‘Aliens’ With Bill Simmons, Chris Ryan, and Sean Fennessey
141m 4s
James Cameron’s *Aliens* is celebrated as a landmark in science fiction cinema, reshaping the genre with its gripping structure, emotional depth, and technical mastery. The film follows a narrative arc that mirrors a roller coaster—building tension slowly before erupting into chaos—where the audience experiences a relentless, immersive journey. Unlike its predecessor, *Alien*, *Aliens* centers on Ellen Ripley, giving her a rich backstory, emotional stakes, and personal motivation that makes her the true protagonist. The film’s success lies in its meticulous attention to detail: the sets feel lived-in, the creature design (by Stan Winston) is iconic, and the sound design—especially the alien’s scream and James Horner’s score—creates a visceral, unforgettable experience. It also reflects deeper themes of corporate hubris, control, and the dangers of unchecked power, echoing societal fears from the 1980s, including Vietnam-era trauma and Cold War anxieties. Its influence extends beyond genre, shaping future sci-fi action films like *Jurassic Park* and cementing Cameron as a visionary filmmaker whose work redefined storytelling, action sequences, and visual realism. The rewatchable highlights not only the film’s technical brilliance but also its cultural resonance, with fans noting how it stands apart from typical sequels by offering a fresh, character-driven narrative. The discussion also touches on the legacy of key cast members, such as Sigourney Weaver’s powerful performance and Bill Paxton’s memorable, underutilized role, while acknowledging the film’s complex production history, including production delays, creative conflicts, and behind-the-scenes decisions that shaped its final form. Ultimately, *Aliens* is seen as a pinnacle of cinematic craftsmanship—both in execution and in its ability to resonate across generations.
the rewatchables brought to you by the ringer podcast network where you can find the big
picture with sean fantasy yes sir you can find the watch fucking car himself chris ryan wow
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a hostage video so that's good and it is the 48th anniversary the summer of one of the most
requested rewatchables in the history of the rewatchables aliens a movie cr side-eyed me on
many times yes just wondering when it was going to happen threatened to quit over i said i would
definitely quit if he did it without me and i would quit if there were certain films that came
before it but then we blew
past that with with the summer of 26 well now it's the summer of cr it's the year of cr and
aliens is next this episode of the rewatchables is presented by the movie mutiny only in theaters
august 21st our guy jason statham stars in mutiny the new action thriller from the director of plane
i like that movie when an international conspiracy turns deadly that always happens statham goes off
the grid on a one-man mission i love one-man missions to take down those responsible and if
you're a fan of the beekeeper the bag or the expendables guilty this is exactly the kind of
movie you want to see statham in you've sold me one of the defining action stars of the last 25
years doing what he does best i agree with that think die hard on a boat that sounds great
mutiny only in theaters august 21st rated r for strong bloody
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aliens
so
producer walter hill
very fond of his work one of your guys yeah right there um he said james cameron said if if
alien could be compared to a haunted attraction aliens should be like a roller coaster that was
the premise it's also the structure of the film yeah it's like literally like how it feels watching
that movie where that whole first hour it's an hour until you see an alien and it's going up
it's going up it's going up getting to know the guys sitting next to him okay a pone okay drake
frost whoever and then when it goes down it goes down hard and it then does a loop-de-loop and you
get like one minute of like okay it's chill it's chill it's chill and then it goes down again and
it's people are throwing up yeah it's relentless people are passing out and that's just roger ebert
yeah weirdest review i think he's ever that i've ever read in 452 rewatchable it sounds like he was
legitimately traumatized by the movie it really did yeah he was like that was amazing i never want
to see it again i'm not gonna watch it again i'm not gonna watch it again i'm not gonna watch it again
and think about it do you remember having that reaction do you see it in theaters i saw it on a
date which is weird on a date really yeah did she express an interest in xenomorphs it was summer it
was the movie to go see um everybody was talking about it and uh yeah weird date movie not a lot
happened after you didn't get to set the base no you know ironically at the front door it is a
movie about procreation and motherhood i know you'd think maybe
she would have some ideas about what could happen afterwards over the shirt stuff maybe yeah
i do remember i do remember where i saw it i remember everything about it and i remember
just not being able to understand how they made a movie like this this was like i think we and we
talked about this with other ones from the 80s like the terminator ahead of their time but still
felt very 80s this is like there's no like there i wrote down movies they made in 86 like this is
star trek 4
top 10 movies that made it to the top 10 movies that made it to the top 10 movies that made it to the
Top Gun, Cobra, Hoosiers, Back to the Future was out the year before,
but it still felt like we were in the 80s.
This went into the 2000s, and I still don't understand how they made it.
It still looks good.
Looks incredible.
Do you like the 4K transfer, or do you like when it's grainier
with the old way they had it?
I think he overcorrects Cameron with a lot of the upgrades that he does,
and I guess he's been upscaling the stuff to make it look a little bit too clean
and too polished, but there clearly are some scenes where they're using
rear screen or blue screen behind, and that stuff looks better.
When I watched that stuff on VHS when I was a kid, it looked fake.
Yeah, the drop ship crashing looks like Jason and Argonauts.
So that stuff looks better, but then there'll be stuff where you're watching
just an individual scene of two people talking, and you're like,
this looks too polished and shiny somehow.
But generally speaking, the fucking sets and tech
and creativity.
The features that they built for this movie, all of which are hand-built.
We had this conversation about speed.
It's the same thing eight years earlier.
It looks amazing.
It looks so real and lived in and wet and gross.
And well thought out.
Yeah, it's just. Immaculate detail everywhere.
I watched it on a streamer the first time.
Not Netflix, although it is on Netflix in September.
And then I watched the 4K the second time, and it was just so many things.
The set was really what jumped out, and just the detail.
It's nice.
What's nice about the 4K and what's nice about watching it
on a really good physical media copy is that
I think the sound is almost as important as the visuals in this one.
And the different effects.
Just the fact that the way that the aliens now have an attacking scream
or their banshee call when they're attacking people
is so piercing if you really tweak it up a little bit.
And the little girl scream, too.
Yeah.
Very good screamer, that little girl.
Yeah.
Yeah, her one and only screen performance.
And yeah, and the same for the James Horner score,
which is like where he creates this kind of sonic signature
that means every time you hear that sound,
you know an alien is striking or coming.
And that also pops really well.
That he made in 12 hours?
Yeah.
It's an insane story.
James Horner, I feel like we just had him in another movie.
Well, he's a big 80s guy for us.
I mean, isn't he 48 Hours or is that Jerry Goldsmith?
I think James Horner.
He's done a bunch of them.
And I think he did Terminator or no?
He didn't know.
That's Brad Fidel.
We just did one where he was one of the people.
Anyway, 10 best sequels ever.
Yes.
Did you make the list?
I did.
Okay.
I have a list.
I don't know if it's the complete list,
but I want to hear what you think.
Godfather 2.
Terminator 2.
Dark Knight.
Aliens.
Empire.
Wick 2.
Not a Wick 2 guy.
No, I'm not a Wick 3 guy.
My bad.
Wick 2.
Yeah.
Lethal Weapon 2.
I'm not a Lord of the Rings guy,
but everybody says Twin Towers is incredible.
Two Towers.
And Twin Towers.
Two Towers.
That's an Oliver Stone film.
Different film.
Classic me, by the way.
I'm not a Lord of the Rings guy,
but everybody says Twin Towers is amazing.
Before Sunset.
And then the 10th spot,
I have either Bad News Bears and Breaking Training
or Taboo 2.
I don't know.
You guys pick.
Taboo 2.
Taboo 2.
Considered one of the classic 80s.
I have a couple of additions.
The way I thought about it
was best immediate sequel,
which means it's the movie that comes
immediately after the original.
Okay, so not. So there's some urgency with the sequel.
Right.
But specifically I said that
because I wanted to say
from Russia with Love,
the second Bond movie,
which I think is maybe the best Bond movie.
That's a good point.
Nobody thinks of that as a sequel,
but it's a sequel.
I think that's the best one of that era.
And. Who was the girl on that one?
I can't even. It's Robert Shaw is the villain.
A blonde lady.
Robert Shaw.
Hey, Bond, you fucking pussy.
Daniela Bianchi?
Yes, yes.
And the lady with the toe knife.
That's right.
That's right.
Did you say Empire Strikes Back?
Yeah.
Bride of Frankenstein?
Which is an early one,
but one I would include.
You didn't say Toy Story 2,
but I think most people would say Toy Story 2.
One of the great sequels of all time.
I didn't say Toy Story 2.
I didn't say Rocky 2 either,
which has the greatest last 35 minutes,
but then you're plodding through the first hour and a half.
And it's a little tricky with comic book stuff,
but both Dark Knight and Batman Returns
are both great sequels
that are immediate follow-ups to the previous story.
What's your favorite sequel of all time?
The only one that didn't get mentioned
is Friday the 13th Part 2,
which I wouldn't say is like a cinematic masterpiece.
Better than the original, I think.
But it's better than the original.
Best looking girl of all the girls
in the Friday the 13th.
Amy Steele, right?
Yeah.
I liked her in that one.
I'd probably say. I mean, like, it's not complicated.
It's Godfather Part 2.
It's kind of a number one draft pick there.
because we assassinated you
a couple of weeks ago
in Lake Tahoe
I wanted to
I wanted to talk to you guys
have you
have you revisited the film
since we had that discussion
no I haven't
I was saving it
for my next lake trip
I thought it would be meta
if I was watching that
when Craig put a bullet in me
were you nervous at all
during the trip
no
not at all
not at all
look at what my guy Craig
did for me
you know
that's true
he killed me
he assassinated me
Craig why are you here
that wasn't me
um
okay
I guess
most of those sequels
that we talked about
did what most sequels do
which is that they take
the premise of the movie
and they just like
repeat the story
and amp it up
a little bit
this is the rare case
where
it they
it's a different
kind of movie
yeah
like it's a different
genre of movie
basically than the original
I was basically
what Terminator 2 did too
true
it took it and improved it
the things that Alien
does so
well
is that
when it starts
and especially
I can only imagine
what it was like
to see it
why
like the first time
when it came out
it's like
it's not abundantly clear
that Sigourney Weaver
is the hero and star
of that film
when you're watching it
so they kind of give
Cameron a little bit
of runway there
but
he takes this
franchise
essentially now
and makes it
Ellen Ripley's story
you know
and
fleshes out that character
gives her motivation
to go back to this planet
like gives her
all this
baggage
that she doesn't have
and the first one
she's just
one of six or seven people
working on a mining ship
so it's just
a huge
aside from the genre shift
it's a
pushing all your chips
in on this one character
which
the series itself
the franchise itself
has flitted back and forth
between
is this Ellen Ripley's story
is this a story about
an alien species
is this about
a mega corporation
that wants to use
that species
as a bioweapon
but Cameron was like
I know how to do this
I know how to make people
care about characters
and you need someone
at the center of this movie
that people are going to want to watch
how many sequels
were actually
better than the original film
which was also
fairly iconic
I only thought of five
Wick 2
Weapon 2
Dark Knight
Godfather 2
and Aliens
maybe it's on both
because you could argue
Alien is as good as Aliens
just because it was original
I think we should hash that out
at the end
which we think is
the superior film
because
there's an interesting case
for both movies
you know
I tend to gravitate
more toward originality
but this movie
on its own
would have been awesome
and I don't even know
if it necessarily
I mean obviously
she has the baggage
but I also think
it completely stands alone
whereas like
Rocky 2
you need to see the first one
and go through all the steps
like normal sequels
you need the baggage
of the first movie
yeah
this to me is like
an absolute
testimony to craft
yeah
everything
all the component parts
of making a movie
are at such a high level
it's not a very original movie
at all
in fact
it's not just the sequel
to Alien
but it's so clearly
just like
a Pacific Theater
World War 2 movie
it's using a very clear
archetype
from movies
that were made
40 years before that
and kind of just mapping it
onto this sci-fi story
but that's an ingenious idea
and like that idea
deserves a ton of credit
but there's not
when you look at like
each individual character
aside from Ripley
there are characters
you've seen before
in movies
the structure of the movie
is somewhat similar
it's just there's an invention
around the creature
and there's an invention
around the way
of making this movie
because Cameron is
I don't know
probably the single
most important
genre movie maker
of the last 50 years
considering George Lucas
hasn't really made
very many movies
I think you could
credibly call him that
I get
definitely
for all my issues
with him
I would definitely
give you that
I mean all your issues
the fucks they are
he spent 15 years
making cartoons
he spent like
he's been directing
Avatar movies
flew too close to the sun
what'd he do
well I mean like
he abandoned
he made four iconic movies
like I don't think
he knew what to do
with his life after
the three Avatar movies
have made
like 8 billion dollars
collectively
he's obviously like
right to do it
like financially
and lots of people
like those movies
it's disappointing that
he never just made
a normal movie after
I don't know
the mid 90s
but you could say
he was not making
normal movies
when he made like
Titanic or True Lies
like he was always
pushing
I mean True Lies
to me is like
a normal
like Cameron movie
but just like
just make a movie
where you're just
directing some actors
and you have some set pieces
I feel
pretty confident
I would actually
put money on
him making a movie
his next movie
being a movie
that's more in the real world
I do
I don't think he's gonna
make another Avatar style
film next
do you like those
Avatar movies
I don't
I do
I don't
Craig when did you see
the Alien and Aliens
I've seen Alien many times
one of my favorite movies
all time
I have not seen
Aliens
I had been waiting
to do the rewatchable
oh man
this is awesome
are you a sequels guy
sure
yeah
I mean I liked
all those movies
that you guys listed out
I was happy we mentioned
Dark Knight
yeah
I mean if it's done well
sure
there's been a lot of
bad sequels too
we didn't make that list
that's the problem
with sequels
is they feel like
money grabs
or they're just
basically repeating
the structure
of the first movie
a lot of the third movies
are just like
really really really
tough scenes
I mean you could argue
in this movie
they do repeat
the structure
of the second half
of the movie
in all these different ways
there are the same beats
right
they put Bishop
in the tunnel
they hit a lot
of the same notes
it's just left with
her and somebody
it's the cat
in the first movie
it's the little girl
in the second movie
there's a countdown
James Cameron
you call him Jim
or James
Jim
Jimmy
Big Jim
Big Jim
yeah
I don't even know
if he's that big
was hired to write a story
for Aliens in 83
because he had written
scripts for
The Terminator
and Rambo First Blood
Part 2
that kind of guy
does The Terminator
in 84
rips off
Terminator
Aliens
The Abyss
Terminator 2
True Lies
and Titanic
The Abyss
is the worst movie
of those six
and still was a massive success
and has a lot of
Abyss fans
I think they might like it
more than that
Big Swing
no I'm saying
the worst of those six
it's a pretty high floor
sure
when that's the worst one
he had no stinkers
and
I would argue
if he had just
made Terminator
Aliens
Terminator 2
and Titanic
and just made those
four movies
that's as good of a four
as anyone's ever made
he's in the Hall of Fame
we've been talking a lot
about
who you can compare
Chris Nolan to
after the Odyssey
and the people
who are taking on
like these huge
big tentpole things
and I kept saying
Cecil B. DeMille's name
you know
there's a very short list
of people who are like
what I do is
I'm the biggest
filmmaker
at the biggest time
in movie history
and I'm pushing
the medium forward
on the biggest stage
and Cameron
was that guy
for 25 years
I mean for a really
long period of time
he was the single
most
grand stage
filmmaker
that we had
well it's like
when you guys
guest hosted my pod
you were talking about
Nolan being the guy
that pushes things
yes
ahead
which is not something
he necessarily thought
he was going to do
at the beginning of his career
right
so Cameron was the
original guy
and then basically
passed the torch to him
was there anybody in between
yeah
of somebody who's just
Peter Jackson
half a decade ahead
of whoever else was
yeah that's a good call
oh Peter Jackson
that's definitely right
and similarly I think
evolved like the craft
of movies
and the way that like
CGI looked and worked
in those films
and maybe got a little
lost in his toys
yeah
and also made movies
that people thought
never would be made
right
you know the same way
when you saw Titanic
you're like
I didn't think anyone
could ever pull this off
I wonder what the next
iteration of that is
I don't know
I mean the thing about
just people punching you
in the face
as you watch the movie
Jackson, Nolan,
Cameron, Spielberg
is that for as much
as they put a dinosaur
on screen
or put you know
the Lord of the Rings
on screen
or put you know
an atomic weapon
goes off on screen
they all have chops
you know like they all
to varying degrees
know like how someone
is supposed to move
across a frame of film
and how action sequences
are cut
and how action sequences
need to build up
and then release
and there's just like
just a lot of
genuine
filmmaking chops
that go back to
John Ford with those guys
and a lot of action directors
I think modern action directors
don't understand that stuff
like the most fascinating
interviews I read about
Cameron or with Cameron
are when he's talking about
editing action sequences
by far
because he's doing things
that I think are on like
kind of an almost
other level
than anyone I've ever read
when he's talking about
how he like flops
the footage that he's cutting
so that he can retrain
his audience
to not anticipate
when cuts are coming
I mean it's just like
that's savant stuff
I mean like to think about
how the audience
is going to respond
to like the tempo
and the feeling of like
your editing
of an action sequence
is remarkable
there's something cool
with him too where
he has the same background
as all the new Hollywood guys
that we revere
like Scorsese and De Palma
where like he got started
with Roger Corman
he worked in special effects
and production design
on movies like
I don't know
Galaxy of Terror
and Battle Beyond the Stars
and so he was like
a hands-on builder
of movies
before he was a movie director
did he work on
Escape from New York?
