‘House of the Dragon’ Season 3, Episode 3 Reactions | Talk the Thrones
1h 7m 59s
House of the Dragon’s third season, episode three, delivers a psychologically intense and thematically rich exploration of Rhaenyra Targaryen’s first days as queen. The episode is structured almost entirely from her perspective, using immersive sound design—ranging from rats scurrying to heartbeat rhythms—to reflect her growing paranoia, grief, and internal conflict. Rhaenyra is immediately overwhelmed by the chaos of governance: her kingdom is financially unstable, the people suffer from hunger, and she is haunted by the voices of the dead, including her lost children. The narrative unfolds through a complex web of political maneuvering, with Corlys, Daemon, Alicent, and Massaria all pushing their agendas. A major betrayal is revealed when Ormund Hightower sends a fake son, Darren, to deceive Rhaenyra, and takes control of Tumulton, exposing the fragility of alliances. The episode also examines the myth of Targaryen madness, arguing it results from inbreeding, prophecy, and trauma rather than inherent insanity. It delves into how power is shaped by memory, propaganda, and personal pain—highlighting how characters like Rhaenyra and Alicent are molded by their pasts. The fake Darren twist adds both humor and depth, illustrating how deception and misinformation can undermine trust. Ultimately, the episode reflects George R.R. Martin’s core belief that real leadership requires tough, often painful decisions, not just noble intentions. It stands as a standout moment in the series, blending emotional depth, political intrigue, and thematic complexity into a compelling portrait of a ruler grappling with the weight of her power.
Hello, and welcome to Talk the Thrones.
My name is Chris Ryan.
I'm joined, as always, by Joanna Robinson
and building a world of her own construction
that neither of us has stepped foot in.
It's Mallory Rubin!
We are here to break down the third episode
of the third season of House of the Dragon
right after this.
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You can listen to
and watch Mal and Joe
on this very house of our feed
in which you are currently listening to
and watching us.
That's right.
Correct.
On Tuesdays,
there will be a deep dive podcast
about this episode.
Yes.
You can listen to me
and watch me on The Watch
with Andy
where I talk about television
and just kind of our left field take
on podcasting.
Pop culture.
Yeah.
One of my favorites,
as you know.
But I heard this episode of The Watch
is going to be a doozy.
It may have triggered something in Andy.
Ooh.
Appreciation.
Wow.
I hope everyone is having a great
or is having a great July 4th weekend
and especially Taylor Swift
who may or may not have had something happen.
We are going to get into the recap,
not of that wedding,
but of this episode right after this.
Okay.
I,
he's stretching, folks.
Tenterhooks.
Something special is in store here.
Goddamn, Rhaenyra.
I didn't know I was working
with Lady Macbeth over here.
Wow.
Wayne Jenkins,
welcome to Talk to the Throne.
What an absolute fucking privilege.
Wow.
Honor.
Is that the entire recap?
Yeah, that's it.
We can go home early today.
Heavy is the head that wears the crown
and gone is the pest control
of King's Landing.
King, meet the new boss
in many ways,
same as the old boss.
So, Rhaenyra.
Yep.
How was your first day at your new job?
Well,
my husband captured the wrong kid
and kept egging me on
to realize my fate
as a world-conquering,
person-burning demigod.
Mm-hmm.
My kingdom has no money,
no grain,
and nobody knows about gluten-free diets.
My former father-in-law
needs me to make up
for his life of whoremongering.
My ex-bestie is my prisoner
and my wife.
I am my tormentor.
There are rats everywhere.
I don't like the rich
and don't trust the poor.
Nobody seems to care
about my coronation but me.
And on top of it all,
I am seeing ghosts
and I have my period.
How about you?
It's a little character work.
Corlys is her father-in-law,
kind of, right?
Sure, she was married to Laena.
Yeah, yeah, yeah.
Okay, that's why
I was just making sure.
I am not joking
that that is pretty much the episode
and it is dazzling.
The major plot points are
Dame getting Ormund
to bend the knee
sort of.
Dame also taking Ormund's ward
Darren Targaryen
sort of.
There's a multi-generational,
multi-directional tug-of-war
going on for Rhaenyra's attention
and influence
with Missaria advocating
for the small folk.
Corlys advocating
for his bastards.
Daemon advocating for war
and Alicent,
along with the Dragon Seas,
advocating for Rhaenyra
to keep her promises.
It turns out
the treasury has been looted
and the agribusiness is failing.
The people are hungry
and the rich are hungry.
The rich feel overtaxed.
Rhaenyra is distracted
by the voices in her head
seeking vengeance
for her growing list
of dead children
and the voices surrounding the throne
looking for fixes
for the many problems
of the kingdom.
This electrifying
first few days in office
culminate when she makes
what she thinks
is a lenient decision
to send the recently captured
Darren Targaryen to the wall,
allowing Alicent a chance
to say goodbye
to her estranged son.
But when Alicent lays eyes
on Darren,
she betrays him
in ways that
this is not the droid
she's looking for.
And Rhaenyra realizes
Orman Hightower
has betrayed her,
sent her a fake kid,
and apparently taken Tumulton
where Hugh's wife had fled
and we're gonna get to that.
The greens are still greening
and the Dance of Dragons
has a couple more rounds to go.
And this is a short recap
for my favorite episode
of this series so far.
Yeah, there we go.
Is this the best episode
of House of the Dragon?
That is my personal take
for reasons
that I don't know
but I would love to get into
with the two of you.
Let's do it, man.
Number one,
this felt different, right?
Now, obviously,
a lot of it is
almost exclusively,
except for, like,
two or three scenes,
a lot of it is told
from Rhaenyra's
direct perspective.
In fact, characters
are even shot
from the perspective
of Rhaenyra looking at them.
Yeah.
The tempo is fast.
It's also a little bit addled,
as is her POV, probably.
So, you guys tell me,
like, am I just
high on the supply
or did you think
that this was
something special
and new from the show?
I thought this was
extremely special.
This is, once again,
writer Sarah Hess,
director Claire Kilner,
who joined forces
on last week's episode,
and Claire Kilner
is directing
next week's episode.
So, it's like a three-episode run
for Claire Kilner,
who I praised
to the heavens last week.
I don't know
whose idea it was
to do something this. The word that they've been using
is conceptual
for this episode,
but it is just something
very different
or inside the mind
of one character
for the most of the episode.
The sound design
and the score
on this episode,
the sort of, like,
high-pitched whining.
The rats always clawing.
Yes, the rats squeaking,
voices, you know,
and sound bleeding in
from one scene
into the next.
Like, you know,
so we're just going,
going, going.
And as. I was just trying
to think about, like,
you know,
we're watching Rhaenyra.
She's stressed out.
She's got a lot going on.
Imagine if we had had
something like this
for Daenerys, like,
in. Season four
or something like that
of Game of Thrones
where it's just sort of, like,
the pressures
of the mind
of a ruler,
of our Targaryen,
of our Targaryen ruler,
and this episode
just completely brought us
inside of that.
And I just think
it's really impressive.
You weren't similarly moved
watching Dany
hear petitions in Meereen.
That didn't do
quite what this episode did.
I also loved this episode.
I thought it was just
absolutely riveting
on the soundscape front
that you cited.
Also, like,
the inclusion of
clock ticks
out in the world,
but then the heartbeat
in Rhaenyra's head.
What a wonderful way
to make us feel
the kind of
surreality
and unreality
of this moment,
but also just the pressure
creeping in.
It reminded me. This whole episode,
in terms of how it was
structured and conceptualized,
reminded me of something
that Joanna and I
have talked about.
It is possible
more than anything
we have talked about
over the years.
I don't know
if anyone is keeping
track at home,
but it is the thrill
of my life
to have the opportunity
for us to talk about it
with Chris.
This episode brought
to our screens
like a seminal pursuit
for George R.R. Martin.
One of the ways
that he talked about
the story he wanted
to tell in the first place,
there are a couple things
we like to talk about.
One is
conflict in the human heart.
It's the only thing
worth writing about, right?
He likes to invoke Faulkner.
But there's a famous
George R.R. Martin quote
from a 2014
Rolling Stone interview,
and it is about
your favorite thing, Chris.
Lord of the Rings.
Strokes?
Okay.
The Hobbit scenes
in Lord of the Rings.
Exactly.
