7 True Abandoned Places Horror Stories | "We Should’ve Never Stepped Inside" 😱 That Will Make You Rethink Every Forgotten Place
1h 33m 37s
The transcript presents a series of harrowing true stories about abandoned buildings and forgotten places, each revealing dark secrets buried beneath the surface. In one, a property assessor uncovers a former animal hospital where a former technician, Walter Hutchins, is feeding and tending to dead animals, believing them to be alive, after being dismissed by authorities. In another, explorers discover a sealed school basement where a janitor, Eugene, kept a journal detailing his isolation and fear of unseen intruders, with barricades built to block them. A third story reveals a farmhouse where a family’s home is perfectly preserved, only to uncover a basement with three children’s remains, including a missing eight-year-old, Timothy, whose mother concealed the truth for years. In a fourth story, a photographer discovers a meat processing plant where former refrigerated rooms contain chains, food, and scribbled notes, indicating a trafficking operation involving people trapped and exploited. These stories collectively emphasize how abandonment can mask profound human suffering, often involving psychological manipulation, abuse, and concealment. Each narrative serves as a chilling reminder of the dangers of trespassing into forgotten spaces and the emotional toll such discoveries take on those who witness them. The overarching message is that some places are not just empty—they are active sites of trauma, and the act of exploration can reveal truths too painful to ignore. The stories end with a strong caution against entering abandoned properties without permission, highlighting the need for awareness, empathy, and societal accountability.
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Story 1
There's something unmistakable about an October morning in Nebraska.
The cold settles deep into your bones,
working its way through your jacket regardless of how many layers you put on underneath.
I had spent three years working as a property assessor for Douglas County.
With abandoned buildings making up most of my assignments.
Usually I knew what to expect.
Deteriorating farmhouses, gas stations that had gone out of business,
and the occasional restaurant that hadn't survived.
But the former Fairview Animal Hospital out on Route 49 felt different.
Dr. Nathaniel Brooks had operated the clinic until 2016,
when the state revoked his license over what the local papers described as
disturbing irregularities in animal care.
No one seemed to care.
No one seemed willing to explain precisely what that meant.
Still, the farmers in the area had quit taking their livestock to him
several months before the hospital formally shut its doors.
That Tuesday began like any other property inspection.
I pulled my Jeep Cherokee into the broken asphalt parking lot,
where weeds reached through every crack like bony fingers.
Ahead of me sat a low single-story brick building
with weathered blue trim and sheets of plywood covering the windows.
The paperwork on my clipboard listed,
The Essentials.
42,200 square feet, constructed in 1987, commercial zoning.
There was nothing in the paperwork about the odor.
Even standing outside, I could smell something heavy and sickly sweet,
strong enough that I started breathing through my mouth.
I took my flashlight and camera from the Jeep,
the usual gear I brought along for assignments like this.
The front entrance was open roughly six inches,
and the entire locking mechanism had been ripped out.
That struck me as odd, since the bank had supposedly secured the property.
Once I stepped inside, the flashlight sliced through the darkness
and illuminated a reception room that seemed untouched by the passing years.
Issues of magazines dated 2016 remained spread across a coffee table.
On the wall, a calendar was still turned to May of that same year,
its photograph showing a Golden Retriever puppy smiling endlessly at an empty room.
What stopped me, though, was the counter at the reception desk.
Dozens of collars for small animals had been laid out across it in orderly rows.
Every collar carried a pet's name, written in an unsteady hand.
Whiskers. Duke. Princess.
The writing wasn't old or bleached with age.
It looked recent, as though someone had added the names within the past week.
Documenting everything was part of my job, so I photographed the display.
I tried not to dwell on the care someone had taken with those collars.
They had been thoroughly washed and polished, then placed just so.
Past the reception area, a corridor disappeared into the dark,
with examination rooms opening off either side.
I inspected the first two.
Both contained the usual equipment beneath a coating of dust.
There was nothing especially remarkable about them, apart from that lingering smell,
which intensified the farther I went.
I was inside the third room when I heard the humming.
It was quiet, almost the tune of a lullaby.
Drifting from somewhere farther back in the clinic.
It didn't sound like machinery.
There was no mistaking it for anything other than a human voice.
Suddenly, the boxes on my assessment checklist mattered much less than figuring out who else was inside a building that was supposed to be vacant.
The sensible thing would have been to walk out immediately and contact the sheriff's department.
But after enough years doing this work, I had learned that squatters were generally homeless people looking for somewhere to sleep.
I figured I could let whoever it was know I was there, and perhaps point them toward some proper assistance.
"Hello?" I called, hearing my voice bounce against the tiled walls.
"I'm from the county assessor's office. This building isn't safe. I can help you find another place to stay."
The humming cut off at once. In its place came a scraping shuffle, the sound of someone hauling something heavy along the floor.
Then a weak, reedy voice floated toward me from the rear of the building.
"They're asleep. Please don't wake them up. They need to rest after their surgery."
Every instinct I had urged me to leave.
Every instinct I had urged me to leave.
Instead, I continued down the corridor, following its bend toward the section labeled on the blueprint as the surgical suite and kennel area.
The kennel room's door was partly open.
As I approached, the stench struck with the force of a solid barrier.
Rot and industrial disinfectant blended into something so overpowering that tears gathered in my eyes.
Through the opening, I could make out rows of metal cages.
Most of their doors stood open, but a few contained something.
Nothing alive.
There were bundles inside them, wrapped in surgical gauze and secured with duct tape.
Each approximately the size of a cat or a small dog.
Every cage held a water dish filled right to the top.
Name cards had been taped onto the bars.
My flashlight picked up a movement in one corner.
A man who looked about 60 was crouched beside a cage on the bottom row.
He wore a lab coat so dirty it barely looked white anymore.
With careful movements, he was putting what appeared to be dry pet food into a bowl beside one of the wrap shapes.
He turned his head toward me slowly.
I will never get his face out of my memory.
His eyes were red and bloodshot, the pupils enlarged.
His cheeks had hollowed out, giving him the appearance of someone who hadn't had a decent meal in weeks.
But none of that was what made me retreat a step.
It was the happiness on his face.
He looked delighted the way a grandfather might look when his grandchildren arrived for a visit.
Oh, wonderful.
Are you the new veterinary assistant?
Dr. Brooks told me somebody would get here eventually.
He rose to his feet.
As he did, I noticed the dark marks all over his coat.
Some were brown and dried with age.
Others were red and fresh.
I've kept everything right on schedule.
Meals, medicine, their exercise times.
They've been awfully tired recently, though.
The operations took a lot out of them.
I reached for the doorframe to steady myself.
He started coming toward me, slipping a hand into the pocket of his coat.
You'll need to see their charts.
They all have particular dietary needs.
What he brought out wasn't a set of charts.
He was holding a handful of wrinkled notebook sheets filled with illegible scrawls.
There were dates that didn't make sense and medication dosages for drugs whose names I had never heard before.
He continued moving closer.
I continued edging away, doing everything I could to keep my voice level.
I'm not a veterinary assistant.
I'm only here to assess the property.
Why don't we go outside and have a conversation?
His expression shifted.
The delight emptied out of his face as quickly as water pouring from a cracked cup.
No.
No.
No.
You're with them, aren't you?
Those people who want to take my patience from me.
They told me somebody would come.
I didn't get a chance to answer.
He sprang toward me with a speed I would never have expected from someone who appeared so weak.
His fingers, cracked and stained yellow, closed around my wrist with frantic strength.
You can't take them.
I gave Dr. Brooks my word that I'd protect them until he returned.
I tore my arm out of his grip and staggered back into the corridor.
He came after me, his voice rising into a shout.
Seven years. I've spent seven years here looking after them, feeding them, washing them, keeping
them company. He flung a hand in the direction of the kennel room. They trust me, buttons meows
every morning when I come through the door. Mr. Fitzgerald wags his tail when it's time for his
bath. There was no uncertainty in the madness pouring out of him. He truly thought those
decaying bandaged bundles were animals that still lived and breathed. I ran. I didn't simply quicken
my pace. I didn't hurry toward the entrance. I ran. My boots slid over the filthy floor as I
raced around the bend in the hallway. The light in my hand swung wildly, throwing its beam back
behind me. His footsteps rang through the corridor, accompanied by a dreadful rising whale.
"Come back, they need their afternoon medicine.
"You don't know what happens
"if they don't get their medication."
Searching for a different way out,
I rushed through an examination room
ended up in what had to be the operating suite. Another wrapped shape lay on the surgical table.
This one had been partly uncovered. The sight beneath those loosened wrappings made me clamp
my teeth onto my tongue to stop myself from screaming. I won't put what I saw into words.
