Call These Times What They Are: Janky with Hasan Minhaj
1h 14m 41s
Hasan Minhaj reflects on his journey from a talkative high school student in Davis, California, to becoming a two-time Peabody Award-winning comedian. His comedic awakening came from Chris Rock’s raw, honest stand-up, which mirrored his own desire to speak truthfully about identity, culture, and personal experience. Drawing from early public speaking experiences and his background as an immigrant child, Minhaj found a unique voice in comedy that bridges American and Indian cultures, such as through his upcoming film on collegiate Bollywood dance. He critiques the U.S. for evolving from a merit-based society to one that privileges white, mainstream success—calling it "white valedictorian energy"—and highlights how immigrant communities face systemic exclusion. Minhaj emphasizes the importance of open, honest conversations with children about race, identity, and potential bias, arguing that early awareness builds resilience. His personal story underscores comedy not as mere entertainment, but as a form of self-discovery, truth-telling, and cultural bridge-building. He believes the country is currently in a “janky” phase of growth, marked by instability and disarray, but one that holds the potential for deeper maturity and inclusion through vulnerability and shared experience.
When we talk about how do you feel about the country?
You know, there are versions of the country that happen.
Yeah.
Right.
And the new version doesn't make the old one bad.
It's necessary for growth.
And I think we're in just a janky version.
Right.
Yeah, janky's right.
It's a janky version right now.
May I curse, Mrs. Obama?
You may.
Yeah, shit is jank right now.
Yeah, shit is.
It's super jank.
Yes.
Your dad's not going to be happy with that.
He's not going to be happy with that.
This episode is brought to you by Shift.
What's going on with you these days?
Not much.
I'm enjoying life, making it through the winter.
Yeah, the winter is a slog.
How's the basketball season going for the Highlanders?
For the Highlanders, yes.
We have some challenges.
But we're doing all right.
We're doing all right.
How are you doing?
I'm good.
I am doing good, but for the world.
You know, it's like when you have your health and your family is good and friends are good,
then there's not that much to complain about.
Yeah, yeah.
Where are you staying this visit?
I'm staying in an Airbnb, of course.
Once again.
But this, you know, this has been a really fun trip because everybody's here.
Yeah, this has been a fun trip.
My whole family's here.
Even Kelly.
All four kids.
And Kelly, which she never comes hardly.
Yeah, yeah.
Well, it is her birthday weekend.
It is her birthday weekend.
So we have, we're staying in an Airbnb that just happens to be one of my favorite actors' former homes.
Oh, really?
Who's?
Orson Welles.
Oh, my goodness.
What's that house like?
Is it some big mansion?
Is it spooky?
It isn't.
It isn't.
And Orson Welles.
Um, movie posters are all over the place.
Books he read.
He has, he has the Encyclopedia Britannica still there.
Oh, I remember that.
Remember those?
Yeah.
Yeah.
And it's got a pool table.
So the kids were having a blast.
We had dinner together.
It's, it was a lot of fun.
That sounds good.
A lot of fun.
That sounds good.
So they all gave the Airbnb a thumbs up.
They gave it a thumbs up.
And, uh, the kids still don't know who Orson Welles is, though.
Well, yeah, it's.
They don't, they don't like movies in black and white.
But there was, there was a Citizen Kane poster.
Uh-huh.
I mean, it was, it was, it made, I feel warm there.
So I'm, it's going to be a good week.
That's good.
That's good.
Well, it's going to be a good episode.
It sure is.
Because we have a funny man.
Yes.
And I love a funny man.
Yes, you do.
So he better be funny.
All right.
But why don't you introduce our guest?
Geez, put the pressure on him.
No pressure.
You better come in funny.
No, we, our guest today is Hasan Minhaj.
And he's a two-time Peabody Award winning comedian.
Sounds like he could be funny.
Yeah, yeah.
If you win twice, two-time Peabody.
In a Peabody.
I mean, that's just not any.
All right, this is going to be good.
Yeah.
But he's best known for his Netflix special, Homecoming King, which I saw.
I saw that too.
Which is very funny.
He was funny then, so I hope he's funny today.
In addition to Homecoming King, you got The King's Jester.
And most recently, Off With His Head in 2024.
He created and hosted the Emmy Award winning political satire Patriot Act with Hasan Minhaj
and currently hosts the podcast and digital series Hasan Minhaj Doesn't Know.
Yeah, Doesn't He Know.
We'll find out what he doesn't know.
But I'm really excited to talk to him because I found out in the research that he was into
basketball, but I didn't realize how much he was into basketball.
So you may have to sort of lay back.
This may not be funny.
You may have to lay back for a minute.
Well, let's get him out here.
Without any further ado.
Hasan, enter.
Come join us.
How are you?
Good to see you.
Good to see you.
I like the jacket.
Oh, thank you.
Look at you.
No pressure at all.
No pressure.
Okay.
These are new chairs.
Make me laugh.
No.
Absolutely, Mrs. Obama.
I would love to make you laugh.
Now, Craig already told you that you could not spend the whole time calling me Mrs. Obama,
but you explained that if you don't.
My mother and father will be very upset.
They've met you before, by the way.
We're at one of the.
Andrews Air Force Base.
Oh, wait.
You and Mr. Obama hosted a big.
A big day at Andrews Air Force Base.
You and your husband.
I don't know if you've heard of him.
He was the president of the United States for a little bit.
About eight years.
But you hosted an event at the Andrews Air Force Base.
We did.
Where you invited a bunch of comedians.
We did.
Yes.
Oh, my God.
Yes.
David Letterman.
Yes.
They're way more famous than me.
David Letterman.
Because you're like, I don't remember this.
Let me.
But now.
No, no, no.
Let me get to their IMDB credits.
The guy named David Letterman.
John Mulaney.
Yeah, yeah.
How many comedians?
I'm going to keep listening.
John Stewart.
Much more famous than me.
Michael Biglia.
He's about where I'm at.
And yeah, we did.
We performed for the troops there at Andrews Air Force Base.
Oh, neat.
Yeah.
And so I brought my parents.
My mother works at the VA.
So she's worked at the VA for a very long time.
And then they got to.
That's why.
See, that's what I was getting at.
It was like, they must be in connection with veterans or veterans of some sort.
That's what I.
Yes.
That's what I thought.
But I'm old.
I'm also like, I will unapologetically do a plus two.
They don't have.
They don't have to be connected.
But this is like when, with the presidency, you just didn't get a plus two.
It wasn't.
You couldn't just like.
Really?
No, no.
I mean, there's all the security and the vetting and all that.
So that's, your parents probably were invited because of their status.
Big shots.
Maybe.
I mean, I mean, Ms. Obama, I mean, I can give you all the tricks.
I'm sure you're aware.
But if you just reply.
To the thread early enough.
Then everybody comes.
Yeah.
Yeah.
Right.
Okay.
As long as you say.
So that place wasn't as secure as I thought.
No.
No.
I mean, my dad was backstage in the green room and he was just walking up to everybody.
Right.
He walked up to David Letterman.
It was pretty awesome.
What do you say?
So all the comedians, obviously David Letterman, legend.
But what's great is my, for my dad, immigrated to the United States in 1982.
Yeah.
Organic chemist for 35 years for the state of California.
So.
He kind of treated the backstage the same way he would treat like Costco on a weekend.
Are those, are those khakis?
So he's like, is that David Letterman?
And so all the comedians, me, Mulaney, or Biglia, we're treating him like.
He's.
Yeah.
He's on the Mount Rushmore of comedy.
And my dad's like, he's interviewed a lot of people.
So my dad goes up to him and he's like, hey, who's the, who's, who's the favorite president
you've ever interviewed?
