In a deeply moving narrative, the story centers on Debbie’s efforts to reunite with Stefano, a two-year-old boy her mother Anita held on a 1959 flight to America. Anita, a fiercely optimistic woman who fled post-war Italy, formed an emotional bond with the baby and carried his memory throughout her life, repeatedly expressing concern for his well-being. After her death, Debbie, burdened by grief and loss, begins a long quest to find Stefano, who later became Stephen in America. Through investigative work, they locate Stephen’s records, revealing a past marked by a DUI and a life of personal struggle, including alcoholism and emotional isolation. Despite years of attempts—calls, letters, and voicemails—Stephen ultimately declines to engage, citing that the connection feels absurd and that he lacks access to technology or transportation. Though he refuses to hear Anita’s story or see the photograph of the flight, Debbie’s emotional journey reveals the profound impact of enduring love and longing. The episode ends with a quiet reflection on how hope, even when unreturned, can shape our lives, and how stories of connection, especially across time and distance, remain powerful in their emotional resonance. It underscores the human desire to believe in meaning, even when reality offers silence.
Pushkin
Hey Tony
Karen
Just in the grocery store
I'm sorry to be intruding like this
You know, just calling up
Oh hi
Oh hi
Sorry, my mom called on the other line
So then you just drop whoever you're talking to?
That's the kind of daughter I am
Not very professional, but okay
Oh, is this a business call?
Yes, it actually is
Okay
Well, because, you know, you're a dear friend of Jackie
So I thought maybe, you know, I would turn to you
With my concern
I've been trying to call Jackie
And she doesn't seem to be accepting my phone calls
Yeah, I know
I can confirm that she's okay
Okay
Oh, that's good, thank you
Thank God
Yeah, I can confirm that
And I can confirm that
She's annoyed by your persistence
That I can confirm
Okay
And it's, I don't know
I don't know what to tell you
Maybe she just feels that you're using her
Well, I am
Well, maybe she doesn't like that
Yeah, because she wants to be the user, right?
That's an excellent point you got there
Okay, Jackie, if you're out there listening
Which, let's face it, you're probably not
If I am using you
It's on behalf of America
And Canada
Of course
From Pushkin Industries
I'm Jonathan Goldstein
And this is Heavyweight
Today's episode
Stefano
Right after the break
This is an iHeart Podcast
Guaranteed Human
This is Jacob Goldstein
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Interested in expanding to new markets
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If you love music and great artist interviews
Check out Before the Moment
Hosted by Niall Rogers
This new series follows Niall
As he travels across the country
Talking with some of today's most fascinating artists
About the moment
That shaped their lives
And careers
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To rising stars like Alex Warren
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The songs
And the moments that changed everything
Because every musician remembers
The point where everything changed
And this podcast tells the stories
That came before it
Listen to Before the Moment
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Or wherever you get your podcasts
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I've worn a Whoop band on my wrist
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It's impossible to talk to Debbie
Without hearing stories about her mom, Anita
Anita was Italian
And in every story
It's her otamismo feroce
Or fierce optimism
That takes center stage
Truly for her
The glass was beyond half full
It was always full
Even if there was a drop of water in there
Jonathan, it was just always full
As an example
Debbie tells the story
Of how Anita comforted some cousins
Who were concerned their child
Was crying too much
And my mom said
No, you don't have to worry
She's like me
I was like that for years
I was always crying very easily
My mom said
My mom was around 78 years old at the time
And they said
Did you grow out of it?
And my mom goes
Yeah
And they said
When?