I can't. But whatever Dr. Brooks had been doing to those animals before the state took away his
license, this man had been attempting to carry it on. Or undo it. Or do something else entirely that
only God could understand. At the back of the surgical room was a fire exit fitted with a push
bar. It opened when I crashed into it. An alarm should have gone off, but the system had stopped
working long ago. I stumbled out into the weed-choked lot behind the hospital, thorny brambles snagging
and tearing at my clothing. The man came into view in the doorway behind me, his figure outlined against
the darkness of the building. He held one of the bandaged bundles against his chest the way someone would
cradle an infant. Please, he called, his voice beginning to crack. Please don't let them know
I'm here. They'll take my babies from me. There's nobody left for them but me. I kept running until
I made it back to my jeep. My hands fumbled with the keys while I checked the mirrors,
terrified that he might have followed me. As I accelerated out of the parking lot, I saw him
once more in the rearview mirror. He hadn't moved from the doorway. He was gently rocking the bundle
in his arm. I saw him in the rearview mirror. I saw him in the
arms. I phoned the sheriff's department from the road. My voice trembled while I struggled to
explain what I had discovered inside the clinic. They dispatched officers right away. It turned out
they had already been searching for a man named Walter Hutchins. He had been a veterinary technician
employed by Dr. Brooks and had vanished around the time the animal hospital closed. The officers
located him in the kennel room among 17 wrapped animal bodies, each in a different stage of
condition. Later, the forensic team established that all 17 had been pets that died during Dr.
Brooks' experimental treatments in 2016. Walter had been breaking into the building and taking
them out of the freezer, where their remains had been kept as evidence. Then he had been tending to
them as though they were still alive. He's living in a psychiatric facility now. From what I've been
told, he continues to ask about the animals every single day. He wants to know who is making sure
they get fed. Three weeks after that inspection, I resigned. I learned that certain buildings should
never be assessed. They ought to be burned straight to the ground. Story two. It has been
three years since we went into Millbrook Middle School that night, and I still wake up screaming.
At the time, I was 23, wandering through life with a communications degree that felt worthless and a
degree that meant more to me than anything else. Exploring abandoned places wasn't merely how I spent
my free time. It had become part of my identity. There wasn't a deserted building within 50 miles
that I hadn't walked through. Our little group was made up of Jason, Chloe, and me. We had been
sneaking into places everyone else had forgotten since we were in high school. That evening in
August 2016 began the same way most of our outings did. We gathered at the old gas station along
Highway 42. We were in the middle of the street, and we were in the middle of the street. We were
two, stocked up on energy drinks and beef jerky, double-checked our flashlights, and drove toward
the school, which had been shut down since 1998. Other urban explorers generally dismissed the
place as empty and uninteresting. Everything worth seeing had supposedly been stripped out long ago.
Jason, however, had picked up stories about a sealed basement that no one had been able to locate.
Millbrook Middle School occupied 12 acres of land, swallowed by weeds and unchecked growth.
Kudzu had spread across so much of the structure that its red brick exterior was barely visible
beneath it. We left the car behind the former gymnasium, near a stretch of fence that had
fallen years earlier. After switching off the headlights, we sat for a moment and let our eyes
become accustomed to the dark. The main school building rose in front of us, three floors of
shattered windows and walls layered with graffiti. Jason went first, using his tactical flashlight to
navigate the high grass.
Jason went second, using his tactical flashlight to navigate the high grass and scattered debris.
Chloe walked just behind him, already taking photographs of the architecture emerging from
the shadows. I stayed at the back, watching for security guards or anyone else exploring the
property. The side entrance we had used on earlier visits had been welded closed sometime since we
were last there. We eventually located a ground floor window where the plywood covering had
decayed enough to leave an opening. The odor greeted us as soon as we climbed inside. It was
that recognizable smell of the ground floor. We were able to smell the smell of the ground floor,
and the smell of the ground floor. We were able to smell the smell of the ground floor. We were able to
blend of mildew, corroded metal, and decomposition that every deserted building seemed to wear as
its own particular fragrance. Beyond the window, the corridor stretched into complete darkness.
Our light swept through suspended dust, making the particles look like miniature ghosts drifting
through the air. Some of the walls still displayed artwork made by former students.
Though the colors had deteriorated into dull variations of gray and brown,
we had already explored those hallways. We had taken pictures of every classroom and restroom,
along with the old cafeteria, where serving trays remained piled on shelves eaten through with rust.
This time, though, we had come looking for something specific. Jason took out his phone
and showed us a grainy photograph he had found on an urban exploration forum. It appeared to show
an iron ring set into concrete, almost hidden beneath years of accumulated filth. Whoever had
posted it said the ring was a piece of metal, and that it was a piece of metal that was
somewhere in the building's northwest corner, close to the old boiler room. We had searched
that section twice without discovering anything. Jason was convinced we had simply been checking
the wrong place. According to his theory, work done during renovations in the 80s had added a
false wall, concealing the original maintenance entrance. The boiler room looked just as it had
six months earlier. Lengths of pipe dangled overhead like steel intestines, and the enormous furnace
stood cold and light. But Jason didn't spend any time looking around. He headed directly for the rear corner,
moving beyond the furnace toward a section we had never paid much attention to.
He began tapping the walls and listening for a hollow response while Chloe recorded the search
with her camera. I was about to declare the whole thing another wasted effort when one of his knocks
produced a noticeably different sound. Hollower. Less solid. He turned to us with a grin, and that
reckless smile was the only thing we could see. He turned to us with a grin, and that reckless
spark in his eyes he always got when he thought he had discovered something. Then he began tugging
at a piece of drywall that moisture had already loosened from its backing. Older concrete lay
behind it, and there, coated in decades of rust and dirt, was the ring from the photograph. My pulse
picked up while we pulled the remaining debris away. This was more than a simple maintenance
panel. We had uncovered an actual trapdoor, roughly three feet on each side, held shut by an ancient
tower. It seemed to have rusted into one solid piece. Jason reached into his backpack and took
out bolt cutters. He always brought what he thought we might need. He set to work on the
padlock. It resisted his first two attempts, then snapped on the third with a noise that reminded me
of bones breaking. The three of us looked at one another. We all knew that feeling, excitement
tangled with apprehension, the moment before stepping over a boundary you probably ought to
respect. Chloe pointed her camera toward the
opening while Jason and I seized the ring and heaved upward. At first, the door refused to
move. Years of corrosion and packed grime held it in place. Then it broke free all at once,
releasing an awful metallic shriek that carried through the abandoned school. A rush of trapped
air rose out of the opening. Compared with the smell coming from below, the rest of the building
might as well have been freshly aired out. This odor was dense and sweet, with something deeply
wrong beneath it that made my stomach roll. We aimed our flashlights down the hole. A narrow
shaft of concrete dropped away beneath us. A metal ladder was fixed to one wall, descending
approximately fifteen feet before vanishing into total darkness. Holy shit, Chloe murmured,
taking one photograph after another. None of the blueprints I found show this.
Research was her part of the operation. Before every trip, she spent hours combing through
municipal archives and looking for clues. She didn't know what to do. If this space had escaped her attention, I doubted anyone knew much about it.
Jason was already lowering his legs over the edge and pressing a foot against the ladder to test it.
The rungs creaked under his weight, but they held. "I'm heading down," he said.
Naturally. Jason had never encountered a dangerous situation without immediately wanting to throw
himself into it head first. I caught him by the shoulder and asked him to hold on while I dropped
a glow stick into the shaft. We watched the green light shrink as it fell. It struck the bottom with
a muted thump. The illuminated area below appeared more spacious than we had anticipated. It
continued outward beyond the range of our flashlights. Every instinct in me was demanding
that we leave. I climbed down after Jason anyway. The ladder felt cold beneath my palms,
its metal faintly wet. Chloe descended behind me, keeping her camera strap
securely wound around her wrist. None of us had imagined the basement would look like that.
We had expected a cramped room for maintenance work.
Instead, we stepped into a passage extending in both directions.
Pipes and electrical conduits ran along the walls,
looking as though no one had modernized them since the 50s.
Abandoned cleaning equipment had been left along one side of the tunnel.
Rust had turned the mop buckets orange.
Push brooms stood with their bristles long since rotted away.
Shelves held cleaning products whose labels had faded so completely
that their contents were impossible to identify.
More than anything else, the atmosphere unsettled me.
The air wasn't merely old and stagnant.
It seemed heavy, as though every breath forced my lungs to work against its weight.
Jason had already chosen the left-hand passage
and was following it around a bend that led away from the main school building.
Chloe stayed near me.
Every burst from her camera flash exposed another detail I wished we hadn't seen.
Scratches scored the concrete.
A child's shoe rested in a pool of black water.
Stranger still, piles of old desks and filing cabinets
had been assembled into improvised barricades at uneven intervals throughout the passage.
Guys, Chloe said scarcely louder than a breath.
Look at these barricades.
They're all facing one way.
Like whoever made them was trying to stop something from getting through.
She was right.
Each heap of furniture, each shelving unit, tipped onto its side.
Had been arranged to obstruct anything approaching from farther inside the tunnels.
We edged our way around and through them.
Whenever metal dragged against the concrete,
the scrape sounded unbearably loud within those enclosed walls.
Several side passages branched away from the main tunnel,
forming a network far too extensive to fit beneath the school's dimensions above us.
Jason used chalk to leave marks along our route.
But even with those signs, I was beginning to lose my sense of direction.
Then Chloe. Clamped a hand around my arm so tightly that it would leave a bruise.
Her flashlight was aimed toward a corner ahead,
where the narrow passage widened into a larger chamber.
Against the opposite wall, curled into a posture that might have seemed restful
if you didn't look too closely, lay a body.
It had been there for a very long time.
Almost all of its clothing had decomposed.
A few scraps remained, possibly from a janitor's uniform,
judging by the name tag that had somehow stayed fastened to one surviving,
a piece of cloth.
Eugene.
Most of what remained of him was bone,
kept together by desiccated ligaments and occasional patches of leathery, mummified skin.
