The episode of *Tuesdays with Stories* blends absurd humor, personal vulnerability, and sharp social commentary in a surreal yet relatable format. Hosts Mark and Joe open with chaotic, fake-banter-style banter, setting a tone of satire and spontaneity. Central to the narrative is the "big hat," a symbol of self-deprecating humor and identity confusion, reflecting their discomfort with appearance and public perception. The conversation shifts to health struggles, including chronic pain and inadequate medical treatment, with a strong critique of the pharmaceutical industry and "pill mill" doctors. A key theme emerges around the value of novelty—travel, new routines, and varied experiences—asserting that monotony dulls the mind, while change fosters memory and mental engagement. The hosts also dive into cultural absurdities, such as a fan’s seizure, a misinterpreted toy loss at a playground, and the problematic nature of racial stereotypes in public discourse. They critique societal resistance to new ideas, pointing out how audiences dismiss inconvenient truths as "plot holes" or nonsense. The episode ends with a mix of personal reflection and satire, using real-life events—like a tennis match that lasts until 1 a.m. or a fan’s bizarre behavior—to highlight the unpredictability of human experience. Through humor and honesty, the show explores identity, health, and connection in a way that is both absurd and deeply human.
Hey Mark, fake banter for the intro.
That's all I know how to do.
Great.
Good to be here.
Welcome to Tuesdays with. Stories!
Hit her in the face with a surfboard.
And then the duck fell out of his bag!
Surf's up!
And she didn't even flush.
Knock knock.
Who's there?
Mark Norman and Joe List!
Yeah!
This is Tuesdays with Stories, everybody.
No, that's terrible.
This is supposed to be cheesy.
My radio is spitting at me.
And I can't choose. Ay-yi-yi-yi-yi-yi!
The big hat is back!
We're back!
Bob the Builder here.
Is that a P or an O with a line through it?
Or is that the same thing?
Uh. You know what it looks like?
It looks like a tiny dick and a big pussy.
Oh, well, that's us.
That's the show.
Tiny dick, big pussy here.
So, what's the hat all about?
Well, it's a special hat because it doesn't hit the sides.
That's why I look like a full Down Syndrome special.
Neat.
Needs child at the zoo.
Big box, yeah, yeah.
Yeah, big box, big, big pussy.
Yes, yes, it's a big coat.
So, how's it going?
I mean, this is like a soap opera.
Fill us in.
Well, we're eight days in.
It's as long as eight days of my life.
Eight days around the world, or what is it?
Eight days a week is a Beatles song.
Eight days a week.
Yeah, eight's enough.
Ooh, I love. There's hateful eight.
Oh, yeah.
Eight heads in a duffel bag.
Heart eight.
Oh, yeah, heart eight.
Yeah.
First PTA.
Around the world in 80 days.
That's it, 80 days.
Crazy 88s.
Okay.
Yeah, good one, good one.
Eight ball, corner pocket.
Ain't going to work no more.
So, yeah.
Eight talking about love.
Oof.
Who ate the cookies in the cookie jar?
Who ate the cookie in the cookie jar?
Who, me?
Who, you?
Couldn't boo.
I can't remember.
I'm a Jew.
So, how's it feeling?
How's it going?
I don't see any improvements.
Yeah.
It's a bad look.
I'm scaring the child.
I'm scaring the townspeople that came out.
We've got torches.
I look like Frankenstein.
Fuck Travis Bickle.
The whole thing sucks.
I haven't left out.
Liz is texting me.
She's like, I got spots.
And I'm like, it's like kryptonite, Jerry.
It's like a naked woman in front of you.
And you're like, ah!
I feel like Matt Damon on the mast.
I'm like, ah, I can't leave.
So, you haven't done a spot?
I did two last night.
I was going to say.
I didn't believe you from the get-go.
But I can only do like one.
And this hat feels like a razor blade sitting on my head.
It's just cutting into the skin.
It just feels like a big open gap.
So, why the hat?
Why not take off the hat?
Well, I just look so horrific.
Right.
I'm hideous.
Don't look away.
I'm hideous.
That's true.
Might get some views.
That's true.
That's true.
And I'm trying to keep it real, you know?
I want to keep working.
Everybody I talk to, Soder, Mattel, they're like, they go, you're not staying home?
I go, well, I got a pause to do it.
They're like, you didn't think of this before?
And then they go, this is where they got me.
Soder goes, you're going in every day, right?
I go, going in?
It's at the Upper East Side.
And he goes, yeah, I would go in every day, and they would wash my hair.
They would do maintenance.
He's like, you're not doing that?
I'm like, I'm doing it all myself.
He's like, what are you kidding?
It's a lot of upkeep, a lot of full-time job.
I'm like, I know.
I'm at the house doing baths and creams and gels.
So, that's an option?
You can go in, and they fucking scooped you up?
Yeah.
And Soder made a good point.
He's like, you're paying a gazillion dollars.
Use them.
Go up there.
And I'm like, yeah, but it's a lot of sitting on the train.
Yeah, it's time.
I'd rather be home.
I'd do my own bath.
But he's like, maybe you're doing it wrong.
Interesting.
So, then he's like, you don't want to spend all that money?
Then fuck it up.
Yeah, well, it's something.
You're a special needs kind of guy.
I guess so.
But you're getting it done, right?
I'm getting it done.
Getting it done.
Okay, so go to the doctor tomorrow, maybe.
That's the plan.
Okay, go and see how you've been doing.
And they really shortchanged you on the meds.
They gave you like three pain pills.
I think they're nervous you'll go full Ian Fyde.
Well, that's the problem with the big controversial,
the big, huge pharmaceutical business.
Now, you can show up with a bleeding dick and two cocks in your ass,
and they're like, here's a Tylenol, you piece of shit,
because they all went to prison.
Oh, is that right?
Well, they had those things.
What do they call those?
Sackler?
Drug houses, Sackler.
Methadone?
Yeah, but they had like, there was a term for doctors
that were pumping out all the things.
Oh, I didn't know that.
What was that term?
Pump house or something.
Ooh, I like a pump house.
There goes your child.
I'll never see him again.
Whatever they called it.
What was that called?
It was just a doctor's office where like everyone,
all the junkies could come in and just,
a pichup, a pipple popper, pencil pusher.
A script?
A doctor.
Pill pusher?
Yeah, but there was a term.
You're down with OPP.
You could go to the, that doctor was just a scoobaloo boop.
Yeah, yeah.
And there'd be a line out the door at the doctor's office.
Right.
It was, you know, Dr. Frankenstein,
going, here you go, here's 40 pills for you,
60 pills for you.
Yeah.
There's a term.
I know the type, but I-
Because I watched that Sackler show.
So did I.
Brain dead or brain trauma?
The Michael Keaton one.
Yeah.
Brain droppings.
What was that?
I don't know.
Dopesick.
Dopesick.
Hey!
Popped up.
Pill mill doctor?
Pill mill!
That's it.
That's what I was talking about.
Pill mill, yeah.
I thought it was a cigar.
That place is just a pill mill down there.
I see.
Pill mill.
I like that.
Pill mill, yeah.
You go down to the pill mill and it goes,
ch-ch-ch-ch-ch-ch.
But anyways, those guys went to prison,
so now they've got to be careful.
They can't give every Tom, Dick, and Harry
an Ambien and a-
Klonopin.
Yeah.
And a Percocet and a Vicodin.
But boy, the head, the paint, the hair looks better.
It's growing in, but the head hurts more.
I don't know.
Head hurt.
Head hurt.
Head really hurt.
I've been saying that all week around
that nobody gets it, so-
Hey, Ping!
Good to see you.
Raymo.
Head hurt, indeed.
And you've got to sleep on the pillow only
on your back, so I'm like Dracula up there.
And if you turn to the side, your head starts stinging.
And I get this full apocalypse now.
3 a.m. to 6 a.m., I'm in hell.
I'm just like, God!
But you're laying there in the dark,
and you go to horrible places in your head,
and it itches.
It feels like the hair is in your brain
and it's trying to get through the skull,
and it can't.
It's a horrible feeling.
So when you talked to Soder Mateo,
did they feel this also, or was it lesser
because they were going to the doctor?
I think it was lesser, and they-
I've been working.
I've been working.
I've been working out, which they told me not to do.
They tell you not to have sex,
but who can go two weeks without flopping?
Chuck's gone like eight years.
That's a good point.
He got me there.
Gnarly virgin over there.
Yeah, you went from fucking every child in America to zero.
That's pretty-
That's quite a chasm.
It's quite a narrative.
Yeah, yeah.
All right.
Epstein's Island, but yeah.
So I'm getting through it,
and I made it this far.
If I can get one more-
One more week, I'll be cruising.
So is that it?
One more week?
And when do you expect your hair to burst?
Well, I can show you the spores.
It's like when you put an avocado seed in the water.
You come by, and you're like,
eh, something's happening here.
I've never done that.
