Aubrey Plaza

Hello, everyone. Welcome to another episode of Good Hang. Thank you for being here. We had, uh, well, look, we're keeping the parks and rec hits coming because we had Adam Scott last week. And we have the great, beautiful and wonderful Aubrey Plaza joining us. Aubrey, who many of you have wanted to hear from is here. And we couldn't be more excited. And we talk about a lot of things today. We talk about how we first met on a playground. We talk about her time as an NBC page and why she got fired. We talk about her love of basketball. And we talk about her new movie, honey, don't, which is in theaters this week. Uh, and so there's just so much good stuff. And we're very glad that she was here and that you're here listening. And we always start our episodes the same way. We try to find someone that knows our guests, know something about them and has a question for them. And we are talking to a great actress today. You know her from the substance and made and many other great films and her beautiful dancing. And it is the beautiful and talented Margaret, quality Margaret. Hello. This episode of Good Hang is presented by Walmart. Now everyone's talking about back to school outfits and we all know how expensive that can be to get the shoes and the pants and the whole thing and the shirts and all the things that you need. But Walmart has the latest back to school styles for boys and girls starting at just $4. Who knew? So they've got graphic tees and joggers and colorful backpacks, Spider-Man hoodies, keychain charms, flannel shirts, flare jeans, crocs, flare jeans are back. I love it. Who knew? Shop Walmart.com to score their favorite back to school styles starting at just $4. Where are we talking to you from? I'm home. I'm home and I'm in a hallway. Okay, perfect. It's really good to see you and I know you're doing press. I'm on a task by the way. I've been listening to it. It's so good. Thanks Margaret. Today is a very special day because we have really our most requested guest coming on today. People have really, really wanted to hear from and hear me and Aubrey talk about a lot of things and I'm just so psyched she's here. Might be the most unanimously loved person ever. Yeah. Even like my dad's really not like, you know, he's like, barely has a phone. He doesn't have a TV. Well, like when he found out I was doing a movie with Aubrey, he was like, aw, I'm so nervous. Like, she's so funny. He was so excited. She reached my dad. She's got the dad. She's got everybody. I just love her. I just think she's the best. You know, it's so funny to say that too because I was thinking she's also kids really like Aubrey because she acts like a cat, right? So like dogs come and meet greet you at the door, but cats just kind of chill and wait for you to come to them. And kids really like that. She never, you know, my, I remember my boys on the set of parks and she would just like walk by and say something to them like on the wave has them and they'd be like, who was that? I'd also imagine that she'd like talk to a kid like an adult, you know, like just read them where they are like throughout their right? Totally. Yeah, yeah, she's really as the people like to say she's she appeals to four quadrants. And you guys have worked together. Is this the, is honeydote, which is a film that you're, you both are in that you're the star of congratulations coming out very soon. And it looks so great and and is this the first time you've worked together with the two of you? Yeah, we met on set. I was, I've been such a big fan of hers for such a long time and I think parks and rec was probably my intro to her, which is just like one of the best shows of all time. And you guys together are so special. But I've, I've felt like I, I think she has that quality where you feel like you know, or even when you don't. So like I already loved her so much even for meeting her and I would have been so bombed if she didn't like me. I'm projecting on this on you. So I don't tell me if I get I'm getting it wrong. But you both to me seem like, you know, in some ways introverted artists and an extraverted business like do you, do you relate to that? Definitely. Yeah. I mean, it's like, you know, the classic case of a look at me. Don't look at me. Yeah, right. Everybody pay attention. Like, what are you looking at? How much show needs to make stop? What a life. Oh, so what was it like working together on set for, for, for those that don't know you guys are what is your dynamic in the film? And then what was it like working together? And then the film is I play this like swab detective and she plays this like cool cop and we kind of hit it off right away and it kind of feels like we've like met our match like I usually as a character feel like I'm in the power seat. And when I come across Aubrey's character, that's really challenged. And I think she actually is in the power seat. And on set, it's a really fun set. It's Ethan Cohen and Trisha Cook's movie and they're just great and like they're at once, you know, super accomplished and like these like great artists, but really don't take themselves seriously. So it's like a, it's a silly late back goofy fun vibe there. But, you know, Aubrey, I think, I think in order for somebody to come across, there's like, there's a lot to be so effortless, take some effort, you know, and she's like, she's, she cares like it in the best way. She's thoughtful and considerate and brought so much depth to her character and it was, you know, just kind of consistently surprising everyone with just, you know, her, her, the thing that she does. I think you bring up a really good point, which is, you know, she's, she started out anyway, especially on Parks and Rack playing like a very disaffected character, but the secret to that character and Aubrey is that she cares very deeply. And I think people like project on her that she's indifferent. And she's definitely not. No, I was wondering if you had a question you thought I should ask Aubrey on this day that you'd be curious to know about or like you want any topic you think we should cover. I don't know why the first thing that came into my mind was the Salem witch trials, but. Was she, was she in them? Is that the question? Yeah, what was it like being in the Salem witch trials? Margaret, we love you. I, I would love to get you in the stewed. Any, anytime. Okay. Oh, buddy. And, and I, you know, I, I know Plaza would, would, would be so happy that you did this and surprised and happy that you did it. And also, I know that you and many people in her life have been real big supports in a real circle of love during very tough times. So on behalf of her, I'm going to say thank you. And it's so good to love. Thank you for having me. I'm going to see you, cutie pie. This episode is brought to you by Volkswagen. Nice things shouldn't be reserved for people who use summer as a verb. They should be for everyone. You, me, the guy you're wedding who thought flannel was black tie appropriate, enter the 2025 Volkswagen T-Gwan. It's elevated stylish, luxurious and actually within reach. Did I mention massaging front seats and real wood accents? And you can visit your local VW dealer or VW dot com to learn more about the 2025 Volkswagen T-Gwan. Aubrey Plas is here and she has her sunglasses on and I'll say I'm off of you. Well, I do because they know, but we'll put them on again. Let me see. I mean, they look very cool. What are you doing? That's so creepy. Plas is here and her sweet dog Frankie is here too. When you wear the glasses, you do look very how it's turned. It's because my hair too. Right now, it's like. I mean, it makes you look cool, but as an interviewer, I don't love it. Oh, sorry. Your doggy Frankie is here with you, too. Yes. Tell