DeKonstructing The Kardashian's Finances (w/ MJ Corey)
52m 13s
The transcript explores how personal finance, celebrity culture, and consumer trends intersect through real-life examples and expert analysis. Factor meals are highlighted as a convenient, healthy solution for busy lifestyles, with strong user confidence in their health benefits. Monarch is introduced as an AI-powered financial tool that offers transparency and goal-setting, helping users manage money with ease. A key financial insight comes from the legal case of Che Tae Won and Ro So Young, where unpaid domestic labor was recognized as economically valuable, signaling a shift in how society values care work. The Kardashians are examined as pioneers of the influencer economy, leveraging personal stories, body image, and family milestones to build wealth and visibility. Their use of branding, trademarking, and media narratives illustrates a strategic approach to long-term financial success. The episode also critiques the rise of IPOs and influencer-driven investments, warning that emotional appeal can overshadow financial fundamentals. Ultimately, the discussion reveals that celebrity culture reflects broader societal values—such as the commodification of nostalgia, the power of image, and the growing recognition of unpaid labor—while offering practical lessons on financial literacy, self-empowerment, and the importance of balancing vision with reality.
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Basically, Kris Jenner co-founded a literal church.
And the Kardashians invest 10% of their income every year,
which basically allows them to create a self-contained circuit of money flow
because churches are not taxed.
This is Financial Tea.
What's up, Sippers?
Welcome back to the Financial.
This is, of course, a podcast where I teach you how to build wealth
with a side of market drama, money scandals, and financial pop culture.
And that is what we are really leaning into today
because we are going to talk to MJ Corey,
who is a psychotherapist,
but also the author of Deconstructing the Kardashians.
She is the woman behind the popular social account Kardashian Colloquium
and really one of my favorites.
She is one of my favorite cultural critics.
So I'm really excited to have you.
MJ, welcome to the Financial Tea.
Thank you for having me.
That was a great intro.
Well, thank you so much.
Well, I mean, you are an illustrious lady.
And we're so happy to have you here because, you know,
we sort of do the same thing where we use the Kardashians.
I use them all the time to get people interested in finances.
You use them to get people interested in academia.
And you're such an expert on them.
So I'm excited to really deep dive and find out all the juicy,
dirty secrets.
About their financial lives.
Let's get into it.
But first, let's get into the MDJ Market Report.
What's up, Sippers?
Our first story is about our girl, Jennifer Aniston,
otherwise known as Rachel from Friends.
That girl has been parading her taut 50-year-old body on a yacht all over
Mallorca.
She's on it with Courtney Cox, Pedro Pascal, Jason Bateman,
and drumroll please, her inspirational speaker,
slash hypnotist boyfriend, Jim Curtis.
And, you know, my financial brain obviously started going when I saw these pics.
And I'm thinking like, okay, you know, a yacht is 500K a week.
And, you know, for Jennifer, that's nothing.
She's worth $320 million.
But like Jim is not, you know, like he might lay that good pipe,
but the man is really worth only a million dollars.
And yeah, I said only because compared to 320 mil, it does feel like only.
So what do you do when you have a girlfriend who wants to go on that fancy ass yacht?
Like you're certainly not doing a 50-50 split.
And so I just wanted to talk about this in case you are in a income gap relationship as well,
because the key here is to split everything proportionally, not equal.
So like don't pay half and half, pay by percentage.
And by the way, 76.6% of couples with a wealth gap already do this.
So you probably know that.
I know this already, but just like don't match dollar for dollar.
Cause then you're just going to go broke, trying to impress the other person.
Our second story I'm obsessed with, and it is about love and money too,
but really a lot of money, frankly.
So meet Che Tae Won.
He's the chairman of SK Group, which is basically the tech giant making the chips
that power NVIDIA, which is like basically powering the AI revolution.
So back in 1988, he married Ro So Young, who's the daughter,
stay with me, of South Korea's sitting president.
So she's like a society girl, you know, she's an it girl.
Fast forward 34 years, and he asked for a divorce because men are pigs.
And he publicly revealed that he had a child out of wedlock.
And so then they went to court.
And at first the court tried to hand Ro 45 mil, claiming that Che's billion
dollar stock portfolio, because he built this big chip business, was
his own separate personal property.
But Ro fought back.
And basically told the court like, Hey, so I actually spent 34 years raising our
three kids, running our home, leveraging my family's social capital.
Cause don't forget, I am the president's daughter to back this
business while he built this empire.
And the coolest thing ever is that the high court listened and they issued an
earth shattering ruling that declared that non-financial labor like childcare,
domestic work and social balance.
Backing is a direct contribution to a company's valuation.
And it basically ruled that executive success doesn't just happen in a vacuum.
It relies on an invisible home infrastructure.
This is definitely revolutionary in the court, but obviously economists and
Mrs. Dow Joneses have been making this argument for years because we all know
that women and girls perform 12.5 billion hours of unpaid care work every single day.
And if that work were paid, it would be worth at least.
$10.8 trillion annually, making it one of the largest sectors of the global economy.
And UN women estimate that women still perform nearly three times more
unpaid care work than men worldwide.
So I think it completely makes sense that the court ordered him to pay
her $644 million in cold, hard cash.
And if this sounds familiar, it's because we've seen this spouse as a
co-founder dynamic play out before.
I was thinking immediately when I read this story about Mackenzie Scott,
which like there's always the loser men online who are like,
why'd she get so much of Jeff's money?
She's just Jeff Bezos, his ex-wife.
But like in reality, she was Amazon's employee.
