Do You Believe in Miracles? with Keanu Reeves, Seth Rogen and Aziz Ansari
52m 52s
*Good Fortune* is a heartfelt, comedic film that centers on two characters—Arj, a struggling gig worker, and Elena, a hopeful but disillusioned individual—whose lives are disrupted by a body-swap twist. Inspired by real stories of homelessness and economic hardship, the film examines how financial gain doesn’t always lead to happiness, emphasizing instead the value of community, solidarity, and personal agency. Aziz Ansari, who wrote and directed, draws on personal experiences and interviews with real workers to create a grounded, authentic narrative. Keanu Reeves delivers a wildly unpredictable, rule-breaking guardian angel, Gabriel, adding humor and depth to the story. The cast, including Seth Rogen, shares a creative chemistry rooted in spontaneity and mutual respect. The film also reflects on deeper themes of fate and free will, suggesting that while life may have multiple paths, our choices ultimately define our destiny. With its mix of social commentary, emotional depth, and sharp humor, *Good Fortune* offers a refreshing take on the idea of fortune—proving that true luck lies not in money, but in meaningful human connections. The film, set to release on October 17th, is a celebration of resilience, community, and the power of storytelling to reflect real-world struggles.
Today we've got the Good Fortune crew in the building starring yours truly along with an
amazing cast Seth Rogen, Aziz Ansari who also wrote and directed and Keanu Reeves. This film's
got heart, comedy, a guardian angel and a body swap twist that takes the chaos to a whole new
level. Let's talk about making it and maybe get a little messy while we're at it because baby
this is Geeky Palmer.
No matter what we're doing in the car just chilling pop on Amazon music sit back and listen
life, love, sex, science covering it all especially the bad cause money always involved
no matter what it is we gonna make it make sense nothing else to do but kick it with the homies
and king so grab you a drink and a snack you enjoy and get into the vibe that only you know
it's your girl. Baby this is, this is Geeky. Baby this is Geeky Palmer yeah.
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mountain cabins to charming cottages with fireplaces Airbnb's got you covered now let's get into it.
You guys I love you guys I'm so happy that you're here I'm so glad we did this
kick-ass movie together I think the world's gonna love it October 17th y'all better go see it
um but I have to ask because of the theme and the vibe of the movie
what are you most fortunate about right now in your life Wow you did I'm
enjoying this moment right now seeing you do this is wonderful it's so fun in
my head I was like she's gonna snap into a whole different gear when we start
this podcast and then you really did and I'm really it was fun to see so I'm
enjoying this kiki Aziz I'm enjoying this and I'm also very proud of the film and the experience
I got working with all you guys I mean you guys are all my dream people to be in the movie and
and I'm so excited we got to work together and now put it out in the world yeah what about you
Keanu uh yes I think um to to yeah I mean since we're celebrating being here in the moment I think
yeah the opportunity to work with you and Seth and Aziz like just wonderful artists exceptional
talents and wonderful story I feel very grateful to have worked with you and to be in your company
oh man well it takes one to know one I mean Aziz you could have directed a story about
anything but this one really blends comedy and some really important themes I mean homelessness
the gig economy feelings of hopelessness and
second chances I want to know like what inspired you to want to write something about this
well I you know you see it all around in LA and and uh you know I you know I feel very fortunate
and and uh I'm I'm definitely closer to Jeff than Arj and uh but you see this stuff and you hear
these stories about you know people working two or three jobs just to get by and just how much
things have gotten difficult for so many people because of just you know housing and all these
things getting so much more difficult for so many people and so many people and so many people
and so many people and so many people and so many people and so many people and I think there's a lot of people that share the frustration that my character has and that your character has and um you know I love your character because there's kind of two different responses where you know my character's like he's lost all hope and your character's kind of on the other end and it's like I'm gonna fight I'm gonna try to unionize this workplace and and um I I I had thought of you for this uh person because we were working together on the other film and your your voice was in my head and and uh
and um yeah I'm just so thankful you did it and I think you really delivered for us thank you so much well yeah to to everybody's watching and listening as he plays Arj who's this guy that's just trying to figure out how to make things happen in his life and it's really really struggling he meets a girl named Elena who's going through the same thing but it's true they have two totally different experiences um and yours gets kind of really shaken up because you have an incredible guardian angel named Gabriel played by Keanu but he's like not a normal guardian angel or at least how we think they should be because he's meddling in people's business
he's like not listening to his boss he's also asking other people for their advice so like is he really a trustworthy uh guardian angel I mean which part of the quirks of Gabriel were most fun for you to play Keanu because I feel like we got a little bit of Bill and Ted vibe up in there yeah Aziz was asking me to throw a little Bill and Ted a little Todd from uh Parenthood so some early days comedy Reeves comedy Reeves comedy and uh yeah so it was it was delightful to to have that
energy along with this kind of aspiring hopeful almost innocent but also ancient character
who's just kind of you know out of good intentions making poor decisions
I feel like you do so many things well I mean you give us drama you give us action you give us
incredible comedy do you have a favorite that you like to play I know you're doing getting ready to
um do I have a favorite a favorite you know I think you have all of these different situations
and hopefully and gratefully you get to a situation where whatever genre it is and
whatever story you're telling when you're in it you end up in the same place and it's a joy
you know and that joy can have a different color and a flavor but there is something that just
becomes not the somehow of the same the same you're still connecting you're still playing
you know whatever it is and yeah so they kind of go like this you know I know exactly what you mean
it's like a flow where you just know you're doing what you're supposed to be doing yep yeah and it's
like a conscious unconscious mm-hmm I agree I feel the same I mean I feel like we probably all would
say yes to this question but I have to ask anyway do you guys believe in angels guardian angels do
you think you have one a few um I don't know
hell no
maybe but Seth have you ever been in a situation have you ever been in a situation
in a car or a thing or traveling or going for a place or made a decision or
yeah something was like a near miss or something like like something where it's like oh I have a