us about Frankie. Okay. Have we started? Yeah. We started. Oh, and just like that Frankie is my dog. Her name is Francis. Right. Fox. She's named after Judy Garland. That's Judy Garland's real name. She's a good dog. She's a good dog. She got a little sick this morning. That's why I brought her. I'm not, I'm not like, I bring my dog to work kind of person. Yeah. So much. But she, you ever bring her on set for anything? Do you? No. But she's really like with you a lot. She is now. Yeah. Yeah. This is a recent, recent, this year recent kind of thing. She's like, she's like, she's like a therapy dog. Oh yes. In many ways. And it has always been for you. But it's really been. Yeah. She is. She's always been like that. Well, I mean, to just to get it out of the way, people want to see you. I want to see how you are. They love you. I know. They love you. And I want to see you. So you've had this terrible, terrible tragic year. Yeah. You lost your husband. You've been dealing with that. And you've been looking for all different ways in which to feel and find support. And I think I would on behalf of all the people who feel like they know you and the people who do know you, how are you feeling today? I'm, I mean, right in this very, very present moment, I feel happy to be with you. I feel overall, I'm here and I'm functioning and I feel you know, like I feel really grateful to be moving through the world. I think like, I'm okay. But you know, it's like a, a daily struggle. Obviously, this is like a really terminology, but and it was kind of a joke at a certain point. But like, I actually mean it. Did you see that movie, The Gorge? No. Okay. Horror movie? It's like a alien movie or something with like miles. Teller. Teller. But it's like in the movie, there's like a cliff on one side and then there's like a cliff on the other side and then there's like gorge in between and it's like filled with all these like monster people that are trying to get them. And like, I swear when I watched it, I was like, that is like, feels like what my grief is like where it's like, or what grief could be like where it's like, at all times, there's like a giant like ocean of just awfulness that's like right there and I can like see it. And like, sometimes I just want to like just dive into it and just like be in it. And then and then sometimes I just like look at it. And then sometimes I'm like, I just try to get away from it. But it's always there. It's just always there. And the monster people are trying to get me like miles teller. Yeah. And and on Nutella Joy. Yeah. Who on Nutella Joy to me is the is the is example of like the more beautiful you are, the more spaced out your eyes are. Yes. And Rihanna, um, who in that's how she says it guys. What? Rihanna. Yeah. Rihanna. Yes. Check out the clips not saying it ever. Well, Rihanna has is so beautiful. And her eyes are truly on the side of her head. Yeah. Just like a horse. Yes. And that's why horses are so beautiful. Well, I feel here's how I feel about horses. I feel like horses are fine. You hate them. I don't hate them. I don't hate them. I would love to talk about animals. No. Because I feel I feel like I I I think horses are beautiful and they're a little bit scary to me. And I'm like, I respect them, but I I'm not. I don't really want to be near them. And that's not how you feel about Rihanna. No, I'd love to truly like be in a stall with Rihanna and feed her sugar cube. She let me. I want to talk to you about many things today. Okay. Okay. But the first person I want to talk to is little baby Plaza. No. Why? Okay. No, I don't need you to act like a baby. Oh, okay. I just mean I want it to. We're going to do roleplay. We're in the real intense roleplay. No, no, no, no, no, no. No. Okay. No, but because I love little young Plaza and I feel like a lot of people don't I think a lot of people are like little young Plaza out there and they see themselves in you. But can you explain what kind of kid you were? Oh, okay. I was I mean, I think before I would say like before seven, I think I was like pretty shy. Like I was kind of like a quiet like, like, Lanky kind of freakish kind of kid maybe. Really thin hair like my ponytail was like, look like this. Just like one little strand basically. I would try to ponytails but your hair is really good right now. It's got thicker. It gets thicker. It's got eight pieces in. No. Shit. It's thicker as I get around. It's gotten really thick. Tina Fey, watch out, bitch. Watch out. Um, watch out. I'm coming for you. She's going to brush that hair. I'm going to be a real brush. No, nobody's going to be Tina's hair. Um, nobody. Watch me. Sorry babe. Watch me. I've seen that hair. It's incredible. Watch me. I was definitely around a lot of people like Hectic kind of, you know, childhood I think. So like I was a bit I wasn't like definitely an observer but like definitely living in my imagination. Like I could just imagine things all day long. Where did you grow up? Um, grew up in Delaware. Wilmington, Delaware. Um, yeah. I've ever heard of it. Nope. Never been. Never heard of it. Joe Biden. The land of Joe Biden. Joe Biden. Um, who we met. Yeah. Who we met. Oh, you've met many times. Oh yeah. But you know, for people fast forward to when we were in parks, we got to go when um, President Biden was in Vice President Biden. We got to go to a scene. And it was pretty, pretty exciting. It was amazing. It was amazing. It was super, super fun. And I've told this story before but Aubrey stole something from his desk. Yeah. I done. I stole. There was, we were getting a tour of his office and of the White House, right? Yeah. And I saw a little like Vice President monograms notebook piece of paper that said like Aubrey Plaza and then like three facts about me like Wilmington, Delaware, Ursula Academy. We met, we met blah blah blah because that's what the politicians all do. They get their little sure. And then you're like, Oh my God. How did you remember? You know, um, and I swiped it. And Mike sure was like, you cannot steal something. Do you think? And I was like, Oh, shut up, Mike. And he was like, we're literally in the White House. And I was like, we are and he didn't get in trouble. You know, no one ever knew. No one knew. I am kind of surprised that there's no like alarm system in there. There's nothing in there. It's like a house of, it is car. It is weird how janky the White House actually is. It is jankiest spot. I didn't see any cameras. And it is like, it's like SNL. Like you go in there, you're like, this is the White House. I know. Like this light's soft. You're like that the most disgusting. It's like, it's like a hotel room used by for a million years. I know. It is bad. It's weird. But you know, now it's going to be big and beautiful. I just be gorgeous now. Okay. So then you're in Delaware. What kind of shows did you do as a little kid? Like what were your like parts that you that you got to sink into? Baby Plaza Theater was the Wilmington Dromel League. I went there. My older cousin was doing the Crucible. And I remember just watching and being like, oh my god, this is so cool. And then I auditioned. I think the first thing. Oh, yeah. The first thing I got was Hansel and Gruddle. You played. Chorus tree. Okay. Tree number four. Maybe no small trees. Yeah. Actually, yeah. I was actually fun fact. I got my period on stage at the Dromel League. You just used it. Yeah. Yeah. Like, I'm an easy. I went. I started bleeding and then my cousin took me in the bathroom. I was like, what's happening? And she was like, I'm bleeding. And then I was like, get on out there. The show must go on. And then I did. And I was like, you felt totally different. You're like, my face is a woman now. Yeah. Yeah. It was awesome. That's