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897: Intergenerational Space Travel

67m 32s

897: Intergenerational Space Travel

Dave Blanchard, a public radio host, initially mistook a surge of strange, incoherent comments on a podcast episode about Elizabeth Gilbert as bot activity. The comments—filled with fragmented phrases, emojis, and emotional expressions like “I'm crying” and “OML”—seemed random and machine-like. However, when a younger colleague, Hannah Chin, analyzed the posts, she recognized a pattern of middle schoolers using Spotify as a group chat. These teens, restricted from mainstream social media by strict parents, created playlists named “Chat Here” or “New Chat” and used them to build connections, often sharing short, playful messages. One 14-year-old, Ella, confirmed the setup: she and her peers began the activity after being banned from TikTok, watching a podcast on Spotify and commenting to stay connected. They chose NPR shows because they had fewer comments, offering a quiet, anonymous space. The teens used a Google Form with a quiz-like prompt, “Only cool people can fill this out,” typical of Gen Alpha’s digital culture. The group’s use of the platform was not spam or automation, but a genuine attempt at social bonding. Dave, upon realizing the truth, felt embarrassed and out of touch, admitting his age and generational blind spots. The story becomes a poignant reflection on how communication has evolved across generations—showcasing young people’s desire to connect, their creative use of digital tools, and the emotional distance that separates older and younger audiences. It also underscores a broader theme of intergenerational understanding, where older generations must learn to listen, not just to facts, but to the emotional and cultural language of youth.

