Ina Garten Says You Can Either Get on Her Train or Get Out of the Way

I remember thinking how crazy it was to disagree with the top cookbook editor in the country. And I remember saying to myself, well, either I'm wrong and he'll never have to see me again, or I'm right and he'll think I'm a genius. I'm Lulu Garcia Navarro, and today I'm interviewing Ina Garten. Garten's best known for her cookbooks and her show Barefoot Contessa, which premiered on the Food Network almost 24 years ago. I'm always looking for new ways to cook chicken, but nothing says summer more than cooking chicken on a grill. That show taught people how to cook, a quart of cup of olive oil, a cup of onion, how to entertain, so I'm going to have cocktails and hors d'oeuvres on the porch, I'm going to have dinner on the dining room table, it's going to be casual. And how to be unfussy about it. You can use ingredients from the store, like a pound cake or vanilla ice cream, that are just as good as homemade. Garten's legend. Garten's laid-back style and plucky personality made her both a household name and a cult figure. Delicious. Lovingly parodied and memed on social media. Tonight I'm making a wonderful dinner, and it starts with brownie pudding. And now, at 78, she's doing something new, launching a video podcast called Happy Hour with Ina, and her 14th cookbook, Simply Ina, is coming out this fall. Here's my conversation. With Ina Garten. I am thrilled to have you here. I have watched you for such a long time. I have cooked your recipes, and so it is a great pleasure to welcome you to the interview, Ina. Thank you, Lulu. Thank you so much. I love what you do, too, so I'm so thrilled to be here. Really honored. Okay, so I've been doing the math on your life. Uh-oh. You're now 78 years old. Mm-hmm. And you are just about to start. This whole new chapter, you are launching a podcast. I am. And you started your Celebrated Food Network TV show when you were in your mid-50s, and you wrote your first cookbook when you were in your early 50s. And I find this very inspirational, as a woman also in my 50s. What have you learned about taking on challenges in later life? I think that when I look back and I think about the things that I've done, like writing cookbooks, and I love working scared. Really? Because it keeps me up at night. So I love, you know, I love this expression, getting out over your skis. Well, you have no choice. You've invested your money. You've, you know, sort of made a stake in what you've decided to do, whether it's books or TV. And very often I've said no to things for years until I figured out, how can I do this differently? Like, I don't like doing it the way everybody else does it. I like doing, taking something like books. I'm saying, most cookbooks are in, when I started in 1999, most cookbooks had like 250 recipes. I mean, who needs 250 recipes? I need 75 really good recipes that I can make over and over again. And so when I decided to write cookbooks, I thought, okay, I'm going to write this book. I'm not even sure my publisher was convinced that it was going to work. But it worked out okay. Yeah, I think one of the things, though, that happens when people get older, in particular, is that you get more afraid, you know. You get more afraid? Oh, that's interesting. I thought you were going to say get more confident. No, I don't. Isn't that interesting? I actually don't think people get more. You have more to lose? Well, you have more to lose. You get more set in your ways, you know. I'm just the opposite, actually. Yeah, I know. That's what I'm, and I think that's such a great lesson. But I think it's unusual. I think I have a very low threshold of boredom. If I know how to do something, I don't want to do it again. I love using what I've learned and figuring out the next step. It's really clear for me. I ask myself one question, is it going to be fun? And if it's fun, then I really want to do it. I just have to figure out how to make sure it's fun. I mean, it's working with people that I love working with. It's working with creative people. I mean, in the cookbook, I have food stylists doing the photographs and photographer. There are people I look forward to working with. Where we create something that's better than any one of us alone, and I'm responsible for the team. I love that feeling. It's kind of like a great ballet where everybody's working together. So I like that feeling of building something with people. Well, let's talk about the two new projects that you have coming out. Okay. A podcast and a new cookbook. Yeah. Let's start with the cookbook. It's the first one in four years. Yes. It's called Simply Ina. The recipes all look easy and delicious, which are your signature. Thank you. Have you ever been tempted to make something off-brand, complicated Ina, fussy Ina, you know, pretentious Ina? Let's make cassoulet, right? Yeah, let's make cassoulet. Exactly. No. I actually am not that good a cook. I think of myself more as a taster. I know what I'm looking for in flavor and texture, but I don't like spending hours in the