Oh, really?
I've planted a couple grass seeds or whatever.
When you're a kid, you find a seed,
and you put it down there.
Did it sprout?
A little bit, yeah.
All right.
I'm getting some sprout something or other.
So we're getting there.
You know what they always say?
Live in the moment.
It's so much easier to live in the moment
when the moment sucks.
Don't you find?
Like, if you're having a great time,
you go, where'd the day go?
Where'd the night go?
Oh, shit.
But if you're planking, you're like,
whoo!
Yeah.
We went one second and a half.
Felt like an hour.
Right, right.
Or a treadmill or something.
When you're doing something that sucks,
time doesn't go.
Uh-huh.
And when it's fun, it's flying.
Time flies when you're having fun.
There you go.
Which, you know,
it always feels like,
if you want to extend your life,
don't have fun.
That's true.
So depression might be the key to longevity.
But the more you do,
the more your brain takes in,
especially new sights,
new sounds, new movies,
it extends life,
which I always feel this.
This is where we're extremely fortunate
in our line of work.
People are always like,
the weeks fly by,
everything flies by,
the years fly by.
But that's because they're going
to the same place every day.
Every day is the same.
True.
And to me,
I feel like June was three years ago
because I've been to 50 cities since then.
Same.
Plus the baby's doing new shit every week.
You know,
you do a spot every week.
The crowd is different.
Even if you went to the cellar every night,
it's a different crowd.
It's a different hang.
It's a different vibe.
It's a different set.
Right.
It's all variety for us.
No, I think about this with my father.
This guy,
for 40 years,
now he works from home,
which is also a nightmare.
For 40 years,
he put on the same shirt,
and tie,
and shoes,
and drove the same car,
the same route,
same traffic,
shows up,
same people,
hi, hi,
ooh, hip, hip,
same office,
drives home,
and the same traffic every day.
It's all just a blur.
Right.
But for me,
since June,
I've been to Cleveland,
Maine,
Portland, Oregon,
Portland, Maine,
Tacoma, Washington,
Los Angeles,
Austin, Texas,
the Mets game,
tennis match,
a concert.
So it feels like
years.
Yeah, yeah.
I feel like I got married
50 years ago.
Totally.
No, I totally agree.
And you can even
go further and dissect
and go
different opener
in each show.
So you get to hang out
with a different person.
The flight,
the Uber to the airport,
the airport,
the security.
I mean, there's so many things.
You ever have people go like,
I see a guy on Sunday,
and he's like,
what have you been up to?
I'm like,
oh, I just got back from Pittsburgh.
And they're like,
you were in Pittsburgh?
- Today? - Right.
Seven sold-out shows all weekend.
They're like, what?
I'm like, what did you do?
They're like, I watch Netflix.
Right.
And you're like, man.
Well, and there's science behind this, too.
Even if your job isn't traveling, they say even just taking a different route to work can make you, because your brain is taking in new information.
The less new information your brain's taking in, the less it is online.
Yes.
Because it goes, oh, yeah, we know this.
So just go in the opposite direction or taking a bike to work or walking or doing anything slightly different, your brain has to come online and be like, wait, what's this?
And so it kind of remembers it.
It's like in the Flintstones when they run.
It's just the same background.
Ah.
But that's funny that different is good, but every time we change anything up, people flip.
Right.
We should be going, hey, we're helping your brain get a little sustenance there, you queef.
Yeah, good point.
But people, sustenance and new requires a little extra thinking, and I don't think people want to do that.
Well, last week, evidently, there was a buzz, which I didn't even hear about or hear.
But buzz your girlfriend, woof.
But it's because Chuck hasn't been laid in six or seven years, so he doesn't know what's going on.
You're buzzing.
You can't hear anything.
You're literally oozing out some kind of frequency because you need to get laid.
Buzz Lightyear.
By the way, have we talked about this on air?
Oh, shit.
My vindication for my buzz Lightyear.
Buzz Lightyear plot hole.
Oh, they're going to go Reggie Watts.
No, no.
I posted, and everyone, here's the thing.
Nobody thinks that you can be a person that came up with something or thought of something.
That's true.
I wrote, there's a massive plot hole in Toy Story.
There's no, it doesn't make any sense that he's pretending, he plays dead.
Like a toy.
Yeah, that's what they do.
But Buzz, the whole plot of the film, the plot.
Is it four, five?
One.
Oh, one.
The whole plot is that Buzz doesn't think he's a toy.
That's the whole premise of the movie.
Yet he still plays dead, even to the sacrifice of his own life.
Like the claw is picking him up, and he's playing dead.
Interesting.
Even though he knows he's not, he's getting picked up by Sid.
Maybe it's a safety issue.
Well, so this is the thing.
I posted this, and everything was like, fuck you, you're an idiot.
Deep down he knows, which by the way, doesn't make any sense.
Yeah.
Because if the whole turn.
Deep down.
The big sad moment is that he realizes he's not a toy.
That's the best moment of the movie.
And the key point in the film, he sees the commercial, he finds out he's not a toy, and
that he is a toy.
So everyone's like, you're wrong.
This is, you're a fucking idiot.
You're picking the, ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba.
Yep.
Now, this year, an interview comes out with the filmmaker, who's like, we worked on that
for two weeks.
It's a massive plot hole.
We teamed up.
We tried to figure it out.
How about that?
And then they address it in part five, which I haven't seen.
Evidently, they allude to it.
Oh, that's good.
So you're like, you see?
I was right.
And even Ronan, this pimple, Ronan, he's like, that still doesn't mean anything.
He's like, just because the filmmakers say it doesn't mean it's not my own interpretation.
And I'm like, it's like, come on.
That's crazy.
The filmmakers said it.
Give it to me.
People don't want to give.
You know why?
Because they realize they didn't think of it.
Then they feel dumb that they're ashamed and they got to turn it on you.
Another thing that doesn't make sense is at the end of the first movie, the big finish,
is Woody's like, we got to break the rules.
And they all come alive to fuck up Sid.
But you're like, well, if he's willing to break the rules, why didn't he do it when the
18-wheeler was about to run over his face earlier in the movie?
He's playing dead so well that an 18-wheeler parks in front of his head and almost squished
his face off.
Well, they don't ruin it.
But then later, this came out 31 years ago.
I haven't seen it.
So then, anyways, then he's like, at the end, he's like, we got to fuck up this boy.
We'll break the rules to ruin his life, which Ronan had the great point.
I got to credit Ronan.
All right, credit.
He's like, this kid Sid, he doesn't know that the fucking toys are alive.
He's just blowing up toys.
Yeah.
But they're like, you piece of shit.
The whole movie is based on like, Sid is this sinister garbage kid because he's blowing
up toys.
But it's like, he thinks they're just inanimate objects.
That's true.
Why would he think that the toys are alive?
Yeah, they don't have a soul.
But he has a skull on his shirt and a buzzy haircut.
Yeah.
Bad boy.
Buzzer haircut.
Woof.
Woof.
So it is funny that they've like, ruined Sid's life.
Meanwhile, his parents are just horrible people that beat him and ignore him.
Right.
So he's been created this way.
But it's like, you watch the movie, you do think like, oh, Sid is, what's that word?
He's a villain.
What's that word when you torture people?
Masochist.
Ah.
He's a villain.
But it took me 30 years for Ronan to point out that he's just a kid blowing up toys.
Blowing up pieces of plastic.
I would say maybe.
He's not torturing cats.
That's true.
No, you're right.
We do see him as the evil piece of shit.
But blowing up toys is a little out there.
I didn't blow up toys.
It's a funky thing to do.
That's funky.
But in reality, nobody's getting hurt.
No, no.
You're right.
You're right.
It's like.
He's dealing with explosives.
Yeah.
It's a little strange.
If I was like, ripping up books or burning books, it would be weird.
But nobody's getting hurt.
Right.
No, that's true.
But yeah, good catch.
But people don't like it.
That's why inventors.
They struggle.
You know, these Thomas Edison's and all these Tesla guys, they got a lot of pushback.
Nobody wants to give it up.
And then when you do come up with it, they go, that was great.
Well, they think.
I think a lot of things is.
And I'm probably guilty of this, too.
It's such as me.
But people are like, well, there's no way some comedian asshole or some plumber.
Right.
Was smarter than the filmmaker.
Right.
Thought of this other thing that thought of this thing that no one else thought.
I think that's what the problem is.
But I think it goes internal.
I think people go, well, I feel stupid now because I didn't get it.
So I can't let you win this.
That's a human nature thing.
I look at Rosa Parks.
Where is she?
Well, she pops up to the front seat.
Everybody flips out.
She's a villain.
She's Sid.
We all hate her.
She's blowing up toys.
Next thing you know, there's a plaque.
She's a hero.
She's a hero.
It takes people.
Dumb people have to catch up and we have to wait for these tards.
Right.
No, I'm Rosa Parks.
You're a part.