Number one, like she literally drove that Chevy across the country while Jeff all
like five foot four of him wrote the original business plan for Amazon in
the passenger seat next to her.
She handled the initial bookkeeping.
She wrote the employee paychecks and she negotiated their very
first fright contracts out of a garage.
So when they divorced her $38 billion stake in Amazon, was it a payout?
Like I hate when people say that it was really her equity as an operational
co-founder, but I just feel like the main takeaway here is that unpaid
labor isn't worthless, obviously we know that, but it is underpriced.
And I just love that courts are recognizing that those contributions
create real economic value and in some cases are worth $644 million.
So I'm really excited for her.
Our last story.
I don't know, guys, we're in like this crazy IPO boom.
And I just want to talk about it because you guys know, I don't believe in buying
IPOs, but there's a lot coming to the market.
Reformation is the next one and they're doing a road show.
And when you do an IPO road show, it's basically where companies are pitching
themselves to investors before going public.
And so the fashion brand recreated that Margot Robbie bubble bath scene from the
big short, so instead of a banker clicking through a PowerPoint to get a
you know, get these investors attention, they literally have a model
lounging in a tub, explaining reformations, sexy math while executives
are like pitching revenue growth and how they're going to use AI to build the
business.
And I mean, it's smart, right?
Like it definitely got investors attention, but it just got me thinking a
little bit bigger about where we're at right now with investing, because it
feels like getting investors attention has become almost as important as
getting their money.
And the fundamentals of the business, which obviously I really don't believe
in, like if you are going to invest in a company.
do it because the numbers make sense, not because they have a cool video.
But every IPO is definitely selling more than a business. It sells a vision. I just think that
that excitement can turn easily into hype. We saw it with SpaceX. Investors were piling in on the
story. They loved Elon. They saw the future of the world. And that sent the stock soaring. But then
the shares have fallen nearly 50% from their highs once they actually shifted back to the
fundamentals of SpaceX, which is not doing that great. And this is the exact same cycle as the
dot-com bubble. And it's the same cycle as the SPAC boom. And I know maybe you're not investing
in IPOs. Hopefully, you're doing index funds. But when we invest in anything, we're looking at
revenue and profits and execution. And yes, every company has a story. And you can gloss it up and
tie it in a bow. But from our side, if you want to be a successful investor, you need to know the
difference between buying the vision.
And overpaying for the hype. And that is really important in 2026 because
people are getting really obsessed with marketing. It's too much. They're even marketing stocks.
Okay. I hope you love this episode, Sippers. Don't forget to rate and subscribe and review.
It really helps the show. And I'll see you next week. Stay rich.
Before we start, I wanted to just start with a rapid fire questions we ask every guest.
What are your best and worst purchases of the week? And how much did each cost?
Probably best purchase.
Worst purchases involve my other life as a psychotherapist. I'm working on expanding my
business. So I'm getting licensed in more states. So I'm licensed in New York, Nevada,
and Massachusetts. And I'm expanding to Oregon and Arizona. And so every application for reciprocity
costs about 20 to 40 bucks. And I've just been kind of making those applications,
I think, as an investment in my future.
I love that. What's your worst purchase of the week?
Worst purchase. I'm obsessed with
these dark chocolate covered pretzels from the Unreal brand. This is not a plug.
No, they're so good.
But I keep buying them. So I bought like four and they're seven bucks each. And I'm just like,
what am I doing? And I'm like, just clearing them like one bag a day.
And then you know what? You're going to wake up one day and forget they exist.
Yes. That's how it works.
Yes. It is always how it works. You get the hyper fixation. And then my next rapid fire
question is what is the craziest financial move the Kardashians have ever made?
Oh, probably the California community.
Yes. Which you did a video about that I quote in my book.
Okay. Amazing.
So do you want to explain that a little?
Yeah. So how the Kardashians, basically Kris Jenner co-founded a literal church
and the Kardashians invest 10% of their income every year, which basically allows them to create
a self-contained circuit of money flow because churches are not taxed. It's just wild. And it
happened a long time ago. It was uncovered whenever you made that video, actually. But
every now and then, really ever since it entered the TikTok discourse,
it comes up. Like people will comment like, have you ever written about the church? Like it's just,
it's so weird.
And by the way, that video gets shadow banned a lot. If I talk about that, it will get shadow banned.
Wow.
And there are people who I know who know the Kardashians who then they asked me to take it
down.
Yeah. They don't like that one.
They really don't like that one. And it's a storefront in a strip mall. And what's interesting
is that they don't even go to that church. So they're not even pretending like that is where
they worship. It really is just a tax front.
Yes. Totally.
Very interesting.
I agree.
Yep.
You talk so much about this moral line of the Kardashians for profit.
Yeah.
Something that I, in researching this interview that I found so interesting was, you know,
right now when we think about them, we think about their success with Skims and Kylie Beauty
and Lemmy, and it all seems sort of above board. But what we forgot about is that when they started,
it was the beginning of this influencer marketing moment and they were shelling,
like, insane things. Like, Kim literally promoted a morning sickness pill and did no speaking
about the side effects or any, like, ad disclosures on it. They had a credit card. I mean, they
had a makeup line before all their makeup lines.
They had a fake tan.
Their fake tan. So can we talk a little bit about, yeah, like, sort of the beginning of
how they made money on being Kardashians?
What's so interesting is a book that I sourced a lot in my research was actually a piece of
Kardashian IP, their fake sort of memoir coffee table book, Kardashian Confidential, which came
out in 2010. And in that book, there's a little sentence that says something like,
we are making the most of this moment that we have of getting attention and we don't apologize for
it. We're going to use it to leverage business. They said that's what smart business women do
as early as 2010. Like, they had really just hit the scene at that point. So they made their
intentions very known that they were going to use it to leverage business.