exciting. I was mainly in the course a lot. Yeah. I always wanted to be, you know, like Annie or whatever. But I know. But the bigger, the big part that I got that like kind of changed things for me was I got the ugly step sister in Cinderella. And I really wanted to be Cinderella, like all everybody. And then, and then they were like ugly steps for it. And I was like, damn it. Because I know that's the better part. It was the better part. And it taught me, like I brought down the house with my song. And it taught me like comedy is where it's at. I was like, I'm getting all the laughs. I was like Cinderella sucks. I bet you have the same memory that I have is like, when you get your first laugh that you mean to get, like people laugh at you. But when you get a laugh that you mean to get, it's like becoming a vampire. Yeah. Like you're like, yeah. You're like, I'm fully realized. Yeah. I have all the power. Yeah. I can do anything. It's the best family. Yeah. Okay. Then you graduate. You go to NYU. Then I graduated. Then I went to NYU. So do you remember like, like arriving in New York City? And what that was like? It was crazy. Yeah. I was like, I mean, I was so ready to go to New York, mainly because of UCB. Which is, people listening as a sketch and improv theater that myself and Matt Besseree and Robert Smatwall started in '90. We moved to the city in '96. - And you were arriving when? - I came to the city in 2002. But like growing up, I knew about UCB before. You know, I went to New York and like-- - How did you know about it? Just curious, like-- - Neil Casey. I mean, we-- - Casey. - Neil is one of my best friends growing up is still one of my best friends. He was a bit older than me and he was really in a comedy. He showed me like Mr. Shoe and kids in the hall and like we got really into it. And obviously Saturday night live was like really big for me growing up too. So like we just, yeah, we were like super big comedy nerds and part of the reason I wanted to go to NYU and go to New York is to take classes at UCB. So that was like, I was like ready. I was like-- - And you were like studying and then taking classes at the same time you were doing both? - Yeah, I started doing it like immediately. - What were you majoring in at NYU? I don't think I know. - I majored in film. Like directing and writing. - More than almost anyone I know love studying, watching and talking about movies. - Yeah, I love movies. - I love movies. - All I need is movies. - I don't need anything else or anyone else. - But movies, what do you do with your phone when you're watching a movie? - Are you able to fully-- - You are. - I am. - I am and I'm not just saying that. I think I am. I'm also really not good at technology. I'm like a-- - I'm a real boomer like person when it comes to us. - Although I'm gonna say you talk. When it comes to technology, I have a memory that you've taught me many lessons. But I remember one time I was texting on the set of parks to someone who was bothering me or asking something from me. I forget what the situation was. And I was like composing this really long text and you grabbed my phone and you just typed no. And you said it. - Really? - You don't remember that whole-- - I don't remember that. - And it was very illuminating. 'Cause it was just basically like, really underneath it was like, first of all, don't be like beholden to your phone. Like, life is happening around you. And also you don't know anybody any long explanation. - Wow. - I know. - You remember that? - No, I feel like that's something you would do to me. I feel like you taught me how to say no. - Well, maybe I taught it and then forgot it. - Damn. - And then you did it back to me. - Wow. - Like a karate kid style. - Mm-hmm. Okay, so then you go to New York. Where do you live when you're in the dorms? I go to New York, my parents dropped me off on third avenue and 11th street. - Oh my God, I used to look pretty around there. New webster hall. - Yeah, I lived right on the third North dorms. And then I ended up moving. I got out of the dorms earlier than you're technically allowed to because there was like a mice issue. And so-- - There were too many mice in the, and they were like, you have to leave. Like the mice took over. - The mice took over to the point where I will never forget I was on the top bunk. And I was being very quiet 'cause I was like reading a book or something and like nobody else was in-- - You were as quiet as a mouse. - I was as quiet as a mouse. (laughing) And I literally was just like reading for like, I don't know, maybe 20 minutes or something and all the sudden there was a Thanksgiving day parade of mice. They were like having trumpets. They were like, (mimicking) and they all just started parading back and forth like selling things. And it was like a flea market. They came out and they were like, it was insane. I was like, and I was like, I couldn't-- - On your floor? - On the ground. - Oh, the floor. - Like in our clothes, like in our, it was like a messy room too. So it was like, they were just like, like they had like wearing my clothes. They were like running around dancing. Like they were just-- - There were like those Richard scary books. Remember those things were, it was like, they were like building. They were like in little cars. - Yeah, yeah, yeah. - Yes, it was insane. And I was like screaming. I was like, this is fucking disgusting. - And NYU was like, you gotta get out. - Yeah. - They were like, be quiet and get out. So I got out and then I moved, and then I moved right down the block to second and 11. I got in with these like older musical theater girls that like took me in. And then I lived there for a couple of years. - And then you studied at UCB. And then a lot of people don't know that you, well, I mean, I think some people know because you talked about it on SNL, but then you found, you got an internship at SNL. - Oh yes. - How did you get that? - I, so I faxed my resume. - Amazing. - Remember that? - That's amazing. - Where are you looking? - I don't know, I thought-- - I'm just looking over here. - I'm looking at my facts. - I imagined like, the-- - I'm looking at people. - I'm checking to see if I got any other faxes. - Hello? - Yeah, I faxed my resume at every department because there was just like a number, there was like a paper on some wall at NYU that had like all the department numbers. It was like 212, 667, 212, - 664. - Like, or 664, whatever. - 664. - 664. (laughing) - 212? - No, yeah. - I still have a 212 number. - I'm so jealous. - I wish I got in line. - I still have a landline. - That's nice. - Yeah. - But yeah, I faxed my resume to every department and I didn't get anything. And then on a Friday night, on the week of the 2005 season, I got a call from the design department and they were like, "We got your resume. Like, we need someone. Like, can you come interview?" And it was Regina DeChico, if you remember Regina. - Of course. - And I was like, yeah, I was like, I'm available. It was like Friday at like, I wanna say like 4 p.m. or 5 p.m. or something. She's like, "How about right now?" And I was like, "Okay." And so then I went up to 30 rock, like immediately saw Ben Affleck. - Sure, just there. - She was like, I guess, - Okay, I was hosting the episode. I just like, I remember how crazy it was just walking in the first time 'cause I was just interviewing. So I was like, I didn't know what was going on but it was a Friday night. So I guess they were, we're her blocking or whatever, we're hercing. And they had fired, the design department only ever had one intern couldn't cut it. Mainly because he wanted to be in design. - Yeah. - And they were like, you, yeah, you can't. - No. He was like, so the blueprints of the foot and