#386 - “The Sphinx Proves History Is Wrong” NEW Lost Ancient Text Revealed | Matt LaCroix

Matt LaCroix, welcome back. I'm very excited to talk to you, bro. Where did we leave off last time? We were talking about a lot of crazy stuff. And because you, on the last podcast that you did, you had just returned from Turkey, I think. Yeah. We, this show is actually going to be a really wonderful expansion. Yes. Off of everything that we were laying out last time and discussing, and because so much has happened since the last show that we did. And a lot of what we were talking about before, Danny. And of course, it's always a pleasure to have conversations with you, my friend. I really truly appreciate talking to you. Pumped, man. Yeah. I am too about this. And so last time we were laying out this mystery, right? Let's set the stage here. This mystery of, do we have a lost civilization, a lost chapter of our history that has not been acknowledged by mainstream scientists, academics, you know? And that has been fought over for a long time. You know, there's academics like, for instance, Dr. Robert Shaw, who's part of my team, who has presented a lot of really significant evidence to show the water erosion on the sphinx enclosure. But things like that has still not shifted the narrative. It still remains the same, right? Danny, that where our civilization emerged 6,500 years ago in ancient Mesopotamia and anything that exists before that is hunter-gatherers and primitive. And that has been a fierce line that very few academics have wanted to cross. Yeah. But that wasn't there a recent article that came out. This might have been more than, more than a year ago, actually, that they found a Chinese at skull in China that they said was over a million years old. Remember that article, Steve, that we pulled that up recently on a podcast? There's research that's coming out. That's dripping out. Everything just keeps getting older and older and older. So like there are definitely academics that are researching this stuff and publishing on it. Million-year-old skull rewrites human evolution, scientists claim. This was published September of 2025, so about three months ago. I think that's the dude. Well, that's where we're going to continue to see these new pieces of evidence coming out that are challenging the old narrative. And it says that it says that it's our species. So our species will be million years at least. And that's why I went about to present and what we're about to talk about should not be that shocking then, right? If we consider the fact that, well, normies aren't reading these articles. That's the problem. We got it. We got it. We got to initiate the normies. Okay. Well, we're going to bring some evidence today, Danny, that is, I believe paradigm shifting. And I'm not going to say that grandiose statement without backing it up with extensive evidence. What we're about to go over is historic. And I mean that on the most serious sense. Okay. This is not something that can go back in the box. This is Pandora's box opening, meaning there's new research that you've recently discovered. This is based on after our number of months after our podcast by when we filmed in Turkey, we finished the filming. And I'll give a little snapshot to where we were. We had finished filming in six countries, six countries. We got we had Cambodia. We had Turkey. We had in the United States at Penn Museum and the archive museum, right? Peru, Bolivia. And then we were adding, and of course the Philippines. And we added the last one, which is part of my discovery, which is I'm going to get into here. So essentially we were done. We were going to do all post processing on the documentary. We're going to do all the editing. It was time, right? I was very proud of what we, what we've done. I am very proud of it. And I felt like what we had laid down was a lot of evidence to really show that there was a forgotten or missing chapter of human history, but not a primitive chapter of quite a sophisticated chapter. Not talking about cell phones and computers, but their own level of sophistication and understanding and high level of knowledge. And what I didn't expect though, Janie is how everything unfolded after. And so I think we need to, we need to spell this out and lay out, lay out some things before we get to that moment though, because we're kind of jumping too far. Okay. So what we were essentially talking about in the last show is, is there a lost chapter of human history? We were, I was showing you similar symbols in different parts of the world, similar megalithic masonry, right? And we were talking about them. We were talking about ancient Kenia from tablets. We were discussing a dot, a dot, a member being all those things. Well, this is going to take that to a completely different level. We're going to go down a road in which we can actually say, not only do these symbols match around the world, but we can now prove what they mean, what they, what they're leaving behind for us to understand, and what those implications are on in history, for history. And that's what we're going to lay down in the show. And I guess I'll start with just this example right here, really quick, just to set the stage here, Danny. I think it's helpful if people see these things, because when you talk about them, you say, oh, by the way, have you ever seen how big the Mace, the megalithic masonry blocks, are it? Well, people are like, no, I don't know, I've never seen that before. Well, take a look at this. So people listening, this is going to be a very visual podcast. So I highly recommend either watching it, the video version on YouTube or on Spotify. But this is one you're definitely going to want to see with your eyes. Yeah. There's a lot of visuals and graphics. I spent an enormous amount of time putting these together because what I realized, Danny, fantastic stuff. Thank you. What I realized though, when I started presenting this only recently, because I had to publish the book first, I could not talk about this discovery until the book was published. So the missing key ancient code of law civilization is out. I'm really excited for that to unveil this to the world so that God forbid, if something happens to me, that this model and what I've found is preserved. So going back now, on the left, you see Oriente Tombow. It's in Peru. It's an ancient site that's considered Inca. And yet you have unbelievable granite stones that are sometimes at excess of 50 tons. A ton is 2000 pounds. And then around the world, you see the same thing here in the Von region of Turkey. You see megalithic masonry that looks extremely similar to the parts of the world. But we're told that they had no contact ever in history and that any of the cultures that built them not only didn't have contact, but did had no kind of advanced skills to build anything. And they've never really been able to explain how they've been able to do any of these things. And that's, there's a reason for that because they don't know. Right. And that's the truth. And so if we look at just these quick examples, as I'm pointing this out, there's a mystery here, Danny. There's a mystery in which humanity has to understand who built these. How did they build them? Why did they build them? And what we're going to get down to in this, as we go along here in this conversation and this research and this evidence is answering those questions, but going much further than that. Going far beyond, I ever imagined that I would ever get to. Again, as I pointed out, I was simply in this whole purpose of my journey in this, the documentary, the books, the trips all around the world with Robert, Dr. Robert Shok and Hans Orheim and Omar Taneuric and all these experts and archaeologists and geologists, we were just wanted to find evidence of a lot of civilization so that that narrative can finally exist. But what I found was about a thousand miles beyond that. And I never imagined that that would happen. I wasn't planning on that. I'm like, wow, this is going to be incredible when I find, no, I didn't know that this was going to lead to what it did. And that's where when the audience is listening to this right now and seeing this, we're starting with stones. And where we end up, maybe that moment where people are sitting quiet, contemplating everything, because this is the most advanced ancient code ever left before in human history. This civilization left, I'm not showing the code yet. Okay. What I'm about to get into and show is a highly advanced code in which they meticulously left it around the world so that when they, when they were destroyed, in which they knew because they were tracking cycles, they knew their own destruction Danny. And they knew that this knowledge was so fundamentally important that if it was lost, civilization could go down a very dark road, a road of war destruction and disconnection. And so here we are at this very interesting time in human history when justification exists somewhere that we should that war is okay. And that we should be doing all these terrible things and have all the division and all these things around the world and polluting the earth and all of it, right? It's like we have this justification that we're allowed to do it. Why? Well, because we based ourselves on something, we based ourselves on this. This is a, this is the timeline of human history in which everything that we think we know about ourselves comes from. So if, if Danny Jones was saying, I want to try to understand myself from an, an, an origin age, you would look at this and you would say, okay, so everything started 12,000 years ago and everything since then has emerged into civilizations that eventually became war cultures and went on to become what we are now. Well, what we're going to do is basically destroy this timeline. We're not going to take all the pieces that are in front of you that are known about, for instance, things like the Roman Empire and others. Right. But there are pieces of this that we are going to completely have to take and move very far in another direction, okay? Because the timeline that we know of right now for human civilization is in completely antiquated and outdated, especially based on a lot of the new evidence that it's emerging. And so if you look on the left side where the arrows are, we're told that 12,000 years ago, the Ice Age ended and that's the transition from hunter-gatherers to societies of agriculture, okay? - Right. - Why am I telling you this? Because if you look at how human history continued beyond that point, we got to this place of having to start over again. You see how they show, look right there at the Ice Age ends, right there, hunter-gatherer societies, look at how primitive they look. Well, there is some truth to the idea that we were completely reset to having to go back to hunter-gathering and starting fires, I agree with that. I'm not disagreeing that that happened. But what about before that? That's where this whole thing is going to open up. - Well, that's probably when the pyramids are built. - And that's what we're going to get into is that this entire chapter you're looking at is not the only chapter of human civilization but the second chapter. - Yes. - And so that is what we're going to-- - Or third or fourth, who knows? - Right, let's just say not the first. How about that? - Right. - We'll say not the first chapter. And that's where this is very important that we sit here for a second. Again, we justify our actions with all the violence and war around the world. I mean, there's not a better time to talk about this in right now. - Right. - We justify this based on one very specific fact right here that we emerged as war empires, okay? Somewhere around 4,000 years ago with the Egyptian empires, the Ottoman empires, then the Assyrian empires, and the Acadian empires, and the Babylonian empires, the Mead civilizations, those are what these images are. - Yep. - So, what happens? Well, academics, scientists say that's how we started. That's how we always were. We emerged from war cultures all battling each other. So then what happened? Darwin tries to understand what role we play with evolution for all the other species on earth, right? You know this story. So he goes to the glob because he's studying all the species. He doesn't understand humans don't seem to fit into anything. - Right. - The only thing we seem to match are ants battling and fighting each other like red ants. Because it's the only, one of the only species in the world that will go to war against each other. And hills too. - So interesting every other species on earth is in this symbiosis with nature, right? - Exactly. - And there's this balancing act that happens in nature. And like you said, human beings don't really fit into that. We just like sort of tip the scales. - But we should. - Right. - And so that is where this is going to go is that are we a war species? No. I am going to, what we're going to, again, the reason this is here is because of the state of the world. And also when I go through this work with people and I show the civilization that existed, this lost civilization and I talk about how there was no war and how there was no, none of these things. People don't seem to understand why that's so important. Because we define ourselves on this. You see that, Danny? It gives us all the justification we have to say we've always done it. It's what we are. So that's why we should continue doing it. What we're about to do is show that none of these things ever existed, war didn't exist, destroying the planet didn't exist. Living in harmony and complete balance was not only important, was necessary. And that this civilization basically unlocked every single secret understanding that we don't know today. They were masters of everything that we don't understand. And that's why instead of looking forwards, as humanity moves forwards, we need to look back in order to understand probably far more than we ever imagined. And that's where this is going to go is that, again, I wanted to start with this because it's a very important moment to point out that our timeline is based on our understanding of what we are, right? We're about to change that understanding. So if we change the understanding of what we are and what role we're supposed to play, then how would that then ripple out into what we are now? - Sure. - You see what I'm saying? - Yeah, totally. - And so let's do this, Danny. Let's rewrite the entire story. And I want to bring evidence in that is so astounding and shocking that people may have their jaws in the floor from some of this. Because honestly, some of the feedback we've already had from a lot of the audience and people that have seen this, it's mind blowing. And it's been hiding in almost in plain sight. Okay, so let's, you ready to get into it? - Let's do it. - Okay, so it all begins with this idea of where did we start? Well, remember the timeline, ancient Mesopotamia. That's true. But that's not the first chapter that started there. Imagine chapters of our history. One rises up, falls, gets destroyed. Another one builds in the exact same place. Because they understood it's important in various other reasons. And so you get this combination of civilizations, like a jumble of one on the bottom and then one that's built on top. And then archeologists come and they go, oh, that's built by the same civilization. No, no, no, no. There's been more than one that's come and gone. And that's why the masonry looks so different, why the artifacts look so different, why the layers are completely different in where they are, okay? - Right. - So let's start with this. This is an actual real photograph. We talked about this a little bit last time, but I have to set the stage here. This is a mythical city called Cheroupac. It's considered one of the first cities in the tablets ever, ever built. The tablets, ancient Mesopotamian tablets. For instance, the Sumerian kingless, the Autohausus, the Eridogenesis, all those tablets discussed the same thing. They say there was five cities created first in on earth and then nothing existed before then. And that after that, there were other cities and other emergencies of those civilizations that came later on in history. But the wild thing is though, is that even though the tablets state that Cheroupac was one of the original first five cities, academics don't. In fact, academics up until potentially even now believe that Cheroupac wasn't real, it was a myth. And that's the same thing that happened to Troy, right? When they found Troy in the 1800s in Western Turkey, all of a sudden they realized that this story that's been throughout history is based on a real place. So all of a sudden, you're like, wait a minute, so allegory and myth, is there truth woven into that? Well, it's hard to know when you're just reading text, right? Because as you know, in modern day, texts tend to lie. Yeah, and then it can be written over time based on influences of other people. Well, by his very nature, it's deceptive. Writing is deceptive. It definitely is, which is why it's very interesting that this civilization that I have uncovered didn't leave any writings behind at all. They didn't believe in writing. That might seem crazy until you go into the dialogue as a Plato and Socrates. Do you know that Socrates told Plato, and basically his emphasis or his stature on the whole idea of writing versus person talking was that he didn't believe anything to be written down because he could be misinterpreted too easily, which that's dangerous because then if you die and then it's just oral tradition, right? Well, there may be some truth to that because this civilization is far as I'm aware, they left behind symbols and motifs, but no writings. So if you can put in a complex meaning, so let's say Danny Jones is like, "Well, I want to put in a super complex meaning of something." You can take a really large amount of information and condense it into one single thing. That's the brilliance behind symbols. So we think writing is so advanced, but actually symbols are far more advanced because they can carry complex meanings and can carry over through time, right? Off kind of a random antidote to this is have you seen the crop circles that the guy in the Y-Files, I saw this on a clip the other day, we're showing these crop circles of basically, it was pie, have you seen this? It's insane, it's like this perfect diagram that's printed into like a wheat chaff field or something. And they took it and they made a rendition of it. And it's a perfect depiction of pie, it's insane. And I think the reason for that is that that is the level of knowledge that we're talking about that this position and color. So it's the same thing. What you're about to see, you're gonna be like, "Oh, that's exactly what it is." If you enjoy watching our show on Spotify or YouTube, and you wanna be more involved, I encourage you to please come check out our Patreon community. Not only does our Patreon community get every episode you see on YouTube, early, fully uncensored and ad-free, but we're also doing Patreon exclusive episodes, as well as live Q&As, and you can get your personal questions answered by our guests every single week. For me, being able to collaborate and communicate back and forth with our Patreon community every week has been huge. And this is my way of saying thank you for the cost of a cup of coffee a month. Now back to the show. But let's start here just for a minute here. I wanna explain something. Now, you see on the right, I have Iraq and Gilgamesh. Okay, so this is the famous excavation of a place called Tel Farah, Iraq in 