he did work on
Escape from New York
and
solid movie
so he knows
how every piece
of the puzzle works
like he understands
how everything fits together
and
kind of like Craig
with podcasts
that's true
a host and a producer
he's produced
he knows how
what every department
head is doing
that's right
he's like the
James Cameron of podcasts
He can do everyone's job better than this.
they can yeah and that's why he would um so i think because he knows how to do all that stuff
so well peter jackson's not dissimilar like started out you know with a lot of like very
handmade movies so there's a reason that these movies that there's so much attention to detail
i feel this way about the avatar movies even if you don't like the avatar movies he's doing things
right now that i think we're going to look at in 25 years and be like well this is the person who
invented this and this thing that is much more common yeah and there's so many shitty versions
of now the avatar films were paved the way for this and that might seem like a sin but it's
actually going to be the best example of that kind of work also maybe the only canadian curmudgeon
we've ever had well are there other canadian curmudgeons if the tariffs keep going this way
we'll probably have some more curmudgeons you know like canadians are like famously good-natured
but maybe after about 12 beers we're ready he is an old school this is not a democracy filmmaker
i think when it comes to it
comes to like i can't wait to talk about the stuff like it sounds like he's pretty collaborative in
some ways but not with english people when it comes to yeah he does not like you must love that
tea time this is i've never been more down with james cameron than doing the research of this
the crew being like no this is a tea break in the middle of this this is where we take our
tea break he's like what motherfuckers get to work um the other thing i really love about
especially his early period and kind of harkens back to
earlier era of a filmmaker all the scorsese and lots of people are like this so he has his guys
then his guys are in his movies and he picked the right guys that's how i would be if i was a director
but i would just have like who's like michael bean yeah i want to talk about michael just like
i'm throwing oh james reamer flamed out i'll get my guy bean yeah here he is you do have your guys
you got sal you got house you got jacko you got your team you got cr what about you what about
christopher guest is like that too he's like i love fred willard every movie i make he's gonna
be in it true and he was never wrong to do so bomb back with eric stolts i know no one has a bunch of
his guys no doubt yeah but yeah i like who are tarantino's guys sam jackson who delivers sam
jackson's too pricey now for him no he's more like tim roth sam jackson tim roth is a tarantino
that's a good tarantino guy yeah yeah i mean uma thurman um did the two aliens movies change how we
regarded outer space this is a theme i want to throw out you guys because i'm older than you
and when i was growing up as a kid outer space was lost in space the tv show it was star trek
um it was a little scary but not too much it's friendly we were in control of things out there
um we landed on the moon maybe there's some stuff out there but i think we're okay
and then right around here it's like
there's some shit out there dudes well but right around here we're also getting et
right that was what i was going to say too i think he was friendly he wanted to help us
saying is like we're getting close encounters like we just want to study you guys and not hurt
anyone i know i think that the alien franchise has this interesting relationship to spielberg
and spielberg's conception of extraterrestrials because et feels a little bit like it's not a
direct response to alien but it's like a bounce off of the fear that alien drives stokes in the
glass half empty yes
et and and this movie is kind of like the rejection of the warm fuzzy alien creature that comes more
into the fore like movies like explorers and like there's a bunch of movies that come out in the 80s
they're also post et they're like friendlier yeah alien life movies yes and this movie is a rejection
of that but this movie i also think is so it jurassic park owes this movie so so so much because
everything that you see in the stan winston creature design and the way that the world is built is and the
way that the chases and the fear works like the i had never really realized how much the um kitchen
sequence with the raptors in jurassic park owes to the chase sequences through the lab and the
tunnels in this movie like when burke traps her with the alien in the med bay exactly like those
and it's the same creature designer it's stan winston who's like a genius of designing these
these creatures and putting them on screen and there's this interesting thing where this
they can kind of go toe-to-toe with spielberg over this period of time and it almost feels like
they're in this unspoken like one-upmanship game that i really like and on the other side you have
like star trek 4 right where they're like beam down there and we'll just shoot some aliens and
beam back up yeah we'll call it a day i think there's probably also one of the things i think
is really influential about this iteration of the alien story is like creating a real cynicism about
companies and about companies that get too big and companies that exist outside of the law and
that's been something that i think the tv series that just came out on fx alien earth is very
focused on is like why would a company want something like that and bring it back to earth
what what's the hubris it would take to think that you could control that so i think that that also
has something to do with jurassic park where it's like these guys who are like i can master the thing
that can't be mastered and i can't master the thing that can't be mastered and i can't master
you know would you compare this to how the fantasy guys did the fantasy draft order for our league
this year you know honestly yeah as a shareholder in the fantasy draft thoughtless why were we not
asked to participate we were going to wrangle 12 people to come in and swing golf clubs we're doing
it on friday and you're not coming i had signed up it was until i until i knew my fate was going
to be relying on dk shanking it into the pacific ocean he didn't know it was your ball it's
randomized it's just literally random it's just a fun way to pick out of a hat like freely admitting
he'd never swung a golf club it's off shameful what a shameful act kelly it was random hit for
high fits right the balls were random we didn't know which balls we were hitting we all took four
shots each we had no idea whose ball it was yeah same sin as last year when you hit mine there was
a little bit of like luke skywalker put the blast shield down i felt you in my in my ear it's it's
it's overconfidence in your own ideas there was no there was no vetting with the rest of the crew
this is avatar yeah um that's right it's a cameron-esque move does your craig does your
generation fear outer space or like it to speak for my entire generation 35 and under uh outer
space to be honest glass half full or glass half empty well i feel like it wasn't until elon started
talking about going to mars that that it felt relevant to us i feel like i was just gonna say
that i was gonna say does it is it we don't think about you at all with space space has not really
been a part of my my childhood am i
experience yeah i feel like american culture just pressed pause on on space in general it felt like
the 80s there was just so much conversation about it yeah what else is out there then the movie
started well you and you just did apollo 13 and i feel like in the 90s there was this kind of swoon
of nostalgia for astronauts yeah and then that is right when it kind of started to trickle off to me
honestly culture didn't help yeah that's true i think we go at all the fact that all of the like
mega rich dudes are the ones leading whatever space race there is now it just makes me feel
like i'm either never going to be able to afford to go there or if i do wind up there i'm going to
be mining on mars you know like i'm going to be working on some like farm for like and that's what
these movies a total recall is about the same thing for sure you know but but like total recall is
really important for this conversation too because that's four years later it's equally like really
cool not as not as detailed as aliens but a really awesome movie yeah um but that's like now we're
like okay weird shit's out there this could go really bad all that cynicism that chris is talking
about is in the movie yeah and i think that's the thing that's the thing that's the thing that's
in that movie too where it's sort of like you're just a cog in the machine and there's bigger
forces at play that are controlling you and even if we have created a society where we can get to
outer worlds and travel across the universe it's still the same old shit as it is here on earth
you know what's interesting though with the books and the radio shows from like the 30s 40s and 50s
there's a lot of outer space stuff and like war of the worlds and but i think part of the problem
we just couldn't make movies and tv shows that looked realistic
for what we would have thought like going to a planet would be exactly we didn't really have
the technology until this movie speaking of total recall doesn't go anywhere it's here
cameron had the whole cast read robert heinlein's starship troopers novel which i think was written
in like the early 50s and then was eventually made into a movie in the 90s which is a movie
that it owes like a huge debt to aliens and that was written by the same author that wrote
total recall you like that movie oh no dick did no you're right you're right yeah but still same
sorry same director is totally kind of speculative ideas about like yeah
so it's all there it's all related and this movie is just like insanely influential in terms of like
what a sci-fi action movie can be it is a it's a before after movie and there's different genres
for that like even halloween is a before after movie it's like they make halloween horror movies
are just different after halloween i think the same thing for this there's one other interesting
thing that i never really considered until i was doing all the research for this about this movie
that i just i met i wasn't smart enough for this i was like i'm gonna do this i'm gonna do this i'm
i saw it in high school but there's like a weird vietnam parallel to this movie this is very funny
because like i was reading about i was doing my research and you know cameron's pretty heavy on
this like he's like this is about like a gorilla force is an allegory for what happened and then
you read paxton interviews bill paxton like i don't know about that shit but this was at the
tail end of the like we did a podcast about this the kind of reckoning of america and vietnam which
basically started out as a movie and then it started as a movie and then it started as a movie
with movies
when are we doing
nom month
would you be interested
in Namath?
Definitely.
If we get that sponsored?
By who?
Who would sponsor
Namath?
You gotta consider
two things.
Sponsored by
Michelob Ultra.
I feel like this is a huge
line of conversation
about this movie.
So,
obviously he'd just written
Rambo Part 2.
Yeah.
First Blood Part 2.
And so that's on his mind
as he's writing that movie
because that's what that
genre of Rambo character
is about.
And there's three a year
coming out about
we gotta go back,
we have guilt about
what we did.
Missing in action.
This is 86.
This is the year of Platoon.
Yeah.
This is like,
this is when this is
all happening.
And there's these great
stories about these two guys
who turned down parts
in Full Metal Jacket
to do Aliens.
Yeah.
And they're kind of
the same movie.
I mean,
they're about many
of the same things.
We shouldn't go back.
Why are we going?
What are we getting
out of this?
This was stupid.
We're trapped here.
We can't get out.
Basically the same thing.
Pretty interesting.
I missed it for 40 years
but now I'm here.
Yeah.
It seems obvious
but I think it's just
as simple as
launching you 100 years
into the future
and putting you on
another planet
and you get so swept up
in that world
that you're only viewing it
about the consequences
of the characters
in front of you.
All the coming out
of the wall stuff.
All the like,
I was short.
I was going to be out of here
in four weeks.
Like you could,
you could take that dialogue
and put it in
a Vietnam War movie.
Sigourney Weaver.
One of the all time
fearless,
great action movie
performances
by an actress.
Linda Hamilton.
T2.
Charlize Fury Road.
Uma and Kill Bill.
Sigourney.
I think that's
Mount Rushmore.
Rushmore?
Anybody else?
Awesome list.
It's like the four
that stand out
above anything else
you could throw.
It's the movie
I always wanted Angelina
to make
and she never made.
We were talking about
that with Flops
where it was like
she has a couple
where you're like
she's scratching at it
but she never got there.
There's a six year run
to Tomb Raider
but she never had
a movie like this
but that's like
once a decade.
Yeah, I mean a lot of it
is the filmmaker.
This is the only one
that's ever been nominated
for Best Actress.
That's the other thing
is that this kind of
performance
doesn't get acknowledged
in a wider way.
It's kind of
just like set
to the dustbin of genre
but she's in this place
where she's this
highly skilled actor
who can work in a lot
of different kinds
of movies
and a couple years later
she wins an Academy Award
for Gorillas in the Mist
and she's also coming off
of Ghostbusters.
So like
is there a more versatile
actress in all of Hollywood
at this time?
Marlee Matlin wins
for Children of Lesser Gods
Sierra and I just did this
for about last night.
We wondered if Demi Moore
could have snuck in there.
I honestly thought
you were just going to say
we just did Children of a Lesser God
on the rewatchables
and I didn't know about it.
I was like,
holy shit.
It was Jane Fonda
Morning After,
Sissy Spacek,
Crimes of the Heart,
Kathleen Turner,
Peggy Sue Got Married,
and Sigourney for Aliens.
At the time,
I don't think it was controversial
and I think
I think Marlee Matlin's
really great in that movie.
It's a tough one
but I don't know
who else could have been
in this movie in 1986.
Yeah, it's a historical
Oscar win.
There was a really good documentary
about Marlee Matlin
that came out a couple years ago
and when you learn about
what her relationship
with William Hurt was like
and what she was going through,
I had a lot of empathy
for her life and experience
but it's an easy one
to be like,
no one has seen
Children of a Lesser God.
It's a movie that kind of
disappeared from the culture.
Yeah, five-year Oscar,
she probably still wins
but I think if we go
40 years later Oscars.
This is also a very cool story
of Sigourney kind of
betting on herself
and being like,
if you want me,
you're going to have to see TC
and I have some notes
about what I think
the characters could do.
It's like what you pulled
was see our year.
That's right.
Well, Rich was a very
effective negotiator.
You're like,
I need my own month
for the rewatch bus.
I need LeBron James
in a Sixers uniform.
I'm just imagining.
I need to do Aliens.
Rich on Game Over
doing like a whiteboard
of like,
here are all the places
Chris can go.
Also, the name of his show
is Game Over, man.
Max is like,
so you're dealing
with a talent
like Chris Ryan.
How much are you talking
to him every week?
Oh, you busted out
your Kellerman.
Yeah.
Is it something
where you go back and forth
with Bill Simmons
and then you talk
to Chris Ryan?
How do you handle that?
Can I give you
Sigourney's 79?
Will you blind call
Max Kellerman?
I bring Max in later
for the director's commentary.
Alien, Ghostbusters,
Aliens, and Working Girl.
Were her four best
in like an 11-year span,
but she also had
Eyewitness,
You're Living Dangerously,
Deal with Century,
Gorillas in the Mist,
Ghostbusters 2.
You could only
Deal with the Century is bad.
All those other movies are good.
And Eyewitness is like
just a 10 out of 10
Tubi movie.
See it on Tubi.
Just press play.
So at my birthday party
that you were at
a couple weeks ago,
a friend came
and he pulled the
I'm trying to get you
some physical media
that you don't own.
And he gave me three,
three discs
and one of them
was a copy of Eyewitness,
which is very rare.
And I didn't own it.
He nailed it.
Was it Elon Musk?
Well, it was not.
He was not invited
to my birthday party.
So I didn't prep you for this.
I didn't prep you for this
and it's going to make you mad
that I didn't.
Okay, great.
You can make a case
that Sigourney won the 80s
as for actresses.
I'm going to go through
the 70s, 80s, 90s, 0s,
and 2010s.