That's what I'm saying.
Me, her, and Susan B. Anthony, which I don't know what the hell she did.
I think she sewed something.
No, that's Betsy Ross.
Yeah.
Betsy Jeff Ross.
What did B. Anthony do?
Susan B. Anthony.
She's got a dollar, doesn't she?
Is she white or black?
She's white.
She killed a kid.
Now, that's Casey Anthony.
Oh, yeah.
Way out on the Lindsey Clancy.
I don't know.
I can't follow this thing.
Don't even open it up.
She killed a kid.
I was on Legion of Skanks.
We did a half hour on it.
I don't know what the fuck was going on there.
Oh, my God.
It's bad news, baby.
Well, I guess.
So the trial.
Everyone knows she did it.
The trial's not.
This is what I understand.
The trial's not about if she did, but if she was mentally retarded.
Yes.
And then she had been in a psych ward days earlier, and they changed her meds.
Yes.
14 pills she was taking.
Well, I feel bad for her and for him, but you can't be out walking around.
I mean, they could put her somewhere.
You got to put her somewhere.
Get rid of her.
You got to.
I mean, I don't know if she needs the death penalty.
I don't believe in the death penalty in general, but.
Eh.
You can't kill three kids and then be like, all right, I've got a job at Walmart.
Well, yeah, Walmart is somewhere.
We got to really pin this down.
We can't have her at Chick-fil-A.
We got to have her strapped in a room with a gun in her hand.
Oh, okay.
Yeah, we got to have her somewhere.
I mean, whether it's a psych ward or.
A jail.
Solitary confinement or wherever.
You're just not allowed to kill three people.
Yeah, yeah.
And she had the wherewithal to tell the hubby to kick rocks.
Yeah.
But then people are saying she was in a psychosis with hormones, and then you're like, okay, well, if you're going on the hormone route, women are going to have a tough time getting hired later.
I think that could factor.
Some guy's going to go, hey, and I'm not saying I'm saying this, but this could happen.
Some guy's going to go, everything in corporation and jobs is all liability, all lawsuits.
So they're going to go, oh, you have a kid?
Are you postpartum?
How are those hormones doing?
I'm not hiring your ass.
And I'm not saying that's right, but I'm saying everyone is keeping, what do you call that?
I'm worried about my shit.
You're coming in here with your hormones, so now you're going to kill a couple of toddlers with exercise bans.
It sets a precedent.
Thank you.
Oh, you want to be a politician, lady?
Oh, you want to be air traffic control?
I don't know.
I got a Bowflex over here.
I don't know if you're going to choke out Susie.
Right.
She used a rubber band, like exercise bands.
Which is tough for the husband.
He's like, ah, she finally used it.
That's not bad.
That's good.
Oh, thanks.
Well, the other thing is, I mean, she had to kill one kid and then go to the other one and then pick a third one.
I mean, it's a long time.
Shutter Island style.
There's another theory that is huge where it's like, they're like, the husband did it.
Oh, I've seen that.
That's big.
He told her that she did it, but really he did it.
I've seen.
We were on Legion of Skanks and we watched like a whole bunch of TikTok ladies saying that he did it and all this stuff and they're, you know, retarded, whatever.
Isn't the verdict today or yesterday?
Isn't that coming soon?
I can't wait.
I'm going to get some lotion and rub one out.
I haven't followed it at all, but.
Don't follow.
No, I don't follow anything it follows.
Same director as End of Oak Street.
Have you seen it?
Nah, I did see the Tony movie.
Tony.
Oh, Tony.
Oh, yeah, yeah, yeah.
The Bourdain.
I heard it was great.
It's good.
It's gritty.
It feels like a real movie.
It's, well, Johnson killed it.
He's a great director.
Yeah.
It felt like Stavros kills it.
He's so good at it.
Banderas steals the whole thing.
But I feel like the guy, Sessa?
I don't know.
The main guy?
Holdovers?
Oh, yeah, the kid from the Holdovers, yeah.
He's Bourdain.
He's a great actor.
He's really good.
But you're talking to a guy who's watched 900 hours of Parts Unknown.
I saw the Roadrunner doc.
I've seen a lot of Bourdain stuff.
He didn't feel like Bourdain at all.
There was not one, you know, like you watch the Bob Dylan movie
or the Bruce Springsteen movie.
You're like, all right, I get it.
I see it.
This is Bourdain.
We never saw Bourdain at this age.
That's not Bourdain.
That's pretty good.
But, I mean, give me something.
Give me one affect, hand movement, eyebrow ring.
Give me something that is a little resembling Anthony.
I hear you.
Now, I haven't seen the film, so I'm talking out my ass.
But is there a difference of this 30-year difference, right?
Sure, sure.
He's playing 22 years.
22-year-old Bourdain or something like that?
Yeah, I mean, maybe 19.
And we only know 50-year-old Bourdain.
But you give me you as a 19-year-old, I'm going to get some listisms.
Right.
I'm going to get a little homosexuality, a little teeth, a little forehead, you know, something.
Give me something.
Well, I've got to think.
It's hard to think.
Now, I have to put my head in a place of a celebrity or somebody that I only knew from the age of 50, 60 on.
Okay.
As a 19-year-old.
Like, if I saw a 19-year-old Ron Bennington, would I right away be like, there's Ron.
Because he's not going to have reading glasses on his head.
No, that's true.
And a little ponytail and cancer.
I mean, he's probably going to be on heroin, first of all.
Is that right?
Well, I don't know about heroin, but coke and booze and pills and Quaaludes and all that.
But you're going to get a little Ronnie.
It's in there.
I mean, I think if I saw you as a four-year-old, I could see some movement.
But I'm saying, in what way?
Like, what?
What a 19-year-old Bennington.
Look like.
Because he's not going to be sitting with his feet on the desk.
He's not going to be chewing on a cigar.
I bet there's some of that in there.
He's going to look different physically and all that.
But I do think your cement is dried a little.
Now, I'm not saying you're wrong and I haven't seen the film.
I'm just trying to figure out what he could do.
Because he can't say, I guess I don't know Bourdain's move, but does he do a quick one?
He's got stuff.
And here's the other thing I would say.
Sometimes.
Maybe it was a coincidence.
Maybe it was a conscious decision.
Because sometimes when they do things like that, it becomes cheesy.
That's true.
That's true.
If you had young Michael Richards be like, oh, I don't know.
And you're like, oh, there it is.
There's the moment.
Right.
It's like when Chris Rock does Chris Rock.
And you're like, all right, all right.
You don't have to do you.
Well, I think of, it was horrible.
The play about Frankie Valli they made as a movie.
I don't know it.
What was that?
That's not Spacey.
Oh, that's the movie.
Maybe.
It was on Broadway.
And then the Jersey Boys.
Oh.
The movie.
And then Joe Pesci was like their manager for a minute.
And Joe Pesci, the character comes in.
It's like a young Italian kid.
And he goes, hey, guys, we got to make it to the show.
And they go, you're funny.
He goes, funny how?
No.
They didn't do that.
They do that.
Oh, that's appalling.
And the whole, you're like this.
Oh.
So that's what I think of Bourdain.
If he did some kind of like Bourdain thing, he might take you out of the film.
And you're like, oh, my God.
That is cheesy as hell.
I totally get what you're putting down there, Fatty.
I'm just saying, give me a movement of something he did, a haircut, the walk was different.
I need something.
Yeah, right.
Give me a little Bourdain-y.
Otherwise, he could play the guy.
Chuck could do it.
You could put Rupert in the role.
Anthony Bourdain Cook.
There you go.
Hey, he's a cook.
Oh.
Bourdain Cook.
Bourdain Cook.
Bourdain Cook.
That's unbelievable.
That's something.
Cut it.
Put that down.
Cut this motherfucker right here.
Save that.
Save for stick or treat.
You come in, you do heroin, and you get all Dane cooking.
Yeah, that's not bad.
And you cook something.
He slowly gets more like, ugh.
Yeah, yeah.
Then he kills himself.
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By the way, Luke Moniz told me he just worked with Dane Cook.
Ah.
And they were standing there chatting.
A guy walked up, recognized Dane, stopped and had a seizure.
Right?
Under their feet.
Whoa.
He was like, hey, Dane, I'm a big fan.
Super finger.
Whoa.
That's a real fan.
Yeah.
Julius Caesar.
Luke was like, it was the craziest thing in my life.
Wow.
So did Dane help him or did he go, did he put a cigarette out on him and walk away?
What happened?
I'm not sure.
I don't know.
I only got, it was like a text.
And I felt bad because I was with the kid and running around and my dick was in my ass.
So I just wrote like, that's crazy.
Boy, I feel like seizures are up.
I had a seizure salad at my show.
This Dane Cook's giving seizures.
Something's going on.
Well, I don't know.
I mean, I think times are hard on the boulevard.
I mean, it's stressful times.
I guess so.
People are just seizureing.