Transcription

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English
A quick warning, there are curse words that are unbeaped in today's episode of the show. If you prefer a beeped version, you can find that at our website, thisamericanlife.org. Dave Blanchard runs the public radio show Wildcard, and one of the less exciting, and in fact, rather tedious parts of his job, is it has to keep an eye on the comments that people post about the show online. And one day last fall, on Spotify, he saw all this activity about this episode they did with the writer Elizabeth Gilbert, and Dave thought, "Oh, our book was controversial, they must have struck a nerve this episode," and then he looked at the comments. And it was just like gibberish. Like, I just, there was a bunch of new comments, but I couldn't make a heads or tail of any upload. They're just kind of these like clipped, weird, incoherent postings that I was just like, it screamed bots just because like any time that I see just kind of gibberish and like a comment on the internet, I assume it's a bot. But the fact that there was all from different accounts seemed very weird, and the fact that they also maybe seemed to be like interacting in some way also seemed weird and not like typical bot behavior. Can I ask you to read some of those comments? So yeah, I've got some, from a later batch, we've got some where it's like, you know, someone says, aw, okay, MH, and two people have hearted that. Someone says Gilgamesh quit and I'm crying. Last Friday I broke up with my GF. Your cats are so cute, you're gorgeous in that dress, OML, pink heart. So okay, bots he thought, some newfangled kind of bots that respond to each other somehow. He deleted the posts. And I went back to the Spotify comments again, and there was a new comment, and it said, so it deleted my calm. And that felt not body. It felt very strange that a bot would be able to recognize that the thread got deleted and post it, letting people know that it had been deleted. And then there were other responses to that. So someone says, username, cotton/amity, parentheses, I'm backbitches commented weird, obry commented. That's weird. Two S's. There's really not looking like any bot behavior he'd ever seen. So he goes to MPR Slack channels, post some screenshots, describe to what these comments are. And one of the higher ups, Matilda, suggests reporting it to Spotify, which Dave does. And then, somebody younger at MPR reads the thread. They're 10 years younger than Dave, Gen Z, not Millennial, named Hannah Chin. And I click into the screenshots, and almost immediately, I'm like, oh, my conclusion is really, really different than Dave's and Matilda's, because I'm like, these are kids. And I think that part of that is because I was a middle schooler on the internet, posting on forums and stuff, and so I look at their display names. Their display names are like Ella with like five emojis, and they're like the special character emojis. They're like the ones that you have to like go on to the internet and type your name into like a special text generator, and then it comes out as a special character, and then you have to like, special paste it into your profile. The profile pictures are all cartoon characters, Hannah's never seen before. And then there's the way that they're commenting back and forth with each other. Short little phrases. I'm sorry. That's weird. There are highs, lots of extra exclamation points, Hannah recognized it. They grew up in a conservative home, was homeschooled, with limited access to social media. And so I was a kid who used weird parts of the internet, not as they were originally designed to talk to my friends. I talked back and forth with my friends on Google Docs, and we would type things and then delete them, and then like type things, and then like make them invisible by like making the text white on the white background. So I think this is familiar behavior to me. So Hannah writes out a comment to post on Slack, shows her to their housemate for posting because they're worried about coming off maybe too harsh, with these much higher ranking older MPR bosses who had it never met in person. And I say, okay, maybe I'm wrong, but I think these are just kids hanging out, and we shouldn't report them as bots. My guess is that they're just kind of using Spotify comment threads as their group chat, maybe because other apps on their phones are blocked, who knows. And they have chosen a wildcard episode to do it, like these are middle schoolers. Middle schoolers specifically, not high schoolers. Yeah, these are people who are new to chatting with each other on the internet and in real life. Like, they're kids who are excited to talk to other people on the internet. The goal is just to connect with people, like you have nothing to talk about, you don't know each other very well, you're just like seeing each other and acknowledging each other present in the chat. Dave reads Hannah's Slack message, and well, he is not convinced. He posts. That's an interesting theory. Yeah, that's an interesting theory. There's an exclamation point at the end of it, at least to give it that much credit. Yes, then I admittedly, I was still like really, again, this is wildcard with Rachel Martin on NPR, not our target demo to have a bunch of middle schoolers in our comment section. It just felt so completely implausible that these people would have found this particular episode as their place to chat. Dave is like, that's an interesting theory. And I, at this point, sorry Dave, I don't know you in real life. I'm like a little bit annoyed because I'm like, I know that I said, maybe I'm wrong, but I was so sure that I was right. Hannah does more digging, which makes them even more convinced than before. What the kids seem to be doing was, one kid would create a playlist on Spotify with a name like Let's Chat Here. And inside that playlist would be one podcast episode. And you know how you can see other people's playlists on Spotify, if they make them public. Other kids would see that playlist. They'd see the episode and then they would go to the podcast episode and start posting in the comments. Hannah got back on Slack and pointed out that the kids were using a playlist that was named New Chat. The kids it also posted a Google form was I'm kind of quiz on it and said, fill this out. Only cool people can fill this out. Thoughts don't really spam Google forms in my experience, whereas Gen Alpha might use them in the same way that my generation would use like Uquiz or the Buzzfeed make your own personality quiz feature. And reading that was the turning point for Dave. When they were like, this is something that I did, that's what unlocked it. I think it was so implausible to me. And then when Hannah was like, no, I did this. I was like, wow, like that. I guess it makes sense. And then it was like, I could like go back and look at it again. And it was like, I have like the lens on to see it and I was like, oh my god. They are kids like, like in retrospect, it looks so obvious. So how exactly did those commenters end up in the comment section of an MPR podcast? What exactly happened here? Well, we reached out to a bunch of the commenters, only one of them agreed to talk to us. As suspected, she is not a bot. She's a 14 year old girl who talked to me from the car with a parent's permission and her dad at the wheel, her name is Ella. When I asked her to describe herself, she said this. Oh, I would say that I'm definitely a bit hard to get to know because I don't know a lot about myself yet, but I think if you do get to know me, you'll find out I'm like a pretty cool person. Ella says this all started with a video podcast that played TikTok videos. Ella thinks the kids started it. The videos seemed to be chosen specifically for kids who weren't allowed on TikTok, but were allowed on Spotify. That was Ella. She was allowed on Spotify, but on no social media. And she and the other kids would watch this girl's podcast on Spotify and then chat in the comments of the podcast. And her podcast ended up getting banned and we wanted to pop into each other so people would like make playlists. She described exactly the system that Hannah figured out. Kids would name their playlists, chat here or something like that, and then there would be some podcast and everybody would go to that podcast and talk in the comments. She says it was maybe 20 kids in the core group. That's the theater kid, she says, mostly girls. Most of them were strict parents who didn't like them on regular social media. And can I ask, why did you guys pick NPR shows to be the ones where you went to in the comments? I think we just like look for a podcast that didn't have many comments. I see so you picked NPR because it didn't seem very popular. Yeah, so we wouldn't like get caught up in other people's