they were like, get the fuck outta here. - Literally. They were like, fuck off. And he was like, and then I came in and they were like, do you care about design? And I was like, no. And they were like, can you start now? And I was like, yeah. What is the design part of SNL for people they don't know? Like what is the design? - Well, because it's a big, it's a very important part of the show. - You have to imagine the sets have to be built somehow. - Yeah. - And very fast. - Yeah. - Because basically, as you know, on Tuesday nights, the writing night and then Wednesday night is when all the sketches get chosen. - Yeah. - And so there's really only Wednesday to Saturday and then they have to figure out all the sets in between. I remember what I had to do was like, once the, I was there all Wednesday night, like until three in the morning or whatever. And then once the sketches were picked, I would, they would like send, they would be like, go in the filing cap, literally, in the filing cabinet and find restaurant number 72 or something. - Well. - And then I would like sift through and find these like, blueprints, I guess, for whatever. And then I would just watch them and they would like draw stuff and that's it. And then the other job I had was to take continuity photos. And that was cool, 'cause you guys would be rehearsing. And I'd be like, and everyone thought I worked there. I had a camera around whatever. And I just was like very quiet and just kind of like, taking pictures of the sets, of the plants, of the things. - I mean, it blows my mind plowsy. - Yeah. - That we were sharing. I mean, you were there. - I stalked you. - I think now about the people that are crossing our lives right now that are like in our proximity that we don't know yet, that it's, it's really cool that we were in the same physical space. - I know. - I didn't know each other. - It's so crazy. It still blows my mind. - And then you were giving tours and-- - I was giving tours there? - And a lot of people know that you just gave, you just made stuff up on your tours. - I did, yeah. I got fired. I didn't get fired, but I got pretty much encouraged to leave. Pretty quickly. - Yeah. - What were some things you would make up? Do you remember? - I mean, no, I don't know, like specific thing. I feel like there was one thing, this is when I was a page. There was one speech I had to give about, I guess it was Conan Studio or something, that studio and it was very cold and it was, there was just weird facts where they'd be like, does anyone know why it's so cold in the studio and people would be like, why is it so cold? 'Cause of the lights and I'd be like, no, because in 1956, they had penguins on the show and the penguins needed to be cold so they wouldn't die and they forgot to turn the heat down after that. So it's been cold since like 1956 and people would be like, well, that's interesting. - Okay, then you get your doing comedy, doing shows and we meet not on SNL, even though we're in the same building but we meet on the set of Parks and Rec and for people that don't know, you had a crazy week when you got hired. You got like three jobs that same week. What happened that week you were hired on Parks? - So I basically, I was like trying to get a part in Funny People, the Judd Appetite movie with Seth Rogen and Adam Sandler and I went through kind of this whole vetting process in New York and then enough where Allison Jones who cast that movie and Parks and Rec was called me and was like, all right, you made it to the chemistry read stage. So we have to come out to LA and read with Seth and see if you get the part basically. And so, but I didn't really have an agent or anything and I kind of had to like pay my way, you know, to go out there. So it was like a little bit janky, but I got myself out there to do that. And then while I was out in LA for that week to do the funny people thing, Allison was like, how would I send you on some other things? Like, how do you feel about that? And so, yeah, so one of them was she wanted me to go meet Mike Schur and Greg Daniels who at the time were shooting on the office and they were shooting, they were on the set of the office. So she sent me to the set of the office. And I didn't even, I guess at that time I didn't realize like, I didn't think like, oh, I could, these meetings will get me a job. I didn't understand. I mean, one of the things of being young, that's kind of nice is you're not really aware what you're actually like, what's at stake? No, definitely not that. I mean, if it was an audition, obviously, I know like, all right, I'm going to get the part or not. But like general meetings, I didn't really get the vibe of that. How old were you then? I was 24, 23, maybe. And so then I went to the set of the office and I was so star struck, I see in my horse eye BJ no fucking and Mindy Kaling walk by and I was like, oh my god, I was like, they're in the show or whatever. And Mike Schur is like, hello. And he's like at his desk like, and I'm like, what? And then I just met him for like, he describes it. He really embellishes the story. He loves this story. He loves it. And then I met the weirdest person. I'm like, there's no bigger fan of Aubrey Plaza than Mike Schur. She have right. He loves it though. Because I think like, I mean, it just speaks to honestly the fact that you've always been yourself, confidently yourself. And you don't have a vibe of like, you don't, you are the opposite of a pick me as the kids would say. Like, you do not have that vibe. And that draws people in. And I think he was like, who is this person? Yeah. Who seems mad at me? Yeah. I try to give her a job. Yeah. Literally. And why are you wearing jean shorts in a general meeting? Like ripped jean shorts? And you're like, I didn't know what this was. No. And then I got a phone call and they were like, you're on a TV show. I'm like, what? No. But then which one? I know. What you're like the office? Yeah. I literally probably said that I didn't know what was going on. And then they were like, actually, you got the part, but actually, you have to audition to play yourself. You don't have to name names, but I wonder who else was up to play you. I don't think that anyone. Oh, right. I think I just won person. I think they just made me do it like for the network or something. Yeah. I think I found out later. I mean, maybe not. I don't know. It's probably like, you know. Yeah. It was you. Sharon Stone and Gina Gertian. Yeah. So you get the part. We're on the set. And then like, I mean, we could do a whole, obviously, we could do a whole episode about our experiences there. And there are so like, I mean, I don't, the best thing about our relationship, I feel like is I don't like, like, like a lot of, I think, long lasting relationships is you don't always like, remember how you met? Like, I just remember like, just, I just have this vision of you being next to me on the set of that show. And me being like, welcome, like, you know, Leslie was supposed to be like welcoming April. And April was supposed to be like, what am I doing here? And Amy was welcoming Aubrey. And Aubrey was like, what am I doing here? Truly. Yeah. I mean, I remember when we first met. And it was, I think I told you this story. It was the promos that we shot. That's right. And, which was weird because we hadn't shot the show yet. And the rest of the cast hadn't even been cast yet. I think at that point it was just like, Aziz, me, you, maybe, and Rashida. Rashida, yeah. I don't think we had Nick yet or. I don't think so. But they had me and I was there, like physically there. So they shot this promo of us on a swing set. And that's when I met you, like, officially for the first time. And I think I was literally on a