Yeah, yeah.
Seizure of the day.
What is a seizure exactly?
I don't get it.
You just shake?
I think it's a spasm.
You lose all the control of the muscles and you bite your tongue.
You got to hold the tongue.
I saw a girl for a while that had epilepsy.
And like those ones you're talking about are like extreme.
Yeah.
But like they can just like have seizures and feel them in their head and they could
be like, all right, hold on one second.
Like I'm having a seizure.
I used to be a bus boy and I worked with a kid, another kid who was a bus boy, and he
would have seizures.
Worst job for a seizure because he's carrying a plate of dishes and he'd go like, he would
drop all the dishes and I got to clean them up because I'm the normal bus boy.
So now I'm double duty.
But they fired the guy.
They're like, you're a sweet kid.
You're obviously fucked up and weird, but we run out of dishes here.
Now, once he's done seizuring, though, Kate.
He'd be like, hey, you owe me three tables.
What's good for the goose is good for the gander.
That's kind of a shitty move there on the cripple there.
It also feels like he could just do that anytime he wants like a smoke break.
That's a good point.
He could just be like, ah, I'm getting a little tired.
Yeah, he was a little funky, that guy.
Now, did you ever get a seizure during the lovemaking?
Because that would be pretty good on the dong, I feel like.
No, she.
I thought you were a virgin.
What is this?
I can't get your story straight.
That story's gay.
It seemed like it was triggered by like sometimes visual stuff, sometimes like.
Seeing you on top of me would put me into a fucking blackout.
Oh, I would go to a happy place.
Yeah, I'd have claw hands the rest of my life.
That would be tough.
Wait, I was going to ask.
Oh, first of all, let me just talk about this real quick.
Because I got big, beefy curtains.
Oh, really?
Meat curtains?
Yeah, I got a big beef.
You and Salicus teamed up.
You fucked me.
Teamed up?
You porked me.
Right in the ass.
Two dicks, same ass, coming out of my eyes.
You porked me.
Well, it was like Goodfellas.
I feel like I'm like, I thought you were going to bail.
I thought you were bailing.
First of all, you were like, I can't do Monday for the pod.
So I thought, oh, he's Monday, he's out.
Monday.
Oh, I had the regs.
Oh, I just assumed you were flying.
You were flying in or something, so you couldn't.
So I was like, Joe's not going.
Then I got the hair.
Somebody else couldn't do Monday.
No, he was the one that couldn't do Monday.
I thought you said no Monday.
No, I never.
I'm always like.
You said I'm wide except for Monday.
I'm not giving you shit.
I'm just saying.
No, but Chuck said.
You said no Monday.
Hold on.
I'll pull it right up.
All right, all right.
Here it comes.
Chuck's going to look like a big asshole.
Look at the Lindsey Clancy verdict here.
Chuck, I'm good any day but Monday.
Oh, there you go.
Well, he got it right there.
There you go.
Friday, 5.06 p.m.
Johnny Cochran.
Chuck Tuesdays.
I'm good any day.
but Monday. Okay. And my next
text is Tuesday or Wednesday
is best for me. That's all I said.
I take it all back. Best for me. If the text
fits, I must acquit. Behind the scenes,
whenever I have a thing, I'm like,
even if this doesn't work, we'll figure it out.
I'll move stuff around. Rupee.
So when I say Monday, I can't do.
If you're like, oh, Monday's the best day, I'm like, alright, we'll figure
it out. And I quote,
any day but Monday.
And I respond, Tuesday, Wednesday, best
for me. Okay. I appreciate it.
I appreciate it.
I was wide. Well, I had regs.
But I could have made it work. I love these early
episodes, by the way. This is the way to go.
I agree. I had to be 6 a.m. You get the whole day left.
Me too. So anyway.
I thought I read that I was wrong
and I thought you were not here on Monday.
No, no. So anyway, for the folks
at home, Elon Altman, who I've never met
in my life. I don't know who this guy is.
Sweet kid. Good, good, funny, nice
guy. By the way, he's like our age.
No, he's got to be 11.
I thought he was, I'm not joking, I thought he was
28 years old. He's 45.
He's 42. What? He's 43 in November.
He graduated in 2001. He's about
this tall. He has a lollipop, a
propeller hat, and a balloon in his
hand. Well, I was heading to the seats. I'm like, I hope
I recognize this kid. I have no idea who this is.
He's the one on the milk carton. I thought it was
Elon Gold. Musk.
Oh, Musk. He stinks.
Gold. I think it's Elon, actually.
Elon. If we want to get serious.
Alright. Well, is it Elon Altman?
Elon Altman. Is that right?
Yeah. I don't even know his name. There's Elon Musk
and then there's Sam Altman. This guy's
right in there. Hey, that's a great point.
That's his bit. Oh, okay.
He had the handy nasty. I remember
the handy nasty. Handy nasty's big. That's what made me
say yes to the tenant. I'm like, I'm going to have handy
nasty and Mark and
Salicus. That's how we
go by hangout. So, he's got a good bit.
I'll hang out with him. So, anyways. That's hilarious.
This young boy messages me. I don't
know him from Adam. He's got a slingshot
and a trike. Adam Altman.
When he said he was 42, I fell out of my seat,
which sucked because we were up in
the sky.
Elon Altman should be an Elon Altboy.
So, I go
hot mom.
Every mom is hot to me now.
Not hot, but a big tank ass. Yikes.
That looked like Bigfoot.
I love a Bigfoot. Put the toe in
my mouth. Oh, God. That was a Yeti.
So,
any farts. Smallfoot.
Robert Altman messages me on
Instagram. He goes, hey, August
31st. Nashville. I got
U.S. Open ticket. You know
me. I'm a tennis queef. I live at the
Open. It's the best two weeks of the year. Never been to the Open.
So, well, you could have gone last night.
There was a big ticket for you. That's why I said
yes. The hair, the hair. So, this
guy goes, hey,
I got three tickets.
It's me, Mark, and Salicus.
Hey, good hang. Now, I've
known you for a very long time.
So, right when he says it, I'm like, there's
a 0% chance Mark's taking the night
off and going to a tennis match. Just nothing.
I should go. I like tennis,
but, yeah, I felt out of place.
I said to Sarah, I'm like, Mark,
Mark's not coming, but I'm going to say yes, because
I'll get a new friend. And
I love tennis. And he
bought the tickets with the
pre-code 56
bucks. Now, what's a regular ticket
go for? Right now, on the
secondary market, a grounds pass,
which is just to be on the ground, not even a seat,
is 300 bucks. What? So, he got
$56 tickets. Now, I'll
get to where the seats were in a second. Who wants to
go on the ground? If you can't even see
the game, what do you want to get? A smoothie?
So, there's matches everywhere.
You just can't get into Louis
Armstrong, which is the big stadium, or
Arthur Ashe is the big stadium.
Louis Armstrong is the second biggest stadium. But you can
go to all the other stadiums, all the other
courts. Why is the name of it Louis Armstrong?
Just a side note. He's a trumpet
player from New Orleans.
That's our airport, Louis Armstrong.
That's a good question.
Arthur Ashe makes sense.
Give that a go.
I don't believe so. He was a bit
disheveled and out of shape, that old
Lou. Well, Queens, maybe
Queens. He played
Satchmo, they called him.
Those lips were wacky.
It's a wonderful world.
Bloody and cracked and sliced up.
Oh, yeah. Wacky. Lip service.
Anyways,
so, we'll get to the bottom of this.
Jack's got something. Oh, he lived
in Queens. Oh, there you go.
That's it. Alright, so did you. Yeah, me too.
How about a court for this queen?
There you go. So,
any farts, so I go, I'm gonna say
yes to the dress and
I'm like, I'll get Mark and
Salacuse. That'll be fun.
Love it. So,
here we go. We're coming. It's time
for the 10. And now, this ain't easy, because my
kid, long story short, he's
in the big boy bed, but he comes in
our bed every night at like 3 o'clock
in the morning, kicks the shit out of me. I can't sleep. I haven't
slept in the night since the 80s. That's the worst.
So,
I'm sleepy and, you know, tennis early
rounds goes till fucking 1 in the morning. So, I'm like,
alright, this is gonna be late night, but
that's alright. Socialize.
New buddies. Salacuse is
a great hang. Morning of
food. Hey,
guys, Mark Bale.
There you go. I knew that was coming.
Yeah, that's no
problem there. Sure,
sure. So, he goes, I got Jeremy Pinsley.
Now, do you know Pinsley? I've known Pinsley for
20-something years. He's a sweet
boy and a good egg. And he has a comedy club
now. And it's a great room. I did the Greenpoint
Comedy Club in Greenpoint.
Great room. Check it out. Well, I love Pinsley
and he's a tennis nut.
Is that right? Yeah, he's a professional
tennis player, for God's sakes. What?
He's like a tennis pro. Lesson guy. Get out of here.