So,
George loves Tolkien.
He loves Lord of the Rings.
But he's also like,
here's what's different
about my world.
Tolkien can say
that Aragorn became king
and reigned for a hundred years
and he was wise and good.
But Tolkien doesn't
ask the question,
what was Aragorn's
tax policy?
Did he maintain
a standing army?
What did he do
in times of flood and famine?
And what about
all these orcs?
By the end of the war,
Sauron is gone,
but all the orcs
aren't gone.
They're in the mountains.
Did Aragorn pursue
a policy of systemic
genocide and kill them?
even the little baby orcs, we quote this all the time, in their little orc cradles. In real life,
real kings had real life problems to deal with. Just being a good guy was not the answer. You had
to make hard, hard decisions. Sometimes what seemed to be a good decision turned around and
bit you in the ass. It was the law of unintended consequences. I've tried to get at some of these
in my book. My people who are trying to rule don't have an easy time of it. Just having good
intentions doesn't make you a wise king. This episode is that thesis statement rendered in full
and beautifully. The visual of Rhaenyra sitting on the throne taking the petitions, we pan out wide.
The barbs of the swords are encasing her like she's in a prison. That to me looked no different
than the shots we've seen of a dragon in a pen. When she's taking, when everybody's coming to
speak their peace to her, to ask her for petitions, she's scratching at the swords,
which is exactly what-
Took down her father, right? Like, didn't he get nicked by the chair itself, right?
One could argue.
One could argue.
One could argue.
Would one argue something else?
Well, I really liked your new ruler, same as the old ruler, because we did have a very
similar petition scene for Aegon in season two, episode one. We just have Corlys here instead of
Otto being like, um, actually, you can't quite do that. And I'm sitting here being like,
did none of these kids get how to be king schooled? You know, like-
Yeah.
This is the idea. And Rhaenyra was constantly complaining about this, but it's just sort of
like, if either Rhaenyra or Aegon is meant to be the ruler, don't they need to learn that you can't
hunt in the Kingswood or whatever the case may be? Like, you can't make these massive faux pas.
And, you know, and then the repeated question throughout this episode of,
what would your father do?
Amazing.
As if Viserys was this, like, phenomenal king.
He had it all figured out.
Which he wasn't.
Which is just like the fondness of forgetting, right? Like, you're just like, well, we've
forgotten what that was like. And Alicent's really the only person who seems to bring some
institutional memory into the building. And she's absolutely can't be seen to be giving her any
advice. Speaking of being seen, I thought that this episode, and it's so cool that the same
partnership, creative partnership, did the previous episode in this one,
was that when Rhaenyra kills Otto, Daemon says something like, they're all watching you.
They're all watching to see what you're going to do. So it sets up this paranoia that not only
is she like, I just became Quinn. Nobody seems to care. Like, nobody's like, fluffing me. Nobody
is giving me diamonds. Nobody is telling me what a great job I'm doing. They want something from me.
Yeah.
And the idea also that she's like, everywhere I look, whether it's like the lady who's getting
me dressed, the person who's making my food, the person who's supposed to be like keeping
the candles from being eaten by rats, which I didn't even know was a thing.
Yeah, the tallow. Great detail.
They're all possibly from the old administration. Like, they used to work for the greens and they
used to work on behalf of the Hightower power block that was in there. So really a fascinating
way of setting up this person stepping into an absolute hornet's nest or rat's nest.
I really agree with you with one exception, because I would say she's surrounded by people
telling her what she can't do, what she's doing wrong, or Daemon saying you should be something
else.
Or reminding her what she said she was going to do.
Right. And I feel like though Massaria does that a bit, Massaria and then Elinda Massey,
the person that she has.
Addressing Rhaenyra are the two people who are really pouring honey in her ear and really just
sort of saying, and giving her a win at the end of the episode. And so that, in terms of like
Rhaenyra's state of mind and who is helping her and who is hurting her, she's so vulnerable right
now to persuasion or manipulation or paranoia. And so who can slide into rewatching that Aegon
scene from season two, episode one, it's Larys in the wings watching Aegon sort of fumble his way
through here and just slips in right after that petition to start pouring poison in his ear.
Yeah.
You know, and so like, who are, and Massaria is really like the front runner in this episode,
but who are the users and the movers and the shakers who can take advantage of Rhaenyra being
so unsteady in her first few days here?
And when Larys went up to Aegon after Aegon heard the petitions in that sequence, the thing he did
was try to create division between the idea of Viserys's legacy and what Aegon was going to do,
because that was, that suited Larys.
Yeah, to repudiate the privilege.
So yeah, Otto was your father's man. Like he was too pliant. That was the word he used.
The fact that Rhaenyra is in a similar circumstance, but the inversion of it,
where she is like feeling this compulsion, internal and external, to reinforce the idea
that she was her father's chosen heir by saying, I need to be worth the choice he made.
You pair that with the violence that is unfolding with her god complex,
which is different from Daemon's god complex, but they're both very dangerous. I was chosen by the
gods and we are gods. That way lies madness for both of them and for everyone around them. I mean,
that is incredibly dangerous way to think and way to hear. But part of the reason that Rhaenyra is
talking that way is because she's thinking about the prophecy, right? Which Viserys told her,
not Aegon. So she has inherited this familial burden and legacy, which is about protection.
That's also given her like a completely like screwed up idea of herself.
No question.
She was born for something,
much bigger than like, yeah.
It's like, what could go wrong with being the chosen one? And the thing about the prophecy
is it is about protecting the realm. Protecting, securing, ensuring. Is that the outcome of the
war we're watching? Look around you in this episode after the Gullet or last episode after
the Gullet. How could anybody talk themselves into that outcome? And so you have things like,
should I kill this kid, my brother? It's pretty easy to argue either case, you know?
I also think, in addition to all the things we're saying, this is,
it's a funny episode.
I was just going to say this.
Witch House of the Dragon often misses the mark on. And, you know, we've praised,
you've praised sort of like the Aegon Larys storyline. There's been a few bright spots of
humor, but I think Emma Darcy is given a huge opportunity to be quite funny in this episode.
Every time that-
Alison is very funny. She's like, whatever she says where she's like,
I can't be held accountable for everything Larys Strong has ever decided he might do.
Like, if that's what you expect of me, I'm going to come up short here.
But like in the, in the,
the knighting the dragon seeds scene when Ulf is like Targaryen, absolutely not, you know?
Or like speed running through a hole with Adam, you know,
because she knows how controversial that's going to be. Or sitting down at the rat banquet and just
being like, you know, a little later than I would have liked, you know, you all sort of coming to
support me. So I just think that she's, this character gets to be lighter and funnier than
we've seen her be, even as she's like kind of unraveling.
We are not going to get, I imagine just because one was headed one way and the other is headed the
other way, but like the brief James Norton, Matt Smith moment was worth its price in gold. I also
thought that, yeah, like all of the Alison Rhaenyra stuff had like real human moments. And I think
part of it that I think livened me up was a lot of walk and talks, a lot of Rhaenyra being introduced
or confronted by a dozen people, half a dozen people. This is a woman who's been like kind of
locked away for a while because they had to keep her in bubble wrap for the first part of this war,
whatever it is. And I think that's kind of what I was thinking. Because so much of it is like, this was very quickly like gone over and then we moved on to
a next thing. A small one that sticks out to me, when Alinda is dressing Rhaenyra and they're having
the discussion, should it be jewels? No. Should it be a sword? No. Okay, a chain, right? Just
there's like a quick little reach over for like a cracker, a snack. It's like, right, you'd be
hungry. You're busy. You can't get through your Google calendar. And you're on your period.
She's like, ugh, I'm bleeding like a horse. The period, like,
this is a great, great little moment and choice on the show's part. It's a different version of
the season one finale, Rhaenyra's council. They can't wait to start plotting the war while Rhaenyra
is in childbirth, right? And this is like a monthly version of a king does not have to deal
with this. The pain and cramps, the lean, the sweating, sitting on the throne, the special tea
for relief brought in the middle of the small council meeting. That she's probably suspicious
of. She's like, I don't know who made this. I don't know who mixed it, right? Like, sure. Yeah.
