The transcription features a vibrant array of podcast hosts introducing their shows with personal, often humorous and emotionally resonant narratives. Lexi Yuan and Lisa Di Giulio launch *Don’t Lie to Me*, a conversation between two women of vastly different ages and life experiences, emphasizing lived wisdom and generational differences. Lacey Mosley hosts *Scam Goddess*, a true crime comedy podcast that blends satire and real-life fraud stories, celebrating the art of “yapping” as a form of connection. Meanwhile, Kylie Breikman, Angel Jaretana, and others present *Artists on Artists on Artists on Artists*, a character-driven improv podcast featuring weekly artist panels and themed events like Eurovision and Halloween. Dr. Joy brings *Therapy for Black Girls*, offering a supportive space to explore youth mental health, friendships, and parenting through a culturally grounded lens. Each host shares personal journeys of growth, resilience, and self-acceptance, from overcoming trauma to embracing authenticity in career and identity. The recurring theme across all shows is authenticity—showing up as oneself despite fear, stigma, or societal expectations—and the importance of vulnerability in building connection. Listeners are encouraged to engage with the content through various podcast platforms, reinforcing the message that personal truth and shared experience are central to meaningful storytelling.
- Lisa, tell them about our new show. - We have a new podcast. It's called Don't Lie to Me. I'm Lexi Yuanu, where two best friends, 22 years apart, but so close at heart. - And I'm Lisa Di Giulio, the old one, which means we have wildly different references, occasionally different opinions, and at this point in my 50s, I've lived it all. - Now in my 30s, being the founder of New Shoes, good taste is my business. - Listen on the I Heart Radio app, Apple podcasts, or wherever you get your podcasts. - I'm Lacey Mosley, author, actor, stand-up comedian, creator, and host of Scam Goddess Podcast. - The True Crime Comedy Podcast, all about robbery, fraud, and those who practice it. Each week, I bring on an amazing guess. - Ooh, I scammed them. - What? - I could talk to you for an hour. - You're a generational yapper, like me. - That's why I had to make yapping a job. - And now you can catch full episodes of my show on YouTube. - Start listening to Scam Goddess on the I Heart Radio app, Apple Podcast, or wherever you get your podcasts. - Scam Goddess. - Hi, this is Kylie Breikman, Angel Jaretana. - Jeremy Colhane, Patrick McDonald. - And we're the hosts of the Artists on Artists on Artists on Artists Podcast. - The Improvized Character Comedy Podcast where each week a new panel of artists discuss their craft. - Join us for a panel of Eurovision participants. - And we do a little Halloween sometimes. - Does the Pope dress up? - He winks on Halloween. - He gets right up next to the microphone. - I hear you get the elbows here. The eyelashes hate each other. You've never seen Italy so quiet as when the Pope gets up to wink on Halloween. - Listen to Artists on Artists on Artists on Artists every Thursday on the I Heart Radio app, Apple Podcasts, or wherever you get your podcasts. - So would like to buy Asia Ratherne or so, at least 70% have a phone. - I'm Dr. Joy, and this is therapy for black girls. We spend our surviving middle school run getting into what's happening inside your kids' brain, the group chat and their friendships, and what you can do about it. - Your child is not doing this on purpose. - That's the kind of perspective we've been pulling from the psychologists and psychiatrists who study this for a living. Listen to therapy for black girls on the I Heart Radio app, Apple Podcasts, or wherever you get your podcast. - I seen them run through the hole. I swear it's the loudest I've ever seen, like show the passing helmet. - Collision. - And all I hear is crack. - And you ever, like, get frightened by a noise? - Of course. - And I'm blocking some of my anger. I was like, oh, I was saying. (laughing) - You know, they can't really hit us no more. (upbeat music) - Look, I'm done. We lost every game. This shit is not for me. Y'all don't care about winning. I care about winning. I'm not about to just be losing because of y'all. I'm about to go in the box and wear it. If I lose, it's because of me. Like, I can control, like, you know, my own destiny. - So I have a very point in opinion that some people disagree with me, that, that when I show up to see you in a lomo fight or wherever fighting, the part of boxing that I love is you might lose. Like, I like that you're willing to risk it. Like, you're willing to get in there and like, lomo's a great fighter. I think you're gonna kick his ass, but he's a great fighter. So with this thing, I'm like, a great boxer never supposed to lose and become a thing. - That's a difference with boxing from any other sport. Like, Steph Curry from losing 1,000 games, and he's still great. - Mr. 1,000. - The Bronx. - The Bronx. - Same thing, Jordan. Forever, football, sick Tom Brady, whoever it is, they can lose as many times as they want, but still be great. And boxing, they make it, they made it. Floyd made it to where, if you lose. - So we said, you're not, you're no longer great. - But that's not true. - That's true with that. - Well, I went into that character though, 'cause me watching Snowfall, I thought it was real life. I fell in love with Jerome. It just felt like real life. It felt like something that wasn't even a TV show. It felt like reality. - Like, I'm from Harlem, wherever y'all from, y'all know somebody like, um, because I put that in the DNA, uh, um. - For sure. - That, this African-American experience, uh, uncles, that was, that loved us to the death that