Well, maybe not professional, but whatever. He's good.
Alright, alright. A tennis pro.
Okay, 30 love. So,
I'm like, great. And I can
nerd out with him. So, that's nice.
There you go. Comedy and tennis. Your two
loves. And I got Salacuse. So, this
is beautiful. Alright.
So, tennis all day. I gotta do the rags,
the thing, the other thing, the baby,
boop, boop, boop. Alright, I'm headed to
Queens. Here we go. And now
Salacuse, he plants his
little seed. You two working together. I know
you're working together behind the scenes. I don't work
with that guy. He's not my kind of guy. So,
he goes, well, I'll
be a little late. I gotta shoot till
seven. And right away, I can
sniff dog shit from four
miles away. Well, also, it's a
seed plant. I know the seed plant.
The game's at seven, right? Match
starts at seven, but there's two matches. There's
the men's and the women's. Now, for those at
home that don't watch the sport,
it's a three-hour match.
Followed by a two-hour match. This thing goes till
fucking one o'clock in the morning. Also,
for the people in Cincinnati,
Queens is a hike.
And Salacuse,
not a big fan of leaving the island.
No, no, no. So, going up, if you get,
he's gonna be done at seven. So, you still gotta get
up to Queens, which will take 46
minutes from where he's at. So,
that ain't happening. He said
yes to the dress, so
he goes, the day before, he's
like, well, I gotta shoot till seven
P, and I'm like this.
There we go. At least I
cut it at the limb. This guy, he's leading
the witness. So, he goes, okay. Now, did you
pay him for the ticket? He, Pinsley
got it. All right. Pinsley.
So. Got a baby.
I go. Put a pin in it. I go, all right.
Well, here we go. So,
now I go, now I'm right on time.
You know me. I'm doing laps around
the house, so I don't get here too early. Sure.
Now, I get to the thing. I'm all excited.
And Altman, he's a
young Jewish boy. He's 42.
I'm like, he probably got some real
tickets, you know. He's a
New Yorker. He probably got some plugs and
T-cells, because, man,
he looks youthful. He looks like he's 20
years old. So, I pull up my ticket, because I
don't look at it before. I'm busy.
I get there.
Section 317
Row X.
X. God damn.
Now, I've been pretty successful the last
few years. I haven't sat in Row
X since 1985.
Row X. Malcolm X. I mean, I didn't know they did
it. That's like floor 13. They should cut
that out. By the way, he texts at like
545. He's like, I'm here. I'm like,
you're here? Oh, I hate that. That's a pet peeve.
So, I get out there. I sit in
the security line for 45 minutes, because it's
packed. There's like thousands of people coming in.
Nice night. It takes 45 minutes to get through.
I'm looking around for Salicus. I'm like,
he's gotta be here by now. Where's that Hawaiian shirt
and forehead? So, I get through.
I get my cheeseburger, my
fries, my water. I walk
up. I'm like gassed. It's
25 rows high. You're like
Rocky. It's the top of the room. You can literally
hear the air conditioning. It's just like
sound like last week's episode, because Chuck
fucked up. Virgin. Buzz.
So, we get up there, and I'm
like, the tennis player's
this big. I can't even see who the fuck it is.
You should have brought the opera binoculars.
I'm out of breath, and I'm like, now I'm on a date. I gotta
get to know this man. Where's Pinsley?
So, Pinsley's not there yet.
Oh, jeez. So, I'm like,
whew, this is crazy, huh? I throw
you right under the bus. I'm like, boy, Mark's a real bag
of shit. And he's like, well,
he said the babysitter canceled. You're telling me you did spot
so who knows what to believe. Both are true.
Okay. So, I go, yeah,
well, this is crazy. Wow, tennis. And so,
I assume he's like a tennis retard
like me. Sure. So, I'm like, boy,
I was here in the 04 special
of the 48 thing, and he's like, who's that now?
Roger, who?
Who's Nadal? Is that a woman?
I'm like, ah, Jesus. Who's Nadal?
How'd he get tickets? I mean, like,
why did he get tickets? No, he knows.
He went to his first match in 97,
which is, that's when I was like, what the fuck?
How old are you? I thought he was 13.
This guy knows Nadal. No,
9-11. He went to Stuyvesant
High School and graduated the year before
9-11. Whoa, he's older than me.
He just missed it. I'm 01.
So, no, you graduated the same year,
because he graduated in June of 01. June?
So, when 9-11 happened, he was up in. I see, I see.
At Cornell. He went to Cornell, this kid.
Jeez. Not smart enough to get
a better seat. X.
So, and you try
to balance, because this man got tickets
and he invited you, so you feel good about that, but
at the same time, you're like, buddy, my
My nose is bleeding.
This is crazy
Yeah, that's bad for the hair
I made the right call
Which, by the way, I was like
You can't have Mark up here
You're a celebrity
You can't sit in row X
You'd look like an asshole
I like X
I'm away from the peons
Well, it is nice
It was very anonymous
But, anyways, Pinsley came
And Elon's great
Or Elon is great
Whatever his name is
Again, it's our first time hanging out ever
Sure
I thought I'd have two of my besties with me
Did you fuck?
I mean, did it go over well?
It was nice
We had a good time
I mean, I think I scared him a couple times
Because I just assume he's palling around with you
So I was like
Oh, he's fine
He could say all kinds of
I make all kinds of Jew jokes
Oh, okay
Well, there was three elementary school girls
Ah, now we're talking
They sat in a row
And I was like, three of them?
Three of us, huh?
And then he was like, ooh
No
And I was like, no good?
They were like 12
I thought it was funny
That's funny
Yeah
I should have been there
And I was like, all right
Well, what are you going to do?
Oh, and then there was a lady
That had a black woman
That had a jacket
With a patch that said
Trust black men
And I'm like
What?
That's one of the most retarded
Blanket statements
I've ever heard in my life
And he was like, well, you know
They're oppressed
And I was like
No, he said that?
No, he didn't say that
Oh, jeez
It scared me
He didn't say that
But he wasn't like
I know, what the hell?
Yeah, that is a little scary
That's a retarded shirt
I might pick one up
This is a good
One of the dumbest things
I've ever heard
Trust black men
Just a blankety
Just trust all black men
No matter what they say or do
Don't
Which, by the way
OJ
Is racist
Cosby, of course
That's racism
To be like
Black men are just a perfect
No problems
Blanket
No, they're human beings
Yeah, they're complex
Some are rapists
And murderers
Right
There's one on my wall
Most are not
Which one?
Cosby
Oh
Not a murderer
That we know of
No, probably not
It kills
Oh, yeah
We're used to
But anyways
And then I was like
Oh, boy
I couldn't figure out
The child
The barometer
Yeah, yeah
But no
It was awesome
And I was
I was grateful to be
Ah, I was furious
Oh, I didn't even finish
The Salicus
Sorry
So Salicus is like
Woo
Just getting out of that session now
It's like 7.35
And I'm like
Forget it
This guy
And he's like
I gotta go drop the stuff
He goes
I think I missed my window
So he's looking for an out
Of course
I think I missed my window
And I'm like
Missed my window
What window?
What are you, Eric Clapton's kid?
We're in the second set
And if this thing goes five sets
And the women's goes three sets
We'll be here till two o'clock
In the morning
Literally
There's matches that end
At 1.30 in the morning
Yeah, he can make it
And it's, you know
45 minutes
And then he texts back
Just got the best parking spot
I'm not moving again
For the rest of the weekend
Which you're like
And then Alon is like
You can't drive here anyways
Just jump on the 7 train
Which is near his house
And no response
Which I also thought was dirty
Just
He was out
And so you're like
Alright
I felt bad for Alon
Cause this guy
He buys tickets early
He asked his buddies
Stuck his money
Stuck his money
Stuck his money
Stuck his neck out
And then
Goes out on a limb
And says
Hey, List is a
He's friends with these guys
He likes tennis
I'll ask him
This will be our first hang
We threw your name out
I'm sure
I threw your name out too
And said these assholes
We threw it out
We said he'll wanna go
Yeah
Well I did
And I won't
Alright, great
So
You know, I felt bad
This guy set together a hang
Now he's with stupid Pinsley
And some stranger
Making rape and race jokes
Well
He's a young boy
And he's alert
And these lessons in life
He's our age
Oh
I don't buy it
I need an identification card
Oh, I started counting the ring
I was like looking at his
I was doing this
When he said he was 42
Check the crow's feet
The foreskin
And I just found this
He's a comedian
Is that right?
