live show at the
avalon with jonah hill so you can see us instead of hear us this is correct all right well thanks
for the housekeeping there anyway let's get back to things by the way um what do you guys think of
my shirt i do notice you're wearing a nasa hat today are you are you feeling uh excited about
yeah artemis too isn't that wild yeah let's talk about that oh no why is everybody freaking out
about that because we've been going like traveling to mars
isn't it wild
no well but like we we did the we did the moon loop uh did the moon landing
yeah 68 nine something like that 69 yeah they're not even landing on the moon they're just gonna
kind of do a little lasso they're pussies they're pussies but it's just like why is everyone like
no i'm kidding oh god no i think it's amazing what they're doing they're they're they're
they're slingshotting it by the way i'm just saying like help me understand yeah i know well
because it's it's the farthest anybody's been ever is that right or i think so i think it's
the farthest humans yeah from earth from earth yeah because we're traveling around the back side
of it as opposed to landing on the front of it that's correct yeah right well that seems like
they're reaching for a record there you know i mean that's like that's like not going to jason's
house but just stopping at will's house yeah i mean i just don't know if that's you feel it
feels like the equivalent of oscar bait yeah yeah i mean what if they did what how about this what
if they did what how about this what how about this what how about this what how about this what how about
they come back around fucking land the thing like you know and drive the buggy around again and hit
another golf shot that'll be really sensational i'm gonna try to get you an email address so you
can send this in i'm sure they're looking for ideas over there of course wait jay but i think
they're i think the idea is to collect more information so that the next one they can
land on the moon like again yeah i think what about if they put like build like a little tree
house on it or something well i think they're they're talking about that yeah
they're talking about like colonizing a little tiny thing so that you can launch from there to
to mars would you ever sign if you would you ever do one of these uh rocket launches like like uh
what's his face that the amazon uh did jack bezos right he sent some people up would you ever do
that i would yeah really yeah absolutely wouldn't you willie i think i think i probably wouldn't
that be cool out like a day before and go well hang on i wouldn't pay for it um i never pay for
it right yeah well nobody paid for it did they did those people pay for it only on the bezos ones
yeah only indignity no the bezos people they pay yeah yeah it's like 250 grand or some shit to go
really oh my god yeah that's crazy money i you know you can go up and like leave the
leave the atmosphere and and come back down or yeah to feel weightlessness wouldn't that be
fun to feel like i'd love to get neil degrasse tyson back on just to finish up that answer he
was forming for me um i think that's a good idea i think that's a good idea i think that's a good
idea i know and then i think it's all i think it's all pretty cool i think i mean i'm not obsessed
with it but i think it's pretty damn cool yeah they had some toilet problems on the artemis too
did you read that yeah yeah yes i had a toilet problem this morning let me tell you this jason
you know jason you could never go because they don't have a shower this toilet because they
don't have a shower next to the toilet up there so you'd never be able to go you can't shower
immediately after a bm no well i'm out yeah of course you're out i got
to feel fresh you guys as i explore the universe can can you use a flushable wipe up there since
there's no flushing i bet i bet man yeah sorry wait you know what else though but i've been
watching that new documentary the bob lazar s4 thing no what's that i like a new documentary
yeah so you got to see it bob lazar you know bob lazar who who who worked at area 51 and has been
talking about it for decades and nobody believes him and he's like i keep he has drawings he has
memories he has
it's fascinating and and he he's what's it uh it's called never mind we look up but it's called
s4 the bob lazar story okay so oh go ahead sorry no keep going i'm saying yeah so yeah so so the um
he went into us he used to work there i know i'm hurrying he went into he used to work there
and there was this long hanger of of like of of different sections with different alien spacecraft
i like
i mean i'm sweating literally sweating
so there's a long hanger yeah no there's a hanger with different sections and each section has
different parts of alien spacecraft that they've collected over the years yeah that's exactly yeah
that that doc we were talking about i don't know if we were talking about it on the podcast or away
but the age of disclosure yeah james clapper and john brennan they're talking about yeah like that's
yeah we have been doing crash site recovery for years ever and bob lazar has been talking about
it way before they have and and uh now i said well to myself self why don't we know about all this in
a much more mainstream way and the answer is is simply it would be too unsettling and disruptive
to society like i think now it's slowly coming i think now it's slowly coming out because
i think we can handle it now do you think we're helping by having like little conversations like
this on the podcast absolutely this is this is having a major impact conditioning the public
this is helping turn the tide for sure not for us holding the
hand into something unsettling people would be shocked us just having this sort of really loose
anecdotal conversation where we can't even remember the names of the goddamn documentary
is having a real effect and not even know that mission of artemis too yeah
you know listen um uh this is all good stuff talk about a segue i i think this fella might have
a nice perspective for us on this now
this is uh today it brings us a voice of the current the relevant the forward and the fresh
okay this comedian artist and media entrepreneur was born in egypt lives in new york spends his
time delivering us one of the most viewed and talked about online interview shows around his
work has gathered billions of views achieved acclaim from new york times gq new yorker vanity
fair as well as receiving multiple web webby nominations please welcome not a
fancy schmancy triple a-list celebrity type you two no no this is a man of the people a voice of
the happening a guy with some helpful hot takes the host of subway takes mr kareem rama please
aliens are real and the truth is out there right do you do you think there's there's a chance this
is um this is a real thing that we're going to the moon no that we're gonna we're gonna do a
mid-lap that part's true we're in mid-lap right now no i mean that that like we're go like that
we're the rockets even in space who knows if it's even in space oh oh let's go all the way back what
do you mean wait kareem what are you saying are you are you do you think that maybe we filmed
the landing on the moon in a sound stage i look i am not a scientist but i thought i saw that the
the curve of the rocket like when it was going in space kind of looks like it's not going up it's
going into the ocean i'm just saying it's not going up it's going into the ocean i'm just saying
i saw one video about this if the arc continued it's it's going to plummet no it's just going to
go into those no no no short a short social media video is all i need i think i think i think that
arc is to offset the rotation of the earth and it's actually it looks like it's going straight
up but it's not it's going against how it's going with the curve of the earth but the earth is flat
so that makes no sense okay thank you for joining us i'll see you guys there
no i don't believe at disclaimer i don't believe any of that i believe in the real world
is round so you do you don't think there's any possibility that there is uh life outside uh
earth or sort of intelligent uh uh beings um and that that perhaps they may have crashed on this
earth a couple of times and that the government um is aware no i fully believe that i believe i
had i've had extraterrestrial experiences i'm surprised none of you guys have welcome back to
our episode
okay
no you guys haven't had extraterrestrial experiences well i did well we we you know
no comment let's hear what tell us yours first yeah now see now it sounds fake but i saw an alien
in the bushes when i was a kid like probably like 12 and and i just saw it and then it just looked
at me and it said the word zone is z-o-n-e and then i kind of just like said that like a couple
times and then it just ran away was it the classic almond shaped eye uh and head teardrop head kind
of thing
it was similar to that but not as exaggerated it was more like it looked like it just kind of
looked like a weird looking maybe it was
a weird looking guy
yeah
it might have just
been a neighbor
was he small
yeah it was
it was a small
weird looking guy
but he was kind of green
and big
huge eyes
I mean it looked like
an alien
that you think about
and when he said that
did you feel like
he was telling you
like get in the zone
like lock in
like it was encouragement
like hey man
get in the zone
study harder in school
yeah
now alright
so then
all half joking aside
and all that
would you be
would you be surprised
if there was a mainstream
declaration from
from the government
that we have in fact
we can confirm