feeling or I didn't go or I didn't do or something stopped me or something maybe
I was once at a dinner party where someone had a picture of a ghost on their phone and that
honestly made me believe in ghosts
damn how the hell they captured that it was like exactly it was like I've never heard of a picture
of a ghost in the scariest situation it was like uh they were like there was like they lived in a
house that was supposedly haunted it was like their kid's birthday party they're using disposable
cameras and there was like an old guy in a brown hat that supposedly lived in the house and then
he was in the background of the picture I gotta I gotta dip sorry baby it's time for Aziz to leave
yeah I'm not with the ghost whenever our ghost and guardian angels different things
whenever I feel that there's something and I just start saying Jesus loves me
like I feel as if that's like my power sword I'm like
okay Seth you play a venture capitalist I mean this guy is he's pretty out of touch
he's a great life he's really rich I mean things are going great for him um I'm curious for you
obviously you're not a venture capitalist but you're very successful how do you stay grounded
you know what I mean because I do think that's kind of the conversation right it's like okay
when you get to that point where you're working and becoming successful yeah how do you make sure
that that doesn't become your entire identity I mean I don't I I won't assume I'm I am grounded
let's start there I think I love that I think I try to be as grounded as I can be but I'm sure
if I was around people who were actually grounded I would seem far from far from grounded
I would imagine I think like a bug Hollywood people are pretty grounded but that's like a pretty
distorted baseline by a lot of measures yeah I mean I try to participate in life as a as a normal
person I try not to like outsource my life to other people wholesale you know I try to go do
things I go to I try to be out in the world amongst amongst people living living doing things
you know what I mean um and I do think you can
you know if you have a certain amount of money you can sort of completely isolate yourself and
curate your you know day-to-day experiences and moments and and I try not to do that you know
what I mean yeah but but you know I fly first class
so Arj is a struggling gig worker in the film and to prepare you interviewed I know because I was
there you were interviewing people that were you know having these experiences that were trying to
you know get a union going just people that are yeah
people were talking about this film um what kind of eye-opening experiences did you have like and
was it you know tough like what did it make you think when you were hearing some of these stories
well I as I started talking to people I mean look as we're saying now like we're the Jeff guy's kind
of making fun of me and Seth like we're that guy like he's like a little bit douchier than us but
yeah that's us like we will be the first to say but you guys are nice this is us this is us 100%
I I said the script to Evan who's Seth's writing partner and he's like I'm reading this in a sauna
now yeah this is this is weird like it's supposed to make us a
uncomfortable yes so I I wanted to make sure I I got this right so yes I interviewed people that
did uh delivery work and and and you know people that and he's not just a gig worker he's like a
guy that's got multiple jobs he's hustling which is like someone's so many people's story and you
know you do a little bit of this on the side and uh what was shocking was like how so many of these
things like oh I'm sleeping in my car and things like that have become normalized and a lot of
people are doing this kind of stuff and it was really pretty scary to hear how commonplace a lot
of that stuff was and you know as far as the delivery work thing like I knew there was a
sequence where uh Seth's character would have to do uh DoorDash kind of thing to start making money
so I'd interview a few of these guys and I was like hey could I like do a run with you could I do
DoorDash and and uh so I did it with this guy at LA and after like the first couple was like hey
can I like take over the account or whatever could I just do it and he's like yeah and so I said okay
and and
it was so funny because I was just so bad at it right away like it was just like the stuff you
see in the movie like I I went to pick up the first order and I was like all right well it should be
ready I'm just gonna double park and he's like I was like don't tell me anything let me make the
mistake so I like double parked I put the hazards on I go in and the food's not ready like it's not
ready people are just honking and all this stuff and then I finally get back in and then I'm like
trying to back up and I almost run the car into a telephone pole and I was like oh man I'm so sorry
like I'm used to my car having beeps I'm used to the
cameras and the beeps and I was like this is so funny and that's exactly what I put in the movie
because it's like you don't realize how much of a jerk you are until you're like put in that
different context and then you see how little people tip and how people say things like leave
the food outside I don't want to see your face press the button get in the car and leave it's
like all right bringing you some burritos man yeah but um you know there's all these people
that do all this stuff for us and it's easy to take them for granted and I'm like oh my god I'm
not really thinking about what they're doing to provide these services and and I remember when
we were shooting you were like oh I tip these DoorDash guys way harder than I used to from
doing this movie and I was like oh then we've done our job I mean one thing I really liked even when
I read the script that takes a turn from this typical vibe you'd expect from this kind of movie
is that when he gets his life swapped it is great like money does change things I mean and that's
the whole thing right it's like what is good fortune when you were writing it and you created
that that that contradiction where you're like oh my god I'm so sorry I'm so sorry I'm so sorry I'm so
sorry that I'm so sorry it's like you know yeah like money didn't make my life better that was
the answer how did you want the audience to respond to that because you know there is the
other side of it too which is Elena my character where she feels like getting it or having it easy
isn't actually the answer I mean are you just showing two different perspectives well I hope
what people get from watching the movie is like obviously like getting millions and millions of
dollars is one thing but some of these people if you just gave them 500 bucks it would it could
change their lives you know people are so
the the margins are so thin in terms of you know how low wages are now compared to how high
expenses keep getting that even just a little bit would help so much and you know the difference
with my character and your character is is your character makes the point of like well I'm trying
to help everybody I'm trying to help everybody that works at you know hardware heaven which is
supposed to be like a Lowe's Home Depot type store and you're trying to unionize so everybody
can get helped and it's not just about you alone and and it's one thing I think that's
cool about your character and you know I interviewed a real guy that was trying to unionize a big store
like that and you know it's really inspiring talking to them and into hearing their ambition