Yeah. Yeah. I want to talk a little bit about Rhaenyra in the legacy of Targaryens, because
to your point about whether or not this is the depiction of Rhaenyra is what maybe the character
of Daenerys deserved was just like this kind of like detail and care instead of like, I've just
lost it. And like, now I'm on a dragon and burning everything up. Spoilers for Game of Thrones.
I was curious whether or not you thought the show did a good job and what you thought of
Targaryen madness. Does that Targaryen madness like get essentially triggered by sitting on a
throne? Or is it a dragon that makes them crazy? Or is it all the inbreeding? I'm sure that doesn't
help. Because I thought it was cool how the performance and the depiction of the character
changed with her proximity to the throne. Oh, yeah. Yeah. That's a great thought. I just like
that there are certain moments in this episode, like the rat banquet, which I think is genuinely
nice and great. But from the outside, people are going to be like, she served us rats.
What a bonkers thing to do. So the Targaryen.
Like, George R.R. Martin's depiction of the Targaryens is based on the Roman emperors who have this sort of reputation for madness, debauchery, all these other things.
But, like, in the case of both the Targaryens and the Roman emperors, this madness thing, I think, is actually a bit overblown.
Oh.
It's my take.
This is.
What is that?
This is why you're the goat.
Targaryens, are we sure they're not saying.
I'm not going to defend.
Like, yeah, there are absolutely batshit Targaryens, but this idea that it's like a 50-50 flip of the coin, that's not the math at all.
And it's like the thesis of Fire and Blood is who tells the history of these people, right?
And so I was, as you came in earlier, I was like, I'm reading up on Roman emperors.
Yeah, I was like, want to watch Belgium?
And she's like, no.
Incredible.
So this comes like, who told the stories of the Roman emperors, right?
And so this comes from the United Nations of Roma Victrix.
Many of the most memorable stories about emperors came from writers who belonged to or sympathized with Rome's educated elite.
Authors, and they name a few, preserved priceless material, but they were not neutral reporters in the modern sense.
They wrote with literary aims, moral judgments, political assumptions, class prejudices, and sometimes a strong dislike of emperors who humiliated the Senate, upset traditional aristocratic privilege.
So, like, that is when we're reading Fire and Blood, and George R.R. Martin's like, this septon said this, and we saw what the septons think.
Septon thinks of Rhaenyra in this episode, right?
She thinks they're like voodoo, basically.
Yeah, yeah, exactly.
Or, you know, or this fool said this.
Who is telling the story?
And we've been talking throughout about the gender bias of that.
These men are telling the story about Alicent and Rhaenyra as these two, like, bitch queens.
And we're like, ah, actually they were that, but also women.
It's like when you sum up this podcast, too.
Like, what's all the girls all about?
I would never.
But if you're, you know, if you're wanting to tell the most salacious story, you highlight the madness.
Of these rulers, you know.
And I'm not saying, I'm not saying it's not there.
This is a perfect storm for the god complex.
Absolutely.
Is there the sycophancy that you're surrounded by?
All of that, of course, is stoking fires of paranoia and all these other things.
But this whole Targaryen 50-50 madness, I'm out on this reputation.
What do you think, Mallory?
This is like an incredible version of the Grantland, you know, overrated, underrated, properly rated, colon, Targ madness from Joe.
This is just like, this is what the blogging era was made for.
I know.
Greats right here.
Two of the great internet era bloggers.
I, you know, it pains me to say this, but as you were asking this question and throwing out this prompt,
what popped into my mind, unbidden and unwanted, was Drogon burning the Iron Throne in the Game of Thrones finale.
I had the same thought.
Which, like, you know, I had a lot of PTSD.
This is what hurt my mommy.
Yeah, but I think your question is a good and interesting one.
And it's like, there are all sorts of answers.
And I think with the Targaryens, a dynasty that ruled for centuries on end and did all of these really unnatural and holy things to maintain not only that hold on power, but the thing that they got to champion as made, this makes us distinct, right?
It's to stay on that Iron Chair, Iron Throne, right?
Chair made of swords.
So, like, they do it, as this show has made clear, in part because of this prophecy.
Is there a chain of custody where that is lost along the way?
It seems likely, right?
And so then you assess it through a slightly different lens.
But at the end of the day, whether it is the inbreeding from the incest that is contributing to the madness, which I think certainly it is, right?
To Joe, this is NBD.
No big deal.
Two of the biggest incest supporters in the known world sitting right here in the studio today.
Just to be clear, it's the two of them.
It's those two.
Incest doesn't help.
That's, like, I think when Cersei invokes the god slip a coin Targaryen line.
It's because she's thinking about the incest that she and Jaime committed and what it has maybe done to their children.
The dragon riding, that's a magical bond.
It makes them, like, gods.
But also part of the reason that they're all fucking each other is because they want to keep the dragon riding line pure.
They want to stay on the throne.
It's all connected, right?
I think the fact that the show gave us multiple characters saying versions of burn them all in this episode is there's just no way to say that's accidental.
Oh, absolutely.
So, like, they were all thinking about that.
I got really excited when Rhaenyra's, like, burn it all.
You know, Daemon, and he's, like, of all the things that made this episode memorable, the Daemon comedy, as you guys have both already said,
it was just god-tier, like, chef's kiss excellence to watch Matt Smith work in this episode.
Though I still say we should have incinerated them all.
It's, like, casual for him.
Just another day at the office and a thing we didn't get done that we should have, right?
When he, like, walked away from Rhaenyra after they were talking up on the little battlementary and he's, like,
still going to throw it out there once more, you should kill Daeron.
Like, it's all casual for Daemon.
It's easy for Daemon, right?
Rhaenyra at the end saying, I will burn them all.
As a fire is erupting from all of the Hightower heraldry and all of the trappings of the household usurpers,
literally lit on fire, and then she hears about Dumbleton, she realizes that Ormund is a serious player in the game.
Like, this is no joke, right?
The Daeron thing, which we'll talk about more.
That's not just a casual, like, that's not casual.
He's a plotter.
He's a schemer.
He anticipated that they would come seek Daeron if he was prepared.
It helps if you can just be like, I promise I'm going to take the Rose Road home.
And nobody, like, checks on that.
I have a lot of notes for Daemon on how he handled that.
Leave one of those dragons behind.
Have the dragon, who's right there, sniff the rider.
Do a dragon-rider pairing test.
Yes.
Do some due diligence, Daemon.
Yeah.
Tesserion, the blue queen, is right there.
Because he's thinking.
He's thinking about other stuff.
There's guys with wings out there now.
Yeah, there's guys with wings on the edge of the world.
You know what?
He's on to the future.
Leather wings.
I think the question of, like, is the grief a road to the madness?
That's another, I think, undeniable, like, Dany comment.
Because while they fucked up Dany's arc in Game of Thrones, I think anyone, we are among
the most critical people at the end of Game of Thrones.
It was a botch.
However, it's also true that the seeds were planted for Daenerys' madness from the beginning.
It just wasn't well executed.
It wasn't well executed at the end.
Absolutely.
And in the books, it's, like, it's so much more apparent.
And if they had just sort of slow-rolled it instead of tried to, like, shock us all with
it at the end of Thrones, that probably would have played better.
Yeah, because it felt like she was, like, I've got my husband, and everything is all
good, and now I've lost my mind because I, like, saw two things at the bottom.
And then it's, like, Missandei was killed.
Jorah was killed again.
Spoilers.
We apologize.
Hopefully you've watched Game of Thrones.
You should check it out.
You know, everybody in the kingdom wants this dude to be on the throne instead of me.
What if somebody was, like, I'm waiting 30 years for all the TV series to be made and
then watching them in chronological George Martin order?
Honestly, it sounds like a really fun way to spend a couple weekends.
A couple weekends.
Yeah, you can get through a solid, like, 14 episodes in a Saturday if you put your mind
to it.
Mallory is the queen of the binge.
No one has ever done it better.
That's why she's, like, are they still playing soccer?
Do they have commercials?
The moment you talked about on the battle, man, we kind of jump around here for, you
know, for the rest of the pod or whatever, but the battleman scene was really cool to
me because. I love them switching between High Valyrian and, quote, unquote, English or whatever.
The common tone, yeah.
I also loved this idea, like, you know, the show doesn't have the advantage or disadvantage
of whatever the books, the source material is, which is, like, stated in its concept
that it's, like, multiple POVs.
Like, it's multiple narrators telling you, like, this might have happened, this might
have happened, there's disagreement about this.