kitchen cooking. I really don't. When I wrote my first book, which was the Bare Frequentessa Cookbook, I didn't know what I was going to do. I didn't know what I was going to do. I decided I wanted to have several things. I wanted to have gorgeous photographs so that when you looked at it, you thought, oh, that looks delicious. And then you looked at the recipe and you thought, I could actually make that recipe. And then you looked at the ingredients and thought, oh, I can get all those ingredients in my local grocery store. That was a guiding principle of the first book, and it's still the guiding principle. There may be a few things like truffle butter that you, you know, can order online and keep in the freezer, but very, very few things. Most things you can buy locally. And because this is about keeping things simple, it's even, the recipes are even easier. Do you like eating complicated food? Like, when you go to a restaurant, do you order complicated food? I hate it. Really? Yeah. I'm the first one who's going to order a roast chicken in a restaurant. No, I really don't like complicated food. And I don't like tasting menus. They give me a headache. Neither do I. All those flavors just are like, oh, my God. And I don't like when somebody puts something down on, you know, in front of me that I have no idea what it is. I just, I'm not an adventurous eater at all. And I think my recipes reflect that. I like, you know, raspberry cheesecake. You know, like, you know exactly what it's going to taste like. Let's talk about your podcast. Okay. You'll be making cocktails and mocktails with a guest. Is that right? Well, I mean, I'm going to serve a cocktail and mocktail to each person. Oh, you're not going to make it with them? No, I'm not going to make it. Yeah, exactly. All right. So day drinking with Ina. No, it's not. It's not day drinking with Ina. Oh, that sounds great. No, people are invited at 5 o'clock. Okay. So it's cocktail hour. It's cocktail hour. Okay. But it's really about the conversation. What makes a good conversation for you? I think what I'm always looking for is where I connect with the guest. So, for example, with Alison Roman, she writes cookbooks. She has a specialty food store in upstate New York. We have a lot of common experiences. And so it's really fun to talk about how she sees building a business, how she sees. How she sees writing recipes. I think that's what I'm always looking for. And it's interesting. No matter what the guest does, whether it's a movie director or a writer like Ann Patchett, we always can find a common thread. You know, I think having a good conversation also means having a little bit of tension at some point. But I think that's probably not your philosophy. Am I right? I hadn't thought about it, but now I'm going to. Yeah. Like what's tension? Like what's tension in a conversation where you disagree about something? You know, there are a lot of celebrity podcasts now where famous people interview other famous people. And they're very friendly and they're very fun. But I think they often steer clear of difficult questions or touchy questions, in part because the interviewer and the interviewee are either friends or they're in the same social circles or you're going to see them again at some point. And sometimes the conversations don't go very deep. They kind of. Skirt the surface. And I was just wondering, have you thought about how you navigate that? I actually think it should be fun. I think the person should have an interesting point of view. But I'm really conscious that I want every conversation to have things that the listener can take away. So it's not just you and I are talking. It's that we're sharing our experience about how we do something. Allison and I talked about a book that I had read called, Why We Buy, like how people shop. And I'm sure somebody listening is going to go out and buy that book and it's going to change how they retail whatever it is they're selling. So my goal is not just to have a really interesting conversation, but to connect with the audience. And that's the way I write cookbooks and it's the way I do the TV show. It's what's the user experience? Is it enjoyable to listen to and do you learn? And the other thing is, I think it's really important to ask questions you don't know the answer to. And let go of control of the conversation. Why did you want to do this? Why did you want to have a podcast, which is nowadays a TV show because it's going to be filmed, obviously. Because I think it really goes back to my childhood where I couldn't connect with my parents. And I crave that connection with people. And that's why my friends are very. important, and I find this so interesting, the stories that people People have told me on Be My Guest, like Emily Blunt talking about having a stutter, which was debilitating when she was a child. And so I just, I find people's stories really inspiring. And it's the difficult things in their lives that have led to the things that have changed, like Marcus Samuelson. Do you know the story of Marcus Samuelson? When