1931. That was the reason why I went to Penn Archive for the documentary, because Penn Archive in Pennsylvania has all the records from this excavation. So you can go and you can read through them all and you can actually see things you can't see online. So in that excavation expedition in 1931, trying to find Shrewpac, even though it's not real, okay? And you see on the right that this six to seven feet down, Iraq, you see that, you are UK and Gilgamesh. Super important to remember this going forward. Why? Because academics still today to this, to this day now will say that Iraq and Gilgamesh is where civilization began. That's okay. And if I go just, I'll just gonna jump ahead just for a second and show you, if no one believes me, you just do a Google search and look, so this is not me saying this. Academics actually believe that not only was Gilgamesh part of the Sumerian civilization, but Iraq was a Sumerian city, which none of those are true. Neither of those are true. But this is consensus though. Yes, this is consensus is in what they consider to be truth. The problem is that none of the tablets say that Iraq was one of the first cities at all. Okay. None of them do. So why are they saying that? Well, because this is literally a lost time period of human history. So what I mean is if you look at this image again, this is a real image when they dug down way beneath what they called stratum layer number two, which is Iraq and Gilgamesh time period, which they identified in the reports. So it doesn't make any sense. They're already contradicting themselves. Anyway, when they discuss this, they state that they dug way down below Gilgamesh. Why? Well, they shouldn't have been because nothing should have existed beneath there. Not only that, but like 60 or 70% of the team left, because they didn't expect anything to find because there's not supposed to be anything that exists beneath that layer. That layer of Gilgamesh represents the layer they consider to be the rise of human civilization. Does that make sense? And everything before then is hunter-gatherer stone age. Where did they find these tablets? Well, the tablets have come from all throughout Iraq, places like Separ and the Ashurbanapal library, which are these ancient libraries that the Assyrian and Neo-Kadean kings had preserved. So the tablets are all, what we call, Neo-Kadean and Assyrian and Babylonian tablets. Now they say they're Sumerian, but I have come up to evidence to show that there are no Sumerian tablets. It's all Neo-Kadean tablets. Neo-Kadean was one time period of Gilgamesh. Neo-Kadean is 6,000 years ago during the time of Gilgamesh. So they dug these tablets up in the same strata layer? So they dig up the tablets from Gilgamesh and they confirmed that that time period that layer is Gilgamesh with Iraq, but they keep digging. Why? And that's what it's so fascinating is in the report. Again, most people left from the excavation. They keep digging at 13 feet down. They hit a massive flood layer of material, completely void of all human evidence, just of evidence of a massive flood, just like the tablets describe. So ancient tablets like the Atra-Hasis and the Epic of Gilgamesh, they describe an ancient flood, you know the narrative that destroys the old world, right? Well, when they're excavating this site, which Sharupak is supposed to exist before the flood, they find a flood layer five to six feet thick. That is unbelievably thick for an event like that to create that. And then when they dig underneath it, they find Sharupak. And they acknowledge that it's very interesting that Sharupak exists beneath this flood layer and seems to coincide with the descriptions from the tablets of this great deluge, right? But then they go on to say that it has to be purely myth and speculative and they are not willing to go any further. Now, when I found that excavation report, it in many ways was the beginning of what led to everything else. That's why I'm starting here because not only do we need to start the beginning, but this is what cracked open to me. The first major academic crack of a paper that was contradicting itself that had massive information and evidence of basically a lost civilization that they were not acknowledging was that they were then falling back on myth and legend, okay? So again, I just pointed out that this is the problem is that we are now having to say, well, okay, Sharupak's not part of the Irraq Gilgamesh time period than what part of time period, what time period is it part of that? But the tablets right about Sharupak. Yes. Okay. So all the tablets discussed that erudu to Sharupak was the first five cities ended with Sharupak was the last. Irraq was at a complete reemergence thousands of years later. And yet, academics believe that that's when it all started. Right. So that's what we're essentially tackling right now. Got it. Okay. Now in this story, and that's why some of these slides are so important because it's really complex stuff, I had been tracing this very mysterious phrase in tablets and it's only in two canave form tablets. It's in a tablet called the death of Gilgamesh or death of Bill of Games. And it's in another tablet called the enkein world enkein world or tablet. They're both on here, so bear with me here for a moment. Now, this is super important. We go over this because you'll see that what this is is what this lost civilization encoded. If that makes sense. So check out this here. They discovered the death of Gilgamesh in the 1800s is from the purer Iraq, right. It was pieced together by a serial just Samuel Lower Kramer, great guy, did the best he could at the time, right. He's a great serial just. Now, I'm going to read this and then I want to break it down really quick. Lord Bill of Games, having erected stelae for future days, having founded temples of the gods, you reach sia sudra in his abode. You brought to the land, the meas of sumer that were forgotten forever, the commandments and rights. Danny, first of all, check this out. It says right there that this is Gilgamesh, by the way, who the story, if you're not familiar with it, if anyone has not read the Epic of Gilgamesh, have you read the Epic of Gilgamesh? I've not read the original, but I read like rough translation of it. Okay, so let me just give a little brief synopsis of what it is because then you'll have to understand it versus what this is in context, okay. So in the Epic of Gilgamesh, Gilgamesh is a tyrant king, not so mythical. He's a tyrant king of the city of Iraq. See that? And he goes on a journey to find the secrets of immortality and learn all these lessons and he meets a companion along the way named Enkidu, and there's all these astronomical connections that are not, they're allegorical and are not real, but there's a journey still. There's a journey that exists in it. Why? Because Gilgamesh is with this companion Enkidu, and they're on this adventure, and Enkidu dies, gets killed, and Gilgamesh is so moved and so affected by this that he fears his own mortality so much that he becomes obsessed with this journey of finding immortality. That's what the Epic of Gilgamesh, the entire thing is about that, okay. He wants to live forever. Right, no will of him, right? So in the Epic of Gilgamesh, if you read it, he, the way he finds how to, well, at least the way to be immortal, even though you can't be immortal, we'll say that, is through this hero, Zayasudra. You see that? Zayasudra, according to the tablets, is the last king of Shiroopak, okay? That we were just looking at. And it's described that he's what all religions based the character on Noah on all of them. All of them, all Hebrew and Christian traditions based themselves loosely. I'm gonna, I'm gonna, I'm gonna emphasize loosely on the original stories of what Zayasudra, his life, okay? No, there was not two of every animal, all that stuff was rewritten and added later. That's not what the tablets say. What they actually say is that Zayasudra is a great sage and a king of Shiroopak. And he's worn by his patron, God Enki, that of great disasters going to come, that is going to wipe out the old world. But the Anuna, Anonaki, the gods, the Pantheon gods, made a pact that they're not supposed to tell anyone. No humans are supposed to know that this disaster is coming because they want to wipe them all out. That's what, that's what the story is. It's, it's from the Ultra Hases and the Epic of Gilgamesh, both of them. They tell the same story, they, they completely overlap. So Zayasudra is worn by, by Enki of this catastrophe. So he is told to build this arc. We all know that story, right? And he lands up in the Mount Error region. Mm-hmm. Well, that's where all the tablets break off in fracture. We never, ever find out what happens again. There's no tablets that exist beyond that point. From that point of Zayasudra, it's a mystery. We're gonna fill that mystery in today. But before we fill that mystery in, we have to first understand this part. Okay. So now we're caught up, okay? Now, when Zayasudra lands in the Ararat Mountains, the Anuna gods descend down from above. And they say, how could any man survive the flood? And Enki says of paraphrasing, I worn, I, because I worn Zayasudra so he could preserve the seed of mankind. Now, I originally thought the seed of mankind was genetics. Mm-hmm. That's knowledge. But a very specific kind of knowledge, okay? Because Zayasudra lived and preserved that knowledge, who's a great sage, he was rewarded with being the last and still last human ever given immortality. Okay. So in the Epic of Gilgamesh, and Autohosses, it says that. So he's given immortality, but what does that mean? Well, you can't be immortal in the physical. world, it's only mortals can exist here because everything must die. And so he's given a mortality wear in the underworld. And that's the beginning of where we're about to go into a very interesting journey. And how a lot of people talk about how this conscious expansion and going down and loss civilizations is like a journey down the rabbit hole. And a lot of people say, well, it shouldn't be called that because you're really going to send up. And, you know, as you look up, as you go into a celestial understanding, this really is a rabbit hole because we're going down into the underworld for a lot of this. And that's where all this begins. Now, the underworld obviously became what religions turn into hell. Blocking off anything and turned into this evil place, none of that's true. None of that ever existed. And so let's get into what it actually is. Okay. So Ziya Sutra is given a mortality under underworld in his abode. We know that. It states it. And Gilgamesh then knows about Ziya Sutra and that Ziya Sutra was given a mortality. He knew about that. Well, they, that knowledge was carried down. He just was aware of it, right? So he goes on a journey. Now I'm coming back or restarted. He goes on a journey to go to see Ziya Sutra in the underworld. How did he get there? Very mysterious. But there's a famous scene in the tablets, you know, the, well, you know, the famous scene was sharing the boatman. Remember where the two gold eyes and the, the two gold coins on the eyes and you ferry them across. Remember the ferryman? Sharon from ancient Greek mythology. Oh, yeah, yeah. That's based on this. That's, that came from this story. So imagine Gilgamesh gets into the underworld and we'll get into that as we go along. And he's ferried across what the tablets talk about. He's ferried by Sharon across the abyss into the underworld. Okay. Well, do you think about, he gets there and he meets up with Ziya Sutra and then this is where we're continuing now, right? And he says and look at some of the really key parts here. He reaches Ziya Sutra in his abode, see? And he says here, you brought, he's, Ziya Sutra's talking to, he's talking to, he's talking to Gilgamesh. Okay. He says, you brought the land to the land, the me's, M E S. You brought, you brought to the land, the me's of Sumer. That were, that were forgotten forever. Okay. So first part there, Sumerian's not part of the same time period. You see that? Look, look at how he references Sumer. He says that were forgotten forever. He's talking about a huge amount of time that has gone by between these events. Okay. And we know that because in the epic of Gilgamesh, he says that he was once from a city called Sharupak that was long before Gilgamesh. So we know that Sumer, Sumerians and Ziya Sutra, it's from a completely different time period than Gilgamesh. Right. I really want to establish that. It's very important we understand that. Now, I became extremely interested in this concept of me's. Is it knowledge? The knowledge of Sumerian? Well, that's, yeah, basically, well, it's knowledge, but it's a type of knowledge. That's where this rabbit hole is going to go. Now as I, as I'm studying that and I'm writing the book that missing the missing key and I'm, we're doing the documentary and we're writing in some narration. We're including it, but we don't know what it is. I didn't know what it was. I was, I knew it was knowledge, but what kind of knowledge? What's the language? Well, it's, it's Sumerian, but it's neo-accadian, meaning that I believe that the story was actually first written down by Gilgamesh, not before. Okay. So that's what I mean by that. Now, Samuel and Noah Kramer did his best to translate this, but I don't think he got commandments and rights correctly. In fact, I know he didn't. Instead of commandments and rights, they're more like divine statues of the universe. Okay. And I can, now this is where we're going to prove it. Okay. Okay. Now here is the only other tablet of all the, there's 100,000 Kinneiform tablets, Danny. Hundreds of them haven't even been translated, but of the known tablets, only two mentioned the knees. Well, that's, that survived, right? Because a lot of these things get destroyed, we're talking about a huge time periods. You're lucky if things got up. How the hell does anyone translate that? Well, it's what even is. Well, it's Kuneiform writing or their wedges in clay. And essentially, once you can, you can crack the code, you can understand it. And what, what we're looking at right now is what's called Enki in the World Order Tablets. It looks like, it looks like old leathery elephant scanner or something. You can't, it doesn't even look like anything. That's because it's thousands of years old. Right. Like, good Lord, to be able to translate actual, like, English out of that is bonkers. So Danny, on the left side, take a look at what it says. It says, it's talking about a Nana and Enki. Yeah. Nana is a goddess of the Anonaki Anuna. Right. Right. So she's talking about visiting, she basically, she goes to visit Enki in the abzu. What's the abzu? The temple to the underworld. Enki's a god to the underworld. Mm-hmm. Okay? To see him and she says, she describes how she knows the me. Now, I'm going to, it's me's in English, but me in Sumer. But we can't say me because it doesn't really work as we're talking. So what they did is they translated to say me's, but they're the same thing, okay? So it says, she knows the me's, the holy laws of heaven and earth. So that's not quite the same as commandments and rights, is it? Which is how we know, unfortunately, Sam and Noah Kramer mistranslated that part. Commandments and rights or holy laws of heaven and earth. Well, because he's looking at it from kingship, from existing structures of kings. That's why he's doing it. It was, it's just an, it's just based on an existing understanding. I get it. Yeah. So this is where it all, this all really began. What are the me's? Mm-hmm. Well, that is exactly what this lost civilization encoded into all these temples around the world, all these symbols that we've been following, which is what I cracked and found. And what she's what we're about to give back humanity, something that has not been known about in this kind of capacity in potentially centuries, if not longer, maybe millennia. Let's do it. Let's do it. So show me. We begin here, right? You've seen these. These giant teas, by the way, that tea that's from Shavu's Teping in Eastern Turkey near the Mount Ararat region, and that weighs around seven tons. That little thing? That is not so little. That is made, first of all, it's made out of basalt. Okay. It's a volcanic stone. Remember, all stones aren't created equal. Some stones are very soft. Some stones are very hard and to manipulate them and work with them really matters depending on that. Because if you don't have tools capable of that that are harder than what you're working with, you're not going to be able to do anything with them. Which is why iron age and bronze age tools could never have created these things. Now, this is the first motif I want everyone to pay attention to. I did not know what it was at first. I didn't understand. Now, Danny, do you see the center of that tea? You see how my hands on the left picture? Do you see how my hands are on either side, but there's a central square? See that? That top part, the line from left to right, is exactly 12 inches. It's the first foot. We're talking about a mathematical. On the inside. Yes. Robert Grant was there filming with me and we were measuring that. With also Dr. Robert Schock, we were measuring that and we were like, "Whoa. Here we have the foot, one of the most important early measurements in mathematics." Okay. Now, the reason I say that is that I didn't know what these were. We're following these and it's a tea, okay? It's a tea, but what is the purpose of a tea have with all around the world? Well, that is where we really start on full. Now, if you look carefully, you'll notice the teas repeat themselves all over this in the center and around the gods and then you get introduced to these other symbols. We talked about some of these before, the step pairing with the doorways, okay? Oh, that's wild. But the teas are all in the background. Yeah, but what I didn't understand is what they all mean, Danny, okay? So these sites around Eastern Turkey have these mysterious enigmatic ruins. It's highly sophisticated and assigned basalt places that archaeologists today are considering Eurotian from 20, 100 years ago. But the Eurotians were an iron age primitive culture that we know there are doby mud brick is built on top. So they adopted these sites and built castles on them. So they called them things like Kalesi. So Kalesi means castle or fortress. But that's not what at all what their original purpose was. So this just gives you a really good snapshot example as we're talking about this is that I started to notice and that's why we did the documentary is that the the teas from Shavu's Tepe look really similar to the same motifs from Pumupungu and Bolivia across the world. The basalt stone, perfectly square stone blocks look really similar to Bolivia too. And then the calf Kalesi, the bov relief, the step pyramid, the three level step pyramid design, okay? And the three doorways, you start to see it mirrored around the world. But these cultures are not supposed to have any contact. Not only that, but what they're building into is not a doby mud brick or anything primitive. It's some of the hardest stone the world are these what's what's wild is that every stone you see is either basalt or andesite in most cases. And it's the on a giving example a hard that is to work with. It's what you have what's called the most hard to scale. Yeah. So you take zero. Right. - Yeah, Diamonds is 10, right? Well, these stones would be like 7, 8 or 8. or nine. - Wow. - Very, very, very hard. - Yeah, maybe they had to be hard, right? I mean, this