brought for us, that, that'll, that'll love us, but will kill for us. That got an unapologetic look at who they are as black men. If I couldn't, if I couldn't impart that, which is really important to me, if I couldn't import that into this character, I would have failed. So more than anything, the fact that other black men can be like, "Hey y'all, that's my uncle." [MUSIC] Like me, I ain't growing up father, like, always say like, "Me not having no love for my father." I said, "I want love from the world." If I can't get love for my father, I'll make the world love me. And that's what I went did. I went and made the world love me, 'cause I only wanted love from this one man. And I couldn't get it. I said, "If I can't get it from you, I'll make the world love me." - So the next is, do you kind of owe him your career? - It's the same thing, do you think about that? I definitely do, 'cause if he was in my life, he probably would have told me that social media thing and it would work, you know what I'm saying? You feel me? - Yeah, so do you think about that, though? - Absolutely, that's a deep thing, you just say. - Absolutely, I always think about it. Like, man, what are my father's in my life? His pain would have mattered more. He'd be like, "Man, that's social media thing." Or go get you a job. But him not being in my life allowed me to know, like. - Do you not say that, though? What if he was like, "Go ahead, do that." - That shit, yeah. - I mean, he just, he just, my sperm don't sort of work on everything. - No. - You know what I'm saying, though? - Do you know him now? - No, he living my granddad addict. Like, that's what's crazy about it. Like, I only talk to him through the door. - You a dumb. - You know what I'm saying? - Yo, you sure? - Yo, this is a scary one. - What is your vision? - Like, what are you talking about? - I'm gonna stay in shadow, man. - Yo, bro. - All right, man. - So, he's sliding money into the door. - Yeah, he's sliding money into the door. - Okay, I'm on the floor. - I'm on the floor, you know what I'm saying? - And you're in the movie. There's a lot of pain and mother and the child. How do you get as an actor? How do you get yourself? Because you can be having a lovely day, but then you shut up on set and you have to convey pain. How did you do that in the movie? - I mean, I just went back to what I was literally dealing with at that moment. You know, I was six months post-partum. So I was dealing with post-partum depression and then just being back at home, like being back in my hub, you know, performing in Harlem. And like, I lost a lot of friends and family. So I was going to funerals during my lunch breaks. You know what I'm saying? So Tuesday, I was at this funeral Friday. I'm at this funeral, so it's just like, I had to take everything I was going through and kind of like put it into my nose, my character. The hardest part was going home and flipping the switch and just being super mom. Because I had an outlet. I finally had an outlet to be able to have my moment of weakness and just kind of break down, scream, yell, cry. So it was really easy to-- - It was almost therapeutic? - Yeah, in a way. Because I mean, you know, having a newborn, it's never any real time for you, you know, to think, to cry, to everything's about the baby. Because you are already panicking. And even though you already got a kid, when you have a newborn, it just still feels different. You know, like, my oldest was six when I had, you know, my youngest, so I'm like, I don't remember half of it. Is she okay? You the pamper on my god. So you so occupied and just being mom and being a superhero all the time. You don't got time to think, cry, feel, or anything, you know? So I think that it was like, it was therapeutic to be able to go and set and be weak. I always think I'm the worst actor in the world. - No matter what. - Yeah. It's actually, I have a bad habit. So I developed this thing on sets where someone on the set in the crew, I don't care who it is, Crofty, the grips, the director. Someone has to tell me, you know, you killed it. - Really? - Quietly. For me to be able to sleep at night. - Wow. - That's-- - Because you-- - It's-- - Whoa, it's in security, right? - Totally. It's in security, and they say let it go. But if I know, I didn't hit the way I wanted to, it's a feeling. I don't really rehearse or anything like that. I work off the act though. - Reading up on you, it's like you were an actor and a comedian and, you know, and then you had a phase or a stage in your life where you like, drove Uber and worked, I believe, at Macy's maybe-- - Organizes first. - What was that like when you think about your journey of like you thought you'd pop off one way and then, you know, you figure out a way to make it about yourself and your brand. Like, what's that experience been like for you? - I think the word fear is so real for me because for so long, I was fearful of being me. So I had created this other persona. I created the tab at the-- I thought that Hollywood wanted to see. You know, I'm from a small town in North Carolina from Eden, and I'm southern, I'm country. And so working in corporate America and then coming to the entertainment industry, I was always so that I sound ignorant or you sound country, you need to cover your accent. And so I had mastered that so well that I almost forgot who I was, right? So I had to pretend all the time and wear my hair one way. I remember when I first got an agent, they were like, "Listen, with your skin complexion, you're gonna need to have your hair straight." And so I was like, "Okay." And I believe that, you know, so-- - That's a real conversation. - Oh, absolutely. - Really? - Absolutely, lose weight, you know, in the last five or six years.