But they understand that attention could be converted into capital. And around that time,
I think, is when Kris Jenner was also shilling crystals on like QVC. And one thing that's
interesting to think about with the Kardashians and like their kind of trajectory is they
were shilling weird products for other people when they were hitting the scene and they
were ready to do that. But then over time, they wanted full ownership top down.
Yeah, which is like where we're at now. And what I also think is really interesting about
how they monetize is that they take their most intimate family milestones and they sell them.
Yes.
So I wanted to talk a little bit about like that as a template for other celebs to follow.
The Kardashians know how to commodify nostalgia. And nostalgia is like a drug. Like psychologically,
if you look at it, nostalgia is really meaningful to us and it's a powerful emotion. And so the
Kardashians do make the most of literally any childhood memory, family home videos. They layer
them into the shows, into episodes. And I have a few theories about this. Beyond the emotional
pull that it has, it can lend itself to a lot of other things. It can lend itself to a lot of other
things. It can lend products a sense of credibility. So I quote an art critic named John Berger in
my book who says that we see products that have an idea of cultural lessons half learned
and we think that they have some kind of greater meaning. So like beyond family memories and
personal experiences, Kim Kardashian putting out a perfume that's in the shape of like
a body. It looks like a Grecian statue. We know vaguely there's something historical about that
and kind of like meaningful.
And there's, it's like an artifact. And so they lend those kind of layers of meaning to their own
products. But then getting back to the idea of the personal, the sex tape was like seed capital for
the family. Like it's as personal as it gets. And that is like seed capital is really where the
wealth began. Yeah, that's so true. So they've just been using that blueprint over and over again.
Yes. Yep. Exactly.
You know, you have such a fascinating background and skillset, but you might not be the most
conventional or expected path.
So I just wanted, you know, we have sort of jumped in because I have so much I want to talk about,
but let's just first explain what it is that you do for my listeners just because I want them to
like understand. Yeah, totally. So I'm a psychotherapist, but I was always a writer
as well. So basically, let me back up. I went to Columbia University for nonfiction writing first.
And I was like, I'll write this book I want to write and it'll be fine. And it just didn't
happen. I had brutal workshops. It was not going well. It was a story that was way too close to me.
I wasn't ready to write it. And so then I was like, what do I do? And I always knew that I wanted to be
a psychotherapist. I just figured it would be a midlife career shift from being a writer.
But I thought, you know what? I don't really have a plan for myself as a writer. I'll go back to
school and become a therapist. So I stayed at Columbia and I got my degree in counseling
psychology, also from Columbia University. But while I was doing that, I did need an outlet.
So in 2018, a friend put on Keeping Up with the Kardashians. I was very late to the show. I was
one of those people that did think reality TV was junk food. Like I wasn't interested in it.
And I was so struck by the show and how uncanny it made me feel. Like I felt this uncanny valley
feeling. What do you mean by that? It's the feeling that people get when they see a robot
that's too human-like. And so it's like the collapse of something really like fake and
artificial technology and then what feels real and human. And it's like this weird feeling. And
Keeping Up with the Kardashians gave me an uncanny valley feeling. So I called my sister,
who was a media studies major at Smith. And I said, this show is weird. Like,
it's really, really staged. But then there's these really, really real moments where like
when Kim cries, it sometimes seems really real. And it just gave me this weird feeling. And my
sister said, yeah, you should be reading French theory. That's what the postmodernists write
about. And so I started to document my self-study of postmodern theory and media theory on Instagram.
I made memes and kind of was just like collapsing the Kardashians with this theory. And I really
found that the theory made the Kardashians easier for me to understand. But the Kardashians made the
Kardashians, historically, very difficult to understand theory easier to understand. So that
kind of blew up. And then suddenly my writing career picked up. And I was able to really like
explore these ideas through my work and maintain my practice. So you see the Kardashians as a way
of talking about society as a whole. And you write out that in your book. So will you tell
us a bit more about that philosophy? I really want to focus on the money side of it.
Okay, the money side. Well, what I always say is, because I get criticized a lot for doing
this work and for having the Kardashians as subjects. But I think that they are-
Which by the way, we do, like I said, we do the same thing. Like exactly what you're saying about
it made both sides easier to understand. Like using celebrity makes it easier to learn about
finance. Using finance makes it easier to learn about celebrity. Like it's, I think it's so
powerful. It is. It is. These things should not be inaccessible to us. And they are kind of
inaccessible unless there's a bridge. And that's the thing. I think the Kardashians are this
metaphor for America. I think that they are, I like to say, a prompt and a prism. So,
They can be a prompt to deep dive anything.
The Kardashians have done anything.
thing you can think of under the sun. They've done it. They've touched it in some way. So
Kim Kardashian dressing up as Marilyn Monroe, it can just be an excuse to learn more about
Marilyn Monroe. But it can also be a metaphor for the ways that original items like Kim wearing the
original dress become commodified and exploited through fast fashion. It can be a metaphor for
how America itself really functions business-wise. So I also say what I do is no different than
looking at WWE, the Disney franchise, the Las Vegas Strip, because it's all the same
economics, really. It is storytelling, turning information into commodity at a massive scale.
So that's kind of my take on the Kardashians. I love that.
Yeah. What do you think the Kardashian tells us about how society thinks about money?
Because they really put it on a pedestal. Even when you think about early Kylie,
specifically the King Kylie era, she almost flaunted her wealth.