comments. I'll tell you buddy, I do a public radio show and that hurts a little to hear it. Sorry. That's okay. Are your parents NPR listeners? Oh, yeah, my mom is. She listens to those podcasts all the time. Does any of this set like your parents were NPR listeners and this felt like this is the perfect cover? Like if they catch you doing this, you can be like, "Look, I'm just doing this for an NPR show." Yeah. Is that true? Did you think about that? Yeah, a little bit. It's funny. name Dave, who works and he's in his 30s, and he saw all the comments that you guys were doing, and they made no sense to him at all. He really had no idea what they were, and he thought you guys were all bots. Yeah, some of them were really young, like 11 years old, and some of them definitely were a little bit not good at talking in English that well. Or using flames. I gotta say, I thought it was a very generous answer. Dave thought they were bots, and she was like, "Yeah, well, some of us kind of talked like bots." Ella told me that she sure, some day she'll be cool with us, like Dave is now. Of course, this isn't much comfort of your day. Dave says that once he understood that it was kids, writing all those comments, it didn't feel great. When I felt bad for having reported them, like I definitely felt guilty, and too old. It just felt like very old, very dumb, very out of touch. I literally needed Hannah to be my generational translator. It was such a clarifying realization of my age and obsolescence. Another day on a program, people from one generation trying to cross the vast, vast distance that divides the young and the old, or the message that they hope will get heard by the people on the other side. We have stories today of a wedding toast, and of childhood hair care, and of the greatest job in the world. I've seen from the eyes of a teenager anyway. Intergenerational space travel this hour. I'm WB Easy Chicago, it's this American life. I'm our glass, climb aboard this rocket with us, if you dare, and stay with us. It's this American life, like one, the wedding singer. So let's start today with a story that is both intergenerational space and time travel. When Courtney Mom was 18, her mom got remarried. Courtney despised the guy, did not want the marriage to go through. But she was her mom's maid of honor, and she gave a speech at her mother's request. And the speech she gave, at 18 years old, her mom never forgave her for it, brought it up for years after. And then, recently, after three tumultuous decades, her mom's relationship with this man fell apart. For Courtney, this was the opening, the chance to finally ask her mom, across the divide between them, about this marriage she never understood. And try one more time to lay this infamous wedding speech to rest. Here's Courtney. At 18, I thought I was kind of hot shit. A writer in the making, a diehard feminist, a student capable of bringing freedom to Tibet. Here's how my mom Linda saw me. What I remember is at that point in your life, you were extremely selfish, and you didn't want anybody else in my life. You asked me not to even date until after you went off to college, and certainly not even think of getting married before that. Is that true? I'm sure it's true. The thing is, I loved being with my mother. Everybody did. I didn't want to share her. She was fun, beautiful, stylish, like a woman out of nightrider. She had a Harley Davidson end-of-body license. We were always on adventures. In the summer, I loved to watch her steal our little Boston wailer wearing these massive dangly earrings that sparkled in the sun. It was a fairy tale existence, a childhood of privilege, growing up like this in Greenwich, Connecticut, with parents I adored. But when I was eight and my brother Brennan was three, my father asked my mom for divorce. My mother was devastated. But like I said, she was a hot item, so the suitors came a call in. I can't say I was a fan. One laughed like a hyena. One was so heart sick with love for her. His longing made everyone embarrassed for him. My mother included. There were others, also memorable. Do you remember the man who whipped out a ventriloquist doll at Benny Hanna's? Yeah, who the hell is that? That was like one date. We go into the Benny Hanna's and he's already seated and you know, this is family-style seating, right? So we're sitting with like strangers and we sit down and course number one you know when they do the little joke and they flip the shrimp into people's mouths. This guy pulls a ventriloquist doll from out under the table and he's like, "German, it's not my bad shrimp!" I remember, my Brennan was six years old, we were dying. The whole table was like, "No, no, this isn't it." I didn't like that. He probably stopped liking it once I rained on everyone's parade. But you know, and I remember going to the parking lot with you and I was like, "Never again, mom, that guy, never again." Never again, never again. There was one final suitor. The man my mom would marry when I was a senior in high school. My mother has asked me to refer to him as Mr. X in this story. I didn't trust Mr. X from the start. He seemed to show up out of nowhere with no comprehensible backstory, like he was born out of the ether. One day, he pulled into our driveway in a rundown car and never left again. The old suitors had been annoying, but they were innocent. Mr. X was different. He put me on edge. He claimed he was an architect, but he never seemed to have any work, and he appeared to have no friends. I bugged my mom about his past. She explained she'd met him years before when she was pregnant with me, that he'd been part of a crew working on a renovation to the house my parents lived in. Whenever she told this story, I imagined my unborn self kicking from within her body, kicking in his direction, saying, "No, not him, no." But I'd never heard the full story of their meeting until now. It happened back when my mother was still married to my father, Bob. So I was just redoing the house, and I hired him as an architect or builder or whatever I thought he was. So here I was. I was pregnant, and he came into the driveway for me to interview him. He drove in an old beat-up car, but he was so adorable, and he was also six years younger than I was. So at that point, you know, that's a big difference between 30 and 24. It's a huge difference. And I interviewed other people, and I decided because he was cheaper for one. And I had a little, you know, he's so cute. Never in my life ever thinking I'd ever cheat on Bob, but you know, I'm imagining. So I remember in this one point, there was a bathroom in one of the guest rooms, and we were bathing, putting a skylight in it. And I got in the bathtub to show how high the ceiling had to go, and he got in behind me. And a ghost movement here. No, and I just remember thinking, "Why did he get in so close to me?" You know, I don't remember. Why could he do that? Anyway, the end of the story is that he got in a car accident, a car hit him. He almost lost his leg, so obviously he took off with the money. The money she'd already paid him. So I had to go to court and prove that he had indeed been paid, so that put a very bad taste in my mouth. When my producers contacted him, Mr. X remembered the story differently. He said the car accident happened before he met my mom, and that he didn't run off with the money, that he doesn't know what happened to it. There was no financial drift. He also said he didn't do anything untoward in the bathtub. Still, my mom got a bad feeling from their first interaction. There shouldn't have been a second one. But there was, after she was divorced, and had all these suitors peacocking around. It was 15 years after the bathtub incident. She was picking up my brother from summer camp. Mr. X was picking up his son. She didn't recognize him at first. I had seen Mr. X in the distance and thought, "Oh, he's so good looking." She learned from a mutual friend that he was going through a divorce. Still, she didn't recognize him as the man from the botched Renault. He was just some handsome stranger. I was so excited. He was going to be available. When I left, I gave my phone number. I said if you ever want to talk, because it is a very difficult thing to go through. Call me. Of course, it's a line. He did indeed call me, probably within a week. That's how we started dating. But I didn't know who he was at the beginning. You didn't know that it was the same guy who snuck up behind you in the bathtub. I didn't know why I didn't know. horrible to admit because he had a two pay on and when he had a two pay at the camp. So he had much more hair than I remember him having and it was darker. He was blonde when I knew him and then he came over to me and said, I know who you are and I said, you look familiar but I don't know you when he said Mr. X and I slammed him in