I think it's Meryl.
Well, here we go.
For the 80s?
Yeah, because we just did this
on the big picture.
Hold on.
70s.
It's Faye Dunaway
and Jane Fonda
in the finals.
Yes.
Diane Keaton's not in there?
I don't think so.
Diane Keaton's in
The Godfather and Annie Hall.
I don't think she's as big
as either of those two.
He doesn't get Diane Keaton.
I do get Diane Keaton.
I just don't think
she was as big as Jane Fonda
in the 70s.
Can we slip Annie Hall
into Vietnam?
Jane Fonda was leading
major movies for 10 years
and getting Oscar nominations
and winning Oscars.
As was Diane Keaton.
Yeah.
All true for Diane Keaton as well.
I would say,
second half of the 70s
for Diane Keaton
all the way through
for Jane Fonda.
Maybe.
Continue your list.
Same for Faye Dunaway.
Yeah.
I think all three of them
are in a healthy conversation.
I have Diane third
for that one.
Okay.
80s.
Sigourney versus Meryl Streep
in the finals.
Sigourney,
more movies
that would be
on this podcast.
That's what I was going to say.
Meryl with the hardware.
Yeah.
Sigourney is in
better films at that time,
but having just watched
Cry in the Dark
for the first time,
I'd never seen that.
Meryl Streep's performance
in that movie
is astonishing.
It is like,
there's a reason
that she is who she is.
Is that
Dingo Ate My Baby?
And I'd never seen that movie.
I mean,
Silkwood.
I was
randomly watching
Sophie's Choices
in the 80s.
I was watching Heartburn
on Pluto this week.
Heartburn's an awesome,
great movie.
She's fucking awesome
in that movie.
Yeah.
I don't know what
Jack Nicholson's doing
in that movie,
but it's enjoyable.
I don't know what
he's going for.
He's playing Carl Bernstein.
We might have to do that
on Rewatchables.
It's a really good race.
It's a great race.
90s get interesting
because there's no
dominant,
awesome actress
unless you want to
go back with Meryl,
but basically,
it's down to Julia,
Meg Ryan,
and Rene Russo,
who I think actually,
you could make a case
wins the 90s
because she's in
the most fun movies.
In The Line of Fire,
Lethal Weapon 3.
She's in Tin Cup.
Yeah.
Thomas Crown Affair.
She's got bangers
year after year after year.
I think even,
I can't remember
if Major League
was 90 or not,
but she's just,
all the way through,
she's in everything.
The 00s,
I think it's
Winslet or Angelina.
And it's probably
Kate Winslet wins.
That's interesting.
Yeah, I mean,
at what point,
tough for one for actress.
At what point does
Kate Blanchett get into
this conversation too?
Maybe third place.
And then the 10s,
I think Emma Stone
wins the 10s.
Yeah.
J-Law's in there,
but not totally.
It probably could've been better.
But anyway,
the point is,
Sigourney's in the finals
in the 80s.
Wow.
I knew this would
blow Sean's mind.
I wish I could prepare for this.
I know, I'm sorry.
A lot to take part there.
I thought of it this way.
This morning,
as I was having coffee.
No argument for me.
I mean,
it is an incredible run.
It is really an incredible run.
I like what you said too.
I mean, she's,
well, one,
she still works with Cameron.
She's in all the Avatar movies.
And she's still active.
She was in like
three movies last year.
She's in her 70s.
And she can do
any kind of part.
She can still,
she's such a unique
looking person.
There's no one
who looks like Sigourney Weaver.
She's in the friggin'
Mandalorian, right?
Yeah, she was.
Very tall,
very physical,
but not like muscular per se,
but just like imposing,
but also very sensitive
can be really deep.
There's just great stuff
with the little girl
in this movie
that is like,
you know,
that sequence where
the little girl asks her about,
did you have a daughter?
And she tells him,
she says she's gone.
You know, like that scene
is really,
that's like a powerful scene.
She gets to be a much
different person in Aliens
than she was in Alien.
I mean, not just because
of the 57 year nap,
but because of like.
Sierra, did you ever date
anyone as tall as Sigourney?
I only dated one girl
taller than me.
It was awkward.
It was awkward.
How'd that go?
Awkward.
Yeah.
Say more.
How tall?
Uh,
like three inches,
I think.
I thought you were going to say
like 6'8".
6'8 volleyball player?
Yeah.
He had the climber.
Three inches.
I think so.
Yeah.
Did you feel like you had to wear
like thicker sneakers
on the bottom?
No, but it was just,
it just like,
it was awkward in the way
you would imagine.
Craig, what's the shortest
girl you ever dated?
Maybe a 5'4".
4.
Okay.
That's the shortest
girl you ever dated?
Because Craig's like
a sneaky 6'8".
2 1⁄2".
Have you ever dated
somebody you couldn't,
like you'd have to
date Candace Parker?
My girlfriend in college
was 6 feet.
No kidding.
No shit.
Tall, skinny Irish lady.
Wow.
Lady?
Yeah.
She was great.
Was she an athlete?
No.
Just tall.
Yeah.
You still in touch?
No.
Okay.
I'm not in touch
with anyone.
This wasn't the
aliens girl, though.
No, it was not.
Let's take a break
and we'll talk about
the one and only
Bill Paxton.
I'm going to look
right to the camera
for the break for this.
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Bill Patterson.
Paxton.
From weird science to this.
I just wrote down, immediately goaded.
His perception of this character was that it would be a person that the audience couldn't wait to see die.
And I've never heard someone lack perspective on their own performance like this in my life.
Yeah.
One of the greatest crimes ever committed against America's cultural inheritance and legacy.
Is that Hudson doesn't get in an escape pod and go off and have other adventures that we can have 10 movies just with Private Hudson traveling the galaxy.
Yeah, we have that category, right?
Could this movie, it's the Proof of Life David Caruso category.
Yeah.
Should this character have been spun off?
Is there any movie that Private Hudson crash landing into and going,
What the fuck are we going to do now, man?
Like, wouldn't that make every movie better?
Rom-coms, thrillers.
Boogie Nights.
There's a case that this movie has.
Which has more potential winners of that category than in any movie that we've done.
Yeah.
Because there's so many people who you'd want to see on Intergalactic Adventures.
It makes it.
The reason this movie works is because you care about 80% of the people who get God.
You're just like, oh, no, not this guy.
Like.
I was trying to think about.
Not Worsbowski.
That's Spongebob.
We talked about it a little when he died, but I was trying to think of a non-A-lister who had a higher approval rating.
I was just thinking about.
It's a classic.
Like, what person.
Well, Dolly Parton was an A-lister, though.
Oh, non-A-lister.
Yeah.
Yeah.
He got close.
Because he was in so many big movies.
He was.
He was in fucking Titanic, you know?
Yeah.
Yeah.
He did Twister.
He did Twister, Titanic.
Yeah.
He was real close.
Because I never feel like he was like a Hanks, Costner, Cruise level.
But he's like an A-minus lister.
But like, all the way up to.
Was Edge of Tomorrow his last movie?
I can't remember what his last movie was.
But, you know, same thing.
Seeing him in that movie, I was like, this is going to be a good movie.
Always fun to just see him.
Yeah.
Like, oh, Bill Paxton's in this.
I was wondering, there's definitely a new rewatchables category for him.
Just from this movie.
We've danced around this for over 450 movies.
Craig suggested it a couple times.
It's better than a Dion Waiters because he's in the movie too much.
So it can't really be a Dion Waiters.
So it's almost like.
I wrote down the Private Hudson game.
I wrote down the Game Over Man category for kind of a full movie Dion Waiters.
Yeah, it's like.
It's almost like Belushi in About Last Night.
It's like the sneaky star of the movie.
Chris and I just talked about Tony on the pod.
And Leah Woodall is in Tony.
And he's like the third lead of Tony.
And the way I think about it is the guy who picks up the movie and walks away with it.
Yeah.
The person who doesn't.
Like, if it's not the right actor, then you wouldn't think as much about their character.
But when you're watching Tony for 20 minutes, you're like, this guy's the star of this movie.
And there's times when you're like.
Hudson is the most entertaining person on screen.
And he's on screen with the woman who'll be nominated for an Academy Award.
And Michael Biehn, who's like one of the coolest action stars in the 1980s.
So who's the basketball version of that?
It's almost like Porzingis in the 24 playoffs for the Celtics.
I couldn't care less about that.
Come in and switch.
I mean, it was OG Ananobi for the Knicks this year.
Yeah, that's a really good one.
He wasn't an A-lister.
But there was a moment in the playoffs where he took over.
And he was everyone's favorite Knick.
And he was the one who was deciding games.
Yes.
Yes, that's a perfect example.
I don't want to name a rewatchables category after a Knick.
Okay, so we'll give it to the 2024 Chris Stapps Porzingis.
Porzingis, maybe not either.
I'll figure out a good one for this.
But it might just be the Private Hudson game over, man.
Yeah.
It's like a full, it's like a Dion Waiters 2.0.
Yes.
He's playing like 35 minutes.
He's doing all kinds of shit.
Also, does he have all of the most memorable lines from the movie?
I have, for my flex, I have 10 of them.
Okay.
There you go.
We'll come back to him later.
We also have Michael Biehn as Dwayne Hicks.
Most unlikely Dwayne in a while.
Kind of a Reggie Cleveland.
James Remar is not a Dwayne.
Dwayne Hicks is like the Browns took Dwayne Hicks.
He's going to be a great defensive end.
He went to the University of Miami.
Instead, Michael Biehn is Dwayne Hicks.
Paul Reiser is Burke.
A lead film performance.
We're in prime Paul Reiser territory here because he's between two cops.
This is his first act.
His first movie performance.
Well, he was in Cop One, wasn't he?
He was in Cop One.
Very, very briefly.
Cop Two, very important.
Yes.
And then eventually on Mad About You, a show that was mocked for years and years by people my age.
Not bad.
Very sappy.
Sure.
Lance Henriksen as Bishop, the android.
Can't wait to talk about him.
Carrie Henn as Newt.
I think this was it for her.
For one and only.
Yeah.
And then Mark Ralston as Drake.
Yeah, Mark Ralston.
I could be a friend to you.
Anybody come at you yet?
Oh, sweetie.
He played Boggs in Shawshank.
The head of the sisters.
The rapist.
Yeah, yeah, yeah.
Yeah.
One of your favorite film characters.
Well, no, you're really, you're going when I come in and Ralston's just like,
last I heard he was eating his food through a straw.
So he's in this.
And then I don't know if you have any William Hope as Gorman thoughts.
I mean, he was the other guy who was trying to decide between doing Full Metal Jacket and this.
Never really fully happened.
He popped up.
He's definitely like a worker.
And then finally, Jeanette Goldstein.
Yes.
As Vasquez.
A casting that just would not happen.
Our greatest Mexican thespian.
Yes.
Truly a cinematic icon.
I think one of the most exciting, life-changing characters of the 1980s for many men and women.
Yeah.
And also a wildly politically incorrect choice.
I got to say, I didn't know.
I didn't know for 20 years that she wasn't Latina.
You were like, I wonder who Jeanette Goldstein plays in this movie.
I just thought like her mom was Mexican or something.
I didn't know.
No.
I knew a lot of Jeanette Goldstein's on Long Island.
I can tell you that.
Were you attracted to Vasquez, Greg?
I'd probably pick Ripley.
Okay.
Lean Ripley.
You like him taller.
Sure.
I was attracted to Vasquez, in case you were curious.
I love Vasquez.
She pops.
How could you not love Vasquez?
A couple categories for her later.
Just quickly, I don't want to go through all the details of how hard it was to make this movie,
but we had, they're going to make a sequel.
Alan Ladd Jr. is president of Fox.
He leaves.
Replacement doesn't want to make it.
Thinks it's too expensive.
The two producers from the first movie, Walter Hill and Gordon Carroll,
start suing Fox for unpaid profits from aliens.
So now the movie's dead.
Cameron writes a treatment anyway.
Studio, eh.
They try to sell it, the sequel, to my guys,
Mario Kassar and Andrew G. Boczno.
Well, I still don't think we're real people.
I think they were fronts for an Iranian movie company or something.
They made some of your favorite movies ever.
Right.
Just two of the goats.
Lawrence Gordon takes over Fox.
He's like, what are we doing?
Let's do this.
He's like, I would have had Alien 2 up and running two years ago.
Cameron's like, I can't do it yet because Schwarzenegger was making Conan the Destroyer,
which he was contractually forced to make, delays Terminator for nine months.
So now they're just on hold.
And that gives Cameron more time to basically develop the whole story.
So it turns out to be the best thing for the movie.
He's got nine months to. Basically work on this.
He wants to direct.
They're like, who the fuck are you?
You've made Piranha 2.
That's not happening.
Terminator comes out.
They're like, you'd love to direct?
That sounds great.
He's married to his producer, Galen Hurd.
They're not yet married.
They're about to get married.
They want a budget.
Fox will abolish them.
They quit.
So now it's dead again.
And then resuscitated.
They want Sigourney Weaver.
Fox is like,
she's going to want too much money.
Can't do it.
They quit again.
Comes back.
They get married.
Movie gets greenlit.
There's one really. great wrinkle of the Sigourney negotiations that gets reported a bunch, which is that
they're going back and forth about her salary and whether she's going to do it. And it seems
like she's not. And they're hitting some sort of deadline. And Cameron calls Schwarzenegger's
agent and is like, well, we're going to quit because it sounds like she's not going to do
it or she's taking too long. And it leaks back to Sigourney's agent. And so Sigourney then is
pushed. Was it that or was it they were inquiring about Schwarzenegger's availability? No, I think
it was because like the threat he used was that like Newt would be older and would be the star
of the movie. Oh, I see. And that they would get a different person and basically transpose a lot
of Ripley stuff on the Newt. Rich, before CR, the year of CR, you made it clear to Barstool
that CR might be interested in potentially leaving.
How did you play that out with The Ringer and Barstool?
If you went to Barstool, would it be it's the Chris Ryan show with Chris Ryan? Or would you
like, how would you would you like seek your own kind of micro empire? Like, how would you want to
do it? Would you be Barstool CR or Barstool Chris? I would just go to be Dave's Andy Richter. I think
that would be, I think the learn the feat of the master. You're on the side when he's eating pizza?
Like when he's doing emergency press conferences, molding the key light.
Great one, El Prez.
Well, they make the movie and it goes terribly during the movie. And people are quit. He fires
his AD. Horrible shoot. I rarely in the rewatchables research, does somebody fire their AD and their
cinematographer? We could just say he shot this at Pinewood in England. The deal with Pinewood
back then, I don't know if it still is, but back then is you shoot at Pinewood, you use Pinewood
people like the crews there that are there. A lot of the artisans that are there. And they're used to
doing it their way. And so Cameron would show up and Dick Bush, great name shot sorcerer was the
cinematographer and he was like, cool, like I'm gonna light this like you can have your ideas, but
I we light things in a certain way. And I'm gonna and Cameron was like, what the fuck are you doing
in my movie and finally got rid of Tim brought in Adrian Biddle, who's really Scott cinematographer
at the time. He's not yet. He's not. He's only on commercials. It's a great story about Adrian
Biddle coming in because Biddle was the focus puller on Alien. And so he's working with a camera
guy. He was only the camera guy. He tries to hire the cinematographer from Alien and he's not
available. So he hires this guy, Adrian Biddle, who was like a professional swimmer in the 60s
and an underwater underwater photographer noticed his skills and hired him to work on on Her Majesty's
Secret Service to take photographs. And then he gets involved in photographs, filmmaking. He starts
working for Ridley. He's the cinematographer on the 1984 Apple commercial. No way that blows up.