certainly is not the easiest way to do this, right? So like, they were, why were they choosing the hardest stones? - Well, not only will it last the test of time, but they have piezoelectric mineral properties we're gonna get into. - Right. - Okay. - We're gonna do it with some Minecraft shit. You know how you build the portals and Minecraft with the obsidian? - Wait, do you see where we're about to go in this? Okay. - I knew it. I love this. - And you start to realize that it's more like an ancient technology, okay? So again, I'm just giving an example of how far away these locations are across the world. They're not supposed to be connected in any way. - Is there anything in North America? - Well, and everybody keeps asking me this. Let's answer this because it's like never-ending patriotism questions because they want to know what's there, right? I get it. North America was a very inhospitable place. I'll say specifically the United States. Mexico wasn't. Mexico, obviously, Mexico, Central America, down to South America was a totally different ballgame. But the United States in particular, Canada, where everybody asks about was so inhospitable because of the glaciation during the last Ice Age that that area was in some places like, for instance, up in Northern Montana where people think there's a wall, there probably wasn't even life living there during the Ice Age because we're talking about ice caps that are miles thick, that are what are we called moving forward and backwards based on slight thaws and freeze. And so if you're in a place that has that ice cap going back over you, it's grinding everything down to nothing beneath you, no trees can really live. That's why when people bring this up about the United States, there are no ancient, highly advanced megaliths, but that doesn't mean there's no evidence that what we're looking for. - So, most of these sites are in, a lot of these sites are in Turkey, correct? - Most of them are in South America, Turkey, Egypt, places, some places in Southeast Asia and some other places like all that. - What latitude does Turkey match up within North America? - It's all built on this 30th to 40th latitude. - Okay. - It's 30th to 40th parallel, depending on where you are. - Where does that run through in the US? - Well, that's gonna be, that's gonna be south. But keep in mind, are climate-- - Can you find this, Steve? - Our climate is not the same here. It is in those parts of the world. You have what's called the Gulf current off of the Atlantic that creates huge warming environments in a lot of Europe and in parts of even parts of Western Asia. So, it's not the latitude, doesn't necessarily always-- - The latitude, doesn't matter. - Doesn't always work out that way because, for instance, you know the climate of like London, right? - I've never been to London. - Well, it's just rainy and mild. - Right, right. - Whereas that's way for the North and New York City. And that New York City, in Boston, or wherever gets snow every year, right? And it has to do with climatic effects, but-- - The reason I'm saying this is that there are, there are pieces of evidence in the Southwest United States that we're going to get into. - Steve, what did you search? - What latitude does the US run into? - Yeah, I thought that's what you said. - No, I was saying what latitude is Turkey, is Turkey on, like, and if you ran that line straight through the US, what is what US states are on the same latitude as Turkey? - It doesn't work that way because of glaciation. As I was saying, I'm just curious. I'm just curious to see, can you pull up an image or something? - The ice caps in Europe and Asia were very different than they were in North America. The, the, the, the, the Ration ice cap in North America, North America was like the largest on Earth besides Antarctica. - I see. - Okay, so it just became a very inhospitable place. If you were to draw a line around the globe, it would probably run into like New Jersey or something. - Yes, yes. And unfortunately, the US was just not a very hospitable place during that time period to, to build civilizations. And they just didn't, because of that. - Right, right. - How old were those white sand's footprints that we found? - We can talk about that. So. - I wanna derail you. - No, I mean, it's good that we point this out because we're told that, that we're told that, we'll go back to this map because this highlights it really well. We're told that humans first entered the Americas by the Bering Street straight during the last ice age, right? And that, that's how they got here. Well, the problem is that white sands to Mexico just occurred within the last couple of years. - Right. - White sands to Mexico are these footprints that have been, that have been preserved from Homo sapiens sapiens that were in North America more than double the age that were told. So, we're told that they got here around 12,000 years ago or so, 12, 16,000 years ago. They, the white sands footprints are 26 to 28,000 years old, confirmed, confirmed. So, not only is that double the age now that people are here, but it basically completely takes the timeline and says, oops, what about all this other stuff, right? And we're gonna add a lot more to that. And you brought up the United States, and again, I wanna just bring up that as we're gonna go through this, there are sites in the Southwest, like the three rivers petroglyph site that have this code embedded in their petroglyphs. Meaning that there were continuations of this knowledge far later on, into Hopi and Pueblo nations. So, those are what people are asking about Chaco Canyon that has teas in some of the doors, yes. There were, there was a continuation of some of this knowledge into the Southwest United States. And it survived for a little while. - Before. - Interesting. - Yes, but we're gonna, that's the end. - Okay. - Let's go back to the beginning. - Yeah, make sure we talk about the Chaco Canyon stuff. - Yeah, first thing I noticed is, look, you have the three-step pyramid with the doorway in Oyante Tombow in Peru across the world. The left side broke off, why? How is that possible? They're mirroring mimicking the same things. They're not supposed to have any contact. And then same thing, Oyante Tombow, this is called the Spring of the Nusta. You get the same three-level step pyramid with the three levels inside and a spring, not only a spring. Literally, Oyante Tombow is built because of this spring. So, if you go there, the spring flows, they actually designed it to flow right through the center of their site. And they redirected the flow, how wild is this? They redirected the flow to then how it flow over sacred things that they designed. So, it never originally flowed over that rock. They designed that symbol. And then why do they flow the water over it? Because the symbol itself has a direct representation meaning that has to do with balance harmony water, like what the ancients believed as well. So, that was why they essentially encoded that in that. Right? So, here we have, again, the most important symbol in South America, the Chicana. Well, what are the chances that Chicana is the same symbol as the step pyramid on in Turkey. You're looking at these motifs and symbols that are carrying all around the world. But what does it mean? What is all this? - You can't date this, right? Because this-- - Well, we can't date stone, but you can date alignments to things that we're gonna get to that. So, here I was, and right now, we're caught up to where we were last time. So, here we see these symbols are all around the world. They're in three continents, right? That's not supposed to exist. They're in highly advanced stone work. They're next to beautiful masonry that is of just amazement. And in awe, we would go to a place like Sasco Imán who you're been there. And you look at the huge pillow-like stones. You've seen them on video, right? - Oh, of course. - And you're like, how did they make that? - Well, that's where we were last show. We're sitting there where we're trying to figure out what all these things mean. But we can at least say, well, it's part of a lost time period of human history. But that's all we had then. That's all we had to go by. Now, this is, let's go forward several months. I'm in my northern, northern great lakes, cabin on a lake in the middle of nowhere and snowing outside-- - Sound blizzard. - In a blizzard, yeah. And it's November. And I am looking at the snow, looking outside. And I'm just kind of enjoying my day. That picture is sitting in my living room. I bought that photograph. Are you ready to go down a wild journey here, Danny? - It's too big, bro. - I bought that picture eight years ago at a yard sale for like four bucks. Okay, it was nothing special. It's a generic image that looks like the Sphinx. I had it, you look at videos, it's funny, right? You go to my YouTube, you go back like five, six, seven, eight years. You'll see this picture behind me all the time. Sit in there, I looked at hundreds of times. It's so funny how things work in life and how there seems to be this hidden hand that we don't understand. I'll just say that. The chances of this are nearly an impossibility. I'm standing there and I had this really bizarre moment. Really weird. This voice comes in and I'm not crazy. It says, look at the picture. And I was actually initially was like, I've looked at that picture enough times and I sat down in the couch totally disregarded it. Same thing happened again. I said, look at the picture. And again, it's like this direct thing was really strange, but I'm no mystery to the metaphysical realms of reality. So I was like, okay, I got up and I looked at it. I literally looked at this thing hundreds of times. I was like, it was like really? That was my feeling. It was like really? I look at it and I was like, wait a minute. And it was like something formed in front of me that I'd never seen. And it's really strange how that works. There's this psychological term called the invisible gorilla where if you are not looking for something, you won't see it. And the idea is that there could be a giant gorilla sitting in a room. Sure. and you won't even see it because you're not looking for it. Well, that very same thing happened here. So I'm looking at this picture and I'm like, you got to be kidding me. Is that an inverted three-level step pyramid with the right side broken off on the Giza Plateau? So before I got too excited because it could just be a coincidence or whatever it is, I start trying to go find other pictures. My goal course is going to be like a ton of pictures of this everywhere on the internet, right? The plateau, most visited archaeological area in the world, right? It's the most studied archaeological area on Earth, can't find a single image anywhere on the internet, including images of reverse searches with AI, anything. Right. Nothing. Whoa. What is going on here? Do a little research. Find out it's in one of the only off-limits private areas on the entire Giza Plateau. This picture. It's called this where it was taken. It's called the Sphinx Temple. And so, meaning that if you, Gany Jones, goes on a trip to Egypt, you can't get in here. To where this photo is taken. It's gait. It's gait. It's large gates in front of the entrance is okay. You can only get in if you have private access. So you have to actually like apply for permits or have a guide that has access to it that has permission. So we are getting permission to film here and I'll get to that as we go. But so the first thing I do is I'm like, I'm realizing. So this is a really rare picture where this is taken. And then I contact Dr. Robert Schock. Why would they make this off-limits to the public? It's a good question. It's the only thing off-limits because the nearby valley temple that's associated with it is not off-limits. What is there, do they have a public excuse? That's known. They don't say anything. No. And so is it interesting that the Rosetta Stone that may have unlocked everything is in the one off-limits private area in the Giza Plateau. Coincidence? Danny? Okay. So, the story is just beginning. So I, that's not enough to prove anything. No. So I contacted Dr. Robert Schock who is one of the, who is the expert who has studied the Sphinx Temple more than anyone else, pretty much in history. And he's been there with another Egyptologist named Muhammad Ibrahim numerous times. Much respect to those, to those two gentlemen, but the same principle as the visible gorilla. If you're not looking for something, you don't see it. They didn't see it. Nobody saw it. It's, it's, I don't know if you could see it. It's weird to say that, but I don't know how I never saw it either. I guess that is what I'm trying to say. Sure. So, I'm thinking to myself, okay, that's cool, but I need a lot more evidence than that before I can prove that's an infertile step. It just looks like, I mean, you could say it's an inverse step pyramid or you could say it's just a step. Exactly. It's not, it's not nearly enough to prove anything, but it's what's called a cypher stone, meaning that it's pointing to something much larger. And that's where all this unlocked. So I said to myself, okay, Danny, I was like, I pulled up the temple layout for the Sphinx Temple and the Valley Temple and I almost had a heart attack. They're embedded in the entire design of the temple itself was the same three level step pyramid both above and below and the T's inside. So the one on the right is the Sphinx Temple and then the left is a gigantic T in the Valley Temple. Do you see that? Yeah. So the symbols that I've been following around the world, the T, the step pyramid, both inverted and non-inverted because they combine to create both. And then the other symbol, which is the three doors, which isn't in this, but it's the other ones. Yeah. Are these visible from the air? Yes. Nobody's ever looked at that. There's no photo. Really? Nobody's ever looked at the temple site layout and noticed this. So can we find images of this on like Google Earth and see? Yeah, yeah, yeah. Okay. Okay. But it's again, it's the invisible gorilla. If you're not looking for why nobody is looking for a global code. I really want to see what this looks like from the air. Well, so this is just beginning, Danny, buckle up. Okay. It's been a while. My seat belt is on. Honestly. I'm not ready to go right through the windshield. Remember on to now has been like the most exciting time of my life for these discoveries. So I call rock, rock, rock, rock, rock, rock, rock. Like Robert, you've got to see this. And I send him an email and all this, all this stuff. And I am anticipating getting some pushback because Robert is the top, you know, academic. He does not jump on board unless something is absolutely 100%. Okay. And I respect him for that deeply, which is why I wanted, if anyone is going to give me the green light, Danny, it's going to be Robert because he's, you know, he's one of the top, he's one of the most famous geologists in the world. He's arguably one of the most studied of ancient law civilizations of anybody. So and he's on my team and we've gone all over the world filming and we have a great relationship. So I, there you go. They're right there. You can see that. I mean, just people didn't know what they're looking for. Can you zoom in? Now, a lot of these are super eroded. So keep in mind, Danny, when they're making these original, when they're first going into these sites long time ago, this is not straight down. This is at a slight angle. Yeah. Yeah, but keep in mind when they're making these temple layouts, they're doing them when they first find the temples. So the first protocol you do, Danny, when you find an ancient site, you have to map it out, meaning that you have to design what the temple layout looks like. And so these all come from the original archaeologists that mapped out what the temple layout looks like. Steve, so you can find a better image. I would just go to Google images and type in aerial photo of the Sphinx temple. Get a drone shot. That's going to be better after you. Yeah. You'll find something. We're going to be doing drone shots of that. So I email him this, Dr. Robert Shock, and he's been all over the world to see these symbols. He knows what we're looking for, right? But he's skeptical, which he should be. He's a scientist. And I was expecting pushback. Instead, I get an email that says, by the way, Matt, can you put that back up really quick? He says, by the way, Matt, I was looking in the second pyramid mortuary temple. And I found that it looks like the same symbols of repeating there too. So the second pyramid, so the Coffrey pyramid, Coffrey's pyramid, which is the middle pyramid. He's not really the one who built it. Yeah, the second pyramid. Imagine now the code is now including the great pyramids of Giza. So the first thing he identified is that on the right side is Coffrey's mortuary temple. Now you can see in the center of the tees, in the layout, up in the square, and then the step pyramid is in the circle, right? Now the first thing I did immediately is I run, you can just get them online and they're easy. And this is part of what I'm terming is called citizen archaeology. I'm starting to move me because people are finding this stuff now. So this diagram on the right, this is accepted that this is what it looks like inside the Coffrey pyramid. No, these are the official diagrams. I'm not using some like fringe diagram that like no one accepts. Everything that I'm using are official archaeological, like the temple layout designs. Okay. So the first thing, because nobody's looking at temple layouts. So the first thing I do is go to Kufu, the great pyramid, same thing, same thing embedded in that. And then I go to Menkir's pyramid in the mortuary temple. Remember, these are the mortuary temples are basically like leading into the pyramids. Same thing. All three of the great pyramids, same code embedded in them. And then the one on the left looks like a computer chip or something. Well, that's the idea is a lot of people have come back and you can actually see T's up in there. Look on the top left. If you look at the negative space, there's T's. It's all over the place. If you know what you're looking for. And a lot of people have commented in and said what you just said, is this is some kind of an organic computer? It's a circuit board. Yes. There may be a lot of truth to that because this may be a type of technology, okay? So I am trying to figure out what's going on here. I am like, wow. But what do we do now? Okay. What's one thing to have? We have the temple layouts. We have all these designs. But what now? Well, talking about Robert Shock and he said this profound thing to me. He says, it's one thing to argue symbols and stones all around the world. You could archaeologist could say maybe it's a coincidence. It's another thing to have those same symbols embedded in the entire temple layouts themselves. You can't argue those. You can't argue temple layouts, okay? Now, before I tell you what they all mean, I want to show you a couple more examples, okay? Because it's important that people see this all. That's a good one. Yeah, you can see it on the right. I mean, a lot of this is super. On the right, you can see the steps, yeah. It's super eroded, but you can still see it, right? It's super eroded, yeah. Okay. So, bear with me here, Danny. What we're going to do is we're going to go through and I want to show you these all of the world first. I don't want to tell you what they mean yet. I know some people in the audience might be mad, but again, I want everyone to see how prolific