He's like, did you interview Richard Nixon?
Oh, yeah.
So Najmi got right to it.
And I really thought where my dad, you know, obviously where he placed the joke, where
he placed the bit, I thought it was quite brilliant to just get right to it.
Because you've gotten this of like, who have you met before that you, but my dad was like
Richard Nixon.
What's his deal?
So what did Dave say?
And Dave was like, you know, nobody's really asked me about Nixon.
And so they, they're just having this long conversation about Nixon and Watergate.
And it was really awesome.
And then all these comedians that I really admire were like, who, who's that?
Yeah.
Who's this Indian man talking to this old dude who looks like Abraham Lincoln?
I was like, well, that's Najmi Minhaj talking to David Letterman.
So is he a comedian?
My dad?
I know he's an engineer.
He's an organic chemist.
But he thinks he's a comedian.
Yeah.
But, but also like, if you meet comedians, they'll tell you they're not even the funniest
person in their family.
No, that's right.
I'm not the funniest person.
Like it's, I'm probably the least funny person in my family.
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depends upon program selection. So when did you know you wanted to go into comedy and how did
your parents feel about it? I mean, I know you've talked about this a bit, but, you know, your
father's an engineer. My father's an organic chemist. An organic chemist, which is even more
smart guy stuff. Totally. And then my mother is a physician. I didn't even know it was a thing,
to be quite honest. I didn't know it was an industry that paid money, that you can make
a living from it. Also, I grew up in Davis, California. You know, not to brag, it's the
closest city over Sacramento. Again, not trying to city drop and not trying to be elitist. We have
two malls. There's a lot. There's a lot happening there. UC Davis. My former alma mater. So showbiz
and Hollywood felt a million miles away.
Um, to be honest, my first love was basketball. I really, that was on like my vision board. I
really wanted to play varsity basketball. Did you think you could go pro?
Uh, when you're, when you're in second or third grade, when you're doing the book report,
I'm doing a book report. Yeah. Did you wear, have the, you know, walk around with a ball and
wristbands? I did have the wristbands and I would, yeah, I would beg mom like every year.
Did you play in high school? I played in high school. I played, well, I played freshman in
JV. I didn't make varsity. That's okay. I don't want to be dishonest. That's all right.
Yeah. But I did try. Yeah. He was about to be, and then he thought who he's talking to and he's
like, he could probably check. No, but everything, what's really cool about it is comedians tend to
be very heady people, but if you, there's something really beautiful in having a sport or an activity
that articulates what you do in real life. So you can get in your head about a lot of stuff. That's
the difficulty. Yeah.
The modernity and the difficulty of adulthood I found. You can spend all this time worrying,
not worrying, but what's really great I found with basketball is, and then later in comedy,
you learn a lot about yourself. So you learn about how tall you are, how strong you are,
how to position yourself in relation to someone else. Like I sized you up as soon as you walked
in and I was like, okay, he's much taller than me, but like, I can, I could probably get underneath
there. Is that how you size people up? I could slip in. It's, it's basically,
what you can get away with on the court. Yeah. So how do you size me up? I'm not,
I don't play. Do you size me up in the same way? Did you think I could like get around her?
Well, see, I did try to go to WNBA player once and she did swap the S-H-I-T out of me.
So this is on Getty Images. I was, yeah. Yeah. I went, I went at Asia Wilson.
Okay. Oh, yes. Yeah. She sent my stuff into the sidelines.
Yeah. All you have to, to beat my sister, all you have to do is be sweaty and then,
and bump into her. You know, that's the thing. I'm tall, but the thing, and we went to the All-Star
game and the biggest thing that I saw was like, they're all, there's so much pushing.
There's a lot of pushing. I mean, it's just like, it's just, that big guy just pushed that other
big guy. I would be done. It's like, once I got pushed in the back once and didn't know about it,
I'd be like, I'm going. Can I say something where, where I really felt like Kismet and
Destiny was on your side, Mrs. Obama? So if you keep saying Mrs. Obama, we're going to be here.
All night. Can you give me an alt? In comedy, we call it an alt. Give me an alt. I, I, I cannot
call her Michelle. You can call her Michelle. You can call her Mish. You can call her M-O.
That's my nickname. Mish. Mo, that's what, they call me Mo. They call me Mo.
Mighty Mo. So, so when you were at the game, there was a possession where the ball
came into the stance. Oh, yes. And your husband. Yes. I mean, this was out of a romantic comedy.
It was, it was good. Straight up. Because all I saw was ball and big guy. Yeah. Coming my
way. Yeah. And I'm, I, you know, I'm coordinated, but I was like, I, I, I'm just dumbfounded.
Right. But how many, you've, how many of these highlight reels have you seen where like a
basketball player goes diving into the crowd, jumps on our first lady? Yeah. Like that could
have happened. She could have had popcorn. She could have been drinking a soda. There's,
there's a million different ways this could have gone horribly. And then for him to just be like,
oh, oh, here you go. My, my honey. Yeah. And then Devin Booker comes in for a, it's just like.
Poetic. It's poetic. Yeah. Yes. So the, the Plinko ball of possibilities always seem to just align
with like the most charismatic romantic possibility. Cause I, I've go to Nick games and dudes have
fallen on me. I've like tried to catch them. I missed the ball. So anyway, I was just, I was
quite envious of them. We digress. Um, but, but what I love about what I loved about really loving
it as a kid is you also learn how to win graciously and lose graciously. Yeah. You
also understand that losing is a part of it. Um, and as I pursued a career in show business to
understanding that failure is just a part of it. Yeah. But, but the other part of it is also
understanding that, and this is where I couldn't get to the varsity level coach. And I'm going to
call you coach now because you've coached in the elite level is what really got to me is during
summer league, during AAU, I would miss a shot or two and then I would start to get in my head and
I wouldn't be focused. Oh yeah.
On the next possession. Yeah. Yeah. And so much of life is, is just being like, Hey, whatever
happened, right. That's over. You literally have the ball right now and you have to figure out you,
you simultaneously have to be present, but also kind of anticipate what could happen in the future
and make this possession count. And I didn't realize that how useful that was in comedy,
which is if you, if you do multiple sets a night, most comedians working in New York city will do
three, four or five sets a night. Yeah. If you had a bad early show,
let it go. Now you have to read where the room is at right now. That's your next possession
and, and adjust accordingly. And the best comedians are able to just let that previous
show go and be completely in the moment and then also be able to bomb graciously. Like,
all right, I missed that free throw. I had a bad set. Like it happens.
What was your first bomb? Do you, I know you remember it, you know,
and what did it feel like? And you know, what, you know, did, did you just go blank?
Was that the kind of thing where you just forget what you're saying?
He was trying to forget it. No, no, no. You feel, you feel it. No, no, no. When you bomb,
you feel it. It stays. It's a scar. It's also because people are staring at you.
Yeah. Yes. Yes. They let you know. Yeah. Right. You know how there's that old saying where,
where everyone's like, nobody's thinking about you that much when you're bombing.
Everybody's thinking about you. And then they go home and they talk about it.
He was really bad. It was awful. You know, they leave you. It's, it's, it gets worse.
Yeah. You know how when they say it, it happens.
It actually gets worse. Um, so I do remember it was at an Irish pub. It was, it was,
it actually was really humbling because my first few shows were amazing. Like in that feeling was
really incredible. And that, that feeling of finding your thing is something that I was
chasing my entire life. And my first few shows went really, really great. And then I think it
was my third or fourth show. Um, it was at an Irish pub and I had to follow somebody and then people
were leaving.