the chest and said, Jesus Christ, I don't want to talk, I shouldn't want to talk to you. That's what happened. My mom told me that on their first real date, she did ask Mr. X why he never paid the subcontractors at my parents house. She said he told her he'd been in a car accident, was on heavy drugs and hospitalized. She decided to forgive him. I'd never heard about that moment in the bathtub or the missing money. Listen, what's surprising to me about hearing this full story? You remembered that and thought you know what, this is the guy to pursue. I'm going to let it go, I just forget about it, yep. No red flags were waving around. First they were, no further comment. Before Mr. X, my mom was super social. When my parents were married, our house was like studio frickin' 54. They had these awesome dinner parties where everybody looked nice and my mom would serve this Martha Stewart level cuisine with ease and panache that really impressed me as a kid. I remember going to sleep to the sound of people clinking glasses, enjoying each other's company. When she got together with Mr. X though, her life started to narrow. People didn't really come by our house much anymore. My sense is that Mr. X made people uncomfortable, though he presented okay, in conversation he was gruff and socially awkward, wild animal and deck shorts. In public, he treated strangers badly, barking at waiters, yelling at gas station attendants. In private, it was worse. He was clingy and possessive with my mother, cutting her down with hurtful comments. The drinking stopped being social. Dinners were served on a tray in front of Fox News, the volume blaring, with him hollering for more. I graduated college still not understanding what the hell my mom saw in this man, or why she let him come between us. What were other positive things that drew you to Mr. X in the beginning? I had a partner. I was up at Canada with Lake, and everything was husband, wives or boyfriends and girlfriends. Canada would Lake is where my mom was living at this point. I had somebody that I was proud to go be seen with, and he was a so-called architects. Okay, so he was handsome. He was available as a partner. Good sex partner, good sex partner. Sorry. That's true. Let me just digest that. Okay, but you just really didn't want to be alone, it sounds like. I didn't like being alone, but I don't think I got married, so I wouldn't be alone. I drilled into my mom about this. She said it was as simple as her wanting someone handsome on her arm. Everyone was coupled. She wanted something for herself. Why him, though? Because you had all these other offers? Why him? Well, I guess because he didn't offer. Well, how did you get engaged? I told him we were getting married. Oh, God, it was you. You were the motor behind this. My life is coming undone right here in the living room. You asked for his hand in marriage? No, I didn't. I asked, I told him that we might just as well get married. Period. And what did he say? Yeah. So this speech I gave at my mother's wedding that made her so upset, I remember her complaining about it to strangers. All at the grocery store, airline stewards, for over a decade, if a waitress said something nice about mothers and daughters spending time together, she'd be like, "Huh, you should have heard how she talked about me at my wedding." I thought I was going to get a wonderful, you know, how wonderful my mother was growing up and how happy I was to see her happy. But what I remember about that speech is it was more about the negative things that I did in my life like I eat smoking, at my wedding. And I remember standing there and my heart just sunk and I just thought, "Oh my God, she really hates me." That's what she heard, but it's not what I remember saying. Here's where I admit that my speech was actually a poem written by me. I was super into poetry as a teenager, poetry as homage. When my best friend moved away, for example, I wrote her an ode that her mother had professionally calligraphy and frames and that our school asked me to set to music and perform it assembly. For better or for worse, my visions of myself as a great American writer were clearly being indulged. So when my mom asked me to say something at her wedding, I cracked open my diary in the set about writing something major, something so revealing it would cause the ground to crack beneath the altar or inspire someone to rise from the pews and speak out against their marriage to make the whole thing stop there and then I really wanted that. In preparation for this conversation with my mom, I dug the poem out. Neither of us had seen it in 30 years. I am looking at a piece of paper that has one, two, three, like seven stanzas on it. Wedding day poem for my mother. She walks through realms of habituated darkness and can you see the tumble stones that mar her rocky path. She is pushing, she is pulling, she is moving through the darkness and oh the road is long and every breath feels like her last. Oh mother, mother, mother, behind my lids I see you smiling at the bow within a boat above the sea. In retrospect, there is no chance anyone understood this fucking poem. I'll skip ahead a bit. Other times I see you and often you are lonely standing by our counter with a cigarette in hand. There it is, the cigarette of my mother's discontent. And in my head I hear you wishing body beyond boundaries, somewhere, another place, another time, another land, mother, the time has come for laying down roots. Right here, halfway through the poem, something weird occurs. My tone shifts in a way I don't remember at all. No longer do I see you glancing out beyond our window, wishing yourself other places very far from here. I think you found contentment, I think you found belonging, I think you have found a refuge where safety subdues fear. Why had my mom given me such hell over this thing? The poem was an incendiary, nor was it damning of my mother. If anything, it seemed to wish her well. Here are the last lines. Look no more out the window, look no more through the door, look not beyond horizon, it's not foreign anymore. You found what you've been wanting, your roots grow deep and true. You found a soul to worship and someone who loves you too. Okay, yeah, I mean, it was good. But I will say that at that point I probably wasn't listening anymore. And that's why I didn't hear the positiviveness of it. And no longer have to look, you can go out and be happy with this person that's going to smoke with you. You know, I wasn't going to be alone in this dark age of sin, it's negative to me. Still? Yeah. Yeah, the beginning is definitely, I get it. Still. Okay, so for me, that's painful to hear because I was really acknowledging how much she was struggling and to me, that was what I was trying to do with the beginning was acknowledge everything that you were going through that was so, so hard. I can see that, you know, you tell me that and I get to understand it. I'm sorry that I didn't hear the positivist in it. I accept your apology. Phew. I probably owe my mom an apology as well. I mean, now that I'm rereading it for the first time since the wedding, I get why she was so upset and hurt. It's a pretty dark picture to present to someone on their wedding day. I also get how she couldn't hear the nice things I was saying. Frankly, I didn't remember at all writing the end with that much compassion toward my mom and graciousness toward Mr. X, but hearing it, I do remember feeling that way. We were dealing with hard things as a family before my mom got remarried. My brother Brennan had gotten really sick. He basically moved into the Yale New Haven Children's Hospital when he was 10 years old, because he was seizing uncontrollably. His heart would stop out of nowhere. It was a terrifying time. Mr. X was intolerant of everyone, but he was gentle with my brother, kind. He helped calm my mom down. I know this meant a lot to her and also to Brennan, especially because our father was sort of checked out emotionally from what was going on. I do remember thinking, "This is the thing to hold on to here. This is his saving grace." I wish I'd made things simpler for my mom back then. I wish I could have said more clearly, "I'm worried about you." What anger is the teenage version of worry, and I was very angry. My mom wouldn't tolerate me saying negative things about her partner, so I bottled them inside which made me snippy and resentful. I stopped being nice to my mom. I stopped being lightened silly with her. And as it turned out, I had reason to be worried. Two days after the wedding at the age of 49, my mom had a massive stroke. There had been signs she wasn't well on her wedding day already, and in the days following her hospitalization, I developed a theory that her body, not her mind, knew that the marriage was a mistake. I ran this by my mom. I think that's