this is. Once you start looking for it and identifying it, it is the signature of this civilization. If you can find it, it's only found in older structures, super advanced stone. And it's their signature. And we're going to get into what it all means, but it is incredible. It's there. It's truly what Graham Hancock said in his first book. It is the fingerprints of this law civilization. So the first thing I do is I'm trying to go find other temple layouts. See if I can find anywhere else, right? And this is where I told you the whole citizen archaeology thing started because other people started finding stuff too based on this and telling me. Wow. And so there's a movement that's emerging right now where anybody that knows what they're looking for that's going to find these site temple layouts is finding this code. It's exciting. Now you ready? Temple of horse and Egypt. We're not even on the Giza Plateau anymore. We're down hundreds of miles away and check this out. You ready? On the right is the the Sphinx and Valley Temple designs. Now take a look. The Temple of Horus, you have T's and the every single entryway that gets smaller and smaller. That's very key to understand. It's got it's what's called fractal geometry. Fractal geometry means something smaller that gets bigger or the reverse. Now the same thing is true with the other symbols. If you look at the combination of the T, the step pyramid, it's just repeating everywhere all over the place. And I want to really emphasize this important understand. They're now combining the T and the inverted pyramid together as a single symbol in some of these. And you're going to see that a lot more specially in South America as we go forward. Now in the center of the star where it says sanctuary that design is nearly identical to what we call Susie temples in Turkey in Ionus at that design. So you're seeing the same motifs, the same architectural designs, the same knowledge embedded into these sites. But I'm just beginning my friend. Let's keep going. Here we have our T and Aku Bolivia. There you have the door. Now this is all three symbols in one. You ready? They got there brilliant. They said, okay, let's take the three most important symbols that represent the highest level knowledge we have. And let's not only embed them all around the world, but here in T and Aku, let's put them all together as one. Take a look. You have the door. You have the T and the inverted step pyramid in one single symbol. Okay, so that's an and a site stone. And I am so proud of my team for this. This is Dr. Robert Shok and Hans Orheim. Hans Orheim is an archaeologist. They both found this one. As I'm saying, this isn't just me. This is others that are involved in both my team and citizen, citizen archaeology people that are finding this now and it's turning into a movement. It's like a revolution of of of ancient history. This is wild. At T and Aku, it's the entire temple layout design is the same symbol in the stone. Now this is what I call like a home run. What I mean by that is this. This is symbol we're looking for. You find it in the stone. Great. That's one. What you get for a home run though is when that exact same symbol is then also in the temple layout itself. Now, the quote that Robert Shok said about you can't argue temple layouts. You can't say that's a coincidence anymore. Once the same symbols are embedded into the entire temple layouts, which is what the Sphinx and Valley Temple was. Remember, you then have a problem. You then have something highly sophisticated, highly organized that's being shared all around the world. This is just, I have a lot more examples. How about Kailasa India? Oh, this one is like the most insane thing ever. This is incredible. This is one of my favorite examples of all of them in the world. Kailasa, let's talk about Kailasa for a minute. Kailasa is considered the largest monolithic temple carved out of a single rock in the world, meaning that this mountain, which is by far the way is basalt, very similar to the stone we see everywhere else. It's all negative relief. Even the whole thing. They carved the entire mountain into one single temple. It's one of the most advanced ancient sites in the world, arguably hands down. Now, they say they know who built it theoretically, but if you go look at the story, they don't really know who built it and they don't really know when it was built because a lot of cultures have come later. Same thing in India. A lot of cultures have come later and adopted these sites. Okay. Now, when I found this, it was like a heart attack. I was like a heart attack. Nobody's looking at temple layouts. That's what's happening right now. So, let me give an example of what this is. In the very center of the entire temple, literally the focus of the temple itself. You see that? In the very heart of the temple is the exact same design as T. Winnaku. And I mean, exact, I mean, look at that, Danny. Isn't that incredible? And I showed the temple layout above. And not only that, but the three stairs that lead to it are exactly three. I say three because three is the number that repeats over and over again. And then you add three and three and you get six. Then you add again, you get nine, which we know. Nikola Tesla and others have talked about the mystery number of the universe being three, six and nine, right? Everything is encoded in that here. I know that's what you said, the mystery. Well, it's one of those things where some people are going to call me out on that quote. His official quote is that if you want to understand the secrets of the universe is through energy, vibration, frequency. But the quote about three, six and nine, many, many people that have delved into his work believe he said that as well. Because all his work talks about three, six and nine. Okay. You see what I mean? So even though they can't 100% prove you said it pretty much everybody knows he did say that. Okay. Okay. So there's a code embedded. Danny, it's all over the world. But it's an only these older advanced structures. And so when I saw all these, I, I'm linking it now back to the very beginning. Here we are at the very core of where we started. And this is a very important slide. It's what we call the proto origin of these symbols. So when you have symbols over time, they become more advanced like anything, right? So if you Danny built a car, what's going to happen in that car after like 20 years, 30 years, 40 years? It's going to become way more modified, right? Get better and more sophisticated. Exactly the same thing as these. These are what you're looking at are the proto origins of where this civilization, I believe, began. And where is it? Lake Vaughn in Eastern Turkey, precisely with the stories of Zia Sudra where he ended start. You see that? And so I want to go through this and just explain it really quick. That's Suci temple design that I showed that was in the temple of Horus and other places. But also look, if you look very carefully, it's hard to notice. But the three level step pyramids are are also in the entrance and then two teas that differ based on their sizes. And that's the fractal geometry. And then on the right is Shagu's Tepe, which is a site right next to Ionis. And as you can see, the teas then become giant monoliths. They actually create versions of them into monoliths, right? And then above to the top right is of course what's called the Kef Barrelief and it came from another site right next to Ionis. And that's where you get all the rest of the cymbals. So if you combine them all together, you get something incredible. You get a code. And that's why I called this the blueprint, the blueprint of lost civilization. It's their code. And I want to I want to go over all of this means and how I found it and how all this unfolded. I'm sitting there trying to understand this. How could these civilization, why would they encode these advanced cymbals into everything? What are they doing? Why they encoded teas and step pyramids and and doorways? What is what is going on here? Right? This is what broke all of this open. I was studying ancient hermetic geometric designs. Hermeticism is an ancient secret society type of knowledge that existed teaching long ago and we'll get into what more about that soon. And I found a word that unlocked everything. If that photograph was the catalyst to point it to me, this was the word itself was an unlocked every single meaning for it. Cosmogram. It was a word that has become nearly extinct in our in our world today. Very few people on earth even spoke it any longer. It was it was used in only fringe papers and anyone wants to look it up and go please do. Cosmogram. Cosmogram itself is a word that I write in the book, the missing key. The word itself was on the very edge of a Bolivian. It was about to die. And if we lost this word, we may never have ever understood what these things are. Google says a Cosmogram is a diagram map or symbol representing a specific cultural, religious or scientific worldview of the universe organization. Yes. So what they're doing is they're encoding the structure. Remember this, Danny. They're encoding. Yeah, go back to mine. They're encoding the structure of the universe into their temples. Okay. So I when I found this and I said, oh my god, how could they have known the structure of the universe? It's above so below. Well, that's her metasism and we'll get to that. That's where that comes from is her metasism. Okay. So once I found this, everything unraveled. Everything. It was it was like a freight train. Once this happened because it filled every single other thing in. They're all Cosmograms. All of them are every single one of these symbols are Cosmograms. Okay. And we'll get into what they all mean and how they're all related to this and how it all connects. So what they what they understood was that and let me tell you how I found it though is that in Egypt, they preserve their understandings of how they what the how the the structure of the universe, the ancient Egyptians did a really good job with preserving that. And even though they may have been very bad with certain things. I'm talking about the Dynastic Egyptians, Kufu, Coffrey. I'm not talking about the people who built these structures originally. Right. Okay. The Dynastic Egyptians did a lot of bad stuff, right? They recovered the the the the the the the Sphinx to be a Pharaoh. We'll get into that. They did a lot of bad stuff. But the best thing they ever did. Those naughty Egyptians. No, naughty Egyptians. The best thing they ever did was that they really did a great job carrying down traditions. Very very happy. They did that because I was able to just go into ancient Egyptian understanding through the book of the dead and others, well. Well, what are the three structures of reality? What are they? Well, they understood that the universe was made up of only three pieces, and it's not quite as hard to understand as we think it is. They understood it as physical reality, like what we see around us, and two metaphysical realms of reality that support the manifestation of physical reality. The first realm is the celestial realm, totally metaphysical, non-physical, nothing's physical in these realms, okay? You can't. It's not space. You don't fly into the celestial realms. I want to be really clear of that because a lot of people confuse that. They think, "Oh, like the stars above us, I'm not talking about that." We're talking about realms of reality, outside of our existence. Things we can only peer into through some kind of psychedelics or meditation practices or shamanic journeys, okay? You see, we're getting it, right? So they understood that the universe was only three pieces. So physical, celestial, and the underworld, or the Egyptians called the duot. Wouldn't the underworld be similar to the celestial world? Well, they marry each other. There's no separation between them, and we're going to get into the whole model. So I can't have it in hell, basically. But it's not really hell. Sure, but it's just a. In fact, the path of ascension seems to have as much importance, if not more, of going through down first before you go through up. And we'll, again, we'll show that in a minute. So, yeah, which is why it's really interesting how monotheistic religions literally blocked off what may be part of the path of ascension. They did what? Literally may have blocked off part of the path of ascension of humanity by doing that. Because the underworld is not what we think it is. It's where souls incarnate, it's where souls are judged. All these different things happen. It's also where life is. So hold on with me there for a minute. So they understood all this stuff, and then, unfortunately, they all were destroyed. They all were destroyed because they were falling cycles. And they understood how to map the heavens, and they knew that everything followed cycles in the universe. So we're going to get into what all of those meanings mean in a second, but we got to start with dating. Because everyone always yells at me on dating and says, "What about the dating? How old is this? How can you prove it's dating?" Right. You're going to pause on what all the cosmogram stuff is for a moment, just pause for a minute, and let's do dating. Because the dating has a lot to do with that. Because we have to understand, when this civilization even existed before, you can appreciate what they left behind, okay? And so, how do we date all this? Well, you can't date stone. So what do you do? Well, you can do some organic dating, go back to a topic. Remember, they found some organic matter, and they already have the dating of that double the age of civilization, but that wasn't really enough to crack anything, wasn't. Academics didn't find that compelling enough. So what do we do? Where do we go from here? Well, once we're able to separate out disasters in Earth's history, we can then try to match them up with stories and tablets that discuss those events, right? And there's actually a lot more correlation than some people might know in those stories. Like for instance, how about the story of Ziasuja? What do we told about that? Well, it's a huge flood, just a flood. Unlike other disaster stories talked about with the Lantis and Plato and all those things, the one that Ziasuja is talking about didn't have fire or anything. The other ones did. But the one that they're talking about was just a flood. So the first thing to separate is that I do not believe that that event is the same as the younger Dryas at all. So meaning that when we talk about these catastrophes in history, most experts are going to lump them all into this younger Dryas 12 to 13,000 period. What I'm saying is that that's not the first event. That's simply the last one. That's the one that wiped everyone out. That's the one that destroyed the entire global culture. That's the one that wiped them out. That's the one that made them encode all of us into their structures because they knew they were all going to die. How poetic and sad. They knew it because they tracked cycles and they understood that cycles that follow these alignments, the influence of the sun, other things. And there's these catastrophic things that can happen to Earth that we have never experienced a modern human history, not even close. And so how do we try to date this? Well, there's a very interesting study that came out over the last 10 years with these quarry trees in New Zealand. So you see these trees up here? They find these giant extinct trees in New Zealand that have fallen into these pits and have been preserved because it's when they died. So they were able to take the tree rings and they were able to extract out the data from the tree rings and find out that 41,500 years ago was a devastating, devastating flood on Earth. At the same time, they find these lava fields in France called the Lost Shomp Lava Fields. And these lava fields happen to have this really unique kind of bubbling lava that they can take the air pockets inside the lava and get a snapshot of what the Earth's climate was like. Right. So they're combining that with these tree rings. Yeah. And they're taking these things. This is not me. What about ice cores? Can they do that with ice cores? Yes. Ice cores too. So all three. So tree rings. You can go back that far with ice cores? Yes. Antarctic ice cores, you can't knock Greenland. Okay. Okay. So they're taking tree rings. They're taking these different events. And they're not saying lost civilization was destroyed then. They're saying this is the last confirmed geomagnetic excursion in Earth's history. So I don't think I, I think I killed that slide out of here yet. So what does that mean? Geomagnetic excursion. What is that? Just because there was a flood. They think there was a geomagnetic excursion. No, no, they're not saying a flood. Scientists aren't saying there was a flood. They're saying there was a geomagnetic excursion. But when there's a geomagnetic excursion, there's a massive flood. See what I'm saying? Sure. Why? Because what happens is. And what was in the bubble? Sorry, interrupt. What was in the bubbles in the lava? Snapshots of the climate. So they could match up with the quarry trees and ice cores to pinpoint that 41,500 years ago, some absolutely horrible catastrophe. Something was going wrong. Very badly. Right. So what they've determined is that for a 700 year period, the magnetic north wobbled all over like it's kind of doing now, but in an extreme way, it shifted so much that it caused the entire axis of the earth to tilt and bulge a huge amount of water on one side of the planet. Who's saying this? Scientists. That this is not for me at all. And it's separately in from the past. So all you have to do is go look up what's called the Atoms event or the Last Shump event, the Last Geomagnetic excursion, and just go read about it. They don't think humans existed at this point, remember? Right. Well, they're not going to reference anything like that. Okay. So what they're finding in the lava bubbles, the ice cores and the tree rings, is that something crazy happened, which confirmed the hypothesis of the, I don't know what you would call the people who'd try to determine there was a Geomagnetic event. Scientists? 40,000. Well, what type of scientist that would be? I do. That would be probably a, maybe a geologist, maybe that would be a geologist. Yeah. And in a few other things too. So there's already a theory with those folks that there was some sort of a Geomagnetic event. No, not a theory. Established. Okay. So you can go look it up right now if you want to just to show him so he feels better. I'm just trying to understand it. That's all. So Last Shump event, if you just go type it up on Google, you'll say the last time that scientists have confirmed a Geomagnetic excursion. The Atoms event. Yeah. Polar Drift caused climate change. 