And then his first movie that he gets is Aliens on Ridley's recommendation. And then he goes on
to shoot Princess Bride, Thelma and Louise, Event Horizon. He goes on to make all these great movies.
So it's this amazing like sliding doors thing where also Ripley and Cameron have this like
they respect each other.
It's not like it's a little chilly. Yeah. But but he does give him Adrian Biddle.
It's like he's making Aliens, too. You're kind of rooting against it if you're Ridley Scott.
It is kind of weird. It's like we don't really see this a lot. I guess maybe the Star Wars
sequels had a little bit of this, but we don't really see franchises that go up for grabs.
Like usually someone's like, I fucking own this. Like Chris Nolan's like, I run this Dark Knight
trilogy. Like this turned into like Ridley had been interested in making another one. He gives
like a 1984.
view where he essentially
broadly
sketches out Alien 2
would be basically what Prometheus winds up
being. It's like the origins of the alien
species and all the mythology behind it.
And, well,
I disagree with you there,
but the point being. I just don't think that should have been Alien 2.
But then, like, Cameron coming in. Well, I'll save this for later, but
Cameron coming in, like, changes who's the author
of the franchise. The truth is that the real
authors, not authors, but the real controllers
are Giler and Walter Hill.
Those producers, those are the guys who have been
allowing this to kind of continue to
roll out over the years. And there's been a lot of. You know, Daniel Bannon is a figure in this, too, in terms of
like, who really owns
the ideas of Alien. Pretty big fuck-up by Ridley Scott.
I'm not letting go of the Alien franchise. And he's not
letting go of it now. Like, he keeps coming back
to it now because it's such a big part of his legacy.
He's gotten, like, multiple guys, like, let go from the sequels.
Today it was announced that he's developing
another Alien movie around David,
the Michael Fassbender character from Prometheus.
So. This movie took so long to finish
that it barely got done. They barely
scored it in time. They
didn't even have time to test it, etc.,
etc.
Doing a category before we even get to Roger Ebert.
The Steven Seagal shitting on himself
award for most unbelievable anecdote from
the actual film shoot.
Filming concludes at Pinewood.
Cameron tells the crew, quote,
This has been a long and difficult
shoot fraught by many problems.
But the one thing that kept me going through
it all was the certain knowledge that
one day I would drive out the gate
of Pinewood and never come back
and that you sorry bastards would still be here.
That's how I closed the shoot.
BS' last day at Spotify.
Cameron!
I mean, that really should have been my last day at ESPN.
That's how Sean quit the Winger Fantasy League.
I should have gone to Bristol and said that and left.
Why didn't I think of that?
Could have flown into Bristol.
Guys, meeting.
Amazing stuff.
Alien universe. Two more sequels.
Three in Resurrection.
Alien Romulus.
TV series Alien Earth.
Prometheus.
Covenant.
And then Covenant.
Just keeps going and going.
Covenant.
Have you seen Covenant?
Do I need to?
I think you would like it.
It's really cool.
And it's actually the one that is
pretty close to this just in terms of it's like
insane violence.
How many years ago?
And intensity.
It's 2017, I think.
$18.5 million budget made
allegedly $183 million.
I have to think I've made more than that.
It's probably some just a shaky accounting.
Printed money since it's had like 15 different releases over the years.
That's the thing.
You have what you allegedly made from the movie.
But if you spawn 10 sequels, I feel like that's got to happen.
I think I've accidentally bought this movie like eight times.
Is this movie rated R?
Yeah.
I can't remember.
If it is, it's got to be one of the highest degrees of I snuck into this movie.
I think it was rated R.
Ebert, three and a half stars.
I've never seen a movie.
That maintains such a pitch of intensity for so long.
It's like being on some kind of hair raising carnival ride that never stops.
The movie made me feel bad.
It filled me with feelings of unease, disquiet and anxiety.
I walked outside.
I didn't want to talk to anyone.
But then he said it is superb example of filmmaking craft.
Raj, tough summer for Raj on the rewatchables.
He's really been all over the map.
It's interesting to read accounts from back.
I'm not a fan of this movie because Galen heard has a story of like going into a screening of it somewhere and like a couple's on a date and the woman's gripping like the chair so hard that she breaks the armrest and I'm like, I think this movie is really intense.
I find alien in some ways more like terrifying, you know, and more like difficult to deal with.
I think the scene when the scene at the breakfast table when it comes out.
Yeah.
Yeah.
I think that's scary.
I think in this movie.
But this movie is very scary.
Yeah, it's an interesting question.
I mean, it's not really trying to be scary except for a couple of key moments.
There's the moment of the dream when she chestburster it hits her at the beginning of the first rewatchable scene.
And then there's the first moment when they're sort of there.
They appear the xenomorphs and they but like I guess when they're crawling through the ceiling a little bit.
But generally speaking, it is really more of a war.
The scariest moment is when the little girls in the water.
Yes, that is the number one monster comes up.
Classical.
Yes, that's a horror movie.
Most watchable scenes quickly.
Ripley's nightmare.
Yet again, proven that cats are evil.
See how the cat act in that.
Cats.
Cat.
Cats suck.
I like cats.
I do.
Next one.
We meet the crew.
We get some Vasquez pushups.
Pull ups.
Pull ups.
I mean, meet the Marines.
Incredible scene.
Did anyone ever mistake you for a man?
She flips it on the guy.
We get the knife trick with Bishop.
And then Ripley finds out Bishop was an android.
Not happy.
We also got the a-pone giving the like wake up speech.
She was like, all right, sweethearts.
What are you waiting for?
Breakfast in bed.
The glory is here in the core.
That was like a mildly racist 80s trope of the black like troop leader crossed with the black police sergeant that would just get mad at whoever it was.
Yeah.
But remember Bernie Hamilton was in like five police movies.
He's like, Fancy, get in here.
Yeah.
You think this is Inspector Todd in space?
Yeah.
Memorably parodied in Last Action Hero, right?
Yeah.
Jack Slater's got one of those guys.
Ripley just did not like that Bishop was an android.
Not a fan.
No.
Unhappy.
The next one.
Crew finds the facehuggers and realizes the little girl's on board.
Pretty good scene.
You have one before that?
I mean, I have a bunch.
I was trying to narrow it down to like eight or nine.
This is kind of a Boogie Nights potential of like you could go through each scene and be like, here's why this one's rewatchable.
Next one I have is we've got a live one.
When they find the woman in the cocoon.
Kill me.
Alien comes out of her stomach.
There's about a 25 minute stretch here.
Yeah.
I don't know.
I don't even know what to do
with this part of the scenes.
Ripley's making the deja vu face
as she's watching from the monitor.
It's the ambush.
I would also say
that this ambush scene. Something's moving,
but it ain't us!
I'm trying to remember what. Because I didn't know this
at the time,
but now when I was watching,
I was like,
is this the first
found footage horror movie
since Cannibal Holocaust
and really the second ever?
Oh, interesting.
It's a great call.
Seeing it from that perspective.
You're right.
They're watching it all through.
You only get. There's a couple of cutaways
but you mostly get it
through their cameras.
They're all around us, man!
Coming out of the walls, man!
Gorman.
I wrote down he melts down
like De'Aaron Fox
in the finals.
Wow.
Yeah.
Just repeatedly driving
Carl Anthony Towns.
Thank you for your service, De'Aaron.
And then Ripley takes control
of the Tesla SUV.
First Tesla SUV.
It does look like a Cybertruck.
And then Boggs dies.
Boggs does die.
Yes.
Among others.
It's sprayed with acid.
Yeah.
Yeah.
I mean, where's Bowski Frost?
They all go down.
Yeah, man.
That whole scene is. This is when the movie's like. Oh, my God.
Yeah.
Bishop volunteers to go back
to the transmitter.
This is just. Paxton's just cooking.
Maybe you aren't up on current events
but we just got our asses kicked, pal.
You can just count me out!
And he goes,
Yeah, man!
Bishop should go!
Good idea!
Yeah, great idea!
Bishop should go!
He's so fucking funny in this movie.
The, uh,
uh-oh, here come the aliens scene
when they have that little meter thing.
What's that thing called?
The trackers.
25, 24, 23.
That's inside the room!
Yeah.
And they look over the ceiling.
They're coming.
This movie has great, simple tech.
Yeah.
Like the sentry scene,
which I'm sure is coming up
where you can see how many bullets are left.
Where it's just like. Our dumb brains are just like,
we'll go into zero.
It's not good.
The sentry scene's old.
Is that only in Director's Cut?
Or is that in the theater?
I think so, yeah.
And I watched the Director's Cut for this.
Yeah.
Which I think is the way to see the movie now.
Interesting.
It's two hours and 36 minutes.
Hmm.
But I think it is so much better.
It's really interesting.
I completely disagree.
But that's fascinating.
I'm a traditionalist.
I like the original movie.
Ugh.
I think Director's Cut's so. There's so many things in it that I like.
We can talk about things I like in it.
We did a Director's Cut to this.
I should have been like,
Ah, man.
We should have done five more Rich Paul minutes.
I'm going to go back and re-edit them.
It's not too late.
Ripley realized the aliens are above him in that part
where 15 meters, 12 meters, 10 meters.
There's just no better gimmick than that.
You're reading it wrong.
Burt just goes full asshole.
We're like, oh my God, this guy.
I love when the bad guy,
who is now revealed as the bad guy,
does the thing where he locks everybody else out.
Yes.
But you know at some point it's going to backfire on him.
Hudson has the bad guy.
That's the best death scene ever.
I mean, do you want to litigate this now?
He's finally a hero.
He's finally brave, right?
It's nice and quick.
The entire movie, he's been the scaredy cat
and he's been the one that's just like,
this is fucking bullshit.
I want out of here.
And then when he finally gets confronted by these things,
he's like, let's fucking go.
Burt dies and then Gorman blows up himself and Vasquez.
And this all happens in six minutes.
That's also a great death scene.
I mean, the Vasquez and Gorman together.
What did she say?
You always were an asshole, Burt or Gorman.
This has to be, at least for me, most rewatchable.
The trackers and the dots is the best to me.
The cut when. Craig, were you holding on for dear life during this part?
Yeah, I watched this last night at 1 a.m. on my laptop.
Just having a real time.
When Michael Biehn pops his head into the vents
and looks and very quickly,
you see them coming out of the shadows.
You see them coming.
Especially for 1986.
That's Gordo.
So good.
Yeah, seeing his eyes peek above.
So good.
With the sound.
Quickie mentioned Newt dropping into the water.
And you're like, just get back in the water.
We're going to come get you.
And you're just like, oh, man.
That was what I had written down for Gordo,
was the creature rising from the water.
Great scene.
This is 1986.
Like, the fucking creature work in this movie is insane.
It's so far beyond anything that was happening in movies at this time.
Ripley goes back to save Newt.
And she realizes she's in alien egg Erewhon, basically.
Alien egg Erewhon.
Oh, my God.
The Hailey Bieber egg zone.
He goes full Rambo.
Bishop shows up just in time.
Punch it, Bishop.
And then the whole ending with Bishop getting disemboweled.
Yeah.
I have some thoughts on that.
It's like a lobster claw.
Get away from her, you bitch.
The holding on while you might get sucked out of space.
A classic.
The airlock.
Always wear a total recall of the same thing.
A lot of movies have done this gimmick.
I feel like every time you're getting sucked out,
I don't think you're just like,
oh, I'm going to hold on to the ladder.
Like, it's got to be.
And it's in 2001.
There's a version of it in Project Hail Mary.
Yeah, it's good.
Gravity has it.
And then Bishop saves the day
with one of the great ideas in the history of any of these movies.
The disemboweled guy.
Grabbing the arm.
Android, I should say.
What do you got for most rewatchable CR?
The tracker scene.
All the red light.
They're coming through.
I would see that or the ambush,
but I think it's the tracker scene.
John?
To me, it's the. The ambush.
The penetrating the alien hive.
And the genuine fear on the faces of these guys
and women who are presented as the meanest motherfuckers
in the galaxy.
Especially after they're told they can't use their guns.
Yes.
It's a very Vietnam-esque, Vietnam movie-esque scene.
Yeah.
It's more on unknown terrain.
We don't understand the enemy or where we are.
CR, what are your top five movie disembowelments?
The Hitcher?
This is a big year.
It's a big year for embelliments.
There's not one that jumps to mind.
I'm sure, like, listeners. It's gotta be this one, right?
It's a great one.
I mean, to me, he gets, like, twisted in half.
It's not even. My gondoli was actually the sound that Bishop makes
when he's torn apart,
which is, like, between a pop and a thwip.
Like, I've never really heard that sound in a movie before,
but it's so burned into my mind.
Also, the fact that, like, Android anatomy
is basically, like, a bunch of milk with squid.
It's disgusting.
It's so gross.
It's like a bunch of chowder just comes out of the guy.
It's so good.
It's such a holy shit moment.
Most 86th thing about this movie. I was gonna say the Vietnam overtones for me.
Mm-hmm.
And then the fact that a female lead action character
being a badass
was considered to be this novel, amazing concept for a movie.
Now it's like. I had Michael Biehn replacing James Raymar.
That's a great one.
In a major role in a movie.
Because James Raymar had an incredible cocaine meltdown.
Yeah, was he arrested?
He was arrested for drug possession,
but they said it was for family reasons.
86 was really the peak for terrible cocaine stories.
Good, bad, people surviving, people not surviving.
Those are two guys, too, where you're just like,
James Cameron handed it to you, like, you know?
Yeah, really tough.
What do you have, Sean?
Burke's styling, the way that Burke dresses,
which is, like, technically this is supposed to be,
what is it, 21?
33 or something?
It's years in the future.
But it looks like he just walked off the set of Beverly Hills Cop
with his weird blazer.
Metroid?
Did you play Metroid as a kid?
I didn't.
I loved Metroid.
One of the very first NES games I ever got.
And one of the amazing reveals
was that Samus, I think Samus,
the lead character for Metroid,
who was like an astronaut who wore a helmet,
if you won the game, it was revealed,
or if you got to a certain level in the game,
that Samus was a woman.
And that that character in the video game
was directly inspired by Ripley.
That's not something that you would have seen
in a video game before that.
That's cool.
That the character could be a woman.
And I think that game came out in 86 or 87.
And Samus was a big Super Smash Bros. character.
And then you could change and play her as a woman
or the person inside the suit.
There you go.
The Gundali butter on my ass
while he pops my mouth award.
What do you have, Sierra?
Soldiers getting ready.
Oh.
All the, like, outstanding shit.
Like, when they're all, like, locking and loading
and getting ready to go in.
It's just, it's never not cool.
I have people waking up from pods
in movies like this.
Because I always think about
what's realistic and what's not.
Like, I just have trouble waking up
at a normal morning.
But if you'd been sleeping for 57 years,
I don't know.
What's your morning breath like?
Well, your eyesight might have gotten better
in the intervening time.
I need my glasses.
Yeah, true.
Would my eyesight get better?
There's a good version of this in Covenant.
The wake-up scene.
Everyone comes out.
Everyone.
They always, like, make them dress weird
in these things.
But I always think that's, like, a good scene.
I had this in Picky Knits,
but I can't believe they don't let these guys shower
after a 57-year nap.
Or however long they've been asleep.
She was asleep for 57 years.
I was thinking about the Borat Saganov
rancid body odor award.
You know, a couple of these people got a little gamey,
I think.
I think the breath would have been an issue.
Yeah, the breath.
Honestly, Ripley's apartment probably smells
worse than anything we can possibly conceive of.
It's an airtight,
one-bedroom place
in a space station
with a cat and a chronix
and a chain smoker.
Oh, I didn't think.
Yeah, the chain smoker.
It's Grey Gardens in there.
It's out of control.
Never see her actually puff from the cigarette.