and and how much they care about the other people they work with and and everybody that that worked
in this guy's store they all had their own story you know of of what they were dealing with and
whatever but but the common thread was that they all worked in this place and that if they treated
them a little bit better it would have a significant effect on their life and one of the
things that I like the most is that sometimes the the most fortunate thing or the real thing is that
the richest thing you can have is your community yeah with with Elena whether it's the union in the
hardware heaven or it's Arch Gabriel and you know Seth's character like we all end up becoming a
community and that I think also is like what I've always taken away is like that's what makes me feel
fortunate in my life is knowing I have people that care about me um Gabriel takes one small change in
his path Keanu and it just you know it changes everything what is the most life-changing encounter
or moment in your own story where you felt like
oh my gosh if I I went to that audition or I didn't go to that thing or I went to that store
and boom oh well it's audition stories in an early day well it's like oh those would be like uh regrets
like I didn't get that role I didn't get that and like so what's the question well I mean that
would also be funny too if there's something but where did it go good yeah where are we good I don't
know uh where it helped the trajectory of you being who you are now oh gosh
um I don't know there's moments where maybe you know I didn't die yes amen to that so maybe one
of those moments where I I was good that I didn't die it's always good that is good maybe maybe
there might have been I got a little help and I didn't die I love that thank God thank God for
that yeah we don't know what we would do without you Keanu yeah
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Jeff is forced to live an alternative life your character Seth um one without luxury and
financial security have you ever thought about
how that would look for you outside of Hollywood out of you know we were just talking about how
just at 24 yeah three culturally hip movies that you not only starred in but wrote I mean one you
didn't do super bad but knocked up Pineapple Express I mean what does your life look like
if you don't have that success or have this passion um yeah I don't know I'd probably be
working in like a video game store or something like that I don't know video games still in Vancouver
do they have them it's GameStop still around it's actually I think on its way out they don't even
have GameStop anymore I would do not I'd be hard I'd be living in my car um yeah no I mean I didn't
grow up with uh a ton of money and and like I became you know sort of like the most uh yeah
like financially stable person in my family at a very young age and so um but I look at my parents
who really made things work and we lived in you know small apartments or houses we couldn't afford
um for a lot of my childhood and um and it was nice you know and and I you know we went to a
of garage sales it was lovely i had uh you know a lot of like incomplete star wars toy sets as a
child um but yeah i don't know i i it's hard for me to imagine what i would i if i wasn't a
successful actor and writer i would just be an unsuccessful actor and writer like i don't think
i would i have no other discernible skill set nothing else i've ever shown any interest in i
wasn't a good student not athletic you know i don't have a good mind for numbers or math or
anything like that and so i never even have considered doing anything else with my life so
yeah if i wasn't yeah the if i if i hadn't become successful i would just be struggling to do the
same thing i i'm currently doing i think yeah i mean i feel the exact same way i don't know what
i would do if i weren't a performer it's like you know my world i don't know if that's good or bad
but i'm just happy to have it and i would do it even if i didn't get paid for it yeah that's how
much i love it um so gabriel ignores the rules like i was saying but i'm curious with you guys
have their and i say this because
him ignoring the rules although it kind of went crazy it kind of came back right it works were
there moments in your life where you didn't you know you went against the grain you did something
someone didn't expect you to do and it it made your life better for me i remember when i first
wanted to start hosting i was like 18 or 19 i told my mom i want a talk show you know i want to do
and she was like kiki absolutely not no my mom she literally supports everything i do when i
told her to talk so she said sweetie no one wants to hear you talk i was like now sharon
what the hell so i like went against the grain baby you nobody wants kiki palmer i'm like mom but
why so i pushed and pushed and i ended up doing my own talk show and i mean hosting and having
conversations and talking to people is one of the most exciting aspects to what i do now um and so
for y'all it was there a moment where somebody was like or you you know you thought okay this isn't
gonna work but i'm gonna do it anyway and it turned out great did anyone ever tell little
he couldn't do it i mean i i think
my whole journey to me makes no sense that it happened i i grew up in a small town in south
carolina with like 8 000 people like i never thought i mean i grew up watching this guy in
movies if you someone told a young indian boy in south carolina you're gonna be in a movie
with that guy i'd have been like that's that's that's just not possible i mean it's wild to be
you know my gosh yeah i mean i would have said the same thing yeah i i'm not about you but about
myself i can't believe i i get to do
what i do for a living and i'm thankful for it every moment you keanu going against the grain
oh gosh is that something you do often why are you are you a rule follower uh no um i don't know
i was like what i was like i was like uh i would i was i would i would push back if i didn't agree
and you didn't give me a good reason like i was i was i was like against petty authority
yeah i am a virgo it was like if it was a virgo i would push back if i didn't agree
it wasn't like in schools and it has to make and like and then if it was just because
and then i was like a little like i need a little more room than that so you know i i got kicked out
of schools and did stuff and dropped out here and there but when it was to the passion to the thing
of whether to write or to act or create i was so focused i mean i think all of i mean you all
started pretty young but yeah and self-motivated yeah it was just like that's it that's what i'm
doing yeah so like you know 15 16 you know acting classes second city community theater
you know and it was like you know drop out of high school so what i'm gonna go out go do this
thing and so i'm a professional anyway um but so yeah there's been some yeah so there's a little
bit of like
did you finish high school kiki um the actor kid version yeah exactly so no i always tell
people who here dropped out of high school that's pretty good aziz what a nerd
i was still in south carolina i graduated i liked high school i wish there was more i i wish i
sometimes think about that how i wish there was more acting and things where i grew up because
i remember like we'd do one play a year and i would have so much fun and and anytime there
was anything in that involved any
kind of public speaking or or or you know performance i i loved it but there was just