43,000 years ago. Earth's magnetic field is one of the most mysterious forces of the shape of life on our planet. It's likely powered by a celebration of Earth's iron core and appeared more than third three billion years ago. Blah, blah, blah. What is it? Where's the, get to the point? Fort, some 42,000 years ago, Earth went through several centuries of dramatic climate change. Okay. An environmental chaos. The weather patterns. Yeah. Wild and shifted violently with cold snaps, commonly spreading from the Arctic to North America and the ozone layer was likely destroyed. Now, electrical storms created auroras, even in the tropics, Netherlands, Neanderthals, and some impressive representatives of megafauna when extinct, strangely amidst all the destruction, there was a boom of surviving Homo sapien cave art. Wow. Yeah. What is a ge. Okay. So Geomagnetic excursion means that the magnetic poles move. That's crazy. You know that. They could know from the record, from the tree rings and from the, the, the, the lava fields and from the, the ice cores. Yeah. And what I'm saying though is just because it was chaos, like, how do they know it wasn't from something else? Like, no, wasn't from comments or wasn't from super volcanoes or. It's because, well, they're not saying what caused it. Right. They're saying what happened. They're saying that the magnetic poles moved significantly to where it created chaos all over the earth, killing all these quarry trees. I understand what you're saying. I understand that they can, they're using the chaos as the proxy to figure out something went wrong. How are they using that? How does all of that equal poles shifting, because they know that those effects can only happen. So you're looking at this backwards. The magnetic poles are where to determine everything. Everything physical in our reality comes out of an energetic reaction. Do you understand what that means? The earth is a giant torridal field of energy. So it goes like this. The energy comes out of an energy. I know. comes out of legs, it comes out and goes through the, through the North Pole. And it's an energy flow and there's magnetic North and South Poles. Right. They're saying that this is the most significant excursion of that they've seen bar none in the, in the last 42,000 years. Okay. And so what I'm saying is that when you then put this into the mix and you, you identify the older and younger driest events, but you separate them from the last shop event, you then get a working timeline, you then start to get where you can piece some of these events together because we know that the psiusutra event was not the same event that's described by Plato. They're not even, they're not even close to the same event described, right? But what is, what is Solon told in Egypt? Remember, he says, so for those who don't know, Solon goes down to Egypt, he's the first westerner to be in ancient Egypt at a time. He meets with a two priests in Egypt at the Temple of Neith and Sace. Okay. One of them is named Sanchez and the other one is named Sonophus of Heliopolis. Most people don't know that. So both of these individuals, they tell him this ancient history long before even the records that he knows about existed in which they say, "You Greeks remember one deluge, but there have been many mostly of water in fire." Remember? So why would we, why would we think there's one event then? Right? So that's why I've been able to separate out the psiusutra flood, the beginning with the younger and older drius as being the end, and then we can start piecing together a timeline. Then we can start putting this all together, because that's not the only evidence we have to line these things up. I'm giving you the catastrophe evidence first as we start working through this. Oh, interesting. Steve just answered my question. When lava cools and sediment settles, these the minerals align with the magnetic field. Okay. That makes sense. That lava field just happened to be. I did a poor job of asking my question. So sorry. That lava field just happened to be the best representation of any of it in the world, and that's why they used it. Okay. So here is a graph that most people don't know about. These are Greenland ice cores, not Antarctica, because Greenland only goes back 20,000 years, because the Greenland ice cap is only 20,000 years old. So take a look at this. Look at where we are on the right side. They're talking about climate change, talking about how we're so warm and a blah, blah, blah. No, we're not. No, we're not. And if anything, you look at disruptions over the last 10,000 years in their minor, wouldn't you agree? Oh, yeah. Now look at 11,600 years ago to about 14,500 years ago. Insane. Like freezing. We're talking about. That was your backyard a couple of months ago. Basically, basically. Yeah, but also warming temperatures, too. It's not just cooling. Look at the warming in the front side. 14,500 years ago, that's why you get, that's why Edward Toll found weird, weird alter trees growing up and they were frozen with frozen green leaves up in Siberia because of that event. Now, that's the climatic way we can, we can start creating our timeline. If you create a timeline, you have to have as much moving pieces of evidence possible to try to do that. That's just the beginning. So that's that's our climatic timeline. Now, that climatic timeline fits very well tablets though and very well with stories of two primary events, right? Two events that basically were enough to destroy that entire chapter of our of our history. The younger dries was 11,500 something like that 12,000 years ago, between 11 and 12,000 years ago, basically. Yeah. And what do you call the other event? Well, the was the 40,000 year event called it. It's either the last shop or Adams event as two names. Adams event. Yeah. So the Adams event was 41,500 to 42,000 years ago. To 42,000 years. Yeah, look at that gap. Yeah, what's the cool, which is why I'm about, which is what I was going to get to, is that I believe that the civilization existed for over 20,000 years, which is why they were able to master everything they were. Okay. So let's get into the dating to prove this though. Okay. Take a look at these angles. Not everybody sees these angles of the sphinx. There's a lot of really clever angles that don't really show you the truth of it. And this does. Okay. If you're a civilization creating a structure like this, and if anybody doesn't know, the sphinx is a solid piece of bedrock, similar to chylosa where they just cut out the rock around it and then just forms it in the middle, right? It's not stones stacked together. It's a single piece of bedrock cut out. Why do the paws look so perfect in the upper part? That's what we're, that's what we're going to talk about. Okay. And so around the enclosure is what is called the sphinx enclosure. That's where Dr. Robert Shock went in the 90s to show the water erosion. Okay. Yeah. So the first thing you notice is that if you were an ancient civilization creating a structure like that, why would you make the head so small? Right. It doesn't make any sense. It looks so strange. It looks ridiculous. That's because it was not a feral. It was a lion. And we're going to get into the proof on how that was a lion. But I just wanted to show you the examples of how silly it looks from these angles because not everybody sees these angles when they're looking at the sphinx. And they really show you the disturbance and you just brought it up. Look at the erosion and how much of how affected the front body and the head had been compared to some other parts. Now some other parts have been rebuilt a little bit. I do get that. Yeah. But look at the manipulation on the head especially. We're talking about something that was probably not quite double as big but certainly quite a bit bigger than it is now. Now why do we know it's a lion? Well, the lion is a motif that is shared by this lost civilization all over the world everywhere. They consider to lion an archetypal guardian. We're going to get into guardians now. Guardians are what is shown as another on all of these sites. Guardians are playing this very big big part because they understood that these realms of reality needed guardians to maintain them and balance them. And they considered Leo to be this celestial representation that also matched the most fierce, basically predator we have here, a lion, the strongest, right? So they used both as a means to create a type of guardian. Now top of that image, if you look at the calf, botherly, if I have a piece of it, he's standing on a lion. And what's interesting is that on Kailasa on the right, the lions are identical. I mean, not only is it a lion, but it has the same artwork on its legs and body and everything, right? And yet these are in two completely different parts of the world. And so these aren't the only lions though. The lion is all over the ancient world. And so in this civilization, it's well accepted in most more studied, higher level academics. For instance, Dr. Robert Shock, John Anthony West, it's a lion. They are convinced without a doubt that it is a lion. Doesn't this thing face a specific constellation? Well, that's the, that's what we're going to get into a dating. It faces Leo. That's the whole point of the lion. Yes. So once they determine it's a lion because ancient Egypt was obsessed with lions, you saw it all over and the lion is then it's an architectural, architectural guardian all over the world. Once you understand that, you then can take what we just mapped out with a catastrophes and you can take celestial diamonds and we can get some dating. We can finally understand when all these things were dated, okay? Because, because of this. Now, I love this. And again, Dr. Robert Shock and John Anthony West, the best examples of this, they would have this debate for years. And then, and then, you know, John Anthony West isn't with us anymore. And now, Dr. Robert Shock and I have this debate just like they used to have. And it is this. The, now we can establish the, the Sphinx with a lion. I mean, that's pretty well established by most, most of the animals, fucking cool, that would have looked before they met so much better than a fair one, right? So this is the, this is the big thing. It only faces Leo during certain time periods in history because of what's called the procession of the equinox. Isn't it facing Leo now? Not like, not like this. No. Okay. So what it means is that the earth spins on a slight kind of wobble. And the ancients understood that's how you track cycles. That's what they were tracking. That's what the zodiacs are. Okay. That's what it's what we're going into the age of Aquarius. We're leaving Pisces. We're going into a new zodiacal age, which is why all this chaos is happening because in between ages is when this always happens. So, John, Dr. Robert Shock believes it's 12,000 years old. John Anthony West believes it's 38,000 years old because those are the only two dates that the Sphinx can align with Leo. Really? Yes. Those are the only two because of the procession of the equinox. That means that the earth is wobbling and it's facing different constellations for 2,100 years. It's every how many years? 2,100 years is an age. You put it all together and you get the great year, which is 16. Yes. It's what you get that it was called the great year. I thought it was a different number. I thought it was like 242 or something. It's right around 2,000 years is just why you see some of the interesting things with the Roman Empire 2,000 years ago with the whole story with Jesus and everything. It's almost exactly 2,000 years ago. These two dates, John, Anthony West and Robert go back and forth. Back and forth, right? Why do they believe what they did? Well, John, Anthony West did not believe that'll be possible for them to build these structures during 12,000 years. ago. Why? Cause it was the early of the end of the world. I'm sorry. I can't, I'm losing my mind right now. Okay. I got a, I got a, I got a, I thought, I swear, I thought an age was 21 or 22, 21, great year. The great year of 25, seven to 26. Yeah. Okay. I thought I could have sworn you said 2100, 2000, 100 years. Yeah. No, this is saying 20,000, 25,000 years. Daniel, you're in the great year. So you got to combine 12 zodiacs together to get that. Oh, that's the great, that's a single procession. So it means that when this, when the earth spins an entire procession, it takes 26,000 years. That makes sense. Okay. So 12, 21, 100 year cycles. So they knew that and they knew that, that when the sphinx align with Leo, it had to be either 12,000 or 38,000 years ago because of the procession. Yes. Okay. It makes perfect sense. Now, look, look back at this. How could they possibly have built the pyramids of Egypt during that? 12,000 years ago was chaos on the earth. Yeah. Chaos, right? Right. Which is why then we go back a previous age, 38,000 years ago. Well, this is where it gets really interesting. What was the date on the last jump event? Forty something. Forty one thousand five hundred years ago. If Egypt was built 38,000 years ago, then it means it would have given the builders after Zia sudra nearly 3,000 years to reach it. So let's, let's take into account for a minute. Let's try to put these into a timeline. Yes. I, you heard what I said. I believe Zia sudra was over 42,000 years ago that the original first cities on earth. Well, was was 40 was, well, we don't even know how old they were. We only know when they were destroyed. So I can't tell you when they originally built. Maybe 45,000 years ago. I don't know though. Right. So, so what you're saying is, I mean, it's, it's, I don't think people claim anyone thinks that they would have been built during the younger dry. No, well, I'm not going to come in the younger dry is what ended the civilization that built it. No, Dr. Robert shocked does believe that that was built then in the middle of the. Well, I don't think it's, he has his reasoning and I respect him as an, as an academic for that. Yes. Maybe that's also because as a topple level academic, maybe it's a little easier to, to start with 12,000 rather than 38. Right. Okay. Baby steps. But remember that. No. Well, maybe it was built like right before the catastrophe happened. Well, the problem is there isn't a pyramid. There is no, there is no right before the younger dry is combines with the older dry is it's like a 2000 period, your period of disaster. Right. Right. So there is no like building it right before because the younger and the older so because then you're not in 12,000 years ago anymore and it wouldn't have lined up. Do you see that? They, they do everything perfectly. They don't make any mistakes. The great pyramid is like a perfect half ratio of the earth, right, related to the earth's sun and moon relationship. Yeah. So, so in that, in that period, in that, what is that, a thousand year roughly period? Well, if you, if you add the older and the younger, it's even longer. Okay. But during, during that crazy climate drop, right there when it's, when it's, when it's chaos on earth, during that period is when the sphinx was aligned with Leo. You're saying 12,000 years ago or before? 12,000 years. During the younger dry. Oh, oh, 12, it was. Okay. But that was, but there's different, it's aligns during different ages. And so, no, I get 12 was one of them. One of them was the last time. Yes. Okay. Yes. Yes. So essentially what we're doing is we're taking climatic data, ancient tablets, all the stories we can from Solon and everything we have, right? And we're then combining it with procession and with these alignments. And that's how we're getting the dating. When so, let me lay this out there. I completely understand what you're saying now. Yeah. So I believe that Ziya Sutra's flood, the flood that destroyed Shirupak from the very beginning was 41,500 years ago or 42,000 years ago. It was right in that window. And that, think about how much time he would, that would give him. Then if Egypt was 30, thousand years old and the same symbols and builders are involved, it would give them 3,000 years to get there. That's plenty of time. Oh, yeah, totally. Plenty. I mean, look at what we've done in the last 700 years since horse and buggy, right? So the timeline starts to match really well. You see that? All of a sudden things truth falls into this perfect place because truth is truth. Once you, once you find something that matches where it's supposed to, it's like, oh, that makes complete sense because how else would you then put this? Where else would you put it? We now can place each of these events during sequences of not only procession, but also climatic events that match destruction mentioned in the stories. All of it comes together to say, look, we have an over 20,000 year period of human history in which we became the greatest masters we've ever been. And then we were all destroyed. But before they were destroyed, they left all of their knowledge for us, all of it. And they knew they were going to be destroyed. And they knew they were all going to die. And the people that were leaving this knowledge, they were built. So you think the pyramids and the Sphinx were built post the Adams event? No, no, no. All that. Okay. So let me lay this out there. This is definitely important. I'm glad you brought that up. Imagine there was a previous civilization age that exists on earth. It was the Sumerians. And that's the only one. There might not have been any other homo sapiens, sapiens, civilizations anywhere. It may have just been like more Neanderthal hunter gathers, right? Let's say something started there very special, like it states, just like the Talbot says it says it does, where something very special emerges in that region with aridotus ropeck. Now that was the first beginnings of everything, but they were destroyed, right? And so what happens while you learn that Ziasuja landed up there and then there's this mystery? Well, Ziasuja was rewarded for maintaining all of the knowledge of mankind. That's what it's told about in the tablets. So why would we not think that the golden age came out of that? The other reason we say that is that the tablets before they break off, and we never hear anything again, the last thing they say is that they reward Ziasuja and they give them immortality and they also decide to basically like give humanity another chance. Now, so what does that mean? It means that I believe that the greatest golden age that ever existed in our history began, I'm not going to say 41,500 because they need some time after a disaster. Let's give them 500 years, okay? Let's just give them 500 years. Let's call it 40,000 mega easy, okay? 40,000 years ago, the greatest golden age that's ever emerged and ever emerged in our history began, began in Vaughan, I honest, then spreads around the world, cultivates, it's, Colomates cultiv, Colomates itself to the greatest expression of that of all in Egypt, the largest versions of it, but the same symbols, right? And so it's Egypt is like the perfection of this, of this global civilization there. Okay. Now. So post-Adam's event. Yeah. So then they build it, they build it all through 38,000 years ago. And then everything in between, we don't really know. I can't tell you when T. Winnock was built. I can't tell you when, when some of these other places in other Egypt was built because we don't have the celestial alignments, but we can know that they're in that period somewhere, somewhere in there, right? Now Posnansky, who was a great, great scientist, Posnansky was the first one to study T. Winnock, Pum, Pum, Pum, Pum, Bolivia. And he, way before anybody else believed that it was like 16,000 years old. So he was way out of the game back then, okay? So we're now catching up to where we were. Now we just laid out timelines, right? Timelines and the code around the world. Now let's break it down. What does it all mean? What is all this knowledge? If they left the greatest knowledge of the universe, what is it? Well, I think the greatest question we can have here that we need to ask ourselves is who were we though? Because in order for us to understand where we're going, we have to first understand who we were once, where we were, right? Where we been. So Shavu's Tepay, there's your three inserts going right in, highly advanced stonework, okay? Now, where's this? That's Shavu's Tepay around Ionis. That's the