She was a rapper. She was the youngest female billionaire in the history of the world.
And I think post the robbery, it became a lot less blingy, but it still is. I mean,
even Kendall, who's maybe the least ostentatious of them, is always wearing the row, which despite
not having logos is like thousands and thousands of dollars for a t-shirt.
Yes.
You know?
Yes. So I think the Kardashians are really selling us an American dream story.
Yeah, they are. I agree with that.
Yeah.
Kim makes a lot out of her Armenian immigrant sort of ancestry and family story.
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Speaking beyond celebrity, what do you think their role in the rise of influencer has been?
You know, did their show sort of carve out that path in certain ways? Because this is now
such a huge economy. Obviously,
I make money as an influencer and this didn't exist before them.
Yes, this is the new economy. So the Kardashians hit the scene in 2007 and it's still a reality
TV culture and product placement was a thing and talking about, you know, different making ads for
people in that kind of way was a thing. There was an episode of Keeping Up With The Kardashians
that shows the girls modeling bikinis for Girls Gone Wild for a new swimsuit line. And that's
kind of like early influencer-ing kind of.
You know, like they're making a storyline around this person that they're partnering with and his
product. But I would say the best example of the Kardashians as these original influencers is with
Kim's wedding to Chris Humphries, the Kim K fairy tale wedding. It was branded. There was a whole
big episode built around it to bring the public into this, you know, ritual process, which I
talk a lot about the theory and media theory around that in my book. That has its origins.
In the Kennedy funeral and royal family weddings. But what was different about it was that
everything for that wedding was basically donated, like the flowers, the dress.
And that wedding cost $10 million, $6 million out of pocket, but then $4 million
offset by promotional deals. And then they made $15 to $18 million from the TV and photo rights.
So that's crazy.
There were three custom Vera Wang gowns estimated at $25K each, a 10-tier wedding cake for $20K.
The invitations were $250K. She wore $2.5 million worth of diamonds. And the marriage lasted 72
days.
Yes. It all culminates to that. And the headlines around all of this, we talk a lot about famous for
being famous. But if you really break down the definition of it, it's actually notoriety in
response to even the shock of numbers.
Like that made headlines, the millions that went into this wedding. And then that made Kim more
famous. And so there was an investment in risk. Actually, they put money into that wedding. And
then it was subsidized by people that knew that there would be interest in the wedding later.
But also it was this other idea, again, of taking something that in our culture is intimate and
sacred and this family milestone and bastardizing it for profit. Because even when you watch that
episode, she clearly knows that she's not going to be able to do it. And so it's like,
before she walks down the aisle that she should not be marrying this guy.
Yes.
They're fighting. She doesn't like him. You know, Chris is like, yeah, you don't have to. But it's
like, of course she does have to, you know? And they don't care. It's all about getting that bag
ultimately.
Yeah, totally. The model of that wedding really was like, I would say, the birth of the influencer
economy in a way. Because it showed us how it could work. It showed us how these partnerships
can work and that life experiences can be subsidized in exchange for promotion.
I think it's clear that they've had a huge,
huge impact on the normalization of plastic surgery and culture too. I mean, they've all
talked about their surgeries or they haven't, but we see the before and afters and it's pretty
obvious. So, you know, how much do you think that they spend on their bodies each year? Like,
I always think about that. If I was a Kardashian, like, how often would I be at the surgeon? Like,
what sort of tweaks would I be getting? Like, what do you think about their relationship to
plastic surgery too?
That is such an interesting question because I actually find myself pondering it. The Kardashian
and what the discourse they instigate around plastic surgery is really huge for them and for
all of us. It's like this weird synergy they have with the public. Like, the public's curious.
They turn their bodies into spectacles. Literally on their bodies, they're telling stories around
sexuality and race and class. And like, we are watching and we are metabolizing it and then
talking about it. So that is what has only made them more and more significant. Like,
when I look at my content, the videos or analyses I do around plastic surgery, people are interested.
If it comes down to like sex, race, plastic surgery, like, those are the things that really
grab people. And the lips, you know, case study, the Kylie lip kind of thing. She did this thing
that a theorist named Edward Bernays, who I cite a lot in my book, talks about, which is sort of
like engineering consent. Like, there was all this mystique and mystique. Like, what was going on
with these lips? Like, she just went through puberty. Now suddenly she's got these big lips.
Where did they come from? How did it happen? What does it mean? And so our eyes,
our minds were on the lips and then she announces this lip kit. But then we're also learning that
there's been this advent of injectables. Now suddenly there's been new approval,
regulatory approval of injectables that can do this to your lips. So we simultaneously know
we can get lips like Kylie and feel surgically optimized. But really, it's like as easy as
getting them injected. It's cheaper than surgery. But then there's also the lip kit and we can buy
the lip kit from Kylie Jenner. So it's like this weird thing that that was like a really interesting
thing that led to Kylie's just boom and the world. But as far as how much money they personally are
sinking into their surgeries, it's like I bet Kylie could have free lips for the rest of her life if
she just says, you know, the rest of the person's name who did them. I mean, and Chris mentioned
Steve LaVey for her facelift who now you can't get on. I have a friend who got her neck done with him
when she was like a few 10 years ago when he was just starting and it was like, you know, not that
much. And now her neck is worth, you know, 10x that because of the Kris Jenner effect.