coming from a dark space of being sick. I had to really get to a place where I said, "You know what, God, if you heal me, you can have me." And I minted, and that was almost six years ago. And in that, in saying that, something changed inside of me, and I no longer want to be in charge of me, I wanted to be who he created me to be. - Surrender. - And I completely surrendered, submitted myself to him. Insecurety is very dangerous. We all have it, right? It's how you manage it, and how you let it come and go. So you have to either channel it or control it somehow some way. How do you use it? - I can't. I did a film with Liam Neeson, my first slide acting. This is what started it. And I was doing the take, and I was doing it the same every way. I didn't know, switch it up, right? So the director, he comes up to me, and he goes, "Damson, you are doing it the same every time. When an actor does the take the same every time, this makes me sad." [ Laughter ] And then walks away, and then when we wrap -- when we finish the movie, like, he goes, "So, did you have fun?" And I'm like, "Oh, my career's off." -No, you -- - Torture me, you know? - How much torture -- - Torture me, right? So that trauma always stays with you. - I know that. - You know what they say? It doesn't matter how big you get. You're always trying to prove yourself. You're always trying to train. You're always trying to get better. I find now, I kind of need to audition to not only prove to everyone that I could do the job, but prove to myself that I could do the job. But as you get bigger, I'm in this place now where people are like, "Yo, come do this." - Automatic. - You know? So the nerves are there. I'm walking on. People are like, "Yo, "Damson, interest is in this." I walk on set first day. I'm like -- [ Laughter ] - Everybody get up there for some of the body -- I think it's really important and gives you perspective. Like, someone literally, what my therapist does is, "She's amazing. And I wish I could plug her. I can't." [ Laughter ] But she will lead you -- She will always lead me back to myself. I'll say a bunch of great -- You know, a bunch of things, I'm going through the things and I'm thinking, I'm thinking, and she might even just sit there and be like, "Now, what do you think?" I'll be like, "Not it. I'll set it." There's another perspective that I have about it. There's something nice about having that bounce board that's skilled and has the tools to bring you back to yourself. And that's what I like about the book, too. It's like you open up that chamber being vulnerable. I think you reap a lot of dope benefits from doing that. And the more we can encourage each other to do that, I think the better. - You know, the book I've always been blown away by is that no one else in the world besides Boxers will ever know the feeling of. That walk from the locker room to the ring. - Ringwalk, my favorite part of the sport. - If you ain't mentally prepared for that, how you make yourself, that's like, that's a long walk. - You can be on your stomach. - What? You feel all that? I mean, at this point now, I was like, I didn't did it so many times, so now I was like, I know what to expect. But if you, it ain't been in times where you get the bubble guts, yeah, you get the bubble guts, you want to turn around. I'm like, "I'm going to turn around." I'm like, "I thought I wanted to do this." It really ain't for me. I appreciate you getting bit there, because that's a huge deal. - No matter how hard you train, how good you is, nothing can prepare you for that walk, but just doing it. - Yeah. - It's just going through it. - It's probably the same with you going to stay, you. - It's really? - I was going to say that. - Yeah, you might just say this day, I'll be like, "I love it, I can't do this, so this day. I know the same for you, for those things." - Especially if somebody rocking it, it's probably for you to go out, I'd be like, "Brump it, get up out of here, I don't even want to go out there." - And I said the same thing with boxing, because it'd be undercarf fights. - You're going there, slap. - Yeah. - You see him coming in on a stretcher. - It's really a love there. - Talking about shoe deals, you've challenged Nike and keep me honest here. When you were pregnant, I think there was a situation with Nike returning to leave. - Yeah, I went through kind of a really dark period, basically. Even before I got pregnant, I was offered 70% less than what I had been previously making. And there was a lot of fear even in starting a family, because what I had seen in my sport was women's contracts being paused. I saw them hiding pregnancies. - So when you say contracts being paused, someone gets pregnant and you're as fast as shit as, "Wow." - Yeah. - 'Cause you can't compete. - Yeah. - Wow, okay. - And you said, "Hide an impregnancy too." - Yeah, so women were hiding pregnancies, and so when I found myself in that situation, I