According to this person, yeah.
So the show is, like, this is the definitive version of what these characters are doing.
Sure.
That being said, that kind of moment of between the two of them gives you an idea of how different
characters would see the world anyway.
And if these two people are speaking in such almost, like, mythological, world historical
terms about who they are, who their family is, where they came from, what almost destroyed
them, and where they want to go, it has nothing to fucking do with any of the people eating
rat at the table.
I was going to say, meanwhile, the rats are eating the candles.
You know what I mean?
I mean, like, but that almost, in a way, if I can keep going with, like, this idea, she
should listen to Damon.
Oh, interesting.
Do you think so?
Because, like, you've got to commit to a bit.
You can't be, like, a Targaryen democratic socialist.
You have to be, like, I am a Targaryen.
Counterpoint, Damon.
We are going to the moon.
Counterpoint, Damon walked up to Orman and was, like, the war has ended.
Is that true?
Is that true?
Does Damon seem like he's on top of his shit?
They could be in Dorne tomorrow.
Mallory.
Yeah.
A honeymoon in Dorne.
I knew you were going to come out riding for Damon's steaks in this episode.
I just think that, I mean, like, take me to the winged men.
That's what I want to see.
I don't know.
I was kind of watching that saying, Damon has some points.
I mean, Damon always has some points.
He's the best character.
He's amazing to watch.
When she's like, we're broke.
And he's like, why are we broke?
Tyland hid the money.
Okay.
Let's go get other money.
You know, like, why are we broke?
I want to ask one more Targaryen question.
This one brings Alison in because I thought that the scene between Rhaenyra and Alison,
where she's like, well, what did you do when you had all these petitioners?
And what do you think my father would do?
And Alison's response, which I referenced in the intro about your father constructed
a world of his own that neither of us ever stepped in.
Tell me, give me your read on that line.
This is one for casuals.
I think, like, that's several years ago now in my mind that I've saw Viserys last, kind
of.
So it's any kind of refresher.
Do you feel like Alison was saying the Viserys you knew?
You was not the real Viserys?
Do you feel like she was saying, this is a guy who had to build little models and abdicate
his dragon?
writing power because he was so scared of what he could be. I mean, how did you read that line
from her? When she says a world of his own construction that neither, neither of us have
set foot in. Yeah. It was like the Lego set was really big, but not big enough to literally walk
into. Is that part of it? Or is it a gendered thing? I think it's a gendered thing. I think
it's just sort of because Viserys is a man, even though he like didn't have his dragon and, you
know, was quite ineffective in many ways, history will remember him as a great king because he
didn't have to be questioned constantly. Whereas Alicent was shut out of rooms and
Rhaenyra was shut out of rooms. I just think that's simply, you know, elsewhere in the episode,
will you blame me only for what men have done? Like this, this is the language that they're
speaking here. And it's just sort of like Viserys is allowed to be a doddering old dude with his
Legos because he was a man and like Rhaenyra can't serve a few rats to some nobles who deserve it.
Did you guys have a moment where you're like, oh, okay, at least like a lovely pile of some
sort of grain, rice, quinoa, couscous. And then it's like, oh, is that?
I'm just glad she didn't serve the rats family style.
Are they maggots? They were wriggling. Were they wriggling?
No, they were fried. She threw those in a broiler. Like they were, they were, there was.
Are they maggots? I thought it was couscous.
I thought it was a side dish couscous or maggots.
No, I thought there was some caramelization on the rats.
The rat looked, like if the rat looked survivor of the rat, you'd eat that.
I would definitely eat that rat.
I would eat that rat.
I would like to see the head, feet and tails removed personally, but.
You just want torso.
I would like thigh and breast.
Not on a bed of maggots.
That's the deal breaker for me. But if it was on a bed of like pearled,
herbed, pearled couscous.
Yeah. A little garnish.
There's some nice protein on that bone. And as he said, we are looking for a gluten-free
diet here in the kingdom.
Our own, our own Torrin Manderley. It's like.
I love.
Nice move.
I love this introduction of Torrin Manderley.
That was great.
Chris, your questions are always wonderful. They're real doozies today. Like I think that
on the Alice in Front, just in case we don't come back, I just want to quickly say Helena
is in these, in the first, the first scene too, right?
And then Madeline.
Does that make you feel better about Jace?
I just think it bears mentioning and remembering for all of us that Helena's son was also killed.
In front of her, his throat was slid as in his bed. Right? So, you know, we're all keeping
tally.
You're in your bag today with the calls.
Do you think that's why Helena's like, I don't want to be in here, in that room?
I mean, maybe that wasn't the room. That was like where their nursery was.
Yeah, they were. Yeah. I don't know.
I was like, that's like problem number 90.
She's like, you're going to get to see Jahara for an hour every three days. You'll get some
visitation privileges and you'll get to go to the godswood.
Alice is saying you may not rule and remain yourself to Rhaenyra. I love, it kind of connects
to what you're asking and to what you're saying. Like there is a kind of, if you're a king,
you were raised to do this and it's like inherent in your nature. There's also a read on it
that power corrupts anybody, that nobody could remain the hold on to the pure way that they want
to do it. Right. But Alison has that experience that she's sharing. What did this do to her to
be thrust into these situations? Even the moments when she sought it actively, the ones where she
didn't, it was weaponized by her father or people around her. I thought it was so effective that it
was like presented as it wasn't a threat. Like this is what's going to happen to you. It was
inevitability. Right. There was this like nihilistic sense of own prophecy. Yes, exactly. Yeah. It's a
beautiful way to put it. And it was so haunting as we talk, as Rhaenyra opens the episode,
talking about the ghosts and feeling the ghosts. It's like, well, what, how did they all become
ghosts? What choices did these people make and what happened to them? Right. And some of it is
like, oh, this kid with curly hair is walking down the hall and happens to look like Jace.
Shout out Harry Collette. Paid for three episodes at least. I was happy for Harry.
Yeah, yeah, yeah. But on the Viserys front, I was like, I don't know. I think
it made a lot of mistakes. Right. And I think that his inability to make a firm decision put
allowed the dance to happen. It's not even a thing. Period. Right. Yeah. So he is not blameless.
And frankly, the fact then that Rhaenyra is sort of starting to like deify his memory is wrapped up
and entwined with this whole like, what image do we paint and want to convey? I thought that
Daemon's word choice of renounce for like renounced his dragon was.
Right. More fascinating than I can like properly articulate in the podcast. He
rode Balerion the Black Dread. Like that is the dragon that Viserys claimed.
The most fabled dragon in Westerosi history. He rode him around a few times.
Balerion was a couple centuries old. And a year later, he died. And that's it. So a dragon king
for the bulk of his life had no dragon. But wasn't it also that Viserys was like scared by that
flight and didn't go back on the dragon? Right. There's this question of like when Daemon is
saying he feared the power and Rhaenyra is calling him a dragon. And he's like, I don't know. I don't
Nira is calling back to that, you know, opening stretch of the series that we've talked about
many times on the pod, like a power men should never have trifled with, like the idea that we
could control dragons, that hubris we've discussed. That's what brought Valeria its doom. Viserys was
a student of history. The Lego sets we like to joke about, it's old Valeria. He's thinking about
the doom of Valeria, the downfall, the reason the Targaryens are the only dragon riding family is
because a Targaryen, Daenys the Dreamer, had a prophetic dream. And by the way, on the what can
sometimes lead to madness, prophetic dreams, they don't help. They don't help, Chris. But their doom
is like a near biblical disaster. Yeah, it's a cataclysm. And they knew it was going to happen
and escaped. That's right. One of them saw it. Yeah. Okay. Yes. So there's all of this in the
mix. Like, you know, Viserys has this clarity when he's. But back on old Valeria, we're like,
did the Johnsons have dragons too? There were other dragon riders and the Johnsons are like,
we're going to stay put. We don't believe in your stupid dream. We love the view of the 14 flames.
Yeah.
And the Targaryens are like, we're going to take our dragons and just like hop,
skip and jump over the bay and then doom. Okay. Yeah. So was it wisdom for Viserys to fear the
dragons, to fear the idea that these rulers could control them, the hubris of thinking you could?
I think that even though I put a lot of blame on Viserys's doorstep, there's real wisdom. And I
love a dragon. There's real wisdom in that, that more of these characters would do well to heed.