She holds it like she's just always holding it, though.
I wasn't impressed.
Noticed an absence of cigarette-related categories.
Not like our guy behind Sean.
That's a good, our guy behind Sean.
Sunny.
That's how you do it.
Todd Parker Award for Best Character Adjunct
for Vasquez
comes right out of the pocket.
Pod?
just fucking doing
pull-ups
talking shit
it's like
who's this
love it
alright
what stage is the best
what do you got
I talked about this before
but just the
the rollercoaster structure
yeah
and the idea
that you don't see
a xenomorph
for a full hour
like you get the hint of it
when they
show like her nightmare
you see it in the
in the medical cage
or in the medical
you know test tube
but the first action
it takes an hour
to get to that
you would never
get away with that now
it's a good point
you'd probably
what you'd have now
is you'd have
a five minute segment
from the middle of the movie
that is pushed into the front
any streamer
we're flashing forward
to when
they're descending
on the aliens
and then we go backwards
48 hours
the director's cut
they would have had
the colonists
discovering the hive first
you know what I mean
and getting attacked
or something
which I think is such an interesting
and useful scene
in the movie
but
anyway
I have a bunch of these
I mean one timeless war film
like hostile armed forces
entering
unnavigable terrain
against an enemy
they don't understand
that's every
foreign conflict
the US has been in
for like the last hundred years
the physical production
of the movie
which we talked about
you know the miniatures
and the sets
the tagline of this movie
is incredible
it was just
this time
it's war
which like
put that on a poster
that's fucking awesome
yeah
pretty great
the other one is
casting a comedian
as the villain
which I couldn't think
of an example of this
before this
but then you know
you've got
Robin Williams
in Insomnia
in One Hour Photo
you've got Jim Carrey
in The Cable Guy
Dennis Leary
in Judgment Night
Dan Aykroyd
in Gross Point Blank
Monique in Precious
you've got
Steve Carell
in Foxcatcher
did you say Jim Carrey
in Batman
Jim Carrey as a Riddler
like this is something
that happens
in those Batman movies
that's a good one
yeah I can't think
of another one
it's such an inspired idea
like Richard Pryor
never played a villain
he did
he did
well not
in Harlem Night
a little bit
a little bit
that's the end of his career
yeah like Don Rickles
really missed it
he could have been
Burke in a different thing
those are good ones
I had a couple
I thought
you know we have
when we do these sequels
when we move into
the second movie
how they tie
the first movie in
like Rocky 2
they're just basically like
we're just gonna play
the end of Rocky 1 again
Karate Kid 2 did that
most sequels
either do that
or they try to do some
this one is so
organic
they find her
skipping out
across the galaxy
it really makes
it feels like a continuation
of the first movie
which I think is like
the single hardest thing to do
Godfather 2 actually
is good with this too
where we just started
the big wedding
like we did with the first one
but everybody's older
and Connie's dating
some schmuck
and Fredo's wife
is being a dick
and you can see
Michael's got
but it feels like
a continuation
I think that's so hard
this has always been
one of my biggest frustrations
about Alien 3
because it's like
is that
you know
Alien 3 opens
with basically
the information
that Newt and Hicks
are dead
and that Bishop
isn't there
and
that was what
I wanted it to be
like when
I didn't want them
to be dead
like Alien 3
is an interesting movie
and a very flawed movie
we can do this now
I mean
the vision for Alien 3
was to be part of
Alien 3 and 4
at one point
where Hicks
was gonna be
the star of 3
working with like
space communists
to
like
fend off
an alien invasion
and then Ripley
was gonna come back
big time in 4
Michael Biehn
but more so
James Cameron
were fucking
livid
when I watched
Biehn's podcast
that Cameron went on
about 3
they were just like
you motherfuckers
like we
did
two and a half hours
of like
showing why
these three people mattered
showing why
what they do
for each other
gets them to the end
of the rainbow
and you fucking
wipe out
all of that equity
we built up
with like a title card
in the next movie
it's just such a mistake
and it sets the tone
for just how
like
for as much as like
there's tons to admire
in Alien 3
it is such a toxic
like
angry movie
I only saw it once
I don't even remember
what happens
it's a fascinating
development story
just because so many
different people
took a shot
at writing the script
so like William Gibson
wrote
the guy wrote Neuromancer
wrote like
a whole like
screenplay
you can read online
about Hicks
for Alien 3
they just
they had something special
with those three people
and I
I concur with
Michael Biehn
Ripley FaceTimes
Burke in the beginning
I think that invented FaceTime
I was wondering about that too
I thought it was
Total Recall
but I forgot it was Alien
2001 has a version of that
the video call
true
remember when he calls
his daughter
yeah we did talk about that
they got holograms
and Star Wars
I mean people were
this feels like a straight FaceTime
do they have this
in Blade Runner 2
isn't there video phones
yes
like phone booths
I think so
every time I see
Michael Biehn
in any movie
I want him to go
I came across time
for you Sarah
I
it's great to see him
I
I think I'm having him
on the pot on Friday
cause he's in
this new movie
that Chris and I saw
called Onslaught
which is very connected
to these James Cameron
80s movies
and
his
his career is so
freaking fascinating
to me
he just never
got over like
that Hanks Costner hump
yeah
well he's like
right underneath
he's in
I mean he goes up to
Tombstone
three of the most
iconic movies ever
yeah and then Tombstone
and he plays an amazing villain
you wouldn't call him Biehn
you wouldn't call him Michael
he's Michael Biehn
you're gonna say his whole name
that's right
that's right
but like
Lords of Discipline
Terminator
Aliens
Rampage
Seventh Sign
Abyss
Navy Seals
K2
Deadfall
Tombstone
10 years
all big Hollywood movies
some good
some not so good
but some all timers
and then like nothing
yeah
let's take a break
we'll do more
what's aged the best
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one more what's aged the best for me
this could be a new thing
another Hudson Award
the Hudson from Aliens
are you a good guy or a bad guy
because I'm still not sure
award
he's right dead center in the middle
and he's neither
and I don't know how I pulled it off
I was trying to think of other characters
who did that
I was I mean
just this last time
I was thinking about
whether or not
this is the most like
electrifying
pairing of guys
the Hudson and Hicks
pairing of like
pure courage under fire
and sensitivity
and leadership
with like
chaos
fear
and energy
and comedy
and it's like a really
like electrifying
like
combination of a guy
of guys
it's funny that it's in the same year
as the phone
Berenger and Platoon
where like
obviously neither of those guys
are very funny
but they are like
alpha and omega
yeah
you're gonna do
some quotes later right
yes
okay
movie wasn't shot in sequence
which I was like
for what's aged the best
and they saved
that first scene
when they're all hanging out
for the last scene of the film
because they all knew each other
yeah
I was like
yeah
I like when they do that
this is just from
from IMDB trivia
Jeanette Goldstein
little more buxom
than the character
had to strap her assets down
and
to have that
not overpower her scenes
and
eventually went on to
fund a
clothing company
that made
giant bras
for
particularly buxom people
it's ironic
because one of my big takeaways
when I saw this movie
as a teenager was
she's got a great rack
I mean you know
yeah
it's not surprising
her guns were even more loaded
there was more ammo
in the closet
how do you think that conversation
do you think Gale Ann Hurd
took that conversation on
or do you think Cameron
went direct to the source
probably not a Cameron
probably that was a Gale Ann Hurd
like
hey
yeah
anyway
here's some electrical tape
we'd like you to look into
and the 15 minute countdown
at the end is exactly that
exactly 15 minutes
I always enjoy
when they do that too
yeah
great chat Gordo
what do you have Sean
either
the alien emerging
behind Newt in the water
or
I do think when Ripley emerges
in the power loader
at the end
there's a
it's a thrilling movie moment
I
love
being obviously
going through the ceiling panel
and the aliens coming at him
there is a
shot
in a really random scene
in this movie
where they've got
Burke dead to rights
they've got Burke sitting
and all the Marines
and Ripley's
Ripley are basically circled
around him standing and there is one shot where it's like you see three of the marines and ripley's
like telling them what burke did to them and how he was going to try and get embryos into them
and then paxton just leans into the frame and he goes fuck he's dog meat you're dead
and but it is like so much better than it needs to be where it's like this master shot of all
the living characters and then he's just like he's dog meat this is his best performance right
because it's it's a pretty loaded list so funny and true lies yeah so i really like him in one
false move as like a different kind of performance but yeah this is fucking awesome because we did
true lies were you on that one that wasn't sorry it's okay um he's so funny in that movie the the
the scene when he pisses himself yes is unbelievable
yeah
great shot gordo award we did that we did not do the sean fantasy word for stealth homage that
gives every movie nerd a criteria orgasm i have like at least five should we get spring spielberg
i'll try to keep it super tight one the knife game yeah that bishop plays is also played in
dark star which is john carpenter's first oh yeah yeah um and that movie was written by
dan o'bannon who also wrote alien
was that a movie that was written by dan o'bannon who also wrote alien
was that a conscious homage i think so i i think so um the second thing is there's a in the extended
edition when we are learning about the colonists there is a little kid riding a big wheel that is
a very conscious homage to the shining where the kid rides on the big wheel right past the
whalen utani sign very much so um which funnily enough because kubrick's shooting full metal
jacket in england at the same time that was minus 180 on fanduel for what you're gonna pick okay keep
going you have three more there's a probe at the very beginning of the film when they enter ripley's
little um escape pod that is a very conscious mimic of the probe that we see at the top of
the alien spaceship in 1953's war of the worlds um the one that has a kind of almost like liquid
gas going across them okay there is a very overt structural sands of iwo jima nod where you've got
the tough sergeant the leatherneck persona the mission structure all the way to the end of the
movie and then we have the first blood part two where all of the those specific beats are pulled
directly from that movie i already did my adrian biddle bit um and then just the first blood part
two and this movie being written simultaneously together are the perfect match of vietnam war
storytelling got one more murdoch one more uh fantasy criteria orgasm is the dissolve from
ripley in her sleeping pod to the planet during 2001 baby in space fantastic wow it's multi multi
orgasmic many orgasms it's more like the sean fennessey jizz room in the criterion classic
uh chess rockwell brocklanders were best character name i have a pwn one of my unanswerable questions
is it is it a pwn or a pwn a pwn but when hicks is like when he's down hicks is like a pwn a pwn
and so i guess gorman is he canadian like in is he a canadian actor an english actor i don't know
okay well i don't know i don't know if he's a canadian actor or an english actor i don't know
i like bishop that bishop is a good name for a good android name what about spunk my dog name
spunk meyer spunk meyer is incredible fast guys is good too and except for the completely
politically incorrect part that we're getting in a second uh was there a better title for this movie
obviously no way cameron wait can i just can i pitch you a couple of ideas yeah um motherfucker
asterisk or alien colon motherfucker yeah or aliens with the money sign like can i just
cameron drew on the whiteboard yeah yeah he would do the uh the dollar signs on the s to make it
clear that had to be think what do you got for a flex here i have the jesse eisenberg that's good
you should be proud of that right there don't worry if you don't make it any further award
for the best line reading which goes multiple times bill paxton as private hudson yeah right
man bishop should go fuck he's dead you're dog meat pal what do you mean
they cut the power how could they cut the power man 17 days hey man i don't want to rain on your
parade but we're not gonna last 17 hours hey maybe you haven't been keeping up on current events but
we just got our asses kicked pal we're on an express elevator to hell going down that's my
favorite and then uh in the director's commentary when they use the sentry guns he's like
maybe we got him demoralized but obviously the greatest one is all all the all the game over man
drop ship crashes and and although how is hudson not been in the director's commentary category
i know this whole time what were we doing he do you think that all the mans and pals that he puts
at the end of every line were in the script or is he adding i think he i think he was cooking
paxton cooking butch's girlfriend award weak link in the film let's talk about this so my
line is uh burke's plan to smuggle a xenomorph back to oh you think that's a bad that that's
the weak point i just think it's one of the worst plans in the history of movies i had that in
picking what could go wrong let's let's bring let's bring this alien back who has been proven
to inhabit other people and destroy colonies you can bring them back our way you could argue that's
like the criticism of the brain dead corporate state is that that they would think that their
emissary would think this is a good idea big thing for this is at what point did he
come up with this plan was this always the plan because he knows we net we know from that scene
and also from the director's uh cut that they know that this is happening up there so was he like
sent up there on purpose to put embryos in whatever he could get into and then bring it all
back or was that all of it's insane was that an audible he called at the line when things started
what are they going to study the thing's just going to turn into an alien and fuck everybody
up well they're gonna they want bioweapons they want to
train it to make it a weapon but they can't control it terrible plan what was yours um this
is in the director's cut but newt's parents like going to examine the crashed spaceship site
but they bring their kids with them yeah what the fuck is that if there's like a loud noise
at my house i'm not like alice wake up we got to go explore this what the fuck are they doing
this will be a character building experience maybe they didn't have child care that night
clearly they didn't but
one of them should stay home i think the idea is that if they find it they get like a piece of
the discovery why do their kids have to be there look i i would say how do you guys feel about newt
oh shit we're doing this now what is this what's what's where would it go otherwise
first of all what little kid gives themselves a nickname oh yeah you're not supposed to do that
ah i've seen it happen i've seen it i'm not in my family but i've seen it happen i'm just going
my real name if you find me in an alien colony hiding from the aliens i'm bill bill simmons
call me bs though yeah my name is sports guy i don't know yeah this movie is a little call me
the isle of dr simbo what birdmester is this on lv 247 yeah there's a scene missing
well there might be in the director's cut which scene do you think is missing
ripley goes from zero to a hundred and he's like oh my god i'm gonna die i'm gonna die i'm gonna die
with i am now the mom for new yeah but in the director's cut you find out she had a daughter
who died right yes which i think is so important to the fucking movie i don't know why they cut
that out so maybe that is maybe that is what the director primary theme of the movie that changed
the movie for you i still bought her motherly instincts with the daughter with newt but that
would certainly help yeah of course i think when newt gets taken down by the own i'm like bishop
we're getting out of here it was good to know newt but i'm out yeah no newt for like two days if
you don't know that she's lost a daughter and that she's driven by that loss and that bonding
with this little kid is replacing something that is essential to her being then the movie doesn't
that's why i think the director's cut is the only way to go the colonists who bring newt along
was ripley going on an off-world mining trip really the best use of her parenting time at
that moment and alien one no of course not but she had to to make money that's the thing is she had
to that that that character that informs that that whole idea of the movie which is like these
are these grunts these workers who have to earn yeah so you're saying ripley's backstory it's like
if you don't know that cr lost ben simmons that's right leading to how happy he was for jalen brown
and lebron james yes without that backstory he just seems like a happy basketball player exactly
right he doesn't you don't get the backstory of ben simmons melting down in 21 lebron comes to
your team setting aside ai taking the sixers to the finals is your favorite sixers team of the
wadala team that went to like the second round of the no it's it's the it's the first iteration of
young sixers young process sixers that was like late 2010s michael carter williams no the simmons
and bead covington jj oh yeah okay what's aged the worst uh vasquez which was jeanette goldstein's
first feature film role um she gained 10 pounds of muscle she also wore dark contact lenses
she also underwent an hour of makeup every day to darken her white skin to portray a chicano
also studied Mexican-American gang interviews
to vote for demeanor and accent.
And Cameron has recently acknowledged the controversy
and said, we would get crucified if we did this today.
Yeah.
A long and storied history of this happening
throughout Hollywood history.
All of the 80s is like Italian guys playing Cubans.
You know what I mean?
It's pretty frequent.
Yeah, I'm not getting holier than thou about it.
It's just a funny outcome that Jeanette Goldstein
played Vasquez.
I was trying to think, like,
what would have been the worst movie for this to happen?