that this is a
more than a possibility
and kind of
get ready for this
multi-year kind of
trickle rollout
information to
to really make this
legitimate and
substantial
like they're here
I think the impact
on society
I think it would destroy
society
I think more so than
like anything else
because I think
religion
like
would crumble
yeah no it would be gone
science would be gone
yeah
everything would
but
like
what about
somebody said last night
that you know
there's a
what if there's a
there's a possibility
let's say
that there's a
there's a group of wise men
there in the government
that is trying to figure out
the best responsible way
in which
to condition the public
to this
inevitable
reveal
and that
you know
Steven Spielberg's
next movie
it's coming out
at the end of this year
is called Disclosure
like it's going to be
an enormous film
and it is about
from what I can gather
from the trailer
the public
finally being told
and it's probably
funded by the CIA
I'm not even kidding
and I'm saying
maybe this group
they pulled Spielberg in
and said hey listen
could you help us out
with
could you cover
the pop culture
end of this
and just start
we need you
to feed
give the pablum
to the people
so that they can kind of
they're not so ambushed
when it comes out
and it's
I think people
no matter what the news is
they'll just keep scrolling
I mean there could be aliens
among us right now
they'll just keep scrolling
I think that's the conditioned
you know
you don't think
it's going to
it won't jar them out of it
and they'll think
no that's probably not real
I don't think so
no I think people will like
seek out alien porn
and like
they'll do like
it'll be more
porn is always
on the cutting edge
of everything
they're always first
on everything
I mean even
even engagement
with you know
ghosts and stuff
it's always porn
it is always
porn's always first
but I think
that this movie
is probably crazy timing
and like
and the launch
like I do think
the CIA's
I sound so insane
I probably sound like
the most insane guest
you've ever had
no no no
okay good
okay good
okay great
we haven't aired those
but um
but I think that
the CIA has been known
to use like
more
movies to like
promote like
oh we're going to war
in the Middle East
yeah
by the way
they would always do
you know the government
would make film
they would decide
what kinds of films
should be made
at times of war
they dropped leaflets
yeah
and to sort of
you know
garner support
and get people
lift people's spirits
and get them
feeling patriotic
and that's not new
all right
so um
mister
where to
where to begin
where to begin
I mean
we just
yeah
what kind of statement
is that
it's over
I mean we've got
we went
how do we claw back
you're
start
start us
take us
walk us towards
you know
you're now sort of this
you know
one of these
forward voices
in pop culture today
how did it all
kind of start
did you
was this a goal
like
you started in
Minneapolis
yes
you got
a journalism degree
maybe
yeah
yes
and then
business
degree
yeah that was a failure
I didn't finish that
and then
you travel out
to New York
in pursuit of
just not living
in a small town
it was really
a classic
and it was kind of
like a like
let me go out east
and like strike it
like strike gold
in the same way that
you know there's a
Silicon Valley rush
and the gold rush
and I was like
oh I'm gonna go to New York
I'm gonna get rich
and famous
and that was
a long time
that was 15 years ago
so
any industry
you had focused on
or it's just like
that town has a lot
of different ones
we'll see what hits
at the time
I was very much
into
like
entrepreneurship
in this like
the social network
had just come out
I was like
oh like
that's like
that's like
that was cool
remember for a while
that was really cool
it was really cool
to be like a tech
founder
and I was like
oh that's the way
you do it
and all these
young people
were like making
so much money
and I was like
oh I think I should
be a tech guy
right
take technology
use your creativity
your insight
your savviness
and see where the two
could intersect
yeah
but really the ultimate goal
was to strike it rich
yeah
it was definitely
in pursuit of
yeah
I was like
you guys gotta eat
and I did the opposite
I did the exact opposite
because I got a job
at Vice
and Vice
pays you
it's like
they get three
they get a three for one deal
so they get like
three 25 year old kids
they pay you in cocaine
is that what you're gonna say
they do
they actually do
at least
holiday bonuses
are paid in cocaine
I remember Christmas
it was like
here's
a bag of blow
and I was like
oh cool
this is so cool
this is so interesting
but
I
can I pay my rent
with blow
so you're at Vice
and you're doing
marketing
stuff with them
maybe yeah
yeah
I'm doing like
content development
and marketing
and kind of like
launching new shows
and I was never the talent
but I wanted to be the talent
were you working
with like
Shane and Eddie
and all those guys
yeah
and at the time
it was like 75 people
so we were all in the same room
yeah
and I was listening to them
on the phone
and I'm like
whoa this is so cool
like it really was like getting
that was a real MBA
in business
because I'm like
sitting in this room
with Shane and Eddie
and Saroosh
and all these guys
I'm like listening to them
Saroosh I love Saroosh
yeah
he's awesome
he's such a good guy
like I just saw him the other day
he's the greatest guy
he's so cool
he's so cool
coolest guy
well from a marketing standpoint
and also a content
that was such an exciting
company
and hearing about it
seeing it coming
and getting on board
and kind of following it
was
you guys did a great job
at that
it was really cool
it was really cool
and it felt like
we were doing
like it was like
and Spike was around
a bunch there too
wasn't he
yeah
he was
he was like
the executive
creative director
which meant that
he just
you know
got to say that
and
he would hang out
like he was just like
that which is
I was like
that's such a cool job
David Cross was kicking around
a little bit too
wasn't he
that was early
that was early days
he wasn't there at that point
yeah
no I was there in 2012
yeah
and then
and from there
you go to
the New York Times
yes
yeah
yeah
and for them
you did what
less coke I bet
I did the same thing
a lot less coke
a lot
a lot less coke
it was kind of like
that's why I quit
yeah
of course
the Times was like
we just pay money
and I was like
yeah
you're like
money can't buy coke
it's Christmas
and I haven't seen
my blow yet
did I not perform
this year
emailing the editor in chief
I'm like
hey dude
I'm going to quit
unless I get
like a little bonus here
so what were you doing
for
what did you do
for the New York Times
I was doing the same thing
I like helped start
Times Video
which now makes
film and television
and kind of the podcasting
and all that stuff
so I was like
laying the groundwork
for all that
and it was really cool
but then I did
so this is like
I think I was like
in New York
for like maybe
seven or eight years
and at that point
I was like
okay I know enough people
I have enough information
and knowledge
and like maybe
some access to money
that I can actually
go start my thing
like my media
my own media company
and that was
a massive failure
but I did do that
for a couple of years
what was that first
swing and miss
it was
well there was like
a couple in a row
but it was
it was a couple
it was a long at bat
there was a
yeah it was
it was three strikes
it was three strikes
and then I was out
and that's when
I was like
maybe I'm not so good
at being like a CEO
or an entrepreneur
and maybe I should just
be like
do what I'm good at
which it seems like
hanging out
like I'm really good
at hanging out
and like
you know podcasting
is just really
you guys are just
hangout guys
yeah just interviewing
having conversations
we're hangout kids
for sure
yeah so
so I was like
maybe I should try
my hand at that
but the first
swing and a miss
was something called
nyc.tv
and the idea was
to do public access
television on the internet
right
which I was like
that's a clever
little something something
yeah
and it just didn't work
and then I shifted that
into something called
nameless network
which was like
do you remember
like now this news
like these
they kind of like
made like
thousands
of viral videos
every month
that would be like
this guy
is selling yams
in Japan
on a street corner
dressed as a cat
you never saw
like videos
no
they were like short
like two minute videos
and it would just be like
big text on a screen
and it would be like
this school
in Turkey
is offering free haircuts
to young people
so just like
I mean real attention grabbers
yeah
I mean stuff that's really
mattering to people
yams in Japan
haircuts in Turkey
I mean
and you're telling me
that this did not take off
and we will be right back
And now, back
to the show so then uh a few swings and misses and then uh and then you say well maybe i should
just grab a camera and a microphone get in front of it and start doing what comes natural which is
just kind of being a man of the people and and and see what see what comes so what was that what was
that first thing that kind of grabbed and then you could feel the momentum moving and this this this
may be working the the first big hill was a show that i created and this is a time when there was
like no shows like there was no short form unscripted vertical video shows and i say that
and and it was just like everyone was making content but there was no like show in in this
thing right and i but i decided to make a show and i was like why isn't there just a tv show
that's distributed on tiktok and instagram and it was called keep the meter running and it was