he was three years old, he, his mother, and his five-year-old sister got tuberculosis. And their mother walked them from the village in Ethiopia where they lived to a hospital to get treatment. And I don't know how long, it was like 20 miles without shoes, walked to this treatment center, and the mother died and left two children. And a nurse knew that there was somebody in Sweden that was interested in adopting a young boy. And she called and said, I have a young boy, but he has a sister, and I won't break them up. And the Swedish family said, send them both. So Marcus Samuelson ended up, from the worst thing that could possibly happen to you, he lost his mother when he was three, with a Swedish family. And the grandmother said, come, come cook with me. How did this happen? He's a brilliant cook, and he's got fabulous restaurants. Never would have happened if the worst thing in his life hadn't happened at that moment. What is that for you? What is that origin story for you? Well, I think that I had a very tough childhood. And it was lonely, and it was. You had a mother who was very. Disconnected. Disconnected. And my father was always mad at me. Yeah. I don't know why, but. Because he tried to control me. So, I mean, what goes in early goes in deep, and I'm always trying to recreate what I craved when I was a kid. Yeah, I think either people repeat their parents' mistakes. Well, that's intentionality. Yeah, or they really try to move away from it. I had a lot of help figuring out what happened. Because I don't think I understood it until I was probably 40. And then, once you understand it, and you say, oh, that wasn't everybody's childhood. When you're a kid, you think everybody lives like that. And then you realize, no, it doesn't. And you make a decision to do it differently. Your history isn't necessarily your life. You have to break free of it at some point. You have to figure it out, and then decide how you want to live. Yeah. Your story can be seen as a series of beginnings, or actually a series of endings. As I was sort of looking at things, you stopped catering at a certain point, and catering had helped sort of propel you into the food world when you had your specialty store. It was allowing you to be in people's houses, and, you know, it was a lot of your business initially, and you just decided it wasn't working out because. Because I would run Barefoot Contessa during the day, and then at four. At four or five o'clock, I would go to. We would do like ten parties at night, and I'd get home at one o'clock in the morning exhausted, and on Sunday, my only day off was, you know, it was basically the afternoon I had off. I couldn't even talk. I was so exhausted. I thought, okay, this is not working. Right. Because it really. I couldn't work and have a personal life at the same time. And then you sold your iconic store for similar reasons. I think I sold the store because I knew how to do it. Yeah. And it was no longer a challenge, and I think if you're not bringing new energy and new ideas to a business, it's time to pass it off to somebody else who will. And then you stopped selling prepared foods at a certain point. You know, some people expand their business. They, you know, they just keep adding and adding, and you seem to replace. And I thought that that was very interesting. It is interesting. I don't expand it. I do it sequentially. You're absolutely right. I hadn't thought about it that way. I think that when I know how to do something, I don't want to do it anymore. It's really that simple. And, I mean, sometimes I've taken, you know, one time I took a year off to try and figure out what to do next. And I remember in the middle of that thinking, this is the worst year I've ever had because I have nothing to do, which is not my favorite thing. But I never would have started writing cookbooks if I hadn't done it. I did it just to have something to do, and it turned out to be so much more interesting than I expected. So I think I kind of like the journey, you know, like just finding out where my place is and what works. And I always see it as like tapping on a wall, and I'm just tap, tap, tap until I hear like a hollow sound, and I'm like, okay, that's where I'm going to go. And it's not what I'm going to finish with. It's what I'm going to start, and I'm going to see where this leads. And maybe because I like to have control over what I'm doing, I don't like expanding it with more and more people and bigger. I like doing things sequentially. I hadn't thought about it that way, but you're absolutely right. You've always spoken about learning to trust your instincts, and I think that's one of the hardest things for women in particular, especially to do. Our inner voices sometimes are harshest critic. How did you learn to trust yourself? I think my husband taught me, because I think as a child I was always taught that whatever I wanted to do was a bad idea. And when I married Jeffrey, I think he always said, he always supported whatever I wanted to do and encouraged me to do it. And he encouraged it and