Yes. Yes. And so that's what's interesting to me. So the way I look at the Kardashians in this like
trajectory of scale, think about that. They're a little bit open about lips when they were
obviously the rest of them, the older adult sisters doing everything that they could do,
but they're transparent about lips. Now we're in this moment culturally where
more open conversations are happening about bigger and more intrusive interventions like facelifts,
like full facelift product placement is happening when she drops Steven Levine's name. So I'm of
course curious, like.
like, so did she pay for that surgery? That was like a really embedded, brilliant moment of
product placement. And yeah, everyone wants to work with him. And so I don't know. I think that
if they drop a name, they're probably getting it for free is my guess. So, you know, when we first
saw them, they didn't have the plastic surgery. They didn't have the good outfits. They didn't
have the glam. Yeah. And now they've officially crossed into the billionaire class. We see them
on Jeff Bezos's yacht and at the wedding and they have these billion dollar companies. And so it's
harder to play the relatable girl next door role that they started with. So how do you think that
they're pivoting their media strategy to sort of maintain their audience while also being so
disconnected from the average person's financial reality? I think we can kind of, again, it goes
back to like looking at this trajectory. I know I keep saying that. One thing I learned while
studying the Kardashians and their kind of like narrative production,
patterns is that they will kind of like theme their output to whatever's kind of really alive
in the culture at that time. And whether this is intentional, it's planned or it's a conversation
they're having with us that I can't speak on for sure. I would guess it's sort of like, again, like
they see what's working, so they do more of it. And so when they hit the scene, I found that there
was a theme. Most of season one of Keeping Up with the Kardashians is,
um, sex. It's girls gone wild, playboy shoot. Um, a lot of like, they hire an adult entertainer
to babysit the Jenner sisters and they realize that she's an adult entertainer and kick her out.
Like a lot of like sex industry stuff. And then in the 2010s, Kim is with, uh, Kanye and we're
kind of in the post Obama era, but then now Trump is coming in. Um, studies show that at that time,
identity politics really like blew up and, um, headlines with,
identity cues were getting more clicks. That's around the same time Kim was doing her cultural
appropriation kind of image production and wearing braids and really stimulating discourse around
that. And then if you look at the 2020s, at that time, class consciousness was really booming.
People were really angry. People were inside, people were frustrated with the economy.
And that's when the Kardashians did a lot of, um, conspicuous consumption.
And so it was just, they kind of theme it to what we're engaging with. Um, and so now they're part
of the billionaire class. I don't know that they are even trying to connect to us the way they did
back in 2007. Um, I think their understanding is that media is really like even more fractured and
their job is to dole out, um, little like nuggets that we can kind of take and then have discourse
about. Like we're in an interactive media landscape where our job is to react and like do a take and
then put that out there. So if they can like kind of like create a ripple effect online for all of
us to participate in, that was bad.
That works for them and up there at upholds it because they're, they're in their skims is doing
its thing. It's, it's, it's doing quite well. It's working. I guess actually the Paris robbery,
we can use this example. When I was at the Paris robbery, I was flown there to talk on a
documentary about what happened to Kim. So I got to be in the courtroom when she testified against
the men that robbed her. It was a very planned media event. Uh, she comes in dripping in diamonds
as we know is a amazing photo op. She did a great job at the courtroom inside the courtroom. She
kept saying like, I'm here.
I want to be a lawyer. And this feels like a way to kind of actualize that she, she did a really
good job and testified for like four hours. So inside the courtroom, she's kind of speaking to
this, trying to manifest this like idea of herself as this courtroom lawyerly woman outside the
courtroom. That was the day that the all's fair, uh, trailer dropped that TV show where she plays
a lawyer and a Ryan Murphy show. So there was a lot of like classic Kardashian narrative layering,
like about this idea of Kim as a lawyer.
You would think, and maybe back in 2016, 10 years ago, that would have worked. It would have been
like, Whoa, Kim went into the courtroom, dripping in diamonds. Like she did that. And it would be
more shocking or certainly in the sixties, it would have been a life magazine cover that photo
op of her waving, wearing the diamonds, what everyone was talking about that week. I mean,
it made a few headlines and people were like, wow, she did that the diamonds, but really it was
Kris Jenner's facelift. She debuted her new face around that time. And that was working. That was
the discourse. People were making videos about it. And it was like, wow, she did that the diamonds,
videos. They were analyzing it. They were curious, which surgeon did it at that point? No one knew.
Um, they were offended that a woman of her age could look like that. I will say seeing it in
person. It was like a really quite a spectacle, but like that worked, we seized that. So I would
guess they're okay with that. They put a lot of work into the diamond thing and the imagery and
they needed to do it, but okay. Well, Kris Jenner's face went viral. Like that's fine. They just need
to be alive on the algorithms one way or another. And they know how to kind of like throw us things
like that. Like with every other step in their media journey, there was a step after it. But to
me, once you reach the billionaire class, that's sort of it. You can't come back from that. So what
do you think is next? Like, how do you reinvent from that? It would be interesting if they kind
of did some sort of like makeover to a more like overt altruism, which they did when they were on
the up and up, they were like, um, you know, talking about being, you know, super devout
Christians and the idea of like donating their, their money. And, but they were just like,
donating their money to their church, but, but they were kind of doing that now. Not so much.
Um, they have made it in the way they, they, they always wanted to. I think what I write in my book
and I really came to realize this while I was doing my book research, it's very likely they're
going to create an archive, like a living archive, like, like out in California, the Getty Villa,
the Hearst Castle, these like, um, physical spaces where, um, important rich people lived
that can hold their art or the things they, they collected through their work.