Vaughan region of Turkey. Okay. Look at the stonework, unbelievable, right? This is incredible. That's the stonework of a lost civilization. For instance, what I mean by that is that the arartine culture who had to prop up underneath it because it was all broken, that's why there's limestone underneath it. Those stones, these types of stones all around the world were essentially very little manipulated ever again. I say little because they were a slightly manipulated. One of the things they did is that the arartines carved Kineiform into these blocks to claim ownership for them. That's why archaeologists believe that the arartines built these sites because they try to claim ownership. Well, look what the Dynastic Egyptians did. They regard the whole head into a feral. Talk about some confusion. So, look, obviously, I deeply revere ancient cultures, but some of them did bad stuff. We have to just accept the fact that some of them tried to pretend they built things. They didn't. They tried to reshape things. They, you know, different things like that, okay? So we have to wrap our heads around that mindset. Now, let's go ahead into the whole thing. These motifs around the world, the first thing is three doors. Now, you're going to see this in some pretty wild places as we go for it, like Da Vinci. We'll get into that as we go. But on the left is what's called the Napa in Galicia. Now, that is in Peru and you see the same step pyramids, which which the Spanish blew up at the top there. There would have been a third level, but they put dynamite into a hole there and blew it up when they conquered this area, which was really nice of them to do that. I've been to this site multiple times, and it is one of the most sacred, magical places I've ever been in my life. When you sit in that doorway, Danny, you feel something, okay? This is an ancient technology, and I'm going to get into that as we go along. But here's the motif. We're spreading around the world. Now, here is Tio and Aku. This is the famous gate of the sun, but it's the backside, which most people don't even look at. Now, these three doors, what do they mean? We were talking about the ancient Egyptian under understandings of what the universe, the three aspects of the universe, the three aspects that's not just shared by Egypt, but basically the entire ancient world believe the exact same thing. They understood that. They didn't look at the universe in these separate pieces. They looked at it all as part of a whole, as part of a singular thing. They understood that the middle door is always the largest, because physical reality is what matters most. Basically, it's like being in the moment, in physical reality, in that the other two doors manifest physical reality. Now, this understanding is very important, because it then allows us to not only back-engineer understandings, but even technologies. If we can crack their code, we can essentially rebuild their world. Now, how do I know that these doors represent this? Well, from this, two key pieces of evidence. Again, back to the Kev Ball relief. Everything is a fractal, microcosm, macrocosm relationship, meaning that they understood that the small has to mirror the large and that everything has to be a mirror of left and right above and below. You know, right? So, when you look at this, imagine the tree in the center is the middle door, physical reality with a tree of life. Now, the tree of life doesn't just represent a tree. It also represents consciousness. They understood that the ascension process of humanity is very much the same process of what's unfolding in the entire universe. They did not see humanity separate from the cosmos, and that's a really important thing that we're going to get into as we go along. So, imagine these are the doors, and the way we figure out what the left door and the right door is is based on this, but it's not just this. So for instance, the God in the left is Nergal, God in the underworld, and we know that, not only that, but ancient Egyptians understood that west is death, and right is east for life, because the sun rises in the east and sets in the west, and they consider it like a relationship of death in life, like the sun rebirth every day. So that's how we know which of these doors represents which thing. So once I was able to do that, it was basically like back engineering in the rest of it. All the rest of the things just unfolded like dominoes. It was beautiful, but I had to first get those understandings, okay? Now, each of these gods, now the God in the left archaeologists are going to go, wait a minute, Matt, that's Toshiba or Toshub, Toshub, and I'm going, sorry, it's misidentified. This is an underworld God, not a celestial God. That's why I've identified as being the counterpart, the equivalent of Nergal in the underworld. He's an underworld God. Now, if you imagine, Danny, can you have life without death? No, right? Because everything is balanced. So everything is part of a delicate balance that exists, meaning that Nergal's responsibilities as a God of death and war, his counterpoint, he always, they always have to have a balancer. So meaning in the underworld, there is a negative God. Yeah, I get it. But there's also a positive God. That's who Enchie is. Now, the same thing is true above us. Do you know who the negative God above us is? The negative God above us. Then the God who plays a negative role. Zeus? Yes. His name was Enlil. You got it. Zeus is his later name and his Greek name. So Zeus or Enlil, his means Lord of the air, right? So he was his job, his role of responsibility. He was the one who determined to wipe out humanity, destroy everyone, because he's playing the negative role. And his counter in the upper Celestial is his Marduk. So there's just they all are because Prometheus? Well, it depends on how you want to label those. But they're all playing positive and negative roles. You see that? Yeah. Above and below. And then physical realities manifest in right in the center. So once you understand that, you then get to extrapolate all over the world, meaning that every single thing had a relationship based on that understanding, everything did. And the most beautiful thing to me about the realms of reality is these flowers. If it's this would be considered, I would consider this the most beautiful connection. So in Vaughan, the three sites we just talked about. Right. So well, the underwater ruins is right there in the same area, right? Dove down there last year for the documentary. Yep. So three sites. Top right, I honest. Bottom right is Kev. The one left is the underwater ruins. Now the underwater ruins sits underwater way down below. Kev, Kalesi, where that ball really came from, sits on a mountain right above it. And then I honest sits on a beautiful little peak to the right of it. Now, what is so fascinating is that every realm of reality has its own flower that represents it. So for instance, we'll start on the bottom right. That flower on the bottom, if you see it, they're tetrahedrons to make a flower. And you see that? Because it represents physical reality. Tetrahedron's represent manifestation of physical reality through sacred geometry. So how is that a tetrahedron? Because you had to see the shadow effect, the shadow effect creates, gives you the understanding. On the bottom. Yeah. So each one of those tiny little triangles, each one of those creates a tetrahedron based on the shadow. I see how the shadows make it look like that. Okay. So they're tetrahedrons. Now where it gets beautiful is that the symbol for the underworld was a circle, a circle. And I'll get into how I know that in a second. But look at the underwater ruins. It was always amazing to see the flower. And I touched this flower is that it's, it's not a regular flower though. They're seeds. You see that? They're flower petals that are like seeds. Why? Because it's the underworld. And that's where they believe that all life originated from. The one next to it looks different. Well, that's because it's not a flower. That's a spiral. Oh, yeah. So both of them, I'm glad you pointed those out. So the symbol to the right is a counterclockwise spiral. And even though one of the left is broken, I already know what it is. It's a clockwise spiral because they had to follow a blueprint. It's like an understanding of how everything had to be perfect symmetry and balanced based on their knowledge. And so why would you have a counterclockwise spiral in a clockwise spiral? Do you know? Think about the universe. What does the galaxy look like? Spiral. Exactly. They understood that the universe is a living thing. It's God or source and that it breathes in. It expands and it contracts. That's the nature of everything expanding and contracting. And that the universe itself followed those models. And so they're putting it in to show the balance and harmony and how everything basically works. Interesting. So the last flower, it's really beautiful. That's the last realm. We did the underworld, which is the circle, right? Which is the circle. We'll show those as we go. The last one is Ionus because Ionus, the temple that's there, the Holy Temple is a celestial temple. And what is it? A sunflower. So beautiful, isn't it? So poetic. Each flower represents its corresponding realm of reality. And not only that, but the underwater ruins forms a perfect circle. You see that structure? If you swim above it, it's a perfect circle all the way around. Amazing achievement in the ancient world to do that. So they're taking the symbol. You remember the giant tees the Shabu's Tepe? Now there's tees in temples, but also within other things. It's the fractal relationship. So they're taking the idea that the circle, they're embedding as a symbol and then deciding the entire temple to be a two that represents it. So the underworld temple is a circle because it has to because it represents the fractal nature of what it is. Right. It's beautiful. And so at Shabu's Tepe, you have giant tees. Why? Because they represent balance and we're going to get, they're going to get into that. So let's take a quick pause. I got to take a leak real quick. We'll be right back. So we're going to go over what all this means now. Okay. We're going to go through the descriptions, some of the understandings, and also what it leads to because it's profound where this goes. Okay. For people who think this is already incredible as it is, we still have a lot more that's going to be even more mind blowing. So the tea, right. The step pyramid, if it represents the structure of the universe, then the tea represents the balance of all of it. Because if you take it and you condense the symbols together, the stem of the tea would represent the larger middle door and then you'd get the left and right. See that? And so they understood that if you were trying to explain something, if you told me about what the structure of the universe was, that wouldn't really tell us what the purpose of everything we're doing, right. You'd have to be like, well, you understand the universe, but what do you, what are you trying to understand about it? You'd be like, well, what the importance of of that is that we have to, the importance of the universe is finding balance, meaning that everything in life, doesn't matter what it is, remember this, everyone listening. The ancients believe that the key to everything was balance, it didn't matter what it was. Balance within, balance without. Balance in the world around us, how we live, how we, how we exist. Everything is about balance. They were obsessed with this idea of balance. And so they encode these teas all over the world. And I mean, even things you wouldn't even notice are teas. Like, for instance, I was just looking at the temple of Seti and Abedos, the teas that were you walk into the front, they're actually teas above and people probably don't even notice that they're out teas the whole time. Can I ask you something? Yeah. So are you saying that this tea on both sides of it, it's almost like an inverse of the two sides. So if you look below the top on each sides of the trunk of the tea, you're saying the left is the underworld and the right of it is the celestial world. But the middle stem is the biggest and that's where physical reality is manifested. And the middle is where physical reality is. Okay. That's why there's teas all over the bar relief and why there's teas everywhere. Because it's one thing for them to encode the understanding of it, but to them, the goal, be it called the goal, was that the teaching related around it was, that once you understood the structure of it, the more important understanding was how it all worked and how balance was the key. See that? So they, that was what they wanted us to understand because we don't understand any of this today, any of it. We don't live in balance with the earth at all. We don't live balance with the universe. We don't even consider ourselves important in that way. Yeah. It's sad we'll be become. Do you see any connection between this and like binary code, like ones and zeros? I think that you're looking at certain mathematical constants that are woven into this for sure. Now, I think that if we're going to, if we're going to have some kind of a binary code like function, like computers with ones and zeros, I think for them it would be like 369. So I think that's their code, which is why they embedded that into everything. All those circuit board type things you were saying in the temple layouts look like circuit boards, it's because that's their code is 369. And I think that once we can understand that we can crack their technology too. Do you know Jeffrey Drum? New he is? I don't know him, but I know all of him. Are you familiar with his work? A little bit. How deep have you gone into it? Only service level. It's fucking insane. He basically thinks that all the pyramids were like chemical manufacturing, industrial chemical plants. Well, we're going to get into some of the purposes then a second. So I'll give you my perspective on that. And you know how everything looks like a circuit board and on the outside of it and like what you were showing? He literally goes drills down into the types of stones that are used. I will too. And some are heat conductive, some of them are conductive of electricity and stuff like that. And he has this crazy elaborate theory that ties all the pyramid together with the Seraphium and as well as other pyramids that are in South America and Central America that have very similar layouts that like all fit into his theory. It's pretty bonkers. Well, let me lay mine out and see if that fits too because it's probably pretty similar. I just don't think there was chemical plants. But they are all related in this. So we'll get there. Yeah, we're going to definitely move there next. So once I had that understanding, this all sun made sense. What on my perspectives on this from studying it is I do believe that this is one of the most important ancient artifacts that's ever existed because it provides all of those motifs and symbols together into a shared teaching. And what it's showing that I believe based on uncovering the entire code of this is that you get the two lion guardians, right? Guarding the realms of reality and then the eagle guardians above. So they understood that there were realm guardians needed for both. The eagle was always the celestial realm guardian. And then the lion was the realm guardian between the physical realms and the underworld. And so here you see them passing what we see all around the world, which is like a pine cone, right? Everywhere around the world. Well, I believe this is the first depiction. Some people say it's an artichoke. It's definitely a pine cone, sacred geometry. So what it is, it's seeds of the tree of life. So the tree of life is in the center they're basically pondating and seeding the tree of life. And the pine cone, not only does it represent sacred geometry, but around the world we see it's passing knowledge, but what knowledge? See, that was always understood with the handbag or bucket, right? That they had, they're holding that and they're passing the pine cone. But what we're looking at here, and I think it's without a doubt, is that's the first depiction of the pine cone ever, ever, ever depicted in that way, where it's the origin of all of it. So if we were to imagine every other civilization that came after that built these pyramids and structures and encoded this, they're all basing it on this very origin moment when something very, very special happened after Ziya Sudra in the Vaughan region where there was the beginnings of a golden age that was basically laid down there. And this Baugh relief contains every teaching you can imagine to understand their entire knowledge system with all the other things that were combining. For instance, the tree of life in the center is also a metaphor for consciousness. And they're talking, they're showing feeding, they have a circle above their head right in the middle door. You see that? - Yeah. - And then in their hand, they have not only a pine cone, but a chalice or a cup, which means they're passing a spiritual religious doctrine. Then you go further and you see that both of them are basically on either side of this bouncing point between three pillars, three doors, see? Three trees, the same thing is repeated all over it. Three pyramids, see that? Three doorways, all of it is telling us one thing. - What country is this in again? - This is Turkey, Eastern Turkey around Vaughan. It's telling us one thing, they're passing us the knowledge of how to reach our highest states to find ascension. Because look at what happens above the middle pyramid. See that, keep going up there, Danny. The two eagles are guarding this flowering that has seven spokes at the top. There are seven colors in the visible eye spectrum. And there's also seven chakras, main chakras in the human body. They're telling us that if we follow this knowledge to find balance, then we can literally find ascension. - Is there seven rays on the Apollo or something? - That's that, they're always about the same thing over and over again. It's a repeating motif. - And it's based off the statularities based off that, there's seven rays on the crown. - Yep, and so you can see that repeating all over the world. In fact, that symbol in the center of the eagles that looks like a diamond with little swirls. You can see that built into our architectural areas in the United States. You can go like all the states, you see it in fences and stuff. I have pictures of it in fences. It's like we lost this knowledge and had no idea what it was anymore, but still encoded into all kinds of things. So there's a lot more I can talk about this, but I don't want to spend too much time on this a lot more to go over. So essentially what you're looking at is a model of the three different aspects of reality. Do you see how the middle has three levels? - Yeah. - That's the three levels of reality. So they're telling us that they're not in the physical reality. Look, do you see how they're not in the physical one? Why? Because the upright pyramid is physical reality and that sits where the arrow is at the top. They're not there, they're in the underworld. They're passing the knowledge of ascension from the underworld, Danny. Now imagine what would happen if the church blocked that. Now this might sound kind of strange to people, but when you're going to ground, do you climb a ladder or do you sit on the ground to ground yourself with energy? - Sit on the ground. - Where does the tree grow from? - The ground. - Everything comes out of the