But the way he was positioned made my throat tighten.
He hadn't collapsed across the floor like someone whose death had come without warning.
He had drawn himself into a tight ball, his knees tucked against his chest.
One arm enclosed a thick notebook, its cover and pages browned and made fragile by age.
His other hand rested against the concrete wall, near something he had carved into it.
Jason moved closer and directed his light over the markings.
Chloe photographed the scene, somehow keeping her hand steady despite what we had found.
Initially, the scratches were difficult to interpret.
They looked like nothing more than frantic cuts gouged into the surface.
Then I recognized the arrangement.
Tally marks.
Dozens upon dozens collected into sets of five and spread across an area,
wall roughly three feet wide. He had kept a count of the days he spent dying underground.
Chloe gently eased the notebook out from beneath Eugene's arm. The brittle pages crackled whenever
she moved them. Moisture in the passing years had ruined most of the writing, leaving it unreadable.
Some of the later entries, however, could still be deciphered. The handwriting grew less controlled
as they continued. Day one, she read, her voice carrying oddly around the chamber.
Accidentally locked in while doing summer maintenance. Door mechanism stuck. Nobody
can hear me shouting. She carefully turned ahead. Day three. The water pipes are still running.
Thank God for that. Found old crackers in a storage room. Phone is dead. Why did I come
down by myself? Meanwhile, Jason had noticed something hanging from the wall.
It was a clipboard holding a maintenance schedule dated July 1987. The school would
have been empty for summer vacation. Weeks would pass before anyone returned. Chloe kept reading.
With each new entry, her voice became softer. Day seven. Nobody is coming. School won't open
again until September. I've done everything I can. Can't move the door from underneath.
God, please help me. After that,
the entries grew briefer and more frantic. Day twelve. Something was moving in the tunnels
last night. I'm not down here alone. I wish I were. The pages near the end were barely legible.
Water damage had reduced them to broken scraps of thought scattered across the paper.
They move around at night. I hear their breathing. They know where I am. God forgive me.
The final entry that made complete sense was marked day eighteen.
The school is gone. Something is wrong with the water. They're coming nearer. I hear scratching.
If somebody discovers this, stay out of here after dark. There was a reason the school sealed this
place. Beyond that were only tangled scribbles and shapes that might have been eyes. Hundreds of eyes.
For a while, none of us spoke. Our flashlights formed a small circle of brightness surrounded
by that suffocating blackness. All of it suddenly fit together in a way that was horrifying.
The locked, trapped door. The absence of any documentation showing the passages. The barriers
Eugene had constructed as he grew increasingly desperate. Whatever had shared those tunnels
with him, the people running the school had apparently chosen to close it off instead of
confronting it. They had trapped Eugene down there with it, whether deliberately or through
some terrible mistake, and then removed the entire place from the record. Jason still wanted to keep
going. He wanted to put his life on the line. Push farther into the underground passages and discover where they ended. Chloe and I refused.
We had our story. We had answered the question of the hidden basement, and every part of me was
insisting that at least one warning in Eugene's notebook deserved to be believed. We had no
business being down there after nightfall. It was already after midnight. We retraced our route
through the passageways, working past the barricades that now looked far more threatening
than they had on the way in.
Then we climbed the ladder, each step drawing another groan from the metal. By the time we pulled
ourselves into the boiler room, I had never been more grateful for the smell of mold. Nobody needed
to say anything. Together, the three of us lowered the trapdoor back into place. Jason even took a
fresh padlock out of his backpack and used it to secure the entrance. Certain doors ought to remain
closed. We climbed out through the window we had used to enter. I have never returned.
Two years later, the school was torn down. Developers bought the property and put up a strip
mall. Sometimes I find myself wondering whether the construction crews discovered those underground
passages, whether they came across whatever Eugene had been trying to hide from. I hope they were
sensible enough to keep it beneath layers of concrete and commerce. Yet when the night is
quiet, I still think about the last things he wrote. About Eugene slowly dying in that darkness,
alone except for something that
had happened to him. I remember the detail that troubles me more than any of the others. When we
first lifted the trapdoor, the ladder's rungs were wet. Those tunnels had been sealed for thirty
years. The metal should have been completely dry.
Story 3. There are far more deserted properties scattered across rural Illinois than most people
would imagine. I had spent three years photographing them when Kevin and I were
born. Kevin and I came across that farmhouse off a county road. We were both photographers. I paid
my bills by shooting weddings and family portraits. But the work that mattered most to me was recording
those forgotten buildings before they vanished for good. Kevin had a weekday job in graphic design.
On weekends, though, we would fill his aging Ford pickup with camera equipment and drive out to see
what the little towns had abandoned. Schools with shattered windows. Barns folding inward under their
own weight.
Homes that looked as though the families inside had simply left one afternoon and never come
back. That Saturday in July began with ideal weather. The sky was clear, the heat was mild,
and it was the sort of day that practically invited you to roll down the windows as you drove.
An antique dealer in town had told us about a farmhouse that had supposedly stood empty since
the early 90s. It was around 40 minutes beyond the city limits, encircled by cornfields that
had become tall and overgrown.
We could scarcely make out the gravel drive beneath the weeds and young trees that had
taken root on their own. Kevin stopped the pickup beside the rusted mailbox, and we collected our
gear. The house looked as if it had been waiting for our arrival. Its white paint was coming away
in broad flakes. One end of the front porch had begun to sag. The windows were black and vacant,
apart from ragged curtains shifting gently in the breeze. The front entrance stood partly open,
which wasn't particularly remarkable in a place like this.
Wildlife, storms, other people exploring. There were plenty of explanations for a door being left
ajar after decades without occupancy.
occupants. We noticed the smell the moment we stepped inside. It wasn't the odor of death or
something decomposing. It was aged paper, mildew, and that unmistakable mustiness a home develops
when it has been shut up for far too long. All the furniture remained in the living room. Dust
lay over it so heavily that it resembled a covering of gray snow. A sofa upholstered in a floral
pattern faced a television that had probably been an expensive model back in 1985. Photographs of
the family stood along the mantle, but dirt and moisture damage had blurred the faces almost
beyond recognition. Kevin began photographing the room in wide shots while I concentrated on
the smaller things. A mug abandoned on an end table. Old newspapers browned and yellowed by time.
Reading glasses resting on the arm of a reclining chair. The kitchen suggested something different.
Where the living room seemed suspended in quiet stillness. The kitchen looked as though someone
had left in a hurry. Cupboard doors dangled open. Plates and other dishes were scattered over the
countertops. A saucepan remained on the stove, its interior coated with a dark hardened substance I
couldn't identify. The refrigerator was slightly open. Thankfully there was nothing inside except
bottles of condiments with labels that had faded long ago. On the table we discovered the
middle of the kitchen. The kitchen was empty. The
there were dozens of envelopes. None of them opened. All addressed to the Garrison family.
The latest postmark was November 1993. Bill's promotional mail. Envelopes that appeared to
contain birthday cards. Everything was still waiting for people who would never return to
read it. Upstairs the corridor seemed oddly long for a house of that size. There were four doors.
Three were shut while the one at the far end stood open. The wooden floor complained beneath
our feet. Each step stirred little clouds of dust that drifted through the daylight entering a
broken window. The first bedroom we entered appeared to have belonged to the parents.
A quilt had been folded back on a queen-sized bed, almost as though someone had only just
climbed out. Several dresser drawers were partly open with clothing protruding over their edges.
Kevin discovered a wallet inside one of them. The driver's license belonged to Robert Garrison,
born in 1952.
In the photograph, he was a stocky man with gentle-looking eyes and a mustache that could
only have belonged to the early 90s. We returned the wallet to precisely the place where Kevin had
found it. Our purpose was to photograph what remained, not carry any of it away.
The child's room was the one that affected us. Stickers covered the door. Dinosaurs, spaceships,
and those raised puffy designs that had been popular years earlier. Beyond it, everything
was immaculate. Uncomfortably, everything was just as it was. The door was open. The door was
immaculate. A single bed was made up with Teenage Mutant Ninja Turtles bedding. Toys sat in orderly
arrangements on the shelves, as though their owner might walk in at any moment and start playing
again. Schoolwork pinned to a corkboard showed painstaking attempts at cursive handwriting.
At the top of every sheet was the same name and age. Timothy Garrison, eight years old.
A wall calendar remained on November 1993. A dental appointment had been
circled for the 15th, but no one had ever marked it as completed. Then we looked inside the closet
and both of us went still. The clothes had been hung neatly in order of size. Shoes formed a tidy
line along the bottom. In one corner lay a baseball glove with a ball tucked into its pocket,
looking as though a game of catch had ended only minutes before. Kevin glanced at me and I looked
back at him. We could both feel the significance of what was in front of us. This room hadn't merely
been left behind. It had been preserved. Someone had made sure it remained exactly as it had been,
almost like a memorial. We photographed it without speaking, taking particular care not to move or
disturb anything. Afternoon sunlight streamed through the window, bathing the room in a warm
golden glow. It should have made the scene beautiful. Instead, it made everything seem
somehow more unsettling. That was when Kevin spotted the basement door in the hallway. Several
layers of glass were on the floor, and Kevin's eyes were on the floor. Kevin's eyes were on the floor,
and the layers of paint covered it. The most recent was an unpleasant shade of yellow that
matched nothing else we had seen in the house. The knob was unusual, too. It looked newer than
the surrounding fittings, and someone had installed a deadbolt above it. That wasn't
something we normally found on an interior door. The stairs leading into the basement were sturdy,
unlike the dangerously creaking steps we so often encountered in abandoned homes.