So when you do some of these pub shows, people are watching again, there's, there's a lot of
other variables out of your control and you have to learn how to not.
not only have your set,
but you have to corral the room
to pay attention to where you are.
And it went very poorly.
And yeah, an older comedian told me,
just get on stage,
book another show as quickly as you possibly can.
Get back on the horse.
Yeah, just get back on.
That way you can make that a memory ASAP.
How old were you when you started?
I was 18, yeah.
You were 18.
Yeah, I was just in college.
I didn't know, again,
it was through just complete happenstance.
Funny enough, I got into it
through my computer's teacher.
So I was a bit, I was quite a chattermouth.
I was a bit of a nuisance in class.
High school.
High school.
Okay.
So my computer's teacher.
I can't see that.
I can't picture that.
My computer's teacher,
and this is dating me a little bit.
I don't know if you guys remember.
Because it's called a computer's teacher.
It's called computer's teacher, yeah.
Web professor is telling me.
But I would always have this like,
I would be,
very talkative and very loud in the back of class.
And I couldn't pay attention.
Okay.
I'd have nine different ideas going at once.
And so Ms. Takeuchi had to give me,
at times, detention.
And it started adding up.
And Ms. Takeuchi is a Japanese woman.
So she knows Indian culture very well.
And she goes,
you know, if I keep giving you detention,
I have to suspend you,
which means I have to call your parents.
And I was like,
I mean, you could hit me with a ruler.
Like, you could belt me.
There's a lot of different things.
You could tar and feather me in the quad.
There's so much.
There's so many other things you could do,
Mrs. T, besides call my mom and dad.
Like, calling my mom and dad is essentially like,
Yeah, it's a death sentence.
Yeah, yeah, yeah.
For sure.
It's like, send me to a Thai black site.
Like, I'm never coming home.
So Ms. T said,
look, there's this thing called
FBLA, Future Business Leaders of America.
There's a, we go on these competitions,
but there's a competition called
impromptu public speaking.
I know you don't do your homework,
and I know you have attention issues.
Impromptu public speaking allows you
to make it up as you go along.
And I was like, oh, this is amazing.
It's perfect.
Bring me up.
So Ms. T took me to these competitions
and helped coach me through it.
And at the competitions
for impromptu public speaking,
you have to take the affirmative position
or the negative position on something.
And I just found,
if you make fun of the person
you're competing against,
or if you make fun of what's happening in the room.
So like, for example, like,
I remember one of our first competitions.
You're a bully.
Yeah.
Wait.
My son is like, no, no.
Is Gary Payton a bully?
Absolutely.
So like, one of the first,
I was like a sophomore in high school.
And they make you debate these things
that a 15-year-old shouldn't be debating.
So it was like,
we're competing in Redding, California,
which is even further.
Oh, yeah.
You're damn near in Oregon.
Right.
Okay.
So we're in Redding, California.
And they were like,
a city initiative has been,
you know,
has been raised.
Right.
Like to,
like,
to renovate this gymnasium or not,
you know,
however,
if we use the city's funds,
it will,
you know,
it will take money away from whatever,
the library.
Yeah.
You have to argue for the gym
and you have to argue for the library.
So I got up there and I was just like,
I basically was like,
look,
me and him are 15.
Like,
we shouldn't have a position on this right now.
Like,
we both got dropped off here.
We don't know,
like,
what a budget is
because our parents essentially pay for everything.
Also,
I think his dad's one of the judges.
So that's like a clear conflict of interest.
So,
why are we even having this debate
when like,
this should be illegal,
you know?
And so like,
the judges are,
they just started laughing.
And then,
I think I,
I think I won.
But what I do remember is after we finished,
one of the judges came up to me and he's like,
hey man,
I really hate judging these things.
I actually judge these things
because like,
I have my son on the weekend
and I have to like,
spend time with him.
But you made it really,
really fun.
And that was really awesome.
And then Miss Takayuchi told me on our drive back to Davis,
she was like,
you're really,
you kind of have this gift of gab.
And it's,
it's useful.
And if you could not say things in class
and say things here,
that would be very,
very beneficial to me.
Are you still in touch with Mrs. T?
I recently got her phone number
and I've been trying to get a hold of her.
Yeah.
So she retired.
But Mrs. T is,
you know,
life-changing.
And I,
I just want to let her know
because the irony is she's my computer's teacher,
but she's very offline.
But up until that point in my life,
up 15,
16,
and I didn't realize this until much later,
I was looking to be seen.
Yeah.
The reason why I think I was being so talkative
or trying to interject in classes,
I felt like I had something to say.
Yeah.
And I had something to share with the world.
And I felt like I wasn't heard.
And she saw something in me.
All my other teachers thought I was too talkative.
They thought I was a bit of a,
not a knucklehead,
but just he's not a great student
or he can't focus.
He moves around too much in his chair.
And my report card would be filled with all these
almost like behavioral issues.
And Mrs. T was the first person that said,
I think you're incredibly capable.
And I think you have this skill set
that I think would be really useful and helpful.
And she also helped me get to national competitions
and then we lost.
I lost and I was really upset.
And she also helped me lose graciously
and understand how to come back from losses as well.
So she really changed the trajectory of my life
because I really thought
great things weren't going to be in my destiny.
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I know I'll definitely be tuning in,
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Invite some people over and explain
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Having lived in England,
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Well, I want to talk about,
you know we are very close to our mom.
Yeah.
And you and your dad lived in Davis by yourselves
while your mom was still in school.
Yeah, school, doing her residency and everything.
Can you just talk to me about how you felt about that?
And I don't know what I would have done
if I knew nothing was wrong with my mom
and she was somewhere not with me.
Yeah, I think as a kid,
it was, you just know what you're living through.
So basically, my dad has a job with the state.
My mother is finishing her medical degree
and her residency.
And then my sister is being raised
by our grandparents in Delhi.
So both my grandfather and my grandmother are raising her.
And then when I'm eight,
my grandparents were able to bring my younger sister
back to the US.
She was born in the States,
but then she went over there and she was raised by them.
And really what my parents were putting together
was their version of the American dream.
It wasn't until later that I realized,
oh, this was quite different
than the way a lot of people grew up.
Okay.
Also as an adult,
I think the thing that I really seeped
and maybe I'm making up for it in my life is
I want our place to be the sleepover house.
Like I want our home and the situation
for my children to be in and my nephews to be in
is that they have a place that's always stable.
They don't have to constantly be in transit.
So I mean, the thing that I'm trying to change
is when you're a child of immigrants,
everything that your parents have,
basically like wealth, money, or opportunity
is a depreciating thing.
So if you have money, every dollar you spend,
you're actually, you're losing money.
And that asset, i.e. money,
is the only asset that matters.
Your time is valued at zero.
And so my parents spent so much time,
trying to build themselves in this country
that they didn't get to spend a ton of quality time.
And I'm trying to make up for that now that I'm older.
All right, we're all going to,
that's been the greatest joy of my career,
being able to do stuff with them.
Even us meeting over All-Star Weekend,
my parents are in India right now,
but otherwise I would have brought them.
It's just, hey, let's just all be together.
And we don't have to worry about,
I don't know, this is a very common thing
in immigrant households.
You go to Roundtable Pizza,
you stuff all,
the red crushed peppers into the purse.
We don't have to rob Domino's for Parmesan cheese.
That drawer next to the silverware that has all the packets.
It's like, why?
Why are we doing this?
Yeah, no.
Mom's a Parmesan cheese drug lord.
So I read in the research that your comedic awakening came with seeing Chris Rock.
Yes.
Yeah, never scared.
I remember that.
Yeah, it was a brilliant special.
It was an amazing special.
Yeah.
Yeah.