ground. It is, everything is a relationship to that. So even though you go into a cave, you're not in the underworld, it is a representation of it. So for instance, the earth, sun, the moon, are also another representation of this. It's three repeats itself over and over and over again. And we're gonna get into that as we go. Now check this out. This is Ionus, okay? Now there's your realm guardians on the left and right. See how they're winged? All of them are winged because it's a celestial temple. That's why they all have wings. And so there's three different guardians that they understood. There is the eagle guardian and they always have lion bodies. That's how we know the sphinx is a lion. Because every single body of these guardians is a lion. They just have different heads. - Do you think the sphinx had wings on it at one point? - No, no. Because it wasn't a temple to the celestial. So this is a celestial temple. That's why they have wings. And so you have all the guarding the physical reality as a human type of figure. And then you have above are the eagle head, the eagle guardian. And then below is a combination of the dragon and it's like a Griffin. It's like a dragon lion. - Okay. - Okay. Now those three repeated everywhere at Ionus. That's what those guardians are all over the place. Now there's a flame in the back. Okay, that has two spokes to it. I don't know if you can zoom in on, I'd have to like, right here. Okay, so how do I, I probably can't do that, can I? Nope, I can't do that. - I can't see. - Okay, so right here is a symbol that repeats itself over and over again besides the amazing night's temple our cross. - Right. - See this symbol over here at Over and Over again? - Yeah. - Took me a long time to figure out what this meant. And it wasn't until I cracked this actual code that it made all, it made perfect sense. Now, this is a-- this is a celestial motif. One is a ray of the sun, but another one is a flame, a holy flame, a metaphysical flame, like religion teaches us. And what was so beautiful about this is that there's only one Suci temple left at Ionis, but we know there was a second one. The same pillars that surround it are there, but there's nothing there any longer. The altar that used to be in that other temple, the Arartians moved over to the edge of this one. They also took all the alabaster floors from the old one, and they moved it over to the outside of this and then built a castle on top. Archaeologists do not admit or acknowledge as a second Suci temple that used to exist, but I know there was, because the altar has only two symbols on it. Now, if I told you that the Cosmogram was a big deal that broke this whole thing open, this might be even bigger. This is probably the most significant thing I've ever discovered in my life. And I mean, those temple layouts and the connections of lost civilizations is amazing, but this connects something on a whole level. This connects what humanity needs most, not just our origins and who we are, but what about our connection to God? What about our connection to source? Who are we? What are we a part of? Well, the altar contains only two symbols repeating over and over again, and I'm going to show them in a second. It's a flame and a circle over and over and over again. Only two symbols and they have guardians around all of them. Now, this temple only has the celestial symbols to it. It has no underworld symbols to it, except for the altar. But because the same symbols repeat and they had the same pillar system, we know there was once an underworld temple that the Arartians dismantled. Now, why they did that? I don't know. Maybe they thought it was evil. I don't know why they did, but they dismantled it and took everything out of it, which means that there was once a specific type of Suci temple for the celestial and a specific Suci temple for the underworld. How do you think Gilgamesh got to the underworld? Some kind of a realm gateway. That's what we're about to get into. And we even have the capability because we can put the blueprint back together because everything's a symmetry, we could actually rebuild this temple. It's a temple to the underworld. Now, what is this a temple to right here that we were just looking at with the big white thing in the middle? I'm showing you that there was two Suci temples. Okay, in the background is the only one that's left still. It's the one on the right. It's the celestial Suci temple. What I'm showing is that they're once was another one because of the altar. Now, I'm going to show the altar. Okay. So this is where it gets into something so pivotal that you thought lost civilizations was a big deal. Proving them, this will reshape humanity. I mean that. I anticipate this creates an entire new world religion. No joke. I'm serious. Her medicine will become the new world religion because of this. Let me go over white. That's a huge bold statement. I know. Let me explain what I mean by that. On the altar, the two symbols that repeat over and over again are the flame in the circle. Now, this rod in the center is a pure gold rod. And it used to wear as a flame in the circle here. Flame in the circle is over and over again. This is basically this is the same thing as this. This is drawn out by like a computer. So like they took, you know how they're basically if you're going to go old school with like a piece of paper and a pencil, right? You put it over the top of that and you sketch out what it was. Okay. No way. The flame is under that arrow. There's there's there's two flames. Yeah. So here is the flame. Got it. Over and over again. And then here's the circle over and over again. You see that right here. Now each one of these are guardians. This is your under underworld guardian. This is like your Griffin. Okay. And then you get and then you well, you can't see all of it because it's broken. I only have a piece of it. But over here you can see them, right? Here's your eagle headed God. Here's your here's your enki-haldy mid physical reality guardian. And then here's your underworld guardian. Now each one of them is guarding only two things. There's nothing else that they're guarding. Over and over again, the flame in the circle, flame the circle. Three of them. See that as a God. Yeah. Candelabra. Now this rod right here is a pure gold rod. See, only one that survived. And it also has the flame the circle repeating. Do you see that? Yes. I do. That those would slide. Where was this? Where was this? Where was this? I honest. I honest. And so my theory is that these rods slid into the altar of I honest because those these perfect holes that have already determined would be the right ratio and size to slip these metal gold these gold rods into gold. So kind of technology. A picture of these holes? Yeah. I can it's not the best. I was hoping it would be a lot better. I honest. So the altar itself was a giant tea. I'm sure that makes sense. You'd have to look at it from a different angle. But basically you can see it from the top how it fits in like that. Now the holes on the bottom are perfect for each of those gold rods to slide into. How deep are those holes? Well, they're at least the width is correct for them to slide into. I don't know exactly how far back in they go. So I have to admit that. But they don't look super deep. They look maybe a couple inches. But they fit the perfect parameters of that of that metal rod of that gold rod. I should say not metal. It's gold pure gold. And that's important because gold through ancient alchemy has always been considered very, very powerful and sacred and very important. So anyway, we're going to go back to where we were here. Hold on. How many of these gold rods are there? The only one that survived. Okay. So they the thinking is that the Iranians most likely use the other ones because they're gold. Here, let's get back to where we were now. Okay. Okay. So we're back. So that's the gold rod that would slide in each one of them. And of course it has the same symbols. You're hypothesizing that it would slide in there. You're just saying it's a similar size. Well, there's no other there's no other purpose for it because the holes exactly match the size of those. So I measured the outside dimension of the width of it. It fits exactly like it would fit just perfectly inside there. Okay. So I mean, yes, that is a theory I have. Right. But but look at the top. You also have the see the spirals up here just like on the underwater ruins. Okay. So this is where I made a profound connection. And when I mean profound, I mean very, very significant to history because it's one thing to prove law civilizations. It's another thing to prove like our relationship to God in the universe. And that's what this does. So imagine the most sacred temple of all of I honest, right? The most sacred temple and the whole thing is focused around these only these only two symbols, all of it. The most important two symbols of all, what are they? Well, that's where this came in. I am been a long study of mystery schools, hermeticism. And so we were talking a little about this off-air a bit before we started. Yeah. The reason I discovered this and that archaeologists and other academics and brilliant minds didn't is that you had to be an initiate, a deep initiate in a mystery schools. Or you never would have known what any of these things mean. What's a mystery school? Mystery schools are what used to exist for high level adepts of the greatest knowledge that it that of the universe. And you would imagine certain special schools existed way back in deep antiquity. In which not everyone was necessarily a student, but people who were identified as being special or unique in that kind of way were brought in to these mystery schools to be taught the secrets of everything. Okay. The origins of all secret societies and mystery schools came from this. That's they're all fragmented versions of this. Now, the reason why most people don't know about mystery schools or hermeticism is because it has been severely demonized by the church for centuries. Where does hermeticism come from? Hermeticism comes from hermys. Now, hermys is the Greek god of knowledge. He's the equivalent of thoth in Egypt. There are archetypal messengers. There are messengers of ages. They basically provide vast wisdom during a time when the stability of that age threatens the balance that exists. The messenger and the knowledge through messengers emerges, meaning that this knowledge will never be allowed to die. So, what is hermeticism? Actually, we mean her. We're going to get into that in a second. Yeah. Hold on, you're jumping ahead just a little bit too far here. We're going to go all over hermeticism in a second. Hermeticism, well, I guess I'll do it right now. So, hermeticism is based on the oldest knowledge that exists, period. It's what we used to consider to be the truth of everything in reality. It's based on what's called natural law. So, it's understanding how the universe functions, understanding how every relationship functions as above, so below, as within, so without. That's based on understanding of relationships, meaning that there is no separation between this and above. Everything's like a great stage or play. Everything's all working together like an orchestra. All music instruments are playing some beautiful, beautiful play that we're acting on. We're on the stage of this great play. And balance, nature, the universe, all of the physics. Yeah, and so her metasism, what it was, was was based on the oldest level of knowledge that existed for how everything functioned. And Hermes just happened to be the last of those archetypal messenger gods that existed before we sort of left that time period in that age. So he's exactly like Thoth. You see Thoth and the Ibis, right, in Egypt, who is passing all the knowledge, it's the same thing. They're essentially, they're not, they may be a real person, but they're an archetype that emerges, that has to, meaning that this knowledge is fundamental to the universe. It can't be lost, do you know what I mean? It has to emerge every time the balance is disrupted everywhere. Good and evil. Yeah. So I have been obsessed with this passage. So if you were to take Hermedicism and think of it like a Bible, right? All the knowledge together, this is the most important piece of all of Hermedicism. This right here. How do I know that? Because it's the core of the highest level knowledge. Now, this story comes from what's called a Hermedica that I have on my coffee table every day. I sit next to and read. And in this, Hermes, the great god, great, great god, he has a conversation with the great dragon, who's a pointer, which is God of the universe. It's considered a dragon for all those are wondering, okay? Where the dragon motif comes in. He says, I wish to understand the nature of God or Father, the Father, and the nature of man, right? And God or Poimander goes to, basically, states, do you want to read it for us? No, no, you can do it. Okay, it says, then Hermes asked, how the righteous and wise passed to God, to which Poimander replied, that which the word of God said, because the Father of all things consists of life and light, where of man is made. If therefore a man shall learn and understand the nature of life and light, then he shall pass into the eternity of life and light, meaning basically the highest level knowledge possible of the nature of us, the nature of God, and our relationship to God. That we are basically the same thing. Do you see that? Well, guess what the two symbols repeating on the altar are over and over again. The flame and the circle. The circle on the flame, life and light. The only two symbols repeating everywhere on the rod, on the altar, everywhere, meaning that Hermeticism, this can prove that this is the origin of the oldest knowledge that ever existed. Now, wait till you see what happened as to Hermeticism as I go forward. So they encode this into the oldest structures ever built. And then Hermeticism comes out of it later. So this is the origin, all of that knowledge, right on the calf ball relief, bow below as within without, right? Symmetry, the doorways, the all of it. And then they encode this as the core of all of it. So if you think those things were important, I honest, it's in the center of all those things. And it's core focus, the circle, and the flame, life and light. Life is always a circle. It's always shown as a circle. And we know that it's life because of its depictions all over the underworld and it's in the trees, right? It's life. And then the flame is the holy flame, just like in religion teaches us. It's the holy flame. It's what we have inside each one of us, meaning that we are made of only two things, life and light, and that they're basically teaching us the path to ascension. Okay, so what is Hermeticism? For those who are listening to this, Hermeticism is a philosophical tradition concerned with the underlying order of reality itself. It teaches that the universe operates according to consistent principles that link mind, nature, and the cosmos, and that these principles can be understood through symbolism, geometry, and observation, rather than belief or doctrine. They're all based on governing reality. Reality is ordered, intelligent, interconnected. It's all a system. It's all balanced. Knowledge is conveyed through this through symbolism and allegory. They emphasize always, emphasize the harmony of consciousness, nature, and the cosmos. And they encode it in the most important things possible. So this may be another thing that's going to completely shock people, is that this whole story on how this emerged, and how Hermeticism was destroyed. And but what it led to before it was destroyed. So what we're going to do is we're going to talk about this time period in which Hermeticism was basically banned and destroyed in how Leonardo da Vinci and other secret societies were trying to maintain this knowledge. So the story goes that, if you look it up and you're really curious, is that in the 15th century, in the 1400s, during this time period of Constantinople collapsing. This is the Byzantine Empire, right? You have, Hermeticism is widely practiced. In fact, the early origins of Christianity was based on Hermeticism. And it was being practiced all around the ancient world. In fact, Constantinople was the center of the ancient world at that time. Well, what happened was, as the Byzantine empires is transferring over into Christianity in a more powerful way, you're seeing a little bit, you're seeing a lot of friction with people that are still studying Hermeticism. It's not a very, it's Constantinople became a place where you couldn't freely practice those things any longer. So what happened? Hundreds have not thousands of people from Greece and Western Turkey that region migrated somewhere, all of them. They all migrated to one place, Florence, Italy. Mid 1400s, 15th century, Florence, Italy becomes the center of the intellectual world. Why? Because Hermeticism is brought there, okay? So what happens? Da Vinci learns everything about it. Da Vinci's in secret societies. Da Vinci is initiate, remember this. Da Vinci is an initiate of mystery schools. That's what he is. So he paints very, very clever things to protect this knowledge, okay? Not only is the table a T, but you have the three doors in the back with the middle door being the biggest right behind Jesus. Same concept. And then if you get into the idea that man is like the cosmos with a Vitruvian man and it is the T, you start to see this relationship that is not separate between us and the cosmos at all. And that they understood that we're actually a fundamental part of the expression of the entire universe itself. - Right. - So I wanna go over what happened to Hermeticism. This is super important to us to understand. There's a very evil man in history that nobody has ever heard of called Isaac Kasuban. Welcome Isaac Kasuban back in a history. Isaac Kasuban was an expert in ancient antiquities, to ancient texts. - When did he live? - He was, he died in like 16, like 1640 something in the mid 1600s and he was born around like 14 something, right? - Okay. - So that was the time period, right during this, right during this Leonardo da Vinci, but later on time period. So Isaac Kasuban would become, it would be like after Da Vinci, okay? If you wanna think of it as a time period. So what's happening right now? Christianity has risen very significantly in the Roman Byzantine area. It's becoming very significant and they want a reason to cut off all ties to Hermeticism. They don't want Hermeticism being involved in anything to do with religion or spirituality. There's interest involved in that in the church. So what they do is very clever. They hire Isaac Kasuban 'cause he's an expert in antiquities. They say Isaac, we need you to discredit their Hermetica, Hermeticism, and he's not told that. He's told we need you to date what the age is of what we think is the oldest, you know, text. So Isaac Kasuban takes the Hermetica and he says, he studies the pages and the ink and he under, he can tell when things were written and whatever it is. And he determines that the version that people are reading of the Hermetica is from Alexandria. So the scribes of Alexandria Egypt. But the problem is that it's been rewritten for thousands of years before that. But he tried to claim that the version that they're, that they're studying or using as the Bible, you know, in that kind of consensus is not genuine. It's not as old as the teachings of Moses. See, this is super important understand. So you had Hermeticism that was supposed to be older than