there it was just like once a year you'd get to do this thing and it wasn't there wasn't any like
drama department how'd you end up finding it because i went to school in new york and then
i started doing stand-up and and it's like kiana said once you know i i did good in school and
stuff but i was always just goofing off and wasn't paying attention and it was school in south
carolina's was pretty easy uh it's not like a rigorous program although in 11th and 12th grade
i did go to like a harder school but like uh when i was in college i was just kind of like i don't
really it's exactly what kiana's saying i didn't really know what i was doing i didn't really and
then when i found stand-up i was like oh i i i see this i like this and then you know the acting and
writing directing all kind of came from that but i never had those dreams it was always just i like
stand-up i want to get good at stand-up and then i started filming like sketches and then
you force me up there oh yeah did you do the walk he had me up there and i was like i'm gonna do this
stand-up he took me to a spot where did we go we're in la we're in la the comedy store you're
great have you done it since then i haven't i haven't done it i want to go back i need to know
how to put it i'm like the opposite of your mom i think you should just do everything yeah
everybody wants to hear kiki talk guys that literal comedy it's not no joke that stand-up
you got to be prepared yes for sure
be prepared yeah you gotta be prepared
it helps it's hard to i mean it's like it's a whole thing to write and put together but what
i liked was that you pushed me out there i was scared as i went out there and did my thing and
you know what i mean like i learned a little something yeah you gotta you gotta keep going
i mean what i like about you know i've been touring a little bit this year and you know the
difference between doing that and doing movies is stand-up it's just so much it's so much simpler
there's not as many things you have to deal with it's just like you're talking into a microphone
you have to wait on anybody you don't need anyone to sign off on anything you don't need to get like
dancing to go do a stand-up set it's just it's it's all it's all just very simple it's so pure
just as if you're talking into a microphone you know what about you said did you grow up being
kind of a rule follower would you say you're kind of by the book person no not at all i love that
we're all just misfits i yeah i i mean i dropped out of high school i cut a lot of class i barely
went to high school i was writing yeah i mean i knew i wanted to make movies and me and evan
started writing super bad when we were like 13 or 14 years old i started writing super bad when we
were doing stand-up when i was like 13 and so um i was like very driven to to like make movies and
and be like in comedy and entertainment and so yeah i um i also smoked a lot of weed and did a
lot of shrooms like that so i i also yeah i was also just cutting class and goofing off and and
and going to movies and yeah we my friend me and evan watched a ton of movies um but no i i yeah i
was just rigorously disciplined i would say in anything other than uh than and then writing and
and working and then once i found writing me and evan would like go to his place we would like
skip school and like sit in a parked car and smoke weed and write super bad on like a laptop computer
together when you hear that it just sounds like it was just so you know boom we went to but like
what do you think like helps a writer start writing because you can have ideas in your head
for days but putting it to the paper you know what i mean like
you know having the structure like it having an arc what is it how do you do that i don't know i
think we we learned as we went and i think we like liked movies a lot and and we slowly uncovered what
elements those movies had in their writing that like allowed them to do the things that we liked
and we started to be like oh okay if you have three characters who are in conflict with one
another it makes the scenes funnier because they can argue with each other which is
funnier than them all agreeing with each other and it was like little discovery
like that and and set pieces setting up circumstances where oh the characters have
to go through these crazy lengths to get what they want and it's all stuff that's like very
intuitive to me now but we sort of were discovering it as we went as like on the fly basically um but
i do look back and we i think we watched so many movies we did sort of have like an inherent
understanding of like film structure and um and character arc and things like that yeah
brilliant what's your process aziz i mean i've seen some of your process working with you it's
incredible everybody's different i think you really love like real life you watch a lot
observe humans and you know also just like us to just go and but how did you get to that point as
a writer you know your taste uh well every movie i've written has had a little bit of different
process uh good good fortune i i had just that idea of like these two guys mike the orange
character and the jeff character one guy that's you know struggling another guy that's doing
really well and then i would get to like page 40 that i didn't know where it would go
and then i had this idea oh what if the the angel comes in and then you know that that it was not
something i outlined sometimes i write things that i outline and i go okay that's where it's
going to go other times i kind of just write things say let me just doing this and just see
what would be fun to happen next and just kind of write yourself in the corner and then eventually
you kind of get it there but then there's a whole other thing obviously when you when you get your
cast and you know we all start spending time together and you start dialing it in more i
mean you know once you are like okay keanu's angel okay how do we really dial it into his voice and
and uh you guys were so fun to
rehearse and work with and uh yeah but wait i wanted to ask you just about the super bad thing
because you know i it's weird because i i'm curious about this stuff and we never talk about
but uh was there any stuff that you guys wrote you know was there anything that made it from
even those early like oh in the car like what are some jokes that were like oh even because
it's interesting because like your scripts change so much over time right like from the first like
version of good fortune i had you know there was different endings and all this stuff and you start
sending it to people getting some notes whatever feedback things change but there's certain things
that oh well this has always been in there the thing in good fortune was um you know part of
that idea came from one time i was writing like one of the like oh sparks that really like put
the movie idea in my head was i was in uh colorado doing a show and i was riding in an uber to the
venue and i was talking with another comedian that was on the show and we were just talking
about how much uh more homelessness we were seeing everywhere all over the country
um from the last time we'd done a tour and the uber driver who was like you know a hipster
caucasian guy in his 30s uh said oh i was homeless for a while it's not what you have in your head
when you hear homeless guy and he was talking about how he you know showered at the gym and
all this stuff and that was kind of oh i was like whoa and then you start looking into it and reading