Metal brackets had been fitted to reinforce them, and a handrail ran
along the wall. The basement had been partly finished. White paint covered the concrete walls.
Fluorescent fixtures hung overhead, though they clearly hadn't worked in a long time.
The space was separated into two distinct areas. The first looked like ordinary storage.
Boxes of holiday ornaments had been labeled and stacked away. Sheets covered old furniture.
It held the familiar collection of possessions that gradually accumulates beneath a family home.
The rear section was another matter. The concrete there appeared more recent,
with a smoother finish. Someone had constructed a small enclosure out of drywall,
leaving a gap between the tops of the walls and the ceiling. A padlock secured its door.
Years of dampness, however, had softened the wood holding the hasp. Kevin pulled firmly,
and the entire fitting tore loose from the deteriorating frame.
The smell changed when we entered. It was more like damp earth, with a faint,
chemical note underneath. The room measured perhaps eight by ten feet.
Apart from a wooden work table standing against one wall, it was empty. Dark discolorations marked
the tabletop. There were scratches, too, cut in patterns that appeared intentional,
as if someone had been keeping track of passing days. But our attention soon shifted to the floor.
Several boards in one corner had been cut and replaced. They didn't sit quite level
with the surrounding surface. Kevin slipped the blade of his
pocket knife beneath an edge and pried them up. They lifted without much resistance.
Below them was a shallow cavity, perhaps two feet deep. At first, all we thought we were looking at
was earth and discarded scraps of cloth. Then I noticed the shoe. A child's sneaker. One of those
little shoes with lights built into the heel. The kind kids had loved in the early nineties.
It was enclosed in what had once been a blanket, although much of the material had decayed. Neither
Kevin nor I wanted to pull the remaining fabric aside. We didn't need to. Enough of it had fallen
apart that we could already see what lay within. Small bones, fine and pale against the dark cloth.
A little hand, its fingers bent inward as though still protecting something treasured.
All at once, the air seemed too dense to draw into my lungs. Kevin lurched backward and struck
the table. That movement brought its underside into view. Photographs had been fastened beneath
it with strips of tin. Kevin looked at the table. Kevin looked at the
tape yellowed by age. Every picture showed the boy whose room we had just visited. Timothy. But
these weren't the ordinary snapshots a family would keep. They had been taken from far away.
Through windows. From hiding places behind trees. Someone had been observing him. One image showed
him outside, playing in a yard with several other children. Another captured him on his way to
school, carrying a backpack that looked enormous against his little body.
In the final photograph, he was climbing into a car. He was smiling at the person behind the
wheel. We left everything as we had discovered it and hurried out of that room. My legs felt loose
and unsteady as we climbed the stairs. The farmhouse, which had seemed like an ordinary
deserted property before, now felt openly threatening. It was as though the walls were
closing around us. Anything might have been concealed in the shadows. Every complaint from
the floorboard sounded like somebody moving nearby.
We didn't bother putting our equipment away carefully. We snatched up whatever we could
carry and made for the exit. But while we were passing through the kitchen, Kevin caught my arm.
He pointed toward the calendar beside the telephone. November 1993. The same month
displayed in Timothy's bedroom. The markings on this calendar, however, were different.
The 8th through the 14th had been circled with the word vacation written across those dates.
The date set aside for Timothy's dental appointment had been struck through in red marker.
When we stepped outside, I couldn't remember ever being so relieved to feel late afternoon
sunlight on my skin. We tossed our cameras and bags into the pickup. Kevin turned the key.
The engine wouldn't start. He tried three times, then four. With each attempt,
the battery's clicking grew fainter. That was when we heard a door slam inside the farmhouse.
It wasn't a gust of wind.
It wasn't the structure shifting with age. Someone had slammed it deliberately.
Then a second door banged shut. Kevin tried the ignition once more. This time, the engine caught.
We tore down the drive, sending gravel spraying behind us. Neither of us turned to look back.
Once we reached the main road, we stopped and used Kevin's phone to call 911.
The dispatcher kept us talking for 45 minutes, recording every detail we could give.
Sheriff's deputies met us at the farmhouse. We remained inside the truck while they entered the
turned, their expressions were grim. They requested additional officers, and before long, police
vehicles crowded the property and crime scene tape surrounded the house. A detective questioned
us individually, then interviewed us together. We went over what had happened again and again.
Timothy wasn't the only child they discovered beneath that floor. Later, they told us there
had been two others. Their names were never made public. For roughly a week, the case appeared on
national news broadcasts. Robert Garrison had gone missing on the same night as his son.
His wife, Patricia, had been the one to report them missing. For three years, she had continued
telling the same story. Then she had abruptly packed her belongings and left town. Investigators
eventually located her in Florida, where she had been living under her maiden name. During
questioning, she broke down. She admitted that she had found out what her husband had done.
Instead of reporting him to the authorities, she had assisted him in concealing it.
Then she had continued living in that house with him for three years, maintaining the claim that
someone had abducted their son. On the night she finally left, she had put poison in Robert's dinner.
Afterward, she buried his body in the cornfield behind the farmhouse. The police found his
remains in the exact location she described. Patricia was sentenced to 25 years to life. She never disclosed the identities of the authorities.
She never disclosed the identities of the other two children. She never said where Robert had found her taken them either.
Kevin and I stopped exploring abandoned properties. We made a few attempts afterward,
but it never felt the same. Every vacant room seemed capable of concealing something horrific.
Every door leading into a basement brought that farmhouse back to us.
Kevin sells insurance these days. He has a family now and an ordinary life. I'm still a photographer,
but I only take work involving happy events. Weddings. Birthday parties. Newborn babies.
Occasions that honor life rather than record what death has left behind.
Now and then, the farmhouse returns in my dreams. I see Timothy's bedroom,
every possession in its place, everything ready for a boy who will never come home. I wake up
wondering how his mother could have stood at that doorway day after day for three years, fully aware
of what lay beneath the basement floor. How she could have kept his bedroom spotless while the
rest of the house deteriorated around her. The detective later told us something else
she had confessed. She had gone into the basement room regularly to check that the
boards were still positioned properly. She told them she couldn't bear to leave Timothy
down there by himself in the dark. That is the detail I find hardest to escape.
A mother's love twisted into something terrible, tending both the room her son had lived in, and the grave where he was buried.
And the grave where she had helped conceal him.
Story Four
Everything changed for me last Thursday. I'm a freelance photographer living in Michigan,
and for nearly six months, I had been putting together a series on forgotten industrial buildings.
Some people collect stamps or old records. I collect photographs of the places everyone else
has left behind. Factories, warehouses, processes, and other places. I collect photographs of all the places everyone else has left behind.
Factories, warehouses, processing facilities. There's something deeply haunting about
photographing deterioration. About watching nature gradually take back the things people no longer want.
By then, I had covered 17 sites throughout the state. I believed I had encountered just about
everything those places could offer. Rust swallowing old equipment. Graffiti spread across
walls. Shafts of light pouring through shattered windows and illuminating the dust. But nothing I
had seen, absolutely nothing could have prepared me for the old Grandview meat processing plant on
the outskirts of town. The facility stood roughly 12 miles beyond the city limits,
with untended fields around it and a chain link fence that was falling apart.
Another urban explorer had mentioned it to me on Instagram. According to him,
it had closed in 2014 following some sort of financial scandal.
I thought it would make an ideal addition to my series. I got there at about 2 in
the afternoon and left my battered Subaru behind a stand of trees, keeping it hidden from anyone
passing on the road. The sunlight was sharp, throwing lengthy shadows over the deteriorating
parking area. Weeds had forced their way through every break in the pavement. The front doors stood
open, making the entrance look like a mouth caught halfway through a scream. Before I noticed
anything else, I noticed the smell. It wasn't quite decomposition. It was more stale and chemical.
Something like bleach that had been sitting too long mixed with the scent of rust.
I repositioned the strap of my camera, checked the batteries in my flashlight, and went in.
The production floor opened up ahead of me, enormous and largely vacant. All that remained
were the bare frameworks of conveyor belts and hooks suspended from overhead rails. My steps rang
through the building. Every footfall struck the walls and returned sounding slightly warped.
I began taking pictures.
Flaking paint. Corrosion spreading over metal in shapes that resembled dried
blood beneath the afternoon light coming through the broken skylights.
Farther into the plant, I spotted a row of doors along the rear wall.
They were heavy steel doors fitted with industrial fastening mechanisms.
Cold storage rooms. I assumed facilities like this ordinarily had spaces where meat could
be kept fresh before shipment. Still, something about those entrances made me hesitate. Each had a
padlock. That alone wasn't especially strange in a vacant building. What bothered me was their
condition. The locks weren't coated with years of rust. They appeared fairly recent, perhaps no
more than a few years old. I tested the first three doors. All were securely locked. At the
fourth, however, the padlock dangled open. The hasp had been drawn aside as though somebody had
used the room not long before I arrived. I leaned my shoulder into the door and pushed.