I didn't know that
I thought he was like a cameraman
Or something
Handy nasty
I know, I'm kidding
I know he's a comic
I've seen him around
I've known him for a little while
But we've never hung out before
It's a very intimate setting
I get it
You're up there in Roex
The wind is blowing
You got a bird landing on your shoulder
It's a different vibe
Well, I was like
If Pinsy doesn't get here
I'm going to kiss this guy in the lips
I mean, this is a first date
Yeah, don't make eye contact
Hey folks
You got to go see a doctor
I mean, I got to imagine
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You got to go to a doctor
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Yeah
Back to the show
So what's
One time
I had a New Year's Eve party
The wife was pregnant
We
I'm not getting invited to this
You were on the road
You were in
Miami or something
No
I haven't worked New Year's Eve
In 10 years
But anyways
Keep going
Either way
We had a couple people over
We had like a dinner
For people in the neighborhood
I invited you
You didn't show up
I think May invited me
Actually
I think she did
She did
Yeah yeah
May reached out
You lied
I appreciate it
You said you were coming
Then you didn't come
But
So
I had a party
You know
So
Midnight's the big thing
On New Year's
So we had a party
And we invite all these people
Maybe 10, 11 people
Elon showed up
At like 5
I'm in the shower
I'm jerking off
I got a towel on my head
I'm making croquettes
In the oven
I'm like
He's like
Hello
And he went home
And I'm like
Ah shit
I gotta bounce downstairs
I'm all soaking wet
And I'm like
What are you doing here
He's like
I'm here for the party
He brought a cake
And a champagne
He had a hat on
It was bad
Well Salik used to do that
To me at my house
Cause he got the invite wrong
He showed up
With his whole family
And Stacy was horrified
Oh yeah
The same thing
We were in our panties
And the whole thing
He shows up at 5pm
And literally
He's like
We got another party
So we gotta get out of here
He left before the invite time
Right
Right
It was like a 3 o'clock party
He left at 2.54
Yeah
And you could tell
Stacy was like
Oh my god Matthew
You piece of shit
Imagine dealing with that guy
Every day all day
Oh that's tough
It is tough
Well I will say
Knowing Salik used to do pretty well
I've been at his house
Hanging out
You feel like a 7 year old
We're playing with toys
We're watching movies
We're eating ice cream
And then his wife comes home
And he pops
He's like
Oh hello
Hello Stacy
How are ya
I did the dishes
What do you need
And he's a good husband
He's a character
Well he's the best
He's one of the great hangs
Stay at home
He's out every night
Well you know what I mean
He stays at home during the day
And texts me clips
No he's the best
And that's why I was excited
To hang with him
But he fudged me up
But like I said
It was a great hang
And the match was fun
We had some great lines
And then we were trying
To get on the camera
Oh fun
So then every break
In the action
The three of us were doing this
We were doing an in sync
Ah yes
That's the key
To getting on camera
You gotta do this
A synchronized dance
But we were too high
The cameras couldn't even
See that high
Well they can't have him on
That's kiddie porn
Putting that kid on there
But uh
No I was
I was honored to be
Invited and uh
You know
We'll do it again sometime
Yeah sure
I can't wait
I've never gone
I've never seen a tennis match
I'm excited
Well how were the sets
Were they at least
Killer
No I'm rusty and gay
And I'm talking about the head
And nobody cares
It's all pipes
Well if you're wearing the hat
I am
Nobody thinks anything
You're just a guy
With a hat on
But doesn't this hat
Look ridiculous
No that's the thing
You think
Really
No it's like
One of those things
You always think
To you it's different
But to them
They're just like
Well there's a guy in a hat
That's true
I was wearing a hat tonight
I guess the side buzz
I'm so used to
Not looking like this
But they don't know
Right
Right
That's the weird thing
I was just
talking about something like this.
Hold on, let me. Let me rub this one at you.
Yeah, please.
So my kid had an awkward moment at the playground.
I have a lot of those.
We get a Kevin Spacey, yeah.
So my kid has this school bus.
He's obsessed with his bus.
And he rolls it around.
It's about this big.
It's a big bus.
You push a button, and it goes, the wheel's on the bus.
Go ahead.
It lights up.
You had that?
Yeah.
Great toy.
It's his favorite toy.
And the wife had the boy, and I was out riding fences.
And I came back, and I met up with him at a park, a different park.
She goes, I left the bus at the other playground.
This triggers me so much.
Why?
A kid losing.
It's like my biggest thing.
Yes, yes.
It's so devastating.
Same, same.
Ah, a balloon or a thing.
It's the thing that triggers me most emotionally in my life.
Well, I have the same trigger.
That's funny.
Yeah.
Like a bike getting stolen.
A bike getting stolen, or one time, these kids stole my soccer ball.
I was playing with a soccer ball.
These kids just took it, and were like, fuck you.
And I was just, how can anyone be so cruel?
Oh, my God.
An hour later, my brother shows up, and he goes, I got it back.
Nice.
I've never been more in love with a man.
Never been.
I got down on my knees.
He's never done anything since.
But that was, I'll never forget that moment.
Well, there's some, because when you're a kid, it's like, your things are your friends.
Yes.
Your family.
You're like, ah, that truck.
Exactly.
You know what it feels like in casting?
When Wilson goes away.
Yeah.
And that feeling, and you're like.
That's exactly it.
I know that moment.
I cried during that, by the way.
That's why that's so triggering.
It's that thing.
So triggering.
It's all you have back then.
You don't have a car, or a pussy, or anything.
Yeah.
So, the bus.
She goes, I left the bus.
And I think her, she's a mom.
She's in her 30s.
She's like, it's a toy.
And I go, no, no, no.
He loves that bus.
I'm going to get that bus.
She goes, it's going to be gone.
I left an hour ago.
And I go, I'm getting the bus.
So, I run to the other playground.
And it's empty.
But there's one kid.
And guess what he's doing?
Coming on the bus.
He's pushing the fucking bus.
Of course.
Like, speed.
Pop quiz, asshole.
So, he's at the playground.
Seven.
I'm not good with ages.
And he's pushing the bus.
And he's loving every minute of it.
He's pushing the bus.
Pushing the button.
He's rolling all over the place.
And I go, there it is.
And there's one couple at a bench.
And I go, that must be his parents.
So, I.
I don't want to just kick the kid in the face and take the toy.
Sure.
Because I'm alone.
I look like a psycho.
I'm just walking up to kids at a playground and taking things.
So, I go up to the parents.
And I go, it's going to sound weird.
That's my kid's bus.
He left it.
I came back to get it.
So, I don't want to just take this kid's bus without some context.
And they go.
They're just some foreign couple.
And I was like, oh, shit.
Does the kid belong to them?
No.
Oh.
It's just some random couple eating a sandwich on a bench.
From Guatemala or something.
So, I was like, oh, shit.
And the races don't match up.
So, I don't think they're together.
So, I was like, oh, okay.
That's even worse.
So, I go, I just got to do this and get back.
So, I just go, hey, hey, kid.
That's my bus.
I don't want to make a stink out of this.
Let's just keep it cordial.
Keep it diplomatic here.
And he goes, he does one of these.
Like, get away from me.
Old man.
And I go, I get it.
This is a weird moment.
Now, I'm reasoning with this kid like a fucking retard old guy.
I'm like, hey, look.
I know this is a strange scenario.
And he's like, ugh.
And he keeps walking away from me.
So, now I'm like, okay.
Reminds me of tomorrow.
Paul O'Neill has to catch a ball in his hat.
Yes, yes, exactly.
So, I'm like, ah.
I'm just kind of walking after him now.
He's pushing away from me.
Like, ugh.
He's pushing the bus on the ground.
And I'm just behind him.
Trailing him.
And I'm like, hey, I'm just going to take it.
I'm just going to do it.
It's so hard without the kid.
I know.
I know.
It's a horrible look.
Well, I've had this thought before.
I wish you could have a hat or a pin that says, I have a kid.
Because a lot of times, I'll start talking to kids now.
That's good.
Out of, not instinct, but habit.
You're like, hey, little buddy.
And the mother's like, oh, my god.
It's a pedophile.
And I'm like, no, no, no.
I am a pedophile.
But I have a son.
Yeah, exactly.
Yeah, it's like when the guy at the nightclub,
goes, whoa, where are you going?
He goes, my girlfriend's in there.
And he goes, a lot of people's girlfriends are in there.
Like, no, no, no.
I have a girlfriend in there.
Right, right.
I just, you can't prove it.
Uh-huh.
So I had an idea.
Because there's people milling about.
But it's just me and this kid in the playground.
Literally just two people on the playground, me and a child.
It's a rom-com.
And I'm like, fuck.
The sun is setting.
This is getting weird.
There's people milling about.
And I can see people like, what's up with that guy?
Oh, they must be together.
Or are they not together?
Whatever.
And I'm just trailing this kid.
So now I pull my phone out.
And I have pictures of my kid ready.
In case someone goes, hey, stop that man.
I go, ah.
It's like a badge.
It's like a badge.
So eventually I go, all right, kid, I'm sorry.
I don't want to be mean.
I'm taking the bus.
And he's doing like the, uh, uh.
And I just go, eh.
And I rip it out of his hand.
He goes, ah.
And I go, John, John.
I ran away.
Oh, wow.