about it more and you're like whoa this is pretty widespread all these things he's talking about and
i hadn't really seen it in a movie quite in this way and um
but that kind of thing of him sleeping in the car and all this stuff yeah that was always that was
always in there but yeah so to go back to what i was asking you like were there any bits or things
that were like always in super bad even from those early yeah the mclovin joke was always it was
always mclovin was there like a number two like oh it was always it was mclovin
and you remember that moment was like what if the id what if the navy got was mclovin yeah i
remember we thought of it we were in evans like family computer in his basement basically um and
that see i mean honestly like a lot of it and and it's kind of shocking because even on like you
know a scene will pop up on like social media or something like that like the scene where he brings
him the id and they're arguing over the name and muhammad's the most popular name on earth and all
like we wrote that scene when we were like 15 years old like like like word for word essentially
and like a lot of the jokes like were from
the structure is sort of what evolved as we got older and we started to realize like oh it needs to
there needs to be subtext and there needs to be this like kind of we didn't understand the
difference between like plot and story you know like what's happening and what they're feeling
you know and so we eventually were like oh there should be the storyline about how they're going
to different colleges and they sort of are afraid of what that's going to bring but that that's what
came as we got older but almost all like the funny jokes we wrote in high school which uh
which is crazy
and and i probably feel so real yeah it is why it's like it feels exactly like young people and
it's why i see young people in mclovin shirts all the time like uh like it's crazy how many
teenagers seem to still watch uh super bad and i think i think it's totally because we wrote it
while we were teenagers and like very few high school movies like have like we did tap into some
like inherent truth about being a teenager that that even i look at now and i'm like yeah like we
yeah and and the director
greg mottola did the smartest thing is he really made it look and feel timeless like he gave it
like 70s music we wrote it in the 90s it was shot in the early 2000s but it was like he made it look
kind of like it had like a 70s palette like their clothes and the music like and because of that
it like it kind of gives it this like this like frozen in time like feel a little bit like and i
give him full credit for that like it was really smart of him to do that i think yeah
there's also something cool about how they don't have it was before smartphones and stuff it kind
of adds the timelessness yeah we like wrote it before cell phones and then we added in like
one cell phone scene where like yeah when i was saying his phone like isn't working because at
the time cell phones didn't even work that well necessarily yeah you couldn't rely on them so yeah
it's a pre-cell phone movie
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journey from trying my best to looking like that there's also something interesting what you're
what you're saying and just like the stakes are so much lower and you're just having so much fun but
now when you guys have created this is for all of you because you all have created such cultural
moments does that raise the stakes of your creativity or how you approach things like
i remember being in the theater watching super bad i remember seeing your first
hit stand-up show i remember watching the matrix with my auntie in the theater and she wouldn't
shut up because she was like you better get it
you know and i remember and we and we're like that is bad like yo wait we gotta watch
good fortune with your auntie yeah i want to see good with your auntie
she gone but she's saying it up there she gone um you know kiki's the funniest person in the world
she just told me her auntie passed away and i'm like laughing because
she gone
good fortune she gone good fortune when you guys do stuff like that though like it must raise the
stakes where you're like okay how do i be great again or how do i create this moment like or do
you just try to keep staying in the fun of it i don't know i feel like i i don't i mean you guys
write and you direct and so i i'm i'm more of like a vessel of it than the creator of it but
with these john wick i mean these john wick movies are
like
some of the greatest movies of all time honestly in my opinion and there's and and they do keep
getting better and better so like are you when you okay when you're talking about them are you
like we have to keep making these better we did this it has to be okay that was a little personal
that was more personal yeah okay okay okay yeah i'm a part of that yeah you know they have to be
better yeah and you really do keep making them better and better i think that's so important
to say because i think sometimes we do get afraid to be like no we want it to be great we want it
to be better but i think when you go in there knowing that it gets better and better and better
it it is better it does become better sometimes it can get you know worrisome or frustrating but
as creatives i think like staying on the pulse of like this really matters to me i think i mean even
with the studio it's like incredible oh yeah people for sure have also like glamorized not
giving a stuff that much and like i think especially with actors and stuff i see like
like actors who try really hard or sort of made fun of and actors who come to set and act like
they don't give a shit or sort of like that seems cooler maybe like in the eyes of a lot of people
to me yeah like the idea of really caring about what you do and try and like admitting that you
try really really hard to make it good and that you think about it being good and you want it to
be good like that's been the only thing that's allowed me to make good stuff is like outwardly
trying to make it good like because i'm not i'm not good enough to just have it be good i have to
really try you know that's how i feel yeah i feel that way too and how did you know you wanted this
cast and more importantly because i know me and seth have done a bunch of stuff with you at this
point i feel like i do a lot of stuff with you yeah i feel like i do a lot of stuff with you
with you a year yeah sometimes they come out sometimes we save them for later
we put them on the shelf okay but kianu how'd you know we've done i mean we're about to do a third
in italy at some point um so kianu when when did you know you wanted him as the guardian angel did
you already think about him for that role so good fortune when i first had the script i i when i
first sent it to set i thought he would be the angel and that we would find some guy to play
okay and then you know we kind of were like okay who do we want to be this jeff guy and
we could never find the person that felt like they could do jeff and also be funny being
jeff's a tricky role he's a tricky role and i'm able to bring distasteful people to life in a
sympathetic way i mean seriously you nail it and we're like i love the guy for better or worse that
that is a skill that i recognize i i do have that's amazing yeah you could be awful and
people still oh yeah i'm always shocked by i'm in the test readings i read the numbers
People are really on board.