The hinges let out a groan loud enough to startle me. My flashlight revealed a compact space,
perhaps eight feet by ten. Concrete walls surrounded it, and the air inside felt at least
twenty degrees colder than the main processing floor. But the drop in temperature wasn't what
made me briefly forget to breathe. It was the damage to the walls. Deep scratches had been cut
into the concrete, beginning around three feet above the floor and reaching nearly six feet high.
They weren't accidental scuffs. They looked purposeful and frantic, as if somebody had
been trying to tear an escape route through solid concrete with their hands. My light shook as I
moved it over the surface. There were dozens of marks, possibly hundreds. In some of the grooves,
I could see traces of something that looked like old, dried blood. Then I shone the beam
into the corner. A filthy, mildew-covered mattress lay against the wall. Empty cans were scattered
around it, all inexpensive generic brands. Their labels had lost some of their color,
but I could still read what they had contained. Beans. Soup. Tinned fruit. A plastic pail stood
nearby. I doubt I need to explain what someone confined there would have needed it for,
but the object that left my knees weak was the chain. It was a thick industrial chain,
approximately ten feet in length, fixed to the concrete floor by an enormous eye bolt.
A locking restraint hung from the opposite end. The sort designed to close around a person's ankle
or wrist. Thankfully, the shackle was open. Even so, parts of the metal had been rubbed smooth,
suggesting it had seen considerable use. I retreated so quickly that I almost fell over
my own feet. My heart slammed against my ribs, pounding as though it wanted to force its way out
of me. I should have gone straight back to my car. Every instinct I possessed was telling me to flee,
to leave that building behind and never return. Instead, I stayed. Perhaps it was a grim kind
of curiosity. Perhaps the photographer in me understood that what I had discovered needed
to be recorded. Whatever the reason, I continued. I examined two additional rooms. Both contained the
same arrangement. Scored concrete walls, dirty mattresses, discarded food packaging, and those
dreadful lengths of chain. It seemed to me that I had been in the wrong. In the second of those rooms, I discovered something more. A notebook had been shoved
beneath the mattress. Water had damaged it badly, and it was so fragile that it was barely staying
in one piece. Most of the writing could no longer be read, but a handful of entries remained
recognizable. Dates from 2013. Desperate passages about needing to get clean. Promises that money
would be repaid. Then nothing. The writing simply ended.
I photographed all of it. My hands wouldn't stop trembling, but I kept making myself
take the pictures. I was no longer documenting the deterioration of an abandoned factory.
I was standing in a crime scene. I had started back toward the main production area when I heard
someone walking. The footfalls were measured and unhurried, coming from farther inside the facility.
This wasn't the unpredictable creaking of an aging building. A person was moving through it.
I immediately switched the camera to a different camera. I immediately switched off my flashlight and flattened myself against the wall,
struggling to keep my breathing quiet. The footsteps approached. Then they stopped. In the
silence that followed, I could hear my pulse and another sound. Someone was humming softly, the careless
sort of humming people do when they're occupied with something familiar. It seemed to be coming
from the loading docks, perhaps 50 feet away. I could either attempt to slip past whoever was
there and reach the front entrance, or search for a different exit. The person began moving again.
The humming moved with them. This time, there was no doubt they were heading toward me.
I chose the other exit. I eased through a side doorway and entered what appeared to be a former
office section. Overturned desks and filing cabinets formed a tangled obstacle course.
Dust covered nearly everything. Nearly everything. A clean strip ran through the center of the
clutter. Someone had been walking that route often enough to keep it clear. I followed the
path as silently as I could, eventually reaching a window overlooking the rear parking area.
Layers of paint held it closed. Through the dirty pain, though, I could make out my Subaru only a
few hundred feet away. I could not see anything. Then a door opened and shut somewhere behind me. The humming had ceased. I snatched a corroded
letter opener from a nearby desk and worked its tip into the window frame, trying to break through
the accumulated paint. Every scraping sound seemed deafening in the quiet. Finally, the window came
loose with a sharp crack that carried across the office. I didn't stay to find out whether anyone
had noticed. I forced myself through the opening, dragging my arms against the frame, then dropped
seven feet away. Six feet to the ground. And I ran. It wasn't the controlled, respectable jog someone might take
for exercise. I sprinted with everything I had through that overgrown parking lot. Thorns caught
and tore at my jeans. My camera struck my hip with every step. Behind me, people were shouting now,
angry voices, more than one. I refused to turn around. When I reached the Subaru,
I struggled with the keys for what seemed like forever, though it probably last
only a few seconds. Then I hurled myself into the driver's seat. Thank God the engine started
immediately. I accelerated out of the lot, flicking gravel behind the car. In the rear-view
mirror, I saw two people coming out of the building. By then, I was already pulling onto
the main road. The speedometer climbed beyond 70 as I raced along the narrow country lane.
I didn't ease off until I reached the highway. Even there, I continued watching the mirrors,
certain at any
moment I would see another vehicle gaining on me. Nobody followed. I went directly to the downtown
police station. My arms were still bleeding where the window frame had scraped them. Adrenaline left
my entire body trembling. At first, the desk sergeant seemed doubtful. I probably looked like
just another person who had trespassed in an empty building and come back with an exaggerated account.
Then I showed him the photographs on my camera. His expression changed. Less than an hour later,
I was sitting with two detectives giving an official statement. They were extremely interested
in the rooms I had discovered. They requested that I email every photograph to them. Then they had me
recount the whole experience three separate times, writing notes throughout. Eventually,
one of them, Detective Collins, explained what I had walked into. The police had been watching
the building for some time. They had received reports of people disappearing, most of them
struggling with addiction and knowing that they were not going to be able to get out of the building.
This was the first time I had seen them. I had been in the building for about three years. I had been
dangerous people. A trafficking operation had been abducting them and confining them in the
former refrigerated rooms. They remained there until relatives came up with the money, or they
were made to work off what they owed. Some didn't live long enough for either outcome. Officers raided
the plant that very night. Later, Detective Collins told me they had taken three people into custody.
Those people had been operating the facility as a grotesque holding center. Apparently, they were lower
ranking enforcers in a much larger organization. Their role was to guard the property and keep
those awful rooms functioning. The investigators uncovered evidence that at least 12 people had
been imprisoned there over the years. They were still working to establish what had happened to
each of them. A few had been freed after their debts were settled. Others had been transferred
elsewhere, and some. The detectives were still investigating those cases. The notebook in my
hand had the name of one of the victims. Carla. She had vanished in 2013, and her family had never
stopped trying to find her. Her body was never recovered, but now at least they had some
explanation for what had happened. The detective expressed his gratitude that I had reported
everything. He told me the pictures were important evidence. He also delivered a very firm warning
about entering abandoned properties without permission. I might easily have ended up as the
victim, but I didn't know what to do. I didn't know what to do. A week has gone by, and I'm still unable to sleep properly. Whenever I shut my eyes,
those gouges in the concrete return. I imagine the fear and desperation of the people who
scratched them there. My industrial exploration series is on hold, with no plans to resume it.
Friends in the photography world tell me I'm taking it too hard. But they weren't there.
They didn't see those rooms. They didn't stand inside them and feel the accumulated weight of
what people had done. I didn't know what to
had endured. I keep returning in my mind to that notebook. To Carla. To everyone else who had been
confined there like an animal. Yesterday, the detective called with an update. More people had
been arrested, and investigators had uncovered links to comparable operations in other states.
He said that what I found might have prevented more deaths. They had been able to shut down the
ring before it could hurt additional people. I suppose that counts for something. Still,
I sometimes wake in the middle of the night.
Remembering that quiet humming inside the darkness. I wonder what would have happened
if I had needed even a little longer to get through the window. There is one thing I'm
certain of. Abandoned buildings will never look the same to me again. Sometimes a place has been
deserted for a reason, and sometimes the reason hasn't left. It's still inside,
waiting where the light doesn't reach. Story 5
Story 6
Story 7
Story 8
Story 9
Story 10
Story 11
Story 12
The entire time they were terrified that the elevator might open
them. I should have taken Jeremy seriously. God knows I should have agreed, told him I would stay
away, and kept that promise. Instead, three weeks later, I found myself in Megan's car with her,
our friend Anthony, and a girl named Veronica who had only recently moved to town.
It was a Thursday evening, and we were so bored we would have considered almost anything.
Anthony wouldn't stop talking about how his older brother had used the abandoned hospital as a place
to party during high school. Megan loved the idea. She said she had always been curious about
the inside. I brought up Jeremy's warning. I told them about the fall, about what had happened to
Brandon. Anthony only laughed. Your cousin's probably making it sound worse so he can keep
the place to himself. Veronica agreed with him. Back in Ohio, she said, she had explored plenty
of abandoned buildings without ever running into trouble. Somehow, before I
had fully accepted that we were doing it, Megan was parking behind the hospital's former loading
dock. Her headlights swept over the tall weeds. The basement window Jeremy had described was still
broken, although most of the loose glass had been removed by someone. We climbed through one at a
time. Light from our phones sent shifting shadows across the mildew-stained walls. The smell struck
me immediately. Decay and old chemicals mixed with something I couldn't quite place. It had a
bad smell, but it wasn't an unpleasant one, like spoiled fruit shot inside a cabinet full
of medicine. We moved fairly quickly through the lower levels, photographing abandoned
wheelchairs and looking at faded directional signs. Radiology. Cafeteria. Administration.