swing, like a child. Like, and I was like, and I was like, just don't make any sudden movements. And then, except swinging. And then you, which is kind of good because swinging is really good, semantically. Yeah, for me, like I liked. But then, yeah, you came over and we were both just swinging, like, little babies. That's how we met on a swing. We met on a playground, which is kind of nice. Really nice. And it feels like the show was that, like, it was, it felt like a true, like, play ground space. It really was. Like, we, I mean, I loved and loved working with you. I love playing with you. I love acting with you. I love you as an actor. I love you as a person. I love your acting plasie. You know how good I think you are. And I feel like our dynamic, like the arc of, of, in many ways, like, April had the biggest growth in the show. She goes from truly not wanting to be where she is till, like, you know, ending the show, like, with some kind of purpose and love in her life and, like, some, also, like, she kind of stands up for what she doesn't want to do, which is a big part of your 20s. But when you started that character, when you started her, did you have any idea where you thought it would go? Did you have any, you know, did you see? No, no, I just, no, I think I just, once I realized, like, oh, what's the point? What's so fun about this character is that, like, it's a game of not showing anyone that I really care. Yes. And, like, once I've locked into that, it was a real, like, it felt like there was no limit to, like, the growth or, like, what could happen? Because if you hint that there's something else going on, it's like, you can kind of play with that. And also in different ways with every different character. So I feel, like, maybe on an unconscious level, but I felt like, oh, there's so much to play with, even though it feels really subtle and simple. Yeah. That was her secret as she cared, but she pretended she didn't. And so when it would pop out, it was so satisfying. Yeah. So funny and good. And the ways in which she tried to keep those things hidden were so funny. Yeah. And then I think just the Andy April thing was such an organic, like, I had no idea that was going to become a thing until that one episode. So let's talk about that. So Andy played by Chris Pratt. And you, April and Andy had an episode where a bunch of us were off, like, doing the, like, a harvest, we're at the harvest festival. We're at the festival. Where are you guys? We were doing something together. Yeah. Or you were like camping or something. Oh, maybe. Oh, yeah. And so they put you guys in the office and just said, like, let's see what happens to these two characters when they hang out. Yeah. And basically the chemistry that those characters had was the building block for why they eventually became like the real romantic love story of the show other than Leslie and Ann. Yeah. Because Ann doesn't deserve. Don't talk about it. Sorry. But what do you remember of that day? I have a bit, well, Greg Daniels directed the episode, which I will always remember because he was so delighted. Like he had such a little kid energy. And he was so, he just was like very willing to like, let's just try things and we had a whole day where we're just playing it. It was like kind of like what you said, like the office, like the bullroom or the bullpen. Yeah, the bullpen. Yeah. The bullpen. The bullpen, like, became a playground. And I just remember I have an image of like us sitting under the table. We were like under that main table for a while. Like I don't even know what we were doing down there. But we were under there. And I just remember, I don't know. It just felt, it was so fun. It just felt like I remember before then there was, I think it was like the finale of the maybe the first season. I don't remember what season. But there was a very subtle moment where we're all in a group. We're in a circle. And Andy's like saying something about his band or he's like something about like, I think like this band name is cool or whatever. And everyone else is like, no. And April's, and I was just like, I like it. And it was like an improvised thing. But I remember that where I remember being like, and then I remember like knocking on Mike Scher's like door and being like, listen, I was like, April loves Andy. And April thinks Andy's cool because he's so not cool that he's cool. Do you understand? And Mike was like, get out of here. And I was like, you bet I'd listen to me. And then you did. You knocked on the door. It was like, I'm yeah, it was more like just like little conversation. But it was like, it was like a layer to that character because you become his advocate. And that's the part of April that is like another interesting layer is like, again, she acts like nothing matters. And she's completely disaffected, but she's actually very fiercely loyal. And like sticks up for people she believes in, which I think is a character trait of YouTube. like you're a very loyal friend. - Yeah. - You're a really, really protective friend. And you really stick up for people who you love. And that side of it was so great 'cause then we got to see her manage him, care about the band, see potential for him that he didn't see in himself. And he was just like, I can't believe how lucky I am. And I remember when the writers had you guys get married, we were all like, what? - I know, that was insane. - That was, what do you remember of that day shooting it? - We, there was a lot of crying, you cried. - I mean, I love her wedding. - You cried. - I remember you like cried in the kitchen and then you were like crying like off camera and I was like, stop. - I cried that much. - Yes, you did. You like literally cried all day. It was so weird. - I was so happy you were in love. - You were like crying all day. - There was like, I was like, - I was not crying all day. - I was like, we're not even, the camera, I was like, we're in my trailer. Like, why are you doing this? And you were like, how do you feel? I'm like, oh my God, no way. - I'm ordering a salad for lunch. Like, this is my job. - I was crying because you were crying so hard and I was worried that we weren't gonna get the shot. I was crying because I was sad and how much you were crying kind of things. - I think that you thought it was real. - Yes. - I assumed it was legally finding, yeah. (laughing) But it was so good. - It was good. - And the vows were so funny. - Yeah. - And the wedding was so stupid. - It was so stupid. (clapping) (clapping) - Okay. I mean, I guess like, when do you watch, have you rewatched Parks and Rack? - Nope. - What? I'm finding this out. Okay. - I wouldn't even know how. (laughing) Shut up. (laughing) - Okay. Okay. You asked me how. - You've never, what? - The big giant screen that you watch your movies on. - How does it work out blue-pluglies? - I wouldn't go to, go to, go to what? - Type in where the search is. - How? Someone tell me. - Peacock. - No. - Yes. - Yes. - Go there or go to iTunes. - I wish I knew how. - Or go to, you know, just pick up your controller and just switch one. - Which one? - Rack into it. - And it'll come up. - Okay, it's probably not the right one. - Go to your DVDs. You love your DVDs. - I wish, I had one right now. - But see, you've never rewatched it? - No. - I don't know what's wrong with you guys. I, if it comes on, - And I'm sorry, and I would tell him, I literally throw something out. - No. - I throw it. - Adam says, Adam says, watching the show makes him sad. Nick has told me he's not rewatched it. - Lyer, he jerks off to it every night. (laughing) - You know he sits there and like, touches himself. (laughing) - You're so right. He's got it on right now. - He's making me. (laughing) - Shrek, Tammy. - You're