I can push it pretty far.
But that's exactly why I one day had the, you know, the light bulb of, oh, Seth should be Jeff.
He'd be perfect.
Like, he's the guy that could be Jeff and we'll find someone else to be the angel.
And then it was like, okay, we need to find someone to play the angel.
And then Keanu's name came up and I was like, Keanu?
Well, who?
Like, Keanu Thompson?
You're not talking about Keanu Reeves.
He's never working with me.
I'm trying to find Keanu Reeves.
I feel like he got a phone for his phone for his phone for his phone.
And he might answer it like in a Batmobile.
Like, how do you get to him?
I couldn't.
Yes.
It was just seeming like, you know, Keanu's just, you know, Seth is my friend.
Like, yeah, Seth will do a movie with me.
But Keanu was like.
That seems like a long shot.
Yeah, it seems like.
Yeah, sure, guys.
But Keanu happened to be in London.
I was like, I was in London.
I was like, well, yeah, let's meet.
And so we met up.
And as soon as I walked in, Keanu was there, you know, taking photos, kissing.
Basically.
And I was like, oh, this is no, no question.
Like, as soon as we start.
And I remember the day before I was looking at the script and I was reading the Gabriel
stuff to my wife using a Keanu voice.
And I was just laughing so hard.
Oh, wow.
Let's hear it.
Oh, no, no, no.
Let's hear it.
Let's hear it.
Only if you give me your Aziz.
No, no.
Kiki does a great Aziz voice.
I do pretty good.
It's pretty good.
It's pretty good Aziz voice.
Yeah, I'm Aziz.
I knew Keanu.
He wanted to do the movie.
I was like, oh, Keanu.
They love you.
Now do Aziz with an Australian accent.
Okay, this is a fun one.
If you could choose, would you choose to peak 10 years ahead of your life or would you trust
the mess of not knowing?
Whoa.
Whoa.
I would never look.
I would never do that.
You wouldn't look?
No, I don't think so.
I'm not looking either.
I mean, what if you see some shit that don't make today worth living for?
Yeah.
But you're saying you look and you can choose.
Can we change things?
I don't know.
Yeah, can we change things?
Like if I go forward 10 years and I have like an eye patch or something, could I spend
the next 10 years trying to mitigate that or do I just have to accept?
I love this is as bad as it gets if you just have an eye patch.
I'm trying to keep it tangible, you know what I mean?
That would be so weird though because that would be bad to see the eye patch because
then you're always on the lookout and you don't know when it's going to come.
You're going to be paranoid all the time.
It's not good.
But then like what if it was just you f***ing around?
Like what if it was you saw the scene?
What if it was the scene of you with the eye patch and you were just playing a character?
Exactly.
You don't know the context.
Maybe I'm just being a pirate.
Maybe I get a big pirate job in an upcoming film.
Maybe I wrote that pirate movie for us.
Yeah, exactly.
He finally made that pirate film.
Would you look, Keanu?
No.
Yeah.
Not now.
It's dangerous.
Not now.
What if you looked and all of us just had eye patches?
It's just a trend.
The whole world has eye patches.
It's like Nelly wearing the band-aid.
It's just like a new trend.
Do you think that fate is just…
Do you think that fate is just fate or do you believe that you make your own fortune?
Whoa.
Whoa.
This is getting deep.
Whoa.
What do you think, Keke?
I don't know.
Okay.
So, I'm about to go somewhere.
Go somewhere.
Whoa.
I feel like it's like on some interstellar, like I feel like we got a bunch of different timelines.
Okay.
And so, I feel like yes, fate is fate, but I feel like you can choose which one.
Oh.
You know what I'm saying?
Like I feel like you got 10 fates.
So, they all exist.
They're all there for you to get.
They're all there for you to get into.
But it's like it's up to you based off your choices which one of those fates you want to go into.
And you could choose a really awesome one, a really crazy one.
It's a good choose your own adventure book.
Exactly.
That's how I see it.
You don't want to choose the one where you die, look on page 14.
You know what I mean?
I would always choose that one.
It was always like the ghost killed you.
Now you have an eye patch.
The one with the hat.
Yeah.
That's a good theory.
I like that theory.
I kind of went, you know.
Yeah.
I think about these things.
I don't know.
What about me?
You think we choose our destiny like with every choice we make every day?
Or do you think it's like already written no matter what you're going to end up in lane two?
Free will.
Isn't it free will?
I just feel like if you, you know, it sounds a bit cliche I guess.
But if you work hard and you're nice to people, I think you'll come through where you want to be.
I hope.
I mean.
I don't think that's true unfortunately.
I think you also have to be pretty good.
A lot of nice hard working people that are.
Yeah, yeah.
They're getting.
You know, I mean look, I'm just, you know, I'm just happy with the reason I don't look
in the future or anything is like, you know, I feel like I'm happy with where I am and.