true. I mean, why was I sweating so much? Why was I, you know, I think it's true. I knew, I knew when I was buying my dress, I knew when I was, you know, I wasn't as happy. I do believe that I anticipated this awfulness ahead of time, in your body, in every fiber. I mean, I think, to me, that's heartbreaking to hear, because that's what I thought was happening. I'm just going to start crying. You can cry mom, I'm sorry. Okay, I'm crying. She'll put that in. Okay, so I should have called off the wedding, and I knew that because I was just overwhelmed with everything, end of story. I entered this conversation with a bunch of questions from my mother, but it was coming down to one. How come you didn't listen to your guts? I think there were a lot of moments where you could have, and you didn't, were you sort of raised to defer to men, or I was raised, but I knew nothing. I mean, I was always wrong. You were raised to believe you knew nothing. I was, I was, because you're a woman? My mother told me this. So my mother was very domineering, and she made me believe that I was worthless and everything else. And so when I married Mr. X, I think that came back to haunt me all my negativity against myself. And I think I did listen to myself, because I couldn't be right when I couldn't be right. So wild to hear, because when I was little, my mom was the most capable person, physically, socially, financially, like a total financial whiz, the best dress, the best looking, the best driver, the most fun, all of these fantastic things. And she had a real reputation still among my friends in school, emotional to think of. Among my friends in school, it was just like how everyone looked up to lend a mom. To me, this is all very sad, because again, it goes back to my mother, and I hate doing this. Going back to my mother and blaming my mother for something I think that I became. And she was a huge smoker, if I'm remembering correctly. Yeah. Giant, giant. I was so angry at myself for being a smoker. I just did more of smoke, and then we made it a… So I hit a nerf, yup. My mom also had one main question for me. Why did you dislike me so much as a teenager? And you kind of have answered that, really, with all the things that were going on. But do you want to stop there and let me answer it? Sure. If you have… Yeah. I have additional… I'm going to bristle at the word dislike, because I actually like you a lot, and I looked up to you in a lot of ways. What I could not stand was that you let yourself be kind of walked all over by lesser men. By men specifically, but also men that either didn't seem to deserve you, or were actually bad people, you know, that weren't respected. You really were such a strong… You want to say something? Yeah. I want to know what men they were. I thought it was just a direct, I mean, I don't remember anybody. Well, you know, out of respect for my father, I'm still grieving. He just passed. I don't want to talk too much about my dad, but my father did not always treat you with a great amount of respect. So you know, I do include him in some of the men that I feel you were subservient to. What I saw growing up in Greenwich, Connecticut in the 80s and 90s when Greenwich was truly the bedroom town of Wall Street, what I saw was a lot of vivacious men who got to go somewhere else all day long and come home to children that were bathed and these beautiful women that were their wives put out fresh flowers, had dinner out, and the man just came and put his feet under the table, ate the food, and then got to go take a load off in a study. And so growing up, I was like, "Well, I'll be my dad, I'll be the man." I want to come home and have dinner at the table. I want to drive a cool car to work. And so something I bristled against with you is that at a certain point you were taking on so much and it didn't necessarily seem to be bringing you joy and Mr. X came into the picture and in the beginning I think he did, he seemed to really worship you. But certainly as the years went by I saw a man who demanded to be served and did not fetch as much as his own ice cubes and that made me really angry at you. I wanted you to stand up for yourself. Well, I think it's in my mind it was dislike of me because of the way you talked to me and the way you avoided me, I could never see it any other way. Your tone of voice, I mean I don't know how I could understand that that was because of my lack of respect for myself. No, I don't think you could if, I mean I was a B. My mom's got a point here. I was sending mixed signals. I loved her, I was mean to her. I wanted her to be a feminist baddie who kicked out Mr. X but I also benefited from her commitment to homemaking, the awesome dinners, her driving me around. It was confusing. I was confusing but I was clear on one thing mom. You chose him over us, you kept on choosing him. But one night last October, she made a different choice. In the kitchen of the house that Mr. X had designed to look art deco and style but instead came out looking like a white castle burger joint, my mom fell and broke her back. Though it was early in the evening, Mr. X was too drunk to help her. She lay on the floor for hours. Finally, he brought her her cell phone so she could call an ambulance herself. When I was on that floor, I swore I was going to do everything I could to get rid of him. She was hospitalized for months, unable to walk. Before the accident, I had almost given up on my mom. But now she told me that she'd reached a turning point. She gave me power of attorney to fight in court on her behalf, to a victim Mr. X. For months, I went everywhere with legal paperwork in case I was called into court. It was hard and it was ugly. It was the hardest thing I've ever done in my life, actually. But we won. Mr. X left the house in an unholy state. I spent weeks cleaning up after him, boxing up his possessions. My mom came home from the hospital. My brother and his wife moved in with their cat who took a particular liking to my mom. And I didn't know how complicated it was going to be to get him out. And at that point, I didn't know you were going to be so instrumental in doing it. Because of the amount of time you spent down here, I realized how much you cared about me until then I really didn't know. I did. Mr. X drove us apart and kicking him out is what brought us back together. It's a strange thing to rally around, but this is where we are. My mom is 79, I'm nearly 50. We have the rest of our lives to catch up on what we've missed. Courtney mom, we've got his novel, it's called "How An Ops Out" by Danny Chivers. We did reach out to Mr. X and he told us he's designed hundreds of houses, he had lots of friends, he says he never left any house in any kind of disrepair in his life. Coming up, a man goes back to the job of his teenage dreams to see what is the same and what is gone forever with the passage of time. In a minute, we just got a web of radio, when our program continues. It's this American life, my reglass. Today's program, intergenerational space travel, stories of people braving, the vast distances that separate young and old, trying to understand life on the other side of the divide. We've arrived at act two of our program, act two, cinema very teen. When one of our producers like Shrews Condoraja was a teenager, he had the greatest job he could humanly imagine. And that was, he worked in a movie theater, where a cummerbund to work every day, snuck around the managers with secret schemes of his own. This is back in 2003, more than 20 years ago, and I wanted to know, is the job still the best? He traveled back to his hometown and Wisconsin and spent some time at his old movie theater, the Marcus Point cinema in Madison. My friend Mark vouched for me to his manager, that's how I got hired there. And Mark knew how to make the most of the job. He taught me which door was the easiest to let your friends in, how to give away free popcorn by filling up discarded plastic bags so you don't mess up your popcorn tub count. And why volunteering to clean the bathroom was actually secretly a great job because you got out of the concession stand and you could sneak into a movie for a scene or two on the clock. By senior year, I stacked lunch and study hall together in my schedule, and I'd treat friends to a school day matinee with popcorn and soda. I felt like a teen god, second to none in the pantheon of high school jobs, except maybe drug dealer. When I got back to my old theater, the outside looked the same, classic old Hollywood movie marquee, and inside there's still busy stain masking carpet and the long tunnel of theaters on either side. It even smelled the same. I had asked to speak to teens, employees who were the same age I was when I started, but the company's comms team and their HR department said no. Instead, I could talk to a 26-year-old assistant