A friend of mine, I was supposed to go to a college party with a friend of mine and
he was getting ready and he was like putting on his outfit and he's like, man, like go
hang out with my roommate Imran.
He's a bit of a square bear, but like go hang out with him.
I thought that like term was so funny.
Like square bear is such a funny way to describe a nerdy person.
And Imran was like, he was in his room, but he was, it was an insane thing to see like
a grown man do this, but he was lying on his tummy.
Like he's my five-year-old son.
He's lying on his tummy.
He's lying on his stomach on the carpet and he has two laptops open and he's watching
Futurama, the animated series on one laptop and on the other laptop, he's watching Chris
Rock, Never Scared.
Boy, that's diametrically opposed.
Yeah, but he was one of the first like multi-screen people to be doing this in 2004.
This is like way ahead of its time.
We talk about multi-screen use now, but like Imran's been on that forever.
So I was like, what are you watching?
And Chris Rock was in this like, oh my God, it's one of my favorite specials ever, but
he's in this maroon.
He's in this suit and he's performing at Dara Constitution Hall and he's being so irreverent.
And that, the way he's talking about politics and society and culture and race, he's being
so honest.
And he's stalking on the stage.
Yeah, and people are like applauding him.
And so the way I saw it is like as a freshman in college, I had a job at OfficeMax.
I was selling printers at OfficeMax.
And then I'm going to college.
And obviously high school, everybody's telling me from the moment I was in kindergarten to
be obedient, like color in between the lines.
And I got to see someone basically be irreverent and disobedient.
That's really what comedy is of like, it is a release of on the pressure valve and he's
being like rewarded for it.
He gets to say whatever he wants to say.
He gets to behave the way he wants to behave.
He gets to say the way we all kind of feel.
Um, and, and just the theater looked so big.
Um, and I was like, I want to do that.
I think, I think Ms. Takeuchi was getting me ready to do something like this.
Yeah.
Because he's basically constructing an argument in a funny way.
Yeah.
So we were already kind of doing that in forensics.
But there's also something about you that is very committed to the authentic truth of
things, right?
Or just like the feeling of it.
I remember even in the thing.
I remember wanting to say what it feels like.
I remember even in like third grade when people are like, when did you know you wanted to
be a comedian?
I had this teacher, um, this is in the years, it's 1993.
So diet soda is a huge deal.
And my teacher, Ms. Anderson is in the third, fourth combination class.
She would crush a 12 pack of diet Pepsis over the course of the day.
So you just watch it happen.
And I'm like watching her just crush a dozen, a case.
Yeah.
Yeah.
And, um, in the early nineties, there was this.
This big thing with like kids can't drink soda.
Only adults can drink soda.
And I remember asking like Ms. Anderson as a joke.
Once I was like, I was like, I know you had 11, 11 sodas.
Can I get the 12?
And she was like, Hassan, cut it out or whatever.
I don't know.
She barked at me.
She said something and she was like, sit down.
Like, no.
And I was like, okay, fine.
I remember then that night, my dad loved watching 60 minutes and it was like this news package
of like, like, uh, aspartame.
It may be in your soda, but it also may be giving you cancer, you know?
And then I remember being in class the next day and I was like, Ms. Anderson, that's what
Sanders said.
Can I get, can I get, I know you have, you had 11 diet Pepsis.
Can I get the 12?
And she's like, Hassan, will you cut it out, please?
And I was like, you're totally right, Ms. Anderson.
I think adults should be the only people getting cancer.
And she sent me to the principal's office and she was like, what she said was inappropriate
and it was all wrong.
I felt like what I did say was wrong and it was super disrespectful and I hope Ms. Anderson
didn't get cancer.
But.
But she's working on it.
Like hard.
Right.
But I was, I was always searching for that place to be, articulate how I really feel.
Yeah.
And that was what comedy was for me.
It finally gave me a place to take a lot of these thoughts that are running around in
my head and it gave me a productive channel to put them in.
So.
Once you started, like, this is going to be my career.
I'm off to LA or wherever you go.
Talk about how hard it was to make it and what helped you get through that.
Yeah.
So, yeah, it is trying to make it in show business is a very strange, elusive thing.
Because what is it?
How do you even define that?
So if you're a nightclub comedian, I really kind of just broke it down into monkey bar.
And this is where the playing sports and actually failing at sports, quite frankly.
And also the go figure it out.
Go figure it out.
Consider it.
Yeah.
Or like, what is the next thing that you'd like to do?
Okay.
So you can do 10 minutes on stage.
All right.
Now you want to get to 30 minutes and then eventually want to be a headliner.
You want to tour.
You want to do 60 minutes and headline a club.
All right.
Well, the first thing you got to do is you got to be an opening act.
You got to be really good at becoming an opening act.
So you need to figure out 15 killer minutes that you can do in front of any, you can do
it in front of Mike Epps.
You can do it in front of Gabriel Iglesias.
You can play any.
You can play a white room.
You can play a black room.
You can play a casino.
And then you have to move to a city where there's a ton of clubs.
So then I moved to San Francisco, you know, and I get a day job and I'm just pursuing
and I just took it one monkey bar at a time.
And what I really loved about it, and I've come to now I've been doing comedy 20 plus
years, but it really did save my life because the whole art form in and of itself is completely
made up.
Comedians, if you think about it.
If you want to be a working comedian, we're below magicians, but we're above clowns, you
know, like if you can do magic, I'm very impressed.
I'm like, I tip my hat to David Copperfield.
If you're a clown, I have zero respect for you.
Like, I think, I think you're terrifying.
I think you are, you are using people's fear against them.
Like, I think you're possibly demonic and or the Chupacabra, like you are participating
in the dark arts in some way.
And I don't, if there are any clowns watching, I have zero respect for you.
So magicians, I, I, I tip my hat and I, I, I stand below you, sir.
This room knows what I'm about to ask.
Oh my God.
Just ask.
Where do ventriloquists fall?
Oh my God.
Ventriloquists are technically stage performers.
I'll give them that.
The fact that they don't do face makeup or try to scare you through the paint on the
face.
I would consider them to be on, on par with comedians.
Yeah.
Working comedians.
Slightly below us though.
Yeah.
I feel slightly below.
They're like the ugly cousin of a comedian, but thank you.
So actually let me, let me just, in all seriousness, in San Francisco, there was a laundromat called
the brainwash cafe, which is literally a laundromat where people are doing their laundry, but
they did an open mic there.
And so when you go to the open mic, you would have this like Indian Muslim kid, me, then
you would have a drag queen.
You might have a ventriloquist.
You might have someone literally clowning on stage.
Someone doing like a super blue, like Ali Wong would do this really blue material.
Then W.
Kamau Bell would come on and do this very like political material.
Then I would come on and do this like I live at home material.
And then people were just doing their laundry, their folding laundry.
But what it, it, you, you learn how to get an audience's attention, keep their attention,
but you also learn this whole thing is made up.
Like this, this whole thing, it's not even a real thing.
We essentially perform in basements, bars, or laundromats.
We create a show out of nothing.
And then we go away.
We're these traveling kind of entertainment vagabonds, essentially.
And it really did prepare me then for what showbiz is and was, you know, all these things
that you're auditioning for are, you know, what is the tonight show?
What is, you know, what these things are like these sand castles, but then they go away.
I think you're being a bit cynical about it, maybe you're not, well, because I do, I think
it's the sort of the most clever form of op-ed, you know, storytelling, cultural, which is
what we are grounded in, I mean, which is why I think people are drawn to it because
it's like, I am, I think comedians are fascinating and brilliant weaving together.