And she said
About two years ago
So, you know
They had something to hope for
Anita died in 2020
And her death was hard on Debbie
She misses her mom a lot
And thinks about her a lot
And perhaps because of this
She finds herself returning
To the one Anita story
That has yet to find its happy ending
And that is
The story of the airplane
And the baby
Anita grew up in a part of Italy
Called Istria
And after World War II
The region was ceded to Yugoslavia
Suddenly, her family was under
Oppressive socialist rule
So Anita and her brother
Hatched an escape plan
They double-layered their clothing
Borrowed a motorboat
And sailed into the Adriatic Sea
Anita could easily have drowned
But my mom said
You know, you're not alone
You're young
And you don't think about
That kind of stuff
You just think about freedom
Anita and her brother
Made it to Italy
Where the police took them
To a refugee camp
In the coming years
Anita would live in
Several such camps
When I would talk to her
Other friends about it
Her friends would say
Oh, it was hard
You know, it was
The food wasn't good
Most of the time
And we didn't have money
But you would never have known
That talking to her
She was just eternally optimistic
She was just eternally optimistic
She said
It was wonderful
They opened the doors
And I saw so many people
That I knew there
We'd play cards
And we'd drink
And, you know, the girls
Would do each other's hair
And just had fun
In 1959
Anita got her chance
To leave the camps
A visa to the United States
And so, all alone
Anita set out to America
So she was getting ready
To get on the flight
From Rome to New York
And there was
An adoption agency
That were taking children
From orphanages
From Italy
To the United States
And they asked my mom
If she would babysit
This little boy
This little two-year-old boy
And she said, of course
Did she learn his name?
Stefano
It's Anita
And you have a
I got a picture
Of a little baby
Stefano
This is Anita
In a video Debbie found
Filmed a year before
Her mom's death
In the video
Anita is clutching
A photograph
Taken during the flight
He's so cute
Look at how beautiful
He is, Stefano
The photograph
Is oddly composed
Almost like it was
Taken by accident
When the camera
Was set down
Anita and Stefano's faces
Are both partially cut off
But you can tell
That Anita is smiling big
With the two-year-old Stefano
Peaceful in her arms
How old were you there?
24
Look at how beautiful
60 years ago
90
59
It was a long flight
To New York
And they had to stop
Three times to refuel
So for 18 hours
Anita held Stefano close
I think she just
Fell in love with him
She just fell in love
With that little baby
She said
He was the best baby
You could ever see
How good baby he was
He was the best baby
I was very happy
I was happy
A little baby was happy
It was Anita's first time
On an airplane
And Stefano's too
They were both leaving
Behind everyone they knew
And they were
And setting out alone
For a new life in America
Clutching this baby
Over the ocean
The two of them
Smiling at each other
Anita and Stefano bonded
They were both off
To what she hoped
Was a better life
They get to New York
She was holding the baby
And the agency came up to her
And then just took him
Right out of her arms
She said they didn't say anything
To her
They just take him away from me
And he started crying
Because he don't know nobody
There was no chance
To even say goodbye
And I was crying with him
I was crying out
Yeah
Of course
It's sad
He was like my baby
She would cry
She would cry
When she'd talk about it
Even after raising
Two kids of her own
Anita never stopped talking
About the child
Who was hers for a day
All through her life
Even when she was
Even into her last years
Everyone heard about Stefano
Anita continued to hope
Always needed to believe
That Stefano's life
Was a good one
She would say
I wonder where he is
Was he in a good home?
What was his life like?
I would like to know him
And see how he's doing
I'm sorry
Baby you're far away
I don't know where are you
I was thinking all this year
About him
All the time
Yeah
And I love you
Even if I don't see you
Too long
That's a nice story
and I don't know if you understand it.
I think so.
Back when Anita was still alive,
there were several attempts at finding Stefano.
Anita sought out help from various friends and family,
but no one was able to get anywhere.
They even looked into a TV show
that reunited adoptees with their birth parents,
but Anita wasn't Stefano's birth parent.
But then one day,
Debbie brought up the subject of Stefano
with her close friend, Lindsay.
Lindsay starts plugging stuff into the computer
and she said, oh, I found him.
Hang on, but you didn't,
did you even have his last name?
No.
And who's this Lindsay?
Does she work for the State Department or something?
You would think.
As someone who makes his living tracking people down
like a nice version of Dog the Bounty Hunter,
a Dog the Bounty Hunter who,
rather than dragging people off to jail,
drags them off to heel,
I'm professionally piqued by this Lindsay.
I have a situation
for finding digital footprints of people.
This is Lindsay.
I'm the person that people go to
if they want to know something.
The only information she knew about Stefano
was his age and the date of the flight.
But with that,
she found Stefano's immigration record,
which had the name of the man on it
who was set to adopt him.
From there,
Lindsay found the adoptive father's obituary.
Under the list of surviving children,
there was the name Stephen.
And, you know,
we put that together.
As Stefano.