right. - He does watch it for Tammy. - This fight is real life. - Megan Malali. - They get off on that. They watch it. - They watch it. - You're so right. - They watch it together. - They're sick. - And they're just slap each other in the face. - They're disgusting. - They're just so disgusting. - Nick, I know you're listening. You're not foolin' anybody. - I remember like that episode with April and Ron, that very first thing. We got to play together. Remember like knocking on his door and being like, I canceled all your meetings today or whatever. And it was just the silence. The silence is between us. - The thing that I love so much about Lesley and April's relationship is that Lesley had a plan for April that, and she kept kind of whispering to April. You know, like 2016, a version of like feminism, like you can do it all, you can do it every one. - She was like women belong in the kitchen. That game I love to play. The Trot wife. - So nice. - She was always like, - I mean, Nate was like, - We must respect our man. And Lesley no, we'd be like, no, April no. She'd be like, you must bend over for your man. - I feel like you, did you improvise that? - It feels like something. - I can't remember why. - Two more things about parks. What, we had so many fun guest stars come in. And like, you connected with some of them in interesting ways. - Yeah. - Who do you remember just like, love, like just being like, oh, I just like, loving the, because I feel like my job on set was to be like, oh, welcome. You know, and you got to just come up later. - Yeah. - Like, what do you think of this? - Yeah. - You definitely like, it's kind of crazy around you. - I don't wanna see something insane or whatever. (laughing) Yeah. - Yeah, you were really cool. - I mean, one of the ones I'll never forget is Patricia Clarkson. - Yes. - Totally made out with her. It's never made it on the show. - We should wear a tie. - Oh, sure. - Yeah. - Sure. - Yeah. - Sure. Although, Patty would probably be fine with both. That was incredible. - Yeah. - And April really fell for Tammy one. - Yeah. - Yeah. - Yeah. - She was Tammy one. - Yeah. - One could argue that Ron's mom was the original Tammy. - Oh, right, right, right. - Played by Paula Pell. - Yeah. - Oh, yeah. That was a good one. - Tammy, but she was Tammy one. And Malali was Tammy too. - Who else did you love? - I loved her. - Fuck. - My brain is so broken. - Okay. - Remember Sam Alias? - I'll throw some people out. - You love Sam Alias. - Sam Alias. - Alias always positive. - I love Sam Alias. - You love the actor, the played Orin, on Parks and Rains. - Oh my god, Orin. - Remember Orin? - I loved Orin. - I loved Orin. - He was so funny and so weird. - He was like a vampire boy. - Yeah. - That was always lurking in the shadows. - Eric Eisenhower. - Eric, played Orin. But Eric wasn't really the vampire boy, I think, in real life, but he-- - No, but in character. - But he was very like method. - Yes. - And I really appreciated that. Even when we weren't shooting, he'd be kind of like, did you try the hummus? Or whatever, and I'd be like, yes, Orin. - Yes, whatever. - Who else? - You also helped us, you helped us secure the mayor party. - Oh yeah. - You really helped us get Bill Murray on the show. - Bill Murray. - How did you-- - All you have to say to Bill Murray is, you're playing a cadaver. And he's like, I'm it. (laughing) Do you remember one? I don't know if you remember this, but do you remember when Chris Bosh was on the show, the basketball player? Chris Bosh. He was a Miami-He player. - Oh, yes. - And he was-- - Was he in like-- - We all had like different basketball like Roy. - Yeah, we had Roy. - We had-- - Yeah, Chris Bosh. - Yes, he was-- - He was with like Aziz and-- - Was he like-- - John Ralfield. - Yeah, EnergyAid at 720. - Yeah. But like, I don't know if you know this story, I was a very quick story, but it was so stupid, but I was a really big Chris Bosh fan. So like, I was like, oh my god, like I can't believe he's coming. Like this is insane. I was like, I want to play a prank on him. Do you know this? - No. - And so he had to go through hair and makeup, but you know, he-- I think they had very little hair and, you know, whatever. - Yeah. - Didn't need makeup because he's a guy or whatever. But you know how they always put them through the works anyway. - Yeah. - So I was like, I'm going to pretend to be the hair stylist. And I think it was a Terry, maybe it was in there. And you know how she had those glasses or whatever. So I was like, Terry, give me your glasses. Or I can't remember whatever. And I'm thinking like, this is going to be hilarious because it's going to be me and it will be like, ha ha ha, it's you. So I like pretend to be Terry. I'm like at her station. And then he goes through like makeup first and they're like, you look good, you know, a little powder and you're good. And then he like went and he was like, yeah, yeah, thanks a lot. And then he sat down in my chair and I was like, well, and I looked at him and I was like, what are we going to do today? And I was like doing like a dumb thing and he didn't make any eye contact with me. He was just looking down. And he was so sweet. But he didn't make eye contact. He was just like, yeah, whatever you think. Oh, no. And you were like, and I was like, well, I think that you're looking pretty good, sir. And he'd be like, yeah, I'm so good. All right. And I'd be like, well, you're not that good. And then I was like, I just got to going and someone videotape to it. And it was so awkward. Didn't recognize me at all. Didn't know who I was. Don't think he ever knew who I was. I mean, not once. Chris Bosch isn't going to be watching the show before he comes again. He didn't know. I was. He thought I was a. He thought you were a hair person. And like the pies are like, we really need a mom set. I'm like, well, he's almost done in my department of hair. And then basically it just died. And he never, you never know. Well, Chris is probably listening. Never know. You know, never know. Did you even work with him on set that day? Nope. Never saw him again. Literally never saw him again. Ever in my life. Oh, my God. I mean, people should know you're a big basketball fan. Yeah. I mean, you're a big, big, big, big, big fan. Yeah, love it. You're a big, liberty fan and many other teams. Yeah. What do you like about basketball? What do you like? You're good at basketball. Thank you. Welcome. I grew up playing basketball. I just love the game. My sister and I, we just were ball ball and kind of family. My dad was like coaching our teams. And I went to an all girls high school in Delaware called Irson Academy. And we were really known for our basketball team. We would be the best in the state. Elena Deladon went to my school. And she's one of the best WNBA players ever. So I just kind of grew up loving the sport. And then, yeah, my sister Natalie really introduced me to the W. And it was kind of before the kind of Caitlin Clarke effect as they call it. Sure. She, even before that, before that, we joined a women's basketball league in LA. And there was a lot of parks people like Alison Becker, a lot of comedians. Shot them all away, Tweet. Shot them all away, Tweet was on one of the teams. And there was a whole movement around that time, like 10 years ago in LA where just women were playing basketball and really playing. And it was so fun. And then kind of after that, I tore my ACL on the court. That's, I mean, and pretty balleray. Yeah, I mean, it's happened twice. Did it again last year? I know. It's, it's, it's very cool. Thank you. I know it's the biggest pain in the ass. Like it's a nightmarititary race. But like being iced on the court, it looks cool. Yeah. Yeah. Well, the first