didn't question it. And I think I really learned how to be in the world that way. Because you met him when you were 16. Yeah. Yeah, very, very young. He saw you when you went to go visit your brother. Brother in Dartmouth, yeah. Just the luckiest thing that could ever happen to anybody. I had gone from such a negative childhood to such a positive life. I mean, where everything I do he thinks is brilliant. And encouraged me to do more of it. When did you realize that perhaps that inner voice wasn't, was not there anymore, the harsh critic? Because I think we do. Oh, it is. It is? Oh, it absolutely is. But I think maybe when I was around 40, I started seeing a therapist. And what I learned from that is that when I hear that voice, I say, oh, that's my mother's voice. That's not my voice. Because my mother always thought everything I would do would be a failure. So, you know, her first reaction, what makes you think that you can do that? And I just go, okay, that's my mother's voice. That's not my voice. And I just reinforce, okay, I'm going to try this. I don't know if I can do it, but I'm going to learn a lot from it. And I'm always surprised how well it turns out. And how do you deal with external pressure when people don't believe in you? Because there's the internal voice and then there's like people in life who underestimate you. Oh, yeah, there are a lot of them. Yes. And I just have this philosophy. You're either on my train or just get off, get out of my way. I think because I had such a difficult time as a child, I don't like negative people around me. I just don't like to be with them. So if you're going to be positive and you're going to bring things to the party, come along for the ride. But if you're going to be negative and question what I'm doing or not listen to what I want, just get out of my way. Is that tough? No. You know what? I don't think it's tough. I think it's clear. It's clear. How then do you take feedback? Oh, I ask for feedback all the time. Right. I mean, every morning I meet my team and we talk about what we're doing and I want to know what they think about it. But at the end of the day, it's my decision. And once I've made a decision, I don't want to discuss it. I mean, now at this stage in your career, obviously people are going to be on the Ina train. Yes and no. Yes and no. But, you know, you are a person who has a proven track record. But when you were first trying to. Yeah. move into things. Well, I do remember my first book and my editor was the top cookbook editor in the country. I mean, he was extraordinary. Really knowledgeable. I had some of the great. Martha Stewart, Lee Bailey, had really great authors. And I have no idea why, but I would say to him, that's not the way I want to do it. I want to do it this way. And he would disagree with me. He said, that's not the way it's done. And I remember thinking, okay, well, I'm. I'm not going to be happy unless it's the way I want it done. And I don't know why I. But I just needed to have my vision in that book. So I was just determined to make sure it was the way I wanted it to be. And that determination comes from the feeling that if you can't execute your vision, then it's not going to be satisfying. And why bother doing it if you're just going to do what everybody else is doing? But you have to have an idea. You have to show up 100% and come with an idea. Martha Stewart helped launch you. She did. And in that early stage of your career, there was a lot of pressure to be a mini-Martha. She had sort of created the mold. And they wanted to have more. Well, that was one of the models. That was one of the models. That's absolutely brilliant. And she changed how it happened. I mean, she did it brilliantly in her vision. I mean, you walked away from your first foray into television because they wanted you to be a mini-Martha. Yeah. How did you just have a sense that it wasn't the right fit? I just don't know. You're stubborn, clearly. I'm clear. I don't think stubborn is a bad word, by the way. I'm determined. I think, well, it was her film crew that was filming a show for me. kept saying to me no no you can't do it that way and i was like i kept saying to them you have martha you don't need me to be martha you need me to be me and i don't know why i knew that but i i just was very clear that you know martha does a certain does things a certain way and i do them differently and unless that film reflected who i was it was going to look like i was trying to be martha and that's not who i am according to a new yorker profile of you from a few years ago um you and martha grew apart can i just say i admire her enormously i think what she created is stunning and she did it with vision um i mean we're you know we're friendly we're not there's no antipathy um she moved to bedford and she used to live in east hampton so we saw each other then i mean i know you get asked about martha all the time and i think it's a good thing that you're not a friend of her and i think it's a good thing that you're not a friend of her and i think it's a good thing that