manager named Darren Cleen, who's behind the ticket booth when I arrived. Clean shaven, winged a dress shirt with little flowers and tied a match. Darren told me he did not apply for the same reason I did, namely free movies. No, it was just looked out that that was a perk, I didn't know about it until afterwards. Oh wow. Okay. It was a nice surprise. Darren was just looking for any job. Besides getting to see movies, what about the other things that made the job so fun back in the early arts? Are they still part of it? I ran all my favorite hijinks we pulled at the movie theater by Darren. Before I tell you about the first thing, I just want you to remember our brains were still developing when we thought this was so funny. So basically, if you were the person who rips tickets, you were supposed to say "Enjoy your show." But some genius came up with a twist that involved referencing male genitalia of specific dimensions. I told Darren about this. Mumble under our breaths. Enjoy your show. Okay. I was wondering if that's still happening. Not that I'm aware of. You've never heard somebody say "Enjoy your show." No. I have not. Do you think that joke's funny? I mean, I didn't laugh. I noticed that. In the early arts, it killed. At least with the kids working at the concessionist room. How many people just said "excuse me?" I think that was the most common because we're mumbling it. You're mumbling it. Right. Yeah, okay. Yeah, I mean, I think it could use some work. So that's a change. In 2026, Chode's over, folks. Another thing that I thought was so fun was volunteering to flatten boxes out back. If that sounds boring, you don't know the WrestleMania technique that my friend taught me. Basically, you could fill up the industrial dumpster out back with unflatten boxes. Fill yourself up to balance on the metal edge, and then launch yourself into the air and drop the people's elbow on a box. Well, I tell you, that sounds like a very interesting workman's cop issue. Getting ready, but that's. That's area general manager Tom Reichelt, who corporate PR asked to join. So many things I loved about this job are gone. We wore tuxedos to work, made of this magical material that was impervious to nacho cheese stains. During a tornado, we got evacuated into the manager's office, where we took an ID from the Lost and Found that looked enough like me to buy malt liquor exactly once. Now kids are never let anywhere near the Lost and Found. The mini donut machine burned me, but it made delicious donuts. Like in the day, it burned area general manager Tom Reichelt too. I probably have one here somewhere, maybe there, a little different these days. That's gone too. But what about the big one? My favorite benefit of the job, letting my friends in for free. It really was the coolest thing I could think of, to be able to grant this wish to anybody, a free night at the movies, a drink, popcorn. You were allowed to bring in one guest, but I was always happy to let in more friends through the back door near the dumpster. Dearen says that yes, that perk is still around, but these days the back door is not necessary. Just having walk in the front door, come greet him over here and we'll hook him up. I always let them all know that there's no reason to be sneaking in anyway. If you want your friends to come see a movie, tell me and I'll get them in. I mean, it's a perk. So they're allowed to bring in their friends. But calling out to an unscientific survey I did of three teens around America who work in movie theaters right now, I learned they don't want to. One 18 year old in Kansas City says she prefers watching movies at home, where you can talk to your friends during the show, and watch basically any movie ever made. What a waste. Dearen, at least understands a bringing someone in for free has the power to actually change your life. When I first started here a couple months later, I met my girlfriend. I brought her to a date here after hours that might not technically be allowed. What do you mean after hours? Well, everything was closed. We were closed down. I asked her if she wanted to come see a movie. So we watched Wicked. Wow, you brought your girlfriend here because you had the keys to the place. I did. I had the keys. She wasn't actually my girlfriend quite yet. Good first date. I knew Wicked was one of her favorite musicals, so it was like perfect thing. Wicked just came out. Why don't we watch it? The private's showing and the biggest screen we can. Dearen ushered her into an empty theater, set her down on the best seat in the house, popcorn, white coke, and the cup holder, brought a sweater because theaters get chilly. And then he ran up to the projectionist booth, fast-forwarded through the ads, and ran back down to sit with her just in time for the show to start. That was two years ago, now they're engaged. What other job would let you pull off a first date like that? Honestly, I mean, it was so memorable. We still think about it. Tell me if I'm overstating it, would you guys be getting married if it wasn't for that? I would hope so, but I don't know. It's a good question because of how big of a thing it was and how meaningful and unique it was, that it definitely bumped me up some points. So, hopefully, but definitely not as easily. It's really similar to the thing that happened to me. Okay. When I was here, I told Dearen that I also once tried to impress a girl while I'm a job. When I met her, I filled up a discarded plastic bag with popcorn and slipped it to her. Another time, I let her and her friend in the back. I'm no longer wearing a tuxedo to work. But that girl I snuck in, were married and had two children. The job today definitely seems less fun, but there's still a little movie magic left. I just reached Condorageo, who's one of the producers of our show. By the way, none of the three teenagers I talked to knew it showed man, but some of them thought it was funny anyway. Act 3 - Mama Kenya Haramie My Rifleins in her 40s and the person across the divide in this story is 6. It's her daughter. The two of them have been in a bit of a standoff when it comes to getting ready for school in the morning. There's going so badly, and my wrist started recording these morning showdowns. Trying to figure out if there was some way to fix things. Here she is. My mornings used to look so different. In my younger days as a touring musician, I'd greet the sunrise on my way home from a gig in some random city and faceplant into my bed. But now, I start my day at 7-10am, engaged in a battle of wills with my daughter Avalon over her hair. When I was a kid, my mom and I had a similar hair routine. She would sit me down at the breakfast table every morning, grab a cup of water and a hard bristle brush, and rake through my curls. It hurt like hell, but there was no point in complaining, because my mom made it clear we didn't have time for any of that. My hair had to get done, that's just how it was, and that's just how it is for Avalon. Black hair is black hair. And look, I'm not doing box braids, or knotless styles, or writing her name in the side of her head with corn rows. I'm just trying to comb through it and put it in a ponytail so that no one looks at us crazy. So every morning, I take her hair out of whatever shape it's landed in after a night of sleep without a bonnet, I still haven't found one that stays on her head. Then I grab three different brushes, a big jar of leaving conditioner, a spray bottle full of water, and get to work. For Javalan, who's six, hates. Stop it, but it's not that bad. Stop, stop, stop, no, no, I can't use that brush, I have to use this brush. You just want me to hold it. No, but you need to just please, can you just look forward and bend your neck for me, bend your neck down. For the record, holding this brush is a stalling tactic for Avalon. She wants to hold it so I can't use it. And I see straight through you, Avalon Mathis Whills. I know my daughter. Avalon, by all intents and purposes, seems impervious to pain. I've literally watched her face plant from the top of monkey bars onto the grass, only to bounce up and try it again. This is a kid who doesn't want to wait for her teeth to fall out naturally. As soon as they're loose, she's trying to pull the mat of her head. And she won't even let the tooth fairy take her teeth. She wants to make jewelry out of them. She's perfectly weird and brave in all the best ways. So for her to shake and cry only with me, is devastating. But also, and I'm not proud of this, the big part of me is like, girl, nobody's dying here. Suck it up. Baby, I'm sorry, I have to get it. I already did it. I didn't. Well, it hurt always. Probably, baby. Sometimes, the things that we need are not comfortable. Hold up, did I just actually say that? I'm not even sure I believe it. You know that moment when you open your mouth to