As Stefano.
In America,
Stefano became Stephen.
Although Lindsay now had Stefano's full name,
she had no way of getting in touch with him.
She combed social media,
but he was nowhere to be found.
She did find his two brothers, though,
so she messaged one.
He said that it was a very nice story,
but he doesn't speak to Stephen anymore.
Yeah.
And when Lindsay tried the other brother. It was basically the same thing,
that they don't speak either.
And then Lindsay dug a little deeper,
and it looked like he might have a criminal record.
Debbie and Lindsay couldn't see
what Stephen's criminal record was.
It just came up as a flag
on one of those people-finding websites.
But the reality of what they were doing
suddenly sank in.
They were looking for a potentially dangerous stranger
to introduce to the elderly.
And it gave them pause.
That paired with them not speaking to his brothers.
We weren't sure if maybe this was our safest way
to go about this.
And we wanted to take some time
to kind of figure out a game plan.
But time passed, and no game plan emerged.
And a year later, Anita died,
never having gotten to reunite with Stefano.
After the loss of a parent,
there's often an attempt to honor a final wish,
donating to a beloved cause
or scattering ashes in a favored place.
But Debbie feels a need to fulfill
a different kind of wish.
On her mother's behalf,
she wants to know that Stefano is okay.
Anita's death was very, very, very difficult.
And I think it's healing for Debbie if we find him.
And I think that she needs this more
than she thinks she does.
Lindsay says Debbie never got the chance
to fully grieve Anita.
After she died, COVID hit.
Then her father developed dementia,
and Debbie became his full-time caretaker.
Then her father died.
Just always on to this next draining thing, you know.
And since it is honoring this wish of her mom,
it's helping her feel.
And I can just see that when we talk about the story.
She's so hopeful, and she's so determined.
And this is something that I haven't seen
with Debbie in a very long time.
And for Debbie, she hopes this story
might mean something to Stefano, too.
Maybe he needs to know that this woman
thought of him for most of his life.
Loving him from a distance,
wondering about him, praying for him.
I mean, what a thing to know.
piano plays in bright rhythm
piano plays in bright rhythm
After the break.
Let's find him.
Let's find that guy.
That little Stefano.
piano plays in bright rhythm
If you're a music fan,
here's a new podcast to check out.
It's called
Before the Moment,
a new series hosted by the legendary Nile Rodgers.
You know him as the producer, songwriter,
guitarist, and co-founder of Chic.
But in this series,
he's hitting the road to sit down
with some of today's most fascinating artists.
From hitmakers like Miguel
to rising stars like Alex Warren,
Nile explores the stories behind the careers,
the songs,
and the moments that changed everything.
Because every artist can point to that turning point,
that moment before,
before the breakthrough,
before the success,
before everything changed.
Through candid conversations and personal stories,
you'll hear what happened before the moment
that made them who they are today.
Listen to Before the Moment,
a Lincoln Original series on the iHeartRadio app,
YouTube,
or wherever you get your podcasts.
This is Jacob Goldstein.
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For I don't know how long,
maybe 12, 13 years,
I've worn a Whoop band on my wrist.
I started doing it because I met the founder of Whoop
at a conference.
He heard that I was a runner,
and he said,
oh, you'll love this.
It's perfect for athletes.
And he was right.
I've worn one ever since.
Every time I work out,
I see how hard I worked,
how long I need to recover.
I wake up in the morning,
and I get a complete picture of how my sleep went,
which helps me understand the kinds of things
that lead to a bad night
and the kinds of things that lead to a good night.
Whoop is no screen.
It doesn't need to be recharged every five minutes.
It's sleek, handsome,
and everywhere I go,
I can instantly see who's part of the Whoop community.
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That's Whoop.com.
For your free month of Whoop.
So.
So.
Here we are.
Here we are.
My producer Kalila Holt and I gather in the studio.
Our mission is twofold.
We want to find a way to contact Stephen,
but before we do,
we want to figure out
what Stephen's mysterious criminal record actually is.
Kalila starts tip-tapping away on her computer
while I settle in
and offer the kind of input
that only an investor would want.
She's an investigative journalist
with a decades-long track record can.
I've gone through different phases in my life
where a V-neck was more appealing than a crew neck.