And I don't think it's made up, I think it is a series of, let me, let me talk about
life in whatever form that I want to talk about it in a way, because if, if you were
going to say, I'm going to stand in front of you and lecture you about my thoughts,
no one would hang in there, you know, politicians barely get an audience, right?
But a comedian can weave together a story.
And like you said, with Chris Rock can turn it into now you're teaching and now you're
educating and people remember it and they'll come back to it.
Yeah.
I agree with you.
But I also.
I think what I was trying to get at is what it means to,
what it really means to me that was really beautiful is that all of the answers that
you're looking for exist within you. You're the source material for everything. Yeah. So you are
the writer, the director, the producer, the head coach, you're everything. The promoter. And it is
a really beautiful thing that calls for your own personal agency. And so that's what I think is
really powerful about it. What is it healed in you so far? And maybe healed is too strong of a
word, but when you say that, you know, the art form is about what you, what the comedian gets
out of it. Yeah. What, what have you found out about yourself in this process? I think
growing up Indian American, growing up Muslim, you're usually one of the few people in the room.
Yes. And the great black comedians and actors, musicians, the Muhammad Ali's, the Dick Gregory's,
what they showed me, the Dave Chappelle's is through the gift of oration, through the gift
of using your words and language, you can navigate any room. Yeah.
Um, and you have something to say that matters and you can add your chapter to the book of what
that genre is. Um, so growing up in school, I just didn't see myself in popular culture. I didn't see
myself in sports. I didn't, I just didn't see myself there, but I, and some people could see
that as a weakness, but I was like, maybe this could be my strength because so much about being
a unique act on stage. What do you have to say? And, and being different is probably the most
powerful thing you could be. If you don't want to be an act that's similar to another act. Yeah.
And so these things that you could see as limitations might be the biggest breakthrough
that you have. So it showed me in the work that I do now in the specials that I put out,
oh, this chapter is, is worth adding to the canon that is American standup comedy,
or this film that you're working on is worth adding to. So this I'm, I'm working on this film
right now with Netflix about the competitive world of collegiate Bollywood dance, which is
like a big, it's like a very competitive thing at colleges. Collegiate? Collegiate Bollywood dance.
It's very serious. I didn't know there was such a thing. It's a real thing. It's the biggest world
you've ever heard of, Greg. Yeah. But we're going to know about it in a minute. People are very
passionate about it. So there's these kids that are like pre-pharmacy majors, but they're like
dancing at night and, and the vibes and the love and the intensity is real. Yeah. But I was shocked
that this thing that I participated in college was never added to the canon of American musicals.
So when you think of the great American musicals, Chicago and La La Land, I mean, there's a singing
in the rain. There's a long history, but our culture has this deep history with magical realism
and song and dance. And there's generations of kids that have basically grown up dance. There's
video footage of all of every Indian kid, you know, dancing as a child for some reason. And
to me, this is like a love letter to the culture. But if I didn't grow up this way, I would have
never been able to write this movie and share it with the world. So we're, you know, we're in
post-production on it and I'm sitting in the edit and I think about all the things that have
happened to me in my life. It's, it is only because of my lived experience. It is only
because of how often I went back and forth between America and Delhi in India. Yeah. It's only
through my immersion as this bridge between both American culture,
totally understanding American popular culture and understanding Bollywood culture that I'm able to
talk about this, this way as this kind of like third culture kid. And maybe this
thing can be a bridge to help again, add my chapter to what the American musical can be.
Yeah. How, how have you felt the growth change,
lack of growth in this country when it comes to the immigrant community experience
I know that's a lot of your, your standup, but, you know, when you were coming up,
growing up in, in Davis, that great, that great town outside of Sacramento,
have you felt any growth in this country in terms of, of how immigrants are, are, are viewed,
seen, welcomed? What has that experience been like for you? I mean, the weirdest thing for me,
is that, and, and Black Americans have been talking about this for a long time,
is that there's the, the America that it presents itself to be, and then what America is. And so
when my dad came in the eighties, there was this word that was talked about very proudly when it
comes to the United States of America. It's, it's the M word, it's merit. This is a country that
values merit. And what I'm seeing is that it's a country that values merit. And what I'm seeing
what has happened and the actions that the country has now taken in regards to the rollback of
civil liberties, civil rights, African-American history, ICE, uh, the illegal seizure and
deportations of particular people of melanin is that merit only matters for a particular type
of American. Yes. I call it white valedictorian energy.
Just be the best and you get to be the valedictorian. That's right.
But what America is basically saying is we got to have a white valedictorian.
Yeah. So I don't care if there's an Indian kid, a Chinese kid, a Korean kid, a Vietnamese kid,
a black kid. No, no, no. We're going to go down the list until we get to a white valedictorian.
Yeah. So excellence and being an American looks and feels a particular way. And that's very
different than what the country was that my dad came to, which was, it doesn't matter
what language you speak. We're here to, to compete in the Olympics of,
of excellence and of merit. Yeah. And now at age 40, I've gotten to see over the course of
many different presidents. Oh, it hasn't always been this way. Um, where do we go from here? I
mean, this is where I would call, I'm, I want to call you Mrs. Obama. Where do you think we go from
here? Um, you know, my awakening to that truth came when I went to Princeton,
right? Because here I am, this kid, you know, my brother had gone there.
I'm a, I'm a straight A student do well in class from a public school. Um, you know, the, the mystique
of what Princeton is and how great the kids are. So I don't test well, but I have great grades.
I get in, but I get in feeling like an affirmative action kid, right? Like somehow I'm,
you know, I, I, I, I, on merit alone, my merit alone, I didn't get in. That's sort of how you,
you sort of feel.
And then you get to campus and you realize, oh my God, there are a whole bunch of different
forms of affirmative action that are not labeled. Legacy admission.
Legacy. You know, I start realizing, oh, you're the granddaughter of the person whose dorm you're
in. Um, oh, you're an athlete. You're a football player. You're a jock. Um, but they need you on
the team. So you're here. And I started, which, which kind of was empowering to me because I came
in feeling inferior, but I realized, oh, you were just, you were just, you were just, you were just
making my otherness feel less than when there are all kinds of ways that kids get in, you know?
Right.
But I, I found that that is a powerful thing just to know and understand. And I, so in answer to
your question, I think we're still growing as a country. Um, we're, we're, we're very young
and adolescent in many ways. And a lot of the mistakes that we're making, the things that we do,
they feel very juvenile, right?
It feels like, you know, um, it's just not mature, but we're not yet really a mature country. We're a
young country. And just like in comedy, when you're young, you've got to fail. You know, you got to
try out some theories and fail. Um, and we've grown up in the winning part, right? This is what
Barack says, sort of that hopefulness thing of his that says, you know, there are a lot of dips and
the growth of this country. And we've been on this clear trajectory through most of our adult life
where things were increasingly getting better, which is why a lot of immigrants came over,
you know, because they've, they saw the America that was, yeah, what was possible, what was
possible. And now we're in a dip, you know, what did you tell your kids? Like, what should I, my,
my children are still so young and I'm navigating this new chapter of parenthood. You got to meet my
kids. I'm still in the middle of it. Put your shoes on phase. Yeah. Get your shoes on, man. Yeah. But there's, there's a, there's an
innocence to them. Yeah. Uh, you know, the biggest thing when they met you, Mrs. Obama was, I was
just like, please look her in the eyes, shake her hand. You know, you saw my daughter, she had her
braids. She was really excited to meet you in her dress. And that's my goal of like, do they have
good decorum? Are they super polite? But they still have this innocence. And I don't know how
I'm going to cross. I don't know how I'm going to teach them or cross the path of, I haven't told
about the fact that they may be perceived as different in this country or other in this
country.
How did you navigate that?
What did your father tell you?