That is a wiser thing to say than Daemon saying, you will have an empire unassailable and our
children will rule it forever in a day. Yeah.
But he saw a silver haired character with dragons at her breasts in his prophecy. And he's like,
that's our line. Yeah. That comes from us. We are gods.
Little did he know that a Baratheon is on the throne when that happens. And then a Stark will
wind up on the throne at the end of the day. Dragons have been gone. Yeah.
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shop holiday in store or at ulta.com ulta beauty you mentioned helena saying like i can't be in
this room yeah one of the really cool underlying themes of this episode was how everybody's personal
pain is special to them but does not make it special to other people and so renero kind of
like walking around and everybody's being like hey my wife's missing or hey like i gave up
everything to get you here now i need you just to sign some paperwork that changes the last name of
my sons or allison being like did you did you think about that before you beheaded my my father
you know
and you know
Allison's situation
where she is not
particularly mourning
her father
and is almost like
I don't really know
what to do with this
Darren kid
I haven't seen him
in years
like he's not really
I don't really feel
a connection to him
but sure I'll go
check him out
before he goes to the wall
but also he was like
the one good boy
yes
right
like Eamon and
Aegon suck
she's like Helena
my bug
that's too far for her
my adult bug daughter
she has not built up
an Eamon and Aegon
right case yet
But Darren, so can we just say, we think we've seen Darren this season.
There is a redheaded squire hanging around Ormond in the first episode.
And we think that's probably Darren.
I was distracted by all the perfume stuff.
Absolutely.
There was like a boy that the camera like lingers on and is right there.
And like, it was very weird.
You asked us about Darren last week and we were like, I don't know, have we seen him?
They didn't announce who was playing him.
and we were all very confused,
and it was just so they could pull off this--
- And there are a couple of characters
that are big deals historically in Thrones,
and specifically in this series,
that it's like, are we gonna see this person
or this character? - Yeah, but he's a dragon rider.
It just felt so bizarre that they wouldn't do it,
and they showed us his dragon last season,
and so it was really weird that they had announced him,
and that's because they were doing
this little bait and switch thing,
but we think, and I think this is why
the minute Alison walks in the room
and she sees the blonde head,
she's like, "Wrong kid, this kid
kid actually has red hair like me, like my, like Gwaine, you know, like a lot of the Hightowers
are redheads. And so we saw a redheaded boy. Interesting. Or he does have the signature hair
because why would Ormond have dyed it that color thinking it would fool them? But maybe it's part
of the bit is like, they don't know who this fucker is. I had to respect this on the show's
behalf. Like we were really baffled by the wait for Darren, as Joe noted, a dragon rider of
consequence, not being in the story for this long. Season three is killing it so far. That remains
an incredibly perplexing choice, I think. However, here we are, Ormond, the Hightower army,
to Sarian, Darren, fake Darren, Farron for my Fagon, young Griff heads still waiting for young
Griff on TV. A lot of people are at home like, yeah, you don't know, but they are. There was
a character named Agon in the books that, that people thought was fake. So they called him Fagon.
So she's saying Farron. Not Agon too. No, that was like something we were waiting for.
Because this is obviously like, she's like, let's just call it, say he's dead.
And they're like, okay. And if he comes back, we'll just say he's an imposter, right? Like that
was her. Oh, the burned Agon. Yeah, yeah, yeah. Nobody knows what he looks like. Yeah. But he's
Agon the second? Agon the second, yes. The fact that when Darren is finally here in the story,
the show was like, we're going to wink at how long we made you wait and make you wait a little
longer with a fake, because this fake Darren thing doesn't happen in the text. This is a show
invention. I just really kind of admire the chutzpah. I think it's really fun. I thought it
was really fun. And also a super,
super good way to lean into the hilarity of these characters not knowing each other.
Like to Joe's point about Alison saying like, well, he was, isn't he like the one who turned
out okay? When she asked Gawain that last season, like, what's Darren like? What's my own son like?
It was so heartbreaking for her to confront the idea that, you know, and she read this.
He's the thing that made him turn out okay growing up away from me. That was a question
Alison asked Gawain, right? It was heartbreaking. So there's all of that. But Damon's like,
well met nephew. And then Rhaenyra flat out introducing herself to, again, wrong character,
not actually him, but her brother. And she doesn't know it's not her brother. I'm your sister. I'm
our father's chosen heir. It's not him. This is, this is deliriously good. It's also really funny
because like Rhaenyra, by all accounts, is like actually kind of a good mom. And so she's so
awkward with this kid because she's like, I might have to kill you in the morning. Right. You know,
there's all of that. You thought it was weird when she watched him sleep for like four hours and
picked up his various things. Yeah. And then she's like, I'm your sister. I'm your father's
like bird carvings and thought about whether to kill him. Mere minutes. It was also, it was kind
of, every time she talked to him, it was so awkward. She was kind of patting herself on the
back for this wall idea. She's just like, I'm such a visionary. Like we're going to get you out of
here. Right. And then she gets up there and it's just like, all that was for, I should have just
lit you on fire. On the point of, of, uh, they don't know each other. The one thing I want to
say about that fake Darren reveal scene though, that I loved is that Alison walks in and from the
wrong kid. Yes. She knows Alison. Oh, she can tell. Like the back of her head. Not that like
Olivia cook was doing like very subtle facial expression, but like a Rainier was immediately
like, Oh, wrong kid. Got it. It's I loved that character beat up in terms of their relationship.
I always, I also liked the character be for Alison, just the choice. She could not reveal
the truth there. Yeah. That's a decision. That kid to the wall. Yeah. She could preserve the
cover, but she doesn't because her goal still is to get the fuck out of there with Helena and
if Rhaenyra finds out that that's not really Darren and that Alison knew and didn't tell her
it's a wrap for Alison. So she has to make the decision to reveal the treachery of her own
cousin and her house thus leading Rhaenyra to go seek out the real Darren. Like the complexity of
that is really, really, she's almost being like a method actor pragmatist. It's like in the moment
this works in the moment I can be sort of like Rhaenyra's weird quasi confidant and be a little
I also happen to know that, you know, a gun is somewhere out there, right? Like she knows that. Yes. Yeah. And that the high tower army is still out there and like all this stuff is still going on. And I also know Rhaenyra said she would let me go and she didn't. Right. You know, and so she rightly calls her out on. Yes. You know, so there's a lot going on when I brought up that thing about like everybody's pain, especially them. I thought the best example of this was the Corliss scene, which was a wonderful moment from Steve Toussaint, who like has had to just
stare at the sea a lot in the series and be very stoic. And this breaks him because he's finally decided to anoint these two guys as his his heirs after his family has been through so much and he's lost his essentially his like seat of power and his riches and everything he worked for in his life and most of his fleet and all this stuff. And he's like, this should be easy. All you got to do is just call these guys. Yeah. And that would be awesome. And then we know you don't have a problem giving a different last name.
And kids, we've seen you do it. Talk me through. First of all, there's an obvious overtone of like racial prejudice being suggested in the dialogue. But I don't necessarily know whether the characters would necessarily be be talking about that. Right. Like, is he saying the line that he uses? Say aloud to me why your children deserve what mine are denied. So she can't say it aloud other than optics. You know, what's that about? Well, so Joffrey, who's who's the last remaining
kid that she had with
Lainor? Sure.
Exactly. Yeah. Just so
she's like fetch Joffrey. He's next in
line. Right. So there's one more strong
son of Harwin Strong.
Raina is supposed to be babysitting in
the veil. He's he's in the he's up in the
veil with your axes. She was supposed to go
with the blonde babies with
Damon and Damon's kids on the gay
abandon of the cog
abandoned.
But yeah, so I
like the read of of racial
overtones here. And this is also
just sort of like what's good for the goose
is not good for the gander. Like what can royals
get away with that that Valerians
for all their riches, for all their everything
are not allowed to do.
I love this bind that
it puts Rainer in because, again, there's just
like no real winning for Rainer
here. Like at home, we're screaming like
Corliss has supported you, of course.
And we like Adam and Alan
like with Dragon Riders.
I mean, from your
left and right.
Yeah. But for Corliss to not only
confront her about this, but confront her in
such a public place where there are people
right out of frame who were listening
to him scream bastards, which
to bring up Vamond.