You don't want to poke the bear.
Yeah.
Wherever, you know, I feel so lucky that even we got to make this movie.
Like not many people are getting to make original movies that are released in theaters.
It's really tough.
It's really hard.
And, you know, even this like, you know, Keanu hurting his knee and then there was a writer's
strike and there was all this whole stuff and it's like, oh, we got here.
It took a minute.
We got here.
Yeah, Keanu.
I mean, you've done some incredibly difficult things in your life and the cold plunge took
your knee out.
Yeah, yeah.
Good fortune took me down.
Isn't that crazy?
It's so random.
Yeah.
Yeah.
I'm doing comedy's tough.
I'm like working with these guys.
We're like literally getting into a cold plunge in a hot sauna.
It's a beautiful day.
It's California, the sun.
We have a view.
We shoot a really fun, amazing scene.
I'm in my like, they gave me a little robe.
I'm in my.
I'm wearing shorts.
I got slippers.
I'm going back to my dressing room, like the room they gave me and my foot gets caught
in a rug and I spiked my knee and my kneecap cracks.
Oh my gosh, man.
On good fortune.
On good fortune.
I know.
I've been doing this scene.
John Wick 4, it's all fine.
Yeah.
Well, no, it wasn't all fine.
But anyway, but yeah, so that was a challenge, but it was good, but it's all good.
It's all good.
Well, I'm running out of time with you guys.
I want to get into this game.
I play a game with all my guests.
Okay.
And this one is going to be.
You know, what am I calling this game?
Hmm.
It's going to be called Your Fortune Says.
Here's how it works.
I'm going to read you a series of strange, ridiculous, and maybe even slightly prophetic
fortunes, and you've got five seconds to answer.
Okay.
No overthinking.
No playing safe.
Wait.
Just answer.
Okay.
All right.
You ready?
It'll be so clear.
I'm scared.
Your fortune says, you wake up tomorrow with good fortune superpowers.
What's the most useless one you could have?
Most useless superpower?
What's the most useless superpower?
That guy who stretches.
He doesn't seem to be able to do much with that.
Yeah, he's just stretching everywhere.
Stretchiness.
Mr. Fantastic.
He's stretchy.
He just reads stuff.
He just kind of stretches.
Yeah, like what are you reaching for?
That's like not the best superpower.
Yeah.
Stretchiness.
Maybe you have like supervision, but it's not that much.
It's just enough so you don't need contacts.
That'd be pretty good.
That's just called vision.
That's just normal vision.
It's just normal vision.
You have vision.
I'd say normal vision is about superpowers.
Hey, I wear contacts, you got glasses on, it'd be helpful.
I would say it's normal vision.
For me, it'd be a gift.
You, Keanu?
What's the question?
Pretty much, what is the most useless superpower you could have?
Useless superpower.
You ask all your guests this?
Like, yeah.
This is special for y'all.
It's a superpower, but it's useless.
Useless.
Yeah.
I don't know.
I don't know.
What's the use?
Crawl.
Crawl fast.
I don't know.
Crawl fast.
Crawl fast, like, because why are you crawling to begin with?
Oh, is that a superpower?
It could be.
Like, that's why it's so bad.
I know, but do you ever, like, look at an ant and go, like,
"How the do they move that fast?"
Yeah, they really do.
Like, they cover that ground.
Cockroaches really move.
And they're carrying big stuff.
They got big things.
It's so insane.
They're carrying big crumbs.
It's so fast.
There's some animals out there and insects that are doing some good work.
I think we just came up with Ant-Man.
They're doing some good work.
It's amazing.
Okay, you can swap lives with one of your co-stars for a week.
Who and why?
I would live to be Seth.
Oh, yeah.
I'm saying it today.
I want to be Seth, too.
Baby, I'd be Keke Palmer.
I'd say, baby, this is--
First of all, you have an amazing wife.
This is Keke Palmer.
I love smoking weed.
I mean, everything's great.
It would be good.
It is pretty nice.
Yes.
Most of the time, it's pretty good.
It'd be fun to be Keke Palmer.
I would switch with Seth, too, because I feel like if I swap with Keke,
it'd be, like, a week.
They're like, Keke's empire just fell apart.
Like, everything's just gone to.
What happened to Keke?
Keke.
She's been in London for a month.
She's like, baby, I think it's Keke Palmer.
I don't know.
What are we doing?
Where-- somebody give me the hood.
What about you, Keon?
I'm going Seth.
OK.
I'm telling you.
It's not bad.
I take it as a compliment.
But here's the thing.
Like, you'd be Seth, and you're like, yeah, I'm going to be Seth.
I'm going to smoke weed all day.
They're like, no, Seth, we need you on set.
It's like, this isn't as chill as I thought it was going to be.
There's 400 things to do today.
He's working all the time.
I thought I was smoking weed and making pottery.
That's, like, one hour away.
One hour a week.
One hour a week of that.
It's true.
Yo, that's facts.
OK, you're cursed to only eat one food for the rest of your life?
Whoa.
What is it?
Oh, yeah.
That's a hard one.
I'd eat cheeseburgers.
You knew immediately.
Yeah, because they're good.
I would choose cheeseburgers.
I probably wouldn't live very long if all I was eating
was cheeseburgers, literally.
I would get fat.
Maybe I'd have to exercise a lot more.
Maybe I'd eat one a day.
Maybe I'd cut it up into portions.
That's tough.
One thing a day-- cut it up into portions.
I love the--
What would you eat?