this concept where i would hail a cab and just tell the driver to take me wherever they want
and it was always insane like it would just be so crazy
like one time i so the taxi drive the taxi driver has it flipped on on him or her where uh they're
not being told where to go by the person in the back but you get to take me the passenger wherever
you driver want to go and just keep the meter running and tell me about why you like this place
yeah yeah i would just go take me to your favorite place and keep the meter running and and i would
end up like one time i ended up like in new jersey on a helicopter with this guy uh from morocco and
he was literally just
okay
drinking and driving no way driving really yeah wow uh but yeah he had a pint of malibu which i
thought was an interesting choice that isn't it right right right that's the white bottle it's
smooth sure um so you do that so you do the keep the meter running for a while yeah i do like 20
episodes and still going yes and now we're still running on this the meter well i had to stop
because at the time it was my first thing and i was a massive failure remember and i had no money
and those episodes were obviously when you take the meter running you're not gonna be able to do
anything and you tell a guy keep the meter running and he goes let's go on a helicopter ride in new
jersey by the end of the day you've spent literally two thousand dollars sure right yeah yeah and and
so i could only do i spent all of my money oh my god and then i was like i have to put this on pause
and then i was like and and now it's back except bigger now it's like youtube it's like 20 minute
episodes right it's crazy i'm so surprised how do you get them to because i know a lot of cab
um drivers that i went out the cabs i get oh do you shine you know a lot of kids they don't no they
they don't want to talk what yeah they don't want to what they all want to talk
just not to sean oh all right no well maybe i don't maybe i don't they're usually on the phone
and and they want to just keep their conversation i just assume they want that i just assume they
don't want to chat oh they love you can't tell them to stop talking when you get the camera
going right they hang up yeah just maybe just bring up like just just be like so how about
you know like politics
don't bring up medallions don't bring up no i've just figured that that's a real hot
hot topic so uh so what was the first sign that people were watching um keep the meter running
how did you how did you find out legitimately the next day so like i posted the video and i
turned my phone off because i was like another failure i was conditioned to just fail at that
point i was like when you say post it what what what did you throw it up on i put on tiktok and
instagram okay of which you you had already some followers uh just not a lot like three or four
or three thousand you know and enough so yeah enough to like yeah for them to then send it out
to to their folks and that's that's how viral happens right but then hang on a second walk us
through that jb granddad is just your understanding of how this isn't it an exponential um dissemination
of i noticed you didn't say that you didn't say the word algorithm and that you actually said that
i saved that for later oh yeah the doctor
that's his closer it's such a great idea so you put it yeah so you put it up and you turn off
your phone you turn on your phone later that night and well i go to the bodega the next morning and
at this point i just did i've turned my phone back on but i didn't log like i didn't open the apps i
went to the bodega and the guy goes oh you look so familiar and i go i don't know i'm a loser i've
been here a million times like i've literally been here i look familiar because i see you every day
right and he goes no you look so familiar and then he goes taxi you're the taxi guy
you did the show and i was like what and i opened my phone and it has like two million views no
in a night yeah and so many like like thousands of comments and i was like holy shit it actually
worked and it felt like that moment where i was like yeah i did something that for the first time
ever people responded to it and it was doing exactly what i thought i could do well which
is hang out and i was like oh my god like maybe i'm i'm finally found my thing yeah yeah you know
i called my mom i was like i know what i'm gonna do for a living i'm just gonna hang out with other
people and so you immediately tried to um double down triple down have another episode
bought a ferrari first bought a ferrari that morning
this is gonna pan out yeah so what what you're now you're the the the new episode the the new
season is premiering uh soon it's the 19th right may may 13th whatever that is yes i think that's
in uh i think this is the new season i think this is the new season i think this is the new season
this is the 11th today i think it's in two days um so what season is that this is like the first
official season of my i'm bringing my thesis of making television and putting it on youtube but
like it's not a youtube show because it is television quality production and television
storytelling and like we have you know i went to like the russian turkish bathhouse with a guy
named eugene and his friend boris he won't get into that later we'll get into that later
let's talk about the show yeah it's the show oh oh oh sorry and um you know do that i'm producing
i produced a play for an irish cab driver named irish john that's not his name but you know i call
him that and he and he goes i have a one-man show and i go what's this all about so he takes me to
his basement he shows me this one-man show i go cool let's put it on in a theater so you know
performing in front of 300 people all self-produced looks like a stand-up special and
you know go fishing with a korean guy named young in bear mountain uh and and sketch and just it's
really remarkable and and the whole kind of through line of the show is like how to be a
better man like how to be a better brother how to be a better father i love that how to be a
friend it's all because these guys have like the secret to the universe in you know like you're
driving for 12 hours a day your life is hard you're sending money home or you're just supporting your
family and they like have a lot of money and they're like they're like they're like they're
like they're like they're like they're like they're like they're like they're like they have this fatherly
wisdom i don't know if any of you guys lost your father early i lost mine when i was 20
and i started like having these convos with these cab drivers because i felt like they had some
advice for me right you know um and i didn't have will's number yet so i couldn't call him
i couldn't call him for advice sean didn't lose his dad his dad got lost
yeah so this is true so so wow that's that's really remarkable man that's so cool that's
really cool and then so
then uh tell us about uh then subway takes happens uh you you feel you get you get an idea for that
and you figure you can do it at the same time simultaneously well i had run out of the money
because the other show was costing like two thousand dollars per episode and so i was like
okay this is this whole like short form unscripted thing is like really working for me what's like
another version of that which is less expensive and again like sorry sorry let me just stop you
for one second educate me in our
this might be fascinating it certainly would be to me how do you run out of money doing that show
um because i guess the question is how do you monetize a show like that so you put it up on
instagram and tiktok how how how were you even thinking you could get paid for that how does
how does a creator get paid for that can you advertise against those little short like the
guy made you see he sees your first episode it's got two million views overnight it are you
seeing that in real time in dollars coming to you no i'm seeing zero dollars that's right that's
that that's my question how would you even hope to monetize that how how would you get paid for
that you you would want like a brand to essentially say i love what you're doing hey do you want to
pay in every episode do you want to use your chase debit card or credit card right to pay for the
cabbies or do you want to yeah or do you want to communicate using whatsapp exclusively with like
their families and your friends blah blah blah so you'd want to be able to monetize that show
someone to underwrite the series in the same way that like a streamer or a production company or
a network would underwrite it's it's brand funded entertainment but so you were pursuing that and
getting no bites or you just didn't know to do that yet i didn't know to do that yet and i also
was like so overwhelmed and just kind of i was in panic mode like i don't know what to do with this
you know i don't and and actually the first thing i did was like i was like okay maybe this should
be a tv show yeah instead and like i should get money from someone in hollywood right and but
that whole rigmarole yeah uh i went on like a wild goose chase with that i was like this is
yeah it was taking too long and in the meantime i was like let me start another thing while this
is baking in the tv world let me start another thing to kind of like continue my work what made
you think that second thing would be something that you would be able to monetize and get money
out of i didn't really think about that either it was really more so like like i'm not really
noticing a trend here yeah this is uh
- You thought, "I'm not making any money with this thing.