time it wasn't so cool because I was actually playing in, I was wearing a wig and I was playing in disguise. And truly, you were pretending to be the hair department. I was, yeah, I was pretending to be Terry on the court. Okay. So we got to talk about your other stuff. There's so much stuff that you've done. Like I, you, I don't even, I don't even know where to start plows. You're such a good actor. I, you've done for people that perhaps don't know. You have done a million gazillion movies. You've been in white Lotus. You've done Emily the Criminal. What are my favorite performances of yours? You've done, you've worked with them. What's his name? You know, the most famous, we work with Michael. Robert De Niro. Robert De Niro. You've worked with the other Mike Bobby De Niro. You've worked with the other guy Coppola. You've worked. You've been in his movies. Yeah. You've been in, um, you've been in like incredible, incredible black bear. You've been in, I mean, I, I, I should know your IMDB. It's enough. Is that enough? Yeah. I feel like it's not, it just scratched the surface plows. So I guess my question to you is, and it is a genuine question. Hold on. Agatha. We, I, down, down, down, down, down my witches, roar, roar, rode. I mean, a lot of people think that you were playing yourself in Parks and Rec, but is it true that you were actually playing yourself in Agatha? Of course. Yeah. And I think that was the most, um, the most blurred the lines I've ever gotten for me. Yeah. When I was holding the dagger in the woods. I mean, that was so exciting to watch. I mean, that, that, that part was bananas. It was crazy. And, um, the, the response to that show, talk about your hagg heads. Talk about my baby hagg's love that shit. Baby hagg's. Sorry. They're called baby haggs. Please. Excuse me, baby haggs. Um, people, I mean, there's something about you. That like is just which adjacent, like you're organically have a witch five is sad. You were called that early on. Like, what is it about your fascination? You've written about the Christmas witch. Mm-hmm. You've played a witch. Christmas witch is your great children's book. And it's a great book, by the way. Thank you. Um, you and Murf, um, you know, we have a new book coming on. Ooh. Um, that just came out on the shelves right now. Oh, tell us about it. It's called Luna and the Witch. Throw a Halloween party. It's a Halloween party. Yes. What do you love about? What is it about that witch, your production company is called Evil Hag? What is it about witches? I knew. I, you know, it's like, I can't pinpoint exactly where that seeped in. But I will say, I grew, I think where I grew up has a, there's a witchy vibe in the woods of Delaware. First of all, it's an old state. The first state, in fact. And so I think I kind of grew up kind of always, I don't know, feeling witchy in the woods. But also I think that there's a blood, a bloodline thing happening, you know, in my family with the women and my family, I think. Wait, say again. Like I think I feel like I have ancestral like which, which is in my life. Like for sure. You really, your family feels like a matriarchy. Like you have sisters, you have really strong women in your family. And it feels like that's been, that feeling has been passed on. Definitely. On both sides too. On both sides. Yeah. Right on your dad's side too. And I have like a bass, a blood. And, and I found out about this years ago when I went to visit, I went to visit like the area where supposedly like some of my families from. And there's this town called Zugat-a-Manty, which is on the border of France and Spain and Northern Spain in the Basque region. And it's apparently where like all thousands of witches would like convene in these caves, which I went to visit. And, and like the, you know, we talk about Salem witch trials like that was like 200 witches. What, you love that shit? Boston. Well, what? It's funny that you bring up the Salem witch trials. Why? Because we talk to Margaret Qualley today about you. You do. Yes, who is so nice? I know. I love her. I know. She loves you. I know. We have a really sweet little connection there. And we got to talk about, you know, it's my favorite part of this in many ways is to hear, is to talk well behind someone's back. And she was saying, which, you know, I know firsthand because of the love and support I feel from you and our history together. But she was talking about how like you are real girls girl. You are like, you know, you really support women. You love women. You take good care of them. You feel supported and loved by them. And you surround yourself with really strong, interesting women who, who, who you learn from and teach to all the time. And, but she, her question was, what were the Salem witch trials like? What is that? That's what you're talking about. Honestly, they were fun. Alexis. They were fun, Alexis. Alexis, they were fun. They were fun. They were hilarious. Everyone was freaking out. And I was just like, you guys are like so stupid. I definitely can see you back in the day being honest. I would love it. What do you think that was the best part about playing a witch on Agatha? The best part for me was just like cackling. Because I had this one scene, like this one part of the end where like, and I don't even know why, but it was, I think, cackling, there's something about cackling. I swear that is like really therapeutic. Well, it's probably somatic. Like you've mentioned. It's like screaming. Yeah. But it's like, you, you think like, why are witches cackling? Where has that come from? I feel like it's must be some old, timey way that women were like working out their rage. Because I'm not very tapped into that, my rage and whatever. But like when I really let loose and am able to like cackle or whatever, like it's, I don't know, it's just, it feels good for me. And I really took that and ran with it and like the scene in Agatha where I'm like sitting, like sitting on top of the house. And like, and I'm on a wire because I'm like flying down there and she's down on the ground going like, you know, I'm like screaming at me. And I was just like, no. And I was cackling like crazy, but I went really crazy with it. And it felt good. It felt good. It felt really good to just be like, just let loose. Speaking of Margaret quality, movie honey, don't. Honey don't. You're in it with her. Yeah. And who directed it and how did you and how did tell us about it? Mr. Ethan Cohen directed it of the Cohen but others and Ethan wrote it with his wife Trish, Trisha Cook. And how did I get involved in it? I got it. Like how do you pick? Why do I mean, I find you're the way you choose parts really interesting. How do you choose what you're going to do next? I mean, I think it's just, it's a, I mean, a lot of the things that I do, I feel like are somewhat self generated because I produce like five movies and, you know, I read scripts and, you know, I've done, I like that approach. You develop things from the ground. Yeah. Like, I mean, I did that really. That's what I've done a couple times. But then, you know, as an actor, you also get offers sometimes. Yeah. You know, but I think people think a lot of times that like actors just like sit there and wait and are sifting through like 10 offers or whatever. But it's never like that. It's always kind of different than that. But this one, I don't know how I choose. I think a lot of it's kind of has to do with like what I feel like kind of diving into energetically or like character wise because I tend to really like go there. And so I don't, there are certain things that I just, even if the script's like really good or if it's like you got to work with, you know, Glenn Powell or whatever, it's like I don't, I know, but