It kind of goes. It's always darkest before the dawn.
Is that true?
I was like to Augie, I was like,
smell how good that is.
And he was like, that smells disgusting.
I was like, no it doesn't.
I can think of other times when it's darker.
It's probably darker at night.
My gal don't do much talking dances
even when she's walking one and two.
Oh, look at that little squirrel.
Oh, here's criminal traffic.
And then, finally,
we find out that Stephen is a criminal.
Name the record we've been looking for.
DUI.
Oh, okay.
In 1989.
That was a long time ago.
So there's really no other criminal past except to. That's all I'm seeing.
Boy, that's sad that that was enough
to kind of make them drop the whole thing.
Yeah.
Please leave your message for. Kalila digs up some possible phone numbers
for Stephen online.
And in the weeks to come,
I leave numerous voicemails
Hi there, uh, I'm looking for a Stephen.
I call so many numbers,
I hear automated messages entirely new to me.
The number is in service.
Is in service?
Try your call again.
None of these phone numbers lead me to Stephen.
They just lead me to different robotic voices.
Your call can now be. All right, that's it?
Yeah.
Oh, gosh.
With the telephone having crapped on our heads,
we decide to call Stephen.
We decide that what we need
is an even older form of communication.
The U.S. Postal Service.
Kalila uncovers three possible mailing addresses for Stephen.
So we write three letters and drop them in the mailbox,
letting them fly off into the world
like three hopeful birds.
And then time, as is its want, passes.
Two years go by.
Two years.
It's unlikely the average podcast listener's
brain, raised on podcasts about celebs, elk steak, and the science of why people go to the bathroom,
can easily conceptualize the passage of so much time. If this was a video podcast, I'd stare into
the camera with my patented deadpan affect as my beard and fingernails grew in time lapse.
But since it isn't a video podcast, I present to you an audiophonic aid.
That was only 10 seconds. Now imagine two years. Two years of refreshing my inbox and calling my
answering service to no avail. And then Debbie and I check back in. Where are you right now?
It appears that you have a ladder behind you. Yes, I'm at home. And where does this ladder lead to?
Oh.
Nowhere.
A ladder to nowhere.
We're going nowhere with this ladder.
I hope we're going somewhere with this story. I hope we're not on a ladder to nowhere.
It seems Debbie hasn't given up on Stefano. She tells me Lindsay found some of the same
phone numbers we did. So Debbie too tried calling and leaving messages. No one ever
called back though. Still, Debbie wants to keep trying. And so more letters are sent,
more voicemails left, and two more months go by.
I've completely given up hope. And then, one afternoon, I finally hear from Steven.
You did.
I did.
You did?
I did.
Wow.
Yeah.
I'm shocked.
I wasn't holding out a lot of hope.
Me either.
I tell Debbie about the phone call. How Steven told me he dismissed my letters as a scam.
I asked if he'd be open to a conversation with Debbie, but he said he doesn't have transportation.
And when I said we could do a video call, he said he hasn't a cell phone nor a computer.
And he, quote, doesn't follow the internet. But eventually, he said he'd be okay with a telephone call.
I would love her. I think it's a gift that he doesn't realize, you know?
So he is available one o'clock Green Mountain Time. So that would be like,
oh, sorry, Mountain Time. Mountain Time, not Green Mountain Time.
After the break, Stefano at Long Lap.
Last. Is Green Mountain Time a thing?
Sounds like a coffee thing to me.
That would be a three o'clock Nescafe. So one o'clock Green Mountain.
If you're a music fan, here's a new podcast to check out.
It's called Before the Moment, a new series hosted by the legendary Nile Rodgers,
You know him as the producer, songwriter, guitarist, and co-founder of Chic.
Because every artist can
point to that turning point, that moment before the breakthrough, before the success,
before everything changed.
With extended conversations and personal stories, you'll hear what happened before the moment that
made them who they are today. When you're running a business and looking to expand, you need a clear view of the landscape
before making any decisions. And he was right. I wake up in the morning, and I get a complete picture of how
my sleep went, which helps me understand the kinds of things that lead to a bad night,
and the kinds of things that lead to a good night. Whoop is no screen. Whoop is a winner. That's Whoop.com for your free month of Whoop.