You're a hero.
I mean, am I a hero to the flock cameras of Public Enemy
number one?
That's right.
That's all right.
You got to put the photo, put van with the bus,
and I'll hold up today's newspaper and take a photo.
Oh, that's good.
And say, hey, this is my van.
But I mean, the problem is, if you get home and you look,
it's like, it's all black kids in there.
And you're like, ah, shit.
This isn't his.
Oh, that's true.
You know?
That's true.
I'm thinking of Rocky when they open the locker.
And you know it's not his locker because there's
black women in there.
Yeah, exactly.
I'm just playing my joke so I don't sound so racist.
No, no.
I got it.
But yeah, that's true.
Luckily, the kid was white.
Thank God.
I don't want to steal some black kid's bus.
It's a weird look.
Oh, if he's black, you just can't.
You just got to go, hey, he stole that from my son.
Right.
Rosa Parks sat in the front.
Yeah, yeah.
Yeah, so I stole the bus.
And I'm running home with the bus like,
I looked like Steinville with the marble rye.
I was like, whoo, whoo, whoo.
And then you show up, and you're like, what a hero I am.
What a dad.
You go, here you go.
And he goes, ah.
And he just picks up a rock and throws it at a bird.
He's got his own bus.
And you're like, oh, fuck.
Did you put his name in there?
You got to put some initials in there.
Oh, that's good.
I'll do the name.
Name is big.
Name is big.
Well, it's hard with the toys.
And some parents, there's this one woman at the playground
we go to, they're so good with sharing.
She just brings like 50 cars, and everyone has them.
And she's like, I'll just collect them.
But I'm like, I'm so triggered.
I don't want them to lose these cars that mean so much.
It's going to happen.
Yeah, my kid will just take two cars
and just on the living room floor.
And he's having a great time, just rolling them back and forth.
And I'm like, this is a beautiful thing.
I'm watching TV.
And he's happy as a clam.
Yeah.
No, it's the best.
But yeah, so I got the bus back.
Ah, shit.
I was going to say something else.
I can't say I fell on that playground again.
But we got it back.
No, that's good.
I mean, it is just devastating when you're loose.
And you're like, well, we'll replace it.
But it's hard to express that to the person.
I know.
I don't know why it just triggers me so bad,
the idea of losing a thing you love.
Well, you're in a nice sweet spot
where you can reason with the boy.
I'm still in, you saw, we had a great moment earlier.
I brought the boy into the studio.
And I went, Chuck, Chuck.
And he goes, Cuck?
Yeah.
That was fun.
I wish that was on camera.
That's me.
Yeah.
But I can't, you know, you take food away or something.
And he's like, what are you doing?
And I'm like, it's empty.
He's like, give me more.
I'm like, it's empty.
And he's like, ah, you're a bad dad.
I'm like, no, it's empty.
Right, right.
Yeah, it's hard to understand things.
It's very, it's funky.
When did that kind of flip when he could kind of go,
it's over, it's out, we're done with the ice cream.
Or we'll go tomorrow.
Or mom's coming later.
Or, you know, you need to get some information.
Well, it's still hard.
I mean, he's three.
So he's not like.
He's not Gore Vidal.
He's like, oh, yeah, great.
That sounds good.
Right.
Yeah, it's all tricky and challenging.
He's going to school in a week, which is going to be very exciting.
It's starting to happen.
Oh, my God.
You're going to have, you're not going to,
it's going to be like,
you're getting an arm.
You're going to have just such a,
because you watch him every day.
So when you get that free time, it's like,
oh, my, I could write a novel.
I could go skydiving.
Well, especially now, the information I have now,
I'm like, I can do things quick.
I can get stuff done.
It's exciting.
I'm like, I'm going to nap and work.
I'm going to be jacked.
I'm going to have, I'm going to write three movies.
I'm going to learn Spanish.
I'm going to, you know, lose Chuck's virginity.
I'm going to, you know, I'm really.
Good luck with that.
Well, the scary thing, though, is I had a friend.
She sent her daughter to school.
She was the sweetest girl in the world.
Cute as a button.
She came back from school smoking cigarettes,
saying the N-word.
I mean, switchblade, the whole thing.
Yeah, well, that's the thing, too.
And I was just talking to my friend who has two kids,
and she was like, listen, it's traumatic
because you're changing their routine.
So it's like, expect, you know, extra tired,
extra breakdowns, meltdowns, what do you call that?
Whatever the fuck it's called.
And you're like, oh, shit.
Yeah.
Because they're like, what are you talking about?
You're leaving me.
Now I'm dealing with other people, other kids.
So it's like they start having, like, little meltdowns
because they're like, my life has changed.
You've got to get through that.
Well, you ever think, you ever sit down and go,
man, my kid's got the best life.
He wakes up.
I walk in the room.
He's like, woo!
He's so pumped.
You bring him downstairs, cars, toys.
You give him a great breakfast, blueberries and yogurt
and all this shit.
He's eating whatever he wants, crackers and cereal.
And then he just puts his clothes on.
We put his clothes on.
We throw him in a stroller.
He goes to the park all day.
Plays, plays, plays.
Comes home.
Has a great dinner.
Pizza, whatever, sandwich, bubble bath.
Loves it.
Punch him in the stomach, headlock, wrestle, couch, books.
He loves books.
Then he goes to bed for 12 hours.
It's pretty good.
That's a great life.
They say, and this is one of those psychological things that's crazy,
is they don't feel self-conscious and jealous and ego and all these things
until they go to school.
I know, but they have to do it.
Then you send them to school, and all of a sudden they're like,
why does he have that?
I don't have that.
Exactly.
Why does he have two parents?
Why does he have that person?
Why does he have this thing?
Now he took my two.
Now I've got to share.
That's when they first start comparing, which we're all still doing.
The thief of joy.
It's the first moment of reading comments.
They're like, hey, he has that?
Why don't I have that?
What the hell is this?
Before, they're just the center of the universe,
and now the attention is shared with all these other people.
I know, I know.
That's the very beginning of self-consciousness.
Yes, yes, and it's all kind of negative.
I mean, there's some part you make a friend.
Of course, yeah.
You have a good relationship.
You get some, what do you call that?
Companionship.
Camaraderie.
Camaraderie.
But right now, and we don't have to turn this into the Miss Rachel,
but right now, he walks up to me with a book and goes, frog.
And I go, yeah, frog.
And he's like, yeah.
He's going to go up to some kid and go, frog.
And they're going to go, I don't give a shit.
Yeah, yeah.
Ribbit.
So, yeah, that's scary, but it's got to happen.
He's got to learn.
Yeah, it's weird.
And then also, it becomes traumatic to be like,
all right, see you later.
Go be in there for the day.
Right.
And you're like, oh, I'll get so much done.
But then you're like, oh, I miss my kid.
I know, I know.
So we'll figure it out.
Guess who got the cameras installed?
I got this place on lockdown, Fatty.
Oh, yeah, because the guy came when we were here.
I had a crazy hobo come up the stairs and try to sell me magazines,
and I thought about horse kicking him in the tits and knocking him right up.
Boy, what a scene.
What a scene that would be.
I do a full donkey kick, and he goes back off the stoop.
Yeah.
Wouldn't that be something?
I've visualized it many times, and it got me excited.
Manifest.
Destiny.
So I got the Simply Safe.
I don't know if they're a sponsor.
I wish they were, because they are the best in the biz.
Free plug, butt plug, hair plug.
Simply Safe is the shit.
I got the whole house wired.
I'm up in my bed going, that's what's going on in the kitchen.
That's what's going on in the kitchen.
That's what's going on downstairs.
You got cameras inside the house?
Inside the house pointing at the door.
Oh.
And I got a doorbell.
Son of a B out there, the ring.
Well, you got to be careful when your wife's out of town.
You get one of those phone calls, and you go, oh, my wife's a fat whore.
You can hear that.
Oh, shit.
I've had this thought before, because we have the Nanette,
which is like the nanny cam.
Nanette Gadsby.
It's like on the, whatever you call it.
The crib.
The crib.
And I've been on the phone.
Sarah's out riding fences, working, whatever.
I'm just pacing on the phone.
And you're like, oh, if she wanted, she could hear.
And she gets notified when there's movement in there.
Oh, yeah.
So she could just listen to my phone conversation.
That's terrifying.
That's scary stuff.
Yeah, yeah.
I don't even like this being out on YouTube.
No.
So you got to be careful with those cameras, because if you have a, you know.
Boy, I'm glad we talked.
Good call.
I'm telling you.
Good call.
Bad call.
But yeah, it's just pretty cool, because my other trigger is home invasion.
I have a thing where if the door opens, it goes, boop, boop.
Kind of like a bodega.
Ding, ding, ding.
So I'll be upstairs, and I'm always like, did a guy just break in?
What is that?
But now, if I don't hear a boop, boop, I know no one broke in.
Right.
But what if they come through the window?