With Kris Jenner, she's obviously the architect of this empire. What happens do you think to the
financial viability and like structural integrity of the Kardashian machine when she eventually
retires or steps down? Like who becomes the CEO? Surely they're going to narrativize the kind of
succession process eventually when it gets closer. Like I, I'm sure there's plans behind the scenes
that we aren't aware of yet, but eventually that will become a storyline. Um, everyone thinks Kim's
is the, has the most visible, like consolidation of power, um, in the world. But some people I've
just like chatted with, like anecdotally have been like, I could see it being Khloe. Khloe's really
close to Kris. They've done like a lot of like storyline building around like a sort of big
Edie, little Edie thing with the two of them, like in the compound. I could see it being Khloe too.
Yeah. She's dynamic. Like she's, yeah, I could see it. We'll see though. I like that. Yeah.
In regards to the Paris robbery, how do you think that sort of shaped how they present in a rich way
in the world? I think it's a good question. I think it's a good
Yeah. They, they tamped it down for a while. And what I found interesting, especially hearing Kim
testify about it. Um, and that was a very well-written testimony. My whole argument is
that the Kardashians are some of the best storytellers of our time. Um, she told the
story of, I used to feel very free. I did enjoy nice things. And after this experience, I stopped
going out. I was afraid of going out at night and I had to hide all my nice things and I needed to
take bodyguards with me everywhere. And to this day, I'm never, you know, people enter, come to
my home and they've got to go through a T-shirt. And I'm like, I'm not going to go through a T-shirt.
Like process. And I, they, they did, um, pull back a little bit. And I think what struck me is
like, at that time, people were still trying to feel power over the Kardashians by saying that
they weren't that relevant or they weren't that big. And I don't think you can, um, claim that
when someone would be, was a target at that level, like it's quite, quite queenly to have to have
guards at your door. And that's where Kim landed in the culture. So it was kind of like her
rival, um, where people had to kind of accept like, okay, Kim Kardashian is a world icon.
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what i think about a lot too is like they are so good at getting us to buy things in their image
you know like if kendall started a fast fashion minimal fashion line where it's just like a black
t-shirt and like capris and like a mule i would buy it because it's like i want to look i'll never
look like kendall like it's like she's got a lot that i never will have but it's like you want to
get as close to that as possible we buy things to be closer to their image um and so what do you
think about that with skims because it's like sort of the most what we want the most is their
body and it started with this idea of shapewear that's going to give you their curves so like
one thing i talk a lot about in my book is this marshall mcluhan who's a media theorist this idea
of the medium is the message so his whole thing is like you don't want to just pay attention to
what's on tv you want to pay attention to the tv to the screen to the technology itself that's
delivering you your your your soap opera whatever and so i argue that
the kardashians the medium is the message because we're very focused on like that wedding was
really crazy and expensive or chris jenner got plastic surgery done but we need to really pay
attention to the fact that what we're obsessed with is their bodies so their bodies are the
mediums and so for one of the most successful kardashian products to be a brand that compresses
the body and shapes the body in whatever way you want it to be shaped it's so true to the
fundamental kardashian message in essence yeah i think kim's butt i argue is like her
mickey mouse ears or her coke bottle like we know her by her butt that is her logo and so
it just makes sense like skims um sells that that that dream to people but you know i think that
we're going to see as influencers become even more successful they're gonna have to be even
more billion dollar brands like i alex earls will be a billionaire yeah you know so i think there's
going to be a lot more companies going public basically that are based on one person yeah
because that's how consumer culture is moving and skims is an
example of that although obviously now they have like so many different people in the ad campaigns
and stuff it's like at the core it's kim so i'm just wondering if the kardashian brand does
become sort of beholden to shareholders and a board of directors and like when you are a public
company you have to release your financials how do you think that restricts or sort of changes the
way they operate in the media well it's so funny you asked that because i had a conversation with
a journalist it was actually overall pretty unpleasant conversation so i haven't posted about
it um but someone i was talking to once
said i don't think skims will ever go public because kim would want that ownership um and i
thought oh my god i i've been so certain that they're gonna go public because kim keeps comparing
her you know skims to like nike and apple but i think that's correct i don't think they'll go
public for that reason but also right now company is ipo because they need cash flow and i think
that skims is so cash flow positive that they don't need it yeah that could be that makes sense
it's another example of them being totally fine making money in the most nefarious ways
they got voted like a rating of zero for transparency they don't care yeah by some
some like um watchdog um they don't care but i i think um and actually we don't even associate
them with a charity like it's like when you think about other celebrities or rich people you can
easily trace back what their impact is i guess kim it is the prison stuff but that's not like
giving money as much as she's just giving her impact it's a storyline and it's an
archetype and it's yes totally for sure and actually to your point though about how that's
such an interesting tension like the influencer economy has scaled in a way where some a corporation
can be a person no it will be i'm saying like you're gonna see it with alex i also read that
the kardashians have hundreds of trademarks what do you think that tells us about their wealth
building and like how they sort of plot for future earnings and where do you see their empires going
love that question so one thing i came across because my book looks at the history of american
media and i look at the history of american media and i look at the history of american media
different american icons that kim has referenced so that includes oj it includes um marilyn monroe
i love lucy just a lot of them if most american icons have been trademarked in some way and the
smartest ones that had the capacity to trademark for themselves so this is quite cynical but during
the oj trial oj put a trademark out on his name on tons of products during the trial that's crazy
yeah yeah
yeah yeah and so a lot of these like big reference point for the kardashians have stories around
trademarking and trademarking at the right time and the right things the kardashian chris jenner i
just remembered this today preparing for our conversation chris jenner trademarked momager in
2015 um the fact that they have trademarked so much planning for the future tells us that part