And it's clearly the first Fast and Furious.
Oh, if you had a white woman playing Michelle Rodriguez.
But it was Jeanette Goldstein.
And by the 6-1, people are like, what the fuck?
Like, how do you not have. And they're like, ah.
The other thing is it's so evident in Terminator 2
when she comes back, right, as the foster mom.
And it's like, oh, well, that's Jeanette Goldstein.
That's what Jeanette Goldstein looks like.
Where she takes a liquid sword to the head.
Yeah.
What's some of your other favorite Jeanette Goldstein performances?
I only know of two.
No, she's in. She's in a lot of stuff.
No, she's in. She's in the Presidio?
No, the Bigelow vampire movie, Near Dark.
Near Dark, yeah.
Yeah, she's in. Her IMDb is extensive.
For a What's Aged to Worse,
you mentioned the backstory with Ripley.
I think that is a What's Aged to Worse,
that that seems pretty critical,
that that's never mentioned,
and that's why she likes Newt.
And then James Horner not having to write the score.
This is a good one.
In the shooting script,
there's a co-ed shower scene with the troops
getting ready to kind of show that they're all equals.
And a couple of the actresses were like,
hey, can we cut this?
But then they use it for Robocop.
It's also. I think it's taken from Robert Heinlein,
and they do it in Starship Troopers as well.
I think a co-ed shower scene
when I was on a date in 1986,
I don't know how that would have played.
I don't know.
Well, I mean, your date would have gotten a look at Michael Biehn.
She would have seen all of A-Pone.
I think I would have killed over.
Any other What's Aged to Worse?
I mean, killing Hicks and Newt for Alien 3.
Yeah.
I just wrote all action movies since.
Right?
I mean, so few movies can hold a candle to this movie.
Ruffalo Hannah-Ribnick Partridge over Acting Award.
Do we just put Vasquez in here now?
I wrote Paxton.
It makes overacting an art form.
Yes.
Because he's the only one who's really doing it.
How about Vasquez with the gun?
Yeah, it's gestural.
You say that now.
What is she doing?
When we were watching it then,
I was like, this is incredible.
I will say this.
She's really going for it
in every minute she's in this movie.
The shot early on when she and Boggs are getting ready
and she turns the gun up
and the camera is lovingly photographing her guns,
all of her guns,
I think it's worth it.
Camera.
I was really into her, obviously.
What do you have for a flex?
Well, I had a couple.
I had the Sasha Jenkins Award for Actor
who you can't believe didn't become a bigger star
for Michael Biehn.
But also, the David Caruso Award that we talked about,
Stuff of Legends for a character
who definitely should have been spun off
into their own sequel,
also would watch a Vasquez immediate prequel.
Like, what was Vasquez doing?
Vasquez and Boggs?
Yeah.
Yes.
Boggs and Vasquez?
That just sounds like an ABC show from the 80s.
Yeah.
Boggs and Vasquez.
Just bouncing from planet to planet,
you know, terminating bugs.
Isn't that what the video game is, basically?
The Colonial Marines video game?
Do you ever play that?
Never mind.
Sierra thinks Luke Wilson could have been
in Harris' support house.
Take a word.
I'll go last because my take's an Inferno.
Aliens might be the best Alien movie,
but it was bad for the Alien franchise.
Ooh.
Like that.
The first film was a horror movie.
It's like a slash.
Sure, action film,
but the aliens were of inexplicable origin,
and there was all this ambiguity and mystery around them,
and it's like, yes,
like you basically leave that movie,
and you're like,
that was a great horror experience,
but you were also like,
what the fuck was that,
and why did it have a spaceship,
and what was it doing in that chair,
and all the stuff about it?
And Cameron just basically makes it a Ripley franchise
for what winds up being three films,
you know, going forward,
which is totally cool,
but I think what should have happened
is Ridley should have made his movies,
and then there should have been like Ripley movies,
but there should have been like Ridley Scott's 1986 Alien 2
would have been incredible, I think.
It's interesting because it's sort of similar to Star Wars
where they can't get away from the Skywalker saga,
even though there's this huge world
that they're creating and they're presenting,
but people get so attached to those characters
that everything kind of feels stuck.
Like even Alien Romulus,
which was a pretty cool kind of reboot,
I think takes place between Alien and Aliens.
Like they can't get too far away from that period of time.
My hottest take,
and I'm not sure if I believe this,
but I'll share it here,
that this is a better Vietnam movie than Full Metal Jacket.
Now, it may not be a better movie than Full Metal Jacket.
It's a good hottest take.
Phil just did the Alonzo Warding GIF.
Because Full Metal Jacket is one of the great training
to be in the military movies,
and then the second half of the film,
which is excellent,
but is not as good of a Vietnam movie experience.
And it's obviously shot in England.
Yes.
Similarly to this movie.
It's a pretty good one.
Get Away From Here, You Bitch.
Terrible line delivery.
One of the worst parts of the movie.
Wow.
And it became super famous and iconic.
That's just why you're you.
That's why he's him.
I think they need another take.
And there's reasons they didn't have another take
because of how they were filming it.
Yeah.
I think it cost her the Oscar.
It's just bad.
But it's become an iconic line.
Sure.
But I think she needed a second take.
I think there's a reason Kubrick, Fincher,
some of these guys,
like, let's run that back.
Sigourney, one more time.
You didn't quite get it.
I think it should have been way more down,
more like, get away from her, you bitch.
Like, lower.
She's just, it's bad.
I think Sigourney said that Cameron wanted Bitch
to be low-key, not to be,
because the delivery is get away from her, you bitch.
And then he liked the take for some of it.
And then he wanted it to be down.
It's just bad.
It's hacky.
I like it.
Thumbs down.
Do you like the whole fight with her and the loader?
Yeah.
Yeah.
Craig, I think from going forward,
you have to be on hottest take
since you're the king of the hottest take.
Okay.
I think you just have to be ready
for this category from now on.
Okay.
Good to know.
Do you have any hot takes?
No.
I don't think so for this one.
Craig's like, he's like Chang.
He needs to cook.
He's there all day.
He needs a sushi.
He needs a chef.
Yeah, he's got a marinade.
Yeah.
He needs a sushi.
Hans Gruber scale villain ranking.
Reiser, like a six and a half.
I think he's pretty high.
I think he's eight and a half.
Where do you put the mother alien, though?
Well, she's just doing what biology wanted her to do.
Not a villain.
Just laying eggs and protecting the hive.
Yeah, I'm sympathetic to the mother alien.
Casting what ifs.
You mentioned Weaver wanting a million bucks,
which was a lot of money back then.
Gets it.
Bill Paxton lined up to be in Police Academy
two, then got this movie.
The role of Zed from Police Academy two
goes to Bobcat Goldthwait.
Yeah.
What a fucking sliding door Zed is.
Truly.
James Remar, my guy.
Right there.
Gans in 48 Hours, Ajax and the Warriors.
I love James Remar.
Lives in my neighborhood.
I've seen him in Larchmont, I don't know,
20 times.
Do you think you would ever go up to him
and be like, what's the alien story?
No, I think this is going to happen.
I think now that I know this alien thing,
this will prompt me to be. You've never approached him before?
No.
I don't like bothering celebrities.
Same.
He's having a moment.
Oppenheimer and the Odyssey.
He's Tiresias, you know?
I'm aware.
He's back.
Remar's back.
Remar has never left.
There are shots in the movie
that you apparently can see his back.
Apparently, he had a severe cocaine problem.
Was arrested for drug possession
during the filming.
Is there any other kind?
Well, so they're filming this in. I have a recreational. They're filming this in London
on some weird set, right?
How do you get arrested?
Like, what kind of cocaine level was he at?
It's probably. Like, partying in the streets.
Buying cocaine from somebody he shouldn't have.
Yeah, out in the open.
Yeah.
An undercover body.
Yeah.
Being available.
Showed up within a few days.
And then. It was like Friday and he was like,
on the set on Monday.
And it's so clear.
Bean is perfect for this part.
And I don't think Remar would have made as much sense.
Remar is. There's something kind of hard and tough
and, like, not vulnerable about James Remar.
And Bean has got. He's courageous, but he's not the leader.
Like, Ripley is ultimately the leader in the movie.
So, I think it worked out for the best.
This is a borderline cast of 1F,
but Al Pacino is filming Revolution
in the studio next door
and came and visited the set.
I had coffee with Macaulay!
Half an hour ago!
Only he would say Ripley.
Can you do Pacino as Hudson?
Could they fit Al Pacino in this movie?
You dog me, pal!
You're dead!
You dog me, pal!
Ripley, you know what you signed up for, baby!
Yeah, Al Pacino is Burke.
This species has a lot of financial value to the company!
I think. - I think they could have made it work.
- Yeah.
Revolution
that's a film
Al needs to sell out more
like in movies like this
like I wish we had gotten
Al as like the bad guy
in Con Air
you know
like
yeah
that's why I love
Devil's Advocate
yeah
that's where he's really
going for it
you know why you care
about Ripley
cause she's got a great ass
and you got your head
all the way up it
Vasquez
that should have been
the special edition
what are you doing
with that tape
now we're just yelling
what if he was
what if he was Apone
oh yeah
that would be good
you know
I
listen
he could have been
in every part
Joey Pants Award
best that guy
Mark Ralston
we're done
Boggs
yes
I do like Paul Maxwell
as Van Leeuwen
the guy from the company
we didn't really talk
about Waylon Yutani
in there
I guess it can come up
in questions
Mark Ralston
Hall of Fame
that guy
you just see him
you're like
that's Boggs
Dion Waiters Award
I think
I don't know
what to do with this
I have Al Matthews
as Apone
and also because
we went to
an aliens screening
at the Hollywood
Forever Cemetery
like before COVID
like 2018
19
something like that
it was Grantland era
early days
and
like all the Marines
showed up
to like hang out
like to introduce
the movie
and it was so awesome
hysterical screening
Chris and I went
with Eileen
and Phoebe
and I'm almost
Chris and I were like
sat up like
stock still
like perfectly
in perfect posture
watching the movie
on the ground
at Hollywood Forever
and I'm pretty sure
both Eileen and Phoebe
fell asleep within 15 minutes
Eileen fell asleep
within the opening credits
yeah
yeah
because we had been
waiting for like
four hours
it's a fun date
yeah
but also
I mean you've been on it
but also like
at Hollywood Forever
you just like
drink wine
while you're watching
the movie
so they were just
getting hammered
and we were like
Apone
no
like
you know
Jeanette Goldstein's
not Mexican
recasting
couch director
city
Boston
you know
where would the
queen be laying her eggs
in Boston
Southie
yeah
not Combat Zone
Southie or
Over the Hill
in Charlestown
what if
Kubrick and Cameron
switched jobs
oh
Sean
well first of all
they'd still be
shooting aliens
yeah
they never finish aliens
but Kubrick's aliens
and Cameron's
full metal jacket
is an interesting
it's really good
we all like
Michael Biehn
yeah
we're all fans
can I offer you
young Kevin Costner
as Hicks
yeah it's pretty good
perfect time for him
right
it's a year before
No Way Out
hasn't really
broken through yet
doesn't have the
Terminator baggage
did he ever play
a soldier
like a proper soldier
you would have felt
like he might take
not like
yeah I guess that was it
would have felt like
he might take a crack
at Ripley at any point
during the movie
because he's Kevin Costner
uh huh
then they wouldn't
have fucking killed him
in Alien 3
and I think
they'd keep him
for Alien 3
if it's Kevin Costner
I'll do you one better
Drew Barrymore as Newt
oh that's great
Firestarter era
Drew Barrymore
similar age
yeah
good one
Craig Flex
I got a couple
with your own camera now
first Flex
with the new camera
I kind of wanted to
invent a new one
for Bishop
which is the
William Dafoe
this creepy looking guy
turned out to be nice
really good
that's a really good one
really good
really good
really good
I didn't trust him
the whole time
yeah the second I saw him
I was like no shot
and then at the end
I was like wow
what a pleasant surprise
that's like the guy
in Silence of the Lambs
who's like the butterfly expert
you know
yeah
that's a good one
is that yours
yeah
I thought you had two
well the other one
I wonder
this is
I get why they did it
but it's a mini
Marion Cabretti
pizza cutting award
why did they stop this on set
so 57 years later
Ripley's still just wearing
like wife beaters
and little underwear
57 years later
it's just the same look
there's
Scott Purcell style
I get that they want
maybe it's swung back
I get that they wanted
to look like that in the movie
for like you know
just cause
one of my unanswerable questions
is what's
what's up with lung cancer
in this future
because
they're all smoking
yeah
they're smoking indoors
they're smoking on spaceships
kind of what's happening now
in 2026
also the tech is like
exactly the same
but are we supposed to imagine
that they've cured it
and now everybody's back
doing darts
yeah they cured it
AI
AI figured it out
figured out lung cancer
I really hope
I really hope that happens
that'd be great
half-assed internet research
we've mentioned a bunch
of this stuff
if you and I are doing
rewatchables in 2035
and AI's cured lung cancer
and we're just smoking
oh yeah
it'll be like
Frost Nixon
there's just a fucking
ashtray
full ashtray
right there
leading over
what's this smoke
gonna look like
with these 4k cameras
oh god
the tea situation
the tea breaks
the brain breaks
the British film industry
tradition
I just can't get over this
it's very good
it was my favorite
half-assed internet research
in a while
another good one
was they made
a cast dummy
of Newt
because Sigourney Weaver
had some back issues
and couldn't carry Newt
because Newt was
you know
a 10 year old girl
or however old she was
at that point
so they made a light dummy
and you can actually see it
I look for it
the second time
there's some scenes
where it's like
she's
it's like Naked Gun
when
remember at the end
of Naked Gun
when he's going down the stairs
with Priscilla Presley
and he's just swinging
this mannequin
it's a little
it's a little like that
I really liked the
note about how
Carrie Han
who played Newt
kept biffing
takes on purpose
when she's supposed
to slide down
right
because she loved
going down the slide
and so finally
Cameron's like
if you just please
like bathe yourself
you can ride down
all the rest of the day
there's
I mean
this could be 20 minutes
and it's not going to be
but if you want to know
about
how they built the set
how they used the replica
the miniature stuff
like it's all
it's a pretty good deep dive
I'm not going to do it here
there's a four hour documentary
called
is it Aliens Expanded
that you can watch
with many many interviews
of many many other people
who worked on the movie
including Cameron
all the stars
it's really good
one of the things
we talk about
sometimes when we do these movies
from the 80s and 90s
is before CGI
which Cameron talks about
if I had CGI
I would have done this
this and this
and this movie
but they just kind of
had to figure out
shit
so they're doing the alien
and it's 14
puppeteers
like moving the alien
pieces around
and now it'd just be
a button
yeah they said it was
the largest marionette
ever created
for a film production
the guns
weigh 65 to 70 pounds
which you can really feel
like when they're trying to
and it's like
man have any of these people
held a gun
but it's because
they were
crazy heavy
and then
oh Lance Henriksen
caught food poisoning
from the milk yogurt
and cream thing
he had to spew up
because
the set was hot
and the stuff
like the bacteria
got in
and he got like super sick
and then
the alien nest set
kept intact
used in Batman
yeah
it's the axis chemical set
and then
a lot of stuff
about Cameron
and H.J.
and then there's
a whole thing about
they had this whole reel
the movie's like
three parts of it
three plus hours
there's a whole reel
of a backstory
with Newt
and her colony
and all that
and they couldn't figure out
how to cut the movie down
and then Gale Ann Hurd's
like just cut that part
and he did the thing
where he took it out
and watched the movie
and it was like
oh that makes so much more sense
so it's just gone
but it's worth
noting that
Sean's pointed out
that the Ripley stuff
in terms of
her backstory
with her daughter
there's a little bit more stuff
with Burke
in the beginning
all that stuff
got cut out
Weaver was
really pissed about that
Yeah
She thought she did great work
or like that was really important
for the character
and then Cameron was like
when I watched
Alien 3
a lot of the stuff
that she had been asking for
is in Alien 3
so she obviously
was able to be like
if you want me to come back
ironclad
I have to do X, Y, and Z
in Alien 3
including die
Right
The film takes place
in 2179
but then
they've kind of
retroactively changed that
and made it
21, 22
57 years before Aliens
so there's some
for the Aliens nerds
there's some
Timeline stuff
Some timeline stuff
that does not fit
Well related to that too
there's a video game
that takes place
between Alien and Aliens
that stars Amanda Ripley
which is
Ellen Ripley's daughter
and she
they get word
that her
there's like
information
like a log
from her vessel
so she goes out
looking for her mom
and that's the premise
of the whole game
that to me is like
that also could have been a movie
For sure
It still could be a movie
Yeah
Apex Mountain Sigourney
Two years after Ghostbusters
This
I'm gonna say yes
Working Girls
the next year
She parlays it into
Working Girl and Gorillas in the Mist
in the same year
and wins the Oscar for Gorillas in the Mist
I think this is
a yes
Cameron no
No
Bean?