The next day, at 1 p.m. Green Mountain Time, Debbie and I convene. Okay, I'll give him a call.
I'll phone him, and I'll introduce you guys. Okay. Okay.
Hello? Hello, Stephen. Yes. Hi, it's Jonathan phoning. I'm here with Debbie. Oh, you are?
Hi, Stephen. How are you? I'm fine. How are you?
I'm good. I'm really good, and I'm really excited
to hear your voice and to know that you're here right now.
So, Stephen, my mom, her name was Anita. Debbie lays it all out for Stephen. The plane ride,
the love Anita felt.
And how that love endured for Anita's entire life.
You were always on her mind for many, many years, and told many people about you.
Well, God bless your mom. I wish she would have adopted me.
I think she would have liked that, too.
Anita always wanted to know whether after being taken from her arms,
Stefano's life had been a good one.
So, we start at the beginning, with Stephen's adoption.
My foster parents told me roughly at the age of eight.
You call them your foster parents. Did they adopt you?
Yes.
Were they good people?
I mean, there was three squirrels a day. I mean, there was no abuse or anything like that.
I don't mind. Lickins is what my dad called it.
Did you say Lickins?
Yeah. It wasn't abuse. It was just for discipline purposes.
Was that rough?
Well, for a little kid, it is.
But did you feel loved?
Yes, I did.
Oh, I remember from childhood, other than friends, and they turned out to be drug addicts, I turned out nominal.
What do you mean when you say nominal?
Well, I have a serious alcohol problem.
Okay.
Okay.
I don't have anything here.
I was pretty much known as a boozer.
Back in the day, Stephen says, the drinking got bad, which led to the DUI.
You don't think when you drink, you get behind the wheel of a vehicle drunk is preposterous.
Did your adoptive father do something similar?
He drank, but not in excess.
I never saw him on a drunken stupor.
Well, nobody's ever seen me.
I won't let them.
Yeah.
So you drink alone?
Yes.
That song by that one guy, George Thurgood.
I drink alone, reminds me of me.
As the conversation goes on, Debbie grows increasingly quiet.
So I do my best to draw Stephen out.
Did you, did you get married?
No, I've never been married.
I've had relationships, but they come and go.
Would you say that you, that you've been in love?
I've been infatuated.
- Proved that.
I lived with a lady for many years, but that was back in the 80s.
What can you say about her?
Joanne?
Hmm.
She died of lung cancer.
Oh.
And I lived with her for like nine years.
Oh, boy.
Did she pass away while you were living together?
Yeah.
That must have been hard.
Yeah, it was, but I moved on.
Stephen tells us that he was in the Navy for four years, that he missed Vietnam by just a month.
Most of his professional life was spent working in factories.
I ask him about his brothers, why they no longer speak, but he says nothing in particular happened.
They just drifted.
Overall, he says, his life has been nominal and fortunate.
When I ask how so, he cites the fact that he's never been homeless,
although there was a brief period in 2014 when he ended up in a veteran's shelter.
He was fine, he says, except for the fact that he couldn't control the heat or the air conditioning.
And shortly after that, he moved into a room in his friend Carl's house, which is where he is now.
I don't know.
I took a video of her telling the story.
I don't know if you're interested in hearing it.
Debbie wants Stephen to hear what he meant to Anita in Anita's own words.
In response, Stephen says that he doesn't have access to a car right now.
Plus, he's sick in bed.
I assume he thinks we're asking him to go somewhere, so I try again to explain.
We could try to play a little bit of the video over the phone.
So that you can hear Anita's voice.
It's no misunderstanding. Stephen doesn't want to hear Anita.
Still, Debbie tries to explain her mom's feelings for the baby she held during that flight to America.
I think in some ways she felt, like, simpatico with you, you know, like, sympathetic with you,
that you were both leaving your homeland.
I mean, is it strange to think that as a baby you were able to have such a strong effect on somebody?
Well, how do you think of it?
That could be anything.
Like, I love this little toddler.
You know, I love pizza.
It could be anything.
The conversation feels like an unstoppable force meeting an immovable object.
If it's a battle between optimism and pessimism, it feels like pessimism is winning.
It was surprising to get the letter.
And I thought, where are you?
Where are these people going?
Yeah.
I just felt like it was a gift.