kind of felt like, "Well, I think I've accomplished enough." Like at that point, I had been to four Olympics. I was a six-time Olympic champion. I was like, "I think I'm safe. Like I'm good." - You're like, "I'm me." - Yeah. - I was like, "That was the point." - Exactly. - But I found myself in a very similar situation, and instead of like the financial fives, I turned my fight towards asking for maternal protections. And basically, the way that track and field contracts work is that they're performance-based. So you go to the Olympics, you get a medal, you get a bonus. You don't. You get a reduction. If you become pregnant, there's nothing in place to protect you. So I was essentially just asking for that. And I was actually told that I could have time for that. That would be fine. But when the contract came back, there was no legal wording to tie it to pregnancy. And so that meant that it wouldn't set that precedent. Like I would be okay. But all the other women that I had seen for years, years, years. - What did you do? You won that right there. Exactly. - I was terrified. You know, it's Nike. And we had a great relationship. I was proud of the lover. Yeah, almost a decade at that point. So it was really scary, but you know, I came for it. I left over that, but they changed the policy after the op-ed came out. It was about two weeks later, and now they offer 18 months of protection. - That's awesome. I was just kidding. That's amazing. I wasn't until I got sick and thought I was going to die. When I said it early, when I said, God, if you heal me, you can have me. That meant now I got to start showing up as the real tab. Because it's exhausting to show up as somebody else every day. That's not the real you. And God can't give you what He want to give you if you ain't you. Right? So I had to get to that place. And when I started showing up as me, I was very afraid. Allison, I wanted to ask you, you are, I believe, the most, by medals, the most decorated track athlete ever, correct? Female. Okay. Can we, at least? That's crazy. Was every win as important as each one, like every medal? That's a good question. I feel like at each point in my life, I was like learning something new. And so I was still passionate. They were so important, but they were all different. Like my last Olympics was my fifth Olympics, my first as a mother. And I won a bronze individually, a gold with a relay. And that bronze medal, I think it means more than any gold because it was like overcoming all the adversity, like being a representation for women, for mothers, like it just, it was everything. You know, I got to do it in my shoes that my company made. So it was like, full circle, all the things. What do you keep your medals as a medal? My parents keep them. Yeah. They get into like the medals, but you know, they, parents, they like to brag and bring them out and all that stuff. I'd have my non-denny shower. Like jewelry? For sure. Like jewelry, bee? For sure. I must have seen what we were saying. I'm waiting for the start. First in New York, and you were sure. Can you see the crowd when you're tumbling, flipping? 100%. And that's something like, I haven't been able to recreate that feeling ever since it is a drug, right? Like, I'm there, and I love feeling the energy's crowd, like the crowd's energy. And so it kind of gives me life, for sure. And that's how, like the routine that went viral, I could feel everyone zoned in. Not a single other person was going during the meet. And everyone was just like, captivated, and I, when it was silent, it was silent, and when it was loud, it was loud. You heard it during the routine. During the routine, yeah. I know your wife also manifests it, right? Yes. How did your wife manifest? She told me, I was, we were, we were watched curb-induced, we loved the show, and we watched it all the time. And I said, I would love to be on the show one day, and she said, you're going to be on that show one day. I could see you and Larry together. Right. And it just was, just thing that was supposed to happen in that way. So you believe in manifesting, or is it? Everything that happened to me right now, I've manifested. I love that. I saw you talking about literally your car. You said you used to walk toward it. When I was a kid, I said I want two vehicles as my dream car, being a girl from poverty growing up. I said I wanted that X-6, because I mean, Jamaica X-6 and B-Maze is like, yeah, I wanted X-6, and I wanted a Lambo. I got both. Manifestation, that was one thing that I did a lot. I journaled a lot, and I wrote a lot of things. And one thing that I saw on Facebook today, 11 years ago, today I wrote something like, I hear six gunshots on my window while I'm trying to sleep, no wonder why I run from bullets in my dreams. And I said, like, all I could see is my Brooklyn residency, no wonder why, like Sunset, Boulevard seemed so far from me. But now when I did swarm, literally.