Yeah
Bean probably yes
Terminator then this
I think so
If you're doing like
Big Picture Exists
40 years ago
and you're doing
Biggest Male Movie Stars
We joke about
the Luke Wilson thing
like he
did have
Harrison Ford
juice to him
for a minute there
Yeah I wonder what
you gotta ask him
if you have him on the thing
I am yeah
Paxton no
Twister?
Is that what you would say?
Yeah he's in
Twister Titanic
Yeah
Alien movies?
Of the Alien franchise
or all Alien films?
Alien movies where we go
outer space
No
E.T. is
E.T. is still
better
Alien franchise yes
no
so hard
I think I'm back on Alien
I think I was like
oh wow
I think for the most of my life
it was Aliens
actually you made me feel guilty
that we hadn't done Aliens
forever
now you're back on Alien
but this is still like
the second best Alien movie
is still a lot better
than about last night
see how real it is
you know like
unbelievable
no I'm just saying
you know how like
as you go over
in the course of your life
you just are like
sometimes you're a godfather
sometimes you're a godfather too
we do Hunt from Red October
he's like I don't know
I still like K-19
the Widowmaker a little more
I would go Alien as well
Jeanette Goldstein
yes
Asset strapping
there's some other examples of this
I'm trying to think
some good ones
I mean
didn't Jon Hamm have to holster it
in a couple things
you think he taped it to the thigh there
a nut sling
I've heard some things
he had a cock sling
yeah
wow
well there's a
Affleck's like
tamed that thing up a little bit
man
gotta remember who the star
of this movie is
just one of the guys
Joyce Heiser
she does
yeah
she does
she's gotta strap him down
I mean we literally watch
Brandon Teena do it
in Boys Don't Cry
that's like a whole scene
in that movie
Paul Reiser no
it's coming though
not Paul Reiser's
Apex Mountain
it's mad about you
it's mad about you
that show is being watched
by 25 million people a week
it's a massive
massive hit
but you don't like it
I don't like it
I never liked it
I always used to make fun
of anyone I knew
who liked it
wow
thought it was a lame show
yeah
out on Pankow
I was younger
I was you know
it was
the zag was to not like that show
I always liked Helen Hunt though
on that show
yeah
yeah
I mean it was
it was like
a bad Woody Allen movie
stretched out
to 900 episodes
but like
I kind of like
bad Woody Allen movies
do you know that they did
like a reunion
series
that was like
on Spectrum
yeah
like it was like
directed
TV
they got Pankow back
yeah
mad about you
had one of the best
crossfire
annihilations
ever
when George
got whipped
on Seinfeld
by his
girlfriend
at the end
and realized
he made a mistake
him and Jerry
decided they were both
going to get married
but then Jerry
backed out
and then George
stayed with his
whatever
and he's just
in some room
bummed out
and she's like
George
mad about you
starting
and he's just like
and then he kind of
slumps over
this was Susan
right
yeah Susan
yeah
but I always thought
that was like
unnecessary crossfire
because that was an NBC show
that is tough
but that was the sentiment
of mad about you
it was like
you're basically
your significant other
made you watch it
do you think
will you take the money
for the 20 years
from now
Spectrum funded
reunion of the
rewatchables cast
where everybody
who hasn't seen each other
in a long time
is just like
oh Van Lathan
Kyle Brandt
Craig
you're all growns up
you'll do it
we'll do it
it'd be great
I'm never letting you guys go
so it won't be a reunion
what if you can't make my rate
at that point
by who
what if you just can't make my rate
at that point
you can't hit my number
that's true
Rich
when you realized
Bill Simmons
couldn't meet
CR's rate anymore
is that a per episode rate
yeah
okay
Cruz or Hanks
I had Cruz
as Burke
whoa
I have
I have Cruz as Hicks
and Hanks as Hudson
Hanks as Hudson
yeah
80s Hanks
that's pretty good
that would be awesome
but if you could only have one
who do you have
I think Cruz as Hicks
what do you have
I kind of like Hanks
in this movie more
I like Hanks as Hudson
Hanks as Hudson's fun
good backup
they both would be good
I just think Cruz going
this is clearly
an important species
you know
you're working on your Cruz
yeah that's good
1994 Demi Moore
2003 Angelina
2014 Charlize
or 2026 Zendaya
for Ripley
I had 14 Charlize
I had as well
I had Angelina
and it made me think
you made that
that great point
about how this becomes
Ripley's franchise
and I wonder
if there was a way
to pivot this
after she dies
after three
because they try to give you
like Winona Ryder
in Resurrection
you know Romulus
is giving you
Kaylee Spaney
they never quite found
Catherine Walker
from Waterston
Catherine Waterston
yeah
kind of like Zendaya
Charlize is in Prometheus
like you never quite get
a real inheritor
of Ripley's throne
Zendaya has
that secret height
physicality
it's just like 5'8
oh I think she's taller than that
5'9
depends on what the part is
just a lot of her
with the gun going
making the
Zendaya face
yeah
ruined space
the rude face
has rude face
replaced shamid face
yeah
the Rick
Cicchetti
who is it
Rick Cicchetti
this is your category
yeah but yes
I know but it's
a reader sent it in
yeah
I forgot what movie it was
the guard beat award
for most memorable death
by a security guard
or other bystander
when you start doing this
but you're like
who is it
Derek
Derek Gray
Derek Black
Derek White
right
like when you
when you lose the Celtics
yeah
we'll have to have an intervention
okay
whatever
however you pronounce that name
it goes to the
helicopter crash
Spunkmeyer and Pharaoh
yeah
can I also say
Pharaoh
just going to save some people
all of a sudden
there's an alien
ripping through my heart
drop ship pilot
Pharaoh
yeah
throw my life away for her
wow
aviator sunglasses
get out of here
she's in
the Dana Wheeler
Nicholson category
yeah
it's a good
good stretch for CR here
8586
if Pharaoh wants to fly me to the moon
let's go
yeah
picket nets
I mean
obviously the first one is
this is just the classic
and it's a sequel
device
but nobody's listening
to Ripley on this
yeah
she's more experienced
and knowledge
than all of you combined
and they're like
I don't know
it's like don't go back there
the colony
and they laid eggs
and yeah
it's really bad
and they're like
yeah whatever
it's one of the great
gaslighting scenes
in movie history
that when she has to testify
in the inquest
and she's giving them
all this information
and there's the woman
who's like
did IQ suddenly drop
yeah
where like the woman
repeats the thing
where she's like
so you're telling me
that there's a species
that ingests
you know like that
whole thing
is so
as the viewer
you're so on Ripley's side
our guy there
our guy McClane
that was like
the next four diehards
right
so each time
they're like
yeah what do you know
John McClane
who's foiled
five terrorists
we have a Washington D.C.
airport to run here
speaking of
that scene
the sort of
I guess
deposition scene
or whatever she's doing
with the board members
and that woman is like
nothing has been documented
like what you're describing
and however many
hundreds of worlds
that we've surveyed
but then when those guys
the Marines
are in the
mess hall
in the beginning of the movie
they're talking about
having sex with aliens
so which one is it
is it that there are aliens
but they're nice
and they have sex with you
or
that that's like
a little bit of a mistake
or
more questions than answers
yeah I'd say so
Arcturian pussy
that's what he's talking about
they didn't have to scale back
one of the things
because it looked
a little vulva-y
one of the alien things
they did not scale back
it looks like
I mean the plunge
against the glass
yeah
would Ripley
really get back to work
after a 57 year hiatus
or would she
maybe think of
some other stuff
to do professionally
I think that they've
they've really
jobbed her
I think that's in the
director's cut
is like they're basically like
you're not
financially liable
but we've like
suspended all of your
money making ability
and you have no money
I'll just say one more time
if you're gonna re-watch
this movie
I encourage you to watch
the director's cut
how did the little girl
survive by herself
on the alien spaceship
just kind of make and do
I mean that point
is made by the characters
at a certain point
you know it's like
if she was able to do it
then we can do it
but
put her in charge
yeah
why did Ripley
blow up the eggs
when they were blowing up
the whole spaceship anyway
or
whole thing anyway
I thought that
just get the fuck out of there
and then blow it up
Ripley tried hanging on the rim
at the end of the game there
and
I honestly
like I just feel like
that was a
you have
plenty of time here
to get out of there
so it was a breakaway
and she tried to do the 360 dunk
instead of just
laying it in
I
I read that differently
I read that as like
she has this primal expression
of revenge
sure
mom versus mom
yeah
like I have to take out
this force that is responsible
for destroying my life
she
Sophie Cunningham
pointed at her
she did
she did
she did with a
with a
she was blowing things up
yeah
fucking around
that whole moment
in the movie
which we were probably
didn't talk about enough
but
the way that the sound
and score
goes quiet
as we watch the eggs
get laid
and then we
it's revealed
the shape and size
of the mother alien
like the tube
yeah
it is
fuck
and they built all that stuff
it's really cool
it's so cool
it looks great on the
the 4k too
I think
for picking it
Ripley loses the last fight
with her dumb
contraption
that she's in
which she's exposed
all over the place
like alien tentacles
can come flying in
it's five minutes
five different areas
one thing I do like
about her fight style though
this is pure Pacquiao
it's all anticipatory jabs
like everything is like
she's getting ready
to clock the alien
before the alien
can even recover
from the shot
yeah
you know
where she's like
you can feel her rearing back
so that as soon as it recovers
she can go in again
what'd you think about this
the giant
what was it called
just her fight strategy
the mother alien
oh the power loader
yeah
kind of avatar-esque
also from Cameron
there's a lot
very visual
yeah
very similar
little
Rock'em Sock'em Robots-ish.
Sort of a slow-mo
Pacino and cruising dance.
twice in one week for that
my only other nitpick was that everyone gets
sucked out at the end
that airlock is
just I can't even imagine the gravity
I wish there was just
one more beat to get this
across but when
Ripley doesn't let them
fucking execute Burke when it's
been kind of discovered
that he's the one yeah just shoot him in the head
yeah like Hudson or Hicks
wastes that dude and she's like no we have to
bring him back to earth
so that he can be accountable for his crimes against
humanity and Waylon Yutani can be brought down
but I think they needed a little bit more explanation
of that and I also think Marines would have been like
fuck that this guy's getting smoked
yeah especially
he was taking insurance
claims and he was supposed to only report
3% but he was reporting 40
Waylon Yutani bought the Dodgers
he was taking loans against future xenomorphs
yeah
he really played it out he was playing
the long game
Waylon Yutani cost us the 2027 baseball season
it's fucked up
any other nitpicks
we hit almost all of them
I always found
that for as much as it's my favorite scene
in the movie and for as iconic as it is
it's pretty stupid that they don't
think about the ceiling in the tracker scene
we're like where could they be
coming from it's like just
it doesn't even look like it's a ceiling
it's just like
poster board up there
it's all drop ceiling everywhere yeah
any nitpicks from you?
I think I was just slightly underwhelmed
by the skill of this marine crew
I didn't feel like they were that different
from the guys from Alien 1 which were not
marines I felt like it was a very similar
kind of strategy
I think that's part of why it's a very good
Vietnam critique because you know going into Vietnam
there's a lot of confidence about the power
of our military and it was quickly revealed
that they were not well suited to that fight
given the circumstances
and so I feel like that's baked in that no matter how badass
Vasquez is
she doesn't really stand a chance
do you feel the same?
do you feel the same way about the guys who run the ringer fantasy football league?
yeah yeah I think they're a little over their skis
with all their all their rules and declarations
and certitude about how things should be played
I don't you know
how about running past some more experienced men you know
we can't get anybody to respond to our texts in the group chat
that's what Berks should have said that
sequel prequel prestige to be all black cast untouchable
they basically did
I mean we have to go all black cast because they've done everything else yeah they've done every other version of it
seven sequels to this movie
is this movie better with Wayne Jenkins Fergie the florist Zane Lowe Robert Evans Dr. Charles Nichols Ted Levine or someone else?
Ripley you've been asleep for 57 years you lost a daughter you've been held liable for the detonation of a spaceship
stop looking me in the eye
and now you've you've returned to LV-426 but I think what's at the front of everybody's minds is who is this Ellen Ripley who we meet now what kind of music is she making?
Ripley you've been asleep for 57 years you lost a daughter you've been held liable for the detonation of a spaceship
stop looking me in the eye
and now you've you've been asleep for 57 years you've been held liable for the detonation of a spaceship
and now you've you've been asleep for 57 years you've been held liable for the detonation of a spaceship
and i think they definitely messed with that um hibernation pods can we just talk about this yeah
what's going on here do you want them or do you think that they're like if you could go into
hypersleep and wake up in the future would you want would you want to experiment with that let's
really talk about the mechanics here 57 years so no bathroom yep never wake up you're just out
then you wake up do you immediately have to go to the bathroom i think that this is an
incredible point because it would be one thing if she woke up
and she had crazy amounts of tubes in there where it's like you couldn't even make it
through this oxygen to pee an hour ago yeah yeah so is she like oh hibernation oh my god i have to
pee so bad i to me i thought about hunger it's like do you just just need a hoagie as soon as
you get out of there what are so you come out of the hibernation pad what's the first thing you're
doing taking a shower i think i'd be on my phone just trying to figure out who won the last 57
nba titles oh my god i was like then i'm gonna pee
what i would like to do 2044 the clippers they did it
at the aspiration dome no less but they everybody seems so unfazed when they wake up
in 57 years ago i don't think they're asleep 57 years she was asleep for 57 years because she
was like she was lying out there yeah i think they went to sleep for like a year or something
to get out yeah but she did 57 at the start and wakes up and she's like is my apartment still there
if i have my stuff in in my version of aliens where i'm ripley i wake up and i look at the
sports results over the last 57 years and i realized that i the jets did in fact win the
title they won the super bowl so mad but then i realized it's a nightmare and a chestburster
breaks through and then i wake up and then i check again and the jets still haven't won
i would like to be the guy who basically didn't go to sleep and was like watching the ship for
the time that everybody was asleep so that like i could get good at really good at one thing
when you guys woke up i would be like oh yeah i can i can draw a golf ball now
i'm actually a plus five let's go to the range i want to show you something
yeah my short game is basically like airtight you can make a movie about somebody just waking up
from the hibernation pod in their next 90 minutes isn't there a comedy about that rocket man isn't
that what the premise of that movie is i think you're right i like that harlan williams movie
yeah that was funny i don't know if i know that movie yeah the guy who's like
squirrels sitting on the nut the guy from there something about mary um worst ways to go in a
movie being cocooned i would be tough would you rather get cocooned or torn in half torn in half
because you die immediately yeah unless you're cocooned is like that's i feel like it's being
implanted oh and having the alien pop out that's even worse to me yeah because it's happening right
away observing it and then you have to bleed out the cocoon is a slow death though yeah that i mean
it could be like 11 days that was actually so in the i don't know i don't know if it's in the
director's cup but it is a deleted scene where burke ripley comes across burke and he's been
cocooned but they were like we can't do that in the director's yeah they were there was like a
whole reason why they were like timeline wise he would not be cocooned at this point
i think the worst way anyone's ever died in a movie is the guy from seven
who got starved.