you're not a friend of her and i think it's a good thing that you're not a friend of her and i think it's a good um and in many ways you became your own thing the anti-martha in some ways you know a different style of cooking is that in itself frustrating that you always get kind of put in some kind of juxtaposition of her i had an interesting conversation with allison roman recently actually um i said to her you know she and i are kind of in a continuum that started with julia child who wanted to teach people how to cook with real food you know when when everybody was making like box macaroni and cheese she wanted you to appreciate a really good beef bourguignon and then martha came along and elevated home arts to something really worth doing well set a beautiful table make it wonderful dinner carve out a pumpkin and for the pumpkin soup it's just fabulous i came along and said okay don't maybe not carve out the pumpkin set a nice table it doesn't have to be over the top and make a lovely dinner and serve it and then allison roman came along and said forget setting the table just put the pot of soup on the on the table and and have a good time and so i think everybody's getting a little simpler and simpler but at the end of the day we all like the same thing which is gathering people around a table you know allison roman also said in that new yorker profile that people were always asking her if she's a martha or an aina oh really yes i don't remember that so there is like a sense of of a continuum but also a sort of dichotomy if you will yeah i think we've each taken a different path and i think that's a good point um what what's in the world and made it our own the reason i ask also is because in that new yorker profile martha said she had never made one of your recipes which i felt was kind of pointed and i wondered if it bothered you no it's certainly her hers to decide it's i i didn't know what to make of that i've certainly made lots of hers um we've talked about how you've sort of evolved over time and i do want to touch on a period of your life that i find fascinating which is your period at the food network um because it's really changed since you started there 20 years ago uh you know you came up with rachel ray you came up with paula dean and you women were really a big deal at that certain period of time there's a lot of male energy guy fieri pit masters bobby flay i watch a lot of bobby flay um can i just say how much i adore bobby flay you can say he's just he's just extraordinary would you ever compete with bobby flay no see i'm you know i'm not i'm not a chef i'm a home home cook right and i mean to to go to bobby's house and watch him just make lunch with not a recipe anywhere i mean he's you know he's an extraordinary cook and he's so joyful in the kitchen it's just wonderful to watch and you know he doesn't when he's competing with somebody this is their identifying recipe this is their their favorite recipe and bobby's never seen it before and he usually beats them why have you never wanted to be part of a competition show it's just not who i am and you know what that's what other people do i just like to do something different i think part of food food network's dna is showing people how to cook and fortunately they still support my doing it warner brothers which runs the food network is in the midst of possibly being sold to paramount not yet not so fast not so fast i mean do you have an opinion about that merger will you stay with the food network if it gets sold i think i'm gonna stay away from that one okay okay is that all right yeah i understand it's complicated it's complicated yeah all right who would you say your audience is today um i'm sure you've thought about this as you're launching your new podcast i mean who do you think of as people who watch ina garden you know it's astonishing to me how varied it is i just i mean i always i've said this before that i loved walking up madison avenue one day and a woman in big fur coat was like oh darling love your cookbooks and a block later a truck driver pulled over and said hey babe love your show and i thought this is what food is and um i mean i would think that my audience would be older because because i am but i mean gen zers are just desperate to um to cook and entertain now and and be together with their friends have you seen the many social media accounts parroting you with love um no oh really oh i would love to show you like in particular you heard of a comedian called tom hearn yeah he does the shirt the giant margarita glass but there's also just many many others you know um somebody came to jeffrey and said that they were having a wedding at anna gansett which is the next town over from east hampton and that all the bridesmaids were dressed like me and could i stop by i was like are you kidding i mean what were they going to explain to their kids in 10 years why everybody was dressed in a denim shirt i mean it was incredibly flattering but a little crazy i mean speaking of social media what do you make of the influencers sort of online