Okay, thank you.
Yeah.
I'm a little old now to be concerned.
Do you feel like it's too late?
Yeah.
I do.
That baby Stefano doesn't exist anymore.
When he was taken out of Anita's arms, he became Stephen.
And Stephen is a 68-year-old man dealing with ill health.
The feelings of a stranger who encountered him for one day as a toddler seem largely irrelevant.
Debbie wanted to give Stefano a gift, but Stephen doesn't want that gift.
I'm going to have to discharge now, so I'm going to leave you folks be.
Before he goes, though, Stephen asks if we could mail him a copy of the photograph of Anita and him on the plane.
Mail that to me?
Yeah.
Please? Okay, thank you.
Thank you. It was so nice talking to you. I really appreciate you taking the time.
I wish you the best. I wish you well.
Okay, thank you.
After we hang up, Debbie and I sit in silence for a moment.
Yeah.
Hmm. Yeah.
It's hard to know what to make of any of it.
On the one hand, Stephen's reaction is reasonable.
It is strange to be called up by the daughter of a woman you spent one day with when you were a two-year-old.
In some ways, the story of Anita and Stefano was an easier one to tell when it was incomplete.
A woman immigrates with a baby and thinks about him for the rest of her life.
And then, what?
The baby becomes a man and doesn't care?
The man who was once the baby faces hardship?
Nice anecdotes become harder to sum up when you involve the lives of real people.
He took it differently than I thought.
Definitely took it differently than I thought.
It's just, I think the part that makes me cry a little bit is that he didn't want to hear my mom.
Yeah.
But you can't make people, you know, see things the way you see them.
You can never assume a gift, you know?
Mm-hmm.
Debbie is disappointed, though.
Not just because of what she wanted and didn't get, but because of what she did get.
While our picture of Stephen's life is fragmented, the details he shared contained a lot of sorrow.
And I don't know how my mom, I think maybe, hmm, how would it have been for her?
If she would have actually met him or talked to him, you know?
Maybe it's better that I did.
How do you think she would have dealt with it?
Like, what do you think she would have said to him?
Oh, she would have told him she loved him.
She probably would have invited him over.
Really?
She would have figured out a way to feed him.
My mom loved deeply, yeah.
She really loved people deeply.
The love that was more than pizza.
He can't, I don't think he could even comprehend it.
I think most people couldn't comprehend.
In that video of Anita, the one that Stephen didn't want to hear,
there's a moment where Anita wonders if she's being understood.
That's a nice story.
And I don't know if you understand it.
I think so.
When I first saw it, I assumed she was referring to her accent, her less than perfect English.
But now, I wonder if there was something more behind it.
We live our lives in the desperate hope that if we find it, we'll be able to do it again.
Find the right words.
Tell the story the right way.
Our love will be understood.
We will be understood.
We hope, even as we misconstrue and grow offended and talk past each other,
we hope love, some iota of it, will get through.
Even though time and time again, we're disappointed.
The next time I speak with Debbie,
she tells me how the night after her call with Stephen,
she woke up at 3 a.m.
from a bad dream.
She got out of bed and went downstairs.
It was pouring outside.
And Debbie thought about Stefano,
the boy her mother held on the airplane back in 1959.
And she thought about the man she spoke to on the phone,
65 years later.
And she thought about her mom.
And she grieved, crying for about an hour.
Maybe this will plant a seed for Stephen, Debbie tells me.
After all, he did seem to really want that photograph.
Maybe someday,
he'll look back at the thing she was trying to tell him,
and he'll finally feel that love from her mother.
It seems like an unlikely hope.
But in this way,
Debbie is like her mom.
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This episode of Heavyweight was produced by Kalila Holt
and me, Jonathan Goldstein, along with Phoebe Flanagan.
Our supervising producer is Stevie Lane.
Editorial guidance from Emily Condon.
Special thanks to Ben Natafhaffrey, Lucy Sullivan, and Trina Menino.
Emma Munger mixed the episode with original music by Christine Fellows,
John K. Sampson, and Bobby Lord.
Additional scoring by Blue Dot Sessions, Saigon Would Be Soul, and Katie Mullins.
Our theme song is by The Weaker Thans, courtesy of Epitaph Records.