Is there a boop, boop in the window?
I feel like a window, you'll get a shatter.
I hear a shatter.
Possibly.
But now this door, every time I come over here, this door is unlocked.
Do you lock that door at night?
Oh, of course.
Yeah.
At night.
Oh, okay.
And the gate's on.
I've got that big metal flappy.
Oh, okay.
I meant this downstairs door, though.
Oh, that's locked up like you wouldn't believe.
Oh, because I get here at 9, 15, it's open.
11, it's open.
But you come down and unlock it for the podcast.
Yeah, for this.
Yeah, yeah.
And a gate.
It's just always open.
I lock that like P. Diddy.
Oh, I didn't realize that.
I see.
That's done.
But it is scary.
A hobo could just, I don't want to get anything away.
He could sleep in that little alcove for all he wanted.
Right.
Well, that's the thing.
I was like, that's why I do love the city, because you feel safe in the city.
You really do, weirdly.
Like, out in the country, it's just. I'm the same way.
You're hiding in your big house.
Yeah.
You knock on your door, show up.
It's like that movie, what was that movie?
Schindler's List.
No.
The Strangers.
The Strangers, yeah.
They're like, why us?
They're like, you were home, which is one of the creepiest lines ever.
So the scariest thing is the, eh, no reason.
Yeah.
I'm just crazy and I'm going to kill you.
Yeah.
You know, you killed my wife, or I hate you, or you fucked me over.
That, I guess.
I get, but, eh, just bored.
How about those Idaho murders?
It's like that.
You're like, imagine that.
You see a guy run through, and then, like, your buddy's getting fucking stabbed to death
in the other room.
Wait, wait, wait.
Is this the girls?
Yeah.
Yeah.
One boy and three girls, I think.
Ah.
He's just in the house, going from room to room, just stabbing the fuck out of your buddies.
Good golly.
Yeah.
I would not like that.
No.
Nah.
No, thank you.
Anyways, well, this has been a wacky one.
That is the lady.
Day-by-day.
Maybe it's Maybelline.
So, anyways, yeah, we'll wrap this baby up.
Join the Patreon.
We've got all kinds of hours and hours and hours and hours and hours and hours of more
for hours and hours.
Remember Odenkirk?
And if you like famous people, we had them back.
We had Nikki Glaser.
We had Chris D.
We had Bennington.
We had Tim Dillon.
All these queefs out there.
So, they're all famous now, and go see them.
Even the youth, when they were struggling and young.
Sal Volcano.
Woo!
Shane Gillis.
Oh, my God.
Soder and Ari and Michelle Wolfe.
You name it.
All these people were on.
Yeah, that's right.
And then I am in, I got a show in Guilford, New Hampshire.
Not Guilford.
Fucking Manchester.
Some New Hampshire.
Big show in New Hampshire.
Seabrook.
Seabrook, New Hampshire.
That's September 19th, I think.
Added a show in Toronto September 24th.
Hey!
Side splitters.
My favorite.
October 1st and the 3rd.
Tom Dustin's doing that with me.
Oh, my God.
What a show.
So, that'll be fun.
And then Philadelphia Helium, October 22nd through the 24th.
Of course, Skankfest in November.
Got some other fun stuff coming up.
And check out Tom Dustin, Portrait of a Comedian, by the way.
It's six bucks.
You can watch, own the movie.
It's a great film.
Great movie.
And we're working on Skankfest, Doc, of course.
And Punch-Up Live.
The best thing you can do is go to punchuplive.com,
sign up for our email list, and I'll only email you when we come to your town.
Eh, that's fair.
No spam, no bullshit.
How do you work that out?
You're not on there?
Are you on there?
Oh, Punch-Up.
Sorry.
Punch-Up, yeah.
I missed that part.
And then I put a new thing on YouTube called The Riff Special.
It's just me riffing in Portland.
This is some killer stuff.
I was re-watching it.
I'm like, this is the funniest thing I've ever put out in my life.
Well, let's do it numbers.
Yeah.
Well, we'll see.
Anyway, so come on out.
Come on out, folks.
Come out of the closet.
I'll be all over the road.
I want to apologize to Pittsburgh.
I thought I could hack it.
I'm an ox.
I like to work.
I hate being home with this hair, but I couldn't.
I was bleeding at the airport, and my flight got canceled,
and I just said, I can't do it.
And my manager, who wants money, said, we got to call it.
I've never seen you like this.
Wow.
So I went to Apollo.
We were all sold out, and I liked that town.
I was excited to go.
But I will be back, and I rescheduled for next year.
All tickets, what do you call that?
Coming back.
You know, not refundable.
Re-
Re-
Not rescheduled.
Redeemable.
Redeem.
Hey.
Pill mill.
Pill mill.
All tickets will be honored.
Honored.
Trust Black Men.
Thank you.
What do you got, Choo Choo?
Check out my podcast, Fun Bearable.
If you hated Ray, Ray is not on the podcast anymore.
Beat it, Ray.
That guy was dead weight.
You always hated him.
Every week he'd come in, Ray sucks.
I can't do this show with Ray anymore.
Congratulations, pal.
Yeah, Ray's gay.
I'm not saying.
I hate Ray.
I'm just saying if, you know, if you have your favorites.
You were shitting on him.
You never liked him.
He wasn't.
Yeah.
We got reels of film of you shitting on Ray.
Yep.
He's gonna.
Okay.
But, yeah, he's not there anymore.
So, you know, everyone has their favorites.
And we're fully funded for the pilot.
Wow.
Which is amazing.
The Tuesdays came out fully funded.
But if you're interested in contributing to the film festival submission fees, which
Joe knows can add up like a lot.
Yeah.
You know it.
Yeah.
Reach out.
Reach out to me at Discount Chuck on Twitter or Instagram.
Thank you.
Thank you.
Queef it up.
We'll see you all in hell.
Ray's all on.
Thank you.
God bless you.
Podcast Summary
Key Points:
The hosts, Mark and Joe, open with humorous banter and a surreal, absurd tone, blending satire and personal anecdotes.
The "big hat" symbolizes both a personal identity crisis and a self-aware commentary on appearance and self-perception.
The hosts discuss their struggles with health, medication, and pain, criticizing the pharmaceutical industry and the rise of "pill mill" doctors.
A recurring theme is how monotony and routine can dull the mind, while new experiences—like travel or different routines—stimulate brain activity and create fresh memories.
The show highlights absurd and unexpected moments, such as a fan's seizure or a tennis match with a three-hour duration, emphasizing unpredictability and humor.
A key point of critique is the public's resistance to accepting alternative perspectives, especially in media or culture, often dismissing ideas as "plot holes" or "ridiculous."
The hosts explore societal issues like racism, misinformation, and blind loyalty, using personal anecdotes to underscore broader cultural flaws.
The episode blends comedy, personal vulnerability, and social criticism, using surreal storytelling to reflect on identity, health, and human connection.
Summary:
The episode of *Tuesdays with Stories* blends absurd humor, personal vulnerability, and sharp social commentary in a surreal yet relatable format. Hosts Mark and Joe open with chaotic, fake-banter-style banter, setting a tone of satire and spontaneity. Central to the narrative is the "big hat," a symbol of self-deprecating humor and identity confusion, reflecting their discomfort with appearance and public perception.
The conversation shifts to health struggles, including chronic pain and inadequate medical treatment, with a strong critique of the pharmaceutical industry and "pill mill" doctors. A key theme emerges around the value of novelty—travel, new routines, and varied experiences—asserting that monotony dulls the mind, while change fosters memory and mental engagement. The hosts also dive into cultural absurdities, such as a fan’s seizure, a misinterpreted toy loss at a playground, and the problematic nature of racial stereotypes in public discourse.
They critique societal resistance to new ideas, pointing out how audiences dismiss inconvenient truths as "plot holes" or nonsense. m. or a fan’s bizarre behavior—to highlight the unpredictability of human experience.
Through humor and honesty, the show explores identity, health, and connection in a way that is both absurd and deeply human.
FAQs
Mark wears the big hat to look unrecognizable and to keep things real. It makes him appear ridiculous, which draws attention and adds to the show's chaotic, authentic vibe.
Mark describes his routine as chaotic and exhausting, involving long hours, physical discomfort, and emotional strain, often comparing it to a soap opera or a survival ordeal.
The number '8' appears repeatedly as a humorous, absurd reference, symbolizing various ideas like 'eight days in' or 'eight heads in a duffel bag,' reflecting the show's playful, nonsensical tone.
Mark notes he's been given minimal medication by doctors, feeling the pain is severe and that the medical system is indifferent, especially regarding his health concerns.
He uses these terms to criticize the pharmaceutical industry and doctors who over-prescribe medications, highlighting a lack of accountability and ethical concerns in medical practices.
Mark describes intense headaches and mental discomfort, especially at night, which make him feel like he's in an 'apocalypse' and struggle to focus or rest properly.
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