Ah, you know, I was literally knowing it was coming soon.
Jammy eggs.
So I was like, is it jammy eggs?
Stay on brand, Kiki.
Or is it pancakes?
Whoa.
Pancakes?
I really love pancakes, guys.
Wow.
I really do love them.
Oh.
I'll take a toasted peanut butter and honey sandwich.
Oh, wow.
Tasted peanut butter and honey.
Super chunk.
Super chunk.
Whoa.
Sounds good.
Sounds delicious.
Yeah.
Aziz?
I would go tacos.
Yeah.
They're really good.
Because it's also, like, kind of a--
Sneaky answer, yeah, 'cause you can do breakfast tacos,
You know, you could put anything in there.
Yeah.
That's what she said.
I'm kidding.
No, no, no.
Guys, you're amazing.
Thank you so much.
October 17th, Good Fortune is coming out.
Make sure you guys, I mean, look, you'll see what the vibe is.
You'll see what we're giving the movie.
You'll see the vibe.
It's going to be a fun time.
You guys are awesome.
You're awesome.
Thank you, Kiki.
Bye.
I love you.
Okay, so clearly this cast is unpredictable in the best way
and maybe a little too ready to body swap or barter with the guardian angel.
You can catch all this energy plus a whole lot more in Good Fortune in theaters now.
Trust me, if making it was this wild, watching it is going to be a whole experience.
Baby, this is, this is Kiki.
Baby, this is Kiki Palmer, yeah.
Baby, This is Kiki Palmer is hosted and executive produced by me,
Kiki Palmer.
Lucas Siegel is our post producer.
Our producers are Lauren Hampton and Molly Nestor.
Hilary Esty McLaughlin is our executive producer.
Production services provided by Evolution Media.
Our original theme song was written and performed by me, Kiki Palmer.
For Team Kiki, my producer is Sharon Palmer.
For Wondery, our managing producer is Olivia Fonte.
Senior managing producer is Nick Ryan.
And our executive producers are Emily Feldbrake, Aaron O'Flaherty, and Marshall Louis.
there are books that change how you see the world and there are books that change how you see
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hi i'm kenya barris and i'm malcolm gladwell we're back for season two of our audible original
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Podcast Summary
Key Points:
The film *Good Fortune* blends heart, comedy, and a body-swap twist with a strong focus on real issues like homelessness and the gig economy.
Aziz Ansari was inspired by real stories of struggling workers and crafted the film to highlight both hope and systemic challenges in modern life.
Keanu Reeves brings a uniquely chaotic, "Bill and Ted"-vibe guardian angel, Gabriel, who challenges traditional notions of angelic intervention.
The cast, including Seth Rogen and Keanu Reeves, shares a deep connection rooted in authenticity, improvisation, and mutual respect during filming.
The film explores how true fortune isn’t just financial wealth, but community, connection, and the power of collective action.
The creators emphasize real-life experiences, such as interviewing gig workers and doing actual DoorDash runs, to ground the story in reality.
Early joke ideas from their teenage years, like the "McLovin" scene, remain central, showing the timeless humor rooted in teenage identity and rebellion.
The film reflects on free will and fate, with the creators believing choices shape destiny rather than fate being predetermined.
Summary:
*Good Fortune* is a heartfelt, comedic film that centers on two characters—Arj, a struggling gig worker, and Elena, a hopeful but disillusioned individual—whose lives are disrupted by a body-swap twist. Inspired by real stories of homelessness and economic hardship, the film examines how financial gain doesn’t always lead to happiness, emphasizing instead the value of community, solidarity, and personal agency. Aziz Ansari, who wrote and directed, draws on personal experiences and interviews with real workers to create a grounded, authentic narrative.
Keanu Reeves delivers a wildly unpredictable, rule-breaking guardian angel, Gabriel, adding humor and depth to the story. The cast, including Seth Rogen, shares a creative chemistry rooted in spontaneity and mutual respect. The film also reflects on deeper themes of fate and free will, suggesting that while life may have multiple paths, our choices ultimately define our destiny.
With its mix of social commentary, emotional depth, and sharp humor, *Good Fortune* offers a refreshing take on the idea of fortune—proving that true luck lies not in money, but in meaningful human connections. The film, set to release on October 17th, is a celebration of resilience, community, and the power of storytelling to reflect real-world struggles.
FAQs
Aziz Ansari was inspired by real stories he heard while interviewing people struggling with homelessness and low-wage work, especially in Los Angeles. He saw how widespread these issues have become and felt it was important to highlight the frustration and hopelessness many face, as well as the power of community and resilience.
Keanu Reeves enjoyed playing Gabriel's quirky, meddling, and somewhat unpredictable nature, drawing inspiration from the 'Bill and Ted' vibe. He found the character fun and playful, noting how his presence brought humor and chaos while still being rooted in good intentions.
The film suggests that true fortune isn't just about money—it's about community, connection, and making a difference. Both characters learn that small changes, like unionizing or forming support networks, can have a powerful impact on lives.
The cast conducted real-life interviews with gig workers and people facing financial hardship. For instance, Kiki Palmer even tried out DoorDash to understand the challenges of delivery work, which directly informed the film’s authenticity and emotional depth.
The actors don’t have a strict belief in guardian angels, but they see fate as something that can be influenced by choices. They believe in free will and that people can shape their own destinies through actions and decisions.
The 'McLovin' joke originated from Aziz Ansari and Seth Rogen when they were teenagers, writing it in 2000s. The scene has remained a core part of the script through the years, reflecting a timeless, authentic teenage voice and humor.
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