Dude, this is the thing, right? He
Viserys is like anybody who calls them
bastards gets their tongue cut out. Yeah. And then
Damon caught Vamond's head off
for shouting this exact
same thing. And the gold cloak is
standing right there. Yeah. Yeah. Luther
looking great. But where he's like, well, like that
puts him in a tough spot. So she doesn't like
kill Corliss, nor should she, I
guess. But like he's screaming bastard
in such a public place. And like
all of this is being carried
out so publicly, as we mentioned,
which is like such a difference between what
she's had to deal with in the past.
Yeah. Where she had three members of
her council at Dragonstone who couldn't be
bothered to like help her out. And now there are
people. To the detriment of the show, I thought, where it was
just like she's just walking into this room and being
like, move this piece here and now I'll go back
to my chambers. And now she's just like hopping
over rats and doing all kinds of things.
So to the no good choices
point and the number of moments and
character sets and scenarios that applies to
so like with Darren, it's like, OK,
you think of the you are the challenge Allison to
egg on moment from season one. And like, that's
true. He is a challenge.
The case to kill him is clear. Then you think of no
man is as accursed as the Kinslayer. The case not
to do it is clear. Plus everything she says.
The Corliss situation, like I was
thinking of the evolution, the ebbs
and flows less than evolution for Rhaenyra
here because for
Jace, for the kids, for Rhaenyra,
you mentioned Viserys and his
reaction to it. The
idea that anybody would publicly
imply or outright state that Rhaenyra's
children were bastards
was such a source of
security, anxiety, fear,
outright treason, right? But
when Rhaenyra
got into this, the gods have chosen
me. Seasmoke
and Adam appeared and it told me the gods
think I'm the one. And now every choice
I make, I will justify through that lens.
Part of the thing she said,
heading into the Red Sewing,
which up to the dragon math, but
at great bloody cost, was
well then, let us
raise an army of bastards because
it was what Rhaenyra needed in the moment.
And the Red Sewing was when Hugh and Ulf
ended up claiming their dragons.
And a lot of people died, right? So let us
raise an army of bastards. It was this big
turn from the thing
that she had feared and tried to shy away from
and suppress to fuck it.
Wear it like armor and lean in because it's gonna
make us stronger. Now we've
swum back because she's in the
Red Keep on the Iron Throne.
If Corlys,
the Velaryons are the most important ally
for Rhaenyra, period, right?
If the Velaryon fleet
had not just been decimated and the
gold that Rhaenyra needed was still available
and Corlys' whole household hadn't just been
sacked and burned, does she have
the gall to say this to
him? To make that choice?
Whether the fear is justified or not, I don't
think so. And then there's this larger question that
Jo has been tracking since the minute the show started
Rhaenyra's bad at diplomacy
Team Black is bad at diplomacy
Rhaenyra. Except for Jace, R.I.P.
I know, he was good at it!
Jace with the twins, the highlight reel
Rhaenyra deciding to feed the
common folk, the small folk. Good!
Great! We applaud it. Rhaenyra
doing that by feeding
rats to lords and ladies and then being like
fuck it, they're just kind of mid?
How many times. How about
Rhaenyra walking around being like, who gives a
shit who has Harrenhal?
Like, I have. Yes!
- Chris is like, I understand how important Aaron Hall is.
It's just like, that's a wild thing to just shout.
Right.
And then give it to Alice.
Yeah.
Who asked for it.
And this gets, this is this through line and theme we've been tracking of like, Corlys
are really important ally.
Your hand.
Yeah.
The hand of the queen.
The hand of the queen wants this thing.
You don't care.
What you need is more important than what he needs.
Hugh chases Rhaenyra up the stairs and is like, what about my living and my wife and
the things you promised me?
You know what's so funny about Hugh Hammer, my guy, is when you rewatch season two, episode
one, the petition scene for Aegon, it's Hugh Hammer showing up and being like, can I get
paid?
That's right.
And here he is once again being like, hey, can I get paid?
Like, can someone fucking pay me, please?
Ulf, like.
Did they offer Ulf Harrenhal?
Does Daemon offer Ulf?
Daemon makes a fucking joke about giving him Harrenhal.
He's like, do you want, no, about, about Oldtown.
He's want the Hightower seat.
The Hightower seat.
Like, fuck off.
He does actually want a castle.
That's been made clear.
He's like, um.
He's like, uh.
Oh, and the name of Targaryen.
That was so Viagra.
It was hysterical.
Alice wanted Harrenhal.
It made me think, and Rhaenyra even uses the language in this episode, like, remind them,
which is how she, lost her the Baratheons in season one, in the fateful Aemon Luke sequence.
That's how Luke got killed, right?
Yeah.
He was like, she doesn't, you're, you are fucking killing it, Daemon.
But Boros Baratheon was like, she doesn't get to talk to me this way?
Yeah.
Like, so Rhaenyra taking for granted the pledge, it made it extra delicious that Ormen bent
the knee, swear it in oath.
I don't know if you've heard, Jo.
They make you swear.
Swear and swear.
Swear and swear.
Well, also, didn't Ormen say one's as good of another as another?
Oh, yeah.
King wise.
He doesn't give a shit about this ceremony.
He doesn't care, but also, what good is anybody's word if you can't recognize a traitor from
somebody who's actually loyal to you and you don't know how to tend the person you should
be tending?
Like, they're not taking care of their people.
I also think the, like, absolute, like, Ava Peron imagery of Rhaenyra giving out, like,
a rutabaga to, like, starving people.
It's like, she's like, here.
Potato, you know?
You're safe.
That scene actually, it felt like a little bit of, like, I don't really, this episode's,
like, over budget.
We don't have enough for, like, a lot of extras, but it actually worked that, like, 40 people
showed up for this big Rhaenyra rally, and they were like, gee, thanks.
You know, like.
She also had just, like, one cart of dry goods.
I was like, what are, you know, and there's, like, five gold cloaks sprinkled about or whatever.
Yeah, and members of the faith watching on the heels of that.
The way that she treats Corlys, the way that she humiliates Adam, in a way, I mean,
like.
No question.
Yeah.
The way Daemon nearly beheads Ulf in knighting him.
That was so funny.
Letting him know.
That was really funny.
Where he's like, okay.
That was so good.
All of that goes back to that battlement conversation where he's like, we're not like them.
Like, we are special.
Like, it's Targaryen exceptionalism.
It's ubermensch weirdness, and it's like, even if these people have dragons, they're
not the same as us, and I, you know, like, that doesn't seem like it's going to work.
Well, you know.
Yeah.
It's a good flag.
Can I go back to your guys, James Norton, Orman Hightower?
Oh, yeah.
Please.
The fact that, the thing is, he had this fake kid ready.
Yeah.
Like, he's just 200 steps ahead of these dumb and bred Targaryens, and I'm just, like,
really excited for, I thought the plot was really funny and fun, but it's also just,
like, a great introduction to this character.
He hates smelly things.
He looks great in his armor, and he's fucking smarter than the rest of us.
Speaking of that, the kid who played Jusaris getting the episode fee for showing up as
a ghost in 3, James Norton has had to walk out of two tents and be like, okay, and then
he's just like, James Norton.
Which brings me to map time.
Sure, map time.
I do think we should just, because the episode concludes with this great cliffhanger of Orman
has gone back on his word, really, like, just was unmonitored.
He never meant to stick to that.
Right.
Yeah.
He was like, let's go back on the Rosewood.
Everybody knows that I'm being serious about this.
He has taken Tumulton.
Yes.
Tumulton is where they keep the dragons, correct?
No.
Okay.
There just happened to be a dragon keeper who was the. Oh, okay.
Yeah, it was really weird.
I was confused when that guy showed up, and he was like. I think it was, like, so they could speak Valyrian.
I don't know.
I don't know why that was.
He had so much soot on him.
I was like, oh, was he just, like, trying to. He was quite soot.
He was a dragon keeper.
Yeah.
Okay.
But that's not where the dragons. No.
We're going to do a brief map time, and I would like to apologize to the audio listeners
of this podcast.
I will speak in cardinal directions this time.
We've added something to the map.
I don't know if this is able to be seen, but I will speak into the microphone.
The orange is Tumulton.
It is southwest of King's Landing.
Oh, a little bit off the water.
Yeah.
Well, on the headwaters of the Mander.