my face was everywhere in Hollywood. It had the biggest billboard on Sunset Boulevard. - And I wrote this when I was in East New York being like, "Damn, the bullet's over." I'm working at the movie theater, have to work on Friday nights and come home from Manhattan to East New York at like four o'clock in the morning, cold, and being like, "This is actually dangerous, but I can't even think about that 'cause I have to do it anyway." And just remember me like, "Oh, I can't wait to one day. I'ma be on the screen, I'ma be. " You know, and I just put a lot of energy towards that. - Mike, if there's one thing that you could tell young Mike that nine-year-old. - Yeah, what would it be? - What it gonna work? - Oh, what it gonna work in a big house? You gonna have all the olds who caused you ever wanted? What if that women gonna come to your soul? Your girl gonna be so hot? Like, it's hard to keep convinced a child that something's impossible. And I believe that something's impossible. - It's hard to convince a child that they can't fly. Otherwise, you don't have the right brothers. So just eliminate the impossibility and let the child figure it out, let the child fall, let them stumble, let them have to figure it out, but encourage. My mother didn't put me in the studio. She just said, "Yeah, you wanna be a rapper? Get your rapping." 'Cause she was only 16 years old in me. She was like, "You can be a rapper." So when I got the opportunity, I didn't think it was impossible. I thought it possible. So that nine-year-old kid, I'm just gonna say, "You know, don't stop." But don't turn down opportunities to do other things. - Right. - You know, don't turn down the opportunity to learn to do something else, even if you aren't the best at it, you've been exposed to it. And that's a beautiful thing. There's nothing more beautiful than a well-traveled human being. So in the beginning, I was very fearful. So if you go back and look at all my old videos, 'cause I cooked live every day at five o'clock, that was like, I made it like a job. I won't make it no money. Listen, I would be cooking live some days, I would cry, 'cause I'd be like, "The Lord said, "thousands of minutes is 33 people on here." But you know, and my husband, you would never see him but you would hear him. I mean, you got some people looking in our kitchen doing these videos. And I'm like, "I'm trying to be obedient "to what the Lord has told me to do." - Don't let me do it 100%. I mean, now that you've retired him, he got a shut the fuck up. (laughing) - No, that didn't, I don't tell him it'd be like, man, you bring those things. - Hey, look, how 'bout the first shit came? He was like, "Don't you need to do one of 'em video today?" (laughing) - Almost five o'clock, ain't it? - Right. - Almost five o'clock. - I rolled it up, I put it on my back. Randy picks me up. Randy's in it. - Cut to me and Jay Chillan's right now. - Yeah, I was like, cut to you. - But Moses ain't like. - Yo, what time does he need the video? (laughing) - Randy pulls up in a two-seater bin. The painting is huge. - Huge, I have to stick it out. It's hanging out to the little back, little triangle window, right? (laughing) We drive it over there. I'm nervous, his hair first comes about you in the house. - It's hanging out. - It's a baby mama bin. - Okay, okay, but still. - I'm sorry, that's hilarious. - The painting is longer than before. - Yeah, it's huge. - The painting is longer. - Yeah, they first go night. (laughing) - First person I see in the house is B, she's in the kitchen just chilling, eating a salad. - That threw you off. - Bruh. - Of course. - Come on. - So now I'm tightening it up. I'm chilling. We didn't know each other, but I knew of the, you know, obviously, you know, the whole squad. The only person I had met was Randy and Rich at the time. So we get out there, again, it's Jay. Jay, they don't have no shoes on. - This is a hole. - Lounge, it's super comfortable. - We're at the pool, we're at the pool. - Yep, yep. - It's like, you know, we talk for a minute, and I kind of tell him the inspiration behind the piece, and he's like, yo, that's dope. - You are a roled it. - And the only thing I'm thinking about, I'm like, it's a dope piece. But how is he gonna roll that back up by himself? I was just like, I'm self. I mean, I'm not helping it. Not my problem. (laughing) - I checked the account balance, right? So we go in, I have my god Jetson who produced the song, "Shut," he met us at the studio. And this is the first song that I do that day. If you check out, you know, the words of the hook of the song is, I just signed a deal, I'm on. - Yeah, of course. - That was my moodest year. I was up now, yeah, yeah, now I'm in there. - I checked the account balance, right? So we go in, I have my god Jetson who produced for two minutes and have a minute, seconds, that