Every department was silent and lifeless. Then we arrived on the fourth floor. The moment
I saw the sign identifying the psychiatric wing, my entire body tightened. A wooden chair
held the double doors open.
Beyond them, a weak green glow spilled into the corridor. Exactly what Jeremy had told
me about. Anthony brushed past me, thrilled. "Holy cow, there's really electricity up here."
He nearly ran through the entrance, with Megan close behind him. Veronica paused briefly
and looked in my direction. Then she went after them. I remained where I was for what
seemed like ages, picturing Jeremy's vacant eyes. Eventually, I made myself step through
the wall. That section of the hospital felt separate from everything we had walked through
below. The walls were a washed-out yellow that appeared almost diseased beneath the
flickering fluorescent fixtures. Some lights functioned. Others were dead. As a result,
patches of total blackness separated little pools of that sickening green light. Papers
carpeted the floor.
Jeremy hadn't exaggerated. There were hundreds of sheets, possibly thousands. Admission forms.
Medication. Reports of incidents involving patients. I lifted one from the floor. It
was dated 1998 and described a woman who was convinced insects were moving beneath her
skin. The nurses' station occupied the center of the ward. Its tall, horseshoe-shaped counter
made it resemble a defensive enclosure. We separated to look around, our voices returning
to us in strange echoes. Megan discovered a drawer packed with keys, each tagged with
a room number.
Anthony located a medication cabinet with bottles still on its shelves, although their
faded labels were impossible to decipher.
Veronica photographed everything, declaring that it was much more impressive than any
building she had explored before. I couldn't settle down. I kept glancing back the way
we had come. Three corridors extended from the central station. One appeared to contain
patients' bedrooms. Another led into a communal space where tables lay overturned. At the end of the
third were the elevator doors. Those were what disturbed me most. They were cleaner
than anything around them. It looked as though somebody had wiped them down not long ago.
We had been inside the wing for perhaps twenty minutes when Anthony came across the room
that changed the whole night. He had gone along the patient corridor, opening doors
and shining his phone inside. Most rooms held nothing but metal bed frames and ripped mattresses.
Then he called to us. His voice had changed. It sounded
higher, hesitant. We hurried toward him and found him standing at the entrance to room
413. His phone illuminated something so out of place that I couldn't immediately understand
it. The bedroom looked occupied. Clean sheets covered the bed. A dark blue blanket had been
neatly tucked around the corners. On the bedside table stood a pitcher of water. Moisture beaded
on the outside as though it had only just been filled. Beside it, three books had been
stacked together. Their spines
showed no signs of having been opened. Dozens of photographs were taped to the wall. Everyone
depicted the same woman at different stages of her life, from childhood to what appeared
to be her eighties. We had barely begun to take in the scene when the elevator sounded.
A chime. Not an echo from somewhere far away. Not something we thought we might have heard.
The clear electronic ding of an elevator reaching a floor. All four of us turned toward the
doors down the corridor. An orange upward-pointing arrow glowed above them. Its brightness seemed
impossible in that dim place. For roughly three seconds we stood motionless. Then came
the mechanical sound of the doors drawing apart. Nobody stepped out. No one spoke. There
was only the quiet hum of the elevator sitting open, waiting.
Megan seized my arm so tightly that bruises formed afterward. Anthony backed up a step
and collided with Veronica.
The elevator chimed once more. That calm, electronic signal telling anyone nearby that
the doors would soon close. Then something inside the open car made a noise that tightened
my chest. Breathing. Slow, damp breathing. The kind you might hear from somebody whose
lungs were filling with fluid. We fled. There was no plan. No attempt to stay in any particular
order. Just blind, instinctive terror. Anthony forced his way past me.
Veronica screamed. Megan yanked me forward with enough force that I almost lost my footing.
We burst through the psychiatric wing's double doors, our steps crashing against the old
linoleum. Behind us, I swear, the elevator chimed again. Then I heard the machinery rumbling
as it began traveling between floors. We avoided the stairwell where Brandon had fallen. Instead,
we found another set of stairs near the administration area and raced down, taking three steps at a time.
None of us said a word until we reached the parking lot. We stood beside Megan's car,
struggling for breath. Our hands were shaking as we climbed inside. Megan had so much trouble
with her keys that it felt as though we would never get moving. When we finally sped away,
I looked back once. What I saw still turns my stomach. A light came on in a fourth-floor
window. One of the psychiatric rooms. Then the next window lit up. Then another. The
door opened. We looked at one room after another, as though someone were progressing along the
hallway and turning on switches. We never discussed reporting it to the police. What
could we possibly have told them? But I couldn't leave it alone.
Over the following two days, I searched for everything I could find about Riverside Community
Hospital. I went through archived news articles and public records online. The information
only made things worse. Electricity to the hospital had formally been shut off in December
2002, more than ten years before our visit. The municipal paperwork stated it plainly:
all utilities had been permanently terminated. Even the backup generators were included.
And that wasn't the end of it. In 1999, two years before the hospital ceased operating,
an eighty-four-year-old patient named Eleanor Voss had died in room 413 of the psychiatric
ward. She had been admitted with severe dementia. According to the newspaper account, she had
lived at Riverside for thirty years. The institution had become her home. The inquiry into her death
established that three days had passed before anyone discovered her body. Three days alone
in that room. Three days while the employees continued with their ordinary duties. A photograph
accompanied the article. It showed the elderly woman whose pictures we had seen covering
the wall.
I couldn't stop thinking about her. The idea of Eleanor Voss dying by herself and remaining
unnoticed for days.
I went to the hospital to see how she was doing. The doctors kept eating at me. I persuaded
Jeremy to go with me to see Brandon in the hospital. He was improving, but he was still
in rough shape. When we explained what we had discovered, the color drained from his
face. It turned out that after falling through the staircase, he had landed in the hospital's
former records room. While they waited for the ambulance, he had been drifting in and
out of consciousness. Even so, he remembered seeing documents among the files scattered
around him. Death certificates. Dozens of them.
All concerned patients from the psychiatric wing who had died between 1995 and 2001. Every
certificate gave natural causes or heart failure as the explanation. But in every case,
the person had been dead for days before anyone noticed.
Long before the Medicare fraud came to light, the hospital had been neglecting its patients
on a systematic basis. In his delirious state, Brandon had taken one of the certificates.
He still had it.
Eleanor Voss hadn't been
only one. At least 40 other patients had died in that ward and been left forgotten. Two months
afterward, the local newspaper announced that Riverside Community Hospital was scheduled for
demolition. Anonymous reports about the building's structural condition had prompted the city to
move the work forward. I have a feeling Jeremy made a few phone calls. On the day they demolished
the psychiatric wing, I drove over and watched from the opposite side of the street. The wrecking
ball tore through the pale yellow walls. When the crew reached the fourth floor, something
unusual happened. Every worker stepped away at nearly the same moment. Then the work stopped
for a long time. Later, Anthony's brother told me what he had heard from someone on the demolition
crew. They had discovered room 413 just as we had seen it. The neatly made bed. The full picture.
The photograph still attached to the wall. But the room had been sealed from within.
Its doorframe had been welded shut. The workers had to cut their way through.
Inside were decades worth of water bills, electricity bills, and receipts for groceries.
All bore Eleanor Voss's name. Everyone was dated after she had died. The rest of the demolition
went ahead without further incidents. Today, a parking lot occupies the ground where the
hospital once stood. Occasionally, I pass it in my car, but I never pull over. I don't even reduce my
speed.
Story 6
Four years have gone by since that Thursday in November, and there are still nights when I wake
at three in the morning with the smell fresh in my memory. Aged timber, mildew, and something
beneath them. Something that had no business being there. I was thirty-four at the time,
operating Brenner Construction in a little Colorado town where nearly everyone knew
everyone else. My crew and I had recently landed a contract to turn the deserted Harrington estate
into an upscale boutique hotel. The investors were from California. They had plenty of money
and even grander plans. They wanted us to strip the building's interior while keeping its original
structure intact. The usual sort of project-wealthy people dream up. That morning, my wife Maria had
prepared my favorite breakfast. Scrambled eggs with green chili and toast sliced diagonally.
Just the way our daughter Sophie preferred. An ordinary breakfast. An ordinary day waiting
ahead. At least that was what I believed while I packed sledgehammers and crowbars into my truck.
The Harrington property occupied twelve acres of neglected ground. Its Victorian turrets rose
through a covering of diseased elm trees. The house hadn't been occupied for at least twenty
years. Not since the elder Harrington died and his children began fighting over what he had left behind
until the end of the century. I was a young man. I was a young man. I was a young man. I was a young
the attorneys consume most of the estate's worth. I had a small but dependable crew with me that day.
Carlos, my foreman, had worked at my side for six years. Mike and Terrence were newer additions.
For three days we had been dismantling the east wing, breaking away horsehair plaster and removing
copper plumbing from inside the walls. Every room we opened released a dense breath of stagnant air
that stung our lungs. It was the sort of air that had remained trapped for decades, steeped in
mouse waste and deteriorating insulation. At around 10 that morning we reached the basement
entrance in the former kitchen pantry. The timber stairs creaked beneath our boots and each footstep
stirred gray dust into the air. I went down first, carrying a flashlight. The power had been
disconnected years earlier. Below us was exactly the sort of basement I expected.