making um sort of elevating the old-fashioned idea of homemaking you know the trad wife trend wives who are farming their own food making everything from scratch it seems very different than what you've been advocating your whole career the only thing i advocate is do exactly what feels right to you period just don't don't become somebody else because you think it'll allow you to fit in figure out who you are and do what you do what you want to do if you want to stay home and cook and take care of the family i think it's wonderful if you want to work i think it's great we're so busy judging everybody and it's it's free you're just from the sidelines you can just take pot shots at anybody and what's the point does it make you feel better no the reason i asked about sort of the trend of elevating the home arts and cooking your own food and all of that is because it did make me wonder if you ever had internal battles with your family and your friends and your friends and your family and your friends and your friends and your friends and your friends and your friends and your friends and your friends over your career with traditionally women coded things because i see you as clearly a feminist uh i is that how you would describe yourself first of all yeah and how did you think about how you were sort of showing up with what you were doing i'll tell you a story i've actually never told it's when i was in high school the girls took home ec and the boys took um shop yeah and i i don't think anybody had ever questioned that and i just refused to take home ec and i took shop and what i learned is drafting and i at some point i was thinking maybe i'd be an architect um but i use those drafting skills all the time so i now when i think back how ironic it is that i refuse to do cooking and you know whatever whatever home ec was at the time um i i love what i do and i could actually make a case that i'm really lucky that i'm interested in a field where women are interested so that the only limitation on my success was my own imagination and i think women in cookbooks and women in tv i mean it's it's easier so it was just a happy confluence i didn't choose it because it was a female um talent i just choose it because i love doing it thank you so much we are going to speak again but this has been utterly delightful i thank you so much your time thank you so much fun to be here with you yeah on the interview we talked to our guest twice so later i followed up with garden who was at her home in east hampton we got into her favorite ingredients and whether she's ever considered retiring all right aina thank you so much for joining me again it's nice to see you nice to see you again too we had such a good time last time you know i was thinking we had spoken um earlier about about how you ask yourself one question when deciding whether or not to do something right and you said is it going to be fun but i was wondering about something for you that might have been really really hard but not fun that you're glad that you did in the end do you have a story about that something that was hard but not fun i mean the thing about hard is i like having problems to solve so if i have something that's difficult and i have to work it out i find myself totally engaged in it and i enjoy that process so i think that's fun figuring it out like starting out going how is this ever going to happen. And then you go, well, if I start it this way and I go there and then I try that, let me see where I am when I get there. So I like that. I find that process fun. I mean, fun isn't always ha-ha fun. Fun is just something that really feels good. Are you a perfectionist? I mean, you don't seem to be. I think the people around me might say I am. I am in some ways. Yeah, I am. I like things done the way I want them done. And do you think that's part of your success? That idea of it has to be on the INA train or not on the INA train? I think that clarity is part of anybody's success. And I think I'm really clear about what is my brand and what I want to do to further that rather than, you know, people having lots of ideas and going, well, let's try this and let's try that. I don't, you know, I've been doing this for 50 years and I know what I like. And I think that's why people understand what I'm doing because it's consistent. I was thinking also about your origin story because as we mentioned in our first conversation, you had a lot of trauma with your parents who didn't support you. They didn't believe in you. What are some of those memories for you growing up in your house that sort of made you have this reaction of wanting to do something completely different? I think I never had any agency whatsoever. Nobody ever did. Nobody ever did. Nobody ever did. Nobody ever did. Nobody ever asked, what would you like to do today? Or if I decided to do something, that was well done. So I've taught myself how to do it myself. I'm thinking of your mother's relationship to food. She was a nutritionist, right, who saw food as sort of a method of control and not of joy. There was