song is. I literally would just, you know, when I say, don't make me go hit the bank and check out a hundred, to show you my pockets was different the day before, I couldn't have went to the bank. Check out a hundred. The second I can talk to him, I talk to him. The call back was basketball. So I was like, man, I'm about to go crazy. - Yeah, that's dope. - I gotta get somebody could dunk, nobody could even do no kind of real hooping at all. - So I was in there literally like you see in the movie, fucking scum from Chicago, so I was a little rough, you know, in there, right? And especially at that time, my life, I'm probably more incorrigible than the rest of everybody, influenced by my Chicago environment. So, man, I'm talking, I'm taking off. Boom, push it. So, like when I'm playing on boom, and I'm pushing the ground and stuff, literally Jeff Pollack, who was direct the rest of peace, he came running on the stage. Literally, that's how I found out I got the role, right? He ran on the stage, like, say you mean, he ran on stage. The director ran on stage. You got this, you got this, you got this. - Oh my god, that's awesome. - Now, leave, man, and I'm on the A-Train, New York, and I'm going home like, man, this is nice, ain't no, ain't no, like, I can't wait to tell my old G, I'm gonna tell my mom what's going on. And my mom received it like, oh, okay. (laughing) - Show me a movie, Mark. - You can smoke, but show me a movie. - I came in the league when I was 19. I had $151 in my bank account as a college student. I declared for the draft, got an agent. The agent offered me $100,000 upfront money, right? Luckily, I had two parents, who maybe was like, that's two damn much, right? But, they said $25,000, cool, right? So, you know what happened? I was at Wake, right, in Winston. I went to the bank right up the street, just so I could see what the statement looked like, right? 'Cause we, we young, we don't know, we ain't never had no money like this. I went and got the statement that said $25,151. (laughing) Right there, though. No education came along with it, right? First thing I did, I went to the mall, of course. Took my girl to the mall, Jay Gray, his girl, went to the mall, we went to the mall. What? What? We went to the, we went to the closet store. We went to the closet store, I say, everybody, get you something. (laughing) I remember, I got my first check, it was crazy. It was like, I was growing at this point. I was like 20, but I hadn't seen that kind of money before. And it was like, you know, I got like, it was like maybe $130,000 in the check or something like that. And it was just crazy. And it was like, this card that I really wanted, you know, like, it was just like, that was the only thing that was on my mind. Like, I have to get this card. And, you know, I didn't have credit, I didn't have anything. I walked into the dealership with a duffel bag full of money and just set it on the counter. Like, here is an exact amount for how much the car costs. And then they counted all the, and I'm sitting there watching them count it out and then I drove off the lot and I was broke. So I had my car at your edge of the car. What do you do like to keep you, this park, like tight like that? - Oh, no, I'm not going to train it. - You know, my sense is that I realized what's going on. - Yeah. - All that shit is experienced. No great fighter has, has, has walked and been great and not been hurt. - Of course. - That's all experienced. - That's what I love. You put, that's the difference in boxing in every other sport. Why I love boxing, most like you, some of other sports. Like, acts, a, a fuck up for Tom Brady is called interception. - Yeah. - A fuck up for a boxer is-- - You sleep. - You sleep. - Like if Tom Brady missed throw on the pass. - Lice out. - Intercept, do you go to the side and figure it out? - Absolutely. - If you don't get back on the telephone, and you hear instead of here, you lights out that, putting that on the line is a whole-- - It's a whole different story. - There's a whole different line. - It's a virus. - It's a virus. - Like, it's Steph Curry, LeBron, Mr. Schott, and the four of them, they messed that up. They threw a turnover. - If I'm going in a room, you know, for a movie, a TV show, my rule of thumb is this. I go in big, I go in big. You know why? - You take it always. - You go big, and they tell you, oh, that was great. Pull back a little bit. Everybody knows how to pull back a little bit. - Good one. - But you go in low, and this thing, you don't know how, how much. Now you're doing so much that they like. Thank you very much. (laughing) - Thanks for listening to The Shop Uninterrupted. Make sure to subscribe, rate, and review wherever you're listening to the show. For full video episodes, check out Uninterrupted's YouTube channel. And for weekly show updates, follow The Shop Uninterrupted on social media. I'm Lexi Yuanio, we're two best friends, 22 years apart, but so close at heart. And I'm Lisa Di Giulio, the old one, which means we have wildly different references, occasionally different opinions. And at this point in my 50s, I've lived it all. Now in my 30s, being the founder of New Shoes, good taste is my business. Listen on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts. - I'm Lacey Mosley, author, actor, standup, comedian, creator, and host of SCAM Goddess Podcast, [BLANK_AUDIO]
