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16 settembre, Verona

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16 settembre, Verona

On September 16, 1786, the writer visited the Arena di Verona, marveling at its state of conservation as an ancient monument. They were struck by the grandeur of the amphitheater, which appeared imposing yet accessible in its simplicity. The writer reflected on how the arena must have been even more impressive when filled with people in ancient times. They praised the Veronesi for maintaining the monument, noting the use of Russian marble in its construction. Over time, restoration work has been carried out to preserve the amphitheater. The writer also observed the surrounding walls near the Bra square being frequented by artisans. The text conveys admiration for the Veronesi's efforts in preserving this significant historical site, emphasizing the importance of periodic maintenance to ensure its longevity.

Transcription

241 Words, 1324 Characters

16 September 1786. Arena di Verona. This amphitheater is therefore the first watchable monument of antiquity that I have seen and in which state of conservation. When you come in, it made me feel the unique effect of looking grandiose, without really appearing like that. It is true, yes, that you do not want to see empty, but indeed full of people. If not that in ancient times only, it had to produce all its effect, also because then the people were much more people than it is today. The simplicity of the propellers is easily accessible to any eye. Every head is used in that complex. It is necessary to form a whole, a single thing. Now, in seeing an amphitheater empty, it is not a measure to judge the capacity. It ignores if it is vast or restricted. The Veronesi deserve the income for the good conservation of this their moment. It is built with a kind of russian marble, which is degraded under the influence of time. Therefore, it is a master to restore here and there from time to time the buildings. And little by little they have all been renovated. It is not only noted that a part of the walls outside, the underground walls, which are adjacent to the large square called the Bra, are surrounded by artisans and it is curious to see you get out of those others. Now, again to the poplars.

Podcast Summary

Key Points:

  1. The writer describes their visit to the Arena di Verona in 178
  2. The amphitheater is praised for its grandeur and simplicity of design.
  3. The Veronesi are commended for the good conservation of the monument.

Summary:

On September 16, 1786, the writer visited the Arena di Verona, marveling at its state of conservation as an ancient monument. They were struck by the grandeur of the amphitheater, which appeared imposing yet accessible in its simplicity. The writer reflected on how the arena must have been even more impressive when filled with people in ancient times.

They praised the Veronesi for maintaining the monument, noting the use of Russian marble in its construction. Over time, restoration work has been carried out to preserve the amphitheater. The writer also observed the surrounding walls near the Bra square being frequented by artisans.

The text conveys admiration for the Veronesi's efforts in preserving this significant historical site, emphasizing the importance of periodic maintenance to ensure its longevity.

FAQs

The Arena di Verona is an ancient amphitheater located in Italy.

When empty, the Arena di Verona may not give an accurate measure of its grandeur.

The Arena di Verona was built using a type of Russian marble.

The Veronesi people deserve credit for the good conservation of the Arena di Verona.

Yes, over time, parts of the Arena di Verona have been restored and renovated.

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