I don't want to. You got it. I can't. You can't. No. He's neighbors with Jack McBrayer. All right. Fine, I'll do that. I'm definitely interested in like doing the opposite of what I just did. Or like, you know, the honey don't thing to me honestly was like mind blowing that a Cohen brother wanted to work with me, you know, I was like, oh my god. Honey, everybody wants to work with me honey. Tarantino, where the fuck are you? - Tarantino. - Closer Quentin. - Do your earmuffs. - If your list's close to earmuffs. Tarantino, I'll do it. - No. (audience laughs) - I'll do it. - Tarantino. - Absolute Tarantino. - Anything you want. - I am her manager. - Tarantino. - I am her manager, she will not do. - Ring ring ring, the fate are off the table. - Tarantino. - I'll do it. It's Obrich. - You can't. - Guess what? I'll do anything you want. - Okay. - It's extra for the feet, huh? - Make it in heels, Tarantino. (audience laughs) - Get a good, I need a immediate call from Quentin Tarantino. - Good, can't wait. - God, I can't wait for it. Whatever is the scariest shit he's gonna make great. - We put me through again. - Don't care. - You think I didn't care before? - How about now? Definitely don't care about anything. - No, Quentin, no. Okay, but so you, but this brings me, (audience laughs) but what do you like? 'Cause you have work with a lot of different directors. You work and you, and do you want a direct, right? - Yeah. - I mean, you have directed already, but you want to do that more. - Yeah, I mean, I've never directed a movie. - Well, you've directed TV. - No, right. - You have it? - Well, I directed, yes. I directed an episode of a showtime show called Cinematos that Jeff created. And it was a, during the pandemic, and it was a really, really cool show, and I loved my episode. Unfortunately, I don't think you can watch it, and why I don't think it exists. - I think showtime literally just erased it. - It's kind of weird about some TV. Like, we were making jokes about how to find parks, but some TV just is like, it's gone away. It just goes away. - It's weird. - I mean, I guess when I was growing up, that is what happened with TV. You couldn't watch it again. - Yeah, that's true. - But it just went away, but now it feels weird that it goes away. - Yeah. - Yeah, no, I haven't directed it. I want a direct to movie, but I'm skilled. - Girl, I know, but you know what it is? It's like I want to, I know, but it's like I want, I'm a little bit like, I'm being too precious about it. - Yeah, yeah, yeah, yeah. - You just gotta just do it. - But I want to have something to say. I have something I want to say. - I want to shut up. - I mean, I want to say, what? - Sorry. - What? - Sorry, I interrupted what you wanted to say. - I literally don't want to say it. - I don't want to say anything. I want to do a movie where I say nothing. How about that? It's called "Sign Fowl the Movie." (laughing) - Okay, and so what would be like, as we wrap up, back to movies, what are the movies that like give you, what are the movies like, what are your comfort movies? - You know, speaking of comfort, just a reminder that Frankie's been asleep under your chair the entire time, best dog ever. - Best dog ever. - Dakota Johnson was on and she brought her dog. - She thinks she better than me. (laughing) - Sorry. - No. It's not a competition. Frankie wins best dog, for sure. - Yeah, she does. - Okay, but comfort movies. - Convert movies. You've got male. - Love you, got male. - Speaking of Tarantino, on his top 10 favorite movies of all time. - Yeah, but guess what, if he made it? - What? - It'd be like, if you got male, you opened the envelope. There's a finger in it. - No. - He would never. - Oh yeah. - He would never. - Okay. - You've got male, I love that movie. That's like a real comfort movie when Harry Monsali. I think like a lot of like 90s, like romcoms are really comfort movies for me. Like I grew up like on all those movies, like sleep with Sinciado. And just so much to play in recently, "Parenthood and Moonstruck." - And then we got "Moonstruck" as. - "Parent's so good too." - Love "Moonstruck." - "Moonstruck." - Okay, and then I ask everybody this, like, and this is maybe, you know, this is like, take some more import for you this year, probably than other times, but like, what do you, what makes you actually laugh? What do you do when you really want to like, deeply laugh? Where do you go? Do you watch something? Do you read something? Do you go to friends? Do you? - Mm. - Like, I mean, there's certain, I would say there's just certain people that make me laugh. I don't laugh a lot when I watch things. - It's like a question of, I've asked a lot of people, 'cause to me it's like, it's basically like, how do you, how do you stay? - Happy? - Above the line. - Laughing. - Mm. - How do you stay on the cliff? Not in the gorge. - Mm. - Mm. - May I tell you what I've observed that you've been laughing at? I do feel like, I feel like the, the way in which your friends know you and you know them, like the way you like create family and the way that you feel like safe around people and the way that you can like laugh at yourself. You have a very good sense of humor about yourself. - Yeah. - Like, you're able to get teased really hard and you love to tease. - Yeah, I like teasing you. - I do too. And then it's, I think it's a love language. I don't know if it's East Coast, I don't know if it's whatever, but like to me, like the more comfortable I am with someone, the more I want to tease them and want to be teased by them. - Yeah, I would say, yeah, like my closest friends, like like Bombardo, you know, my all, my group of my women friends that we were in an all-girl improv group, but then we turned it to a coven, legit. We call ourselves Bombardo, like we do, we have like a text chain and we do like zooms and we do like trips and those girls make me laugh really, really hard. Also, we all know each other for so long. I took my oldest, that's the best thing that makes me laugh. It's just funny, all my funny friends. - Well, Plasi, we did it. - We did? - We really did it. - Okay. - Great job. Thank you for doing this. It means a lot that you came. - I got the part. - You got the part. You got the part of yourself. - Okay. - Finally, after all these years. - I need to show you an audition for the part of you in the podcast and congratulations. - Thank you so much. (audience clapping) - Thank you, Aubrey Plaza, aka April Luddgate. My daughter, sister, wife, friend, and we all wanted you to be here and we're really glad you are. And that was so fun and funny and always a good hang with you. So thank you for coming. And today's polar plunge, I just want to talk and just remind people of the beautiful films that Aubrey Plaza and her late husband, Jeff Beena, made together. They include little hours, life after Beth, spin me round. They're all really great, beautiful, funny films that you should check out and check out Jeff Beena's work. He's an incredible writer and director and his work is really special. And it leads me to say that if someone you know or you yourself is struggling emotionally or thinking about suicide, you can call the National Suicide and Crisis Prevention Lifeline at 988. If you're outside of the US, visit spotify.com/resources for information and resources. (audience clapping) - You've been listening to Good Hang. The executive producers for this show are Bill Simmons, Jenna Weiss-Burman and me, Amy Poler. The show is produced by The Ringer and Paperkeye. For The Ringer, production by Jack Wilson, Kat Spalaine, Kaya McMullen, and Alayezan Eres. For Paperkeye, production by Sam Green, Joel Lovell, and Jenna Weiss-Burman. Original music by Amy Miles. ♪ All I ever want is a really good hang ♪