Follow us on Instagram at heavyweightpodcast or email us at heavyweight at pushkin.fm.
Tune in next week for a special Pushkin anthology show about mistakes
with the hosts of Risky Business, Cautionary Tales, and Heavyweight.
Hey, that's me!
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This is Malcolm Gladwell from Revisionist History.
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Podcast Summary
Key Points:
Debbie’s mother, Anita, held a two-year-old boy named Stefano on a flight to America in 1959 and bonded with him, later never stopping to wonder about his life.
After Anita’s death, Debbie, driven by her mother’s unfulfilled longing, sought to reunite with Stefano, who had become Stephen in America, despite no contact or communication.
Lindsay, an investigator, found Stephen’s immigration records and obituary, revealing his full name, but could not connect with him due to a distant, unresponsive relationship and a criminal past involving a 1989 DUI.
After years of failed calls, letters, and voicemails, Stephen finally agreed to a phone call, revealing a life marked by personal struggles, alcoholism, and emotional detachment from relationships.
Stephen declined to hear Anita’s story or see the photograph of the flight, expressing that the connection felt incongruous and that he had no interest in re-engaging with someone from his childhood.
Despite Stephen’s reluctance, Debbie’s emotional journey reflects her mother’s enduring love and the human desire to believe that connection, even across time and distance, can be meaningful.
The story highlights how love and hope can outlast time, even when the recipient does not recognize or respond to it.
The episode ends with a poignant note on the fragility of human connection and the emotional weight of unmet longings, especially when love is one-sided and lives are shaped by hardship.
Summary:
In a deeply moving narrative, the story centers on Debbie’s efforts to reunite with Stefano, a two-year-old boy her mother Anita held on a 1959 flight to America. Anita, a fiercely optimistic woman who fled post-war Italy, formed an emotional bond with the baby and carried his memory throughout her life, repeatedly expressing concern for his well-being. After her death, Debbie, burdened by grief and loss, begins a long quest to find Stefano, who later became Stephen in America.
Through investigative work, they locate Stephen’s records, revealing a past marked by a DUI and a life of personal struggle, including alcoholism and emotional isolation. Despite years of attempts—calls, letters, and voicemails—Stephen ultimately declines to engage, citing that the connection feels absurd and that he lacks access to technology or transportation. Though he refuses to hear Anita’s story or see the photograph of the flight, Debbie’s emotional journey reveals the profound impact of enduring love and longing.
The episode ends with a quiet reflection on how hope, even when unreturned, can shape our lives, and how stories of connection, especially across time and distance, remain powerful in their emotional resonance. It underscores the human desire to believe in meaning, even when reality offers silence.
FAQs
Anita, an Italian woman, escaped oppressive socialist rule in post-WWII Yugoslavia and made it to Italy. During a flight to the United States in 1959, she adopted a two-year-old boy named Stefano, whom she later raised in her heart. After being separated from him by an adoption agency, she never stopped thinking about him, hoping he had a good life. Decades later, Debbie, her daughter, sought to reconnect with Stefano, leading to a heartfelt conversation.
Debbie and her friend Lindsay used digital records to locate Stefano’s adoption details and found his name as Stephen. They tried calling him, leaving voicemails, and sending letters. When no response came, they decided to send physical mail and eventually succeeded in contacting him after two years of effort.
Stephen initially refused to speak to Debbie, saying he didn’t have a phone or internet. After agreeing to a phone call, he shared his life story—his upbringing, alcohol issues, and a brief stay in a veteran’s shelter. He expressed little emotional connection to the story, though he agreed to receive a photo of Anita and him on the flight.
Stephen did not want to hear the video of Anita, saying it felt strange to be contacted by someone who only met him for a day. While he acknowledged the story was touching, he found it difficult to relate to the deep emotional bond Anita had with the child.
The story shows how deep, enduring love can persist across decades, even when the person on the other end of the connection has little memory or emotional connection. It reflects the hope that love can still be felt and understood, even if not reciprocated in the way one expects.
Lindsay used technology to find Stefano’s immigration records and adoptive father’s obituary, identifying Stephen. However, the search revealed a criminal record (a 1989 DUI), which raised concerns about safety and led to a pause in the effort. Technology helped identify facts, but couldn’t bridge emotional or personal connections.
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