of their strategy is flexibility knowing that opportunities may come up uh later that are not
available now but they need to be ready for and that
tells us something about their playbook i think yeah yeah so how do you think about that in terms
of like no women couldn't get credit cards till 1974 we couldn't have our own businesses till the
80s like and now at the you know forefront of american culture are these women business like
yeah people no for sure um that is like the quandary i think they pose to us when people
are like i don't like how they make me feel i don't like the kardashians people feel like it's
really like
the moral high ground to hate the kardashians but then there's some people that are like
yeah i feel that way but they are really good business women or but it is kind of cool like
we've never we've never seen a collective of women in the 21st century accumulate this much
power no it's it's just it's it's something we have to acknowledge and also you have to
acknowledge that people might have more money than them but when you look at billionaires
they want to buy media they want to buy newspapers they try so hard to control their narratives
even if you think about jeff bezos with the met gala because what is more powerful than money
is having a platform and having people listen to you oh yeah and the kardashians have both so in a
way they're like bigger than like a you know a sam altman or somebody who has so much money but
the media hates them yeah you know they're shaping they have the power to control legacy
to some extent more power than someone that's not doing that kind of thinking and narrativizing
and i argue that the bezos's are looking at the kardashian playbook
for this kind of image oh she's trying yeah lauren's trying but it's just so unsuccessful
yeah yeah but but i don't know if it would ever be successful but it shows the value of that
playbook that people are these huge billionaires the elite are referring to basically what it means
to be an influencer and how to do it successfully to like shape images on top of their tech on top
of their wealth and so yeah i think the woman factor i always say the kardashians are not
going to lead women to true liberation and you know a radical way but they are the ultimate
definition of what women empowerment means empowerment is different than liberation
but they are very empowered and i think there are some people that find them to be empowering and i
get that i do get that speaking about the next generation i'm like very put off by northwest
she's obviously making a ton of money i talk a lot about custodial roth iras and how you could
put your children on payroll and uh then you're able to open what's basically a roth ira for them
and if you put that right now it is a 2020
26 the limit is 7500 a year they've earned income you can put that into that account
and if you let it grow from 0 to 18 and then you never touch it again after 18 by the time they're
60 it'll be like you know tens of billions of tax-free dollars wow tax-free you really are
making the public aware of important information but you know they're so interesting because it's
like their kids could basically have been on the payroll from the beginning like northwest like
their the births are
filmed so it's like you know jay-z and beyonce had blue eye he had blue ivy cry on a song at two days
old she could be paid for that and have a custodial roth ira yeah so i guess i'm wondering what you
what do you think the next generation of kardashians will hold um what do you think of
them and like how do you think that that will shape the culture because it's like
is the interest in the kids from the people who are already interested in the kardashians or are
they getting new fans through the kids like dude you know if you're a gen alpha are you
like northwest is cool or are you like that girl's cooked and like i want to you know there's something
else that i care about and do i only care about her because she's kim's daughter i mean i think
it's always been a human interest to see how the kids of cultural icons turn out and what's going
on with them because if you look at the kennedys like my grandparents looked up to the kennedys
i write about this in my book as well my mom was interested in jfk jr and um carolyn yeah like that
was like a you know a boomer thing and so i think that that intergenerational kind of like play
works on people but especially now i do think because as a culture there's so much anxiety
about money we are looking at the nepo babies in a different way like i think that like i've just
noticed it that people are just very aware of no it's very disparaging to nepo babies but in the
same way there's an obsession with generational wealth yes so it's like from a financial
literacy side everyone wants to know how to set their kids up but then also if they find out that
if you have generational wealth they immediately write you off yeah yeah yeah and it's like i think
there's a thing of like is this a good nepo baby or a bad one and like what's their level of talent
and so that discourse you let your kid do that like northwest with her piercings and like what
do you make of that yeah yeah no so how she's playing with her image i think they are able to
provide that fodder because we have that pre-existing interest and that predisposition um i was surprised
to see that north seemed unprepared for an interview with a streamer that she did at some point i'm very
happy to talk about the kids but i do think um the kids are going to be keeping
again that kind of network approach to media that the family has always had they can keep it alive
in terms of doing short form videos and doing the tiktok dances and streaming like the kids can do
that but i don't think anyone's going to be central to culture the way the kardashians were
at the peak of the instagram era just because the algorithms have evolved um and so i don't know
that they're going to get new fans i think that it's more that they're going to be accepted as
a dynasty they're grandfathered in yep yeah but it's not you're right that it's like they're part
of history but it's not like they're doing anything it's so remarkable someone might do
something weird there might be like a thing that happens someone might marry someone like something
i think we're gonna see some rehab there could be i mean i think that's that's like what people are
intrigued by so there's things like that i think that that just the bigger the family the more
possibility there is for multiple storylines so we talked a lot about the kardashian brand let's
talk a little bit about yours before we wrap up a lot of tiktok is you know about reactions or low
level analysis
you go really deep so how did you decide that that was your brand and how do you make money
off of this platform because i know you say you don't monetize your videos but you know you got
this book deal and how do you supplement your private practice yeah um so i do like to go deep
which is what makes this short form video pretty exhausting i really don't enjoy it i i'm grateful
to tiktok i'm grateful to my audience for no it's so hard yeah they also people don't understand how
hard it is oh my god
to
get it into a minute which is all that you want to watch but like to actually like have a hook
and then make it really simple like it is so hard yes and then you do such a great job of it oh thank
you i work hard and i will do what i have to do for the sake of my work and so i will do it but