On the headwaters of the Mander.
It is the last sort of leal, you know, outpost between King's Landing and where the High
Tower is.
Okay.
So, sort of a Rehoboth, you know, like, near the Chesapeake.
So, it's. Oh, my God.
Love that mid-Atlantic geography.
Great stuff.
The controversy last week.
Joe last week was like, should we map this onto England?
I just want to say, I rarely read the comments.
Many people in the comments say the Camden-Philly-Park-Barrison was good.
Yeah.
Because they're right next to each other.
And Baltimore and DC are further away.
I have a filter that only agrees with me.
It's not true, though.
Anyway.
Regardless.
Tumulton is a. Is a town.
There's a ton of, like, innocents there.
Yeah.
And they've taken a dragon and a dragon rider, who they have inside the town.
Darren.
Darren and Caesarian.
Inside the town.
And the High Tower people, and he's got thousands of troops.
Right.
15,000, yeah.
15,000 troops have taken the city.
And so, it has given them an outpost right next to King's Landing.
Yes.
That Rhaenyra cannot, like, burn him out of because to burn him out of there is to burn
a bunch of innocents.
Can you grab the map again?
Because I just want to do a. I just want to do a quick reset of where various armies are.
Sure.
I mean, this isn't helpful because this is the beginning of last week's episode.
I should have made you a new map.
I think Criston Cole and the Rapists are still up north by the gauze.
They sure are.
Right?
Yeah.
And the. Yeah, they were closing the last stretch to Harrenhal after seeing Aemond and Vhagar fly
over.
So, I know that this is not an actual, like, two-scale map, but. Certainly not.
She has now got forces on her north and south.
Yes.
And Aegon is over.
She doesn't know where Aegon is.
But Aegon. Right.
Okay.
Aegon and Larys are over here, north of King's Landing on the coast, heading for Rook's
Rest.
And then she's got Starks or, like, that other army that. The garrison.
Yes.
But they were burned at Harrenhal.
No.
No, not all of them.
They left a few people behind, but most of them are marching down to King's Landing.
Yes.
Daemon sent them to march to meet them at King's Landing.
So. We've got some tension.
So, the point being is, like, the three. The three biggest targets for her are the three male heirs to the throne.
Aemon and Vhagar up in Harrenhal.
But she does. Does she know Aemon and Vhagar are at Harrenhal?
Yes.
Aemon and Vhagar are up in Harrenhal.
Well. Aegon, wherever he is. They do say they don't know where. In this episode, which I thought was interesting. Oh, at large.
Yeah, they do say they don't know.
We know that Vhagar and Aemon meet at Harrenhal.
That's a great point.
They say Vhagar is. They're like, where's Vhagar?
We're a sheep stealer.
There's a couple of things in this episode that I think the viewers know that the characters don't.
Correct.
Fair.
So, they're trying to find Aegon's body.
They know Aemon's left.
Yeah, and Alyson's like, just say he's dead.
He's burned.
No one will ever be able to, like, identify him.
Like, don't worry about it.
We replied to Rhaenyra there.
It was like, even now, you're bargaining for his life.
I know.
Like, that is what I would have said in that moment.
Sorry.
I don't know, but I think it's a pretty good solution.
It is a good. And then, that was the great. Actually, the great part was that Rhaenyra's like, how dare you suggest that?
And then immediately did it.
Yeah.
Because Alyson's just more reliable than, like, most of her counselors.
So, the point is, Aemon and Vhagar are. They went north.
Whether or not they know they're near Harrenhal, I guess they don't, even though Vhagar is
massive and parked outside Harrenhal, but okay.
Aegon, Sunfyre, Long of the Dying, at large, but, you know, to the east of them.
And then, Daeron and Tessarion to the south of them.
And Rhaena, who they don't know is the sheep stealer rider.
Correct?
And they're actively hunting for. Don't worry.
I'll take care of it.
They have. Be Arthur?
Exactly.
Yeah.
Yeah, Dorothy's more like. Sends Bela in this episode out to scout, right?
For sheep stealer.
By the way, the moment where, like, Bela and Rhaenyra pass each other in the hall, no words exchanged.
Clearly, Rhaenyra's like, you were there when my son died, and it should have been you.
And that's part of why I was willing to send you out, and I wasn't.
She said that last week.
She's like, you're to blame, too.
You know?
Yeah.
So, like, that's a source of tension.
Uh, is there anything else that the characters don't know that we do?
I'm trying to think.
I don't think so.
I think the sheep stealer one was the big one.
And where is Vhagar?
And where is Vhagar?
Yeah.
And Aegon is alive.
And Daemon kind of being like, this wacky old midwife up in Harrenhal.
Yeah.
That was such an incredible, like, don't tell on yourself moment.
Yeah.
I was cracking up.
She's crazy.
You know, I think I've met her once.
It's like, oh, um. I did think it was sweet that Daemon. He looked really sad about Simon.
He did.
He looked.
He was like, oh, shit.
Simon got God.
That's a bummer.
We really bonded over, like, the venison and the currents.
But, yeah, then to immediately be like, um. There's a lot going on, I know.
But, like, does anyone have an update on, like, this one chick who happened to be there?
It was nuts.
That was crazy.
Though, on the flip side, very sweet that Rhaenyra can't sleep because of all the ghosts.
Goes and curls up in Daemon's bed and they're all interlocking fingers.
And he, like, lifts his arm for her.
I was really thinking. I thought it was very sweet.
Both of you love incest.
When I saw that moment, I was like, I get it.
That was very sweet.
So, we leave this episode.
Tumbleton has been taken.
she wants Damon to go to the Vale
to get coin from Jan
with some money,
but presumably. Ruh-roh, sheep stealer's there.
Sheep stealer's there.
It's worrying.
Yeah.
And then everything else
is just basically
topsy-turvy in the kingdom.
I will also say that. And we have not seen the scenes
from next week,
so we don't. No, we have not.
We don't know,
but I will say that
we got immediate. You know, our question was sort of like,
last week we saw Massari and Damon
sort of jockeying for Rhaenyra's ear
and just, like, immediately hear
they're in the small council room
just sniping at each other.
Yes.
I mean, fuck you, Keltigar.
And great,
because they're, like,
on this, like, crazy political spectrum.
Like, it's kind of fun to watch them.
It's just incredible
that Damon's like,
who's us?
Do we have time for one more topic
before we get going?
We have time for as much as you want, man.
The seven. Oh, the septons.
Priest, the septon,
needing. I mean, this was great
because this was so Henry-like needing
to basically, like, be like,
I'll break away from the church
if I have to.
She didn't actually. She didn't actually say that,
but there's echoes of that
in the same way of yours.
You've made yourself very clear.
I thought that was awesome.
Yeah.
The tension between old gods and new
are obviously, like,
very present in Thrones.
Her basically being like,
I need you to co-sign this
and, like, basically,
the people need to see
that you guys are all behind me
and him being like,
well, technically, like, you know,
we have not done. Yeah.
We need an autopsy.
We need a coroner.
Times have not hit, you know?
Bong, bong.
Yeah, but he's also like,
you're a rule.
Where's the body?
Yeah.
Show me a body.
Where's Tylan Lannister?
I mean. How come she can't just be like,
here's a pile of ashes.
That's Aegon.
Oh.
Maybe. Like you said,
we haven't seen the scenes
for episode four.
She should just burn a bunch of rats.
Yeah.
And she's like,
maybe that's what'll happen.
That's him right there.
Also, on the
is Tylan Lannister alive front,
I will say,
I'm defrosting a bit on this
because I was like,
we don't know.
They're doing something here
that we don't know.
So I don't have a book answer for you
whether or not Tylan Lannister
is alive or not.
We saw him go in the water.
He was wearing a bunch of armor.
I was like,
that guy's dead for sure.
We thought that about Corlys.
But like,
in this episode. You think Tylan's out there
with the triarchy?
Well. Pretending to be triarchy?
Yes.
Someone says,
surely he died,
you know?
And I was just like. That guy's alive.
I was like, uh-oh.
That guy's alive.
I think he might be alive.
So when the Green Council
made its move
in the penultimate episode
of season one,
Tylan was like,
don't worry, guys.
I divided the coin.
So the idea
that we know
from season one
is that he put the gold
in more than one place.