Don't talk about politics and don't tell people you're Muslim.
But I mean, I said, I mean, you named me Hassan.
I mean, it's really hard.
I mean, I'm sure, you know, your husband had to go through that with his middle name.
I mean, it's pretty, it's there.
You know, it's pretty laughing.
Absolutely.
I was into it.
I loved having a Muslim president, but Fox News didn't.
I loved it.
I believe you tell your kids the truth.
Yeah.
You know, about.
Is there an age, though?
No, I think.
What you will find is the time will come and you will decide if this is the right time or the wrong time.
And it's usually.
I don't think it's the same for everyone.
But for us, and we've got four kids.
Middle school, when kids start to sort of separate.
That's when they come home with questions.
And fortunately for our family, we were always in sports.
So.
I think sports helps you bridge that discussion.
And you could have a discussion about what's happening on the field, on the court.
And sort of help that turn into what's going on.
Off the court.
Off the court.
Your kids will.
You'll know when your kids are ready for the discussion.
So I talked about this with my wife.
So my daughter, who you met, she recently asked me a few months ago, can we get married?
And I was like, I don't know if mommy would be okay with that.
I mean, I love you, but I don't know if we can get married.
But I appreciate you asking if we can get married.
I'm glad.
If mommy, something happens to her, I got you.
Yeah.
So I'm navigating that.
Daddies can love you so much.
Yeah.
But I don't think we should get married.
But I actually love you to infinity and more.
My son tells my wife, he goes, I love you all the way to Allah and back.
And I was like, that's pretty cool too.
Yeah.
Like to God and back.
It's really cool.
So I don't know how to hard pivot from that to racism.
Yeah.
That's a hard pivot.
Yeah.
But I guess the thing is.
I would start with telling her you can't marry me.
Yeah.
It's like I would like to.
I said, I love you, but I can't get married.
It's illegal.
And it's like, but why not?
Right.
That's a whole nother thing.
Yeah.
I think you can tell it.
Just like you.
But I was talking to Bina about this.
And basically, what's really beautiful is their hope and their optimism right now is infinite.
And I want them to operate from that idea of possibility and abundance and belief in yourself.
The thing that I have to teach them is in regards to.
I'm going to use.
Like they talk about this in business when one is starting a business or taking a loan
is tail risk.
And what is the worst case scenario?
And black Americans have known this for a long time is that when things go south, there
is the floor is lower than you could ever imagine.
They don't play with the kid gloves with you.
There is no real benefit of the doubt.
If you if something goes missing in the class or something bad happens or somebody acts
up, you're going to be looked at a particular way.
And you're going to be treated.
Yeah, it's there's no yellow cards are going to give you the red card.
I haven't had that conversation with them about tail risk of that.
Hey, when the when they pull the rug out underneath you, you have no idea how deep it can go.
And I don't want to sugarcoat that for them.
It is real.
And they're my children.
I love them more than anything.
Yeah.
But I haven't prepared myself.
Yeah.
Combo with them.
We just think it back.
I've got three boys and one girl.
Yeah.
And I probably had the discussion with the boy.
Sooner.
And for the boys, it's you have to watch everything.
That was the way I started.
I start the discussion, everything, absolutely everything's important.
And then from there, we talk about the differences in the people in their class, because we've
always been in a school where we're the only people of color or we're the diversity.
Right.
And to your point.
I think that's the thing about when things go bad, they're going to go really bad.
I'd rather I've always rather err on the side of caution that they know the potential downfalls,
the potential risk rather than not being afraid to to to hurt their ability to have hope.
Because kids are more I think kids are more resilient than we give them credit for.
But kids will also let you know.
You know, when when they need to know, the more they start interacting with other kids,
it's like that's why it's like staying close to your kids, being aware, you know, knowing
what's happening in class, making sure that they feel comfortable coming home and telling
you about something the teacher said or a friend said, you know, things will start to
come up.
Right.
Especially in this day and age where the tone is so blatant, you know, sadly, I think your
kids are probably going to hear and feel more.
Then maybe even you did coming up.
Right.
Because we we've kind of unlocked that that that dirty part of the American way.
Right.
There isn't one size fits all, you know, as you find when you when you are one of only
when you are not the majority culture, it is a constant responsibility to be vigilant
about what is going on in the world when it comes to your kids, because I agree with Craig,
how we were raised.
Because it's better to know what's coming and start getting prepared for it.
And I don't think that that drowns out their hope.
But I think I think it's better for them to be a little like Craig, a little cautious,
but but prepared and has have you enjoyed parenthood?
Your kids are they're beautiful.
Let me just say this.
They are polite.
They are outgoing.
They they can't they didn't look me in the eye because they were down by my knees, but
they looked me straight.
Yeah.
Yeah.
They looked you right in the knees.
Yeah, they really did.
Yeah.
And they were super excited.
And and my son was wearing a tan suit in honor of your husband.
Oh, yeah.
Oh, yeah.
Yeah.
He was.
I saw the tan suit.
I was so focused on the suede loafers.
I mean, with no socks.
Yeah.
With no socks.
Yeah.
That I was very elegant.
Yeah.
Yeah.
Yeah.
Very Laurel Piano.
You know, we got we got it from Marshalls.
I'm not trying to brag at the Marshalls here in Studio City.
But yeah, it's it's the things that sometimes break my heart is when I have to go.
Yeah.
So like I was in the edit on something and I'm sliding in these like an insert shot of
someone's hand.
My son walked in and he was like, Dad, what are you doing?
And I was like, Yeah, what?
What am I doing?
Like, what am I doing?
He wants to play with me.
I'm like what I'm going through a bin of insert shots.
Yeah.
So those are the tough parts.
Yeah.
Where I know they just want to spend time with me.
And I'm so I'm so glad that they want to spend time.
They still like mommy more, but they really do want to spend time with me and I love spending
time with them.
The thing that I the software update that I'm trying to do with them is that I didn't
necessarily get from my parents and it's very common and kind of strict Desi culture, which
is you got to audition for this love.
That's the thing.
That's the thing.
I'm conditional.
Now there's a condition.
The condition is that you're smart.
You're right.
And you're capable.
And the condition is I got to be able to show you off in front of other people.
Because I don't have a nice car.
I don't have a nice watch.
But I do have a really smart daughter.
And you're my flex.
Yeah.
So I can't have you be weak.
You're my flex.
And so this desire to like, you know, my dad is going to watch this interview and analyze
it.
Oh, you cut.
How could you cut off?
Mrs. Obama.
So unlikable.
All this he's going to analyze the game.
Yeah.
Yeah.
And I'm his flex.
Yeah.
But the thing that I was always looking for was, you know, Dad, do you know what my favorite
color is?
Yeah.
Do you know my favorite basketball team?
Yeah.
Do you know?
Yeah.
Do you see me?
Yeah.
I see my kids.
Yeah.
And I just want to let them know that I see the things that they're interested in.
My son is really into maps and dinosaurs right now.
My daughter is like really into crocheting and K-pop demon hunters like somehow she's
simultaneously 88.
Yeah.
She mentioned something.
Some character.
And I'm like, who's that?
Yeah.
Yeah.
Rumi.
Rumi.
Yeah.
Right.
I thought you would have either picked up the poet.
No.
The famous poet.
Well, I was just confused.
I was totally confused.
Yeah.
So, yeah, I see them for what they who they are and what they but also their temperament.
Mm hmm.
Like, with my daughter, I can we can we can totally blow the whistle and be like you got
to run line drills.
She get she loves the she loves the almost the confrontation.
She's got that dog in her.
Yeah.
And my son is a little bit more gentle.
You got to walk him through it.
Yeah.
So I want them to.