cost me money.
What I should do
is interview Jason Bateman
on the subway
holding a MetroCard
instead of a microphone.
That'll do it.
It worked.
I'm here.
It did.
I loved JB.
I loved your episode.
I thought you were great on it.
Oh, man, I did too.
What a fun time I had.
If you guys have not seen
Subway Takes,
and I haven't seen
Keep the Meter Running yet.
I can't wait to watch that.
I know, me too.
Oh, I need both of you guys
on there.
Tell people what Subway Takes,
what the concept of that is.
So Subway Takes is
essentially like a
two-minute talk show
on the train
where I interview
local stand-up comedians,
regular comedians,
musicians, writers, directors,
anyone who I find
kind of interesting,
and also people like
Jason Bateman.
Right, and then you had
Jason on.
Yeah, we had to balance it out.
It must have. You can't appreciate
the big ones
unless you get a couple
of clunkers.
I found him kind of interesting.
I was just like,
he's kind of interesting.
Worked a miracle
in the editing room.
Yeah, interesting.
I'm curious about
the details of
your episode with JB.
Well, okay, concept,
but I really want to know
what station did you guys
get in?
Yeah, let's. What did you guys do?
What train were you on
and where did you get in?
We were Lower East Side.
Yes, we were in Chinatown
on the F train
at East Broadway.
Wow.
Yes, I remember.
Jason, I had to boil
my entire body after that.
And you, Jason, you. I mean, what was. Jason, the look
on your driver's face
when you said,
take me there.
What was it?
He said,
let you out here?
I said, no, no, no, hang on.
Just keep the door
closed for a minute.
Jason brought
an extra pair of pants
and an extra shirt.
And some plastic
to sit on.
He called it his train clothes.
That's what he called it,
his train clothes.
And he was wearing
white latex gloves.
And I was like,
why are you wearing those?
That sounds right.
I love the train.
I'm in the MetroCard.
So you go,
you decide, all right.
But the concept is, listener,
is that he has somebody come on
and change,
just give one hot take
on something.
Right.
And Kareem decides
whether he's 100%
on board with that
or in opposition to that.
For instance,
my dumbass hot take was,
I think all dogs
should wear shoes.
100% agree.
100% agree.
But then the interview is,
well, why do you agree
and why do I think. Basically, I just think,
you know,
so that, you know,
you don't want them
to walk into your place
and track in all the poo.
They like to walk around in.
Yeah.
So anyway,
but so that's kind of the concept
and it's a two-minute concept
and it's pleasurable
and we're popping around the city.
Do you think dogs,
if dogs go to a play,
they should go backstage?
And she, the artist.
Sorry, we'll get into that later.
But Kareem,
can we do a hot take to you?
Like, because I just thought of this
when you popped on,
about that show
and I was like,
doing Broadway shows,
you know those rickshaws
that are super fucking loud?
Yeah.
At night?
Yeah, yeah.
Like, shouldn't there be a law
against the sound of those people?
100% agree.
Volume ceiling?
100% agree.
Yeah, there's too much noise pollution
in New York City.
Oh, Sean, is this our segment
called Old Man Gripes?
What are we doing?
What are we doing?
Yeah.
And shouldn't those damn kids
slow down in the neighborhood?
No, he's right.
It's too damn loud.
I agree.
You're so synonymous with New York,
I just thought,
you know,
what do you think about,
like, because I don't have,
I don't have any skin in the game
with Mom Donnie.
Like, I don't,
I don't know if he's good or bad
or anything.
I don't live, you know,
I'm just here part-time working.
But somebody complained
that it's because of Mom Donnie
that the snow banks weren't clear.
I'm like, the snow,
when there's a blizzard,
there's never,
you can't clear all the snow.
Yeah, where do you want them to put it?
Yeah.
Well, you gotta,
being the mayor of New York
is the worst job in America.
Yeah.
Because everyone's just mad at you
no matter what you do.
Right, for sure.
For sure.
It's a historical big L.
I would never do it,
although I might.
Have you ever had somebody that,
Uh-oh.
Have you ever had somebody,
Talk about breaking fucking,
dude, I've been hurt.
I would only do it as a joke
and then I would accidentally win,
like, you know who?
Our boy.
Yeah, yeah, yeah, yeah.
Like, whoopsies,
I'm the mayor now.
Just trying to sell a book.
Yeah.
What,
has anybody come on
and not had a take
and then you had to say,
all right, well,
I'll do one.
Well, didn't you go through
the vetting process, Jason?
Yeah.
Yes.
Yeah, yeah,
I was given a heads up
but, you know,
I'm a professional.
I came prepared.
Should I see if I can pull up
some of them?
Don't you have some of these people
come on and just like,
yeah, I couldn't think of anything.
Should I see if Jason Bateman
had any other ones
that we didn't use?
Yeah.
Did I?
Oh, did I pitch you some?
I don't know.
Let me check my email.
So they go to someone on my team
and then I don't,
it's like somebody approves
that they're good.
Right.
And then,
Like just some,
Gen Z kid?
Yeah, pretty,
literally,
literally a young,
young,
young lads.
Which,
what's the last one
you disagreed with?
Oh, dude,
I don't know.
Yeah.
I don't know.
You're doing one,
what are you doing,
one a week?