no joy in it. I don't think she really understood joy. I think if you go through a meal, you're going to see joy. And I absolutely deliberately decided to do it differently. And I just love having a good time. And I don't see any reason why I shouldn't. So I always go towards that. I go towards people that are happy. I go towards people, projects that will be fun to do or be satisfying. As you say, fun isn't always like going down a water slide. Fun is building something with people that you care about. You and Jeffrey decided pretty early on not to have kids. And you've talked about that. When you look at your peers who've raised kids, do you think you could have had the career that you've had if you had been a mom? I think it would have been difficult. And I think Jeffrey and I would have had a different life together. And we would have had a good life. It doesn't, I'm not saying it's a better life or a worse life. But there were times when Jeffrey was decided that he wanted to start a business in Japan. And so he moved to Japan. I was in East Hampton. We went back and forth and we figured it out. So I think that that probably couldn't have happened. And I couldn't have stayed long hours at the store doing catering and running the specialty food store. I think it would have been much harder. And I've never looked back on the decision and thought I should have done it differently. I mean, I understand how my friends have wonderful families and they really enjoy being parents. But it's just not something I ever wanted to do. And I'm really happy that I didn't. All right. I'm going to do a final lightning round, if that's okay. Okay. Favorite person you've ever cooked for? Cooked for? Well, I actually had Eric Rapier come for lunch recently. And I love to cook for him because he's not only an incredible chef, but he's also an appreciative guest. And when someone like that comes, are you trying to up your game? Do you ask them what they'd like or are you. How are you preparing? I know what he likes and I love to prepare it. So it's just really fun. What did you make? I made a filet of beef with basil, parmesan, mayonnaise, and a Charlie bird salad. And I was slightly chilled. It was just delicious. Sounds wonderful. Making me hungry. Best advice you've ever gotten for how to live a good life? Do what you love. If you love it, you'll be really good at it. And that was, I think, Jeffrey who told you that. That was indeed Jeffrey. That was the beginning of my life. Customer pet peeve. Help me not be a bad customer. I think. I actually have said this. I think that everybody should work in retail, like military service, so they understand that. They should understand how difficult it is. And I think they'll have more respect for waiters and for people who work in restaurants and retail stores. What do you want people to learn? A little kindness? It's a hard job. A little kindness, yeah. That the people working there aren't just functionaries. They're actually people. And a little kindness goes a long way. Three most important ingredients to always have at hand and what is the most overrated ingredient? Three most important ingredients. I would say good olive oil, French butter with flaked sea salt, and I think lemons. I love lemon on lots of things because you can use the grated zest, you can use the juice, and it kind of brings out the flavors of a lot of things. And what's the most overrated? I might say like granulated garlic in a spice jar. Why not just use regular garlic? I'm glad you didn't say salt, but salt is indeed the most important ingredient. Finally, because at this stage you don't need to achieve anything more. You're beloved, you're famous, you're successful. Have you flirted with the idea of calling it quits? Never. Never? Never. I can't even imagine doing that. People ask my wonderful agent, Esther Newberg, if she's ever going to retire. And she says, you know, they pay me to read books. Why would I retire? And I kind of feel the same way. I love what I do. I love getting up in the morning and having a challenge for the day. I just, I have, I love, I have the life I've always wanted. So why stop? Why stop? Ina Garten, it's been an absolute pleasure. Thank you so much for talking with me. Thank you. So nice to talk to you. That's Ina Garten. You can subscribe to our YouTube channel at youtube.com slash at symbol, the interview podcast to watch all of our episodes, including this one. This conversation was produced by Paola Newdorf. It was edited by Alison Benedict, mixing by Sophia Landman. Original music by Dan Powell, Marian Lozano, and Rowan Nemisto. Photography by Philip Montgomery. The rest of the team is Priya Matthew, Seth Kelly, Wyatt Orme, Joe Bill Munoz, Jeremy Rocklin, Gaby Contreras, Kathleen O'Brien, and Brooke Minters. Our executive producer is Alison Benedict. Next week, we're off. Then, the week after, David interviews Naomi Klein and Astra Taylor about their new book, End Times Fascism and the Fight for the Living World. I'm Lulu Garcia Navarro, and this is the interview from The New York Times.