say something and outcomes your mother? This is one of the few times I heard that in my life, and it really stuck with me. My mom was the black female dean of a military college. She taught me that sometimes in life there are things like hair that you just have to tough out. And so much of my parenting, I've tried to be a little different, to it my way. I don't know if I totally believe that black kids should just have to tough it out when they're in pain. I also don't want to be a parent that teaches their black kids that everything in life should feel like a lukewarm bath. When it comes to Avalon's hair, I feel so conflicted like my two parenting styles are at war. And when I heard myself say, sometimes the things we need are not comfortable, I felt like I had to talk to my mom about it. I needed her to back me up on this. So I called her Miss Martha Matta's herself. I walked her through what had been going on with Avalon, the battle with her hair every day right before school, and I asked her, this is just the way it is, right? To which she said, "No, I think I've found that's what you want to avoid, because at some point, if you're rushing and you're trying to do our hair, then it's going to hurt. If it's going to sit up there for days without anybody doing anything, then you're going to get what you get." My mom saying pain was something that you should or even could avoid was wild to me. She did my hair up so tightly, I got migraines at school. Mama, do you remember one time when you were doing my hair and you were doing it and doing it? And I was like, "Oh, oh." And I was eating breakfast at the breakfast table and then I threw up. No. You don't remember that? I don't. But that doesn't mean it didn't happen, it just means I don't remember it. Then what did we do? Oh, you went and grabbed the trash can, just in case I had to again, but yeah, I just remember I remember it hurting a lot. My mom once described my parenting style as permissive. Sometimes I feel like I have to be firmer when she's around, so she'll be proud of me or something like that. So I couldn't quite wrap my head around what I was hearing. I'm kind of surprised to hear you say that, "No, it doesn't have to hurt." I feel like you're a tough cookie, mama. Yeah, and I feel like you kind of raised me to be one and I can feel that lesson starting as early as my hair, right? Just as I can feel like I'm doing that with Avalon. Do you think that I should be making her tough for the world? The way I'm talking about hair is kind of a gateway into, like, toughen up. Do you think that? No. I wouldn't use hair as a gateway to toughen up because it has too many other racist and sexist implications. Did you want me to toughen up in those moments when I was like crying and like, "ouch, this hurts." No. No. It hurt. No. Why would you? You didn't want me to like toughen up and just be like, "We've got to get used to this because we're on a schedule. We've got places to come." Well, what would happen whether you were tough or not? I guess, and at six, I'll use Avalon's age. She's as tough as she's going to be right now, and she can't be any tougher. I think she's the toughest little girl I know. So no, I would not have been quite doing your hair with tough or not. I always felt bad that for those 10, 15, how many ever minutes it was, that that's how you were starting your day. I didn't know that she'd had any feelings about our mornings. My mother told me it was the same for her when she was young. She sat between her mother's knees and out came the hot combs, the hair grease, the brushes, the pain, which she likes to remind me was far worse than mine as I remind my daughter and we copy and paste. But instead of giving me the validation I wanted and letting me know that the way she'd done my hair is really the only way, my mom gave me some advice I really wasn't looking for. Give her some of her own hair. Oh, to take care of. Yes, I've tried this. We've tried this. Yes. Oh, you had up. Oh, yeah. It's do your own hair day. Do your own hair day in my house means we give Avalon a brush and some bows and 15 minutes later. Absolutely nothing has happened. But it turned out that wasn't what my mother was suggesting. No, I mean, they have her do your own kitchen. Well, she will be gentle with herself. If she does her own hair at this age mama, she's avoiding her kitchen altogether. But okay, so it looks like I don't know, a rat'sness. Nobody's going to see it. Yeah. And if you reminder now get in there, if you don't want me in there, with your reminder of that, it's going to be your hand or mine. Yeah. I think if you give her something that she owns, and if it's just this little bit back there, my goodness, let her have it. What would happen if you parted that off, they'll seriously look, I know I'm hearing you. I just don't, I'm like, when you're saying like, why don't you try this, right? Why don't you try giving Avalon a little section for herself? Why didn't you try that with me? just are passed on. The women my age, they were not brought up to even have these kind of conversations. And I don't even know if I had them in my brain. I mean, back then. But I'm saying for you, I would think you do have options. When you know better, you do better. The next time I did Avalon's hair, I let her do some of it. You ready to get the back just a little bit right here? Good job. Back here. Look at that. Where are you smiling when your mom is doing that you're crying? What's it feel like to do your own hair? Soft. It feels soft, huh? It doesn't feel hard like a rock, but my mom doesn't feel so hard like a rock. Your hair feels hard like a rock or my brushing feels hard like a rock. They're brushing feels hard like a rock. Does this part hurt? No. Oh, good. I don't think I've ever seen your kitchen look so good. Should we show Papa? Papa bear. Do you want to tell him? Who looked at my kitchen? Wow. What about your kitchen? I did it. You did it? Yes. Good job, baby. As a parent, you're always looking for your failures. There are so many ways to fall short. But every once in a while, if you're lucky, the evidence is clear. You did something really good for your kid. And with my mom's help, I was able to change this one thing in the wheel of my own motherhood, and maybe one day, avalanse. I want her to know what my mother knew and her mother before her, that when you're doing your hair, some parts need someone else's hands. And some parts we can learn to hold ourselves. My Reflin. She's the host of the podcast Homegoings with My Reflin. It is available wherever you get your podcasts. Her story was produced by Emanuel Jochi. [Music] Well, our program is produced today by Dana Chivas and Valerie Kipness, who, by the way, produced the show across an intergenerational divide. It was edited by David Kestinbaum. The people we'll put together today, shall include Adrian Willy, Seth Lin, Katherine Ray Mondo, Stone Nelson, Ruthie Petito, Nadia Raymond, Ryan Rumblery, Ruby Schwartz, Lily Sullivan, Alyssa Ship, Frances Swanson, Nancy Updike, and Julie Whitaker. Our managing editor, Sarah Abderam and our senior editors, David Kestinbaum, Nancy Updike, our executive editor, Ms. Emanuel Barry. Special thanks today to Diego Ungaro, Brendan Mom, Jamie Arduino, Hyglyne and Mark Siven, Rebecca Babcock, Shane Manchip, B.A. Parker, Phil Willes, Sam Yellow Horse Kessler, Megan Kane, Laurie Lass, Dan Sinekon, Ray Tintori, Ben Mossman, Brian Houston, Korra Bruce, Ingrid Haftel, and Ellis Retzer. This American Life is delivered to public radio stations by PRX, the public radio exchange. Thanks also to all of our this American life partners for helping us make the show with their contributions. Life partners get bonus episodes, they get this newsletter where I and other steppers recommend films and TV shows and other stuff. They listen ad-free, join at thisamericanlife.org/lifepartners. That one is also on the show notes. Thanks as always to our program co-founder, Mr. Charlie Melatia, you know, no matter what kind of restaurant we go to, Italian, Mexican, Thai. His order is always, always, always the same. "Give me some of that shrimp!" All right, we're at Glass. I'll be seeing you, of course, in the comments on Spotify, and I will be back next week with more stories of this American Life. Next week on the podcast of this American Life, 10 years ago, Nicole Hannah Jones wrote this essay in the New York Times magazine about as she wasn't going to try to get her daughter into the very best school the way that so many other parents do. For principal reasons, she was going to send her to her local public school, a segregated, low-income school. This article cuts a huge stir, 10 years of past, and you know has some strong feelings about that decision? Nicole's daughter. They talk about it next week on the podcast or in your local public radio station.