No, we post one a day.
No.
What?
I post one a day.
Yeah, it's mental.
So then you're doing one a day
to keep up with the output.
No, I batch shoot,
I shoot,
I'll shoot like 10 in one day.
No way.
And it's really a miserable day.
It's an awful day.
I'm like a real,
I'm like a real working,
you know,
blue collar guy.
I'm underground all day.
I'm sweating,
or it's too cold,
or it's too hot,
or the train's not working,
or somebody's trying to stab me,
or I'm walking,
yeah, it's really tough.
Don't you find that,
am I just an introvert,
or,
or,
Am I just an introvert
that needs to refill
my talk tank a lot,
or does everybody go through
sort of like a social exhaustion
like me sometimes?
Like,
how do you,
how do you not run out of being,
you know, chatty
by doing 10 episodes in a day?
How do you keep it going like that?
Will's raising his hand.
Well, I've got a thought on this,
which is always,
you know,
when you go and you do interviews and stuff
and doing what we do
and you have to go on talk shows,
and when I realize
that I don't have stuff to talk about,
it's because I haven't been out in the world.
And so a lot of people we know,
including us or whatever,
spend these times in these,
in this world,
and we're not out in bubbles,
and you're not engaged in a real way.
And about 50 years ago,
I would say like,
I got to like,
I want to experience life.
And that's why I'm always on the move
and doing,
I swear to God,
I know how boring that's.
So you're out there walking around
with your fucking hands
tucked in your pockets,
just like squinting around town.
One hand.
How the fuck do you think I'm going to smoke?
Just soaking it all in.
Hey, good morning, man.
How you doing?
Have a good day, huh?
No, I'm serious.
I'm not saying that I'm a,
I'm not saying that I'm like,
I'm more down to earth or anything.
What I'm saying is that I realized
that you have to get out there.
Sean and I,
you and I have talked about this
a number of times.
And Jason,
you're a lost cause
because you're at home
or in the golf course.
And so like,
that's okay.
How the fuck would you have
anything to talk about?
I could fill you in
on what MS Now's
new programming strategies are.
No, but it is true.
I think that there is
something to that, right?
Just being engaged.
I don't care who you are,
just being engaged in the world.
Having stuff to say.
I get it.
Yeah.
Is that true, Kareem?
Is that your fuel?
No, I mean,
I'm having fun.
Like,
I really am having
a lot of fun.
I have such a fun job.
Both of my jobs.
You're great at it.
Hanging out with cab drivers,
hanging out with people
like you guys.
Like, it is the,
I'm blessed as a person.
Like, I have the best job
in the world.
And everything that I've done
thus far
has been totally independent.
So I,
I really have no notes.
I have no development.
I have,
I'm just doing the fun part
of the job,
which is the making of it.
And that's all I do.
And it's,
it's really amazing.
And I have a lot of energy.
That's how we feel.
Amen.
What would,
what would five years from now
look like
if it continued on this,
on this angle of success?
What,
what is your,
what's your,
what's your hope
for where things go
with this?
Like,
well,
go ahead.
I really don't know.
I mean,
I'm kind of just playing
a bike here.
Orient Express.
Just upgrading the train line.
Gondolas,
yachts,
you know,
Leo DiCaprio's yacht.
I could just have
a permanent spot on there.
That would be pretty cool.
There you go.
That could be fun.
You just talked to him
for 10 episodes.
Yeah.
I could.
Yeah,
that would be,
well,
no,
I talked to his wonderful guests.
I'm sure you guys
have been on his yacht.
Yeah,
I'm not.
I'm not.
But,
but,
but I imagine,
I imagine,
yeah,
kind of going,
Jay,
what you were saying,
which is like,
you do have,
I love that you did identify
what you term as hanging out
is actually engaging with people
and talking to people.
And being curious.
And that's what you like to do.
And that's what you're good at.
And you're curious.
And you do have a point of view
on this thing.
And so,
I guess,
would the next,
the evolution of that
is taking that
and going,
and you talk to cab drivers
and doing the thing,
take me where you want to go,
and then talk to people
on the subway.
And then would it be
kind of going broader,
going around the world,
engaging with people
in different cultures?
I mean,
I imagine you'd be
really good at that.
Exposing all of us
to other parts of the world
and other cultures of people.
Yeah,
that's a great idea.
We need that.
Well,
but you know,
keep the meter running
feels like a Bourdain-esque,
like,
people have said,
this reminds me of Bourdain.
And Subway Takes
reminds a lot of people
of a talk show
like Fallon
or Seth Meyers
or whatever.
So,
like,
I kind of get to play
in both worlds
and that's really cool.
We're doing a live show
for Subway Takes Live,
which is really fun
and interesting to me.
How would that work?
People come and do
what you did,
except it's like,
it's like the audience
is giving the takes
and then there's like a panel.
Like,
it would be us four
on stage
and people would walk up
to a mic and say,
Oh,
that's cool.
I think this,
and then we would all go,
No,
you're an idiot.
Blah, blah, blah.
That's a great idea.
Have there ever been
some dust-ups
that you've done
on the train because I remember, you know, we were just, we were riding on, we didn't have a
shooting permit or anything like that. We were just on the train. Cameras were rolling, a couple
of cameras and these, you know, two guys holding these weird mics and talking and somebody might
be recognizable. And have you ever had like a weird subway passenger like bother you and your
guest? Not with anyone like, with anyone famous, it's been always, it's always a pleasure to see.
Like Woody Harrelson was literally kind of took over the train car and he started interviewing
other people and there were all these people like, and he was just surrounded by people and just
putting this mic in their faces and ask them questions and really creating a circus like in
the, in the car and everyone loved him. We'll be right back. All right, back to the show.
The timing of this,
of that concept and you and doing all of this is really great because we're, we're, we're at an
apex of like people wanting to connect again. And so it's, it's probably, probably has a lot to do
with that, you know, and the lost art of, of conversation too. I mean, everyone's kind of
getting all their itches scratched, uh, just online and with their own little devices and
in five second increments. Yeah. They're not talking to people.
And I, that's why I always think that the a hundred percent agree, a hundred percent disagree. Like
there's no middle for me. Right. And it is really,
it's really an, uh, kind of like a exploration of what it means to 100% disagree, but still have
a funny, casual, engaging conversation. Like I personally don't really have that many opinions.
Like I'm pretty mellow, but in the show, it's like, it's a challenge for me to be like, well,
here's why I disagree, but it's kind of a showcase that you can, yeah, like have fun doing this. But
there was one funny thing. It was like a regular episode that I was filming.
And there was a passenger on the train filming us film, which is completely fine. Like great.
This other guy on the train slapped the phone out of that guy's hand and, and then kicked it
across the car all the way to the other side. And then that guy that got his phone slapped out of
his hand looks at me and he's like, I'm so sorry, dude. And I'm like, why? And he's like,
your bouncer just kicked the phone out of my hand. And I was like, that's not my bouncer. That's just,
a crazy guy that for some reason decided that you shouldn't film me. And there was like this
confusion where everyone's kind of pointing at each other. Like who's, who's bodyguard is that?