A foundation built from stone, bare joists overhead, cobwebs hanging in masses thick enough
to resemble cotton candy. We had already drawn up a layout of most of the space during our
preliminary inspection. But that morning Carlos spotted something we had overlooked. Behind a huge
oak shelving unit against the north wall there was an opening. Not a fracture caused by the building
settling. A purposeful gap, suggesting the shelving had been positioned to conceal whatever lay behind
it. We wrestled the unit away from the wall. The sound of its wood dragging over the concrete reminded
me of fingernail scraping stone. Behind it we found a section of wall unlike the surrounding
foundation. The concrete was newer. From its shade and surface I guessed it might have been
poured during the 90s. It was poorly done too. Uneven patches covered it and the marks left by
the trowel were still obvious. Mike tapped it with his knuckles. We all heard the same thing.
A hollow response. There was an empty space on the opposite side. Carlos looked at me and I
looked back. Renovation work turns up plenty of unusual discoveries. Concealed safes. Forgotten
love letters. Occasionally a stash of liquor left over from prohibition. But this didn't feel like
any of those. The hair along my arms lifted, though I couldn't have explained what was
troubling me. We agreed to break through. With a complete renovation underway, we would have
needed to investigate it regardless. I picked up the sledgehammer, instructed everyone to move
back, and swung. The concrete broke apart far more readily than it should have. Whoever had put up
the barrier hadn't reinforced it with rebar or suitable mesh. They had simply poured it into
place, as though finishing quickly mattered more than doing it correctly. Five solid blows opened
a hole large enough for my flashlight. I directed the beam inside. It landed on something that made
my throat constrict. A metal cot. The kind you could purchase at an army surplus shop,
leather restraints were fixed to its frame. Dark stains marked the mattress. Sections of fabric had
disintegrated, exposing springs coated in rust. But the cot wasn't the most disturbing thing. Heavy
chains had been anchored to the wall. At their ends were shackles sized to fit wrists and ankles.
The metal carried scratches, and certain areas had been polished smooth by repeated strain,
as though somebody had pulled against them over and over. I moved aside,
so Carlos could look. Under his breath, he said a prayer in Spanish. We widened the opening. This
time, we worked carefully. Nobody spoke. The concealed room measured approximately eight feet
by ten. Its floor and walls were concrete. There were no windows. Apart from the cot and chains,
it held a bucket in one corner. I won't describe its contents. There was also a small wooden table.
Three objects rested on it.
Seeing them made what we had discovered suddenly personal in a way I wasn't prepared to face.
A hairbrush with long brown hair still caught among its bristles. A pile of notebooks protected
by plastic wrapping. A Polaroid camera. Terrence started to reach toward the notebooks. I caught
his wrist. "Leave everything alone," I told him. "This is a crime scene." My voice sounded much
calmer than I felt. Mike was already retreating toward the stairs, saying he needed fresh air.
I understood. What came out of that room went beyond the smell of dampness and decomposition.
It seemed like something worse, as though terror and suffering had seeped into the concrete and
remained there. I dialed 911 from the basement. My phone was struggling to hold a single bar of
reception. I explained that we had uncovered something while renovating a property,
a possible crime scene. I asked them to send whoever dealt with the discoveries like that.
The dispatcher kept me talking, asking questions I didn't know how to answer. Within twenty
minutes officers were all over the property. Then detectives arrived. Then forensic technicians
wearing white protective suits. They made us leave the house and questioned each of
us separately. Detective Morrison was a woman with closely cropped gray hair and the eyes
of someone who had witnessed more than she wanted to remember.
She asked me to describe the discovery from the beginning. As soon as I mentioned the
notebooks, she spoke into her radio. They needed a cold case specialist, she said. Those books might
contain evidence relating to something that had happened a long time ago. We remained there for
hours. At approximately two in the afternoon, I watched the notebooks being carried outside in
evidence bags. The technicians handled them as delicately as if they were glass. Carlos overheard
a conversation between two of them. They mentioned journal entries dating back to 2008. That
conversation hit me hard. Fifteen years separated 2008 from the present. Someone had occupied
that room fifteen years earlier. The forensic search grew larger. They brought in ground
penetrating radar equipment and dogs trained to locate human remains. Nobody would explain
what they were finding. But after Morrison read some of the journals and came up from
the basement, I saw her expression. She looked nauseated, furious, grief-stricken. All at
once. By that evening, yellow tape surrounded the entire estate. Our renovation had been suspended
with no indication of when it might resume. The discovery appeared on the local news that night.
Maria and I sat together on the couch. She held my hand tightly while the reporter spoke from
outside the Harrington property. A disturbing discovery at her historic estate. A concealed
room. A possible link to an unresolved disappearance. The phrases began running
together in my head. Then a photograph appeared on the screen and everything else fell away.
a young woman, perhaps 19 or 20, long brown hair, a slightly crooked smile, Ashley Donovan.
She had disappeared in May 2008 from Ridgefield County, two counties away. The last confirmed
sighting had been when she left her job at a bookstore. Her vehicle was later discovered
abandoned along a rural road. There had been no useful leads. After two years, the investigation
had gone cold. I couldn't stop looking at her hair. It was the same color as the strands tangled
in the brush on that table. Maria switched off the television. We sat without speaking.
The next morning, Morrison called. She asked whether I could come to the station.
They wanted to discuss the estate's history, its former owners, and any work on the building I
might know about. For three hours, I sat in a small interview room and went through everything
I could recall about the estate. I was told that the estate had been destroyed. I was told that
about the Harrington family. The father had died in 2002. I explained that his son James had
inherited the property but relocated to California almost right away. The other son, Philip, had
challenged the will unsuccessfully. Afterward, the house had simply remained vacant. Then I
remembered something that seemed to interest Morrison. Philip Harrington had once worked in
construction. He would have understood how to build a wall and pour concrete. Around 2010,
he had left town, supposedly to take a job in Nevada. As far as anyone knew, he hadn't been
heard from since. Morrison thanked me and said they would contact me again if necessary. But I
could see something taking shape behind her eyes. The pieces were beginning to fit. Three weeks
after that conversation, police arrested Philip Harrington at a trailer park near Reno. His booking
photograph appeared on the news. He was in his fifties, with lifeless eyes and a hardened face
that barely resembled a man's. Ashley's notebooks provided devastating evidence. She had written down everything. His offer to give her a lift after her car stopped working. Coffee laced with drugs. Regaining consciousness and restraints. Month after month of imprisonment. Attempts to escape that came to nothing. The growing understanding that whatever searches might be happening elsewhere, nobody was looking for her inside that house. Her writing ended without warning.
In September 2009, investigators discovered her remains beneath fresh concrete in a different section of the basement. When Philip sealed the hidden room, he had relocated her body. After they confronted him with the journals, he confessed. He said she had been as captive for sixteen months before becoming ill. He insisted he had been helping her, protecting her from something. It was the sort of warped explanation that makes it difficult to believe in people anymore. The heritages
Harrington House never opened as a boutique hotel.
Philip received life in prison without the possibility of parole.
Following the trial, the owners chose to tear down the entire building.
I later heard that they had given the land to the county so a memorial garden could be established there.
Ashley's family traveled to town for its dedication.
Her mother thanked me for bringing her daughter home, for allowing them some closure after so many years.
But closure is a strange word.
I still wake in the night thinking about those 16 months.
Thinking about all the times I had passed that house over the years.
Wondering whether one of those drives might somehow have overlapped with the time she was inside.
Thinking about how many deserted buildings across America might contain rooms nobody knows exist.
Thinking about the wear marks on those chains.
My business continues to take renovation jobs,
but we inspect properties much more carefully before beginning any work now.
Carlos purchased a thermal camera, one that can pick up differences in temperature behind walls.
Mike left the construction trade altogether.
He works as an accountant.
I can't fault him for that.
There are things you can never remove from your memory once you've seen them.
Things you can never return to not knowing.
At least Ashley Donovan is no longer only a name on a missing person report.
She is a young woman who enjoyed mystery novels and vanilla lattes, who owned a cat called Biscuit.
Who had parents who kept searching no matter how many years passed.
People remember her.
When everything else is gone, that's about all any of us can hope for.
Story seven.
Spring break was nearly over and the boredom had become as oppressive as the humidity.
Heavy, persistent.
Impossible to shake.
At the time I lived in a little town outside Monroe, Louisiana.
There wasn't much going on.
Unless tractor exhibitions and church-baked sales counted as excitement.
I was 16, spending my time with the same three friends I always hung around with.
Eli, Derek, and Malik.
Most afternoons, we rode our bicycles along broken country roads, acting as though we were far too cool to still be living under our parents' roofs.
Sometime that week, one of us mentioned the old juvenile detention facility on Briar Hollow Road.
Just like that, we had something to do.
Ask anyone in town why the center had closed and you would get a different story.
But every account had one thing in common.
Something terrible had happened inside.
Really terrible.
The building had stood empty since the early 90s.
Kids traded stories about guards beating inmates, young people vanishing, and lockdowns that had crossed some unforgivable line.
Our parents repeatedly warned us not to go near it.
They said the structure wasn't safe.
Naturally, that only helped.
Naturally, that only made us more interested.
So on Friday afternoon, with sunset approaching, we packed flashlights into our bags, got on our bikes, and set off.
A drooping chain-link fence stood around the property, tangled in weeds.
Plywood partly blocked the entrance, apparently left by someone who had attempted to nail it closed and hadn't succeeded.