Yeah.
And then they went,
they thought the guy was dead,
but he breathed and they got. That guy had the worst death of any movie ever.
That's when John McGinley's like,
Dicks!
That's my favorite line reading in that whole movie.
My only other answer, bro, was,
what do Bishop's next few years look like?
He's just basically a torso and a head.
Well, they connected him to the prison planet.
Yeah, he's rebuilt.
And then at the end of Alien 3,
Bishop's creator,
who looks just like Bishop, shows up.
Oh, so they saved him?
No, it's just like,
he's like David,
where it's like they're made in the image
of the person who made the android, kind of.
You don't think they just wheeled him around
for the next couple years?
It'd be fun, yeah.
Put a little burlap bag around his intestine
so they didn't leak?
Bishop, can you still do the knife trick?
I mean, it's just like C-3PO
in the Star Wars movies, too, right?
He gets torn apart
and then provided.
He gets torn back together.
Memorabilia you'd most want from the movie?
One of the armored plate vests that they have.
Ed Vasquez's headband.
Nice.
Oh, that's really good.
Not Vasquez's tape.
Well, I'd take that, too.
I think one of the guns would be pretty cool.
Yeah.
Like the fire gun?
What would you want, Craig?
A gun is cool.
A 60-pound gun,
just like up here in the studio?
Just like putting it right next to Gabe Kaplan?
Coach Finstock, Mr. Miyagi,
we're at Best Worst Life Lesson.
Don't go back to your personal hell.
Mm-hmm.
Seems wise.
Sometimes you just got to nuke the site from orbit
just to be sure.
I think I'm just out on cryosleep.
That's a takeaway.
Just maybe don't participate in that.
Because you just never know
when you're going to wake up.
I don't want 57 years to go by.
Yeah.
Best double feature choice?
Alien.
I have Alien.
I have Alien as well,
but also Platoon.
Really?
I like the Vietnam bit today.
Nice work by you.
Thanks.
Who won the movie?
I think Sigourney Weaver.
My gut is Cameron
because he elevates to the highest class with this.
I mean, is there a more blank checky movie than The Abyss?
It's like a crazy, weird premise idea
and like he getting to do.
And you know, it's like it doesn't totally work,
but it allows him to go on and on and on.
He's like drowning his actors.
I feel like it's Cameron.
My argument for it is that Ripley becomes
like a much more iconic character after Aliens
than she did after Alien.
And that like I think Sigourney Weaver,
is associated with this giant blockbuster franchise
for most of its existence until Ridley comes back.
So we have one Cameron vote.
One Weaver vote.
What do you think?
I vote Cameron.
I think Weaver short term, Cameron long term.
I mean, on a personal level and on a like,
every time I rewatch, I get excited.
It's Paxton.
But I think, objectively,
I think it's either Cameron or Ripley.
Did you?
Paxton was the late 80s,
Zag take like when people thought the replacements
were better than R.E.M., same thing.
Settled down, settled down.
Just saying.
This has been a very friendly, cordial, entertaining podcast.
Just saying, it's like Paxton won Aliens.
It's like cool.
Yeah, he's getting a little afraid
that we're going to leave him.
I know.
So he's going to, he's going to play a little poke.
The pod, a little poke.
Where are you guys going?
I'm going anywhere.
Spectrum has made a really good offer.
What's happening?
Yeah, yeah.
What, tiebreaker vote?
In the movie itself, I like,
I like Weaver.
And now it's 2-2.
Did you ever put who won the movie to like a public vote?
It would be an interesting,
in instances like this,
where it's like you've got two clear icons
coming out of this movie.
We used to do polls in the past,
but sometimes it was like an easy answer,
so we wouldn't put it up.
But when it's a true split, we should do it.
This is a cool one.
It's a good debate.
I'd like to know.
I'd like to know that.
Also, same for Alien or Aliens.
I'm just going to say the same thing, yeah.
It would be funny if we do this,
and then it turns out like,
with the WNBA, when people parachute in
because they can-
Oh, yeah.
Criticize it.
You think Ennis Cantor's going to weigh in on this?
Ennis Cantor's like,
"We've got to protect James Cameron."
He's going to be outside your house.
He's won the movie.
But all the MAGA people are like,
protecting Jeanette Goldstein's right
to portray Vasquez.
Cantor identifies as a xenomorph.
Craig, you've never seen this movie.
No, I've been waiting a long time.
I loved it.
I love that they feel separate, Alien and Aliens.
You don't have to choose
because they're such different movies.
It's a little bit of like Dune and Dune II to me,
like the quiet opening story,
and then like the full-fledged action movie in the sequel.
I think I lean Alien.
I think Alien is like perfect.
Interesting.
Can I ask you, do you think it had anything,
did you watch Alien also on a laptop?
I've seen Alien multiple times on my TV.
Last night I was strapped for time.
I couldn't blast Aliens at like 1:00 AM in my apartment,
so I had to watch it on my laptop.
So maybe that hurt it.
We fucked up because they just ran,
Aliens on 70 at the Village Theater, I want to say,
all the way on the west side.
And Cameron went to it, right?
And Cameron showed up.
And Cameron introduced the movie.
And then he sat down in like the third row
and watched it with everybody.
That's the kind of shit I would do
if I was a famous movie director.
Just show up at your own screenings.
Like what better feeling could you have?
You can still do that.
You can come do a Sixers game and watch Jalen Brown.
You know what's crazy about this movie?
I was looking at the budget being $18 million.
It's like, sure, it's the '80s.
If you adjust that to now, that's only 54.
I'm like, a sequel to a movie like Alien now,
like if you were to, it would have cost $200 million.
I can't believe that even in 1986,
after a follow-up to a hit,
they only spent $18 million on this movie
and it looked as good as it did.
- We just had this with Speed.
Speed was 31 and they blew up like five parts of LA.
- But at least Speed was original.
And so like, you didn't know if it was,
I mean, the fact that this is Aliens
coming off the director who made the Terminator,
and it's only $18 million to me.
It's just crazy the scale, like how much it's jumped.
- I think some of it had to do with cast.
Like it's, they're not using $20 million movie actors.
Like Sigourney Weaver has to fight to get a million dollars
and some box office participation on this one.
Michael Biehn and Bill Paxton and, you know,
Jeanette Goldstein are not major movie stars.
Paul Reiser's-
- It's also an, it's a sci-fi horror movie,
which there's just not a track record of big box office.
- Yeah, but like this was gonna be a big movie, right?
Like people knew.
- Well, you said at the beginning,
it was one of the biggest movies of the summer
and one of the biggest movies of the year,
but it was not, there was not no expectation
that it would be a franchise because it has such a,
it's kind of a bummer of a movie, the original Alien,
you know, it's a very kind of sad, contemplative.
- Pretty early for sequels, just in general.
This is only like a 10 year run of us wrapping our head
around a sequel might actually be good.
- Well, it's also that classic thing of like,
you mentioned Alan Ladd going out at the studio
and the guy coming in,
and the guy who came in just didn't get it.
He didn't, he wasn't a part of Alien the first time around.
He didn't have any vested interest.
- Doesn't get the win.
- Yeah, exactly.
- And that's like, but you know, Cameron's big thing was,
I can't remember who told him this.
I think it was Julia Phillips, but it was like,
you shouldn't do Aliens because if anything goes right
with it, people will be like, well, Ridley Scott,
that's all Ridley Scott's idea.
And if anything goes wrong with it, you'll get blamed.
But so it is like a real risk for him to do this.
- This is the rare.
- Like Chris Connolly.
- Yeah.
- Yeah.
- Yeah.
- Spicy, I like that.
- Indeed.
- Yeah.
- I, can you think of another example of a franchise
where the first and second movies are arguably as good
as each other and they're made by different directors?
- No.
- 'Cause usually what you get is.
- It's basically impossible.
- You get Batman Begins in Dark Knight
or Batman and Batman Returns or.
- But you never want that.
- Toy Story, Toy Story 2.
- You always want the same director
to handle the trilogy. - Godfather, Godfather 2.
- Yeah.
- Sometimes it would have helped.
Like I think Escape from L.A.
would have been better with a different director.
- Oh, interesting.
- Yeah, I mean.
- And I love John Carpenter.
- I really like Die Hard 2,
but in no way is it close to Die Hard 1.
- Yeah, yeah.
- Like that's a new.
- I mean, you know, the Star Wars and Empire Strikes Back
is they're different filmmakers,
but it's all from Lucas's.
- I guess Taboo 2 had two different directors.
- Interesting.
- From Taboo 1.
- That's true.
Top Gun Maverick.
- Oh.
- Yeah.
- Albeit. - Yeah.
- It's been a long time after Top Gun.
- I mean, I prefer Maverick to the original.
- I've been cranking it.
- Cranking Top Gun Maverick?
- Cranking it to Top Gun Maverick?
- It's on a lot.
- Yeah.
- It's on, I think. - On what?
- The four Showtime channels.
- You, I can't believe you're still doing this.
- I love the guide.
I love jumping into movies.
- Do you still do this?
- I have it.
- But do you like go what's on the movie channels right now?
- No, I did for a while. - I still love it.
- And then I think like the amount of DVDs
and also just like just work watching.
- Yeah, you guys are missing out.
Showtime's basically just showing both Godfathers
and Top Gun Maverick and they're just on all the time.
And it's amazing.
- What does that tell you
about what people want from them?
- Yeah, they know.
- Yeah.
- They know what's going on.
- That's so funny. - They know the drill.
And then HBO3 is now just doing marathons.
- Of their shows, right?
- They're just like, we're running the wire this week.
- Yeah, I saw. - We're running the Sopranos.
- I saw Thrones was on for a while.
- We're doing Curb.
We're running the whole.
I like what's happening.
Cableguides are back.
Pluto's back.
Tubi, like the whole like,
let's jump in and you're picking the stuff for me.
- When is the CR and Joanna Sopranos pod happening?
- What's that?
Oh, 'cause we haven't watched Sopranos?
- Yeah, start to finish.
- It's unforgivable.
- I've seen the Sopranos.
I just didn't watch it contemporaneously
and I haven't seen every episode.
- You dropped a Vito reference on the pod this week
and you were like, you guys haven't seen Sopranos.
Like, we can't let it die.
- I've seen Sopranos.
Heifetz hasn't seen Sopranos.
Or he watched it out of order.
- Heifetz just did his 40-year-old virgin smile
when I brought that up.
It was very nice of him.
- Next week on The Rewatchables,
I'm off
Craig is
Captain Phillips-ing it
but not with
Captain Phillips
for Captain Phillips?
no he's
the fantasy guys
they're doing
Talladega Nights
next week
oh nice
yeah get us ready
for football season
yeah
I'm sure the Mavs
would fuck that up too
just like they fucked up
the draft
yeah
you're entitled to feel
how you want to feel
and then we'll be back
we have some good ones
good ones
we have a
kind of
planning a horror movie
month right now
for October
that I think
is going to be
pretty spectacular
exciting
in Red October
we're going to do that?
listen
what else do you want
from me?
well Rich comes
calling again
if we don't get
Red October
we're going to have
big problems over here
we did Sicario
we did Aliens
what else do you want?
what about last night?
what's left?
the names are coming
off the board now though
I know
like it's getting
whittled down
all the long time requests
yes
I still have my list
but yeah
yes
after Hunt for Red October
is there anything?
Apocalypse No
somebody asked me
on a pod
we have some good ones
Scarface is left
yeah
somebody asked me this week
if I could do any movie
what would I want to do
and I said I want to do
The Master
but just me and you
The Master?
yeah
wow
anyway
CR thank you
Fantasy thank you
thank you
Craig thank you
thanks to Gahow as well
and we'll be back
next week with
Talladega Nights
we'll see you then
Podcast Summary
Key Points:
James Cameron’s *Aliens* is hailed as a groundbreaking film that redefined sci-fi action with its intense structure, character depth, and relentless pacing, mirroring a roller coaster experience.
The movie successfully shifts focus from a generic alien invasion to a human-centered narrative, centering Ellen Ripley’s journey and giving her emotional depth, motivation, and agency.
*Aliens* is viewed as a masterclass in filmmaking, with unparalleled attention to set design, creature design, sound design, and editing, establishing a new standard for sci-fi cinema and influencing films like *Jurassic Park* and *The Terminator*.
Summary:
James Cameron’s *Aliens* is celebrated as a landmark in science fiction cinema, reshaping the genre with its gripping structure, emotional depth, and technical mastery. The film follows a narrative arc that mirrors a roller coaster—building tension slowly before erupting into chaos—where the audience experiences a relentless, immersive journey. Unlike its predecessor, *Alien*, *Aliens* centers on Ellen Ripley, giving her a rich backstory, emotional stakes, and personal motivation that makes her the true protagonist.
The film’s success lies in its meticulous attention to detail: the sets feel lived-in, the creature design (by Stan Winston) is iconic, and the sound design—especially the alien’s scream and James Horner’s score—creates a visceral, unforgettable experience. It also reflects deeper themes of corporate hubris, control, and the dangers of unchecked power, echoing societal fears from the 1980s, including Vietnam-era trauma and Cold War anxieties. Its influence extends beyond genre, shaping future sci-fi action films like *Jurassic Park* and cementing Cameron as a visionary filmmaker whose work redefined storytelling, action sequences, and visual realism.
The rewatchable highlights not only the film’s technical brilliance but also its cultural resonance, with fans noting how it stands apart from typical sequels by offering a fresh, character-driven narrative. The discussion also touches on the legacy of key cast members, such as Sigourney Weaver’s powerful performance and Bill Paxton’s memorable, underutilized role, while acknowledging the film’s complex production history, including production delays, creative conflicts, and behind-the-scenes decisions that shaped its final form. Ultimately, *Aliens* is seen as a pinnacle of cinematic craftsmanship—both in execution and in its ability to resonate across generations.
FAQs
It uses a roller-coaster structure, with an initial slow build and a sudden, intense drop in tension, mirroring the emotional and narrative arc of the film. This structure creates a sense of unpredictability and suspense, making it feel both thrilling and deeply immersive.
While *Alien* introduced the concept, *Aliens* shifts focus to Ellen Ripley as the central character, giving her motivation, emotional depth, and a personal stake in the story, making it a more character-driven and emotionally resonant experience.
The design, created by Stan Winston, is both terrifying and realistic, with a focus on biomechanical horror and practical effects. This design influenced later sci-fi films like *Jurassic Park* and set a new standard for creature design in cinema.
Cameron revolutionized filmmaking with his mastery of action sequences, editing, and genre storytelling. His work on *Aliens* and other films demonstrates a deep understanding of cinematic craft, pacing, and audience engagement that set new industry standards.
She transforms from a background character in *Alien* to a compelling, emotionally grounded protagonist in *Aliens*, bringing depth, bravery, and vulnerability that makes the film resonate with audiences on a personal level.
The film faced significant studio resistance, including budget cuts and creative disagreements, but James Cameron’s persistence and vision ultimately allowed the film to be made with a high level of artistic integrity and control over its final product.
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