Or like, do you guys know each other? No one knew each other. It was really funny and like
confusing, but that's the closest call. Did the guy who slapped it, did he ever explain his position
as to why he did it? No, he would just yelled something about like Jesus and walked away.
Oh, that makes sense. That tracks.
So, uh, but I, I wanted to ask Will, Will and Sean, what would your take? Like if you were on
the show and I said, what's your take? What would your take be? Well, we know Sean's something about
Rick Shaw's. Oh yeah. Sean said the Rick Shaw. Yeah. Yeah. Willie, uh, what's, what's, what's,
what's about New York? Like, no, no. Like I, one of my, one of mine is that I think that the
dancing part of the wedding is the worst part. Like I didn't even do it. It should be dinner.
I didn't dance with my wife on our own wedding because I hate dancing so much.
I know that. I don't know that. Is that true? Yeah. I, I, that's how much, at that moment,
it's not about you. I'm so uncomfortable dancing. I know it, but I just, I told her early on.
That is profoundly unkind. I, I, I know, but I just, I, I, I couldn't, I couldn't do it.
I'm calling Amanda. I'm calling Amanda today and I'm going to take her out dancing.
Yeah. Go, go for it. I encourage you. Go for it.
That's so that, that's, that's a hard line. Like I, but I was saying,
not at your own wedding, Jason, I'm saying like, like it should just end at dinner. Like you just
go have a great night. Everyone like, thanks for calling the wedding. I 100% agree with that.
And then it's always a forced thing. The DJ is like playing like little John and the East side
boys from like 2002. And you're like, and no one wants to be there. And yeah. So that's like,
or, or like I have another one, which is that I think, and this one I think will be problematic,
but like, I don't like street art and graffiti. And I would rather just look at like,
nice, beautiful buildings. Okay. Yeah. That's a good one. A lot of people are going to get mad
at me for that. People are great defenders of graffiti. Oh yeah. Yeah. Street art. Aside from
the people that actually do it. You said you saying people that just observe it are big fans
of it. I think so. I think that there's a cohort of people that think that it's like, uh, it's nice.
Yeah. I enjoy it. Yeah. See, um, I, I have two, I have too many, but all of mine get me in trouble.
All of mine are terrible. First of all,
I think I should be deputized, uh, to be able to give out, uh, just to the parking, uh, part of the
police department. I I'd love to give out tickets. I'd love to give out tickets and, and also moving
vehicle tickets. And I also think that we should be able to report when like, you know, like when
like the cops who do a great job, but when they pull people over and then they obstruct traffic
and it's unnecessary. Yeah. They don't need to hang out into the other lane. I mean, I guess
they're doing that to protect themselves as they're up at the window. But why don't you go around
to the passenger window and then you don't have to, I don't even mean on a, on a freeway or
anything. I mean, I mean like on a regular street, especially in New York, you know, when you're in
New York or, but although I am, so I don't want to criticize NYPD cause I do, I do, uh, it's a
rough, tough job, but it would be nice if they deputized us to give out maybe three citizen
tickets for moving violations a month, you know, so you can't, you can't abuse it. You just get
three. So the three most egregious things you see when you're driving, you're allowed to put the
car on top of your car and go get them. I think it would be nice if you could also get Sean's like
if Sean wanted to ticket the loud rickshaw guys. Yeah. He could give like, we should all be active
citizens. Like why don't we have a little bit of power? We're taping people anyway. We might as
well be able to use it too. But then I thought about here's, here's the flip of it. I was thinking
about this yesterday and then I'm like, how many yellows have I squeezed while driving through an
intersection? I'm like, and I'm not, I'm not immune from it myself. And so then I kind of walked it
back. But I have, God, I have
so many takes on shit. I did too. Wait, there's two that I just don't have. One is, I don't know
if this is a fake post on Instagram or not, but I read that New York is looking into making a law
about looking, making, looking into making it a law, um, to traffic the sidewalks like they do
the streets so that fast people walkers walk on the left and fat, which I think is really a great
idea. New York is a bummer when people stop in the middle of the street and you're like, Hey man.
And also watching, looking at their phone. Or people walk four wide on a sidewalk so you can't get around
people like, right. If you're a group of more than two, you have to go kind of two by two kind of
single file. Here's, here's, here's my hot seat. Here's what I think. If you want to post anything
on the internet, comment, whatever, anything, we have to know your name and your address,
your phone number, your face, your face, no anonymous, no anonymous anymore. And I think
that, I think that that would, I think it would, I think it would change the world immediately.
Everybody you have to, there is a record and we know that they can do it because, you know,
things like the blockchain where you can trace absolutely everything where, you know,
so if we applied that same logic to that, so you can't go on to anything. You can't make any
comment. You can, but we know your name, your address, your phone number. And by that, we'll
be able to decipher where you work, who your family is, all that sort of stuff. And you are
held so that because if I make a comment, everybody knows who I am. And so then I get, I get held up to
this crazy high standard that everybody else is not held up to.
Yeah. But wait, here's, here's my other take is Jason commented on me the other night when we were
at dinner, that when you order a dessert for yourself, and then the waitress comes over with
spoons for everybody at the table. And you're like, wait, no, everybody passed on ordering
dessert. I ordered dessert. And when offered everybody else like, nah, I'm good. I don't want
to do that. And then everybody spoons the shit out of your fucking dessert. Get your own dessert.
If you did not opt in, you don't get a spoon. Unless it was specified, bring us the sundae and
bring everybody a spoon. That's right. Otherwise, no, don't, don't. That's good. Shout out to Odeon.
Remember we had that. So we did have that the other night at the Odeon. And I ordered, I started
because I said, I want to, I want to get a sundae. And it was like, ooh. And I go, everybody gets
your own dessert. You're not fucking. That's right. That's right. You almost have to announce it.
This is my treat this weekend. You have to announce it. I don't want you dipping in the fucking dessert.
And Jason, Jason was like, don't get the donuts. I got two orders of donuts. He fucking, his face
was buried in both. I had six of them. Now, Kareem, with all of this really cool, very well-deserved
success, what has changed in your, I'm presuming, very sort of down-to-earth, man-of-the-people life?
What have you, have you, uh, Will joked earlier that you. Like upgraded your air conditioner?
Right. Or is it still taped to the window in red tape?
Oh, um, don't worry about it. Well, that's another, that's another big take that I have. When I was
installing this, I was like, it is shocking that they let me do this in New York. And if I'm taping
mine, that means that there, and then I started looking around. There's like people that their
air conditioners are being held up by books. Some people have a little piece of wood and I'm like,
there's not a standard process. I agree. I agree. Yeah. There's a guy over there that has a,
like a couple of textbooks. I can see.
I'm like, and it's so scary. Cause now I can't walk around New York city without thinking about
my own self. Sure.
in my air conditioner
and you guys obviously see
how good of a job I've done.
I know.
I remember,
I remember, Kareem,
the first time I put
an air conditioner
in my window in New York
and thinking,
this is freaking lunacy.