The air inside was thick with the smell of mildew and corroded metal.
The silence had a pressure to it, the kind that makes you notice a ringing in your own ears.
Graffiti covered nearly every wall.
Some of it was obscene.
The rest was mostly people's names and the dates they had visited.
We came across lines of rusting bunk beds.
The mattresses had disappeared long ago, leaving warped frames and springs hanging loose.
The isolation cells were worse.
Their foam padding had split and cracked.
Rust had sealed the slots in the door.
Inside one, a metal chair had been anchored to the floor.
Leather straps still hung from its armrests.
Derek was the one who reached out.
In one of the padded cells, a patch of wall looked different from the surrounding surface.
Darker.
Glossy in a way that seemed out of place.
As a joke, he pressed his open hand against it.
When he lifted his palm away, a dense red substance coated his skin.
It wasn't paint.
It wasn't blood either.
It was blood.
At least, it didn't resemble any blood we had ever seen.
There was no metallic smell.
Instead, it gave off a harsh chemical odor.
Something like spoiled meat mixed with cleaning fluid.
Derek tried to make a joke out of it.
He wiped his hand on an abandoned shirt lying in the corner.
But his face had gone pale.
We left not long afterward.
Hardly anyone spoke while we peddled home.
It wasn't an uncomfortable silence.
It was a burden none of us knew how to put down.
We were all alone.
Derek kept opening and closing his hand, moving his fingers as though they hurt.
Whenever I asked whether he was alright, he answered with a shrug.
As we approached our neighborhoods, we separated one after another.
By the time I rolled into my driveway, the sun had slipped below the tree line.
Everything about the house looked ordinary.
The porch bulb hummed.
My little sister had left her bicycle lying across the front path.
Yet the atmosphere felt strangely electric.
Like the moment we first met.
Moments before a storm arrives, except the sky was completely clear.
That night I couldn't sleep.
It wasn't exactly because of what we had found in the detention center.
It was because around 2 in the morning something moved past my bedroom window.
At first I dismissed it as a shadow.
Maybe a branch shifting outside.
Then it passed again.
This time I saw a person.
A man who appeared to be in his late thirties.
Tall, broad through the shoulders.
He wore what seemed to be a worn orange jumpsuit.
His feet were bare, but his steps landed heavily, with a measured purpose that reminded
me of someone marching in place.
He moved back and forth beside the fence in our backyard.
Over and over.
He never raised his head.
Never paused.
Never changed his pace.
I crouched beneath the window and remained there until the sun came up.
By morning I had begun telling myself it couldn't have happened the way I remembered.
Perhaps I had seen a neighbor.
Perhaps the visit to the center had left me so nervous that I had imagined the rest.
I said nothing to my parents.
They already believed I spent too much time with my friends and too little on schoolwork.
Then I went outside to feed Baxter, our dog.
I found him behind the shed.
There didn't appear to be anything wrong with the outside of his body.
No injuries.
No evidence that he had fought with another animal.
But he lay utterly limp.
His coat was dry and somehow there wasn't any blood left in him.
Not even a drop.
His eyes remained open.
His tongue had fallen to one side.
He looked as though someone had switched him off.
I shouted for my mother.
She rushed outside in her robe and stopped it dead when she saw him.
She didn't cry out.
She didn't reach down to touch him.
She simply stood there.
Who would do something like this?
I couldn't answer her.
We folded a towel around him and buried him beneath the oak in the backyard.
My sister sobbed through the whole thing.
Even then, I couldn't make myself describe the man outside my window.
It sounded too unbelievable, too unrelated to what had happened to Baxter.
But somewhere inside me, I already understood.
Whatever we had disturbed in that building hadn't remained there.
Later that day, Eli sent me a text, only a few words.
Did you notice anything strange last night?
I stared at it for a while before responding.
I wanted to tell him I hadn't, but I couldn't make myself lie.
Yeah, did you?
Instead of replying by message, he called.
He told me someone had been walking along the drainage ditch behind his house at about midnight.
An orange jumpsuit.
The same back-and-forth movement.
He hadn't heard anything.
There had been no light.
Only a figure moving silently, repeating the same route.
That evening, Malik told us something had overturned the garbage bins at his place.
Oily red streaks had been left along the side of their garage.
None of us wanted to voice what we were thinking.
But we were all thinking it.
Whatever Derek had put his hand into, we hadn't left it at the detention center.
The next week, Derek stopped coming to school.
His mother informed the office that he had caught the flu.
That explanation didn't account for the sign advertising their house for sale that appeared in the front yard two days later.
People said the family was going to stay with Derek's uncle upstate.
We sent messages.
He never replied.
Malik rode past the house and told us,
that every blind was closed, even though it was the middle of the day.
Their van hadn't gone anywhere.
It seemed as though they were trying to erase themselves without making anyone notice.
And to be honest, I understood why.
After a while, the disturbances ended.
There were no more figures outside.
No more unexplained smears.
No more dead animals.
But whatever had held our group together had fractured.
We spoke less often.
The long bike ride stopped.
Little by little, we drifted away from one another.
I think each of us was afraid to mention what had happened.
Afraid to ask whether someone else still caught sight of things in the night.
Whether anyone else dreamed about padded cells and loose restraints rocking when there was no breeze to move them.
I have never learned what that red material was.
I don't know why it seemed to attach itself to Derek.
But I know one thing.
Whatever that facility had been built or used to hold,
it didn't welcome our interference.
A few years have passed now.
Sometimes, while driving to see my father,
I go past Briar Hollow.
The detention center remains there.
Overgrowth has almost swallowed it.
The windows are smashed.
The doors hang crookedly in their frames.
I never pull over.
I don't even ease off the gas.
And if you ever feel curious enough to go inside yourself,
keep your hands away from everything.
The walls.
The restraints.
Even the floor.
Some things decay in silence.
Others remember.
The End
Podcast Summary
Key Points:
A property assessor discovers a former animal hospital where a former technician, Walter Hutchins, is illegally caring for dead animals as if they were alive, believing they were still living pets.
In a sealed school basement, an abandoned janitor, Eugene, left behind a detailed journal documenting his trapping and eventual death, warning of intruders moving through the tunnels.
A photographer finds a farmhouse where a family's home is meticulously preserved, including a child’s room untouched for years, and discovers a basement containing the bodies of three children, including Timothy.
A photographer visits a closed meat processing plant and finds three refrigerated rooms with deep scratches on walls, chains, and food, revealing a long-term trafficking operation.
All stories highlight how abandoned buildings conceal hidden tragedies, often involving long-term abuse, neglect, and trauma.
The central theme is that desolation can be a façade—what appears empty may hold deep, disturbing truths about human behavior.
Each story ends with a sense of moral reckoning
The narratives collectively serve as warnings about the dangers of unchecked secrecy, the fragility of trust, and the need for accountability in society.
Summary:
The transcript presents a series of harrowing true stories about abandoned buildings and forgotten places, each revealing dark secrets buried beneath the surface. In one, a property assessor uncovers a former animal hospital where a former technician, Walter Hutchins, is feeding and tending to dead animals, believing them to be alive, after being dismissed by authorities. In another, explorers discover a sealed school basement where a janitor, Eugene, kept a journal detailing his isolation and fear of unseen intruders, with barricades built to block them.
A third story reveals a farmhouse where a family’s home is perfectly preserved, only to uncover a basement with three children’s remains, including a missing eight-year-old, Timothy, whose mother concealed the truth for years. In a fourth story, a photographer discovers a meat processing plant where former refrigerated rooms contain chains, food, and scribbled notes, indicating a trafficking operation involving people trapped and exploited. These stories collectively emphasize how abandonment can mask profound human suffering, often involving psychological manipulation, abuse, and concealment.
Each narrative serves as a chilling reminder of the dangers of trespassing into forgotten spaces and the emotional toll such discoveries take on those who witness them. The overarching message is that some places are not just empty—they are active sites of trauma, and the act of exploration can reveal truths too painful to ignore. The stories end with a strong caution against entering abandoned properties without permission, highlighting the need for awareness, empathy, and societal accountability.
FAQs
Abandoned buildings can conceal severe hazards, such as hidden rooms with human remains, illegal confinement, or hazardous substances. In several stories, explorers discovered rooms filled with bodies, chains, and evidence of abuse, highlighting the risks of trespassing without permission.
A property assessor discovered a vacant animal clinic with signs of recent activity, including collars, medical records, and a man named Walter Hutchins who was caring for dead animals as if they were alive. He was later found to have been secretly feeding and tending to pets that had died during illegal experiments.
They discovered a hidden basement with a locked trapdoor, leading to a tunnel where a man named Eugene had been trapped. His notebook contained frantic entries about being locked in, hearing movement, and fearing something was coming to get him.
The house appeared perfectly preserved, especially the child's room, with toys and schoolwork in place. Inside the basement, investigators found the bodies of two children, and the mother admitted to keeping the house and hiding the truth for years.
The facility had three rooms with concrete walls marked by deep scratches, mattresses, and food cans. A notebook revealed that it was used as a trafficking site to imprison people in debt, and a chain was found as a restraint tool.
No, abandoned buildings are not safe. They can contain hidden dangers such as human remains, illegal activities, or toxic environments. Experts and law enforcement warn against unauthorized entry due to the high risk of discovery or harm.
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