That's also good to remember
because for a second
I was just like,
did Laris steal all this money?
Like, I couldn't remember
who took. Laris has bragged elsewhere
about taking
the Harrenhal coffers
into his control.
So there's a lot of money
in different places.
On the High Septon front,
we should just say quickly
because. So this,
as is discussed in this scene,
this member of the faith
was there
for Aegon's coronation.
At the end of season one,
he's the one
who anointed him.
At the time,
there was this question
and then again,
when this guy
walked in the scene,
I was like,
is this Septon Eustace
who is one of the main
sources and narrators
in Fireblood?
It's not.
Just in case anybody's wondering,
his character name
is High Septon Ballman.
Doesn't mean Eustace
isn't out there
kicking around,
stirring shit up,
but this is not Eustace
in case anyone is wondering.
It's not a question
that I prepared you for
nor is it one
that I expect
you to just be able to like.
But the seven
is what Jonathan Price's
character was
in Thrones.
And so they
Yes, High Sparrow.
go through different periods
of being central
and exiled
to society then?
I don't think
they're ever exiled.
It's just sort of like
how prominent they are
or how prominent can,
like,
how powerful is the Pope
at any given time?
There's always a Pope,
but how powerful is the Pope?
Yes, and yes,
and there,
and does he root
for the Chicago White Sox?
Is he American?
Is he pretty dope, actually?
Sometimes you get a rat's ear.
Actually, history,
I thought the scene
did a good job
of reminding us
because we move across
not just our real-life timeline,
but the canonical timeline.
And so what we have witnessed,
High Sparrow,
shout out, it's great,
that's in the future.
It's not a lesson
Rhaenyra can heed,
but there are lessons
from the past
between the Targaryens
and the faith
that Rhaenyra
should be thinking about.
This thread is issued
in this episode
for a reason,
to remind Rhaenyra,
seriously, like,
don't fuck with us.
And you used the term
Targaryen exceptionalism
before, like,
the doctrine of
Targaryen exceptionalism,
the Targaryens and the faith
have basically, like,
bargained to allow
the Targaryens
to fuck each other,
but the faith has always been like,
you guys are unholy
and foul and wrong
and we're not for it.
So when the faith militant
of the four fellows. But we don't want to be
barbecued by your dragons,
so, okay, go ahead,
do your. Or fed rats.
Do your incest,
I guess.
But if there's not,
if they're not getting
money coming in,
if there's a political lever
for them to pull. This is something
that Rhaenyra should be
taking seriously
because many times
the Targaryen,
across both in the past
and the future,
the Targaryens and the faith
have been at loggerheads
with each other.
You shouted out
the specific name
of a character.
Can I shout out one more?
Please.
Lady Joanna Lannister.
Your favorite.
Lady Joanna Lannister
gets a mention.
Does she come up
in this episode?
Yeah, she gets a mention.
She's in charge
of Casterly Rock right now
because Jason Lannister's
dead and Tyland is
who knows where.
In the drink.
Swimming.
Yeah, in his kit
in the drink.
Or pretending to be
a triarchy soldier
and just living out
like Larking as a guy.
Maybe he'll come back,
yeah, with like
a real eyeliner look.
Maybe we will go back
to this stuff.
I gotta say,
just a tough time
to be a woman in Westeros.
Just like every single time.
Share more, share more.
But when you're like
the triarchy
or kidnapping daughters
and wives,
I was just like,
I'm an ally.
Asking ransoms
that we can't pay?
Not on my watch.
And even Rhaenyra's like,
you think I give a fuck?
I mean,
she's got other stuff
on her mind.
Damon's like,
we gotta feed all these people
with the hell.
I have to very quickly
knight them.
The knighting scene,
which we've already
brought up a couple times,
I thought that was
one of the best like real,
oh, the tone that you're
used to in a moment like this
is deliberately being
presented to you differently.
I think especially,
not that it was sort of
like made in conversation with,
but especially off the back
of A Night in the Seven Kingdom
watching Guy Raymond
and like,
yeah.
Or we think of
Jamie and Brayne.
How I like wept
during the knighting
in that show.
It's the sickest moment
of that show.
Either this,
you're like,
uh-oh.
This is so good.
We can wrap it up there.
I thought this obviously
was an amazing episode.
We're gonna miss you next week.
I know,
no me next week.
What will we do?
What if it is so good?
What if it's so good?
What if it's such a banger
that you're like,
guys,
I'm back.
I'm back.
I'm manifesting it.
Like I'm just,
I'm gonna fly back early.
get on your dragon.
Dragons are useful.
The American Airlines dragon.
Yeah, yeah, yeah.
From Old Polaria.
Lovely to hang out with you.
Please listen to House of R.
Check out The Watch.
Thank you to Alayah
and everybody for
producing us today
and we'll be back.
These two will be back
next week,
next Sunday,
and then I will be back
the following week.
Hell yeah.
See you then.
See you then.
Shop holiday in-store
or at Ulta.com.
Ulta Beauty.
The man.
Podcast Summary
Key Points:
The episode is deeply rooted in Rhaenyra’s psychological state, offering a first-person, immersive perspective that explores her paranoia, grief, and internal conflict.
It uses innovative sound design—such as rats scurrying, clock ticks, and heartbeat rhythms—to mirror the chaos and instability of her rule.
The narrative centers on a multi-faceted power struggle, with characters like Corlys, Daemon, Alicent, and Massaria all vying for influence over Rhaenyra.
A major plot twist reveals that Ormund Hightower betrayed Rhaenyra by sending a fake child, Darren, and taking control of Tumulton, exposing deep political betrayal.
The episode critiques the idea of Targaryen "madness," arguing it stems from historical trauma, prophecy, and inbreeding, not inherent madness.
It highlights the theme of power and perception, showing how rulers are shaped by propaganda, memory, and the manipulation of their legacy.
The fake Darren storyline serves as both a plot device and a commentary on deception, misinformation, and the dangers of misplaced trust.
The episode reflects George R.R. Martin’s core thesis
Summary:
House of the Dragon’s third season, episode three, delivers a psychologically intense and thematically rich exploration of Rhaenyra Targaryen’s first days as queen. The episode is structured almost entirely from her perspective, using immersive sound design—ranging from rats scurrying to heartbeat rhythms—to reflect her growing paranoia, grief, and internal conflict. Rhaenyra is immediately overwhelmed by the chaos of governance: her kingdom is financially unstable, the people suffer from hunger, and she is haunted by the voices of the dead, including her lost children.
The narrative unfolds through a complex web of political maneuvering, with Corlys, Daemon, Alicent, and Massaria all pushing their agendas. A major betrayal is revealed when Ormund Hightower sends a fake son, Darren, to deceive Rhaenyra, and takes control of Tumulton, exposing the fragility of alliances. The episode also examines the myth of Targaryen madness, arguing it results from inbreeding, prophecy, and trauma rather than inherent insanity.
It delves into how power is shaped by memory, propaganda, and personal pain—highlighting how characters like Rhaenyra and Alicent are molded by their pasts. The fake Darren twist adds both humor and depth, illustrating how deception and misinformation can undermine trust. R.
Martin’s core belief that real leadership requires tough, often painful decisions, not just noble intentions. It stands as a standout moment in the series, blending emotional depth, political intrigue, and thematic complexity into a compelling portrait of a ruler grappling with the weight of her power.
FAQs
The episode explores the psychological and political pressures of ruling, focusing on Rhaenyra's internal struggles, paranoia, and the moral dilemmas of leadership amid a failing kingdom.
Rhaenyra is shown as overwhelmed by grief, guilt, and external pressures, experiencing hallucinations, paranoia, and a growing sense of divine destiny that drives her decisions.
A fake child is presented to Rhaenyra as Darren, but it is later revealed to be a deception by Ormund Hightower, who sent a false boy to manipulate Rhaenyra and conceal his own schemes.
Alicent betrays the real Darren in a moment of emotional vulnerability, revealing her deep distrust and suspicion of Rhaenyra's authority and intentions.
The show suggests Targaryen madness stems from a mix of prophecy, inbreeding, and the psychological burden of being a chosen ruler, rather than being a simple trait of the dynasty.
This belief fuels Rhaenyra’s actions, leading her to justify harsh decisions like sending the fake Darren to the wall, reflecting a dangerous god-complex that threatens political stability.
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