This thing can go at any time.
I just did this.
I'm an idiot.
And this thing is going to fall
on somebody and kill somebody.
And it's not like
the windows are nice.
The windows are flimsy.
The windows are flimsy windows.
They're made out of
saran wrap, essentially.
And it's just terrifying.
And there's no screws.
None of this,
there's no tools.
This is just like
the windows holding it in place.
So you haven't gone
to mainstream air conditioning.
What have you treated yourself to?
I mean, I,
there's a lot less anxiety
in my life
about what I'm supposed
to be doing for a living.
And that is really scary
because I also started doing this
when I was 33,
which is later than many people,
like many comedians
or these social media kids,
you know,
they start when they're like 22, 21.
25, they were in their college improv group.
Like, so to start at 33
and take like this massive bet
and then have it work out,
it's shocking.
And every day I'm just like.
It's dope.
It's dope, but it's not shocking.
It's not shocking.
You're a smart guy
and you are really funny.
And I, do you refer to yourself
as when people say,
what do you,
you don't say creator, do you?
No, no, no, no.
I say, I say entertainer
because I also make,
I wrote a movie,
produced it, starred in it.
That's out on Mubi.
I make music.
What's that called?
I'm in a rock and roll band.
The movie's called Or Something.
Or Something, okay.
And it's a feature film.
It's my first feature.
And we can find that where?
On Mubi, M-U-B-I.
M-U-B-I, okay.
That's like Tubi.
I want to ask whether or not
you have Mubi.
Do I have Mubi?
No.
And then you say
you're in a band too?
No.
Yeah, I'm in a rock and roll band
called Tiny Gun.
That's amazing.
And are you singing?
Are you drumming?
Are you guitaring?
I sing.
Yes.
Wow.
Yeah, yeah, yeah.
And it's kind of like a,
X's meets the strokes
kind of situation.
Yeah, that's cool.
You're speaking my language.
Yeah, give us a listen.
It's Tiny Gun.
Hondo P.
Hondo P.
We played Outside Lands.
Last year we played Outside Lands
at Newport Folk Festival.
It was really fun.
Yeah.
Do you guys hear those sirens?
Yeah, of course.
It's hard not to.
Yeah, they kind of
sight you in your air conditioner.
Well, yeah, that's a ticket.
It's Sean.
It's Will and Sean.
Sean on his rickshaw.
It's Jason Bateman
on his motorcycle.
I'm so excited.
Honestly, I'm so inspired
by how much different stuff you do
and how many creative swings
you take at once.
I think it's awesome.
I think that that is,
you're doing the very thing
that I was talking about
that I wish I could do more.
You're taking chances
and you're engaging in life
in such an awesome way.
I think it's dope as hell, man.
There's some cultural relevance
and help to it as well, right?
It's amazing.
It's great.
It's amazing.
It's really cool.
You guys are,
that feels like,
it's such a compliment
coming from you guys, honestly.
No, but you're not catering
to the lowest common,
like you're trying to do stuff
that's,
not necessarily sort of worthy
in the sense of like,
you know, helping humanity,
but you are in a way,
you are sort of engaging
and keeping conversation going
and provoking thought
and just,
I don't know,
I think it's really rad.
Bringing folks together.
It's just,
it's that classic
playing at the top
of your intelligence situation,
which I feel like
because so many people
are not doing that,
I was like,
let me just be
a little bit different
and try to,
try to be the smartest version
of what I,
this thing,
that limits you to,
which is a phone,
tiny screen,
vertical,
like,
let me try to do
the smartest thing possible.
Yeah, and you're not
prancing around in a Speedo,
you know what I mean?
Trying to,
you know what I mean?
You don't want to see me
in a Speedo.
Wait, where do I find that?
I don't know.
And selfishly,
you're giving us ding-dongs
that are like promoting stuff
this really great,
fun,
creative
stop
on our press tours
to go talk to folks.
Yeah, I want,
I want to have you guys on.
I want to come too.
I wanted to create.
I want to have all three of you
on at the same time.
But here's the thing,
Jason did it.
I want to do,
just to one-up him,
obviously,
I want to have you
double-up.
Of course.
Double-up.
Double-up.
Four minutes.
No, let's get you out.
Let's get you,
next time you're in New York,
I'm there.
I'll be there.
All the time.
I live there half the time.
Great.
Then I will do it
at literally any time.
Like, I'll step out of the house,
you know.
Can we take the 1-9?
Is that okay?
Yeah, I was going to say,
what would be your subway?
What the hell is that?
You know, like,
what do they call it?
The 1 now?
It used to be the 1-9
on the west side,
you know,
the red line.
Oh, I've never been over there.
Really?
I'm an east side guy.
We can do the east side too.
It's like,
no, no, no,
I'll come to you.
I'll come to you.
No, we'll take the 6.
That's fine.
No, no, no,
I'll come to you.
But fuck it,
I'll take the F.
I don't give a shit.
Wait, I also want to say something
that, so I,
this has nothing to do
with what we're talking about,
although it kind of does,
but like,
going back,
I don't want to tout,
flute my own horn,
but I want to say this here,
in case anyone from the Emmy,
what are they called?
The Academy?
Sure.
Yeah, we're going,
Subway Takes is going for an Emmy.
Is it?
Okay.
So, for your consideration,
for your consideration,
Great.
Subway Takes.
But wait,
but does this got to be
on the telly then?
I love that.
I love that you just said that.
No, they have little ones now.
Tiny Emmys?
Tiny Emmys for your boy.
Isn't that called a webby?
No, it's a creative,
the creative,
the creative,
the creative,
the creative,
the creative arts Emmy.
You can get a creative arts Emmy
for like short form.
Yeah.
Truly.
Online.
Yeah, like,
like,
you know,
Submit's a lot,
like,
like,
like,
like Carpool Karaoke
is a winner
of that category.
Or the dude with the hot wings?
Yes,
Sean Evans from Hot Ones.
So,
so,
okay,
so,
so,
so Kareem,
to be clear,
if,
if you,
if you happen to be listening to this
and you are a voter
in the Television Academy,
please watch,
please check out Kareem's show
and consider.
Yeah.
Thank you.
And then you're tiny,
tiny gonna listen to.
Guys,
I'm still,
I'm still out here doing this.
I'm,
I'm still out here shilling for myself.
I mean,
you're pumping.
Good for you.
No one else is gonna do it.
Good for you.
I have this opportunity.
Yeah.
Let me,
let me,
I want to see you guys there,
first of all.
And if,
when we see each other there,
we should hug.
Oh,
at the Emmys.
Yeah.
Oh,
if we're at the Emmys,
we're gonna hug like hell.
Yeah.
Yep.
That's all hug.
That's a phrase,
right?
Hug,
I want to hug you like hell.
That was a really,
that was a really good take about men,
is that we haven't standardized our greeting.
So like,
I might go up to Will with a hand up in the air,
like,
what's good,
man?
I get to see you.
I might extend a hand to Jason,
and then he's,
and it's confusing,
or a hug Sean,
and it's,
yeah,
and it's really confusing.