teachings of Moses. Teachings of Moses are here, they don't like that. Because these need to supersede this. You see that? So what they do is they discredit the Hermetica as saying that the version that they wrote was from Alexandria and that the teachings of Moses are actually older. Then they completely discredit Hermeticism and they basically go on a witch hunt throughout Europe and burn people to stake and kill whoever is practicing, it's pagans and druids, all that stuff. It's all based on this. Now that, pagans and druids, the druid St. Patrick's story is earlier, but it's based on the same prosecution of this knowledge. They wanted to stamp out Hermeticism because it's a threat to everything. It takes the power away from all religion. It's easier to control when there's one God. It's, yeah, in all ways, right? So they banish Hermeticism, it becomes illegal. People get killed for it, hundreds, if not thousands, get burned at the stake for it. If you practice it, if they call them witches, Remember, they burn them all at the stake. That's what all of that was. All of that throughout history has been this. The blocking off of her medicine with the oldest knowledge possible so that the church can rewrite their own story. So her medicine dies. Christianity rises up, it gets buried. It exists only in fringe areas of the world. People start studying it a little bit. I've been studying it for at least four or five years. I've been fascinated by it. I understood that her medic teachings seem to incorporate everything that the ancient world had all together in one. I recognized how important it was, you know, a long time ago. And now to find that the altar proves that her medicine and the origins of the most important knowledge of everything. It's definitely an interesting connection. It changes the whole ballgame and what it teaches us is this. Is that they explain to us that everything in the universe is based on fractals. But we've been told the opposite. We've been engineered in condition our entire lives to make us believe that we're nothing and that we're insignificant. And we're not something that's a part of the entire universe. They're trying to have us understand that if not only are we a part of the entire universe, but we're the great actors of it. They explain to us that we are the manifestation of all these things that are playing out here. And that a human eye looks like a nebula and a birth of a cell looks like a star and a brain cell looks like a universe because everything is based on a fractal source code. So what they understood was that the universe itself is not dead, empty space. That it's a giant source field of consciousness, the entire universe itself. And that the reason why people tap into it when they become healthy is because you turn your body into a temple, a temple in and the temple out. That's why ancient secret societies were trying to create perfect societies based on this because they recognize the relationship of the temple, the body temple, and the temple outward to create that perfect synergy of the all. That's why there's three pyramids of Giza because each one of them represents the relationship between the earth, sun, and the moon. And that's a fractal relationship that builds off of the Trinity within us. Do you know that the first triptych Trinity is inside us? Mind, body, and spirit. We're the first triptych. It's us. We're a key component of this entire thing. In fact, I don't even think that the technology just obviously even worked without us. That's the entire purpose of-- - So the pyramids were supposed to symbolize that? - No, so get this, it gets even better. The three pyramids based on the specific stone they're using. Limestone is an insulator on the outside, right? And then granite as an incredible piezoelectric properties of that. When you start looking at the relationship between first us, then the three pyramids and the relationship between earth, sun, and the moon, three, three, three. There's one final three. Remember, the universe is made of three parts. So the three parts keep repeating themselves in everything. That's what's so beautiful about it. It's a fractal relationship that repeats on a greater, greater scale. And so they understood that on every level, which means that the last triptych, Ryan's belt, the three belt stars of Orion, that's why they were pointed to that. What I believe it created-- - The pyramids? - Yeah, that's why I believe it created some kind of a conscious technology that's like a stargate, but not a physical stargate. But I firmly believe that these are realm gateways, to not only realms of reality, but other aspects of the universe that we don't even understand yet. And uses consciousness as the ultimate form of technology to incorporate the human into what looks like a system that gets created based on fractal geometry that gets bigger and bigger, and then allows them to create a synergy with the universe. Now, let me show you what I mean by that. Take a look at these images. On the left is a place called Bapwan, it's in Cambodia. It's one of the places that I filmed as part of the documentary. Off to the side in this really remote part of it that nobody goes to that's overgrown in the jungle. I found with Dr. Robert Shock in the team, we found these fractal miniature temples that look exactly like the larger versions next to it. They're miniature versions of it. They were creating the fractal relationship of each one being smaller to bigger to bigger to bigger, which is the same relationship as us to the universe and earth to the stars and everything. So they're creating these miniature temple versions, but not only that, on the right side, that's Hans Orheim is an archaeologist on our team, that's a miniature version of the larger temples right above it. So I could never figure that. I'm walking up the mountain along these temple ruins and there's all these little miniature versions. Like what are these? It wasn't until I understood this that that's what they were building. It was these relationships between fractal geometry. Everywhere, that's why the cheese get bigger and bigger and everything is that relationship. That's what they understood. Everything in the universe is connected, everything. We are part of something so vast and important and unfortunately we forgot. And it has allowed us to have so much disconnection that we are literally living in the inverse version of what we're supposed to be. They understood that, and this is the last slide, is I just want to, you know, have this be the part we can kind of bring this home is that they understood that this blueprint of how everything works is essential for a civilization or it will destroy itself eventually. Essential. Which is why when I showed you Gilgamesh going and finding the Miz with Zayasudra, he lost them after. That's why the Miz never made it into our society after Iraq, because Gilgamesh became obsessed with his own immortality. He tried to use them for his own superiority and he didn't give them back in humanity lost all of this. And it became fragmented in certain secret societies and eventually used to control us. Because if you know how humanity can reach its optimal form, you also know the opposite. - Hmm. - Wow. - So basically they're leaving us the greatest knowledge of the universe and humanity and God and what we are into their structures so that we can find our way back. - So you think that the pyramids were not just symbolic, you think they opened up some sort of like star gates? There's a technology that's involved here. You have to go through-- - How do you think Gilgamesh got to the underworld? - I think it got through it, I honest. From the underworld, the underworld, Suzy Temple. Those Suzy temples, I believe their purpose, were literally realm gateways. That's what they are. A human would lay on the altar, which was a tea and it would literally be a realm gateway to take consciousness, not your physical body, consciousness, and allow you to go to other realms of reality. - Do you think there were drugs involved? - I don't know what they used to get there, but it certainly was a deep alignment and a balance and meditation. Let me give you an example how beautiful this whole thing is. - When was that cup of best dated to Stephen? That Tampa, the University of Tampa, have you heard of that? The cup of best? - No. - I guess best was a God that the Egyptians worshipped. I don't know the exact dates, but there was a cup that was found in ancient Egyptian cup that was found and they did an analysis on the inside of it to determine what was held in that cup. And they found, yeah, there it is. Okay, 2,200 year old. Hallucinogenic ritual found. - Oh, there's plants like Adelix have always been a critical element in all these things, of course. We know the Egyptians highly valued Lotus as their second date. - Yeah, yeah, yeah. - No, no, a hundred percent, I'm for sure. I mean, these are all just things to help. What they do is they bridge, they bridge and separate us from being locked in a physical reality so that we can, it's like you take the divider between those realities and you kind of make that a easy seamless way to go between. Yeah, you just solve it, thank you. And so I believe that what we're looking at are highly advanced technologies that are so much more advanced than we can ever imagine. We're so, sorry, but I think we're so stupid. Thinking that we're gonna build all these ships to fly everywhere, the journey's always been within. And not only that, but they're building technologies that we can take consciousness and travel the stars. What are we doing? - Yeah, I think you're right. - We could be doing the most incredible things. You imagine if we, this blueprint right here, right? And I'll, I can close this out now 'cause we're done, but I'm gonna end on that, it's the last thing. That's Cambodia, this blueprint. You imagine how far we've gone from this? Just think about it for a minute, Danny. How far is our civilization gone from this? From what they knew. - It's certainly a lot of completely different path. - Now imagine we've found this now. Now it's gonna happen. We've found everything. We've found our way back. It's always been a circle. Do you realize that there's always been this fractal journey that's always described in the entire universe and within the human experience? It is that you start in a place where you know everything. Humanity, we start from an origin point, right? From source. The whole idea is that this is beautiful design woven into it. It's a story, it's in the hero's journey where you're supposed to forget everything. Humanity, you're supposed to, it's deliberate. You're supposed to forget everything in wonder. And then you're supposed to find your way back and then end up right where you started. Perfect circle, over and over and over again. It's a story that repeats itself across time. See all the story that's ever known, never been known. It's in the fractal relationship for our story and our consciousness to the universe is profound. Humanity thinks we're separate from the cosmos. We are. the great stage of the cosmos. And what is playing out here is the greatest story ever told. We just forgot it. Yeah. Certainly fascinating, man. It's hard to, so essentially when we were on this path, we were continuing this until the church came around and sort of pushed us to the side and made the church the main story. Because the control of the world and civilization. They understood that if you follow this, you can never be controlled by anybody. Right. You would always be your own temple. You could find ascension through your own means. You wouldn't need any intermediary. That's dangerous because you can't control that. So what do they do? They discredit all of it, burn everybody that practices it, alive on stakes, right? And then they basically banish it. So nobody hears about it. Doesn't think it doesn't think it's anything. And it's the truth all along. And now with these ancient, this ancient code, we can prove it. We can bring all this back. We can bring humanity back into balance, into equilibrium. We can bring them back to being gods of the universe again. That's what we're supposed to be all along. We just forgot. It's wild shit, bro. It's fricking wild. I know. It's it's it's certainly fascinating. And I can see how you can incorporate this stuff into your life and kind of like fall down the rabbit hole and get consumed by it. But I certainly don't see how any path to our society returning to some sort of a, a knowledge or incorporating something like that back into what do you mean? Society in a greater way. How do you not see that? How do you see? It's impossible to ignore that. You think that's going to be able to stay stay close? I can't ignore it personally, but I don't see how you could get the structures and the systems of society today to accept something like I am 42 years old. I have a lifetime to change this world. And I won't stop until this blueprint and this code is embedded into our culture again. This is you can't stop this. There is no going back. It is already out. This world that we've created based on on balance, destroying the planet, killing each other, being completely disconnected to everything that nightmare is about to end. And whether or not you're you can see that it's going to happen in the future. It's inevitable. It just doesn't matter as how long it's going to take. This old world that we have is is is dying and it should die. This all the stuff we built. It's not built on what matters. Imagine what we could do with this. Imagine the stone temples and structures we could build. Imagine the society we could build with coherence with balance and everything in the universe and earth. Imagine what we could accomplish. That is precisely what the entire purpose of free masonry and secret societies was the temple in and temple out. That's the understand at the basis of a society was this knowledge and deep understanding of philosophy and all of that. That's what they understood was the core. And if you if you lost that, if it was degraded, you would basically always have a civilization that would go down to destructive path and eventually would destroy itself. You see, let me answer what you just said. You said that I can't see this being incorporated into our civilization. If this doesn't, here's a, here's a bold statement. If this doesn't, we will destroy ourselves. That is why this is emerging now. I think you probably would need some sort of a large scale destruction before you could see something like this rebirth. Why is that? I think you need something catastrophic. Do you not think that people want this already? How many, if I walked up this I agree with you. I think people want it, but I think you have to have a massive, massive civilizational global shift in consciousness. What about an internet that's all over the world that everybody can two seconds find information at? What about it? What happens if something like this goes viral? What if this is that viral show that just takes off? All it needs is it's interesting. It just needs to have the seed planted in the right way. That's all it needs is that we don't need academics or higher level people to bow down to this. We need, we need a revolution. We need a new renaissance. We need a renaissance of the people. That's why I'm calling this citizen archeology. Let's take back our story. Let's take back the knowledge that we once embodied in everything that we did and let's remember everything that we can be again, because we don't need any high level presidents or academics or people that supposedly rule this world to determine this for us. It's time for us to take back our lives here. We can live that life again and we're supposed to. Yeah, you would just need a complete, a complete destruction of the system that exists. Why do you think it has to be torn down? Why not slow integration of things changing over time? Don't you see that only when things have changed in the past as being torn down? But don't you see that the things that have already been come to integrated into our culture? Look at how many people are already eating organic and from farms and not wanting factory food anymore. Look at all the people that turning stupid TVs off and not even having it anymore. Look at all the people that are just going to ancient sites and being coming so interested in all this stuff again. The movement is already here. It doesn't need to start. It's already here. This is just coming at the perfect time. I see such potential for this and I know there's so many obstacles still. There's so much for us to get by. It won't matter because this is something that can't be stopped. It's a reason why it emerges during these ages. It will transform us. It doesn't mean I'm not advocating for a tear down of our entire world. That would be chaos. Chaos would violate the blueprint of balance. You can't do that. Anything that violates the blueprint, you can't do. Meaning that you have to live in a balanced state. So how would we do this in a balanced way? Slow integration, which is exactly how it's going to happen. Peace by peace. The first peace that's going to change, lost civilizations. I'll map it out for you. I know how the trajectory goes. Lost civilizations gets mapped out. Finally prove lost civilizations exist and everybody asks what they were like. Who were we? Then once they go into who were we, then this all comes out. Simple as that. It's a baby step process that'll lead to an inevitable conclusion and an outcome. I know that before I die, you think it'll happen in our lifetime. Before I die, mark my words, Daniel. I love your optimum. Before I die, this world will be completely different than it is now. I agree with that statement. I just, yeah, it's hard to be optimistic in the times we live in, man. When you have of these global empires battling over shit that's in the Bible, Danny, it's like a, it's like a child trying to grow up. They always have tantrums. Remember, remember, it is always darkest just before the dawn. We're at that point right now. You sound like a prophet right now. I can tell you that this age of transformation or transferring into the age of Aquarius from the age of Pisces. Look at, look at how bad Pisces was. Look at how awful it was. If you have a balance of another age, just imagine what the opposite of that would be. You can't have, remember this, you can't have a golden age during Aquarius. If you don't have the opposite the previous age, that's what balance is. Every age much balances self, meaning that Aquarius can only be that, that beautiful if Pisces was that dark. Everything's perfectly designed the way it's supposed to. And you know what? It's okay if it looks like it's a challenging road ahead of us, because it is. We already have this though. Now we just need to incorporate it. Peace by peace, Daniel. This is it. This is when everything changes. Are you ready? I'm ready, brother. And I love your optimism. It's fascinating shit. Where can people find more of your work? Yeah, please check out. I put my heart and soul into the missing key. The book that lays out this entire thing. It lays all the models. I have an entire codex for what everything means. All the whole journey, the discovery. And please check out my YouTube at Matthew LaCroix and my website, The Stage of Time. But truly appreciate these conversations. We're going to have another one again. Absolutely, man. Yeah, you keep going deeper and deeper every single time. And this has been a wild one for sure. Thanks again, dude. We'll link all your stuff below. And that's all folks.