That's where I'm trying to spend as much time with them as I can.
But I also want them to know, like, Daddy loves you regardless.
I don't know if that was quite true with me.
Yeah.
Well, that's that's the 2.0 of life.
And when we talk about.
We talk about how do you feel about the country?
You know, there are versions of the country.
100.
that happen, right?
And I think we're in
just a janky version, right?
Yeah, janky's right.
May I curse, Mrs. Obama?
You may.
Yeah, shit is, yeah.
It's super jank.
Yes.
But I couldn't find another adjective.
I couldn't find another
similar metaphor here.
But with each version,
we learned something
about ourselves as a country.
And, you know, right now,
I'm kind of digging the way
folks are beginning to respond, right?
I mean, Minnesota, powerful stuff.
I mean, it was a powerful reminder
of what a community of people can do
and are willing to do
to protect one another.
You know, when you're not so janky,
you don't have to prove that, right?
And so we haven't been this janky
for a while.
And I think our muscle
of understanding our truths
just got a little lax.
We started taking things for granted, right?
But as you are becoming
a better version of a father,
you know, all respect to your dad,
we already said he did what he had to do.
Yeah.
We improve upon that with the learning.
That doesn't make what you had bad.
It just means that you're noting it
and you're making the necessary changes.
That's what we're doing.
I think that's what I'm hoping
will happen in this country.
You are becoming a better version
through the stuff that you didn't get.
You know?
I mean, you know.
And how are your parents now?
What do they make of your life
and what you've become?
Have you become the flex
that they so desperately wanted?
I've been told in private,
they're very proud.
Okay.
When I'm not there,
they're very proud.
They can't even admit it.
Yeah.
Poor kids.
So like all my,
all like my,
like my,
my boys that I grew up with.
Yeah.
They'll be like,
dude,
you always do this in your act
where you talk about like your dad
dunking on you.
He's really proud of you.
He talks about you.
And I'm like,
but that's in private.
He's never told me this.
You know,
like Mufasa's out here
telling everybody else
about how proud he is of Simba.
But I'm in the elephant graveyard
being like,
my dad,
my dad doesn't like me.
You know?
And if,
if,
like Zazu has to come
and be like,
your dad likes you.
And I'm like,
shut up, Zazu.
So,
yeah,
they're,
they're,
they are really proud
and bringing them to this stuff
means,
it means a lot to them.
So that's really beautiful.
The,
the parts that
are tough for me
are the,
the speed bumps
that you hit in your career.
Yeah.
And,
and watching your parents worry.
That's the only thing
that breaks my heart
is that anytime I've gone through,
oh,
that,
that gig didn't go my way
or that review of my show
went poorly.
They really,
the internet
and boomers
is not a good combination.
Yeah,
they shouldn't be on it.
Because they shouldn't.
Because they really,
Okay,
get,
parent,
hey,
stop,
get off social media.
Just don't let them.
Can you take it away from them?
So the problem is,
is with 75 year olds
and five year olds,
social media is really
It's a thing.
ruining their brains.
Right,
it is.
It is.
How are they as grandparents?
Oh,
they're like,
totally different.
They're totally different.
Who are these people?
Yes.
Yeah,
who are these people?
Yeah.
Who are they?
My mom was like that.
Why are you so strict?
I was like,
these are your rules.
Like,
these are the exact rules.
You told me not to jump
on the couch.
They go to,
when they were little,
they go to her house
and tear up the couch.
The forts.
Cushions everywhere.
My mom would sleep
on the couch
and let the girl sleep
in her bed
because there was a TV
in there.
So what is it?
I don't know.
I don't know.
Is there,
is there a term for this?
We should,
let's coin a term.
We could probably
come up with one
because it is,
it is consistent.
It's a,
across cultures.
Grandparent dystopia.
I don't know what,
I,
yeah.
Because they become
these like spiritual,
like,
roomy poets.
Like,
of course,
children,
this is what children do.
Who are we
but grandparents
here to channel
the energies
of the youth?
Be gentle with them.
For they are gentlest.
I'm like,
who is this person?
it's,
you would literally monitor
my calls with girls
like you're the NSA.
And,
be like,
you know,
infinite money.
They have infinite,
we're at Target.
Just like,
oh,
you want that Lego?
Sure.
I'm like,
where is this coming from?
Yeah.
But,
you know,
the good,
the good thing though
is that fortunately
they're still,
they're still alive.
Yeah.
And,
and all,
the kids have all
their grandparents.
They have all their grandparents,
but I,
I got them,
I got the chance for them
to meet one of their
great-grandparents.
Oh,
that's great.
Which was like a promise
that I made to my
father-in-law,
my mother-in-law,
that if,
if we get married,
I will,
I will have
your grandchildren
meet your parents.
You know,
and that was something
that I was like super proud of.
I don't know if they
fully understand it yet,
but I,
I would love for them to,
when they're of the right age,
for them to understand
the world,
that their
grandparents
and their great-grandparents
lived in
pre-partition India,
the freedom of India.
Yeah.
Then their arrival
in America
and to how we got here.
I think that would be
just a very
meaningful thing
for them to understand.
Absolutely.
That I didn't,
I didn't fully get
as a child.
Yeah.
Yeah.
But understanding it
and shout out to Dr.
Henry,
Henry Louis Gates
for the work that he's doing
because it gives your life meaning.
You're able to even,
I was able to just
see my own life
with a level of grace
and understanding.
Like, isn't it a miracle
that this,
this happened?
Isn't it a miracle
that you're related
to such amazing people?
And hey,
that's the hope,
right?
That's where they get the hope
in a janky time.
Yeah.
Right?
Because that's real
and it's,
it's important,
you know,
and that's true
and it's their history,
you know,
and that's the hopeful.
You point to them
and you make sure they know
this is the hope
because look at
where your grandparents were
and your grandparents
and your great-grandparents.
So,
that,
that arc
of today
as janky as it is,
it's still forward moving.
I think we found the title
for this episode,
by the way.
It's janky.
Janky.
So, we do try to do some good
here on IMO
by taking a listener question.
That's how we started.
We started with,
you know,
let's give some advice
out to the people.
And you as a guest,
we gave you a lot of advice today.
Yeah.
Yeah.
So, now it's your turn
to give back
to our listener.
All right.
Let's take it.
Let's take it.
Who do we have?
We have Marcel from Honolulu.
Okay.
Oh.
I'm an immigrant
and LGBTQ person
who has spent much
of my life adapting,
moving across countries,
shifting careers,
and learning how to survive
within systems
that were not designed
with people like me in mind.
Adaptation has helped me
stay alive,
build skills,
and remain hopeful.
Sometimes it also feels like
I've learned to bend
more than how to belong.
How do you tell
the difference
between healthy adaptation
that helps you grow,
and over-adaptation
that slowly pulls you away
from yourself?
Thank you.
That's a good question.
Well, I mean,
I think we've all navigated rooms
where we might be the only one
or we feel like an outsider.
Do you want to share
how you would navigate that?
I'm trying to be
completely honest.
I don't think that
I have ever
shown up in a way
that I didn't feel good about.
I've never let my otherness
make me adapt so much
that I don't feel like
I see myself.
So I'm trying to relate to that
and relate to people
who are made to feel
that insecure about themselves
that they are becoming
something that they aren't.
And I would imagine that
in this day and age
of social media
where there are all these signs
of this is who you should be,
this is who you should
compare yourself to,
I would imagine that
maybe this generation
has a tougher time
maybe than I did.
But I think at some level,
when you're young,
you are adapting
to a whole bunch of stuff
that you don't know.
You don't have control over.
You've got to keep your job.
You've got to listen
to your parents.