Podcast Summary

Key Points:

  1. Dave Blanchard initially thought the chaotic, incoherent comments on a podcast episode were generated by bots, but found them suspicious due to their interactive nature and emotional tone.
  2. Gen Z teen Hannah Chin recognized the comments as genuine, identifying a pattern of middle schoolers using Spotify comment sections as a group chat, especially because they were blocked from other social media.
  3. The kids created named playlists like "New Chat" and used Google Forms with phrases like "Only cool people can fill this out," mimicking how younger generations use quizzes and playful interactions.
  4. A 14-year-old named Ella confirmed the setup
  5. The teens chose NPR podcasts because they had fewer comments, offering anonymity and a safe space to speak without being seen or judged.
  6. The parents were unaware of the activity, and the teens used the cover of being involved with an NPR show to avoid suspicion.
  7. After realizing the comments were from real children, Dave felt guilty and outdated, acknowledging his failure to understand the digital language of a younger generation.
  8. The episode highlights a generational divide in how people communicate online, showing how young people use digital spaces for connection, identity, and emotional expression.

Summary:

Dave Blanchard, a public radio host, initially mistook a surge of strange, incoherent comments on a podcast episode about Elizabeth Gilbert as bot activity. The comments—filled with fragmented phrases, emojis, and emotional expressions like “I'm crying” and “OML”—seemed random and machine-like. However, when a younger colleague, Hannah Chin, analyzed the posts, she recognized a pattern of middle schoolers using Spotify as a group chat.

These teens, restricted from mainstream social media by strict parents, created playlists named “Chat Here” or “New Chat” and used them to build connections, often sharing short, playful messages. One 14-year-old, Ella, confirmed the setup: she and her peers began the activity after being banned from TikTok, watching a podcast on Spotify and commenting to stay connected. They chose NPR shows because they had fewer comments, offering a quiet, anonymous space.

The teens used a Google Form with a quiz-like prompt, “Only cool people can fill this out,” typical of Gen Alpha’s digital culture. The group’s use of the platform was not spam or automation, but a genuine attempt at social bonding. Dave, upon realizing the truth, felt embarrassed and out of touch, admitting his age and generational blind spots.

The story becomes a poignant reflection on how communication has evolved across generations—showcasing young people’s desire to connect, their creative use of digital tools, and the emotional distance that separates older and younger audiences. It also underscores a broader theme of intergenerational understanding, where older generations must learn to listen, not just to facts, but to the emotional and cultural language of youth.

FAQs

Initially, Dave Blanchard thought the comments were from bots because they were incoherent, repetitive, and seemed automated. However, further investigation revealed they were actually middle schoolers using the Spotify comments section as a group chat.

The kids created playlists on Spotify named things like 'Let's Chat Here' or 'New Chat' and shared them publicly. When others saw these playlists, they would go to the podcast episode linked and start commenting, effectively turning the comment section into a group chat.

Hannah recognized the behavior as familiar from her own middle school internet experiences, noting the use of special character emojis, cartoon profile pictures, and short, back-and-forth messages that resembled how kids communicated in forums and Google Docs.

Many of the kids were restricted from using other social media platforms due to strict parental rules, making Spotify a safe and accessible alternative where they could create playlists and chat in the comments.

The playlist names like 'Chat Here' or 'New Chat' signaled to other users that they were meant to be a conversation space, prompting others to join and participate in the comments, creating a group chat-like environment.

Yes, the commenters were mostly middle schoolers, aged around 11 to 14, many of whom were homeschooled and raised in conservative households with limited access to social media.

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