through crime comedy podcasts, all about robbery, fraud, and those who practice it. Each week I bring on an amazing guest. Ooh, I scammed them. What? I could talk to you for an hour. You're a generational yapper, like me. That's why I had to make yapping a job. And now you can catch full episodes of my show on YouTube. Start listening to scam goddess on the iHeartRadio app, Apple Podcast, or wherever you get your podcast. ♪ I've got this ♪ Hi, this is Kylie breakman. Angel Jaretana. Jeremy Cole, Hank Cash McDonald. And we're the hosts of the artist on artist on artist on artist podcast. The improvised character comedy podcast were each week a new panel of artists discuss their craft. Join us for a panel of Eurovision participants. And we do a little Halloween sometimes. Does the pope dress up? He, he winks on Halloween. It's right up next to the microphone. You can, I hear you can almost hear the eyelashes hit each other. You never seen it least so quiet. As when the pope gets up to wink on Halloween. Listen to artists on artists on artists on artists every Thursday on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. So what like, by age or rather in our soul, at least 70% have a phone. I'm Dr. Joy. And this is therapy for black girls. We spend our surviving middle school run getting into what's happening inside your kids brain, the group chat and their friendships, and what you can do about it. Your child is not doing this on purpose. That's the kind of perspective we've been pulling from the psychologists and psychiatrists who study this for a living. Listen to therapy for black girls on the iHeartRadio app, Apple Podcasts, or wherever you get your podcast.
Podcast Summary
Key Points:
Multiple podcast hosts introduce their shows, including *Don’t Lie to Me* featuring Lexi Yuan and Lisa Di Giulio, *Scam Goddess* with Lacey Mosley focusing on true crime comedy, and *Artists on Artists on Artists on Artists* with a panel of performers discussing craft.
Each podcast offers unique content
All hosts emphasize accessibility, promoting listening platforms like iHeartRadio, Apple Podcasts, and YouTube, while highlighting themes of authenticity, overcoming adversity, and self-discovery.
Summary:
The transcription features a vibrant array of podcast hosts introducing their shows with personal, often humorous and emotionally resonant narratives. Lexi Yuan and Lisa Di Giulio launch *Don’t Lie to Me*, a conversation between two women of vastly different ages and life experiences, emphasizing lived wisdom and generational differences. Lacey Mosley hosts *Scam Goddess*, a true crime comedy podcast that blends satire and real-life fraud stories, celebrating the art of “yapping” as a form of connection.
Meanwhile, Kylie Breikman, Angel Jaretana, and others present *Artists on Artists on Artists on Artists*, a character-driven improv podcast featuring weekly artist panels and themed events like Eurovision and Halloween. Dr. Joy brings *Therapy for Black Girls*, offering a supportive space to explore youth mental health, friendships, and parenting through a culturally grounded lens.
Each host shares personal journeys of growth, resilience, and self-acceptance, from overcoming trauma to embracing authenticity in career and identity. The recurring theme across all shows is authenticity—showing up as oneself despite fear, stigma, or societal expectations—and the importance of vulnerability in building connection. Listeners are encouraged to engage with the content through various podcast platforms, reinforcing the message that personal truth and shared experience are central to meaningful storytelling.
FAQs
The podcast is called 'Don't Lie to Me,' hosted by Lexi Yuanu and Lisa Di Giulio.
You can find 'Scam Goddess' on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
It's an improvised character comedy podcast where a new panel of artists discusses their craft each week.
The podcast hosts a Halloween panel, including a segment where the Pope is said to wink on stage.
It explores what's happening in children's minds, especially during middle school, focusing on group chats and friendships.
Lacey Mosley hosts the podcast, which is a true crime comedy show about robbery, fraud, and those who practice it.
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