You're new at school.
You're new in the class.
You're trying to make friends.
For me,
I found it,
there's two things
that I was thinking about
when I heard the question,
which is,
I remember being in class
and quickly trying
to find your group.
And I thought
it was a weakness
to try to find,
oh, I like the shoes
that you're wearing.
Oh, you're into this?
I'm into that too.
I noticed that.
Is that a Mickey Mouse watch?
I really like,
you try to find
these moments of connection
and you may be changing
a little bit about yourself
to try to please others,
but you could also see it
as a strength.
Meaning,
I can go into any situation
and through my interests,
through my hobbies,
through what I know
about the world,
I can find a way
to talk to anybody.
Even for me touring,
in any situation,
that I land in from Ames,
Iowa, St. Louis, Missouri, and Bozeman, Montana, Albuquerque, New Mexico. It doesn't matter where
I land. I can always talk to the bar back or the cab driver or the Uber, and they will tell you
what's going on in the city or the town. And there'll always be this connective tissue. And
that's not always a bad thing to be like, hey, how are things here in Albuquerque right now?
What's going on with the mayor? What's happening with this? You're just trying to find common
ground. And that's a strength to be able to go into any playground of life. And the two things
I found the most is everybody says the rent is too damn high and gas is way too much.
But if somebody has an opinion about the Yankees, something is happening in sports
or in culture that you can start chatting about and find a way to have common ground.
But in regards to. Your identity, sometimes there's this feeling. And I was having a conversation with Riz Ahmed
about this, who's an incredible British Pakistani actor. He said, sometimes you'll go into the room
thinking that you can change the room. He went to Oxford, so he's British. He talked about the
most elite of elite institutions. But sometimes the room changes you. You don't change the room,
but the room changes you. And I think the thing that is most important is to have the moral clarity
and personal conviction that, hey, just no matter what, this is who I am. So I'm willing to get
into it with you about Yankees, Red Sox, or Kings versus Lakers. But there's just certain things in
my personal convictions. These are things I just don't do. And know that. That's your line. And
don't change it for anybody. Well, thanks, Austin. Appreciate it. Thanks for having me.
Yeah, it's good stuff. Good stuff. So you've got this Netflix special. Is it a special or is it a
series? I have a series called Hassan Minhaj Doesn't Know, which is a great interview podcast
series. And then I'm on tour right now with Hassan Hates Ronnie. Ronnie Hates Hassan. Hatred is the
answer. Pettiness over peace. We're on tour right now. Are we going to get that televised?
Is it? We're working on that? I can't tell you just yet, but yes.
The fight will be coming to you. Nice.
Very soon. And then, yeah, I'm working on this Bollywood dance movie called Best of the Best.
That sounds great. So is that an episodic? It's a movie.
It's a movie. Yeah. Okay.
So I'm very excited about that. Okay. That sounds great.
It's really beautiful to also be at this chapter of my career where
I can see all this really great young talent emerge and make something for them.
And that's been really, really enriching and beautiful.
Well, I've enjoyed your comedy. I really do. You were smart. You were a beautiful storyteller.
Oh, thank you.
And not every stand-up comedian can take you on that journey and land you safely in a way.
And it takes a level of vulnerability to let us inside your life. It's really, it's a gift.
You had me at
smart. I'm just going to take it.
Yeah.
Smart's really great.
Yeah. Yeah.
You're funny.
You're funny.
You guys, this is very sweet. We got to get out right now. You have to know when to end the set.
We have to end right now. We got smart and funny.
That's my time. Tip your barn ways out. Thank you guys so much.
Hassan, thank you so much.
Thank you, Mrs. Obama.
Thank you for taking the time.
It was such an honor.
Thanks for bringing your family.
Thanks, man.
Appreciate you.
Appreciate you. Thank you.
Thank you for having me on the show.
Hi, I'm Molly Graham, host of Work Life, a podcast from TED.
The most important lessons about work usually aren't the ones anyone teaches you.
They come from experience, from uncertainty, from figuring things out as you go.
On this show, my expert guests and I are going to talk about the most important lessons about work.
And I explore how careers really unfold.
Through change, through doubt, through the decisions that shape who we become over time.
Because those moments aren't the exception.
They are the work.
Listen to Work Life wherever you get your podcasts.
Podcast Summary
Key Points:
Hasan Minhaj grew up in Davis, California, with parents who are an immigrant engineer and a physician, and found his comedic voice through early experiences in school and exposure to Chris Rock’s irreverent, honest stand-up.
His journey into comedy began with impromptu public speaking competitions, where he discovered his gift for articulating authentic, personal feelings—especially around identity, culture, and belonging.
Minhaj reflects on how sports, particularly basketball, taught him resilience, grace in failure, and presence—skills that translate directly into comedy, where adapting to live audience reactions is essential.
He critiques the U.S. for shifting from a merit-based ideal to a system that privileges white, mainstream success, calling it "white valedictorian energy," and highlights the ongoing marginalization of immigrant and minority experiences.
Minhaj emphasizes the importance of parental honesty and preparation in raising children about race, identity, and systemic risk, advocating for early, open conversations about potential prejudice and social vulnerability.
He credits his personal identity as a Muslim, Indian-American "third culture kid" with giving him unique insight to create content that bridges American and Bollywood cultures, such as his upcoming film on collegiate Bollywood dance.
Minhaj shares how comedy, despite being performative, is a deeply personal and healing art form that reveals self-awareness and allows for authentic storytelling grounded in lived experience.
He views the current state of the country as "janky," a period of transition and disarray, but believes in growth through vulnerability, learning from failure, and maintaining hope in the face of systemic challenges.
Summary:
Hasan Minhaj reflects on his journey from a talkative high school student in Davis, California, to becoming a two-time Peabody Award-winning comedian. His comedic awakening came from Chris Rock’s raw, honest stand-up, which mirrored his own desire to speak truthfully about identity, culture, and personal experience. Drawing from early public speaking experiences and his background as an immigrant child, Minhaj found a unique voice in comedy that bridges American and Indian cultures, such as through his upcoming film on collegiate Bollywood dance.
S. for evolving from a merit-based society to one that privileges white, mainstream success—calling it "white valedictorian energy"—and highlights how immigrant communities face systemic exclusion. Minhaj emphasizes the importance of open, honest conversations with children about race, identity, and potential bias, arguing that early awareness builds resilience.
His personal story underscores comedy not as mere entertainment, but as a form of self-discovery, truth-telling, and cultural bridge-building. He believes the country is currently in a “janky” phase of growth, marked by instability and disarray, but one that holds the potential for deeper maturity and inclusion through vulnerability and shared experience.
FAQs
He was inspired by Chris Rock's special 'Never Scared,' which showed him irreverent, honest storytelling and a release of societal pressures. This resonated deeply with him, especially as a young person in school who felt unheard.
His upbringing as an Indian-American, growing up in Davis, California, and being one of the few people of color in school, taught him to navigate identity and find his voice. These experiences informed his authentic, culturally grounded comedy.
He observes that the U.S. now values 'white valedictorian energy,' where merit is only recognized for certain demographics. This has created a system where immigrants and people of color face exclusion despite their excellence.
His father, an organic chemist, provided a strong foundation of intelligence and discipline. Hasan often contrasts this with his own creative, expressive path, showing how different life experiences can lead to unique forms of success.
Sports, especially basketball, taught him how to show up, lose gracefully, and stay present—skills he now applies to comedy, where each performance is a 'possession' that requires focus and resilience.
He emphasizes honesty, preparing his children for potential racism and 'tail risk' by being vigilant, while maintaining hope. He shares personal stories and values open dialogue, especially during adolescence.
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