i'm not actually like that comfortable in front of cameras i'm not comfortable with a social media
game but i will do what has to be done because i'm a writer and i want to do it for my writing and
that's how it works now um and so i never monetize my videos um i don't make
hardly anything from substack um but there's like you know i have a paid subscription thing
for substack how much do you make um i make like 3 000 a year on substack i used to make a more like
10 but then i stopped posting regularly so you got to post regularly and you know respect your
audience um and really the money i've made from this entire project was the book deal and the book
um or the writing opportunities i've gotten from it and there's some publications that pay very
well there's some that don't pay well at all and i've worked with a few you know a range of them
and this really has been more of like a symbolic step towards getting where i want to be as a
writer and having um opportunities and freedom to write more about what i want to write about so i
really enjoyed um applying the philosophy to the kardashians i'm passionate about post-modern
theory and french theory and media theory um and i had a very generous advance i had a very
a unique advance for a first-time author and i'm very lucky i don't want to say six figures yeah
my book my i'm proud of this flex my book went to auction so most of the big how many how many uh
houses were four four yeah and now with the ip from the book is there other opportunity to like
sell it for like a team like what are you know yeah those conversations are happening so we'll
see i mean i think tv is like unpredictable film and tv it's a whole different um animal but those
conversations are happening and i have ideas for my next book and it's gonna be you know hopefully
scratching a similar itch that my work has been scratching for people but beyond the
well for our final question mj what do you think people most frequently misunderstand about the
kardashians probably that they are a metaphor for america and that they're um like highly
valuable for understanding how our country works love it yeah well thank you so much thank you for
having me oh wait i have one more question what do you think about her alliance with trump
um unsurprising she and trump follow a similar playbook yeah okay great that'll be when we have
great we'll end on that okay sippers that is a wrap on our deep dive with mj cory huge thanks to mj
who yes has the same name as the kardashian grandma who just died r.i.p for coming on
financial tea and just shifting how we look at pop culture and attention and wealth and
making something like the kardashians feel so elevated i really appreciate it i feel like i
learned so much from her and as she deconstructed so brilliantly today
analyzing the kardashians is not superficial it's actually a master class in modern economics and
when you think about it they use cable tv as the ultimate top of funnel marketing tool and then
have pulled off this amazing pivot by stopping their spawn con deals and basically taking control
of their own cultural power and building these billion dollar juggernauts that they own like
skims and kylie cosmetics and when you actually look at the numbers behind this empire the scale
is insane like kylie jenner proved the model of the kardashian empire and she's the one who's
been on top of the kardashian empire for a long time and she's been on top of the kardashian empire
for a long time and she's the one who's been on top of the kardashian empire and she's the one who's
been on top of the kardashian empire and she's the one who's been on top of the kardashian empire
at 1.2 billion then kim basically took that into the stratosphere when she turned skims into this
retail powerhouse that just hit a 5 billion dollar valuation and in her jump into high finance with
her private equity firm sky partners kim alone is now sitting on an estimated net worth approaching
2 billion so love them or hate them the kardashians have definitely transitioned from
influencers to investors and they are moving markets and they are moving markets and they are
moving markets and so we got to talk about them thank you so much for tuning in don't forget to
rate and subscribe and review it really helps the show and email us at money and mrs now jones if
you have any questions or you have ideas or we want to hear from you stay rich
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Podcast Summary
Key Points:
Factor meals offer chef-crafted, dietitian-designed, ready-to-eat meals that require no prep, helping users eat healthy without sacrificing convenience.
97% of users report that Factor meals contribute to a healthier lifestyle, making them a reliable tool for daily wellness.
Monarch is an AI-powered financial tool that provides full spending visibility, goal setting, and budget planning, acting like a personal financial advisor.
The Kardashian family’s financial strategy, including a church for tax advantages and reinvestment of 10% of income, exemplifies a self-sustaining wealth model.
The legal case of Che Tae Won and Ro So Young highlights the recognition of unpaid care work as economically valuable, with a court awarding $644 million to Ro.
The Kardashians pioneered influencer marketing by commodifying personal milestones, using nostalgia and intimate stories to generate revenue.
The rise of influencer economies and IPOs shows a shift from business fundamentals to storytelling, where hype can overshadow actual performance.
The Kardashians symbolize a broader media and financial narrative, where personal image, body aesthetics, and family drama serve as tools for wealth and influence.
Summary:
The transcript explores how personal finance, celebrity culture, and consumer trends intersect through real-life examples and expert analysis. Factor meals are highlighted as a convenient, healthy solution for busy lifestyles, with strong user confidence in their health benefits. Monarch is introduced as an AI-powered financial tool that offers transparency and goal-setting, helping users manage money with ease.
A key financial insight comes from the legal case of Che Tae Won and Ro So Young, where unpaid domestic labor was recognized as economically valuable, signaling a shift in how society values care work. The Kardashians are examined as pioneers of the influencer economy, leveraging personal stories, body image, and family milestones to build wealth and visibility. Their use of branding, trademarking, and media narratives illustrates a strategic approach to long-term financial success.
The episode also critiques the rise of IPOs and influencer-driven investments, warning that emotional appeal can overshadow financial fundamentals. Ultimately, the discussion reveals that celebrity culture reflects broader societal values—such as the commodification of nostalgia, the power of image, and the growing recognition of unpaid labor—while offering practical lessons on financial literacy, self-empowerment, and the importance of balancing vision with reality.
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You can ask Monarch AI questions like whether you can afford a vacation or if your spending has increased due to inflation. It helps uncover hidden patterns and provides insights you might not have noticed before.
A major court ruling recognized that unpaid domestic and childcare labor contributes to a company’s value. This decision acknowledges that such work—like raising children—creates real economic value and can be compensated.
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