We need a standard.
My buddy years ago,
Ali Farnakian,
used to say,
you always,
you always start,
road to the White House,
which is just a handshake,
and then anywhere you want to go after that.
But you always start,
road to the White House.
This is good advice.
So you extend the hand.
Always extend the hand.
Road to,
this is called road to the White House.
Be open to getting pulled in.
And then wherever you want.
Yeah, sure.
I always loved that.
You should consider driving a cab.
That's really good,
like,
that's kind of cab driver advice that I get.
Hey, man,
it might get to that.
Kareem,
we are thrilled to have you.
We love you.
We root for you.
We're watching you.
Keep it going,
my friend.
Thank you guys so much.
This was really,
really fun.
And I appreciate you guys letting me be on your show.
Seriously.
I'll see you.
We'll see you back there in the city.
We'll see you on the show.
I'll see you on the show.
I can't wait for it.
Thanks, Kareem.
All right, bye guys.
Thank you.
Have a good day.
Thank you so much for having me.
Yeah, I'm shaking your hand.
Goodbye.
Digital shake.
There he goes.
Kareem.
There he is.
Rama.
He's good.
He's so good.
Kareem Rama.
Yeah, dude.
Really great, dude.
I love it.
Shawnee,
did he invite you on the show?
No, that's right.
Yeah, I noticed that right there at the end.
You know what I was thinking?
I think he's worried about your safety.
I think that that was it.
By the way,
I've never rode on the subway.
Hang on a second.
So maybe that's. I'm trying to do my. I can't believe that face.
I'm trying to. Hang on.
What?
Sean, that's true, isn't it?
That is very true, yeah.
Is that really true?
Never once on the subway in New York City?
I mean, if I did,
maybe once 25 years ago,
but I don't remember it.
It's not on purpose?
It just hasn't happened?
I just don't feel. I'd just rather take a cab.
Oh, so it is on purpose?
Yeah, oh yeah.
It's totally on purpose.
I don't even know how they work.
I don't even know where they are.
There is so. Oh, boy.
I will give you. It is a hack
because you spend a lot more time
in New York these days.
Yeah.
If you have to,
it can save you. You get anywhere in like two seconds.
Dude, it can save you so much time.
But now it works with your navigation app,
like Waze or Google Maps or Apple Maps,
whatever it is,
you can just say,
you know,
how do I get there via walking,
via car,
or via subway?
And then when you hit the subway thing,
it'll give you a little map
how to walk to the subway,
what to do.
But it's overwhelming to me
because there's. Aren't there like 75,000. But it tells you the line.
No, but it's easy.
It'll walk you. Yeah, it'll tell you what to do.
If you don't know it,
it'll tell you what to do.
And I'm telling you,
you can save yourself hours
of being stuck in a freaking car or. It's so good.
And it's so safe.
Like, what is this?
It's great.
Well, that's a little bit of that too, yeah.
It is great.
All right.
We'll do it together
because I love riding on them.
We'll do it next time I'm there.
All right.
We'll hold hands all the way through it.
But you guys should check out those two shows.
Very good.
Yeah, I will.
I've seen a couple of his clips on Instagram
and they're always funny and engaging.
So funny.
Like you said, Jason,
it's really interesting that he. Well, you both said it.
That he started something out of like. You know, who would have thought
that just conversation would be interesting to people?
Well, I will say this.
I think that there probably are, Sean,
a lot of people who think like,
hey, I'm interesting and I could just do. I'm going to do a talk show
or I'm going to do a thing.
And the truth was that he did have
an actual. a talent for it.
And that he is an engaging person.
And he's very authentic and real.
Very authentic.
Yeah, you know exactly.
That's the key.
Yeah.
You just know who he is.
Yeah.
And I bet he could do it.
He'd probably like. He'd take it on the road.
He could go overseas.
He could do it.
but he could definitely do one in Egypt
because he was born in Egypt.
So I would assume that he is bilingual.
Bilingual.
Very good.
Bye.
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Podcast Summary
Key Points:
The hosts discuss the Artemis moon mission, noting its historic significance as the farthest human spaceflight to date, with plans for future landings and potential colonization.
A documentary about Bob Lazar and alleged alien spacecraft at Area 51 sparks debate, with the hosts suggesting such disclosures could be slowly unfolding due to societal unease.
The podcast highlights the growing public interest in extraterrestrial life, with one guest speculating that a government revelation could be managed through pop culture, like Steven Spielberg’s upcoming film *Disclosure*.
Kareem Rama shares his journey from journalism to launching *Subway Takes*, a viral interview series on public transit that fosters real, human connection through candid, fast-paced conversations.
The show emphasizes the value of authentic, unscripted dialogue as a counter to digital isolation, with guests sharing personal takes on urban life, culture, and community.
A recurring theme is the importance of civic engagement—such as citizens reporting traffic violations or advocating for better city rules—rooted in everyday observation and humor.
The hosts celebrate the success of informal, grassroots media in building trust and sparking meaningful public discourse.
The future of the work involves expanding *Subway Takes* globally, deepening cultural exchange, and continuing to challenge norms through playful, fearless conversation.
Summary:
The podcast explores a blend of space exploration, conspiracy theories, and the power of authentic human connection. It begins with excitement over NASA’s Artemis mission, framing it as a milestone in human space travel and a potential step toward lunar colonization. The conversation then shifts to the controversial claims of Bob Lazar and alien spacecraft, with hosts suggesting that such revelations may be slowly emerging due to societal discomfort.
A central theme is the cultural need for real, unfiltered dialogue—highlighted through Kareem Rama’s *Subway Takes*, a viral show where he interviews New Yorkers on public transit. The format emphasizes humor, bold opinions, and personal insight, such as debates on noise pollution, street art, and the absurdity of shared desserts. Guests share unconventional takes, from criticizing loud rickshaws to proposing that online anonymity should be abolished.
The underlying message is that in a world saturated with digital content, genuine human interaction—driven by curiosity, humor, and civic engagement—is essential. The hosts celebrate this as a form of creative resistance, with future ambitions to expand the show globally, fostering cross-cultural understanding through honest, spontaneous conversations. The episode concludes with a call to action: to embrace the "smartest" version of everyday life, engaging not just with technology, but with people.
FAQs
You can watch the live episode on YouTube at youtube.com/smartless.
The discussion explores the excitement and significance of the Artemis mission, including its record-breaking journey around the Moon and the possibility of future lunar landings and colonization.
The hosts believe it's a significant milestone and that it could lead to future colonization efforts, with one suggesting that building a small base on the Moon could serve as a launch point for Mars missions.
Yes, the conversation references Jeff Bezos and his spaceflight program, where people pay around $250,000 to go on a suborbital flight, highlighting the growing accessibility of space travel.
They joke about the lack of a shower and toilet facilities, suggesting that astronauts might have to use flushable wipes due to the absence of traditional plumbing in space.
The hosts talk about a documentary titled 'The Bob Lazar Story (S4)', which details Bob Lazar’s claims of having worked at Area 51 and seen alien spacecraft stored in a long hanger.
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